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Displayed below are some selected recent viaLibri matches for books published in 1921

        The mucker / by Edgar Rice Burroughs ; illustrated by J. Allen St. John

      Chicago : A.C. McClurg & Co., 1921. 1st Edition. Description: [10], 414, [6] p. (last 3 p. blank), [5] leaves of plates ; 21 cm. Notes: Verso of t.p.: Published October, 1921. Frontispiece and plates facing p. 98, 128, 286 and 384. Advertisements on p. [2]-[3] at end. References: Heins, H.H. Burroughs p. 156. SIGNED and inscribed by Burroughs to Miss Lola Gonzales. Very good copy in the original title-blocked cloth. Professionally re-cased with a new gilt-blocked spine in matching cloth; very impressively finished. Remains particularly well-preserved overall; tight, bright, clean and strong.

      [Bookseller: MW Books Ltd.]
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        The Second Book of the Authors Club Liber Scriptorum [with] A Collection of Manuscripts and Galley Proofs of The Second Book of the Authors Club Liber Scriptorum

      New York: The Author's Club. 1921. First. The complete collection of manuscripts and galley proofs of The Second Book of the Authors Club Liber Scriptorum along with a near fine copy of the book, #2 of 251 copies. All but one of the 129 manuscripts are present with various corrections and additions including author Signatures on nearly half, including four Signatures not in the book, plus a manuscript originally included but removed before publication. One or more versions of the printer's galleys for 116 of the 129 contributions with corrections and printer's notes. Also included is a contemporary oversized quarter leather clamshell box with gilt spine label that housed the manuscripts and galleys. First edition. Folio. Morocco grained cloth gilt, beveled edges, marbled endpapers, and untrimmed pages. Near fine with light wear to the extremities, joints lightly rubbed and two tiny bookseller stickers on the rear endpapers ("Philotheos K. Ferney Fine and Rare Books"). The Authors Club of New York was organized in 1882 as a club for noted persons and authors, such as Andrew Carnegie, Samuel Clemens, Frank Stockton, and John Hay. The First Book of the Authors Club Liber Scriptorum was published in 1891 to raise money for a permanent home for the social club. This second volume was conceived to celebrate the 25th anniversary of the first volume but publication was delayed due to World War I. When finally published in 1921, it contained 129 stories, poems, and essays in a limited edition of 251 copies and was Signed by each author at his contribution. Contributors include: Irving Bacheller, George Washington Cable, George Wharton Edwards, John Erskine, Franklin Henry Giddings, George Bird Grinnell, Rossiter Johnson, John Uri Lloyd, Brander Matthews, George Barr McCutcheon, Albert Payson Terhune, Carl Van Doren, and Henry van Dyke. As noted in the table of content and errata slip, not all of the authors were able to sign this volume: eight died before the presses had finished so facsimiles were used for Joseph Alexander Altsheler, Julius Chambers, William Henry McElroy, Charles Augustus Stoddard, Stephen Henry Thayer, Calvin Thomas, James Terry White, and William Young; two had gone blind, James Thompson Bixby and Richard Rodgers Bowker, and could no longer sign their name consistently; one contributor was off traveling, Frank Crane; and one was ill, William Ordway Partridge. This copy of The Second Book of the Authors Club Liber Scriptorum is exceptional because it is accompanied by all but one of the manuscripts from the contributing authors, along with the majority of the galley proofs. The Henry van Dyke manuscript is missing but included is Francis Whiting Halsey's manuscript, "Mulberry and a Book," which is included in the manuscript of the table of contents but was not included in the published book, likely due to the author's death in late 1919. The typed and autographed manuscripts range from small octavo to folio and are in various conditions, averaging very good or better. Many of them have some light to moderate tanning, tears or chipping, most likely due to years of storage in a contemporary clamshell box, also included. Nearly all the manuscripts (including the title page, table of contents and preface) contain minor to major corrections and additions, as well as notes to the printer and are held together with paperclips or pins with some minor oxidation. Many of the manuscripts are also Signed by their contributors, most notably Bixby, Bowker, White, and Young, who did not ultimately sign the published book. In addition to these manuscripts, the galley proofs of all but 13 of the contributions are included as well. They vary greatly in size, with many cut down from long galleys, probably for easier editing and storage. Nearly all are stamped, "The Plimpton Press, Duplicate Proofs," with some scattered chips and tears, along with editing marks and notes for the printer, about near fine. A one of a kind collection. Details available upon request. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        [Quelques tirages de têtes...] Tendres stocks

      Paris: Nrf, 1921. Broché. 16,5x22cm. Edition originale, un des 120 ex numérotés sur vergé pur fil, le nôtre non justifié, et réimposés dans le format in-quarto tellière, tirage de tête. Importante préface de Marcel Proust. Dos et deuxième plat très légèrement passés, sinon bel exemplaire. Rare. - Nrf, Paris _1921, 16,5x22cm, broché. - Quelques tirages de têtes... broché

      [Bookseller: Librairie Le Feu Follet]
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        The Death of Society

      W. Collins Sons London: W. Collins Sons. (1921). First. First edition. Foxing to foredge and endpapers, else fine in an attractive, very good dustwrapper with faint splash marks on the spine, and tiny tears. Winner of the Hawthornden Prize and the best-known novel by Wilson, the English wife of American anthologist Edward J. O'Brien who died tragically at age 39. She was a talented author who drew comparisons to the Brontes, Keats, and Katherine Mansfield. Very scarce in jacket. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        L?ELEVEUR - REVUE CYNEGETIQUE ET CANINE. Gazette des Chasseurs et des Cynophiles. Fondée en 1885 par Pierre Megnin.

      In-4 p., 15 voll., mz. tela (legat. diverse). Di questo noto settimanale illustrato, di pp. 24, dedicato all?arte della caccia e alla cacciagione, ai cani e al loro allevamento, alla veterinaria, ecc., offriamo: - un gruppo di 15 annate complete, dal 1921 (Annata XXXVI) al 1935. Mancano solo 2 numeri: il 1977 del 1923 e il 2498 del 1933. Esemplare ben conservato.

      [Bookseller: Libreria Antiquaria Malavasi]
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        Strauss Photograph Inscribed and Signed

      NP 20.12.21 [NP] 20.12.21. [Dec. 20, 1921]. Photograph by Kossuth matted and framed with image size 9-1/8 x 7", mat showing 10-1/4 x 7-1/2", inscribed by the composer in the mat, "To the - fabelhaft - Philadelphia Orchester / with my sincere admiration / Richard Strauss 20.12.21." Gray mat and gold gilt frame. In 1921, Richard Strauss (1864-1949) was co-director of the Vienna State Opera (a fabulous orchestra as well) and at this time was travelling extensively in the United States. A "fabulous" piece! See an Image.

      [Bookseller: Priscilla Juvelis, Inc. ]
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      Drei Masken Verlag M¸nchen Drei Masken Verlag nd (1921) Limited edition vg 1 of 70 copies with Roman numerals. Original illustrated handstiched publisher's deluxe vellum binding, brown title-label with gold lettering. Screened image of one of Geiger's etchings on front cover. Top edge gilt. Deckled bottom edge. Marbled endpapers. Title-page with original signed etching by German painter, Willi Geiger, signature of his on limitation page as well. Krotkaya (A Gentle Creature or The Meek One) is a short story by Russian writer & novelist, Fyodor Dostoyevsky. First published in 1876, the story chronicles the relationship between a pawnbroker and a girl that frequents his shop. The work was inspired by a news report that Dostoyevsky read in 1876 about the suicide of a seamstress. The author referred to it as a "meek suicide" that "keeps haunting you for a long time." This limited edition includes eleven captivating decorative initials, which are original etchings by Geiger (all initialed by him). Text in German, gothic script. "Dieses Werk wurde f¸r diese Ausgabe von Alexander Eliasberg neu bertragen und im Auftrag des Drei Masken Verlages in M¸nchen von Knorr & Hirth, G.m.b.H., M¸nchen gesetzt und gedruckt. Die Radierungen von Willi Geiger M¸nchen entstanden im Herbst 1921 und wurden unter der Aufsicht des K¸nstlers von Heinrich Wetteroth M¸nchen hergestellt. Die einmalige Auflage betr?gt 340 St¸ck; 320 davon gelangen in den Handel, 70 numeriert I bis LXX und 250 1 bis 250. Dieses Exemplar tr?gt die Nr. LII." Printed on high-quality cotton rag paper. Signatures and initials in pencil. Minor age wear and staining on binding. Front board slightly bowed. Binding in overall good+, interior in very good condition. Scarce in deluxe binding with a total of 12 original etchings by Geiger.

      [Bookseller: Eric Chaim Kline - Bookseller ]
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        La Toison d'Or et quelques autres contes de la Grèce ancienne. Illustrés par Edmond Dulac.

      L'Èdition d'Art H. Piazza; Paris 1921. 4to. Illustrated with 14 mounted colour plates under silk paper, by Edmond Dulac. 123 pages, printed on thick (japanese?) paper. Bound in a full binding of shark skin, with the orig. front and back cover and spine. Bookplate on pastedown. Slightly darkened spots on the upper and lower parts of the spine.. No. 35 of 1300 numbered copies

      [Bookseller: Vangsgaards Antikvariat]
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        Zum Unitätsproblem der Physik. (Vorgelegt von Hrn. Einstein am 8. Dezember 1921).

      Berlin, Akademie der Wissenschaften, 1921. 4to. Uncut in orig. printed wrappers in "Sitzungsberichte der Preussischen Akademie der Wissenschaften" Heft LIV, 1921. pp. 949-1078. The Kaluza paper: pp. 966-972. Fine and clean.. First edition. Theodor Kaluza (1885-1954) set forth his idea of unifying gravitation and electromagnetism within five-dimensional space-time in a paper from the beginning of 1919. It was presented by Albert Einstein to the Berlin Academy of Science and published in its Sitzungsberichte in 1921 under the title "Zum Unitätsproblem der Physik." Having received the manuscript from the author in April 1919, Einstein was so impressed with the idea of unifying the basic forces in a five-dimensional space that he used it himself up to the mid-1940s in eight of his own papers. Kaluza's idea of unifying gravitation and electromagnetism goes back to David Hilbert's unification program and to the pioneering work of two of his pupils: Hilbert sought unification within a four-dimensional space by having electromagnetism come from gravitation in 1915. His pupil Gunnar Nordström explored unification within a five-dimensional unwarped (Minkowskian) space in the foregoing year. The unification attempt by Hermann Weyl in 1918, finally, was to apply a gauge transformation within a four-dimensional space with a generalized non-Riemannian metric. Although Nordström was the first to introduce a five-dimensional space, it was Kaluza's theory from 1919 that proposed a realistic unification of the two interactions. Nordström's theory predated the general theory of relativity (1915) so the gravitation was derived from electromagnetism within a space described by a Minkowskian flat metric. As a consequence, it could not explain phenomena like light deflection and was therefore condemned as a prerelativistic theory. (Daniela Wuensch). - Kaluzas idea of the unification of fundamental forces re-emerged much later in "String Theory."

      [Bookseller: Lynge & Søn A/S]
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        Relativitätstheorie. Sonderabdruck aus der Encyclopädie der Mathematischen Wissenschaften. Mit einem Vorwort von A. Somerfeld.

      Leipzig u. Berlin, Teubner, 1921. Lex 8vo. Orig. hcloth w. gilt lettering to spine. Papercovered boards w. black lettering to front. Minor wear to extremities, and inner front hinge a bit weak, otherwise very nice, clean and well-preserved. Internally near mint. IV pp (i.e. the Preface of Somerfeld), pp. (539) - 775.. First edition, off-print, of Pauli's excellent monograph, which was published as the article on relativity theory in the highly estimated "Encyclopädie der Mathematischen Wissenschaften".Wolfgang Pauli jr. (1900-1958) already in high school acquainted himself with Einstein's theory of relativity, when this was entirely new, and after having finished high school, he decided to study theoretical physics under Arnold Somerfeld, one of the leading scholars in the field at the time, in Munich. During this period Felix Klein was publishing the "Encyclopädie der Mathematischen Wissenschaften", and he asked Somerfeld to write the article on relativity theory for this highly esteemed publication. However, being very impressed by the abilities of his barely 20 year old student, Pauli jr., he asked him to carry out the task, and so he did. "Pauli soon completed a monograph of about 250 pages, which critically presented the mathematical foundations of the theory as well as its physical significance. He took thorough account of the already very considerable literature on the subject but at the same time clearly put forth his own interpretation. Despite the necessary brevity of discussion, he monograph is a superior introduction to the special and general theories of relativity; it is in addition a first-rate historical document of science, since, together with H. Weyl's "Raum, Zeit, Materie" it is the first comprehensive presentation of the mathematical and physical ideas of Einstein, who himself never wrote a large work about his theory.Somerfeld was elated by his performance and wrote to Einstein that Pauli's article was "simply masterful" - and so it has remained to the present day. Pauli showed here for the first time his art of presenting science, which marks everything he wrote." (D.S.B. X:422)

      [Bookseller: Lynge & Søn A/S]
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        A New System of Chemical Philosophy. [3 parts in two volumes, complete]Manchester: S. Russell for R. Bickerstaff; Russell & Allen for R. Bickerstaff; Executives of S. Russell for G. Wilson, 1808; 1810; 1827. First edition, first issue.

      Extremely rare complete set with all half-titles, uncut in original boards. The foundation work of atomic theory. (PMM 261; Horblit 22; Dibner 44; Evans 54; Sparrow 47).<br/><br/> The rarity of complete sets of this work is well known. In 1921 Sotheran's described a complete set as being 'excessively scarce', and during the past thirty years only a handful of copies have appeared on the market, all inferior to ours: Richard Green 2008 (a made-up set lacking the half-titles); Friedman 2001 (modern bindings); the Freilich-Norman copy 2001/1998 (non-uniform cloth-backed boards); Honeyman 1979 (rebacked and made-up). The copy which comes closest in condition to ours is the Freilich-Norman copy (Sotheby's 2001, $43,875). However, that copy was bound in three different types of boards (plain grey, blue, and marbled), with the cloth laid over the boards, and the spine labels were hand-lettered. All three parts of our copy are bound in uniform cloth-backed plain grey boards, with the cloth laid under the paper of the boards, and have the original printed spine labels intact.<br/><br/> "A milestone work in the history of chemistry, in which Dalton announced his revolutionary atomic theory and his laws of definite and multiple proportions. These fundamental laws greatly assisted the establishment of the composition and formulae of numerous inorganic and organic compounds then known and laid one of the firmest foundations ever for the advance of chemistry in the nineteenth century An 'epoch-making work' (Bolton. The book is very rare when complete with the three parts and the required half title [as in the offered copy] to volume II, part 1. Plate 4 (1, pt. 1) and plates 5 and 6 (1, pt. 2) illustrate Dalton's symbols for atoms of various elements and their compounds. Although the second part of volume II never appeared, had it in mind to write is as he state: 'My present design is to add a second part to this volume, and with that to finish the work' (Preface [II, pt. 1])." (The Roy G. Neville Historical Chemical Library, p. 322). <br/><br/> "Dalton reconstructed Newton's speculations on the structure of matter, and, applying them in a new form to chemistry, gave Lavoisier's reformation of that science a deeper significance" (PMM). Dalton maintained that all matter was composed of indestructible and indivisible atoms of various weights, each weight corresponding to one of the chemical elements. These atoms remained unchanged during chemical processes, and their particular weight determined their identity. His 'New System' presented the first chemical atomic theory giving significance to the relative weights of the ultimate particles of all known compounds. It also provided a quantitative explanation of the phenomena of chemical reaction. "He developed a system of chemical symbols and a table [plate 4 in part 1] showing the relative weights of the atoms of a list of elements. From his principles he deduced the law of definite proportions and the law of multiple proportions" (Dibner).. 2 vols. in 3, 8vo, original cloth-backed boards with original printed spine labels (mentioning price), uncut (first part unopened), pp [i-v] vi [2] [1] 2-220; [8] 221-560; [vii] viii-xii [1] 2-357 [3] and 8 engraved plates [fully complete]. Spines of the second two volumes expertly repaired. Custom slip case. Occasional very light browning and foxing - a fine set

      [Bookseller: Sophia Rare Books]
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        Monday or Tuesday

      London: The Hogarth Press London: The Hogarth Press, 1921. First edition, one of 1,000 copies. White paper boards with woodcut by Vanessa Bell and brown cloth spine. With 4 woodcuts by Bell. This copy being that of Roger Senhouse, bearing his ownership signature, bookplate, and a small piece of paper with notes in his hand regarding the printing of Monday or Tuesday. About near fine, with light rubbing to boards, offsetting to endpapers and a few spots of foxing. Roger Senhouse was a publisher at Secker and Warburg and member of the Bloomsbury Group. Senhouse noted in pencil on front free endpaper: 1000 copies / "The Prompt Press". Indeed, the Woolfs had this work printed by F. T. McDermott of the Prompt Press in Richmond. Kirkpatrick notes that McDermott gave Leonard printing advice during the infancy of the Hogarth Press. However, notes in Senhouse&#146;s hand on a small piece of paper laid in to this copy tell Leonard&#146;s story from a different angle. An attractive copy with a fantastic Bloomsbury Group association, and humorous insight into the early days of the Hogarth Press. Kirkpatrick A5a. Woolmer 17.. First Edition. Hard Cover. Near Fine.

      [Bookseller: B & B Rare Books, Ltd., ABAA ]
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        The Nature of the Judicial Process

      The copy of Justice Cardozo's most famous work bearing on the front pastedown the posthumous bookplate "made [by Judge Irving Lehman and as described in his Memorial to the Justice] for insertion in all the books in the library of Mr Justice Cardozo". Original cloth, a bit worn, but still quite sound. Yale University Press, New Haven, 1921.

      [Bookseller:  Meyer Boswell Books, Inc.]
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        Rembrandt-Bibel. Vier Teile in einem Band, mit 240 Abbildungen und zwanzig Grav¸ren, gew?hlt und eingeleited von E.W. Bredt

      Hugo Schmidt M¸nchen Hugo Schmidt 1921 Limited edition vg 1/500. Quarto. XIII, [7], 170, [6], 148, [2]pp. Original 3/4 vellum over decorative cloth, with gold lettering on spine. Top edge gilt. Engraved frontispiece portrait of Rembrandt protected with a tissue guard. Rembrandt's Bible is the complete King James Bible with 240 illustrations and 20 original etchings after Rembrandt all protected with tissue guards. It is remarkable that though many Christian painters throughout the ages had been inspired by the Bible with its wealth of subjects and scenes, comparatively few had given us a complete cycle of Bible pictures comprising both the Old and New Testaments. One of these few artists was Rembrandt who, to judge from the multiplicity and variety of his biblical pictures and designs, must have been a close student of the Bible and imbued with an intense religious feeling. Indeed, he may be counted among the most prolific and ingenious of Bible illustrators, for he is credited with more than 200 paintings and etchings and over 500 rough sketches dealing with biblical subjects. Slight soiling/age-toning on vellum. Text in German. Binding in overall good+ to very good, interior in very good condition.

      [Bookseller: Eric Chaim Kline - Bookseller ]
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        Ua-Pua -- ..! Indianerdichtungen. Mit 30 Kreidezeichnungen von Georg Schrimpf. München -- Regensburg. Franz Ludwig Habbel Verlag 1921. 25,2 x 18,5 cm. 61 Seiten. Originalhalbpergamentband mit goldenem Rückentitel und Kopfgoldschnitt..

      Erstausgabe. Raabe/Hannich-Bode 89.4 -- Wilpert/Gühring 4 -- Pfanner 4 -- Lang, Expressionistische Buchillustration, 307. Nr. 2 von 200 Exemplaren der Vorzugsausgabe. Vom Autor und vom Künstler handschriftlich signiert, auf Hadernpapier gedruckt und von der Hand in Halbpergament gebunden. Archivstempel des Habbelverlages auf der Deckelinnenseite, tadelloses Exemplar.

      [Bookseller: Antiquariat Günter Linke]
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        Venezianische bildhauer der renaissance. wien 1921.

      Bella ril. orig. in tela, cm 31x23, pp 655, 711 ill. b/n.

      [Bookseller: Editoriale Umbra]
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        Venezianische Bildhauer der Renaissance. Mit 711 Abbildungen.

      Wien, Anton Schroll & Co., 1921. Large 4to. Orig. full cloth. (4),655 pp., 711 illustrations in the text

      [Bookseller: Lynge & Søn A/S]
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        La vita nuova. nel sesto centenario della morte di dante alighieri. istituto italiano d'arti grafiche. bergamo. 1921.

      In-4° grande, leg. in tutta tela viola intessuta in oro con motivi disegnati da Vittorio Grassi, pp. (viii)xciij(xi). Impresso su fogli doppi di carta lavorata a pergamena, ed illustrato da Vittorio Grassi con 40 tavv. a colori a mezza pagina, da tempere di gusto preraffaellita. Il testo, curato da Michele Barbi, è quello rivisto per la Società Dantesca Italiana (1907). Il testo è impresso in rosso e nero con caratteri speciali tracciati appositamente da Enrico Brignoli. Edizione limitata di 1321 esemplari numerati (il nostro è il 1237), e firmati dagli artisti alla p. della giustificazione di tiratura. Vittorio GRASSI (Roma, 1878 - 1958), già affermato pittore, dal 1908 prese parte alle iniziative editoriali di E. De Fonseca, contribuendo con illustrazioni, disegni e progetti di abitazioni, decorazioni e mobili al successo di pubblicazioni come 'Novissima' e 'La Casa' che, in linea con le teorie moderniste europee, volevano diffondere tra il pubblico l'idea di un'arte coinvolta nel miglioramento di tutti gli aspetti della vita. Come Cambellotti e Prini, anche il Grassi progettò arredi per sé e per amici ed estimatori, ed alla X Biennale internazionale d'arte di Venezia (1912), confermando il suo interesse per le arti applicate, presentò alcuni vasi di ceramica realizzati su suo disegno dalla Società Richard Ginori. Nel 1913 ottenne la cattedra di ornato, incisione e scenografia all'Accademia di belle arti di Roma. Parallelamente sviluppava l'attività grafica con la collaborazione alle riviste 'L'Illustrazione italiana', 'Harmonia', 'Noi e il mondo', 'Il Primato artistico', 'Il Giornalino della domenica'. Negli anni Quaranta si registrano soprattutto lavori di scenografia; mentre per il decennio successivo si deve ricordare la partecipazione alla Mostra internazionale d'arte sacra tenutasi a Roma nel 1950. Il bellissimo frontespizio, i capilettera, ed i fregi in testata e finale di ogni pagina si devono a Nestore LEONI (L'Aquila, 1862 - Roma, 1947), celebre miniatore italiano, considerato un rinnovatore di questa antica arte. Suo è l'invio autografo firmato alla seconda p. bianca. Conservato nell'astuccio editoriale in cartone con tit. in oro. Il volume è in ottimo stato di conservazione, l'astuccio presenta qualche abrasione.

      [Bookseller: Daris]
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