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Displayed below are some selected recent viaLibri matches for books published in 1929

        David Golder

      First edition, one of 300 numbered copies on alfa paper, an advance (service de presse) copy.Handsome autograph inscription from Irène Némirovsky to Henri Béraud.A few small spots mostly affecting the first and last leaves.Provenance : the library of Henri Béraud. Grasset Paris 1929 12x19cm broché

      [Bookseller: Librairie Le Feu Follet]
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        The THOROUGHBRED MARES’ RECORD Showing Female Ascendancy and giving Racing Performances of Progeny of 2,670 Mares from 1850 to 1928

      Galopin Press, London 1929 - Showing the Female Ascendancy and giving the Racing Performances of the Progeny of 2,670 Mares, tracing back to ECLIPSE, HEROD, and MATCHEM also the Pedigrees and Winnings of Principal Sires since 1850. 1929, Galopin Press LTD., London. 34 black & white photos by W.A. Rouch and Clarence Hailey all which have been verified as being in the book. 9-1/4” x 11-3/8", 566 pgs. Dark blue leather cover with gold lettering on front and binding and dark blue endpages. Book in a blue slipcase (although it is cloth and a slightly lighter blue color and probably added later). VG- hardcover, very slight wear on cover, spine just starting to show in a couple inches on bottom in between front blank endpages. Extra postage priority mail and outside of US. [Attributes: Hard Cover]

      [Bookseller: Larimar Animal Books]
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        SELF-SERVICE. A Happening. (performed June-September, 1966). - Originaltyposkript mit handschriftlichen Ergänzungen. - (dazu): ders.: Selbstbedienung. Ein Happening. Typoskriptdurchschlag der deutschen Übersetzung von (Tomas Schmit).

      - 6 Blatt, einem Blatt Errata und 6 Blatt für die Übersetzung. Sohm, Happening & Fluxus Materialien. - Gray, Action Art 1929. - Abgedruckt in Dé-coll/age No.5. - The Drama Review Vol. 12, Nr. 3, 1968. - Typsokript mit handschriftlichen Ergänzungen. Als Textvorlage für die nie erschienene Anthologie der edition et gedacht. Mit handschriftlicher Notiz von Kaprow auf dem Titelblatt "Note: I hope i didnt send you this one already. If so please write to me immediately and i'll send a different one. A.K." - Das Happening wurde im Juni bis September 1966 in New York, Boston und Los Angeles (bei Sohm in Pasadena) aufgeführt. "This was one of the most important happenings of Allan Kaprow’s career, and not because of its impact or visibility in its time, but because of the implications that are grounded conceptually in its development. And this is because his approach signifies a challenge for Kaprow himself, taking to the limit the idea of experimentation in art and its blurring with life" (Soledad Gutierrez). Der deutsche Text wurde nie gedruckt.

      [Bookseller: Daniel Thierstein]
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        [Complete Hammett detective novels:] Red Harvest; The Dain Curse; The Maltese Falcon; The Glass Key; The Thin Man

      New York & London: Alfred A. Knopf,, 1929?34. 5 volumes, octavo. Finely bound by the Chelsea Bindery in dark blue morocco, pictorial motifs gilt to front boards copied from the originals, single rule to boards, twin rule to turn-ins, burgundy endpapers, gilt edges. Housed in a dark blue cloth slipcase by The Chelsea Bindery. A fine set. First editions, first printings of the complete series of Hammett's seminal full-length detective novels. As usual The Glass Key is the first American edition; the first impression was printed in London in the same year during Knopf's ill-fated attempt to break into the British market and is scarce.

      [Bookseller: Peter Harrington]
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        Good-bye To All That - the true first issue with the Sassoon poem present

      Cape, 1929 A first edition, first printing published by Cape in 1929. A very good+ copy without inscriptions. This is the FIRST ISSUE with the Sassoon poem. Some lightening to the front board, with a little browning to the top of the text block. In a dust wrapper which has benefitted from some expert restoration to the spine and top edge and now presents as a near fine copy.[removed][removed]

      [Bookseller: John Atkinson Books]
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        Le Morte D'Arthur

      Boston & London: The Medici Society, 1929. Le Morte D'Arthur Illustrated by William Russell Flint In a Superb Full Red Morocco Binding with Floral Inlays FLINT, William Russell, illustrator. MALORY, Sir Thomas. Le Morte D'Arthur. The History of King Arthur and of his Noble Knights of the Round Table by Sir Thomas Malory, Knt. Boston & London: The Medici Society, [1929]. Thin Paper One-Volume Edition. Octavo (8 3/8 x 5 1/2 inches; 212 x 140 mm.). xliv, 531 (1 blank) pp. Twenty-four full page color plates. Handsomely bound ca. 1930 in full red morocco, covers decoratively bordered with flower corner pieces surrounding a central floral design with a central flower inlaid in blue and green morocco. Spine with five raised bands elaborately tooled and lettered in gilt in compartments, gilt board edges and turn-ins, top edge gilt, others uncut. A very fine example. Although the binding is not signed it was most certainly executed by one of the great American binderies of the time. Imprinted after the text of William Caxton as modernized, under the editorship of Alfred W. Pollard for the Medici Society in London. Influenced by the Pre-Raphaelite movement and by the stylized neoclassical art of the Renaissance, W[illiam]. Russell Flint (1880-1969) was educated at the Royal Institute of Art, Edinburgh. He began his career on the staff of Illustrated London News 1903-1907 but "from this period onwards…turned increasingly to watercolour, particularly for the illustration of colour books. He was strongly influenced by the illustrations of Rip Van Winkle by Arthur Rackham and between 1905 and 1924 produced a whole series of brilliant luxury editions for the Riccardi Press of the Medici Society. His figures are finely modeled and contain elements of a Burne-Jones influence by way of Byam Shaw" (Houfe). His illustrations for the Medici Society/Riccardi Press editions of The Greek Heroes, Chaucer's Canterbury Tales and the volume under notice are considered to be his best and most beautiful work.

      [Bookseller: David Brass Rare Books, Inc.]
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        A SONG about Tsar Ivan Vasilyevitch his young body-guard and the valiant merchant Kalashinikov. Translated by John Cournos with decorations by Paul Nash.

      Hardcover. No dust-wrapper. [4], 24, [2 blanks], v, [1 blank], colophon pages. Illustrated. Original full morocco binding to a design by Paul Nash. Binding: 27.4 x 17.6 cm. No 3 of a limited edition of 750 copies on hand-made paper. Slight evidence of a bookplate being removed from first free endpaper; binding a little rubbed and marked; else a very good copy.

      [Bookseller: David Miles]
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        PINDAR'S ODES OF VICTORY. The Olympian and Pythian Odes. The Nemean and Isthmian Odes.

      Boston: Houghton Mifflin, 1929 &1930. Two volumes. 4to. 11 x 7 1/2. xxiv, 297; 193 pages. With numerous third-page wood engravings by John Farleigh. Greek and English text on facing pages. Original quarter black cloth & gold speckled turquoise boards (some discoloration to board edges, as usual). Beautifully produced books, in fine condition. Slipcases have some wear. Printed at Shakespeare Head Press. One of 100 sets printed for America on handmade paper. With an Introduction and a Translation into English Verse by C. J. Billson. Early & splendid use of Victor Scholderer's New Hellenic type. Bernard Newdigate was renowned for his fine presswork.

      [Bookseller: The Veatchs Arts of the Book]
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      1929. Collezione completa che comprende il primo numero (26 maggio 1929) uscito come supplemento del Catalogo generale della L.E.F. e le 12 annate complete in fascicoli sciolti in buono stato di conservazione (uno strappo al n. 1 dell'a. I). La rivista, diretta da E. Lucatello, nasce nel 1929 come rassegna bibliografica della Libreria Editrice Fiorentina; dal giugno 1930 viene stampata da Vallecchi ed avrà come direttori Piero Bargellini e Barna Occhini. Tra i suoi collaboratori vi furono A. Soffici, G. Papini, C. Bo, M. Luzi.

      [Bookseller: Libreria Antiquaria Palatina]
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        Courrier sud

      Nrf.  First edition, one of 697 numbered copies on pur fil, the only large paper copies after 109 re-imposed.Scattered foxing mostly to endpapers, printed ex libris stamp to head of final endpaper.  Nrf Paris 1929 12x19cm broché

      [Bookseller: Librairie Le Feu Follet]
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        De nos oiseaux

      First edition on ordinary paperHandsome autograph inscription from Tristan Tzara to, firstly, Paul Eluard : "à Paul Eluard. Tristan Tzara. Juillet 1929" which Tristan Tzara deleted and wrote, secondly, an autograph inscription, signed and dated, to René Char : " A René Char avec toute l'amitié grande de Tristan Tzara" enriched with a little drawing enrichi of a hand indicating his name.Illustrated with 10 drawings by Hans Arp.A fine copy with a moving provenance.  Kra Paris 1929 13x19cm broché

      [Bookseller: Librairie Le Feu Follet]
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        THE FAIRY CARAVAN By Beatrix Potter Author of the Famous Peter Rabbit Books.

      The Autograph edition, with a special limitation leaf, tipped in between the title-page and the dedication page, stating that the book is limited to one hundred copies, none of which will be offered for sale. This copy is number 72. It is presented with the compliments of the author. There follows the signature, in full, of Beatrix Potter. 225 pages. Illustrated with 6 full-page colour plates and numerous line drawings, many full-page. Original green cloth with mounted full-colour pictorial pastedown to the upper panel. Original pictorial dust-wrapper. Contained in a modern folding cloth box. Front inner joint repaired; else a fine copy in a near fine wrapper. Rare. The last copy sold at auction was the Frohnsdorf copy, which reached $9,000. 00., at Christies East in 1997.

      [Bookseller: David Miles]
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        Louis D. Brandeis, A Biographical Sketch, With Special Reference to his Contributions to Jewish and Zionist History. With Full Text of His Addresses Delivered from 1912-1924

      Bloch Publishing Company. Seemingly Brandeis's personal copy of the biography by Jacob De Haas, the person responsible for Brandeis' conversion to Zionism, of whom it has been said that (possibly excepting President Wilson) "no man changed [Brandeis'] life so significantly". Original cloth, a very good copy in a somewhat chipped dustjacket; with Brandeis's signature ("Louis D Brandeis") at the upper right hand of the title. Bloch Publishing Company, New York, 1929.

      [Bookseller: Meyer Boswell Books, Inc.]
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        die bunte lampe. alte und neue gedichte. // rede der kindesmörderin vor dem weltgericht. widmungsexemplar, signiert!

      2 werke von paul leppin in ein buch gebunden. die bunte lampe: mit eigenhändiger widmung des autors am vorsatzblatt: "Herrn Paul Porges in guter Erinnerung an gemeinsame Jugend. Prag, im Oktober 1929. Paul Leppin" die kindesmörderin vor dem weltgericht: mit eigenhändiger widmung des autors am vorsatzblatt: "für Herrn Paul Porges. Prag, im Oktober 1929. Paul Leppin" papp-einband an den kanten berieben, seiten papierbedingt gebräunt.

      [Bookseller: "buchkontor " -antiquariat don quijote]
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        The Works of Shakespeare. The text of the First Folio with Quarto variants and a selection of modern readings.

      London: Nonesuch Press, 1929. Seven volumes, octavo, top-edges gilded 'on the rough' and others uncut; publisher's full tan niger morocco by A. W. Bain, with raised bands and gilt spine lettering. A splendid set: a benchmark for modern editions of Shakespeare and the 'chef d'oeuvre' for the famous Nonesuch Press. Edited by Herbert Farjeon, this set offers a fine combination of scholarly collation of the quarto variants against the first folio, with a beautiful physical design of both typography and binding. The overall design was by Francis Meynell; the text was printed at the Cambridge University Press, in Monotype Fournier with freshly-cut initials specifically made for this edition, and the bindings were prepared by A.W. Bain in London. The set was limited to 1600 copies."You have created a most marvellous pleasure", T. E. Lawrence wrote to his friend David Garnett. "I have handled it ever so many times, and read The Tempest right through. It satisfies. It is final, like the Kelmscott Chaucer or the Ashendene Virgil."This would appear to be an early set: rather than being numbered, it is embossed with the Nonesuch stamp 'This Book is Out of Series - For Review'. Some staining and discolouration of the leather, a good sound set.

      [Bookseller: Hordern House]
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        The Works of Shakespeare: The Text of the First Folio with Quarto Variants and a Selection of Modern Readings.

      New York, NY: Random House [Nonesuch Press], 1929. FINE PRIVATE PRESS EDITION. 7 volumes. Large Octavo, pp.xii; 592; pp.iv; 648; pp.iv; 850; pp.iv; 778; pp.iv; 804; pp.iv; 518; pp.iv; 568. Number 182 of 550 copies printed for the American market. 1050 copies printed for the UK. In a contemporary binding of tan full morocco with raised bands and gilt titles to spines. Top edges formerly gilt; all others untrimmed. Small black ink stamp of Joyce and Gene Gressley to front free end-paper of each volume. Some light external wear, otherwise a very good set.

      [Bookseller: Adrian Harrington]
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        PEGASO (direttore Ugo Ojetti) 1929-1933 tutto il pubblicato In 54 fascicoli sciolti dal gennaio 1929 al giugno 1933., Firenze, Le Monnier, 1929

      1929. 8o, , br. bs., pp. 100-130 per fascicolo. Editore iniziale Le Monnier, poi Treves-Treccani.-Tuminelli. Importante rivista culturale mensile (letteratura ed arte) cui collaborarono, con numerosi scritti originali, tanti tra i migliori autori dell'epoca (ed alcuni non erano affatto graditi al regime), quali Alvaro, Angioletti, Bacchelli, Calzini, Cecchi, Comisso, Malaparte, Montale, Moretti Marino (L'Andreana), Palazzeschi (con un preoriginale di "stampa dell' 800 ", Papini, Pea, Piovene, Pirandello ("Questa sera si recita a soggetto" sul fasc. 4 del 1929 in prima edizione), Prezzolini, Sapegno, Vittorini, ecc. ecc. Nel 1933 cessò le pubblicazioni per fare posto a PAN, altra importante rivista ancora diretta da Ugo Ojetti. La collezione completa è composta da 54 fascicoli sciolti (anni I-IV) Dal gennaio 1929 al giugno 1933 e viene offerta a

      [Bookseller: Libreria e Rivisteria Ferraguti]
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        Rose des vents

      First edition, one of 1000 numbered copies on alfa paper, the only printing with 9 on Japan paper and 31 on Hollande paper.Surprising autograph inscription dated and signed by Philippe soupault " A Laurent Tailhade en témoignage de mon admiration."With 4 drawings by Marc Chagall.Two tears glued to head and foot of a joint, spine and covers slightly and marginally sunned as usual. Au sans pareil Paris 1929 13x19,5cm broché

      [Bookseller: Librairie Le Feu Follet]
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        Lady Chatterley's Lover.

      Florence: Privately printed [Edward Titus], 1929. Second authorized edition: the Author's Unabridged Popular Edition. Octavo, pp.365. Bound in original brown paper wrappers printed in black, with Phoenix design to front cover, white label to spine, price "60Frs" to upper right and "LeCram Press-Paris" printed on back cover. One of 3000 copies printed; the novel was initially published in an edition of 1,000 copies by the Orioli Press, Florence (1928), and was almost immediately pirated by at least four different publishers. Lawrence had always intended to release a cheap version, and hoped that this official cheaper edition would discourage piracies. He struck a deal with Edward Titus and wrote a new introduction regarding the pirated printings entitled 'My Skirmish with Jolly Roger'.Fragile covers with some wear, a few tears to joints, some small chips to spine ends, title label intact, some edge-chipping. Overall a decent copy of this notoriously fragile book, seldom seen in such condition. Housed in a bespoke black morocco-spined clamshell box with felt lining. An uncommon survival.

      [Bookseller: Adrian Harrington]
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        L'art cubiste

      First edition, one of numbered copies.Illustrated with 48 plates hors texte, of which 12 in stencil).Endpapers slightly and faded all over, not serious, a good copy.  Charles Moreau Paris 1929 21x27,5cm broché

      [Bookseller: Librairie Le Feu Follet]
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        Deutschland, Deutschland über alles. Ein Bilderbuch von Kurt Tucholsky und vielen Fotografen. Montiert von John Heartfield.

      Berlin, Neuer Deutscher Verlag, [] 1929 - Gr.8°, 231 S., zahlr. Abb. (tlw. a. Taf.), 2 Bl. Anzeigen, OLwd. m. montierten, tlw. farb. Deckelbildern, gelber Kopfschnitt, Lwd. über Rücken etw. ausgeblichen, die auf dem Vorderdeckel montierte Abbildung des Kopfes im rechten Auge etw. verfalzt (daher mit kleiner Illustrationslücke), hint. Seitenkante tlw. etw. fleckig, Papier min. gebräunt; allg. gutes Ex. 31. - 50. Tausend. 1100 gr. Schlagworte: Erstausgaben deutscher LiteraturHeartfield [Attributes: First Edition; Hard Cover]

      [Bookseller: antiquariat peter petrej]
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        The Brook Kerith. A Syrian Story.

      London: William Heinemann, 1929. Tall octavo, signed and numbered from a limited edition of 375, with twelve engravings (including frontispiece) unopened; in full vellum binding, gilt, bookplate. A very good copy of George Moore's decorative retelling of the Gospel story. Published by Heinemann, a private press from Covent Garden established in 1890. Heinemann, in its early history were recognised for their many decorative and ornately published translations of classics.This edition is known for the twelve beautiful engravings by Stephen Gooden who also illustrated an edition of Aesop's Fables.This is a limited and numbered edition of 375 copies, this copy is 317. The copy is also signed by George Moore and Stephen Gooden. A crisp copy, very good.

      [Bookseller: Hordern House]
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        Outpost of the Lost: An Arctic Adventure -- Signed and inscribed by Brainard on the Half-title page.

      Indianapolis: Bobbs-Merrill 1929 - Indianapolis: Bobbs-Merrill, 1929. 1st Edition stated. 8vo — 21.2 cm. 317 pp. Publisher’s dark green cloth with mustard-yellow colored title lettering on cover and spine. Cartographic end leaves front and rear. A Very Good + copy inside and out -- complete. Signed, inscribed and dated in the year of publication by Brainard on he half-title page. Arctic Bibliography 2071 This book consists of the private journals of Sgt. Brainard on polar exploration in 1888, one of the six survivors of the ill-fated Greely expedition. The U.S. International Polar Year Expedition of 1881-4, aka Lady Franklin Bay Expedition, led by Army Lieutenant Adolphus Greely, reached Lady Franklin Bay in August 1881 and established a scientific research station. Although Greely was without previous Arctic experience, he and his party performed notable feats of exploration; many unknown miles along the coast of NW Greenland were added to the map, Ellesmere Island was crossed from east to west, and Second Lieutenant James B. Lockwood achieved a new northern record of 83°24'. The expedition ultimately had tragic results. Their fatal mistake was in plunging into the extremely dangerous ice of Smith Sound, without having established, at the mouth of that sound, a depot of provisions and a house upon which they could fall back in case of disaster. The failure of supply ships to reach the expedition in the next 2 years forced Greely to abandon the station and retreat to Cape Sabine. Relief ships were sent over the next 2 years, but failed to reach Greely's party encamped at Cape Sabine, the 'Proteus' being a store ship bringing much needed supplies who was sunk by ice en route. Finally, the third relief vessel arrived in 1884, all but Greely and six others had perished from starvation, drowning, or exposure. The survivors were near death, and one died on the homeward journey. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Chet Ross Rare Books, ABAA]
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        L'Agent de Police Jour

      First edition of the French translation, one of 10 numbered copies on Madagascar, deluxe edition. Very nice copy. Henri Jonquières Paris 1929 12x19cm broché

      [Bookseller: Librairie Le Feu Follet]
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      La maison des amis des livres 1929 - - La maison des amis des livres, Paris 1929, 18x23,5cm, broché. - Edition originale de la traduction française entièrement revue par Valéry Larbaud, un des 1045 ex numérotés sur alfa. Dos légèrement insolé, sinon bel exemplaire. [AUTOMATIC ENGLISH TRANSLATION FOLLOWS] First edition of the French translation entirely reviewed by Valéry Larbaud, one of 1045 numbered copies on alfa paper. Spine slightly sunned, otherwise a very good copy. [Attributes: First Edition; Soft Cover]

      [Bookseller: Librairie Le Feu Follet]
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        The Seven Dials Mystery

      New York: Dodd, Mead & Co., 1929. First. hardcover. very good(-)/very good(+). 8vo, orange cloth, all-over light dust soil, spine & back cover lightly spotted, bookplate. Very good dust wrapper, with art deco design, splitting at one fold. New York: Dodd Mead, (1929). First American Edition. Published the same year as the English edition.

      [Bookseller: Argosy Book Store]
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        The Autobiography Of Calvin Coolidge.

      Cosmopolitan Book Corporation - LTD EDITION SIGNED BY CALVIN COOLIDGE. Number 972/1000. Very good overall condition with a tight binding and clean pages. Minimal wear to board corners and contains previous owners personalized stamp inside front cover. Copyright 1929. [Attributes: Hard Cover]

      [Bookseller: Motor City Books]
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        Entre terre et mer

      - Nrf, Paris 1929, 16,5x21,5cm, broché. - Prima edizione della traduzione francese, una delle 109 copie numerate sul filo puro Lafuma posato Navarra e reintrodotto nel quarto carta protocollo, edizione deluxe. Torna un po 'insolated, bella copia. - [FRENCH VERSION FOLLOWS] Edition originale de la traduction française, un des 109 exemplaires numérotés sur vergé pur fil Lafuma-Navarre et réimposés dans le format in-quarto tellière, tirage de tête. Dos légèrement insolé, agréable exemplaire.

      [Bookseller: Librairie Le Feu Follet]
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        AMICA, rivista mensile illustrata per la donna e per la casa - 1929-1940 ANNI I- XII TUTTO IL PUBBLICATO -, Roma, Soc. Italiana Commercio Calze, 1929

      1929. Siamo in presenza di una ricercata rivista che ha tracciato in pratica la storia della MODA ITALIANA incidendo sul costume nel periodo più brillante del fascismo appena priima dell'entrata in guerra. In un paio di bibliografie abbiamo rilevato notizie sulla uscita della rivista anche nel 1941, ma poi in pratica neppure sul sito OPAC ed in altri noti portali non ne abbiamo trovato traccia, Ogni annata è composta da 12 numeri (formato 23 x 29) pagine 60-90 cadauno. Tutte le copertine sono molto belle e opera dei maggiori illustratori di quegli anni. La rivista si rivolge al pubblico femminile con BRILLANTE PUBBLICITA' DEL SETTORE, numerose fotografie di DONNE E MODELLE CON ABITI ELEGANTI, modelli di ogni tipo e forma, economia domestica, racconti roimantici, ma anche scritti impegnati ed importantI con autori come MUNARI, LUCILLA ANTONELLI, MILANESI, ANGUISOLA , RAFFAELE CARRIERI, eccetera eccetera,) e traccia il PROFILO DELLA "DONNA FASCISTA MODERNA ED EMANCIPATA". Le rilegature delle dodici annate sono in piena pelle a sbalzi con i titoli in rilievo e sono in condizioni positive pur con qualche ferita, salvo due (1934 e 1938) che hanno biosogno di restauri. Queste rilegature "ostentate" sono una prova che probabilmente la collezione possa essere appartenuta alla famiglia di un GERARCA. Vanno infine citati alcuni artisti autori delle stupende copertine che elenchiamo in ordine sparso SCHIPANI (futurista), MATELDI, TITINA, FONTANA, SANTAMBROGIO (numerose). DAL FORNO, ALESSI, GRUAU, BRUNETTA, DAMIANI, MAROTTA, SPAVENTA FILIPPI, e tantissimi altri. Suil sito si puo' osservare una foto dell'insieme ma a richiesta possiamo fornire ulteriori informazioni. I direttori lungo gli anni LUIGI SANTAGOSTINO e CARLO POLONI. La rara collezione viene offerta a

      [Bookseller: Libreria e Rivisteria Ferraguti]
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        Relations and Complications

      John Lane The Bodley Head, 1929. Hardcover. Good. 1929. First Edition. 249 pages. No dust jacket. Signed by the author. Black cloth boards. Signed in a presentation signature 'To Joseph Nabarro With kindest thoughts from the authoress, Glds..(sic) Sarawak. ' and dated 1929. Some spotting to the prelims and the page ends, the rest of the text remains neat and clean. A firm binding. On front pastedown is the bookplate of the 'David Nabarro', relative of the man the book is signed to. Some wear to spine ends, minor loss to top of spine. A few light marks and soft rubbing to other edges. A solid copy of the thoughts of this fascinating woman.

      [Bookseller: The World of Rare Books]
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        Romans et Contes. Jean le Bleu. Regain. Colline. Naissance de l?Odyssée. Un de Baumugnes. Provence. 6 vol.

      Paris, Grasset, La Belle Edition 1929 - -1932. 8°. 6 Bde. Mit Illustrationen von Raoul Serres, André Collet und Jacques Thevenet. Orig.-Broschur in Orig.-Pappband / hardcover.-Mappe. In Orig.-Pappband / hardcover.-Schubern. Nr. 52 von 90 Exemplaren sur vélin teinté pur fil du Marais mit jeweils einer Extra-Suite der Illustrationen in Schwarz sur Lana. Unaufgeschnitten. Non coupé. Sehr gutes Exemplar. Fine condition. [Attributes: Soft Cover]

      [Bookseller: Antiquariat Fatzer ILAB]
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        Die Filmwoche. Hier 7. Jahrgang 1929 in 52 Einzelheften KOMPLETT !

      4, zusammen 1254 Seiten mit zahlr. Abbildungen, 52 illustr. Originalhefte - teils mit ganz leichten Gebrauchssp. sonst sehr guter Zustand - 1929. a73318

      [Bookseller: Antiquariat Ehbrecht - Preis inkl. MwSt.]
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        The Celtic Druids, or An Attempt to show, that The Druids were the Priests of Oriental Colonies Who Emigrated from India; and were the Introducers of the First or Cadmean System of Letters, and the Builders of Stonehenge, of Carnac, and of Other Cyclopean Works, in Asia and Europe

      London: Rowland Hunter/Hurst & Chance/Ridgway and Sons, 1929. Second Issue. Hardcover. Very Good. The first printing was issued in 1827 in a slightly shorter version and had fewer plates than this volume. Quarto. Bound in half red morocco over marbled boards. Spine with 5 raised bands and gilt title and date. Top edge gilt. Marbled end papers. Besides the present title page it also includes the lithographic title page from the first edition. Full page errata sheet with second (smaller) errata slip tipped in on the following page. 324 pages. Illustrated with 45 lithographic plates, many of which are large foldout plans of Stonehenge and other monuments, plus one map, and wood vignettes at the beginning and end of each chapter. This copy belonged to noted Welsh scholar and bookbinder, Henry Blackwell, with his bookplate to front pastedown. Blackwell also bound this particular copy. Very light edgewear and slight rubbing to boards, a couple of tiny scuff marks to the leather on spine. Some light foxing on several pages but mostly mild and in margin areas. The binding is strong and secure. A very well preserved copy of this scarce work. A VERY GOOD TO NEAR FINE COPY. Higgins attempts to show that the Druids of the British Isles were the priests of a very ancient nation called Celtae, and that they were a colony from the first race of people, a learned and enlightened people, the descendants of those who escaped the effects of the deluge on the borders of the Caspain Sea. He claims they were the earliest occupiers of Greece, Italy, France and Briton, arriving in those places by a route along the 45th parallel (north). He stresses that other colonies from this same great nation advanced via a southern line through Asia, peopling the Middle East and Africa, and arriving into Europe by sea through the Straights of Gibraltar (the Pillars of Hercules). He also attempts to show that all the languages of the Western world were the same, and that one system of letters, that of the ancient Irish Druids, was common to the British Isles, Italy, Greece, Syria, Arabia, Persia and Hindustan. As you may imagine he was the subject of a lot of ridicule from scholars of his time. Regardless, this is a fascinating exploration of ideas and his examinations of Stonehenge, the Avebury and Carnac areas, and other locations with monumental structures is very interesting indeed. Higgins prefaced this 1829 second edition stating that he was preparing a review of "all the ancient Mythologies of the world, which, however varied, and corrupted in recent times, were originally one, and that one founded on principles sublime, beautiful, and true." This review would later become his most famous work: Anacalypsis. Some of the chapter headings are as follows: Necessity of Etymology; Alphabets; Changes in Language; Druids acquainted with Letters; Irish, Greek, and Hebrew Letters the same; Hieroglyphics; Ciphering invented before Letters; Virgil a Druid; Genesis; Persia, India, and China, the Depositaries, not the Inventors of Science; Who the Celts were; Affinity between the Latin, Sanskrit, and Celtic; Term Barbarian; Arrival of Phoenician Colonies in Ireland; Origin of Irish Fables; Derivation of the word Britain; Hero Gods; Derivation of the words: Albion, Druid, Vates and Bards; Britain known to Aristotle; Road to Britain lost, like that to America and Australia; magnetic Needle; Ancient Oracles founded by Celts; Druids probably Pythagoreans; Cross common to Greeks, Egyptians, and Indians; Monograms of Christ; Druids admitted the Creation of Matter; Festivals removed by the procession of the Equinoxes; Druid Festival of Christmas; Mother of the Gods; Baal; Gods of India and Ireland the same; Chaldees of the Jews; St. Patrick; A single Plain Stone the Origin of Idolatry; Rocking-Stones or Logan Stones; Circular Temples, Stonehenge and Abury; Stonehenge not a Roman, Saxon, or Danish Work; Ancient Superstitions respecting Numbers; Observations on Hebrew Chronology; Hierarchy of the Druids; Druids Assertors of their Country's Liberty; Immortality of the Soul and Metempsychosis; Druids had an excellent System ofMorals; Mistletoe and other Sacred Plants; Institution of Priesthoods an Evil, etc.

      [Bookseller: Richard Bishop Bookseller]
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        The Eye in the Museum.

      London: Victor Gollancz Ltd, 1929 - Octavo. Original black cloth, spine lettered in red. With the dust jacket. Contents foxed; a very good copy in the jacket with sunned spine and edges and a short closed tear to front panel. First edition, first impression of this detective novel. The publisher's retained copy with their ink stamp to the front panel of the dust jacket and the front pastedown. [Attributes: First Edition]

      [Bookseller: Peter Harrington. ABA member]
 34.   Check availability:     ZVAB     Link/Print  

        Collection Nachet. Instruments scientifiques et livres anciens. Notice sur l'invention du microscope et son évolution. Liste des constructeurs et amateurs du XVIe au milieu du XIXe siècle

      Paris, Georges Petit, 1929. 1929, 1929, in-8, de 145, (1) pages et 16 planches, demi toile moderne à la bradel, Première édition, rare, de ce catalogue d'une des plus prestigieuses collections de microscopes et d'instruments scientifiques (télescopes, graphomètres, astrolabes, compas, cadrans solaires, cadrans equinoxial, etc.) du XXe siècle, qui contenait, aussi, une riche documentation ancienne et moderne sur les instruments de science. 16 planches représentent 144 différents types d'instruments, la plupart étant des microscopes. Bon exemplaire de cette édition originale, imprimé sur beau papier

      [Bookseller: Librairie Alain Brieux]
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        The Sound and the Fury

      New York: Jonathan Cape and Harrison Smith,, 1929. Octavo. Original white cloth-backed patterned paper boards, titles to spine in black, top edge stained blue, patterned endpapers. With the dust jacket. Housed in a burgundy quarter morocco solander box by the Chelsea Bindery. Minor cracking to rear hinge as often but an exceptionally nice copy in the little frayed dust jacket with a few bits of internal repair and a single very small chip to the head of the spine panel. Notwithstanding these minor defects the fugitive red at the spine is very strong and there is little or none of the customary surface wear typical for this dust jacket. First edition, first printing, first issue dust jacket with Humanity Uprooted advertised at $3.00 on the lower panel.

      [Bookseller: Peter Harrington]
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        White Bottoms: A Set of four Pochoirs.

      Paris 1929 - Four hand-coloured pochoir prints, mounted, overall dimensions 61 x 44.5cm. These beautiful and witty prints were published as part of the album White Bottoms by a French caricaturist SEM (1863-1934). This charming and electric work illustrates the joy and excess of the Jazz Age; the title humorously refers to the Black Bottom, the dance craze that overtook the Charleston as the era's trademark leg-play. White Bottoms is illustrative and humorous depiction of the aging Parisian upper-class contemporary to the artist. The work is in some way a record of the last days of full sun in Paris before the turbulent and economically unstable thirties.

      [Bookseller: Shapero Rare Books]
 37.   Check availability:     IberLibro     Link/Print  


      Budapest: Magyar Állami Földtani Intézet [Geological Institute of Hungary] [] 1929 - Chromolithograph with monochrome lithographed overlay on transparent paper (Excellent, clean old vertical and horizontal folds), 66 x 60 cm (26 x 23.5 inches). The original publisher’s proof of Franz Baron von Nopcsa’s geological map of Northern Albania, the first scientific geological map of the region. This intriguing production is the original publisher’s proof from the Magyar Állami Földtani Intézet (Geological Institute of Hungary) of Franz Baron Nopcsa’s geological map of Northern Albania, being the first scientific geological map of that region. Nopcsa was a Hungarian nobleman, and a world-renowned paleontologist and geologist, who from 1905 to 1916, resided in Albania, where he became a leading authority on that nation’s history, culture and natural sciences, as well as a prominent member of its independence movement. He remains one of the biggest names in modern Albanian history. During his time in Albania, Nopcsa conducted the first scientific geological reconnaissance of the country, with a particular focus on the northern regions. The present publisher’s proof consists of two distinct physical parts: first, the lower chromolithographed map is based directly on Baron Nopcsa’s original manuscript geological sketch map of the region; second, the transparent overlay, featuring a highly precise monochrome skeletal road map of the region, was intended to both contextualize Nopcsa’s geological mapping and to correct his relatively geodetic errors. For the resulting printed map, issued to accompany Nopcsa’s academic article, ‘Geographie und Geologie Nordalbaniens’, within the journal Geologica Hungarica, Series Geologica, vol. 3 (Budapest: Magyar Állami Földtani Intézet, 1929), these two components were combined, such that the information upon the overlay was integrated into the main map, which naturally necessitated some amendments to the positioning of certain features. Northern Albania was a region of exceptionally rugged topography, and traditionally an area of great political instability, meaning that it was one of the last regions of Europe to be geologically surveyed. Nopcsa’s principally German-language map embraces all of Albania north of the Ishem River (labeled here as the ‘Mata’), a land dominated by the North Albanian Alps, and including the area around the major city of ‘Scutari’ (Shkoder), extending its overage a little ways into coastal Montenegro, as far as Bar. The various geological zones are colour-coded, identified on the two legends on the right side of the map, the ‘Farbenerklärung [Explanation of Colours] (Sediment)’ notes 13 sedimentary zones; while the ‘Farbenerklärung (Eruptiva)’ notes 6 zones created by volcanic activity, plus noting the red lines that demarcates tectonic faults. The ‘Zeichenklärung’ (Explanation of Symbols), in the upper left corner, identifies: Horizontal Layers, Cliffs with gradients under 45 degrees, Cliffs with gradients over 45 degrees, Triangulation Points, Churches, Mosques, and Highpoints (with elevations in metres). Below, the ‘Häufigere Ortsbezeichnungen’ (Frequent Place Names) translates the Albanian words employed to denote: Mountains, Rivers, Creeks, Passes and Plains. The present map dramatically surpassed any previously effort to express the complex geology of the region, forms a critical component of the modern geological mapping of the Balkans, in general. Franz Baron Nopcsa: A Giant of Geology, Paleontology and Albanian History - Franz Baron Nopcsa von Fels?-Szilvás (1877 - 1933) was a world-renowned geologist, paleontologist, SEE OUR WEB-PAGE FOR LONGER DESCRIPTION.

      [Bookseller: Antiquariat Dasa Pahor]
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        Os Judeus no velho Porto

      Lisboa Lisbon, Portugal 1929 - Libraries worldwide that own item: 2. [4] 113, 1 pages. Original wrappers bound in. With signed, dated inscription by author. Separata da Revista de Estudos Hebraicos [=Magazine of Hebrew studies volumes I and II] [Attributes: Hard Cover]

      [Bookseller: Meir Turner]
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        Sechs Radierungen zu Dostojewski\'s Raskolnikow(\"). Die Mappe wurde vom Kupferdrucker Anton Emmer unter Aufsicht des Künstlers in einer einmaligen Auflage von hundertfünfzig - von Arthur Paunzen numerierten und signierten Exemplaren hergestellt.

      Edit. Lányi, Wien, 1929. Mpw. mit 6 Blättern. Radierungen auf leicht getöntem, festen Büttenkarton. 44x35 cm (Mappe); 42x31 cm (Grafik und Textblätter). Impressum und jede Grafik signiert. Inet / Wikipedia (engl.) // Th.-Becker // Mappenwerk, Ex. 113/150 // Wien 1890–1940 Isle of Man. -Die Mappe leicht angestaubt, das Papier der Grafik leicht nachgedunkelt - insgesamt in sehr guter Erhaltung! -Selten! Versand D: 6,50 EUR Mappenwerke, Literarische Grafik, Musische Grafik

      [Bookseller: Kunstantiquariat Rolf Brehmer]
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        A Room of One's Own

      London: The Hogarth Press, 1929. First Edition. Hardcover. Very Good. First edition, first printing. About Near Fine. Cloth sharp, very faintly faded at spine, corners slightly pushed in. Offsetting to end sheets, small previous owner book plate to front paste down and small inked name to rear gutter. Light, small staining to rear free end paper, last several pages, several sporadic pages sporadically and edge of page block. A lovely copy of this collection of essays, with the title essay arguing that a woman cannot write fiction without money and a room of her own. A very nice copy, lacking the dust jacket.

      [Bookseller: Burnside Rare Books]
 41.   Check availability:     Biblio     Link/Print  

        Leaves From A Missionary’s Notebook (Vellum Copy)

      The true First Printing published by Secker and Warburg in 1929. This is number 1 of one hundred and twenty five copies specially printed on vellum paper each numbered and signed by the author. Interestingly although this copy is numbered '1' , it appears to be unsigned. The BOOK is in Very Good++ or better condition. Light pushing at the spine ends with a little fraying at the lower spine tip. Light soiling to the boards. Gilt titling remains bright. Light spotting and a few minor marks to the end-papers. Mild toning to the text-block and page edges. Free from inscriptions and erasures. Fascimile handwriting and illustrations throughout, by the author. Seen as a risqué publication when it first appeared, this "comical fantasia" [Tennant's own words] is a rather camp tale of the Rev Littlejohn and two lady companions who embark on a missionary expedition to the deepest jungle. Tennant was a British socialite known for his decadent lifestyle. He was called 'the brightest' of the 'Bright Young People'. A very nice copy of a scarce title. Ashton Rare Books welcomes direct contact.

      [Bookseller: Ashton Rare Books ABA PBFA]
 42.   Check availability:     Biblio     Link/Print  


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