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Displayed below are some selected recent viaLibri matches for books published in 1929

        Bibliotheca Osleriana: A Catalogue of Books Illustrating the History of Medicine and Science.

      Oxford University Press, Oxford 1929 - 4to, Original blue buckram. xxxv, 785pp. Very good. Some faint pencil underlining shadows in the opening text pages; rear inner hinge a tad delicate, but sound. First edition, tight and nice, of this famed bibliography. Editors W.W. Francis, R.H. Hill and Archibald Mallach open this classic, explaining this collection and their method in approaching it, after which in his introduction, "The Collecting of a Library," Osler relates the history of his collection. 7,787 items are described -- an essential reference and scarce in first edition form. This copy bears the handsome custom bookplate on the front pastedown and ownership signature (dated "Chicago / 1930") of ELMER A. SMITH, a noted Chicago attorney and Illinois Central Railroad solicitor general who presented two papers about Osler, one titled "Sir William Osler as seen by a layman." Lovely copy of this quite uncommon work and bearing an appropriate connection. [Attributes: First Edition; Hard Cover]

      [Bookseller: Main Street Fine Books & Mss, ABAA]
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        Bullarium Franciscanum continens constitutiones epistolas diplomata romanorum pontificum Eugenii IV et Nicolai V / Calixti III, PII II et Pauli II / Sixti IV, ad tres ordines S. P. N. Francisci Spectantia. / Bullas Brevia Supplicationes... Innocentii VIII... Nova Series. Tomus I-IV (5 volumes)

      Ad Claras Aquas (Quaracchi), Ex Typographia Collegii S. Bonaventurae, 1929 - 1990. 4 volumes in 5 bindings. lviii,978,ii pp., lviii,916 pp., lxvi,1100 pp., 528 pp., 529-1128,iv pp.; 34 x 24 cm. Text in Latin. - (not uniformly bound, 2 pages of vol. 3 loose, convent library stamps and markings) Although very good, see picture.

      [Bookseller: Boekhandel - Antiquariaat Emile Kerssema]
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        OPERA PRIVa DE PARIS, 1929 Premiere Saison Program Aunt Matilda's Series

      1929. Wraps. Cogger, Edward P.. Profusely illustrated 1929 program for the Opera Priva de Paris production of "Prince Igor" by Borodine. 28 pp. Nine tipped-in color plates, including a portrait of its star singer, Maria Kousnetzoff; and, by Konstantin Korovine, six character costumes and two stage sets. The color cover is by J. Bilibine.

      [Bookseller: Eclectibles]
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        The Holy Communion. Together with the Collects, Epistles and Gospels and Prayers and Thanksgivings with Additional Prayers from the Book of Common Prayer

      New York: Oxford University Press, 1929. Bound out of order [vi], 67-269, [1], [2], 35-53, [1], [6] pp. Small folio. Full crimson morocco, covers with pierced silver filigree corner pieces, front cover with central repousé medalion of Christ surrounded by filigree, silver clasps, silver slightly tarnished, text foxed throughout. Memorial gift inscription stamped in gilt on front doublure. Bound out of order [vi], 67-269, [1], [2], 35-53, [1], [6] pp. Small folio. A church altar service book with elaborate silver filigree binding.

      [Bookseller: James Cummins Bookseller ]
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        UNTITLED ORIGINAL LITHOGRAPH [FEMALE NUDE ILLUMINATED]

      [Paris: Ad. Braun & Co., 1929. Untitled lithograph. Image size 10 3/8 x 6 5/8" (26.7 x 17 cm), with full margins. Fine, in lightly smudged archival matting. One of an edition of 250 impressions printed on Montval, signed in pencil in the lower right margin. Lovet-Lorski (Lithuanian/American 1894-1973), was a major contributor to the American Art Deco style of the 1920's. Although best known as a sculptor, in 1929 Braun & Co. published two portfolios of his lithographs, of which this lithograph was a component. The image is of a female nude figure exalted, bathed in a shaft of light from the upper right corner to the lower left. Late in life, after arthritis hampered his ability to sculpt, Lovet-Lorski returned to drawing and print-making. His work is held in the collections of the Luxembourg Museum, Paris; Petit Palais, Paris; Bibliotheque Nationale, Paris; British Museum, London; Metropolitan Museum of Art, New York; San Diego Fine Arts Society; Los Angeles Museum of Art; Seattle Art Museum; San Francisco Museum of Fine Arts; Boston University; and Columbia University.

      [Bookseller: William Reese Company - Literature ABAA-]
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        DOCUMENTOS CASA CARRETERA ST. FELIU DE LLOBREGAT. MASOVERNOU

      - 1929-1915-1874 VARIS Carpera documents varis. consultar fotos. Para ver o recibir fotografías de los libros puede ir a nuestra web.

      [Bookseller: Costa LLibreter]
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        Un de Baumugnes

      Edition originale, un des 300 exemplaires numérotés sur Alfa paper et réservés auy service de presse.Précieux envoi autographe signé de Jean Giono : " A Henri Béraud avec ma vive sympathie..."Petites piqûres affectant essentiellement les gardes, spine très légèrement insolé sans gravité.Provenance : de la bibliothèque rétaise d'Henri Béraud. Grasset Paris 1929 12x19cm broché

      [Bookseller: Librairie Le Feu Follet]
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        David Golder

      First edition, one of 31 numbered copies on vélin d'Arches and re-imposed in Tellière quarto format, the tirage de tête with 6 Japon and 15 Montval.A very good copy with double cover, chemise and slipcase. Grasset Paris 1929 17,5x22,5cm broché

      [Bookseller: Librairie Le Feu Follet]
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        World War Foreign Debts Commission Act Signed Photograph.

      Signed photograph of the members of The World War Foreign Debt Commission and the Belgian Commission. Signed below by each member, including Herbert Hoover (Secretary of Commerce and future President of the United States), Andrew W. Mellon (Secretary of the Treasury), Frank B. Kellogg (Secretary of State and 1929 winner of the Nobel Peace Prize), Reed Smoot (United States Senator and co-sponsor of the 1930 Smoot-Hawley Tariff Act), Theodore E. Burton (United States Senator from Ohio), Charles R. Crisp, Richard Olney, Edward N. Hurley, Garrard B. Winston, Arthur N. Young and F.G. Blair of the Debt Commission. Also signed by Emile de Cartier, Emile Francqui, Felicien Cattier, Georges Theunis, Robert Silvercruys and Andrew Terlinden of the Belgian Commission. In near fine condition. Matted and framed, which measures 14 inches by 15 inches. Rare. The United States federal World War Foreign Debts Commission Act of February 9, 1922 authorized the creation of a commission, working under Secretary of the Treasury Andrew Mellon, to negotiate repayment agreements with Great Britain and France in the aftermath of World War I. The Commission placed the Allied debt principal to the United States at $11 billion; payments were to be made in graduated 62 annual installments; however, the accrued interest on these payments over a period of 62 years would have increased the debt to approximately $22 billion, although the U.S. did agree to lowered interest rates. Great Britain's debt was reduced 19.7% to $4.6 billion with the interest rate reduced from 5% to 3% for the first ten years of payment to be raised to 3 1/2 % thereafter. France's debt was reduced by 52.8% to $4 billion, without any interest for the first five years of payment. It was then to be increased gradually to 3 1/2 %. The Harding administration made it clearly understood that the United States had no interest in cancellation. This position was widely supported by the public, which felt that those who incur debts should repay them. This tight-fistedness was not well received in Europe, where the image of Uncle Sam slowly gave way to "Uncle Shylock."

      [Bookseller: Raptis Rare Books]
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        Dodsworth

      1929. First Edition . LEWIS, Sinclair. Dodsworth. New York: Harcourt, Brace, (1929). Octavo, original blue cloth, original dust jacket. $1500.First edition, in rare, unrestored dust jacket.""Next to Arrowsmith, this book is considered Lewis' finest effort as a writer"" (Pastore, 165). ""The excellent Dodsworth, unique for Lewis in that it is not overtly satiric, depicts a well-meaning man's difficulty in choosing between two womenÂ… Dodsworth is able to experience for himself the contrast between the New World and the Old and reluctantly, but with conviction, changes his life, his goals, and his wife—as Lewis did at the same time"" (Pribic, 243). First edition, with ""Published March, 1929"" and no subsequent numeral on copyright page. Scarce first issue dust jacket, without reviews on front flap; ""difficult to find in a dustwrapper in collectible condition"" (Pastore, 165). Pastore 15. Bruccoli & Clark III:215. Small bookplate.Book fine; dust jacket expertly restored.

      [Bookseller: Bauman Rare Books]
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        The Story of A Life: A Tribute to Louis V Aronson [ Inventor of the Ronson Lighter]

      Newark [1929]: Colyer Printing Co., 1929. First Edition. Maroon Cloth. Fine. Inscribed by Author(s). "Louis V. Aronson Was An American Inventor, Industrialist And Philanthropist Who Is Best Remembered As The Inventor Of Ronson Lighters. Aronson Was An Exceptionally Gifted Young Man Who Graduated From Public School At The Age Of 12 Before Entering New York Technical School Specializing In Metallurgy, Practical Metal Working And Mechanical Drawing. At The Same Time, He Set Up A Laboratory In The Basement Of His Parent'S Home Where He Experimented With Plating Processes And Turned Out Money-Making Items While He Devised Ways Of Metalizing Common Items, In A Durable Finish Of Matte Gold, Including Flowers, Butterflies, Animal Claws And Baby Shoes. Aronson Demonstrated A Natural Ability For Designing Which Was Honed At The New York Technical School And Served Him Well Throughout His Life. He Excelled And Completed The School'S Four Year Academic Program In Three Years. When He Graduated In 1885, At The Tender Age Of 15, He Was Qualified As An Expert Metallurgist, Draftsman And Designer. He Returned To The School Five Years Later As An Instructor In Metallurgy For Several Years Before Devoting All His Time To His Own Company. The Year After Aronson Graduated, When He Was 16 Years Old, He Sold The Rights To A Commercially Valuable Metal Plating Process, Which He Named Ormolu, According To Urban Cummings Book Ronson, The World'S Greatest Lighter (1993, Bird Dog Books, Palo Alto, Ca.) While Retaining Full Use Of His Invention, Young Aronson Sold The Patent Rights For $5000 And Used The Proceeds To Open His Own Company Named The Art Metal Works In New York City. Not Long After Opening The Art Metal Works, Aronson Gained Public Recognition When He Won An Award In 1893 From The Belgian Government For The Creation Of The First Non-Toxic Match, And Young Businessman Aronson Received 50,000 Francs, Equaling $1816 In U.S. Dollars. In 1897 He Received A U.S. Patent (592,227) For A Match Design (Called The Wind-Match) That Would Light In Windy Conditions Or When Wet. He Continued Working On His Match Designs Including Inventing The "Birds Eye" Or "Kitchen" Match That Had A Dual-Tip Design In 1903; This Was An Important Safety Improvement Because Friction Matches Of The Day Would Sometimes Light Accidentally Especially When Stepped On Or While In One'S Pocket. He Realized That Placing A Small Friction Ignition Chemical On The Tip Instead Of The Entire Match-Head Greatly Limited Accidental Ignition. This Style Of Match Is Still In Use Today! Aronson Continued His Research On All-Weather Matches Finally Receiving U.S. Patent (1,287,819) In 1918, For A Match That Was Praised By Soldiers Who Were Fighting In Mud-Filled Trenches During World War I. His Proficiency With Matches Led To A U.S. Patent (1,295,952) For Bomb Fuses Also Used In Wwi, Which He Donated To The U.S. Government For The Duration Of The War, Later Earning His Company The Prestigious Distinguished Service Certificate From President Woodrow Wilson And The War Department. Through His Research On Matches, He Sought To Create And Refine Igniting Devices That Were Efficient, Safe And Commercially Viable. He Was Driven, You Could Say, To Find A Better Way To Produce And Sustain A Flame By A Portable Mechanical Device. By The Year 1910 He Received His First Patent For A Pocket Lighter (U.S. Pat. 965,149). His Pocket Lighter Used Flint Material Which Contained A Mixture Of Cerium And Iron According To The Patent. His Design Was A Simple Device That Created A Shower Of Sparks With The Press Of A Finger - But There Was No Sustainable Flame. Based On The Patent Dates, This Device Preceded The Pist-O-Liter (U.S. Pat. 966,153) Which He Successfully Produced That Year, But Likewise, It Only Produced Sparks. Within Three Years He Received A Patent Titled Pyrophorous Lighter, (U.S. Pat. 1,084,386) Which We Now Appreciate As The Paragon Striker Lighter, A Simple Device Capable Of Producing And Sustaining A Flame By Means Of A Steel-Tipped Wand Fitted With A Cloth-Wick Saturated In Petroleum Ether.

      [Bookseller: Arroyo Seco Books]
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        History of The Royal Wimbledon Golf Club 1865-1929.

      London: Club, 1929. - 27pp. Rare club History of the third oldest Golf Club in London, the oldest being Royal Blackheath, second being The Manchester Club 1818. C.B. Clapcott was a member and is thought to have some input into this title? H.R.H. The Prince of Wales was captain in 1928. J.H. Taylor was appointed Greenkeeper and Professianal in 1896. [Attributes: First Edition; Soft Cover]

      [Bookseller: Fine Golf Books]
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        Good-Bye To All That

      The First UK Printing published by Jonathan Cape in 1929. The BOOK is in near Fine condition. Just a hint of pushing at the spine ends. Gilt titling very bright. Covers remain very clean. Very light offsetting to the end papers. Free from inscriptions and erasures. The WRAPPER is complete and is in near Fine condition. Just a few minor nicks at the spine ends. The spine has only a hint of toning. The Len Lye wrapper artwork looks striking in the removable Brodart archival cover. This is a copy of the elusive true First Issue. This edition has the infamous Sassoon poem on pp.341-343 which was removed from all later impressions and editions. The story of the suppression of this issue is well documented and most copies were apparently destroyed. According to the bibliographer, approximately 250 copies survived with the original text, which was canceled from the rest of the edition (Higginson A32a). The book printed a poem Sassoon had written to Graves in rhyming letter form and Sassoon was mortified by this inclusion and demanded the recall of the edition and the excision of the offending pages: It was in November of 1929 that Sassoon had written to a friend, "I deeply resent his printing my verse letter to him & shall threaten Cape with legal action (for breach of copyright) unless he undertakes to cut it out". An exceptional copy of this scarce title.

      [Bookseller: Ashtonrarebooks]
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        LETTRE AUTOGRAPHE SIGNEE d'ANNA DE NOAILLES Romancière et Poète

      1929 - TRES BELLE ET FURIEUSE LETTRE DE 4 pages in-quarto, manuscrites à l'encre grise, numérotées de l'Auteur 1 à 4, datée du jeudi 24 et adressée à un Photographe, Henri Manuel vraisemblablement, qu'elle a reçu chez elle pour faire des photos dont elle est manifestement extrêmement mécontente et dont elle interdit interdit la publication sauf une ou elle a un "chapeau sans la main contre le visage". On peu penser compte tenu des descriptions des photos interdites qu'il s'agit d'une série de photos établies par Henri MANUEL et que cette lette lui est adressée. Vers 1929. Jeudi 24 Monsieur, j'avais votre parole que les photographies faites chez moi en octobre dans des conditions déplorables de lumière et de pose, seraient toutes sauf une que j'avais autorisée détruites. Non Seulement vous me l'aviez dit au téléphone sur ma demande formelle mais le . qui parle fort le français et avec qui il faut s'expliquer longuement, m'en avait chez moi renouvelé l'assurance. -- Je ne sais donc plus quelle confiance je dois avoir dans toutes ces paroles données, et je suis néanmoins décidée à ne pas accepter qu'il n'en soit pas tenu compte. Un de mes amis m'apporte déchirée par lui, cette horrible photo qui était écartée par vous même dès le premier abord. Je répète donc que j'exige que tous les clichés de ces photos, que vous reproduisez sans cesse soient . sauf celui où je suis représentée avec un chapeau, et sans la main contre la joue . J'. du cliché qui me représente en pied coiffée d'un turban du soir. On ne m'a jamais soumis cette épreuve qui réduite à mi-corps eut été présentable, il y a donc eu une mauvaise volonté et une obstination à vendre des photos qu'on me disait détruites, --------------inacceptable. Je vous prie donc .de détruire toutes celles . à celle-ci, à celles que j'ai .regardées, et je ne vous autorise à vendre que celle ou j'ai un chapeau sans la main contre le visage, et si vous le voulez à me faire un exemplaire.le turban du soir. Je suis décidée à employer tous les moyens légaux pour que vous teniez vos promesses. Je compte dire à tous mes amis qui sont dans les rédactions des journaux de ne pas tenir compte des photos que vous délivrez sans mon autorisation. Avec tous mes regrets pour la manière dont je suis obligé de juger vos procédés, je vous envoie l'expression de mes sentiments distingués. Signé Comtesse de Noailles Anna Elisabeth de BRANCOVAN, comtesse de NOAILLES, 1876 -1933, d'origine Gréco-roumaine. Elle compose des romans dont le Visage Emerveillé en 1904, Les Innocentes ou la Sagesse des Femmes, Exactitudes en 1930 et une autobiographie Le Livre de ma Vie, ainsi que neuf recueils de poèmes. Elle recevra les plus hautes distinction honorifiques et publiques. Au début du xxe siècle, son salon de l'avenue Hoche attire l'élite intellectuelle, littéraire et artistique de l'époque parmi lesquels Edmond Rostand, Francis Jammes, Paul Claudel, Colette, André Gide, Maurice Barrès, René Benjamin, Frédéric Mistral, Robert de Montesquiou, Paul Valéry, Jean Cocteau, Alphonse Daudet, Pierre Loti, Paul Hervieu, l'abbé Mugnier ou encore Max Jacob, Robert Vallery-Radot et François Mauriac. C'est également une amie de Georges Clemenceau. Henri MANUEL, Photographe, En 1900, il ouvre un studio spécialisé dans le portrait des personnalités du mondes politiques et artistiques avec son frère Gaston (3 février 1881 à Paris 3e - 28 décembre 1967 à Paris 7e). De la Première Guerre mondiale jusqu'en 1944, il fait des reportages en tant que photographe officiel du gouvernement. De 1906 à 1938, « Henri Manuel travaille pour trente revues de mode et plus particulièrement pour La Femme de France (1922-1935), [Attributes: First Edition; Signed Copy]

      [Bookseller: LIBRAIRIE ANCIENNE BERNARD MARIE ROLIN]
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        Peka? Jan Marhoul: román [The baker Jan Marhoul: a novel]

      Odeon, Prague 1929 - Octavo (19.8 x 13.7 cm). Original decorative wrappers by Karel Teige; 134, [3] pp. This copy unnumbered, but signed and inscribed by the author and Toyen to Vit?zslav Nezval. Very good or better; with very faint soil to wrappers. Third edition (but first illustrated) of the acclaimed novel by Vancura (1891-1942), an early member of the Devetsil avant-garde group and co-formulator of the Poetism movement. This edition was the first to feature the illustrations by Czech surrealist artist Toyen (Marie Cermínová, 1902-1980). An important, outstanding association copy, warmly inscribed by Vancura and Toyen to Vítezslav Nezval (1900-1958) in the year of publication, "for his passionate praise." Nezval was another leading light of Czech poetism and, later, surrealism, and an early member of Devetsil famous both for his energy as an organizer of the avant-garde and for his prolific output of highly lyrical and associative verse. Cover featured in Vloemans 2012 (no. 164). [Attributes: Signed Copy; Soft Cover]

      [Bookseller: Penka Rare Books, ILAB]
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        The Innocent Voyage [A High Wind in Jamaica]

      Harper, New York 1929 - Full red goatskin, top edge gilt, decorated turn-ins, marbled endpapers; a presentation binding. Inscribed by Hughes "To Isabel Paterson / With the warmest gratitude and the deepest respect from Richard Hughes / June 19, 1929".Hughes's biographer quotes Hughes as saying that the book got off to a very slow start, and that "It was taken up by just one or two critics, notably Isabel Peters [sic] and Burton Roscoe [sic] who plugged it for all they were worth, week after week. I was in New York myself at the time, and Harpers kept me in constant circulation, at lunches, cocktail parties and so on," - Richard Percival Graves, Richard Hughes: A Biography (London, 1994), p. 177. Paterson liked the book so much that she would go on to write the 17-page introduction to the Modern Library edition in 1932. From 1924 until 1949 Paterson was one of the most influential literary critics, whose daily book reviews for the New York Herald Tribune, could make or break a book. As well she wrote longer pieces for the Sunday Books section, but she was best known for her weekly column "Turns with a Bookworm," written under the initials "I.M.P.", which mixed literary anecdotes and reviews with her evolving conservative political views. A confirmed libertarian, she wrote nine novels, the most famous of which was The God of the Machine, published the same year (1943) as her friend Ayn Rand's The Fountainhead. Paterson and Rand were very close, with Paterson in the role of libertarian teacher. "If Rand ever had a mentor, it was Paterson," says her biographer, Stephen Cox.As "A High Wind in Jamaica," this story of a ship full of English children captured by pirates was filmed in 1965, directed by Alexander Mackendrick and starring Anthony Quinn and James Coburn. Martin Amis, then 16 years-old, had a part. First edition, published in the US in February 1929 and in Britain as A High Wind in Jamaica, in late September. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Thomas A. Goldwasser Rare Books (ABAA)]
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        Voyage au Congo suivi de Retour du Tchad

      - Nrf, Paris 1929, 25,5x33,5cm, broché. - edizione di lusso illustrato con 64 fotografie originali di Marc Allégret, uno dei 28 esemplari numerati in Giappone imperiale, edizione deluxe. Molto raro e bellissimo esemplare. - [FRENCH VERSION FOLLOWS] édition originale collective des deux voyages en Afrique d'André Gide parus successivement en 1927 et 1928, première et luxueuse édition illustrée de 64 photographies originales de Marc Allégret, tirées en sépia, et de quatre cartes, un des 28 exemplaires numérotés sur Japon impérial, tirage de tête. Quelques très discrètes restaurations au dos. Notre exemplaire comporte bien l'achevé d'imprimer de 1928 propre aux exemplaires de tout premier tirage sur Japon et qui sera corrigé dans les exemplaires sur Arches (Bibliographie des écrits d'André Gide, Arnold Naville). La grande qualité d'absorption de l'encre du papier Japon et son affinité avec la couleur en fait le support idéal pour les fameuses photographies de Marc Allégret héliogravées en sépia. Très rare exemplaire en tirage de tête de l'un des plus beaux et célèbres livres de voyage illustré du XXème.

      [Bookseller: Librairie Le Feu Follet]
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        Roux The Bandit (First Uk Edition In Jacket, With Advance Review Slip)

      London: Victor Gollancz, 1929. First UK Edition. Hardcover. Fine/Fine DJ. 1st Printing 128 Pp. Black Cloth, Spine Printed In Yellow. First Uk Edition, With Gollancz Review Slip For Oct. 7, 1929 Publication. Fine With Slight Browning To Endpapers, In Fine Yellow And Black Dj, Two Tiny Closed Tears At Bottom Edge Of Spine Panel, Unfaded And Unworn. "The Story Of A French Conscientious Objector Of 1914... Who Escapes Into The Mountains, Where He Lives For Over Three Years, Alone And Amid Terrible Privations. He Is Eventually Caught And Imprisoned, But Not Before He Has Become An Almost Supernatural Figure In The Eyes Of His Folk... It Is Based Upon An Actual Case Now Fast Becoming A Legend... Roux The Bandit, Though Essentially A Work Of Art And Not In Any Sense Propaganda, Embodies The Only Kind Of Pacifism Which In The End Can Prevail- The Pacifism That Knows That War Is Spiritually Wrong And Not Merely Wrong Because It Is Horrible" [From The Dj]. Chamson (1900 - 1983) Was A French Archivist, Novelist And Essayist. Chamson Was The Founder-Director Of The Journal Vendredi And A Museum Curator Before The Second World War. As An Activist In The Popular Front , He Founded In 1935 With Jean Guehenno And Andree Viollis The Weekly Friday. During The Spanish Civil War , He Joined The Side Of The Republicans . After The War He Was On The Editorial Board Of The Magazine Europe At The Time Of Its Revival In 1946; He Was A Curator At The Musée Du Petit Palais, And (From 1959 To 1971) Director Of The Archives De France. He Was President Of Pen International, The Worldwide Association Of Writers, From 1956 To 1959. He Was Elected To The Académie Française On 17 May 1956 By 18 Votes - Including Jules Romains, André Maurois And Georges Duhamel - To Succeed Ernest Seillière. In 1958, He Was Elected Mainteneur Of The Académie Des Jeux Floraux. A Protestant, Generous And Sociable In Both His Life And His Writing, He Set Most Of His Tales In The Cévennes, His Birthplace (Roux Le Bandit, 1925; Les Hommes De La Route, 1927; Le Crime Des Justes, 1928; L'auberge De L'abîme, 1933; La Neige Et La Fleur, 1951; La Tour De Constance, 1970). He Was The Father Of The Novelist Frédérique Hébrard.

      [Bookseller: Arroyo Seco Books]
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        SEVENTY-FIVE DRAWINGS. Signed copy.

      London: J. Saville, 1929.. FIRST EDITION 1929, LIMITED EDITION OF 220 COPIES, THIS COPY No. 171 SIGNED BY JACOB EPSTEIN. Oblong approximately 260 x 320 mm, 10 x 12½ inches, title page and 4 pages of introduction followed by seventy-five pencil and ink drawings of the female nude, bound in full vellum, title to spine and upper cover in black lettering, gilt top edge, other edges uncut. Very good copy, lacking slipcase. MORE IMAGES ATTACHED TO THIS LISTING, ALL ZOOMABLE, FURTHER IMAGES ON REQUEST. POSTAGE AT COST.

      [Bookseller: Roger Middleton]
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        Die verfluchten Hakenkreuzler. Etwas zum Nachdenken

      München, Eher 1929 [vermutlich 1. Auflage]. Broschüre, 15 cm, 24 Seiten. Frakturschrift. Rückdeckel mit Werbung für den Völkischen Beobachter in Sütterlin. Einband mit Lagerspuren und leichten Läsuren, ansonsten gut Klammern angerostet 1 Anstreichung mit Tinte ca. 4 Seiten Anstreichungen mit Blei unteres Eck durchgängig mit minimaler Läsur ansonsten gut.

      [Bookseller: Antiquariat Ralf Bader]
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        The Innocent Voyage [A High Wind in Jamaica]

      New York: Harper, 1929. Full red goatskin, top edge gilt, decorated turn-ins, marbled endpapers; a presentation binding. Inscribed by Hughes "To Isabel Paterson / With the warmest gratitude and the deepest respect from Richard Hughes / June 19, 1929". Hughes's biographer quotes Hughes as saying that the book got off to a very slow start, and that "It was taken up by just one or two critics, notably Isabel Peters [sic] and Burton Roscoe [sic] who plugged it for all they were worth, week after week. I was in New York myself at the time, and Harpers kept me in constant circulation, at lunches, cocktail parties and so on," - Richard Percival Graves, Richard Hughes: A Biography (London, 1994), p. 177. Paterson liked the book so much that she would go on to write the 17-page introduction to the Modern Library edition in 1932. From 1924 until 1949 Paterson was one of the most influential literary critics, whose daily book reviews for the New York Herald Tribune, could make or break a book. As well she wrote longer pieces for the Sunday Books section, but she was best known for her weekly column "Turns with a Bookworm," written under the initials "I.M.P.", which mixed literary anecdotes and reviews with her evolving conservative political views. A confirmed libertarian, she wrote nine novels, the most famous of which was The God of the Machine, published the same year (1943) as her friend Ayn Rand's The Fountainhead. Paterson and Rand were very close, with Paterson in the role of libertarian teacher. "If Rand ever had a mentor, it was Paterson," says her biographer, Stephen Cox. As "A High Wind in Jamaica," this story of a ship full of English children captured by pirates was filmed in 1965, directed by Alexander Mackendrick and starring Anthony Quinn and James Coburn. Martin Amis, then 16 years-old, had a part.

      [Bookseller: Thomas A. Goldwasser Rare Books]
 21.   Check availability:     Direct From Seller     Link/Print  


        Répertoire du Goût Moderne. Nº 2. André Lurçat. Maurice Matet. J. Ch. Moreux. Charlotte Perriand. J. J. Adnet, etc.

      Éditions Albert Lévy, Paris 1929 - 1st. ed. 25x33. 4 leaves of text, 40 loose hand coloured (au pouchoir) plates of art deco furniture, carpets, tableware, bindings etc. Publisher's printed folder, with ties. Also includes carpets by Elise Djo-Bourgeois, Adnet and Da Silva Bruhns, bindings by Pierre Legrain, Rose Adler and Adnet, etc. Some minimal marking on the covers; text and plates very clean. Envíos para España: el pago contra reembolso conlleva un recargo de 4 Euros.

      [Bookseller: Carmichael Alonso libros]
 22.   Check availability:     AbeBooks     Link/Print  


        NOTICIAS GENERALES HISTORICAS SOBRE LA ISLA DEL HIERRO. Una De Las Canarias.

      Imprenta Curbelo. 407 Paginas + Ilustraciones., San Cristobal De La Laguna. 1929 - En realidad edicion de autor. Size: 4ª.ilustrado [Attributes: First Edition; Signed Copy; Soft Cover]

      [Bookseller: LIBRERIA CLIO]
 23.   Check availability:     IberLibro     Link/Print  


        Fleurs de marécage. Poèmes de J. Slauerhoff. Précédés d'une lettre de Franz Hellens.

      [Chaumont-Gistoux, E. du Perron, 1929]. Verguld halfperkament met platten van grijs Roma (Binderij Phoenix). Gedrukt in een oplage van slechts 30 exemplaren. 32 p. [2e druk].* Door Du Perron verzorgde heruitgave van deze Franstalige gedichten van Slauerhoff. De eerste druk verscheen eerder in hetzelfde jaar bij Stols in een oplage van 75 exemplaren. Niet in de KB. Batten/ Stols 83 (jaartal: '1928'). Storm 11.

      [Bookseller: Antiquariaat Fokas HOLTHUIS]
 24.   Check availability:     NVvA     Link/Print  


        The Mysterious Affair at Styles. A Detective Story.

      London: John Lane, The Bodley Head Limited, 1929 - Octavo. Original red boards, titles and decorative design to spine and upper board in black. With the dust jacket. Lightly rubbed at extremities, endpapers spotted, contents tanned. An excellent copy in the rubbed, creased, and nicked jacket. An attractive 1920s reprint in the fantastic dust jacket.

      [Bookseller: Peter Harrington. ABA member]
 25.   Check availability:     ZVAB     Link/Print  


        Look Homeward, Angel

      Charles Scribner's Sons New York 1929 - First Edition, Second Issue dustjacket. Author's first book. The boarding house run by Eugene Gant's mother, based on one run by Wolfe's mother, has been called "the most famous boardinghouse in American fiction." Almost Near Fine, tiny nick to cloth at mid rear cover, in Very Good dustjacket, nicked at spine ends and flap corners, few short closed tears, number 96 in pencil at front panel. [Attributes: First Edition; Hard Cover]

      [Bookseller: Babylon Revisited Rare Books]
 26.   Check availability:     AbeBooks     Link/Print  


        Bullarium Franciscanum continens constitutiones epistolas diplomata romanorum pontificum Eugenii IV et Nicolai V / Calixti III, PII II et Pauli II / Sixti IV, ad tres ordines S. P. N. Francisci Spectantia. / Bullas Brevia Supplicationes... Innocentii VIII... Nova Series. Tomus I-IV (5 volumes).

      Ad Claras Aquas (Quaracchi), Ex Typographia Collegii S. Bonaventurae, 1929 - 1990. 4 volumes in 5 bindings. lviii,978,ii pp., lviii,916 pp., lxvi,1100 pp., 528 pp., 529-1128,iv pp.; 34 x 24 cm. Text in Latin. - (not uniformly bound, 2 pages of vol. 3 loose, convent library stamps and markings) Although very good, see picture.

      [Bookseller: Antiquariaat Emile Kerssemakers]
 27.   Check availability:     NVvA     Link/Print  


        The Storm of Steel. From the Diary of a German Storm-Troop Officer on the Western Front. - [Emotionally inscribed by Chapman, who voices his disgust at Ernst Juenger's account of World War One. / Comes with Storm of Steel, Folio Society edition, London, 2012].

      London: Chatto & Windus. First English Language Edition.. Inscribed by Guy Chapman on the front free endpaper: 'The author is a most gifted liar...the usual bloody Boche'. / Small Exlibris / Bookplate 'Guy Chapman, Savile Club, London'. Very good condition with only minor signs of external wear.. First English Language Edition. London, Chatto & Windus, 1929. 14,5 cm x 20 cm. XIII, 319 pages. Original Hardcover. Red cloth with gilt lettering and ornaments to spine. Inscribed by Guy Chapman on the front free endpaper: 'The author is a most gifted liar...the usual bloody Boche'. / Small Exlibris / Bookplate 'Guy Chapman, Savile Club, London'. Very good condition with only minor signs of external wear. Storm of Steel (in German: In Stahlgewittern) is the memoir of German officer Ernst Jünger's experiences on the Western Front during the First World War. It was originally printed privately in 1920, making it one of the first personal accounts to be published. The book is a graphic account of trench warfare. It was largely devoid of editorialization when first published, but was heavily revised several times. Storm of Steel begins with Jünger as a private entering the line with the 73rd Hanoverian Regiment in Champagne. His first taste of combat came at Les Éparges in April 1915 where he was first wounded. After recuperating, he took an officer's course and achieved the rank of Leutnant. He rejoined his regiment on the Arras sector. In 1916, with the Battle of the Somme underway, Jünger's regiment moved to Combles in August for the defence of the village of Guillemont. Here Jünger was wounded again, and fortunately absent shortly before the final British assault which captured the village — his platoon was annihilated. In 1917 Jünger saw action during the Battle of Arras in April, the Third Battle of Ypres in July and October, and the German counter-attack during the Battle of Cambrai in November. Jünger led a company of assault troops during the final German Spring Offensive, 21 March 1918 when he was wounded again. On 23 August he suffered his most severe wound when he was shot through the chest. In total, Jünger was wounded 14 times during the war, including five bullet wounds. He was awarded the Iron Cross 1st Class and was the youngest ever recipient of the Pour le Mérite. (Wikipedia) Ernst Jünger (29 March 1895 – 17 February 1998) was a highly decorated German soldier, author, and entomologist who became famous for his World War I memoir Storm of Steel. The son of a successful businessman and chemist, Jünger rebelled against an affluent upbringing and sought adventure in the Wandervogel, before running away to briefly serve in the French Foreign Legion, an illegal act. Because he escaped prosecution in Germany due to his father's efforts, Jünger was able to enlist on the outbreak of war. During an ill-fated German offensive in 1918 Jünger's World War I career ended with the last and most serious of his many woundings, and he was awarded the Pour le Mérite, a rare decoration for one of his rank. In the aftermath of World War II Jünger was treated with some suspicion as a possible fellow traveler of the Nazis. By the latter stages of the Cold War his unorthodox writings about the impact of materialism in modern society were widely seen as conservative rather than radical nationalist, and his philosophical works came to be highly regarded in mainstream German circles. Jünger ended his extremely long life as an honoured establishment figure, although critics continued to charge him with the glorification of war as a transcending experience. (Wikipedia) Major Guy Patterson Chapman OBE MC (September 1889 – June 1972) was a British historian and author. He was educated at Westminster School, Christ Church, Oxford and the London School of Economics. He married Margaret Storm Jameson in 1926. Chapman served in the Royal Fusiliers, 1914–20, particularly in France and Belgium, 1915–18. He was appointed an Officer of the Order of the British Empire in the 1919 New Year Honours. He was awarded the Military Cross in December 1919: For conspicuous gallantry and leadership near Ghissignies, on 4th November, 1918. When the battalion was going through Gihissignies in support of the attack, information was received that the left company of the leading battalion had been held up. Under heavy shell fire he went forward to reconnoitre, and found that the supporting battalion appeared likely to become prematurely involved in the fighting. By his energy and initiative in taking command of the situation this was prevented. He also served in World War Two. He was engaged in book publishing, 1920–40, and was Professor of Modern History, University of Leeds, 1945–53, and visiting Professor, University of Pittsburgh, 1948–49." (Wikipedia)

      [Bookseller: The Time Traveller's Bookshop]
 28.   Check availability:     Biblio     Link/Print  


        La ligne d'ombre

      Nrf 1929 - - Nrf, Paris 1929, 16,5x21,5cm, broché. - Edition originale de la traduction française, un des 109 exemplaires numérotés sur vergé pur fil Lafuma-Navarre et réimposés dans le format in-quarto tellière, tirage de tête. Dos comportant d'infimes piqûres sans gravité, agréable exemplaire. [AUTOMATIC ENGLISH TRANSLATION FOLLOWS] First edition of the French translation, one of 109 numbered copies on vergé pur fil Lafuma-Navarre re-imposed in Tellière quarto format, tirage de tête. Spine with tiny stains, not serious, a good copy. [Attributes: First Edition; Soft Cover]

      [Bookseller: Librairie Le Feu Follet]
 29.   Check availability:     AbeBooks     Link/Print  


        Look Homeward, Angel

      1929. First Edition . Signed. WOLFE, Thomas. Look Homeward, Angel. New York: Charles Scribner's Sons, 1929. Octavo, original navy cloth, original dust jacket. Housed in custom clamshell box. $16,500.First edition, first issue, of WolfeÂ’s first and most important novel, a very scarce presentation copy inscribed by him to poet Helen Trafford Moore, a longtime family friend, ""For Helen T. Moore—with friendship, from her friend, Tom Wolfe, Aug 31, 1937,"" in rarely found first-state dust jacket.""Here is a novel of the sort one is too seldom privileged to welcome. It is a book of great drive and vigor, of profound originality, of rich and variant colorÂ… Wolfe has a great gift—the ability to find in simple events and in humble, unpromising lives the whole meaning and poetry of human existence"" (NYT Book Review, October 27, 1929). First issue, with lower case ""g"" on page 308, line 26, and missing ""t"" in ""stationed"" on page 506, line 23. Rare first-state dust jacket, with photograph of Wolfe on rear panel. Only 3500 copies of the first printing were issued with the first state dust jacket. Johnston A.2.1.a. Bruccoli & Clark, 417. Hart, 447. Recipient Helen Trafford Moore was a published poet, ""an old friend of the Wolfe family in Asheville,"" and a correspondent of Wolfe's (Nowell, 421-22). Occasional lightly penciled marginalia.Text fine, inner paper hinges expertly reinforced; light edge-wear to colorful dust jacket. A very scarce near-fine inscribed presentation copy.

      [Bookseller: Bauman Rare Books]
 30.   Check availability:     Biblio     Link/Print  


        The Storm of Steel. From the Diary of a German Storm-Troop Officer on the Western Front. - [Emotionally inscribed by Chapman, who voices his disgust at Ernst Juenger's account of World War One. / Comes with Storm of Steel, Folio Society edition, London, 2012].

      London, Chatto & Windus 1929 - First English Language Edition. 14,5 cm x 20 cm. XIII, 319 pages. Original Hardcover. Red cloth with gilt lettering and ornaments to spine. Inscribed by Guy Chapman on the front free endpaper: 'The author is a most gifted liar.the usual bloody Boche'. / Small Exlibris / Bookplate 'Guy Chapman, Savile Club, London'. Very good condition with only minor signs of external wear. Storm of Steel (in German: In Stahlgewittern) is the memoir of German officer Ernst Jünger's experiences on the Western Front during the First World War. It was originally printed privately in 1920, making it one of the first personal accounts to be published. The book is a graphic account of trench warfare. It was largely devoid of editorialization when first published, but was heavily revised several times. Storm of Steel begins with Jünger as a private entering the line with the 73rd Hanoverian Regiment in Champagne. His first taste of combat came at Les Éparges in April 1915 where he was first wounded. After recuperating, he took an officer's course and achieved the rank of Leutnant. He rejoined his regiment on the Arras sector. In 1916, with the Battle of the Somme underway, Jünger's regiment moved to Combles in August for the defence of the village of Guillemont. Here Jünger was wounded again, and fortunately absent shortly before the final British assault which captured the village — his platoon was annihilated. In 1917 Jünger saw action during the Battle of Arras in April, the Third Battle of Ypres in July and October, and the German counter-attack during the Battle of Cambrai in November. Jünger led a company of assault troops during the final German Spring Offensive, 21 March 1918 when he was wounded again. On 23 August he suffered his most severe wound when he was shot through the chest. In total, Jünger was wounded 14 times during the war, including five bullet wounds. He was awarded the Iron Cross 1st Class and was the youngest ever recipient of the Pour le Mérite. (Wikipedia) Ernst Jünger (29 March 1895 – 17 February 1998) was a highly decorated German soldier, author, and entomologist who became famous for his World War I memoir Storm of Steel. The son of a successful businessman and chemist, Jünger rebelled against an affluent upbringing and sought adventure in the Wandervogel, before running away to briefly serve in the French Foreign Legion, an illegal act. Because he escaped prosecution in Germany due to his father's efforts, Jünger was able to enlist on the outbreak of war. During an ill-fated German offensive in 1918 Jünger's World War I career ended with the last and most serious of his many woundings, and he was awarded the Pour le Mérite, a rare decoration for one of his rank. In the aftermath of World War II Jünger was treated with some suspicion as a possible fellow traveler of the Nazis. By the latter stages of the Cold War his unorthodox writings about the impact of materialism in modern society were widely seen as conservative rather than radical nationalist, and his philosophical works came to be highly regarded in mainstream German circles. Jünger ended his extremely long life as an honoured establishment figure, although critics continued to charge him with the glorification of war as a transcending experience. (Wikipedia) Major Guy Patterson Chapman OBE MC (September 1889 – June 1972) was a British historian and author. He was educated at Westminster School, Christ Church, Oxford and the London School of Economics. He married Margaret Storm Jameson in 1926. Chapman served in the Royal Fusiliers, 1914–20, particularly in France and Belgium, 1915–18. He was appointed an Officer of the Order of the British Empire in the 1919 New Year Honours. He was awarded the Military Cross in December 1919: For conspicuous gallantry and leadership near Ghissignies, on 4th November, 1918. When the battalion was going through Gihissignies in support of the attack, information was received that the left company of the leading battalion had been

      [Bookseller: The Time Traveller's Bookshop Ltd.]
 31.   Check availability:     ZVAB     Link/Print  


        L'ART CUBISTE. Théories et réalisations, étude critique.

      Paris, éditions Charles Moreau, 1929. - In-4, reliure moderne demi-toile noire à coins, étiquette de titre sur le dos, couverture illustrée et coloriée au pochoir conservée, 111 pp., table des planches et des matières, illustré de 36 planches h.-t. en N/B, 13 coloriées au pochoir par JACOMET (12 dans le livre + celle de la couverture), soit 49 en tout. Bel exemplaire, très frais intérieurement. Une des toutes premières études consacrées à l'art cubiste. Exemplaire personnel de Mr. Jacques ZOUBALOFF, PEINTRE, COMPOSITEUR et COLLECTIONNEUR, qui collabora à la réalisation de cet ouvrage "historique". Il comporte un double envoi autographe: de l'auteur qui précise: ". de ce livre qui lui doit la vie" et de l'éditeur "Hommage affectueux et sincèrement reconnaissant". Sommaire : I. Les origines et les premiers essais - II. La formation de l'école - III. La doctrine - IV. L'école de la peinture pure - V. Le cubisme expressionniste - VI. Conséquences et position du cubisme. [Attributes: Hard Cover]

      [Bookseller: Librairie Le Trait d'Union sarl.]
 32.   Check availability:     ZVAB     Link/Print  


        L'Agent de Police Jour

      - Henri Jonquières, Paris 1929, 12x19cm, broché. - Prima edizione della traduzione francese, una delle 10 copie numerate sul Madagascar, edizione deluxe. Molto bella copia. - [FRENCH VERSION FOLLOWS] Edition originale de la traduction française, un des 10 exemplaires numérotés sur Madagascar, tirage de tête. Très bel exemplaire.

      [Bookseller: Librairie Le Feu Follet]
 33.   Check availability:     maremagnum.com     Link/Print  


        Untitled Still-Life

      - Wax, silica, pure decorator colors, and watercolor on fiberboard, 7" wide x 8" high, ca. 1929-1933, signed "A. Rexroth" at the bottom right hand corner, unframed. Fine condition. A Cubist still life with rounded objects in a style resembling Fernand Léger's and Juan Gris's Cubist works using a palette of white, gray, and earth tones (ochre, amber, taupe, terra cotta). Andrée Dutcher, a commercial artist from Chicago, married Rexroth in 1927. He encouraged her to pursue non-commercial painting and she in turn encouraged his writing. They painted together throughout their marriage and began exploring organic forms under the influence of Edward Weston in 1929. Unhappily married, they were divorced in 1940, the same year Andrée died of complications from epilepsy. "The Downtown Gallery" label on the back, with the note, in pencil: "Still Life by Andrée Rexroth". [Attributes: Signed Copy]

      [Bookseller: James S. Jaffe Rare Books, LLC, ABAA]
 34.   Check availability:     AbeBooks     Link/Print  


        Geldtheorie Und Konjunkturtheorie (Common English Title: Monetary Theory and the Trade Cycle)

      Holder-Pichler-Tempsky A.G, 1929. First printing German language softcover rebound in a library binding (the covers appear to have been removed in this rebinding). Published by Holder-Pichler-Tempsky A.G in 1929. This is an ex-university library book with the usual markings. Otherwise, the book is good with shelfwear, a good amount of underlining and some notations. Most of the underlining and notations are in regular or red pencil, but a few appear to be in pen. A good example of a very scarce resource.. Hard Cover. Good. Ex-Library.

      [Bookseller: MyFirstEditions]
 35.   Check availability:     Biblio     Link/Print  


        THE PIRATE TWINS

      Faber & Faber 1929 - First edition. Number 30 of only 60 copies signed by William Nicholson in green ink on the front pastedown. Oblong 8vo. Paper covered pictorial boards, with colour illustrations by Nicholson on both upper and lower covers. A very good copy indeed, slightly dusty. This copy issued without the blank leaves between the text pages. Pictorial pastedowns and 26 illustrations by Nicholson, with calligraphic text below. This is the second of Nicholson's books for children. A little girl finds two small, black dolls on the beach. Mary takes the dolls home and cares for them until one day they leave a note ". Gone for ever. Don't worry; Back soon.". The pirate twins set off to sea for more adventures, but every year they come home for Mary's birthday. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Jonkers Rare Books]
 36.   Check availability:     AbeBooks     Link/Print  


        The Paintings of D. H. Lawrence.

      London: The Mandrake Press, [1929] - Quarto. Original half brown hard grained morocco with green cloth boards, a pheonix stamped in gilt to the centre of the back and front covers, top edge gilt with the others uncut. A very nice copy with some minor rubbing at the head and foot of spine. Illustrated with 26 full page illustrations. First edition. Limited to 510 numbered copies, including 10 copies on Japanese vellum. [Attributes: First Edition]

      [Bookseller: Peter Harrington. ABA member]
 37.   Check availability:     ZVAB     Link/Print  


        The Storm of Steel. From the Diary of a German Storm-Troop Officer on the Western Front. - [Emotionally inscribed by Chapman, who voices his disgust at Ernst Juenger's account of World War One. / Comes with Storm of Steel, Folio Society edition, London, 2012].

      First English Language Edition. London, Chatto & Windus, 1929. 14,5 cm x 20 cm. XIII, 319 pages. Original Hardcover. Red cloth with gilt lettering and ornaments to spine. Inscribed by Guy Chapman on the front free endpaper: 'The author is a most gifted liar...the usual bloody Boche'. / Small Exlibris / Bookplate 'Guy Chapman, Savile Club, London'. Very good condition with only minor signs of external wear. Storm of Steel (in German: In Stahlgewittern) is the memoir of German officer Ernst Jünger's experiences on the Western Front during the First World War. It was originally printed privately in 1920, making it one of the first personal accounts to be published. The book is a graphic account of trench warfare. It was largely devoid of editorialization when first published, but was heavily revised several times.nStorm of Steel begins with Jünger as a private entering the line with the 73rd Hanoverian Regiment in Champagne. His first taste of combat came at Les Éparges in April 1915 where he was first wounded.nAfter recuperating, he took an officer's course and achieved the rank of Leutnant. He rejoined his regiment on the Arras sector. In 1916, with the Battle of the Somme underway, Jünger's regiment moved to Combles in August for the defence of the village of Guillemont. Here Jünger was wounded again, and fortunately absent shortly before the final British assault which captured the village

      [Bookseller: The Time Traveller's Bookshop ]
 38.   Check availability:     Direct From Seller     Link/Print  


        FRONTESPIZIO (IL).

      1929-1940, Firenze 1929 - Collezione completa che comprende il primo numero (26 maggio 1929) uscito come supplemento del Catalogo generale della L.E.F. e le 12 annate complete in fascicoli sciolti in buono stato di conservazione (uno strappo al n. 1 dell’a. I). La rivista, diretta da E. Lucatello, nasce nel 1929 come rassegna bibliografica della Libreria Editrice Fiorentina; dal giugno 1930 viene stampata da Vallecchi ed avrà come direttori Piero Bargellini e Barna Occhini. Tra i suoi collaboratori vi furono A. Soffici, G. Papini, C. Bo, M. Luzi.

      [Bookseller: Libreria Antiquaria Palatina]
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        SZUKALSKI PROJECTS IN DESIGN Sculpture and Architecture Limited Edition Containing an Original Woodblock Print, Signed by the Artist

      Chicago: University of Chicago Press, 1929. 53 pages of introductory text, followed by over 160 black & white plates. Orange and blue hardcover cloth binding with minimal rubbing to the extremities and minimal sunning to boards; protected in custom stiff archival mylar. Number 48 of 150 copies containing a woodblock print, designed, printed, and signed by the author for this edition. Pencil signed woodblock print has two light creases; it is titled "Song of Warning and Annunciation." Stanislaw Szukalski (1895-1987).. Signed. First Edition. Hardcover. Very good+ condition. Oblong quarto (4to).

      [Bookseller: Kurt Gippert Bookseller (ABAA)]
 40.   Check availability:     Biblio     Link/Print  


        La gravure sur bois en France au XIXe siècle (with an original woodcut by PAUL GAUGUIN)

      Editions Albert Morancé, Paris 1929 - ONE OF ONLY 55 COPIES WITH AN ORIGINAL WOODCUT BY PAUL GAUGUIN ("Le Sourire", Mongan 69). First and only edition of this excellent history of woodcuts and wood-engravings in 19th-century France. XIII, 321 pp. With exhaustive dictionaries of draftsmen, engravers, and illustrated books. Hundreds of illustrations, MANY PRINTED FROM THE ORIGINAL BLOCKS. This is ONE OF 55 NUMBERED COPIES ON CHINESE PAPER, WITH A SPECIAL SUITE OF TEN ORIGINAL WOODCUTS, INCLUDING A WONDERFUL WOODCUT BY PAUL GAUGUIN IN HIS PUREST POLYNESIAN STYLE. These 10 woodcuts are not in the regular edition. 4to, original printed wraps. Entirely uncut. FINE AND BRIGHT, IN PERFECT CONDITION. [Attributes: First Edition; Soft Cover]

      [Bookseller: Cole & Contreras / Sylvan Cole Gallery]
 41.   Check availability:     ZVAB     Link/Print  


        Flapper Sewing Sample Books, Set of Three

      Portland, OR 1929 - 3 sewing sample books created by a school girl in 1929. 33, 44, and 34 leaves. Original paper wrappers, 1 volume bound with metal rings. Fabric samples, original sewing samples, and magazine and pattern clippings tipped-in throughout. Wrappers rubbed, tanned, and spotted with some chips and short splits at the edges, leaves toned, fabric and sewing samples in fresh condition. A very good set. Three evocative Jazz Age sewing sample books created by 15-year-old June Schroetlin for a school course in Portland, Oregon during 1929. Each volume is carefully ordered with an index, reading lists, notes (some are in manuscript and others are printed class handouts), fabric samples with information on their uses, and laboratory records including the lengths and costs of material used in projects. Each volume contains sewing exercises which Schroetlin completed and tipped-in, including examples of attaching snaps and clasps, a variety of stitches, buttonholes, smocking, pockets, and pin tucks. One assignment sees Schroetlin clipping contemporary fashion plates and assigning them to design categories such as "repetition", "opposition", "formal balance", and "gradation". Also of interest are Schroetlin's suggestions (based on fashion plates) for outfits for various "types", such as "a sport outfit suitable for a high school school girl who is a brunette [and] is short and thin in build"; "an afternoon dress for a tea for a large elder woman whose hair has begun to turn gray"; and "a dress for myself for an informal high school dance". The workbooks were graded by hand, with the teacher making notes in red pencil regarding Schroetlin's sewing work and her aesthetic choices. These books are a wonderful historical survival, recording the fashion interests and practical education of an American teenager during the late 1920s. [Attributes: Soft Cover]

      [Bookseller: Alembic Rare Books]
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        LA PLANTE cent vingt planches en héliogravure d'après des details très agrandis de forms végétales. Introduction de Charles Nierendorf.

      Hardcover. No dust-wrapper. xv, [1], 120 pages, each printed on one side only and bearing reproductions of photographs. Original green cloth, gilt. First French issue of Urformen der Kunst [1928]. Enfpapers lightly spotted; soft crease in front endpaper; else an excellent copy.

      [Bookseller: David Miles]
 43.   Check availability:     Direct From Seller     Link/Print  

______________________________________________________________________________


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