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Displayed below are some selected recent viaLibri matches for books published in 1919

        Verbannte [Exiles]

      Zurich: Rascher & Cie.. 1919. The first German edition of Joyce's play Exiles and the first of his works to be published in translation in any language. One of 600 copies printed, Slocum & Cahoon D44. Joyce was living in Zurich at the time and he paid for the publication of this book out of his own pocket. This copy is inscribed by the author: "To J.R. [sic] Watson, Jun / with grateful regards / James Joyce / 8. ix. 1919." J.S. Watson, Jr. was at the time the co-owner of the modernist literary journal The Dial, which he bought from Martyn Johnson with his friend and fellow Harvard graduate, Scofield Thayer. Watson became president of the magazine and Thayer became its editor. The "grateful regards" refers to a gift of $300 that Watson had sent Joyce earlier in the year at the urging of Thayer, who had himself sent Joyce $700. These sums bailed Joyce out of dire financial straits, allowed him to settle a court case against him, and helped him support the theater group that he had associated with in Zurich, the English Players. In 1920 The Dial published a piece by Joyce, and in 1921 Thayer was one of his most ardent and influential supporters in the censorship case in New York against Ulysses and its publication in the Little Review. A notable association copy of Joyce's first translation. Pages browned and acidified, and covers strengthened at all the edges and spine with tape, with a hole cut in the spine for the title to show through. The first blank, on which the inscription appears, is also strengthened at the edges with tape. Fragile, and a candidate for de-acidification, but a significant association copy from a critical point in Joyce's life and career. . First Edition. Softcover.

      [Bookseller: Ken Lopez Bookseller, ABAA]
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        Lettres de guerre *

      Au Sans Pareil, Paris 10.8.1919. - Broché, couverture imprimée décorée. Tranches et gardes jaunies, ces dernières dues aux décharges du papier de couverture acide. Fac-similé autographe et dessin de l'auteur. Préfacé par André Breton, cet unique recueil de l'oeuvre si mince de l'auteur (décédé bien jeune et en d'étranges circonstances, semble-t-il suite à une trop forte absorption d'opium) qui exercera pourtant une puissante influence sur le pape du surréalisme. Édition originale. L'un des 30 exemplaires numérotés sur Hollande van Gelder, entre 10 Japon ancien et 960 vélin bouffant.

      [Bookseller: Librairie Oh 7e Ciel]
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        Collision of alpha particles with light atoms. I. Hydrogen. II. Velocity of the hydrogen atoms. III. Nitrogen and oxygen atoms. IV. An anomalous effect in nitrogen

      London: Taylor & Francis, 1919 Book. Very Good. Hardcover. 1st Edition. 8vo - over 7¾ - 9¾" tall. pp. 537-587. In: The London, Edinburgh, and Dublin Philosophical Magazine and Journal of Science. 6th series, vol. 37. London, Taylor & Francis, 1919. 8vo. With 6 (2 folded) Plates. VII, 616 pp. Recent cloth-backed boards. Serientitel mit Bibl.- u. Dublettenstempel verso. ---- <br><br> PMM 411; Norman 1873. - First edition. "The first announcement of the artificial transmutation, or &#39;splitting&#39; of an atom" (Norman). - Whole volume. Library- and deaccession-stamp on verso of title-page..

      [Bookseller: Milestones of Science Books]
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        Aircraft Yearbook, 30 volume set, 1919-1946 + 1951 & 1953

      Manufacturers Aircraft Assn/Aeronautical Chamber of Commerce Seldom offered set of 28 volumes continuous, 1919-1946. Also in the set are the volumes for 1951 and 1953, total of 30 volumes.

      [Bookseller: Early Aeronautica]
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        Zamek ks. Giedymina w Lidzie

      - Typ: rycina; Haslo: Lida; Przyn. adm.: Kresy - powiat Lida wojewodztwo nowogrodzkie (Bialorus); Sygnatura: Rycina sygnowana na plycie: "Zamek ks. Giedymina w Lidzie W. I. Gutowski 1919".; Technika: Litografia na tincie; Format: 425x545.; Pochodzenie: Z: teki graficznej: W. I. Gutowski: 4 pulk piechoty legionow na Litwie 1919. Wilejka 1919.; Inf o autorze: W. I. Gutowski (1894 Gronowo k. Torunia (?) - 1971 Krakow) malarz, legionista, ukonczyl krakowska Akademie Sztuk Pieknych oraz studiowal w Wiedniu, od 1920 zwiazany jako nauczyciel z Nowym Targiem, glownie podejmowal tematy patriotyczne i wojskowe.; Literatura: Gronska 1994 poz. 233.; Uwagi: Cala teka liczyla 15 tablic. Zamek ksiazat litewskich z lat 30-tych XIV w., spalony w 1702 i 1710 i odtad pozostawal w ruinie, zachowane w dobrym stanie mury i 2 baszty, zamek jest w trakcie restauracji, zob. Rakowski 1997 ss.121-123 z ilustracja.; Kategorie tematyczne: architektura zamki / Architektur Burgen/Burg / architecture castles/castle / Lithographie Lithographie mit Tonplatte / lithograph lithograph with tint; Rycina w stanie dobrym, zagiecie karty, wieksze przedarcie i zagiecie u dolu kompozycji, slabe plamy.

      [Bookseller: POLIART Beata Kalke]
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        The Song of Arthur

      n.p.: n.p., n.d.. Typescript. Very good. Four volume typescript, approximately 8 inches by 10 inches. Individual original typewritten or carbon copy pages are bound with string into cloth and printed paper boards, with typewritten labels. Unpaginated; the four volumes are a little over 6 inches thick. Nearly every page has additions, corrections and strike-outs in either the author's hand, that of his daughter, or an unknown hand. Two copies of Fowler's 1919 forerunner work, 'Scenes from the Morte d'Arthur', written under his pseudonym Alan Seymour, have been cut up and incorporated into the typescript and also bear manuscript corrections. We understand that this set is one of a very small number--probably no more than five--of copies made up for submission to publishers, and may very well be one of only a couple of copies surviving. According to his biographer, Brian Stableford, 'The Song of Arthur' was his life's work. It was just finished when a bomb destroyed the manuscript in 1941. Wright spent much of the rest of his life recreating it. It was unpublished at his death in 1965. In 'The Song of Arthur', Wright intended to incorporate the whole body of Arthuriana into a single work of blank verse. Volume one commences with Book One, 'Merlin', and volume four concludes with Book XXIV, 'The Death of Arthur'. Some of the books are bound out of order, e.g., 'The Riding of Lancelot' (Book VIII) follows Book IX ('Tristam'). Light wear else in very good condition.

      [Bookseller: Thorn Books ]
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        SIX GHOST STORIES

      London: John Murray,. 1919. original decorated gray cloth, front and spine panels stamped in black.. Several small, faint stains on rear cover, a near fine copy. An. excellent copy of an uncommon book rarely found in superior. condition. (#75193). First edition. Six supernatural tales, four of which follow the literary conventions for the ghost story formulated by M. R. James. "While Jackson's work does not have the originality of James' own, it does manage to combine an authentic sense of place together with a well-handled development of ghostly atmosphere and fully repays the attention of the supernatural enthusiast."- Wilson, Shadows in the Attic, p. 278. Barron (ed), Horror Literature 3- 103. Bleiler, The Guide to Supernatural Fiction 892. Bleiler (1978), p. 108. Reginald 07751.

      [Bookseller: L. W. Currey, Inc. ]
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        Cinderella

      London, William Heinemann; Philadelphia, J. B. Lippincott Co,, 1919. Retold by C. S. Evans and Illustrated by Arthur Rackham. Quarto (280 × 225 mm). Finely bound by Sangorski and Sutcliffe in pink morocco, titles and decoration to spine, raised bands, pictorial title block to front board, marbled endpapers, top edge gilt, others untrimmed. Tipped-in colour frontispiece and illustrations in silhouette throughout. Occasional light spotting and offsetting. An excellent copy handsomely bound. Editiion de luxe, one of 850 numbered copies signed by Rackham. With an additional colour plate.

      [Bookseller: Peter Harrington]
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        Edwin Scharff. Plastiken und Zeichnungen. Ausstellung Oktober 1919. Galerie Caspari, Briennerstrasse Nr. 52. Der Katalog verzeichnet 29 Plastiken (darunter auch Büste der Schauspielerin Helene Ritscher, seiner Ehefrau, von 1918 in Ton), ferner unter den Nummern 30 bis 60 Zeichnungen und Radierungen.

      Druck von Dr. C. Wolf & Sohn, 0, München, - München, Druck von Dr. C. Wolf & Sohn, 15,3 x 12,4 cm, (12) Seiten, 6 schwarz-weiss Abbildungen, Original-Klammerheftung (etwas lichtrandig, bestossen), beiliegend die Einladungs-Klappkarte mit einer Illustration auf dem Vorderdeckel zur Ausstellungseröffnung am Samstag, den 11. Oktober 1919. Literatur: Gutbrod, Helga, "Form muss anders werden", Edwin Scharff, 2013. - Karl-Heinz Meissner: Die >Galerie CaspariBerliner SecessionMünchener Neuen Secessionentartet< beschlagnahmten Skulpturen anderer Künstler bei archäologischen Grabungen wiedergefunden worden, die seit 2010 an der Rathausstrasse gegenüber dem Roten Rathaus im Vorfeld von U-Bahn-Bauarbeiten durchgeführt wurden. Sprache: Deutsch beiliegend die Einladungs-Klappkarte mit einer Illustration auf dem Vorderdeckel zur Ausstellungseröffnung am Samstag, den 11. Oktober 1919. Original-Klammerheftung (etwas lichtrandig, bestossen),

      [Bookseller: Stader Kunst-Buch-Kabinett]
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        South, The story of Shackleton&#39;s last expedition 1914 -1917

      William Heinemann, London 1919. 1919. New impression hardback, published one month after the first edition. VG, bumped in original publisher&#39;s black cloth with silver titles to spine and front, vignette to front board. Some minor offsetting and foxing to the endpapers and prelims. heavier foxing to edges and last few pages. All plates and fold out map present. Small repair to top edge of spine, otherwise a fresh looking example. Uncommon in this condition. 7708

      [Bookseller: Holybourne Rare Books]
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        Gilles de Rais.

      - Fritz Gurlitt Verlag, Berlin, 1919., 4°. 39 S., 1 Bl. Mit 15 signierten Orig.-Lithographien auf Tafeln sowie Initiale und Schlußvignette von Willi Geiger. Dunkelroter Orig.-Lederband mit goldgepr. Rückentitel, blindgepr. Deckelvignette. (Privatdruck der Gurlitt-Presse, Bd. 9). - Erste Folge aus "Der Venuswagen", einer Sammlung erotischer Privatdrucke mit Originalgraphik. - Eines von 40 Ex. (Nr. XXX) der Vorzugsausgabe auf starkem Bütten in Ganzleder. (Gesamtaufl. 735 Ex.), im Impressum von Geiger signiert. - Kleiner Kratzer am hinteren Deckel, sonst tadelloses Exemplar. Bei Bestellungen gegen offene Rechnung bitte Telefonnummer angeben. Danke! erotische Graphik, Erotik, Graphik, [Attributes: Hard Cover]

      [Bookseller: Antiquariat Roland Moser]
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        GUDKI ("Sirens"). Magazine of Moscow Proletkult. Nos. 1-6 (Complete Run)

      Moscow: Proletkul&#39;t, 1919 Complete (6 issues published in all). Text in Russian. 7-1/2" x 5" stapled pamphlets. Authors: Vasily Kazin, Sergey Obradovich, Semen Rodov, et al. Bibliography - Book reviews - Chronicle - Clubs - Correspondence - Culture - Humor - Literary criticism - Moscow - Music - Poetry - Proletarian art - Proletkult - Propaganda - Prose - Revolution - Satire - Theater - etc. Rare, especially complete. Not in Getty, not in British Library. Please see the picture. For more images please visit our website..

      [Bookseller: Books You Want]
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        The Brotherhood of Man A Drama In One Act

      First Edition Near fine in heavy orange wraps with black decorations and text on the front panel with faint soiling to the edges with the stamp of "Jack Stuart Knapp | Theater Library" on the front panel. Without a DJ Without a dust jacket as issued. The very uncommon one act play written by Kenneth Roberts and Robert Garland. Copyrighted in 1919 by Curtis Publishing and in 1934 by the authors. Thirty numbered pages of script followed by two un-numbered pages. This item is unquestionably the most difficult title for a completist of Kenneth Roberts' works to acquire.Our code number = TB25713

      [Bookseller: Town's End Books, ABAA, ILAB]
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        RUBAIYAT OF OMAR KHAYYAM

      London: Foulis, (1919). Fine. Limited to 350 copies on hand-made paper Tall quarto Unpaged. Illustrated by Frank Brangwyn with fifteen tipped-in color plates, each text page printed over a green pictorial background with very large margins. Bound in full vellum, t.e.g., the spine with gilt title and a cluster of grapes Seven of the Brangwyn paintings are here first reproduced. Perhaps the nicest of the Brangwyn Rubaiyats.& Potter 113.

      [Bookseller: First Folio]
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        One of Theodore Roosevelt&#39;s Last Signed Letters

      New York, 1919. Theodore Roosevelt signed this typed letter on 3 January 1919, three days before his death in the early morning of 6 January 1919. The short letter, on Kansas City Star letterhead, is to the father of Major Clyde E. Winterton expressing appreciation for sharing a letter from his son that described combat in the final days of World War One during the Meuse-Argonne Offensive. Perhaps, Roosevelt&#39;s response was so brief as a result of his extreme emotional distress over the loss of his son, Quentin, in the war. The letter has been trimmed at the margins. An accompanying newspaper clipping notes that this letter from Roosevelt was one of the last that he wrote. A transcript of the letter that Winterton&#39;s father sent to Roosevelt is also included. (This letter was found laid in to a scrapbook kept by Winterton. The scrapbook is being sold separately.). Signed by Author. Letter. Very Good. 4to - over 9¾" - 12" tall.

      [Bookseller: Read'Em Again Books]
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        A Naturalist's Sketch Book

      Longmans, Green and Company., London and New York 1919 - Hardcover red cloth with gilt lettering to spine, gilt edges, some shelf wear to cover. In total sixty plates - twenty four of which are in color, tissue guarded some with small tears and thirty six are in collotype. The illustrations are mainly of British birds and several British wild mammals are included. Archibald Thorburn FZS (31 May 1860 - 9 October 1935 Hascombe, Surrey) was a Scottish artist and bird illustrator, painting mostly in watercolour. Archibald was born at Viewfield House, Lasswade, Midlothian, the fifth son of Robert Thorburn (1818¿1885), portrait miniaturist to Queen Victoria. His first education was at Dalkeith and in Edinburgh, after which he was sent to the newly founded St John's Wood School of Art in London. His stay there was only brief, since on the death of his father he sought the guidance of Joseph Wolf. It was his commission in 1887 to illustrate Lord Lilford's Coloured Figures of the Birds of the British Isles, for which he painted some 268 watercolours, that established his reputation. He illustrated numerous sporting and natural history books, including his own [Attributes: First Edition; Hard Cover]

      [Bookseller: Bill's Books]
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        NEUE RADIERUNGEN ZÜRICH 1919. Herausgegeben von Carl Brüschweiler. 20 Originalradierungen, jeweils unten rechts in Bleistift signiert, links nummeriert. 1 Bl. mit Text des Herausgebers u. Verzeichnis der Drucke. Druck durch Gustav Adolf Feh.

      - Zürich 1919. Lose in Original-Halbpergamentmappe mit lithogr. Deckelbezug nach Entwurf von Gertrud Merz. Mappengrösse: 36,3 : 27,2 cm. Exemplar Nr. 22 von 42 auf gewöhnlichem Japanpapier. Ferner wurden 8 Vorzugsdrucke auf Handjapan abgezogen. &#150; 10 Künstler sind mit jeweils 2 Blättern vertreten: Paul Bodmer, Hermann Huber, Karl Hügin "Brautpaar" (Kauer 13) u. "Familie" (K.14), Rudolf Mülli, Fritz Pauli "Zwei Menschen" (Freiburghaus 95) u. "Rastloser Wanderer" (F. 96), Gregor Rabinovitch "Der Dichter" u. "Mittag" (Britschgi/Fässler/Korazija S.98), Ernst Georg Rüegg, Eduard Stiefel, Adolf Thomann, Albert Welti. &#150; &#132;Zur Förderung der zürcherischen Originalgraphik durch unmittelbaren Austausch der künstlerischen Güter zwischen Schaffenden und Geniessenden Sie lässt dem Künstler den vollen Ertrag seiner Arbeit zukommen In diesem Sinne vertritt die Mappe also kein Programm, obgleich eine gewisse Bevorzugung unserer jüngeren Künstler nicht ganz ohne Absicht geschah. Die Subskription ist überzeichnet worden ". &#150; Eine weitere Radierung von Hermann Huber liegt bei. &#150; Komplett selten.

      [Bookseller: Zähringer]
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        ZAREVO ZAVODOV ("Glow of Factories") Magazine of Samara Proletkul&#39;t. 1919 Nos. 1 & 2 (All published)

      Samara: Proletcult, 1919 Complete (Two issues published in all). Text in Russian. Stapled wraps, softcover. Illustrated covers. Aleksandr Blok Anatoly Lunacharsky - Art criticism - Artistic life - Bibliography - Biography - Book reviews - Chronicle - Correspondence - Culture - Dance - Discussions - Futurism - Graphics - History - Imaginism - Industry - Literary criticism - Moscow - Music - Obituaries - Painting - Petrograd - Poetry - Proletarian art - Proletkult - Propaganda - Prose - Public Education - Publishing - Revolution - St. Petersburg - Theater - Workers - etc. Very Rare, especially in such condition. Not in MOMA, not in Getty, not in British Library. Please see the picture. For more images please visit our website..

      [Bookseller: Books You Want]
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        The MONTHLY CHAPBOOK [followed by] The CHAPBOOK (A Monthly Miscellany). First Portfolio. Second Portfolio

      London:: The Poetry Bookshop,. 1919 - 1921.. 8vo. 8-3/4" x 6-3/4". 1st appearance (Woolmer E2:1-24. cf. Sullivan. BLM, 1837 - 1913; pp 69-76). No. 14 contains the 1st separate appearance of Millay&#39;s ARIA Da CAPO (Yost #4). No. 21 contains the 1st UK publication of Ford&#39;s A HOUSE (Harvey A51). The first 24 issues consecutive [of an eventual 40], 32 pages per issue (on average) + adverts. Printed "Numbers One to Twelve" Index bifolium laid-in to Series One portfolio.. Original paper wrappers, sewn, [often] with a color pictorial image to the front wrapper, usually designed by Albert Rutherstone or C. Lovat Fraser. Housed in [two] publisher portfolios (12 issues per portfolio); green cloth spines over marbled paper boards closed with cloth ties; printed paper title labels to spine & front boards.. Issue 4 (Oct 1919), of a variant, brown acidic paper, with spine. paper split, and some minor chipping to edges. Philip C. Duschens. label to each portfolio rear board. Otherwise, a generally VG+ run,. and not often found thus.. The Chapbook the successor to Monro&#39;s previous publication, POETRY And DRAMA [1913 - 1914], and together, they "represented an expression of Monro&#39;s lifelong commitment to support of new directions in poetry, poetic drama, and criticism, and to increasing the audience for this writing." Over the course of publication, contributions came from over 150 writers, of which many notables of the day were included: T. S. Eliot, Richard Aldington, A. E. Coppard, H. D., W. H. Davies, Walter De La Mare, John Drinkwater, Ford Maddux Hueffer [Ford], Aldous Huxley, Edna St. Vincent Millay, Siegfried Sassoon, Edith Sitwell & Alex Waugh, to name but a baker&#39;s dozen. The June 1921 issue, the 24th in this run here offered, saw the cessation of publication until February 1922, with the 40th, and final, issue coming in 1925- as was often the case with such &#39;Little Magazines&#39;, both financial troubles & personal health difficulties [Monro&#39;s eyesight] combined to bring this [then] &#39;avant garde&#39; magazine to a close. . Decorations by C. Lovat Fraser.

      [Bookseller: Tavistock Books, ABAA]
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        Regular Fellows I Have Met

      Chicago: Carbery & Reed, 1919. First Edition. Paperback. Good/No. First edition. Bruccoli & Layman A-10. Very thick quarto with semi-stiff green suede covers tied togther with a silk cord. A collection of caricatures of friends and associates of Lardner separated by tissue guards. Quite scarce. A good copy with inevitable chips and wear to yapped edges of the suede covers. Spine darkened with age. Internally in very good condition. An unknown number of copies were produced..

      [Bookseller: Derringer Books, Member A.B.A.A.]
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        REVOLIUTSIONNOYE ISKUSSTVO ("Revolutionary Art"). First Edition

      Kiev, 1919. Text in Russian. Stapled wraps. Cover (Avant-garde design) by G. Narbut. Partial front cover; no rear cover; fragile condition. [Poetry and criticism. Authors: Valentin Rozhitsyn, Grigory Petnikov, Vladimir Makkaveisky, Nathan Vengrov, Benedikt Livshits, Ilia Erenburg. - Very Rare]. 1st ed..

      [Bookseller: Books You Want]
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        KHUDOZHESTVENNAYA ZHIZN&#39; ("Artistic Life"). Bulletin of the Artistic Section of NarKomPros. Nos. 1 - 5 (All published)

      Moscow: GIz, 1919-1920 Complete run. Text in Russian. Folio (14" x 10-1/2") stapled wraps. Complete but in fragile condition (the last issue in particular). The magazine contains important articles by Vasily Kandinsky related to his idea on the universal synthesis in "monumental art" and where the first time was expressed his thought about creating of the temple of arts "The Great Utopia". Editors: Abram Efros (Editor-in-Chief), Osip Brik, A. A. Borovoy, N. E. Efros, M. M. Miklashevsky. Secretary: N. S. Vol&#39;shtein. Authors: A. Bakushinsky, A. Krein, Abram Efros, Aleksey Shchusev, Anatoly Lunacharsky, Arthur Lurye [Lourie], D. Arkin, David Shterenberg, Georgy Chulkov, Igor Grabar&#39;, K. Eiges, N. Efros, N. Mashkovtsev, Osip Brik, P. Ettinger, P. Muratov, V. Adariukov, Vasiliy Kandinsky, et al. A. I. Gertsen - A. S. Pushkin - Aesthetics - Archeology - Architecture - Archives - Artistic life - Artistic production - Artistic propaganda - Bakhrushin Museum - Bibliography - Biography - Book reviews - Children - Chronicle - Church - Collections - Competitions - Correspondence - Criticism - Culture - Dance - Dmitry Rovinsky - Egor Narbut - El Greco - Exhibitions - Expressionism - Far North - France - Furniture - Futurism - Germany - Goethe - Graphics - Griboedov - History - Icon painting - Icons - Ignaty Nivinsky - Italy - Ivan Paskevich-Erivansky - Ivanovo - Kazimir Malevich - Kiev - Konstantin Somov - Lev Tolstoy - Libraries - M. A. Mamontov - M. N. Ermolova - Memoirs - Monumental art - Moscow - Muranovo - Museums - Music - Obituaries - Opera - Orest Kiprensky - Painting - Paris - Philately - Philosophy - Politics - Porcelain - Productive arts - Proletarian art - Propaganda - Public Education - Publishing - Rembrandt - Restoration - Rossica - Sculpture - Semen Vengerov - Sergey Glagol&#39; - Sheet music - State Tretyakov Gallery - Steinlen - Street design - SVOMAS - VKhUTEMAS - Theater - Toys - Tver&#39; - Uglich - Ukraine - Vadim Falileev - Wassili Masjutin - Yaroslavl&#39; - etc. Very rare complete set. Not in MOMA, not in Getty, not in British Library. Please see the picture. For more images please visit our website..

      [Bookseller: Books You Want]
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        Comoedia. Periodico di commedie e di vita teatrale. (poi:) Rivista di commedie italiane e straniere e di vita teatrale (poi): Rassegna mensile del teatro. Quindicinale (mensile dal 1926) Direttori: A. Fontana (poi:) U. Fracchia, G. Cantini, E. Cavacchioli. Anni I: NN. 2, 4-8; II: NN. 3, 8, 9, 13, 16, 21; III: NN. 5, 16-22; IV: NN. 1-24 (1 doppio); V: NN. 1-12 (in volume) + 14, 15, 18-20, 22, 24 (a fasc.); VI: NN. 3, 5-9, 11-24 (1 doppio); VII: NN. 1-12 (in volume tranne il n. 8 in fasc. sciolto) + 13, 14, 16-24 a fasc.(1 doppio); VIII: NN. 1-12 (in volume); IX: NN. 1-12; X: NN. 1-11 + 12 (già 1929); XI: NN. 1-4, 7-11; XII: NN. 1-11 + 12 (già 1931); XIII: NN. 1, 2; XV: N. 12.

      - Milano, Casa Editrice Italia (poi:) A. Mondadori (poi:) A. Rizzoli, 1919-1933, 163 fasc. complessivi, in formati diversi (prima in-8, poi in-4), leg. eterogenea (sia a fasc. sciolti, che rilegati in mz. tela coeva, pur conservando le br. edit.), pp. da 48 a 76 ciascuno. Nata come fascicolo di divulgazione per le novità teatrali italiane, si allarga dal 1922 a: teatro estero, musica e lirica, danza, attività delle filodrammatiche, cinema (L'Ultimo sceicco con R. Valentino, Metropolis di Lang, Ben Hur con Novarro, Lulù con L. Brooks, La montagna sacra con Leni Riefensthal attrice), col passaggio dal muto al sonoro, e rubriche fisse, pur continuando a pubblicare commedie ad ogni fasc., spesso inedite e in prima edizione: F.T. Marinetti con sintesi futuriste: "L'Oceano del cuore", con scenografia di Benedetta, e "Luci veloci"; T. Interlandi e C. Pavolini: "La croce del sud"; A.G. Bragaglia, che cura anche la rubrica "La pagina del macchinista", con articoli su scenoplastica futurista e teatro russo d'avanguardia, Rosso di San Secondo, L. Repaci, G.A. Borgese, M. Bontempelli, C.V. Lodovici, S. Gotta, ecc. Inoltre scritti di: L. Pirandello, Balilla Pratella, E. Prampolini, M. Gallian, F. Tozzi, S. D'Amico, Gobetti, Tilgher, O. Vergani, G. Zucca, E. Pea. Agli anni 1923-26 belle copp. a col. di: Sacchetti, Bianchi, Genua, Crespi, Veneziani, Pompei, Bernardini, Cito, Bonfiglioli, Fabiano, ecc. e disegni di: Angoletta, Sto, Oppo, Dudovich, Vellani Marchi, Depero, ecc; nel 1926-27 alle copp. fotoritratti di attrici: Abba, Vergani, Borboni, Gramatica, Galli, Borelli, di Lorenzo, ecc. Disponibile su richiesta specifica cronologica dei contributi sia letterari che iconografici. [Attributes: First Edition; Soft Cover]

      [Bookseller: Libreria Oreste Gozzini snc]
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        Souvenir From Washington State Prison by Eugene Barnett [Cover from title: Souvenir From Washington State Penitentiary By 9414]

      Walla Walla: by the Author, n.d.. Eugene Barnett was one of eight I.W.W. members convicted of murder in the wake of the 1919 Centralia Massacre. He was released in 1931, having served a little less than eleven years of his twenty-five year sentence. During his incarceration, Barnett continued to agitate on behalf of the Wobblies, writing songs, poems and short stories in addition to producing hundreds of cartoons. Many of these are reproduced in this little hand-made book, self-published by Barnett in his spare hours, using the facilities of the prison print shop. Proceeds went home to support his ailing wife and children. & & That Alice Stone Blackwell, the prominent Boston feminist, would have been among Barnett&#39;s supporters comes as no great surprise, as the I.W.W. agitated far and wide in support of the Centralia prisoners, all eight of whom were at worst guilty of nothing more than self-defense, and more likely were simply random victims of vigilante justice. Surprise (or lack of it) aside, such relics of the first generation of Wobblies are in our experience vanishingly scarce, and this must rank as one of the choicest I.W.W. items we have handled.& & As the pamphlet has been catalogued under a variety of titles by WorldCat institutions, and there appear to have been at least three printings (one much later), it is difficult to state with certainty the number of OCLC holdings of this title. The correct number is probably two (UC Berkeley & Oregon); but possibly four (adding N&#39;western & WSU); other listings appear to be for a much later (1940) reissue under the variant title Nature&#39;s Woodland Bowers. No date (not later than 1928). 16mo (16.5cm x 12cm). Original pictorial wrappers, [60pp]; illus. [WITH] Original picture-postcard, reproducing on recto Barnett&#39;s original composition "Why Don&#39;t You Unite?," addressed in ink to Alice Stone Blackwell, with a note of 12 lines thanking her for her check and expressing hope that she received "the souvenir booklet;" dated June 5, 1928. Condition of pamphlet is Good, with edge-chipping to cover wraps; postcard Near Fine.

      [Bookseller: Lorne Bair Rare Books]
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        SKHEMY K IZUCHENIYU SPEKTAKLIA ("Diagrams for the Study of the Performance"). First Edition

      Petersburg: KMSP, 1919 Text in Russian. 7" x 5-1/4" softcover. Contains diagrams with explanations of Meyerhold&#39;s theory. Published by his school in St. Petersburg ("Courses of the Skill of Stage Performances") in 1919 in small number of copies. Rare. Please see the picture. For more images please visit our website.. 1st ed..

      [Bookseller: Books You Want]
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        Håndskrevet brev fra redaktør H. Heilbuth til professor Georg Brandes og svar fra denne, ligeledes skrevet i hånden, samt et salgsbrev fra Gyldendals Boghandel vedrørende salg af originalmanuskriptet til Adam Oehlenschläger: Hakon Jarl.

      1: Salgsbrev fra Gyldendals Boghandel dateret 16/1- 1919 hvori Gyldendal udbyder originalmanuskriptet til Haakon Jarl til salg. Af salgsbrevet fremgår det, at manuskriptet tilhører professor Georg Brandes, og at han ønsker at sælge det for at kunne støtte en ung nødlidende digter. Prisen for manuskriptet er kr. 5.000. - 2: Brev fra redaktør H. Heibuth til professor Georg Brandes dateret 20.1.--19, hvori han beder G.B. modtage et manuskript, som han mener denne kan have interesse i at eje. Yderligere beder han om, at G.B. kontakter ham, næste gang han har brug for at støtte et talent "De anser værdifuldt for dansk Digtekunst". - 3. Svarbrev fra Georg Brandes til redaktør H. Heilbuth, hvori han takker for manuskriptet, som han i første omgang troede var et af de manuskripter, som han dagligt modtager og plages med at skulle gennemlæse. Først da han åbner pakken, går det op for ham, at det er Oehlenschlägers originalmanuskript, han får tilbage.. Den nødlidende digter er protokolfører i kriminalretten Otto Rung

      [Bookseller: Peter Grosell's Antikvariat]
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        The MONTHLY CHAPBOOK [followed by] The CHAPBOOK (A Monthly Miscellany). First Portfolio. Second Portfolio.

      The Poetry Bookshop, 1919 - 1921, London: - Decorations by C. Lovat Fraser. The Chapbook the successor to Monro's previous publication, POETRY And DRAMA [1913 - 1914], and together, they "represented an expression of Monro's lifelong commitment to support of new directions in poetry, poetic drama, and criticism, and to increasing the audience for this writing." Over the course of publication, contributions came from over 150 writers, of which many notables of the day were included: T. S. Eliot, Richard Aldington, A. E. Coppard, H. D., W. H. Davies, Walter De La Mare, John Drinkwater, Ford Maddux Hueffer [Ford], Aldous Huxley, Edna St. Vincent Millay, Siegfried Sassoon, Edith Sitwell & Alex Waugh, to name but a baker's dozen. The June 1921 issue, the 24th in this run here offered, saw the cessation of publication until February 1922, with the 40th, and final, issue coming in 1925- as was often the case with such 'Little Magazines', both financial troubles & personal health difficulties [Monro's eyesight] combined to bring this [then] 'avant garde' magazine to a close. Issue 4 (Oct 1919), of a variant, brown acidic paper, with spine paper split, and some minor chipping to edges. Philip C. Duschens label to each portfolio rear board. Otherwise, a generally VG+ run, and not often found thus. Original paper wrappers, sewn, [often] with a color pictorial image to the front wrapper, usually designed by Albert Rutherstone or C. Lovat Fraser. Housed in [two] publisher portfolios (12 issues per portfolio); green cloth spines over marbled paper boards closed with cloth ties; printed paper title labels to spine & front boards. 8vo. 8-3/4" x 6-3/4". 1st appearance (Woolmer E2:1-24. cf. Sullivan. BLM, 1837 - 1913; pp 69-76). No. 14 contains the 1st separate appearance of Millay's ARIA Da CAPO (Yost #4). No. 21 contains the 1st UK publication of Ford's A HOUSE (Harvey A51). The first 24 issues consecutive [of an eventual 40], 32 pages per issue (on average) + adverts. Printed "Numbers One to Twelve" Index bifolium laid-in to Series One portfolio. [Attributes: First Edition; Soft Cover]

      [Bookseller: Tavistock Books, ABAA]
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        Industry and Trade, A Study of Industrial Technique and Business Organization; and of their Influence on the Conditions of Various Classes and Nations,

      - First Edition, xiv, 875pp thick large octavo, spine lettering a little dull [as in every copy] but a very good copy in original cloth, London, Macmillan, 1919. * Keynes, 80. "It represents the fruits of Marshall's learning and ripe wisdom on a host of different matters. The book is a mine rather than a railway like the Principles, a thing to quarry in and search for buried treasure. It contains the suggestions, the starting points for many investigations." J. M. Keynes in Memorials of Alfred Marshall (1925) * Industry and Trade, Marshall's second masterpiece, (after Principles of Economics) finally appeared in August 1919. It was a magisterial, largely factual, consideration of trends in the British and international economy and of future economic prospects. * "The present volume is a study of industry and trade; with special reference to the technical evolution of industry, and its influences on the conditions of man's life and work " Marshall's opening to preface. Within its comprehensive range it includes sections on industrial leadership; mass production; growth of factories; dominant tendencies of business organization; applications of scientific method; scientific management; marketing &c and gives an academic and scholarly overview of the theory (and history) behind the development of manufactures in Britain. * "Alfred Marshall was the dominant figure in British economics (itself dominant in world economics) from about 1890 until his death in 1924. His specialty was microeconomics - the study of individual markets and industries, as opposed to the study of the whole economy To make economics dynamic rather than static, Marshall used the tools of classical mechanics, including the concept of optimization. With these tools he, like neoclassical economists who have followed in his footsteps, took as givens technology, market institutions, and people's preferences. But Marshall was not satisfied with his approach. He once wrote that "the Mecca of the economist lies in economic biology rather than in economic dynamics." In other words, Marshall was arguing that the economy was an evolutionary process in which technology, market institutions, and people's preferences evolve along with people's behaviour." - New Palgrave.

      [Bookseller: Jeffrey Stern Antiquarian/STERN ACADEMIC]
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        Richard Seewald. Das Graphische Werk 1912 - 1918. 50. Ausstellung Februar - März 1919 Briennerstr. 8,

      Druck: Dr. C. Wolf & Sohn,, München, 1919 - München, Druck: Dr. C. Wolf & Sohn, 1919, 23 x 17,4 cm, (6) Seiten, eine Original-Lithographie, (20) schwarz-weiss Abbildungen auf Tafelseiten, (10) Seiten Verlagswerbung. Restauriertes und neu gebundenes Exemplar in blauem Halbleder mit Rückentitel. Gutes Exemplar. Richard Seewald (1889-1976). - Literatur: Meissner, Karl-Heinz in: ohne Auftrag, Zur Geschichte des Kunsthandels in München, 1989, siehe Seite 58ff.; Ausstellungsverzeichnis der Galerie Goltz Seite 264. Sprache: Deutsch Restauriertes und neu gebundenes Exemplar in blauem Halbleder mit Rückentitel. [Attributes: Hard Cover]

      [Bookseller: Stader Kunst-Buch-Kabinett]
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        Iglesias Mozárabes. Arte español de los siglos IX a XI

      Madrid, Centro de Estudios Históricos, 1919. Dos volúmenes en 4to mayor; XXIV pp., 407 pp. Con 220 ilustraciones y planos entre el texto, tres láminas plegadas con perspectivas isométricas y un mapa plegado + 151 láminas fotográficas. Algunos subrayados en el volúmen de texto. Cubiertas originales salvadas en encuadernación en piel, con lomeras ornadas y tejuelos. Ligeramente fatigada.

      [Bookseller: Hesperia Libros]
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        In Der Strafkolonie

      Leipzig: Kurt Wolff,, 1919. Octavo. Original green wrappers with hand-printed floral pattern, blue and black printed label to upper wrapper. Text in German. Wrappers very lightly rubbed at extremities, small abrasion to lower wrapper, free endpapers partially toned. A bright, fresh copy in excellent condition. First edition, first impression, one of 1000 copies of Kafka's short story In the Penal Colony. An absolutely superb copy, certainly the finest we have handled, of this fragile publication, rare in the original wrappers.

      [Bookseller: Peter Harrington]
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        Success In Athletics And How To Obtain It

      Sidgwick & Jackson 1919 - "A complete treatise on Athletics, including chapters on running, walking, jumping, hurdling, hammer-throwing, etc., etc., which not only gives full directions for the various events, but is at the same time an exhaustive manual of Athletic Training". 8vo. 240pp. Many photographic illustrations. Dust-wrapper, lightly rubbed to edges with small piece missing from price label to spine. Some light foxing throughout.  A very rare book, particularly in its original dust-wrapper. Very good.

      [Bookseller: Sportspages]
 32.   Check availability:     IberLibro     Link/Print  


        A Boy's Absence

      London: George Allen & Unwin (1919). 24pp - London: George Allen & Unwin (1919). 24pp. A long and touching poem by the Uranian schoolmaster at Battersea Polytechnic School, who laments the departure of one of his students at the end of school term. The poems was apparently much admired by the fellow poet Montague Summers.The publisher Francis Edwin Murray's copy, with his small printed label on front cover and the author's name written in Murray's hand on title page. A very good copy laid into a blue cloth chemise with gilt lettering on spine, adorned with the bookplates of Timothy d'Arch Smith (by Goor) and Roger Walker, as well as a photographic image of the author. This appears to be the same copy (#80) as that catalogued by d'Arch Smith in English Homosexual Poetry of the Nineteenth & Twentieth Centuries: The Timothy d'Arch Smith Collection (Catalog #3 of Michael deHartington Booksellers). Young 3545*. [Attributes: Hard Cover]

      [Bookseller: Elysium Books]
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        Autograph Letter, signed, in English, to his American publisher, William R. A. Hays

      Karlsburg, 25 september [1919]. 4to (11-5/8 x 9 in.). 4 pp. pen and ink on folded sheet of paper. Creased from prior folding, else fine . Bayros writes to his American publisher, William R.A. Hays. It appears to by their first communication since the end of WWI - Bayros details the stress the war has caused on his family, but announces that he is working steadily and has achieved some renown. He concludes the letter with a bibliography of books and bookplates he produced in 1918 and 1919. Reading in part, "With us it [WWI] has had the most disastrous and frightful consequences. In the same year my wife has lost her mother and brother, and is now herself on account of anxiety, grief and undefeeding, very ill - I do my utmost to drown all my sorrows in work - The last 2 years in particular have brought me much work and also (I hope os) much renown -" Bayros closes the letter by asking "are you agreed if I fix my price for an exlibris at 180 dollars?" Accompanied by a 5-page manuscript essay "A Chat About My Bookplates." "Why shall not the same hand that has so often taken up the ben to draw exlibris once write about the very same exlibris it has drawn!"

      [Bookseller: James Cummins Bookseller]
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        Zwanglose Geschichten und Bilder.

      Berlin Fritz Gurlitt ( 1919 ). - M06197 Folio 40 x 29 cm. Originalhalbpergament ( nur wenig angestaubt und gebräunt ) mit Originallithographie und Kordelbindung. 48 Blatt lithographierter Text inclusive Titel mit 27 Originallithographien im Text sowie 17 ganzseitigen Original-Lithographien, teils mit Text, von Heinrich Zille, davon 16 signiert. Der vordere fliegende Vorsatz mit einer Längsknickfalte, beide Vorsatzblätter etwas stockfleckig. Einige Blätter wenig fingerfleckig, insgesamt gutes Exemplar der Vorzugsausgabe. 5. Druck der Neuen Bilderbücher, II. Folge. - Hayn-G. IX, 640. Vorliegend Nummer XXXIX von nur 50 römisch nummerierten Exemplaren auf Zanders-Bütten ( Gesamtauflage 200). 16 Lithographien und der Druckvermerk vom Künstler signiert. 2100

      [Bookseller: Antiquariat Carl Wegner]
 35.   Check availability:     IberLibro     Link/Print  


        ORIGINAL WATERCOLOUR ARTWORK entitled HIDE AND SEEK. SIGNED AND DATED

      1919.. Signed and dated 1919, image size 220 x 135 mm, 8½ x 5¼ inches, a beautiful image in full colour which depicts a game of hide and seek: in the foreground a young girl with very long blond hair kneels hands clasped at the foot of a wall of large blocks of stone, at the top a small girl and boy try to peer over. Very good condition in a large cream mount. MORE IMAGES ATTACHED TO THIS LISTING, ALL ZOOMABLE. POSTAGE AT COST.

      [Bookseller: Roger Middleton]
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        Essays on the Surgery of the Temporal Bone. 2 volume set

      G: in Good condition without dust jacket as issued. Ex Royal College of Surgeons Library. Some foxing First Edition Dark green hardback cloth cover 300mm x 230mm (12" x 9"). xxiv, 253pp; xiii, 358pp + plates. 125 coloured plates.

      [Bookseller: Barter Books]
 37.   Check availability:     TomFolio     Link/Print  


        Plakat - Proletarok! Testverek! [Proletarier ! Geschwister ( Brüder und Schwestern)!]. Közotatasi Nepbiztossag VII/3 Ügyosztaly [VII/3 Amtsstelle(Abteilung) für die Volkssicherheit der Gemeinschafts-Erziehung].

      Budapest, 1919 - 95 x 63 cm, Zustand A. Die Ungarische Räterepublik (ungarisch: Magyarországi Tanácsköztársaság) unter Béla Kun wurde am 21. März 1919 ausgerufen und bestand bis zum 1. August 1919. Nach der Oktoberrevolution 1917, als die Bolschewiki in Russland die Macht übernahmen, war dies weltweit die zweite kommunistisch ausgerichtete Regierung.Am 25. Juni 1919 verkündete Kuns Regierung eine ?Diktatur des Proletariats?, worauf Banken, Großindustrie, Mietshäuser und Betriebe mit mehr als zwanzig Angestellten verstaatlicht wurden. Grundbesitz über 100 Joch wurde enteignet und in landwirtschaftlichen Produktionsgenossenschaften organisiert. Etwa 590 Personen wurden von Revolutionstribunalen hingerichtet.Die Räterepublik brach zusammen, als rumänische Truppen im Ungarisch-Rumänischen Krieg die ungarische Hauptstadt Budapest besetzten. Nachfolgestaat wurde das Königreich Ungarn unter Reichsverweser Miklós Horthy. 1200 gr.

      [Bookseller: antiquariat peter petrej]
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        Beautés de 1918. op. 4.

      [Paris], Editions de L?esprit nouveau, 1919 - Gr.8°, 16 Bl., Titelholzschnitt u. 3 Textholzschnitte. (papier bouffant), Broschur, Kleine Fehlstelle auf Rücken, Papierbedingt gebräunt, sonst schönes Exemplar. Nr. 53 von 200 Exemplaren. Vom Autor und Künstler im Impressum signiert. Paul Dermée (1886-1951), belgischer Dichter, Literaturkritiker, verkehrte in den Kreisen des Kubismus um Pablo Picasso, Juan Gris, Sonia und Robert Delaunay und den Dichtern Valéry Larbaud und Max Jacob.Dermée wurde durch den Dadaisten Tristan Tzara entdeckt.Juan Gris (1887-1927) ,neben Pablo Picasso und Georges Braque Hauptvertreter des Kubismus. 1100 gr. [Attributes: Soft Cover]

      [Bookseller: antiquariat peter petrej]
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        SIMPLE JAGGAJAY

      1919. Paperback. 1. GAZE,HAROLD. THE SIMPLE JAGGAJAY. Melbourne, Aukland, Christchurch, Dunedin and Wellington and London: Whitcombe & Tombs Limited, [1919]. 4to (7 3/4 x 10 1/4"), wraps, color plate on cover, string ties, mend on title, slight bit of foxing, near Fine. Illustrated by Gaze with 2 tipped- in color plates (plus color plate on cover repeated in-text), 1 tipped-in black and white plate and 8 pen and ink drawings in-text (one full page) all featuring a strange animal called a Jaggajay (a cousin of the Billibonga Bird), an Alligator and an elf named Mite Merry. The story is told in verse. This is one of 3 titles in the Mite Merry Series. Gaze was born in New Zealand and except for a short stint at art school in London, he was largely self-taught. He eventually moved to Pasadena where he did some work for the Disney Studio. Although he didn&#39;t illustrate a large number of books his work is distinctive and wonderful. Holden in Golden Age p. 80 notes about the books in this series that "by Australian standards these titles were milestones in the history of children&#39;s book production. Their large quarto format and pleasing typography and layout were indicative of the publisher&#39;s understandable enthusiasm and belief that a major new talent had arrived." Marcie Muir notes that "After Ida Rentoul Outhwaite, the artist who dominated the fairy genre in Australian children&#39;s books was Harold Gaze " (Hist. Aust. Child. Bks. p77). See Muir Bib. 2699 This is a great copy of a rare book.

      [Bookseller: Aleph-Bet Books, Inc.]
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        Poissons provenant des Campagnes du yacht Princesse-Alice (1891-1913) et du yacht Hirondelle II (1914). Fasc. LII.

      Subject: (Ittiologia). Monaco, 1919, in-folio brossura originale, carta uso mano (intonso) pp. 190 + 7 (bellissime) tavole doppie cromolitografiche f.t. (Soft Cover)

      [Bookseller: LIBRERIA PIANI]
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        Famous Horses of the British Turf - 10 vols

      London: Welbecson 10 sm. folio volumes filled with biographies and fine photogravures of famous horses. In uniform bindings of brown cloth w/ white cloth spines & teg. All have lightly sunned spines and moderately foxed text & plates. The 1st volume (1919-1923), #198/600 copies, has a soiled and spotted spine, fraying at top. The 1924 volume is called volume 1, and the rest are numbered successively. #716/1000. 1925: 583/1000. Spots on spine, a little bowing to boards. 1926: spots on spine, covers soiled, and the brown cloth is separating from the white in the rear. #423/1000. 1927: spots on spine. #156/1000. 1928: both coveras bowed, spots on front cover. #371/1000. 1929: #124/1000. Spots on spine, soiled covers, more foxing than others. 1930: #274/1000. Soiled front cover. 1931: #104/1000. Bottom corners bumped (pages too). 1932: #90/1000. The best-looking book, though bumped at upper corners. Good plus overall. In spite of the numerous small flaws, the set looks handsome; the worst deficit is the foxing, which affects every plate at least somewhat. The photography, and the printing of the photos, is quite excellent. Each photo-plate has an onionskin interleaf.. First Edition. Hard Cover. Illus. by W.A. Rouch photos.

      [Bookseller: Page One, Too; Antiquarian Books]
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        Trench Fever: A Louse-Borne Disease

      Oxford Medical Publications 1919 - Clean, unmarked pages. Book plate on first page. Good binding and cover. Hardcover. No dust jacket. Many fold outs. Ships daily. [Attributes: Hard Cover]

      [Bookseller: Sequitur Books]
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        Some British Ballads

      London: Constable & Co. Ltd, 1919. - "A Series of Fascinating and Delightful Pictures"This Magnificent Work Should Appeal To All"RACKHAM, Arthur. Some British Ballads. Illustrated by Arthur Rackham. London: Constable & Co. Ltd, n.d. [1919].First trade edition, later issue. Quarto (10 x 7 3/8 in; 257 x 187 mm). 170, [2] pp. Sixteen full color plates mounted on gray paper with tissue guards, twenty-four black and white drawings. Publisher's blue cloth, gilt lettered. Top edge blue. Gray pictorial endpapers. Dust jacket. The mildest of wear to spine foot, otherwise a fine copy in very good dust jacket. Loosely inserted between two of the preliminary leaves is the original Constable & Co., request card which has left a small rectangular mark on the two facing pages."Few of Mr Rackham's work have been more consistently impressed with charm and beauty than his illustrations in colour to Some British Ballads. In them he pictures a succession of fascinating heroines habited in quaint and picturesque costumes, amid surroundings which, though belonging to no definite place or period, are always appropriate and congruous. His heroes are hardly less charming than his heroines, and the scenes in which they are represented constitute a series of fascinating and delightful pictures . one must feel grateful to Mr Rackham for giving us the prettiest picture book of the season" (The Connoisseur, Vol. LVI, 1920)."Never did old poems appear so gayly bedecked than Some British Ballads, which Arthur Rackham has gorgeously illustrated with 16 paintings It is hard to decide which the more attractive feature of this book&#151;Mr. Rackham&#146;s paintings or the ballads themselves" (New York Times)."No more effective inspiration for the gifted brush of Arthur Rackham could be found than these popular old ballads. Handsomely printed and bound, this magnificent work should appeal to all" (The Atlantic Monthly, Dec. 1920).

      [Bookseller: David Brass Rare Books, Inc.]
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