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Displayed below are some selected recent viaLibri matches for books published in 1929

        Nouvelles Compositions Decoratives 2me Series par Serge Gladky 48 pochoirs plates of Serge Gladky.

      Nouvelles Compositions Decoratives 2me Series par Serge Gladky 48 pochoirs plates of Serge Gladky. Paris: Editions D'Art Charles Moreau, 1929/1930. Portfolio with 48 pochoirs plates of Serge Gladky decorative compositions (4 plates missed). 44 pochoirs in brilliant colors, many with silver and gold colors, reproducing geometrical abstract patterns derived mostly from nature: animals, fishes and plates. The plates are collected in a card board pictorial folder. Serge Gladky (1880 - 1930) prominent figure of Art Deco Movement. 4 pochoirs are missed (n: 2-3-4-5) the others pochoirs are stained through, but colors remain bold and in good conditions. A rare edition that shows sign of time, but still beautiful. PICTURES ON REQUEST

      [Bookseller: Marninart, Inc (ABAA-ILAB)]
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        Laughing Boy

      Houghton Mifflin, 1929 - 1st edition of this early Pulitzer Prize winner Very good plus/very good (apparently first state; the prose on the front flap begins, "Riding over the desert comes Laughing Boy . . . "; the book has a previous owner's name and address stamped on the front free endpaper, and another owner's bookplate on the front pastedown; the original price is present; the dj has a chip at the bottom front corner of the spine but is otherwise little worn for a book of this age) [Attributes: First Edition; Hard Cover]

      [Bookseller: Reed's Rare Books]
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        Sammlung von mehr als 500 Original-Photographien eines Chefstewards auf verschiedenen Luxuslinern auf den Transatlantiklinien der United States Lines. Verschiedene Orte bzw. Schiffe, 1930er bis 1960er Jahre.

      1929. 6 Lederalben (qu.-folio) und lose Photographien (verschiedene Formate). Private Photosammlung des Schiffsstewards Hermann Muller, der zwischen den 1930er und 1960er Jahren - der Hochzeit der Luxusschiffahrt - auf den Passagierdampfern der Reederei United States Lines im Bordservice gearbeitet hatte und bis zum Chefsteward aufgestiegen war. - Die aus einer Postschiffahrtsgesellschaft hervorgegangene amerikanische Reederei United States Lines betrieb von 1929 bis 1969 eine Transatlantiklinie (New York-Bremerhaven und New York-London) für Luxus-Passagierdampfer, die tlw. mit ehemals deutschen, als Reparationszahlungen übernommenen Passagierschiffen (America, George Washington), später mit eigens für die Reederei gebauten Dampfern befahren wurde. Der berühmteste Dampfer des Unternehmens war die United States, das Flaggschiff der Reederei, die auf ihrer Jungfernfahrt 1952 (unter Kapitan H. Manning) das "Blaue Band" errungen hatte. Sie hält bis heute den Rekord für die schnellste Atlantikquerung eines Passagierschiffes in östlicher Richtung. - Hermann Muller fuhr unter anderem auf den Schiffen America, President Roosevelt, Leviathan, Manhattan, Washington und eben auch der United States. Als Chefsteward hatte er die Verantwortung für Küche, Vorratshaltung und Reinigung des Schiffs. Mullers große Umsicht und Einsatzbereitschaft für das persönliche Wohl der teils prominenten Passagiere sowie ein offensichtlich sympathisches Wesen machten ihn zum ersten Ansprechpartner und beliebten Mitglied der Bordcrew, wie zahlreiche herzliche und persönliche Widmungen auf den Photographien wie "Wishing you as always a Happy sailing thru life" bezeugen. Die Photographien (Formate zwischen 7 und 12 und 20 und 26 cm) stammen überwiegend von den Bordphotographen der Linie oder von privat und zeigen neben den Passagieren auch die Crew und das Küchenpersonal, Banketts, Silvester- und Geburtstagsfeiern, Bordhochzeiten, Seebestattung, seltene Details oder auch Gesamtaufnahmen der Passagierdampfer; daneben finden sich auch Familienphotos aus dem Privatleben von H. Muller. - Unter den Passagieren, die sich mit Photo und einigen Grußworten in der Sammlung verewigten, befinden sich viele berühmte Namen der funkelnden Welt des Films und des Jet Sets, des Sports und der Politik, darunter John Wayne, Burt Lancaster, Charlton Heston, Cary Grant, Bob Hope, Horst Buchholz, Edward Duke of Windsor mit seiner Frau Wallis Simpson, Harold Lloyd, Walt Disney, Charles Boyer, Donald Campbell, die Boxer Walter Neusel, Bob Olin und Erich Seelig, Dean Jagger, Joan Crawford, Cornel Wilde, Jean Wallace, James Cagney, den Bürgermeister von London Cuthbert Ackroyd, Corinne Calvet, Herbert Marshall, Salvador Dali, Harry Truman, Dwight D. Eisenhower, Haile Selassie, Ludwig Erhard, Felix Graf von Luckner, Saud ibn Abd al-Aziz Al Saud u. v. m. - Photogr. tlw. gelöst, einzelne mit Randeinrissen, die Alben gering berieben. Insgesamt eine interessante und umfangreiche Sammlung von sehr guter Erhaltung.

      [Bookseller: Antiquariat Inlibris]
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        Oeuvres complètes. A La Recherche du Temps perdu.

      Paris, NRF. , " in-octavo ", 1929-1936. 10 tomes en 18 volumes in-8, brochés, couvertures roses imprimées. Un des exemplaires numérotés sur " chiffon de Bruges " et filigrané " à la gerbe ". Du côté de chez Swann (2 volumes). - A l'ombre des Jeunes filles en fleurs (3 vol). - Le côté de Guermantes (3 vol) - Sodome et Gomorrhe (2 vol). - La Prisonnière (2 vol). - Albertine disparue (1 vol). - Le temps retrouvé (2 vol). - PASTICHES ET MELANGES (1 vol). - LES PLAISIRS ET LES JOURS (1 vol). - CHRONIQUES ( 1 vol). Bel exemplaire. ENSEMBLE EN TRES BON ETAT.

      [Bookseller: Livres de A à Z]
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        Autograph postcard signed. Kiev, 20. XII. 1929.

      1929. Oblong 8vo. 1 p. With autograph address. To his third wife, Natalja, on being terribly busy, and some plans to meet her on the 25th: "[...] ich habe das Billett wieder über Moskau gekauft, folglich wenn ich nicht wegen der Sache mit dem Glawiskusstwo und dem Porzellan einen Tag in Moskau eine Unterbrechung mache, dann komme ich am 25. morgens mit dem Schnellzug an, und wenn es nötig ist für einen Tag zu bleiben, dann am 26. morgens [...] Overshoes cannot be found here, they have only black ones, but only upon presentation of the receipt. Maybe I'll get some at Moscow [...] I don't know how it will work out in Kiev. There is a lot of trouble at the moment [...]" (transl. from the Russian original). Malewitsch über sich. Zeitgenossen über Malewitsch. Briefe. Dokumente. Erinnerungen. Kritik. Bd. 1, Moskau 2004, Nr. 22.

      [Bookseller: Antiquariat Inlibris]
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        The Poisoned Chocolates Case

      Pub. for The Crime Club, by Doubleday, Doran, 1929. Hardcover. Very Good/Very Good-. Previous owners name to front endpaper, otherwise clean hardcover in black cloth with red print to spine and front. Binding with a slight lean, corners square, very slight bowing of the boards. Unclipped $2.00 dustjacket with light wear and an assortment of small tears and chips, some of which were repaired some time ago with tape to the verso. minor loss at spine ends and back cottom edge, in fresh mylar. Garden City: Published for the Crime Club by Doubleday, Doran & Company, 1929. Early, not first, printing. 299 pages. A Haycraft Queen Cornerstone title, featuring Roger Sheringham and his Crimes Club. - - Wrapped, boxed and promptly shipped with tracking provided.

      [Bookseller: 4Shadows Books, IOBA]
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        Autograph letter signed. [Moscow], 22. V. 1929.

      1929. Small 4to. 2 pp. In Russian, to his third wife, Natalya, on meetings with commissioners for foreign trade, an official trip, etc. "[...] I'm dreadfully tired, wandering through the storeys like a travelling salesman, visiting all companies there, hurrying from one manager to the other; I just finished my work at the Tretyakova yesterday, on the 20th. Then I went to Nemchinovka, but only for a while, but at least Klyun was there, and so we went to Barvikha. Unochka scolded me for being away from home so often, but it took me a whole week only to get the porcelain thing settled. My meetings and appointments with various officials from the People's Commissariat for Foreign Trade as well as myself make a huge impression. I even imagined myself the lying stone under which no water flows, and when this stone rose the water began to swirl and to bubble. But by now, everything is set up. And everything seems to be quite well now, but let us see. The People's Commissariat for Foreign Trade promptly sent a note to the Leningrad porcelain factory telling them to enter negotiations with me at once, also to the Silicate Trest and the Wallpaper Trest etc. What with all this bustle, Suyetin and I will have so much to do that I can't tell how we shall stand it. It has already come so far that Exports is going to send me on a business trip abroad. Today (Wednesday) I'm giving my lecture to the assistants, all of Thursday I will spend with Unochka, and on Friday I'm going to buy the ticket, though I do not know for which day they'll give me one. I long for you and fear that this longing will prevent me from bringing the whole thing to an end. I expect to leave on Sunday [...]" (transl.). Published in: Malewitsch über sich. Zeitgenossen über Malewitsch. Briefe. Dokumente. Erinnerungen. Kritik. vol. 1 (Moscow 2004), no. 13.

      [Bookseller: Antiquariat Inlibris]
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        Autograph letter signed and autogr. multi-coloured pen and ink drawing. Buenos Aires, 29. X. 1929.

      1929. 8vo (letter) and oblong folio (209:308 mm). 5¼ pp. (letter) and 1 p. (drawing). To the Frederick Henry Walton Foundation, City of Buenos Aires, confirming an agreement with his correspondent on the terms he is prepared to work with the Foundation; re refers to a course of 10 lectures on architecture and urbanism he has just given and to the reputation he acquired in the past two weeks, explaining the aim of the Foundation was to transform the architecture of Buenos Aires to be known as "Les grands Travaux de Buenos Aires - architecture and urbanism" and to be directed by the architect Antonio Vilar to promote an era of revolutionary town planning. - Le Corbusier attached a coloured sketch to his letter to illustrate his plan clearly; it outlines advanced technical an dfinancial possibilities for modernizing the surrounding suburbs, with references to plans for an airport, railways, underground trains, sewers and to a program for constructing magnificent skyscrapers. Stating he is certain that the development of Buenos Aires would one day be comparable to New York; he points out that his stay is limited to a few days, and he hopes his suggestions are of interest; asks his correspondent to maintain frequent and speedy contact to allow him to carry out the necessary decisions. - Le Corbusier's visit to Buenos Aires in 1929 was financed by the Asosiación Amigos del Arte, La Faculdad de sciencias exatactas y la Asosiacion, and Amigos de la Ciudad at the suggestion of his host, the intellectual socialite, Victoria Ocampo. He gave ten lectures to the local cultural elite later published as "Précisions sur un état présent de l'architecture et de l'urbanisation". - The letter on stationery of the Majestic Hotel in Buenos Aires; his drawing with small tears in foldings, and somehwat spotty.

      [Bookseller: Antiquariat Inlibris]
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        Autograph letter signed. Moscow, 14. V. 1929.

      1929. 4to. 2 pp. In Russian, to his third wife, Natalja, about an experience during his travel to Moscow, his daily work, a proposed business trip abroad, his daughter Una, etc.: "[...] Today, on the 14th, I started working at the Tretjakowa. I was promised to sell a drawing soon [...] I called upon the Main Administration for Literary and Arts Affairs, but, as usual, they promised to make arrangements for a separate meeting and to talk to Shutko. Chwojnik sent me a note regarding my business trip abroad. It is all about not being willing to give one single Dollar in foreign currency [...] Chwojnik, who is head of the artistic department, is publishing characterstics of Russian artists and asks me to act as a model. In general, they all behave well to me. My beloved Natalja, don't let yourself get bored, don't get upset, don't lose weight. During this journey I have to do everything to lay in provisions for the winter [...]" (transl.).

      [Bookseller: Antiquariat Inlibris]
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        Morceaux Choisis de La Fabrication des Américains [The Making of Americans] - INSCRIBED BY GEORGES HUGNET TO TRISTAN TZARA

      Éditions de la Montagne, Paris 1929 - French edition of excerpts from Stein's The Making of Americans, translated and with a preface by Georges Hugnet and signed and inscribed on the half-title by Hugnet to the Romanian and French avant-garde poet Tristan Tzara. 8to. Softcover. 122 pp. From an edition of 302 copies, this copy not numbered. A fine uncut copy, inscribed to Tristan Tzara by Hugnet (translated from the French): "To my dear Tristan Tzara on behalf of Gertrude, this little book excerpted from a very big one, with all my best, Georges Hugnet, St Malo, June 1929." Also included are three copies of an order form for the book. Light toning to the covers, some slight dents to the edges and very small losses to the spine. One of the first books published by Éditions de la Montagne, which had been founded the same year by Hugnet. Although attributed to Hugnet, the translation was actually made by Virgil Thomson and Stein herself. The edition was the first publication of one of Stein's works in translation. From the collection of Myrtille Hugnet, acquired upon the sale of Tristan Tzara's collection.Georges Hugnet, French poet and critic, was born in Paris in 1906. A man of many talents, he dabbled in a variety of artistic pursuits including poetry, editing, publishing, translating, film and play writing, acting, rare book collecting, and book binding design throughout his life. His many artistic friends included Joan Miró, Marcel Duchamp, Pablo Picasso, Tristan Tzara, Man Ray, and Jean Cocteau. With financial backing from his father, a furniture manufacturer, Hugnet established the publishing company Les Editions de la Montagne with the intent of publishing his own works and the work of his close friends including Tristan Tzara, Pierre de Massot, and Gertrude Stein. It was Virgil Thomson who introduced Gertrude Stein and Hugnet in 1926. Stein and Hugnet had a short-lived but intense relationship, lasting until 1930.

      [Bookseller: Schubertiade Music]
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        2 eigenh. Briefe mit U. und 2 eh. Postkarten mit U. München, Zwickledt u. a., 1929 bis 1931.

      1929. Zusammen 7 SS. Gr.-4to und 8vo. Eine Karte mit eh. Adresse. Freundschaftliche Korrespondenz mit dem befreundeten Maler Reinhold Koeppel (1887-1951): "Außer Eurer Geneser Karte erhielten wir noch keine Nachricht hoffen aber, daß es Euch nach Wunsch geht. Ich bin seit etlichen Tagen in München. Ich komme über das Gefühl einem Marionettenleben hier in der Stadt beizuwohnen gar nicht mehr hinweg - aber ich fand dennoch gewisse Zerstreuung: der Film 'Der Patriot' war recht lohnend - empfehlenswert, obschon keinen einzigen tiefergehenden Seeleneindruck diesmal [...] dabei soll es mit der Verpflegung aber nicht mehr gut sein hörte ich was mich nicht wunder denn man hängt dort ja auch ganz vom Personal ab, und die Anthroposophen legen auf gutes Essen wenig Wert, heißt es [...]. Ich sehe keine vernünftige Hoffnung mehr - bleibt das Wunder welches auch schließlich auch immer noch sich als vertrauenswürdig erwiesen hat zum Ende. Lasst aber nun wirklich einmal von Euch etwas hören [...]" (a. d. Br. f. 28. IV. 1829).

      [Bookseller: Antiquariat Inlibris]
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        The Intimate Life of the Last Tsarina

      London - Cassell and Co., 1929 Book. NEAR. Hardcover. First edition.. A fascinating biography of Alexandra Feodorovna, the finalEmpress of Russia. Written by Princess Catherine Radziwill, a notable Polish aristocrat. She was a prominent figure at the Imperial courts in Germany and Russia. To the preface Radziwill writes 'This is neither an apology nor an indictment of the last Empress of Russia. . . it is impossible not to defend her from baseless accusations which have been held at her head, yet it is equally out of the question to absolve her from a very large share of responsibility in regard to the terrible collapse of Russia. ' This is the first edition of this text. Illustrated, with eight photographic plates of Alexandra, her family and her acquaintances. Radziwillpenned many texts regarding the fall of the Russian empire andthe revolution such as Russia's Decline and Fall: The Secret History of a Great Debacle andSecrets of a Dethroned Royalty . Bound in the 1980's after Asprey's acquisition of Zaehnsdorf bindery, who merged it with their previous acquisition of Sangorski and Sutcliff. This binding islikelyto be Zaehnsdorf bindings, under the name of Asprey. Condition: In a full crushed morocco binding by Zaehnsdorf for Asprey. Externally, lovely condition with a few minor handling marks to boards. Asprey and Co gilt stamp to front pastedown. Internally, firmly bound. Pages are slightly age toned to edges with the odd handling mark to thebottom margin and a few spots to the first few pages. Overall: NEARFINE..

      [Bookseller: Rooke Books]
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        L'homme traqué.

      Librairie Des Champs-Elysées Paris 1929 In-4 carré ( 250 X 190 mm ) demi-chagrin acajou à bandes, dos lisse orné de filets dorés et à froid, tête dorée, couverture et dos conservés. ( Reliure signée de GAUCHE ). Eaux-fortes hors-texte de CHAS_LABORDE. Tirage limité à 149 exemplaires, un des 100 exemplaires sur Rives ( n° 93 ) enrichi d'une suite en sanguine. Bel exemplaire, bien relié. D'autres photos sur

      [Bookseller: Librairie Tiré à Part]
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        Album Johannei. Teil 1 - 2 cpl. : Teil 1: Einleitung und Schülerverzeichnis 1529 – 1732 / und Teil 2: Schülerverzeichnis 1732 – 1802.

      Christians, Hamburg 1929 - ( Erscheinungszeitraum 1929 – 1933 ). Der erste Teil mit 100 Seiten und einigen schwarz-weißen Tafeln / Der zweite Teil mit XII, 307 Seiten und einigen schwarz-weißen Tafeln. Jeweils in blauem, goldgeprägten Oln, 8° ( 24 x 16 cm ). Die Bände jeweils aus der Bibliothek Werner Puttfarkens mit eigenhändigem Besitzvermerk Puttfarkens auf dem vorderen Vorsatzblatt. In beiden Bänden jeweils zahlreiche handschriftliche Anmerkungen und Ergänzungen Puttfarkens zu den biographischen Daten meist in Bleistift, teils in Tinte. Ferner inliegend weitere handschriftliche Dokumente Puttfarkens sowie eine vierseitige Ausarbeitung ( Typoskript: ein wichtiger Fund zur Geschichte des Johanneums von 1597 – 1615 ) sowie ein maschinenschriftliches Schreiben des Vereins für Hamburgische Geschichte an Puttfarken aus dem Jahre 1952. Die Einbände etwas berieben, gering fleckig, leicht lichtrandig, Ecken teils gering bestoßen. Innen Papier durchgehend leicht gebräunt, zahlreiche Seiten ( wie beschrieben ) mit handschriftlichen Anmerkungen Puttfarkens. Zusammen 2 Bände. - sehr selten - ( Gesamtgewicht ca. 1300 Gramm ) ( Bitte beachten: Unter meiner Artikelnummer 14397 finden Sie ein Angebot nur für den zweiten Band als Dublette separat ). ( Pic erhältlich // webimage available ) [Attributes: Hard Cover]

      [Bookseller: Antiquariat Friederichsen]
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        Cup of Gold.

      Robert M.McBride and Company. 1929 - Steinbeck, John. Cup of Gold. NY: Robert M. McBride and Company 1929. 1st Edition, 1st Printing. 8vo, 269 pp. Yellow cloth lettered in black. Top edge stained blue but faded. McBride publishers bell device bottom of page 269. Previous owner name in pencil first end page. A Near Fine copy of Steinbeck's first book. Binding tight, contents clean. Tiny, tiny bit of wear to the extremities. Spine cloth a tad darkened. [Attributes: First Edition; Hard Cover]

      [Bookseller: Holly Books]
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        Le chasseur vert

      - Editions Orion, Paris 1929, 19,5x25cm, broché. - Edizione illustrata con 7 composizioni originali incisi incisione di Jean-Emile Laboureur, una delle 300 copie numerate su pergamena bianca al serbatoio BFK Rives. Bella copia. - [FRENCH VERSION FOLLOWS] Edition illustrée de 7 compositions originales gravées au burin par Jean-Emile Laboureur, un des 300 exemplaires numérotés sur vélin blanc à la cuve B.F.K. de Rives. Une infime déchirure sans gravité en tête du dos, sinon agréable exemplaire.  

      [Bookseller: Librairie Le Feu Follet]
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        A Farewell to Arms

      New York: Charles Scribner's Sons, 1929. Small bookseller's label to the bottom of the front end paper; close to fine in a very good jacket, with several small nicks and closed tears along the edges, toned at the rear panel.. First Edition. First issue dust jacket. Octavo. Ernest Hemingway's powerful novel on love and war at the beginning of the twentieth century, loosely based on his experiences as an ambulance driver during World War I.

      [Bookseller: Harper's Books, Inc.]
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        Is Sex Necessary? or Why You Feel the Way You Do

      Harper & Brothers Publishers, New York 1929 - Signed by White on the title page, "E B White." E. B. White's third book, and one co-authored with James Thurber who also provided the illustrations. Exceedingly rare in a first edition, first printing, published in a small run of 2,500 copies. There is a theory that the first 1500 copies were bound in the light green boards like this edition in September, two 500 copy runs bound later in a different way. [Hall A3]. First Printing. xxix, 197 pp. 8vo. Wear and scuffing to covers, bumping to corners, paper loss to each. Light green paper covered boards with Thurber's drawing of a man in the lower right corner of the front board, black cloth spine has bumping at heading and foot, gold embossed titling. First Printing as indicated by the cod "I-D" on the copyright page (September 1929) [Hall A3]. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Artisan Books & Bindery, ABAA/ILAB]
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        Women in parliament... done into English by Jack Lindsay with illustrations by Norman Lindsay and a foreword by Edgell Rickword

      London: The Fanfrolico Press, 1929. Folio, limited edition of 500 printed exclusively for subscribers by the Chiswick Press; pp. xiv, [2], 59, [1]; 4 engraved plates, engraved headpieces; original half blue calf over blue cloth boards, gilt-decorated title on cover, gilt title direct on spine, t.e.g.; light rubbing to joints, very good.

      [Bookseller: Rulon-Miller Books]
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        Les copains.

      Editions Jeanne Walter. Paris, 20 décembre 1929, fort in-4° broché, couverture rempliée. Chemise et étui. 222 pages. Illustré de bois en couleurs de R. de Villepreux. Une vignette sur la couverture, une vignette identique sur la page de titre. 51 bois en couleurs, dont 41 in texte et 10 hors texte et pleine page, accompagné d'une suite en couleurs des illustrations. Exemplaire N°IV des XXV hors commerce, celui-ci sur Japon, imprimé spécialement pour M. Jean Picart le Doux. Signatures autographe de l'illustrateur et de l'auteur. Sur la page de faux-titre, une petite aquarelle originale et un envoi autographe de l'illustrateur à Jean Picart le Doux. Très bel exemplaire en parfait état.

      [Bookseller: Librairie La Rose de Java]
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        Maldonne -

      J.Ferenczi et Fils 1929 - - 1 volume. In-12 310 pp. Reliure demi-maroquin framboise à coins. Dos à nerfs avec date en queue. Tête dorée. Couvertures et dos conservés. Non rogné. Reliure signée CANAPE et CORRIEZ. Bel exemplaire. EDITION ORIGINALE avec un bel envoi de l'auteur: "Au pur poète / Armand Godoy / ce trop faible témoignage / de ma profonde admiration, / de ma gratitude / et de mon amitié / Yves Gandon". En outre, l'ouvrage est enrichi d'un feuillet manuscrit de l'auteur dédié au "poète Armand Godoy ce chapitre manuscrit de son admirateur et ami Yves Gandon". Ce chapitre correspond au chapitre XII du livre. Le poète Armand Godoy est né à La Havane en 1880. A 40 ans, il décide de devenir poète français "dans la langue de Baudelaire" et s'installe à Paris en 1919. Bibliophile, il vouait une admiration toute particulière à ce poète dont il possédait un nombre considérable de documents et de souvenirs, notamment les lettres de Baudelaire à sa mère. [Attributes: Hard Cover]

      [Bookseller: Librairie KOEGUI]
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        The World Crisis: The Aftermath, 1918-1928, review copy of the first U S edition

      New York: Charles Scribner's Sons, 1929. First Edition, First Printing. Hardcover. This is a jacketed publisher?s review copy of the first edition, first printing of the fifth book of The World Crisis, Churchill's acclaimed history of the First World War. Jacketed first editions are quite scarce. This copy would be notable for condition alone ? near fine in a very good dust jacket. What makes this copy exceptional is discovery of the original publisher?s review slip laid in at the front pastedown. The 5 x 3.25 inch review slip is printed dark brown on ivory stock in eight lines below a decorative device: ?TO THE LITERARY EDITOR | We take pleasure in presenting this book for editorial | use with the request that in notices or reviews attention | be called to the price. A clipping of such notices or | reviews will be greatly appreciated by | Charles Scribner?s Sons | 597 Fifth Avenue, New York? A ?Date of Publication? line is left blank but in the ?Price? line is hand-written ?5.00?. This is the first review copy of this volume we have encountered. Any prospective collector will hopefully forgive the intended reviewer for the fact that this copy apparently went unread. The russet cloth binding remains square and tight with perfect, unfaded color and vivid gilt, consonant with its protection beneath an original dust jacket. We note only slight wrinkling at the spine head, a few small bumps to the upper and lower edges of the rear cover, and light wear to the corners. The contents retain a crisp feel with no spotting. The page edges show only modest age-toning and light dust soiling to the top edge. The sole previous ownership mark is an inked gift inscription on the front free endpaper dated ?1929?. The dust jacket is substantially complete and retains the original $5.00 front flap price. We note minor chipping to the spine ends and corners and a 2.5 inch closed tear to the upper rear hinge. The jacket faces are clean. The spine shows moderate, uniform toning and faint moisture staining to the upper spine at the title. The dust jacket is protected beneath a removable, archival quality clear cover. This fifth volume of The World Crisis deals with the postwar years 1918 to 1928. Churchill was in a special position to write this history, having served both in the Cabinet and on the Front. First Lord of the Admiralty from 1911 until 1915, after the failure in the Dardanelles and the slaughter at Gallipoli, Churchill was scapegoated and forced to resign. He spent political exile as a lieutenant colonel leading a battalion in the trenches. Before war's end, Churchill was exonerated and rejoined the Government, but the stigma would linger. Churchill may have meant for his history of the First World War to clear his name, but his six volume masterwork far exceeds this purpose. The U.S. is the true first edition, as U.S. Volume I publication preceded the British. Both the U.S. and British editions were originally published as six individual books between 1923 and 1931. Today, jacketed first editions are quite scarce - jacketed U.S. editions even more so than their British counterparts. Bibliographic reference: Cohen A69.1(IV).a, Woods/ICS A31(aa), Langworth p.103

      [Bookseller: Churchill Book Collector]
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        Privates Dokumentationsalbum des Architekten Gustav Siegel.

      (Nürnberg Ca -34) 1929 - (51 x 40 cm). 30 Bll. Mit je einer montierten Original-Fotografie in Silbergelatine (ca. 17 x 23 bzw. 23 x 17 cm). Halbleinwandband der Zeit. Die professionellen Fotografien zeigen verschiedene Häuser des Nürnberger Architekten Gustav Siegel (1887-1967), darunter zahlreiche Ein- und Mehrfamilienhäuser (z.B. Wohnhaus Dr. Gießberger), das Verwaltungsgebäude der Konservenfabrik Dr. Willi Knoll und das der Krankenkasse und des Lebensversicherungsvereins "Prima". - Einband leicht berieben, sonst sauber und wohlerhalten

      [Bookseller: Antiquariat Gerhard Gruber]
 23.   Check availability:     ZVAB     Link/Print  

        Une Nuit dans la forêt. Premier fragment d'une autobiographie.

      Lausanne, Au Verseau, 1929, in-4°. Exemplaire broché, couv. rempl., IV 52 pp. Édition originale. Illustrée de trois eaux-fortes de Charles Clément. Ce livre, écrit en 1927, publié en 1929, dont Cendrars avait déjà noté dès 1925-26 le titre et le plan : Une nuit dans la forêt : nuit vénérienne, forêt de sombres désirs est le premier fragment de son autobiographie et un témoignage essentiel sur la passion de Cendrars pour la forêt brésilienne. Il y a fait cinq voyages annuels de 1924 à 1927, puis en 1929. On retrouvera le Brésil dans Une nuit dans la forêt (1929), Histoires vraies (1937), La Vie dangereuse (1938), D'Oultremer à Indigo (1940), et dans d'autres titres parus après la guerre, L'Homme foudroyé (1945), Bourlinguer (1948), Le Lotissement du ciel (1948), Trop, c'est trop (1957). Un des exemplaires sur papier d'Auvergne. N°198 "Dépouiller le vieil homme pour retrouver la vie, c'est ce que nous voyons Cendrars faire lui-même dans Une nuit dans la forêt, l'un de ses livres les plus pathétiques, publié en 1929, en édition de luxe, à tirage très limité, puisqu'il n'y en eut que 500 exemplaires, ce qui explique le fait que peu de personnes aient lu ce "premier fragment d'une autobiographie" qui est un ouvrage capital pour bien le connaître." (Lévesque. Blaise Cendrars. NCR, 1947, Une nuit dans la forêt, p. 71). Rousseurs comme toujours avec la papier Auvergne.

      [Bookseller: Librairie Aux Vieux livres de Gustave]
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        Writings [Memorial Edition]

      New York Harper & Brothers 1929 - One of Ninety Sets, with an Excellent Autograph Letter Signed by Twain and a Manuscript Leaf by Him TWAIN, Mark. The Writings. New York: Harper & Brothers, 1929. Memorial Edition, one of 90 numbered copies (this copy being number 55). Thirty-seven octavo volumes. Title-pages in blue and black. With inserted portrait frontispieces. Publisher's three quarter brown morocco over polished brown cloth boards. Spines decoratively stamped in gilt, tooled in compartments with two raised bands, top edges gilt, others uncut. The first twelve volumes are a slightly lighter color than the rest. A magnificent set of this fine and rare edition of Twain, complete with the Biography (volumes 30-33) and Letters (volumes 34 & 35) edited by Paine, and the Autobiography (volumes 36 & 37). With a letter and manuscript page tipped-in volume I. [With:] TWAIN, Mark (1835-1910). Autograph Letter Signed "S.L. Clemens" and initialed "SLC." Kaltenleutgeben: July 26, [18]98 (Twain and his family had a villa in this Austrian town in 1898). Written in black ink. Two twelvemo pages on one octavo leaf, second half of leaf with paper repairs (not interfering with text), usual fold lines, red ink marking on first page, not interfering with text. "Dear CA[?]W: Please send me [crossed-out word] your new Stevenson book, for Mrs. Clemens - cheap edition. I mean the book about - about- I think it’s poetry. ("Black & White?") And I’d like to have the cheap edition of "Spiritual Tales" (is that it?)[superscript: "Except vol. 1 - I have that] by Mrs. or Miss Macleod. [superscript: "Edinburgh"] They are located in the isle of Iona, I think. Sincerely Yours S.L. Clemens [flourish] OVER Why don’t you have Bliss [five words crossed out] send you some Ameri-can copies of my last book? Wouldn’t the illustrations sell there? Or would the title [crossed-out word] interfere awkwardly? SLC" [With:] TWAIN, Mark. One page manuscript [N.p., n.d., ca. 1880]. One octavo leaf, verso only, entitled "Readings." Written in blue ink. Seventeen lines of short titles for stories or sketches to be read at one of Twain’s public readings. Fine. HBS 67709. $37,500 [Attributes: Signed Copy; Hard Cover]

      [Bookseller: Heritage Book Shop, ABAA]
 25.   Check availability:     AbeBooks     Link/Print  


      Paris, Éditions de la NRF, 1929. 1 volume in-4 tellière, broché, couverture imprimée en noir et rouge. Édition originale. Tirage : 806 exemplaires. Celui-ci 1 des 100 réimposés sur vélin pur fil de Lafuma destinés aux Bibliophiles de la NRF. PREMIER PAPIER. Celui-ci n° XXVI nominatif. Très bel exemplaire.

      [Bookseller: Patrice Jeudy - Livres Anciens et Modern]
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        A Farewell to Arms (SIGNED)

      Grosset & Dunlap, Publishers, 1929. Book. Good+. Hardcover. Signed by Author(s). Early Printing. 8vo - over 7¾ - 9¾" tall. Black cloth hardcover with red title labels on spine and front; no jacket; new clear plastic protector. Inscribed and signed in black ink by Hemingway on the blank leaf preceding the half-title page: "For W. N. Gardner, wishing him all good luck, Ernest Hemingway." Good plus condition : cloth on spine very slightly faded; spine label faded from red to orange; mild spotting to boards; mild wear to top and bottom edges of binding with slight loss of cloth at corners and head of spine; straight and tight; light toning to endpapers; very slight occasional flaw to pages but they are really in quite nice condition. Published by Grosset & Dunlap in arrangement with Charles Scribner's Sons (imprint on title page); copyright page states 1929 but probably issued circa 1931/ 8vo; (viii), 356 pages. The binding agrees with Hanneman A8d, but lacks the blindstamped G&D logo on the front cover. It retains the Scribner printing information on the title page, and the Scribner seal on the copyright page. The page block measures 8-1/16 by 5-1/2 inches..

      [Bookseller: The Old Sage Bookshop]
 27.   Check availability:     Biblio     Link/Print  


      Payson & Clarke Ltd, New York 1929 - Octavo, pp. [1-6] 1-265 [266: colophon], original orange cloth, spine panel stamped in black. First edition. A weird mystery thriller with murder seemingly committed by supernatural means. Bleiler (1978), p. 157. Not in Reginald (1979; 1992). Hubin (1994), p. 642. Cloth just a bit dusty, a nearly fine copy in nearly fine pictorial dust jacket (illustrated by Tony Hughes) with faint vertical crease at center of spine panel and a couple of small insect holes along rear flap fold. (#153293) [Attributes: First Edition; Hard Cover]

      [Bookseller: Currey, L.W. Inc. ABAA/ILAB]
 28.   Check availability:     AbeBooks     Link/Print  

        Es kommt der neue Fotograf. Dieses Exemplar stammt aus der verlassenschaftlichen Bibliothek nach weltbekannten, tschechischen Kunst-Photograph Jan Lauschmann (*1. April 1901 Raudnitz a. Elbe - +1. Januar 1991 Brünn)

      Berlin: Hermann Reckendorf 1929 OLWd., 126 Seiten, 4°, mit zahlreichen, SW-Fotografien auf Tafeln. Oranger Einband mit blauer Beschriftung auf Vorderdeckel und Rücken. Gefärbter Kopfschnitt. Vorsatz mit Buchhändlerschildchen (Josef F. Rimpler Verlag Haida) versehen. Exemplar nahezu unbeschädigt und frisch. Vorsätze und Titelblatt ganz leicht fleckig, sehr guter Zustand. Selten.Avantgarde, Kunst-Foto

      [Bookseller: Antikvariát Valentinská]
 29.   Check availability:     Link/Print  

        1 Blatt mit 2 eigenh. Schemazeichnungen als bildliche Erläuterung zu einer Aufführung im Budapester Avantgarde-Theater „Der grüne Esel“

      1929 - 21 : 14,5 cm, Bleistift auf Papier, signiert - Die Zeichnungen entstanden als Antwort auf den beigefügten , an S. Bortnyik gerichteten Brief des ung. Kunstwissenschaftlers Andor Tiszay, der den „lieben Freund“ um eine Rekonstruktion des einst aufsehenerregenden Bühnengeschehens bittet. Produzent des „Grünen Esels“ war der Verlag der Zeitschrift „100 %“, Regisseur der Schriftsteller Ödön Palasovsky. Bortnyik lieferte die gewünschte Rekonstruktion: 1. Bühnenschema mit Position der Diaprojektoren (für das Bühnenlichtbild), 2. Bewegungsschema mit Grundriß

      [Bookseller: Antiquariat Dietrich Schneider-Henn]
 30.   Check availability:     ZVAB     Link/Print  

        Mummy's Bedtime Story Book

      London: Cecil Palmer no date [1929]. Blue morocco re-spine. 56 pp. Pictorial boards. Pictorial endpapers. Boards edgeworn. Full-page colour illustrations and coloured borders throughout by Jessie M. King. . Very Good. Original Boards. First Edition. 1929. 4to..

      [Bookseller: Fosters' Bookshop]
 31.   Check availability:     Biblio     Link/Print  

        La seconde

      1929. J. Ferenczi & fils, Paris 1929, 13,5x21cm, broché. - J. Ferenczi & fils, Paris 1929, 13,5x21cm, broché. - Prima edizione, una delle 200 copie numerate non Commercio su colori imitazione giapponese di carta (nostri blu) appositamente stampate per l'autore. autografo prezioso firmato Colette: "Per Jean Giraudoux un vecchio amico." Dos e stoviglie poco e marginalmente insolated, piccoli restauri piede posteriore, copiare tutti i margini. [FRENCH VERSION FOLLOWS] Edition originale, un des 200 exemplaires hors commerce numérotés sur papier simili-Japon de couleurs (le nôtre bleu) spécialement imprimés pour l'auteur. Précieux envoi autographe signé de Colette : "A Jean Giraudoux une vieille amie." Dos et plats légèrement et marginalement insolés, petites restaurations en pied du dos, exemplaire à toutes marges.  

      [Bookseller: Librairie Le Feu Follet]
 32.   Check availability:     Link/Print  


      - GRUELLE,JOHNNY. MARCELLA STORIES. Joliet: Volland (1929). 8vo, cloth backed pictorial boards, 94p. + 1p. ads. Slight wear else near FINE IN PUBLISHER'S BOX (neat flap repairs). 1st edition. No additional printings listed and no listing of later titles. This is a Raggedy Ann story featuring all of Gruelle's favorites and with bright color illustrations throughout. A great copy. [Attributes: First Edition; Hard Cover]

      [Bookseller: Aleph-Bet Books, Inc. - ABAA]
 33.   Check availability:     AbeBooks     Link/Print  

        Oeuvres Complètes Illustrées En 27 Volumes Édition Complète

      Collectif D'illustrateurs Ne Varietur Grand In-8 Sous Emboitage Broché Paris Ed. limitée 1929 Tirage de tête , édition numérotée N° VI , un des 100 exemplaires sur Hollande Van Gelder , broché remplié sous 1° cartonnage toilé or et bleu marin , comprenant pièce de titre , auteur et tomaison ; se glissant sous étui de même facture . Pages non découpées , composées d'une succession de feuillets grands et petits de marge . Les aquarelles en couleurs , dessins et portraits sont lithographiées , oeuvres d'un artiste par volume : Marcel Roche , Adrien Bagarry , André Villeboeuf , Edy Legrand , F. Quelvée , Dignimont , Piot , Jeanne Rosay...L'intégralité de l'oeuvre de ce grand prosateur dont l'accent chantant illumine le style est accompagnée de pages inédites de critique dramatique et de l'ensemble de ses pièces de théâtre . Une merveille , rare et de grande qualité . Port compris en colissimo , assuré maximum sans supplément . ensemble de 40 kg . Littérature Très Bon État .

      [Bookseller: Au vert paradis du livre]
 34.   Check availability:     Livre-rare-book     Link/Print  

        Andelicek z Barok

      - - eins von 200 numerierten Exemplaren. Dieses Exemplar hat die Nummer 33/Original auf Impressum von Alfons Mucha und Josef Hais Tynecky signiert/sehr gutes Exemplar - Gewicht in Gramm: 560 J. Otto, Prag, (1929). 102 S./3 Blatt mit Titelzeichnung, zahlr. Illustr. und Buchschmuck von Alfons Mucha, goldgeprägter Leinen-Einband. Quart (gering fleckig) [Attributes: Signed Copy]

      [Bookseller: Celler Versandantiquariat]
 35.   Check availability:     ZVAB     Link/Print  

        Un homme coupé en tranches. Avec dix-huit eaux fortes gravées par l'auteur.

      P., Paul Hartmann, 1929, In-4, br., non rogné, 86 pp.Envoi autographe signé de l'auteur.Edition originale tirée à 458 exemplaires numérotés, celui-ci est un des 35 sur Madagascar imprimés pour la librairie Champion.Il est joint une suite en noir des 18 eaux-fortes.Bien complet du prière d'insérer comportant une des eaux-fortes." L'auteur nous décrit, en dix-huit planches pleines de verve, les images si différentes que se font d'un même homme dix-huit personnes qui le connaissent : sa femme, son fils, sa mère, celle qui l'aime et celle qu'il aime, etc...le tout accompagné d'un texte qui va au fond des choses avec beaucoup d'acuité ". L'éditeur.

      [Bookseller: Librairie Pages Volantes]
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      Paris, Javal et Bourdeaux, 1929 ; In-4 Raisin, En feuillets.tirage unique limité à 60 exemplaires sur japon impérial (n° 53), 542 pp., illustré de 30 compositions en couleurs de Jean Oberlé, reproduites en fac-similé par Jacomet, en feuillets, sous couverture rempliée, exemplaire enrichi d'un original de Jean Oberlé, une suite en noir des compositions de Jean oberlé, 30 eaux-fortes de L. Ibels, tirées en 2 états, dont un avec remarques et signature de l'illustrateur et un en noir destinées à compléter l'illustration de notre édition dans une interprétation différente, sous chemise et étui moderne, bel et rare exemplaire très frais ! Emboitage Très bon état, Couv. fraîche, Dos impeccable, Intérieur frais.

      [Bookseller: M.J.B. S.A.S. - Librairie TOP DUCK]
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      Date : 1929 Dimensions : 63,5x100cm Imp : Lucien Serre & Cie, Paris Condition : entoilée A Affiche originale entoilée en parfait état.

      [Bookseller: Philippe Beguin livres anciens affiches ]
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        Rope: A Play - with a Preface on Thrillers.

      Constable, London. 1929 - First edition. Octavo. pp 90, [4] adverts. Original patterned wrappers with flaps, title labels to front and spine.Spine rubbed with damage to label and tail. Very good. Scarce. [Attributes: First Edition; Soft Cover]

      [Bookseller: Peter Ellis, Bookseller, ABA, ILAB]
 39.   Check availability:     AbeBooks     Link/Print  

        The Tale of Melibeus.

      1929. Original wood engraving for the beginning of The Tale of Melibeus for the Golden Cockerel Press The Canterbury Tales. No. 4 of 5 for the USA signed by the artist 'EricG'. Image size 10 x 12.5 cms, framed and mounted.

 40.   Check availability:     Biblio     Link/Print  

        Death Comes for the Archbishop

      Knopf, New York 1929 - First illustrated edition. Numbered 46 of an edition of 170 signed by the author specially printed and bound in full vellum with yapp edges. Fore-edges bumped. Else fine (without dust-wrapper, as issued). Top edge silver, fore and lower edges untrimmed. Presented in a custom slip-case with silk pads. [Attributes: Signed Copy; Soft Cover]

      [Bookseller: Pryor-Johnson Rare Books]
 41.   Check availability:     IberLibro     Link/Print  

        "Ours brun avec muselière - Poèmes barbares"

      Lausanne Gonin & Cie 1929 1 in-4Gravure sur bois en noir sur fond or, Lausanne, Gonin & Cie, 1929-1931, in-4, 19.5 x 15 cm. Paul JOUVE (1878-1973) est sans conteste l'un de nos plus grand artiste animalier. Il aime dessiner d'après nature. Il fréquenta l'école vétérinaire, les abattoirs afin d'y apprendre l'anatomie animale ; il visita régulièrement le jardin des Plantes et de nombreux zoos européens. Passionné par les félins et la faune africaine, il sait rendre vie à ses sujets animaliers et n'hésite pas, bien au contraire, à partir en Afrique du Nord, en Extrème-Orient, pour travailler sur le motif. Au premier plan, apparaît un ours brun muselé, debout sur ses pattes ; à ses côtés un singe est attaché par une chaîne ... Il s'agit d'une illustration gravée par Perrichon et extraite des Poèmes Barbares de Leconte de Lisle. Tirage limité à 119 exemplaires + 20 exemplaires d'artiste. "Une des meilleures collaborations de ces deux artistes réputés". (Carteret, IV-227 ; Monod, II-6718 ; Planche reproduite dans Les Artistes du Livre "Paul Jouve").

      [Bookseller: Librairie Chrétien]
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        David Golder

      1929. Grasset, Paris 1929, 12x19cm, relié. - Grasset, Paris 1929, 12x19cm, relié. - Prima edizione, uno dei 300 esemplari numerati alfa per la stampa. Bound in mezzo marocco ciliegio indietro con cinque nervi, quando la coda d'oro, carta marmorizzata piatto, guardie e contreplats di carta fatta a mano, coperte e colonna vertebrale conservato (raddoppiata di nuovo con i piccoli spazi), testa dorata, vincolante siglato Goy & Vilaine. Firmato autografo dall'autore a Frank Nohain. Esemplare piacevoli completamente definiti. [FRENCH VERSION FOLLOWS] Edition originale, un des 300 exemplaires numérotés sur alfa réservés à la presse. Reliure en demi maroquin cerise, dos à cinq nerfs, date dorée en queue, plats de papier marbré, gardes et contreplats de papier à la cuve, couvertures et dos conservés (dos doublé comportant des petits manques), tête dorée, reliure signée de Goy & Vilaine. Envoi autographe signé de Irène Némirovsky à Franc Nohain. Agréable exemplaire parfaitement établi.

      [Bookseller: Librairie Le Feu Follet]
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      1929. Grasset, Paris 1929, 12x19cm, relié. - Grasset, Paris 1929, 12x19cm, relié. - Prima edizione, una delle 350 copie numerate su Alfa e riservata alla stampa. Binding metà marocco marrone, torna con cinque nervi, piatti di carta marmorizzata, guardie e carta contreplats bordeaux, copertine e spalle (insolated) conservato, dorato, firmato vincolante Goy P. & C. Vilaine. autografo prezioso firmato da Jean Giono Henri Beraud. Piccola foxing soprattutto all'inizio e alla fine del volume. [FRENCH VERSION FOLLOWS] Edition originale, un des 350 exemplaires numérotés sur alfa et réservés à la presse. Reliure en demi maroquin bordeaux, dos à cinq nerfs, plats de papier marbré, gardes et contreplats de papier bordeaux, couvertures et dos (insolé) conservés, tête dorée, reliure signée de P. Goy & C. Vilaine. Précieux envoi autographe signé de Jean Giono à Henri Béraud. Petites rousseurs principalement en début et fin de volume.

      [Bookseller: Librairie Le Feu Follet]
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        Mirador. Setmanari de Literatura, Art, i Politica. Year I, No. 1 (31 January 1929) through Year VIII, No. 389 (27 August 1936)

      389 issues (out of 404 total published), bound in 7 volumes, each issue approx. 8 pp., of the Catalan weekly journal focused on literature, arts, and politics, founded by Amadeu Hurtado i Miró and under the editorial direction of Manuel Brunet i Solà and Just Cabot i Ribot, containing articles on domestic and international politics, local interest, literature, theater and film reviews, art critiques, cartoons, and advertisements. Illustrated throughout. Some age-darkening, minor scattered soiling. Large folio. Cloth, some soiling, mildew, and damp staining to covers, some small tears along spines of several volumes. Barcelona (La Neotípia) 1929-1936. Mirador was continued in part by Meridià, in 1938 and 1939, and was substituted for a time by the journal "La Publicita". Another brief run of Mirador was published in 1966. Very scarce; as of September 2016, WorldCat locates only one holding in North America.

      [Bookseller: F.A. Bernett Books]
 45.   Check availability:     Biblio     Link/Print  


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