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Displayed below are some selected recent viaLibri matches for books published in 1919

        Das Preussische heer unter Koenig Wilhelm I. 1870/1871

      1919-1921. Half Morocco. . Fine. Manuscript containing 84 original mounted watercolors depicting the Franco-Prussian War. 4to. 29 by 24 cm. 16 leaves with text and painted flags of all the German regiments in the war, followed by the 84 watercolors, each with a title written onto a separate sheet preceding it. At the end, a four page table of contents. While the illustrations are in a sense celebrating the German army and its individual regiments, the paintings are also undeniably beautiful, and in their impressive detail, come off as highly realistic and honest. The artist, about whom nothing is known beyond this body of work, showed meticulous care in rendering uniforms and weaponry, and he was also clearly an accomplished equestrian artist, capturing the horse in its power, motion, attitudes and terror. One would have to think that the author must have had an intent to publish this collection, but there is no evidence that this ever occurred, or that this was indeed an actual aspiration. What one has here, then, is a collection that is as good, and arguably superior, to the several artist's collections that were in fact published in the aftermath of the war.

      [Bookseller: White Fox Rare Books and Antiques]
 1.   Check availability:     Biblio     Link/Print  


        SOME BRITISH BALLADS. Signed by Rackham

      London, Constable, (1919).. London, Constable, (1919).. FIRST EDITION (1919), LIMITED AND SIGNED BY THE ARTIST. 4to, 292 x 230 mm, 11½ x 9 inches, vellum backed cream boards, different gilt vignettes to upper and lower boards, gilt lettering to upper cover and spine, top edges gilt, the rest uncut, pages: (12), 170. 16 beautiful colour plates mounted on white paper, captioned tissue guards, 24 line drawings in the text. Spine slightly rubbed and slightly discoloured, tiny crease at head of spine, boards just very slightly darkened along the edges, front endpaper lightly browned, contents very nice, no inscriptions. A very good plus copy. No. 82 of 575 de luxe copies signed by Arthur Rackham on the limitation page. MORE IMAGES ATTACHED TO THIS LISTING, ALL ZOOMABLE. FURTHER IMAGES ON REQUEST. POSTAGE AT COST.

      [Bookseller: Roger Middleton]
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        Faust-Impressionen. [9] Original-Radierungen [ca. 35 x 45 cm].

      Amandus-Edition, 0, Wien, - Wien, Amandus-Edition, o. J. [um 194?]. o. Pag. [9 Bll.] Lose Blattsammlung in OHLwd.-Mappe. Erneuter Abdruck von den Originalplatten aus dem Jahr 1919. - Leichte papierbedingte Oxidation, Mappe etw. stockfleckig, leichte Gbrsp. - Entgegen der Aufnahme der Harvard-Bibliothek, die nur acht Blätter anzeigen, sind in unserem Exemplar alle neun Blätter vorhanden: Hexensabbat, Walpurgisnacht, Die Anachoreten, Die Lamien, Homunculus, Dem Volke . ein Fest, Die Mütter, Pharsalische Felder und Kaiserl. Pfalz. Diese sind zum Teil in der Platte datiert: '13 bzw. '14. - Laske, (1874 - 1951), studierte Architektur an der TH und der Kunstakademie Wien und führte danach mehrere Bauten in Wien, Dresden, Kärnten und Mähren selbstständig aus. Sein eigentliches Interesse aber galt der bildenden Kunst, der er sich 1908 ganz zuwandte. Zu seinen bevorzugten Motiven gehörten Landschaften, Stadtansichten, Marktplätze und Volksfeste, die er meist in Aquarell- oder Deckfarben ausführte. Seit 1910 entwickelte L. eine Vorliebe für biblische und mythologische Themen, die er bevorzugt in Öl- oder Temperafarben großformatig umsetzte (Die Arche Noah, 1910). Reisen führten ihn 1911-14 u.a. nach Griechenland und in die Türkei sowie nach Tunis. Den Ersten Weltkrieg erlebte er als Offizier und Kriegsmaler in Galizien, Rumänien und Südrußland. Er trat auch mit graphischen Arbeiten hervor und wurde mehrfach zu Buchillustrationen herangezogen. Seit den zwanziger Jahren entwarf er auch Bühnenbilder und Kostüme. (DBE) Deutsch Lose Blattsammlung in OHLwd.-Mappe. [Attributes: Hard Cover]

      [Bookseller: Antiquariat Weinek]
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        Zeitschrift für Bücherfreunde. Begründet von Fedor von Zobeltitz, herausgegeben von Georg Witkowski. Neue Folge, 11. bis 23. Jahrgang 1919 -1931, Jgg. 11 in 2 Bänden, daher zusammen 13 Jahre in 14 Bänden.

      Leipzig, Seemann, 1919-, 1931.. Fol.. Mit Abbildungen und Beilagen Graues Original-Leinen mit Goldprägung. Bedeutende Zeitschrift zu allen Bereichen der Bibliophilie, Bibliographie und Buchkunde, geschlossen ab dem 11. Jahrgang bis zum letzten in dieser Form erschienenen Band 23 im Jahr 1931. Danach erschienen nur noch 3 weitere Bände einer dritten Folge in stark veränderter Form und mit anderen Herausgebern. - Gut erhalten und mit den originalen Jahreseinbänden. Wenige Bände etwas berieben, innen sauber, schöne Reihe.

      [Bookseller: Antiquariat Thomas Rezek]
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        Cinderella

      London, William Heinemann; Philadelphia, J. B. Lippincott Co., 1919. London, William Heinemann; Philadelphia, J. B. Lippincott Co.,, 1919. Retold by C. S. Evans and Illustrated by Arthur Rackham. Quarto. Original quarter japon, white paper boards, titles and mouse design to spine gilt, titles and silhouette design to front board gilt, green and white pictorial endpapers, top edge gilt, others untrimmed. Tipped-in colour frontispiece and silhouette illustrations throughout the text. Bookplate of Annie Cowdray to front pastedown. Boards gently rubbed, minor cockling to front board. An excellent copy. Signed limited edition, number 178 of 325 numbered copies printed on Japanese vellum signed by the artist from a total edition of 850 numbered and signed copies.

      [Bookseller: Peter Harrington]
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        Gustav Klimt. Fünfundzwanzig Handzeichnungen. Wien 1919. Groß-Folio. Titelblatt, Tafelverzeichnis u. 25 teils farb. Lichtdrucktaf. Orig.-Halbleinenmappe.

      . . Eine der seltensten und kostbarsten Veröffentlichungen über Gustav Klimt. Sämtliche Zeichnungen sind aus der Sammlung Lederer, Wien. Nur in 500 Exemplaren erschienen, und heute sehr selten.

      [Bookseller: Antiquariat Schmidt & Günther Einzelunte]
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        Felixmüller, Conrad. - "Mutter mit Kind".

      Hamburg, Kristeller, 1919. Holzschnitt, 1918. Von Conrad Felixmüller. 22,5 x 19,0 cm (Darstellung) / 25,5 x 15,5 cm (Blatt). Söhn 157 c. Aus: Die Rote Erde. Monatsschrift für Kunst und Kultur (Hamburg: Kristeller 1919). - Im Druckstock in der Darstellung links unten monogrammiert: "FM". Unterhalb der Darstellung typografisch bezeichnet "Felixmüller: Originalholzschnitt". - Papier etwas verbräunt und lichtrandig. Oberer Blattrand beschnitten und verso hinterlegt. Mäßig gut erhalten. Conrad Felixmüller (1897 Dresden - 1977 Berlin-Zehlendorf). Deutscher Maler, Vertreter des Expressionismus und der Neuen Sachlichkeit. Ab 1912 Studium an der Kunstakademie in Dresden, ab 1915 freischaffend tätig. War 1919 Gründungsmitglied und Präsident der Dresdner Sezession Gruppe 1919 und Mitglied der Berliner Novembergruppe. 1934 Umzug nach Berlin. Die Nationalsozialisten vernichteten zwischen 1938 und 1939 insgesamt 151 seiner Werke als entartete Kunst. Nach Kriegsdienst (1944/45) und sowjetischer Gefangenschaft wurde Felixmüller 1949 Professor an der Pädagogischen Fakultät der Universität Halle. 1961 ging er mit seiner Emeritierung zurück nach Berlin..

      [Bookseller: Galerie Himmel]
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        Diario manoscritto autografo firmato (inedito) datato 24 / 10 1919 del pittore e scultore tedesco vissuto a Monaco di Baviera intitolato 'Mein Leben'. 208 pp. In - 4. Fogli sciolti.

      

      [Bookseller: Studio Bibliografico Lim Antiqua s.a.s.]
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        Frau vor dem Fenster.

      . Lithographie 1919, numeriert und signiert. 18,2:13,8 cm. Literatur: vgl. Söhn HDO 249-3.- Nr. 6 von 30 Exx. Auf chamoisfarbenem Bütten. Vollrandig und absolut frisch und tadellos erhalten.- Das Blatt ist auch in einer unsignierten Auflage im "Jahrbuch der Jungen Kunst", hrsg. Von Prof. Dr. G. Biermann 1920 in Leipzig erschienen..

      [Bookseller: Galerie Joseph Fach GmbH]
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        SOUTH. The story of Shackleton's last expedition 1914-1917

      William Heinemann. London. 1919. William Heinemann. London. 1919. FIRST EDITION. 1st impression. Large 8vo. (10.1 x 6.5 inches). Illustrated with colour photo frontis, five maps-including one large folding, and 87 mono photographic plates. Generally a very good copy but one of the plates has pink paint to the top margin that just encroaches onto the edge of the image, some of the pink has transferred to the top of the text page opposite. There are three other paint marks on text pages, one is just a couple of small light blue brush marks over opposite pages, another is bigger blue brush marks over opposite pages and the third is a couple of small yellow and pink brush strokes to the margin of another pair of leaves. (Please ask for photographs of the affected areas). Aside from these four areas with paint marks the pages are in slightly better condition than usually found with this edition. This first impression was printed on poor quality paper and is prone to browning but, on the whole, this copy is in better condition than usually encountered although the page edges do inevitably still show some level of darkening. Original publishers dark blue cloth with silver illustration of The Endurance to front board. Spine and front board lettered in silver. Publishers blind stamped device to back board. Minor rubbing to the extremities and very small split(about 0.3 inch), without loss, to the top front hinge. Apart from the paint marks listed this is overall a very good, tight and bright copy of this classic book.

      [Bookseller: Paul Foster Books]
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        South The Story Of Shackleton's Last Expedition 1914-1917

      Heinemann London 1919 - Hardback New impression December 1919. xxi, 376 pp The book is in very good condition with no dust jacket. Black cloth with silver decorations. The spine tips are a little bumped, there is an inscription on the front pastedown and a small area of rubbing on the front endpaper. All illustrations are present although the map at the rear is detached from the text block. [Attributes: Hard Cover]

      [Bookseller: P Rulton Rare Books]
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        Towards Evolutionary Psychology / Theodore Schroeder : a collection of offprints, essays and articles bound by author in 1 volume with his considerable manuscript annotation and correction

      various publishers, 1919-1941. various publishers, 1919-1941, 1919. 1st Edition in this form. Good copy in a gilt-blocked cloth binding. Spine ends somewhat worn, with panel edges slightly dulled and rubbed. Bumped corners. Some tanning and browning internally. Editorial annotations throughout. Remains quite well-preserved overall. Further scans, images etc. and additional bibliographical material available on request. A collection of offprints, essays and articles by Theodore Schroeder bound in 1 volume, submitted for publication. A letter tipped-in to front pastedown states that the author is submitting the volume of papers for "editorial consideration." Some contents are bound, and some are tipped-in. Spine title: Toward evolutionary psychology. Head of contents page reads: Essays along the road from psychoanalysis to evolutionary psychology. Subjects: Psychology -- Philosophy -- Religion -- Medicine -- Sociology -- Culture and society -- Law -- Essays, articles etc. -- United States. The majority of articles contain editorial annotations. Biographical note: Schroeder was a a prolific and controversial author, who wrote mainly of issues pertaining to freedom of expression. His writings became the subject of a lawsuit following his death. In his will, Schroeder left his estate to two friends, with the instruction that the money from the estate be used to gather his voluminous writings and publish them. Two of Schroeder's cousins, with whom he had no contact, contested the will, and successfully voided it. In upholding a lower court's decision, Judge O'Sullivan of the Supreme Court of Errors the State of Connecticut explained, "The law will not declare a trust valid when the object of the trust, as the finding discloses, is to distribute articles which reek of the sewer." There appears to be no record of this volume of writings being published in one volume during the author's lifetime. Description: various paginations, 24cm. Includes a selection of related newspaper and magazine clippings loosey inserted.

      [Bookseller: MW Books Ltd.]
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        "Blick auf über den Starnberger See" originales Gemälde, Öl auf Leinwand ca. 87x116cm; signiert und datiert "1919" [Maße im schmucken Holzrahmen 101x130cm.]

      . .

      [Bookseller: Antiquariat Niederbayern]
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        Gilles de Rais. Originallithographien von Willi Geiger.

      F. Gurlitt,, Berlin, 1919 - Berlin, F. Gurlitt, 1919. 51 + 3 S. OHpgm. EA. Nr. 169 von 700 Expl. mit der eighd. Signatur des Künstlers. Mit 15 Tafeln, davon eine eighd. signiert (die andernen im Stein monogrammiert) sowie eine kl. Vignette. - Der Venuswagen. Privatdrucke der Gurlitt-Presse. Erste Folge, Band IX. - Kl. Exlibris-St. a. V., geringfügig stockfleckig, leichte Gbrsp. Die beiden Schließen sind vorhanden. Deutsch

      [Bookseller: Antiquariat Weinek]
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        Entfaltung. Gedichtfolge.

      Frankfurt Kleukens Presse 1919,. 80 S., handgefertigter Original-Pergamenteinband (dieser geringfügig beschabt) von Ernst Rehbein auf 5 Bünden, Rückentitel und Linienvergoldung, Kopfgoldschnitt, Lesebändchen, 2. Druck der Kleukens-Presse. Erste Ausgabe in 250 Exemplaren auf Bütten gedruckt, vorliegend Nr. 171. Bandnummer:- Auflage:0. WG 4, Rodenberg I 103, Raabe 159/5, Privates Ex-Libris auf Vorsatz. Sonst nahezu tadellos. Second press of the Kleukens-Handpress. In good conditions.

      [Bookseller: AS - Antiquariat Schröter (Versand mit d]
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        Schutzhaft. Erlebnisse vom 7. bis 20. März 1919 bei den Berliner Ordnungstruppen. Berlin-Halensee, Malik-Verlag 1919. 4to. Titelzeichnung v. George Grosz, 15 S. Text. Lilafarbene Orig.-Brs. mit mit Umschlagzeichnung v. George Grosz.

      . . Diese Broschüre erscheint statt Nr. 2 der Halbmonatsschrift "Die Pleite" deren Redaktion infolge meiner Schutzhaft nicht abgeschlossen werden konnte. Mit einer unterzeichneten Nachschrift von Wieland Herzfelde. Sehr schönes Exemplar der fragilen Broschur. - Der Malik-Verlag 18. - Lang 6.

      [Bookseller: Antiquariat Schmidt & Günther Einzelunte]
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        TAGEBUCH BATTERIE THIELE

      By the Author, 1919. By the Author, 1919 Cloth. Very Good Limited. 4to - over 9¾" - 12" tall. 222 pp. German text. Typescript. Distributed only to the members of the "Batterie Thiele" including Feld Artillerie-Regiment No. 39, Feld artillerie-Regimen No. 103, Infanterie Geschutz-Batterie No. 36. Notation on inner front cover suggests that possibly 800 copies were distributed to veterans of the war but no copies appear on OCLC..

      [Bookseller: Alcuin Books, ABAA-ILAB]
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        Das Preussische heer unter Koenig Wilhelm I. 1870/1871.

      1919-1921 1919 - Manuscript containing 84 original mounted watercolors depicting the Franco-Prussian War. 4to. 29 by 24 cm. 16 leaves with text and painted flags of all the German regiments in the war, followed by the 84 watercolors, each with a title written onto a separate sheet preceding it. At the end, a four page table of contents. While the illustrations are in a sense celebrating the German army and its individual regiments, the paintings are also undeniably beautiful, and in their impressive detail, come off as highly realistic and honest. The artist, about whom nothing is known beyond this body of work, showed meticulous care in rendering uniforms and weaponry, and he was also clearly an accomplished equestrian artist, capturing the horse in its power, motion, attitudes and terror. One would have to think that the author must have had an intent to publish this collection, but there is no evidence that this ever occurred, or that this was indeed an actual aspiration. What one has here, then, is a collection that is as good, and arguably superior, to the several artist's collections that were in fact published in the aftermath of the war.

      [Bookseller: White Fox Rare Books, ABAA/ILAB]
 18.   Check availability:     AbeBooks     Link/Print  


        Das Peter Hille-Buch. Mit einem Bildnis Peter Hilles nach einer Zeichnung der Verfasserin. Berlin, Paul Cassirer 1919. 4to. 109 S. Orig.-Halblederbd. mit Rückentitel. In Orig.-Schuber.

      . . Von dieser Vorzugsausgabe wurden 100 numerierte Exemplare auf handgeschöpftem van Geldern-Bütten hergestellt, mit der Hand in Halbleder gebunden und von Else Lasker-Schüler handschriftlich signiert. Else-Laskar Schüler ist die bekannteste Dichterin des deutschen Expressionismus. In Berlin war Sie Mitbegründerin der großen avantgardistischen Zeitschrift "Der Sturm" und heiratete Georg Levi, dem Sie den Namen Herwarth Walden gab. Tadlloses Exemplar in Orig.-Schuber. - Raabe 182/2.

      [Bookseller: Antiquariat Schmidt & Günther Einzelunte]
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        Historischer Atlas des Wiener Stadtbildes.

      Wien, Vlg. d. Deutschösterr. Staatsdruckerei 1919.. 2°. 34 S., 47 (v. 50) doppelbl. gr. Taf. (dav. 3 farb.). in Photolithogr., 18 Textabb. OHLn.-Mappe. Berieb. - (Arbeiten d. kunsthistor. Instituts d. Univers. Wien, Lehrkanzel Strzygowski, Bd. XVI). Gugitz 12187 - Es fehlen die Taf. 2, 9, 12. - Buchschmuck v. Rud. Junk.

      [Bookseller: Burgverlag Buchhandelsges.mb.H.]
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        MACAO ET COSMAGE ou l'expérience du bonheur.

      1919 - Paris, Aux Éditions de la Nouvelle Revue Française, 1919. Grand in-quarto carré (345 X 337) relié demi-toile gris perle, dos de toile noire avec le titre doré en long, plats de la couverture en carton souple, premier plat entièrement illustré en couleurs, vignette ronde en couleurs au second plat ; (26) feuillets, gardes illustrées. Chemise demi-toile noire, dos carré, titre doré en long, étui. Dos de l'ouvrage habilement refait, taches claires en marge du second plat, corps d'ouvrage en parfait état. ÉDITION ORIGINALE de ce RARE ET PRÉCIEUX LIVRE POUR ENFANTS, le premier enfantina édité par la maison Gallimard. C'est au jeune peintre EDY-LEGRAND (1892-1970), pseudonyme d'Édouard Warschawsky, que la maison Gallimard, au lendemain de la première guerre mondiale, confie la réalisation de ce splendide livre pour enfants. Il est composé de 54 PLANCHES EN COULEURS, gardes comprises, ainsi que de l'illustration du premier plat de la couverture et d'une vignette au second plat. Il raconte l'histoire d'un couple de jeunes gens, une femme de couleur et un homme blanc, qui vivent harmonieusement sur une île déserte, au sein d'une nature luxuriante et paisible. L'arrivée d'un navire et de ses marins va tout changé, bouleversant et détruisant l'équilibre naturel du lieu. UN OUVRAGE D'ART ILLUSTRÉ : d'un format panoramique, imprimé sur papier Lafuma et colorié au pochoir par Jean Saudé, les illustrations intègrent dans une subtile composition les caractères typographiques du texte, combinant reproduction photomécanique du trait et mise en couleurs manuelle. L'illustrateur prévient dans un prologue adressé au jeune lecteur: «Enfant, dans les pages qui vont suivre, les couleurs, les moindres objets, les plus petits animaux ont une raison d'être? C'est à toi de la découvrir». D'une réelle portée novatrice, cet ouvrage élève délibérément le livre pour enfants au rang de véritable "livre d'artiste". SÉDUISANT EXEMPLAIRE, présenté dans une élégante chemise sous étui. (J. Glénisson, S. Le Men, "Le Livre d'enfance et de jeunesse en France", 1994). PLEASANT COPY. PICTURES AND MORE DETAILS ON REQUEST. [Attributes: First Edition; Soft Cover]

      [Bookseller: LIBRAIRIE ERIC CASTERAN]
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        Sport in Art: An Iconography of Sport Illustrating the Field Sports of Europe and America from the Fifteenth to the End of the Eighteenth Century

      Simpkin, Marshall, Hamilton, Kent & Co., London 1919 - With a beautiful red half morocco binding decorated with gilt figures of a fox, a hound, a hawk, antlers, fish. Folio. 33 by 25 cm. xxiii + 422 pp + [4] pub ad. With 243 illustrations, including 2 tipped in color plates. Wonderful survey of subject. Soiling to board edges. Half Decorated Morocco, Marbled Boards [Attributes: Hard Cover]

      [Bookseller: White Fox Rare Books, ABAA/ILAB]
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        ONE DAY MORE

      1919 - [1 of 24 copies signed by Conrad] A Play in One Act. (London: The Beaumont Press, 1919.) Original patterned boards with vellum spine, with cover label. Beaumont Press edition, of which this is one of 24 numbered copies printed on Japan vellum and signed by Conrad (this is copy #19). There were also 250 unsigned copies, numbered 25-274, printed on hand-made paper and with a cloth rather than vellum spine. Conrad's story "To-Morrow" was included in his 1903 volume TYPHOON AND OTHER STORIES. He then dramatized the tale as "One Day More," and it was performed (but not published) in 1904. It appeared in the August 1913 issue of the English Review, but did not appear in book form (25 privately-printed copies) until 1917, after which came this 274-copy edition -- the sixth book published by the Beaumont Press. ONE DAY MORE was not broadly available until 1924, when it was published together with Conrad's play "Laughing Anne." This is a fine copy, essentially as new. Cagle A20b(1). Housed in a handsome morocco-backed slipcase. [Attributes: First Edition; Hard Cover]

      [Bookseller: Sumner & Stillman [ABAA]]
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        THE ARROW OF GOLD

      Fisher Unwin , 1919. Fisher Unwin , 1919. First UK edition. Original green cloth with gilt titles in printed dustwrapper with gold arrow on upper cover. A fine copy a near fine dustwrapper, which shows just a trace of wear to the head of spine and back panel, but is otherwise exceptionally crisp and clean. A novel set in Marseille in the 1870s during the Third Carlist War. Uncommon in such a well preserved dustwrapper.

      [Bookseller: Jonkers Rare Books]
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        Herausgegeben von Carl Georg Heise, Hans Mardersteig und Kurt Pinthus. Erstes Jahr. Erstes(-Zweites) Buch. [von 3 Jahrgängen in 6 Heften].

      Kurt Wolff, München. 1919.. VIII, 319 S. Mit 6 Orig.-Graphiken u.a. von Karl Schmidt-Rottluff u. Franz Marc u. zahlr. Tafeln. Fol., Orig.-Pappbde.. 'Repräsentative Kunstzeitschrift unter Einbeziehung der expressionistischen Dichtung. Führende Museumsleute und Kunsthistoriker nehmen zur expressionistischen Kunst in eingehenden Würdigungen und Untersuchungen Stellung. Daneben Abhandlungen zur älteren Kunst (...) Im jeweils zweiten Teil eines Buches (Dichtung und Menschheit) Proben neuer, meist expressionistischer Dichtungen, philosophische Abhandlungen und Übersetzungsproben.' (Raabe, Zeitschriften.). - Enthält folgende Holzschnitte: Karl Schmidt-Rottluff: 'Kopf'. - Richard Seewald: 'Der Hirte', koloriert. - Franz Marc: 'Aus der Tierlegende'. - Weiterhin die Lithographien: Ignaz Epper: 'Mädchenkopf'. - Karl Caspar: 'Johannes auf Patmos' und die Radierung: Heinrich Nauen 'Mutter und Kind'. - Textbeiträge von Johannes R. Becher, Max Brod, Paul Gaugin (aus einem ungedruckten Manuskript über van Gogh), Wilhelm Klemm, Oskar Kokoschka, Ernst Wilhelm Lotz, Gustav Pauli, W. L. Müller-Wulckow, Ernst Weiss, Franz Werfel, Wilhelm Worringer u.a. - Pappbände gebräunt u. am Rücken berieben. - Söhn HDO I, 12001. - Raabe, Zeitschriften 74. - Göbel 419. - Dietzel/Hügel II, 1158. Für unsere Schweizer Kunden: Konto in der Schweiz vorhanden

      [Bookseller: Rotes Antiquariat]
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        NORTH OF BOSTON ... PICTURES BY JAMES CHAPIN

      New York: Henry Holt and Company, [nd. but 1919].. New York: Henry Holt and Company, [nd. but 1919].. Gilt cloth and boards, fore and bottom edges untrimmed. Portrait and plates. Lower fore- tips bumped, otherwise about fine, in a very good example of the uncommon dust jacket (several short, creased tears along the top edge and at lower fore corners). Second, and first illustrated, American edition. Although no limitation is stated, the edition consisted of 500 unnumbered copies printed on British handmade paper. A somewhat elusive edition in dust jacket. CRANE A3.3.

      [Bookseller: William Reese Company - Literature ABAA-]
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        The Gunroom.

      London: A. & C. Black, Ltd., 1919 - Octavo. Original dark blue cloth, titles to spine gilt. With the pictorial dust jacket. Spine gently cocked, spine ends slightly rubbed, very light tanning to endpapers. Otherwise an excellent copy in a bright jacket with lightly nicked spine ends and slightly rubbed extremities. First edition, first impression of the Morgan's first novel, based on his experiences in the Royal Navy between 1907 and 1913. The Gunroom criticised the Royal Navy, in particular the continual mistreatment of junior officers. As a result it was unofficially suppressed and thus rather rare.

      [Bookseller: Peter Harrington. ABA member]
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        LE NOUVEAU SPECTATEUR

      1919 - Correspondance rédigée par Roger Allard. Paris. Administrateur Camille Bloch. Format:126X167mm. Nos. 1 à 16/17. Discussions sur le Cubisme, Matisse, les expositions (Picasso, Kissling, Gauguin, salon d'automne, salon des indépendants), Picasso, l'art bolchévique etc. Illustrations de Picasso, Gromaire, Laboureur, Dufy, Alix, Albert Moreau et d'autres. Etat correct (rousseurs, couvertures de deux fascicules détachées) pour cette fragile revue d'art moderne. [Attributes: Soft Cover]

      [Bookseller: Le Grand Verre]
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        Last PoemsTranslations from the Book of Indian Love

      London and New York - William Heinemann;John Lane Company, 1919. London and New York - William Heinemann;John Lane Company, 1919 Book. Very Good. Hardcover. A charming anthology of translated and adapted Indian love poetry. Smartly bound by Macdonald. From the author of India's Love Lyrics, Stars of the Desert, and Songs from the Garden of Kama. Condition: Rebound in a half morocco binding with marbled boards, and gilt lettering to the spine. Externally, calf is smart, aside from light rubbing to extremities. Fading to marbled boards. Internally, firmly bound, and extremely bright and clean. Overall: VERY GOOD INDEED..

      [Bookseller: Rooke Books]
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        La Contessa del "Turf" Operetta in 3 Atti by Cesare Sacchetti... Partitura. Manuscript full score of three orchestral numbers from the third act. Possibly autograph. With numerous corrections and amendations

      . Small folio. Original printed wrappers issued by A. Lovari of Florence. 61 pp. Notated in ink on 18-stave paper of Italian manufacture. With corrections in ink and pencil and performance markings in blue and red crayon. Signed in ink and dated November 1919 by the composer on the final page. Wrappers reinforced with red cloth tape at spine; small plain white rectangular overpaste to power portion. Slightly worn and stained; signatures detached. In quite good condition overall.. Steiger Titelkatalog I, p. 270. First performed in Naples at the Politema Giacosa on March 11, 1920, to a libretto by Cesare Sacchetti. The libretto was published by A. Lovari in 1920; we have not, however, located any published edition of the score nor have we found any information regarding the composer.

      [Bookseller: J & J Lubrano Music Antiquarians LLC]
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        Birds of the British Isles and Their EggsIn Three Volumes

      29 - London -Frederick Warne, 1919. 29 - London -Frederick Warne, 1919 Book. Very Good. Hardcover. First edition. A uniformly bound and illustrated collection of these detailed works exploring birds that are native to the British Isles. A Handy Pocket Guide with Descriptive Text. First series being the first edition andcomprising of families Corvidae to Sulidae. Second series being the fourth edition and containing families Anatidae toTetraonidae. Lastly the third series being the second edition and comprising of Their migration and habits, and observations on our rarer visitants. Beautifully illustrated in colour throughout each volume by Archibald Thorburn, reproduced from Lord Lilford's work Coloured Figures of the Birds of the British Islands. With 242 accurately coloured plates to volume one, 213 to volume two, and 68 to volume three. As well as numerous photographic plates by Richard Kearton. Complete in three volumes. Condition: In original maroon cloth bindings with decorative illustrations in gilt. Externally, all volumes are sound, with only some light rubbing to extremities. Internally, all volumes are generally firmly bound, bright and clean throughout. With only the odd handling mark. Overall: VERY GOOD INDEED..

      [Bookseller: Rooke Books]
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        Jungle Tales of Tarzan ( First Edition, 1st Printing, 1st Binding )

      A. C. McClurg , Chicago 1919 - illustrated thruout counted 14 total pics, some full pg chapter head illustrations but there 2 missing glossy opposite pg 112 ,312 , HBDJ, Published March 1919, has W. F. Hall Printing Company at btm copyright pg stated 1st Edition, 1st printing with publishers imprint on Spine Panel set in 3 lines, GOOD+/GOOD, AS-IS, 1919 on Title pg, First state binding of orange cloth with black titles, and three lines on the spine. Beautiful & Most Attractive DJ Colored with Green of Tarzan & Snake in Tree with Grey BackGround Lettered in Brown , Picture on DJ doesn?t match frontispiece picture, Tiny Chips DJ & front inner Flap DJ part been cut off inside partially, Original Orange Cloth Lettered in Black on Front & Spine, pg 4 has small mended tear,few dogeared pgs,Cover some Soiling & Rub, Small Spine Tear crosswise & Darkening Spine, Some pgs some spotting approx 30 or so & slight soil, 1 pg small chip margin,Otherwise Nice Tight Clean, Small crease Few Pages, With 319 pages and four of the five full page plates by J. Allen St. John. , [Attributes: First Edition; Hard Cover]

      [Bookseller: Bluff Park Rare Books]
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        L'équipe -

      Emile-Paul Frères 1919 -, Paris - 1 In-8 262 pp. Reliure demi-maroquin rouge à coins. Dos à 4 nerfs sautés. Tête dorée. Couverture et dos conservés. Intérieur propre et frais. Sur grands témoins. Très bel exemplaire EDITION ORIGINALE. Celui-ci un des 75 exemplaires numérotés sur papier de Hollande (seul grand papier). [Attributes: Hard Cover]

      [Bookseller: Librairie KOEGUI]
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        Schriftsteller (1871-1950): Eigenh. Postkarte (Adresse wohl von anderer Hand) mit Ort u. Datum und U. München, 19. II. 1919.

      . . Frühe Postkarte an einen Leser (Walter Kohnke) in Berlin, der um einen handschriftlichen Gruß gebeten hatte: "19. Febr. 1919 / München / Leopoldstr. 59 // Sehr geehrter Herr, für Ihren Brief danke ich bestens und begrüße Sie /ergebenst // Heinrich Mann."

      [Bookseller: Antiquariat Richard Husslein]
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        SIX GHOST STORIES

      Murray , 1919. Murray , 1919. First edition. Original olive green cloth with black titles and bat motif. A super fine copy that has slight fading to the spine but is bright and crisp with no mentionable wear. The author's only book written in his eighties. "The author's tales draw heavily on his antiquarian interests and are constructed in a style strongly reminiscent of M. R. James." (Wilson - Shadows in the Attic)

      [Bookseller: Jonkers Rare Books]
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        TREASURE BOX

      [London: Printed for the Author at the Chiswick Press, December 1919].. [London: Printed for the Author at the Chiswick Press, December 1919].. Small octavo. Sewn unlettered blue wrappers (not stapled, as the bibliographers assert). Two small pictorial vignettes. Wrappers neatly split along spine, otherwise about fine. First edition of Graves's fourth book, printed in an edition of two hundred copies for private distribution. This copy bears the joint presentation inscription of Graves and his wife, Nancy Nicholson, to George Plank, from Dingle Cottage, Boar's Hill, Oxford. HIGGINSON & WILLIAMS A4.

      [Bookseller: William Reese Company - Literature ABAA-]
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        CINDERELLA

      London & Philadelphia: William Heinemann / J.P. Lippincott Co., [1919].. London & Philadelphia: William Heinemann / J.P. Lippincott Co., [1919].. Quarto. Quarter vellum and gilt decorated vegetable parchment boards, t.e.g. Tipped-in color frontis, numerous silhouette illustrations and decorations in black, and several in black and second or third colors. Boards a bit tanned and edgeworn, else a very good copy. First edition, limited Japan vellum issue. One of 325 numbered copies printed on Japan vellum, in addition to 525 numbered copies on handmade paper, specially bound and signed by Arthur Rackham.

      [Bookseller: William Reese Company - Literature ABAA-]
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        THE MELLSTOCK EDITION OF THE WORKS OF THOMAS HARDY

      , 1919. 1919. [with all 37 dust jackets] In Thirty-Seven Volumes. London: Macmillan and Co., 1919-1920. Original dark blue cloth decorated in gilt, with dust jackets. The Mellstock Edition of Hardy's works, limited to 500 numbered sets, signed by Hardy in the first volume. Though the "Wessex Novels" may be important for the changes Hardy made to his early novels, and though the "Wessex Edition" may be the so-called "definitive edition," this is the most sumptuous and sought-after of Hardy sets. Most of the novels occupy two full volumes, the text is printed on paper watermarked with Hardy's initials, and the bindings have elaborate gilt acorn-and-oak leaf decoration on the spines (in addition to Hardy's gilt-embossed monogram on the front covers). Hardy and Macmillan had planned this edition since 1914 (tentatively titled "The Casterbridge Edition"), but production was postponed during the Great War. Hardy made a few very minor changes in some of the works, but specifically altered the geography of his novel A PAIR OF BLUE EYES...~"to correct the topography a little," he wrote to Sydney Cockerell, "the reasons that led me to disguise the spot when the book was written in 1872 no longer existing, the hand of death having taken care of that." The reference is to the first Mrs. Hardy, who had died in 1912... [Purdy]~These volumes are in fine, bright condition, with the leaves still unopened. Amazingly, all 37 volumes still retain their original dust jackets -- which carry the same elaborate spine decoration as the binding (but blue-on-white rather than gold-on-blue). At the bottom of each jacket's spine is the set's price, "37 Vols. £33 6s."; the rear panel bears an advertisement for the set, also indicating that the volumes are available at "18 s. net each." The jackets are generally in very good condition, with very minor edgewear (the top and bottom edges have been reinforced unnecessarily from the backside); one of the 37 jackets has a hole in its spine, but this has been made scarcely-evident by virtue of a loosely-inserted facsimile behind it. One sees the Mellstock Edition in original cloth, and one sees it rebound in leather, but one scarcely ever sees it still with its original dust jackets. Among sets with dust jackets still in private hands, there are only three of which we are aware, this being one of them. Purdy pp 287-288.

      [Bookseller: Sumner & Stillman]
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        Assisi

      London - Macmillan and the Fine Art Society Limited, 1919. London - Macmillan and the Fine Art Society Limited, 1919 Book. Very Good. Hardcover. First edition. A beautifully illustrated book on Italy from 1869-1918. First edition. With a folding full-colour frontispiece of a scene on the Plain of Umbria. Illustrated in mostly colour with the paintings and sketches of the author, Sir William Blake Richmond (29 November 1842 11 February 1921), a portrait painter and a designer of stained glass and mosaic, whose works include mosaic decorations below the dome and in the apse of St Paul's cathedral in London. Publisher's catalogue to rear. Condition: In a quarter cloth binding with paper covered boards. Externally, worn with front joint failed and lifting to backstrip. Splitting to rear joint. Front hinge strained and ribbon missing from foredge of boards. Internally, generally firmly bound. Bright and generally clean with a small ink stamp of a previous owner to front free endpaper. Overall: GOOD ONLY.

      [Bookseller: Rooke Books]
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        The Holy Bible . Containing the Old and New Testaments . Translated out of the Former Tongues: and with the Former Translations Diligently Compared and Revised by His Majesty's Special Command. Miniature - Complete with the Original Magnifying Glass, Original Miniature Wooden Lectern and Original Chain

      Edinburgh & London: Nimmo Hay & Mitchell, 1919. Edinburgh & London: Nimmo Hay & Mitchell. Good+ with no dust jacket. 1919. Unknown. Hardcover. Miniature - Complete with the Original Magnifying Glass, Original Miniature Wooden Lectern and Original Chain. Miniature Bible - the covers measuring 48 mm x 33 mm. In the Original full brown leather (soft calf) covered boards with a bright Gilt 'Holy Bible' titled on the spine. A little light rubbing to the very extremities but overall VG covers. Complete with the tiny leather edged magnifying glass in a pocket at the front, the edge of the pocket is rubbed/worn. All edges pink-ish. Internally (6) + 877 pp. A b/w line drawing of 'The Fall' is the Frontispiece. This is torn in a triangular shape to the front blank edge - but no loss - all is there but I'm not attempting a repair on something so tiny! . There are also other b/w line drawn full page illustrations in the text. On the reverse of the frontispiece is a 'Licence' granted to the Publishers Nimmo Hay and Mitchell to print and publish this miniature by His Majesty George the Fifth and dated 19th September 1919. The corners/edges of quite a few of the leaves are creased and 'turned'. In between the Old and New Testaments is an article by W. S. Brassington - 'Notes on the Shakespeare Family Records' followed by the Shakespeare Family Register, and a miniature copy of the mss (Shakespeare) page of his Church Parish Register. The Bible is chained (literally - clipped onto the rear cover) to the original 'miniature' wooden lectern which stands 5 and a half inches tall at the front, and 6 inches high at the back end - with a barley twist stem, has a small green felt protective pad underneath, and is in excellent condition. The former owner has made an amateur display case to protect it and depending on your location (or on agreeing postage) this can be sent with the book/lectern. In olden times bibles were so scarce it was necessary to chain them to lecterns, pulpits and library shelves - this is one of those made at the beginning of the 20th Century to commemmorate this era. Images available on Request. Miniature Chained Lectern Bible. ; Miniature .

      [Bookseller: Sue Lloyd-Davies Books]
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        The Madman. His Parables and Poems

      London: Hutchinson & Co., [1919]. London: Hutchinson & Co.,, [1919]. Octavo. Original blue cloth-backed black boards, titles to spine and front board gilt. Three two-tone illustrated plates reproduced from drawings by the author. Spine slightly bumped, corners and edges of boards a little worn, endpapers lightly tanned, minor foxing to edges. Otherwise a very good copy. First UK edition, first impression, of Gibran's first English-language title. The American edition was published by Knopf, New York, the previous year.

      [Bookseller: Peter Harrington]
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        Siberian Intervention Interest - ???? [Guntai techo Military Pocket Book]

      , Taisho 8. [1919].. Taisho 8. [1919].. 26 leaves, 6 leaves with handwritten notes, some full page, follow the printed leaves of obligations and responsibilities that are standard in these books which were issued to each serviceman. Bound in canvas with printed covers there are some light occasional marks and soiling, very good copy. 12.8 x 8.2cm. This military pocket book belonged to Higaki Mosaku ????. Each Japanese soldier or sailor was required to carry his military pocket book, which was his ID document as well as military CV. The first two-thirds of the pages are the following printed texts: Imperial Rescript to Soldiers and Sailors (1882) by Meiji Emperor, Imperial Rescript to Soldiers and Sailors (1912) by Taisho Emperor, Imperial Rescript for Reservists (1914) by Taisho Emperor, Military Codes and an oath to obey those codes, and instructions in regard to a military pocket book. Imperial Rescript to Soldiers and Sailors (1926) by Showa Emperor was inserted after Taisho Emperor's rescript. The rest of the pages shows Higaki's personal information. Higaki Mosaku from Yamaguchi Prefecture was born in 1896. He was enlisted in the Imperial Japanese army on December 1st, 1916 serving until the 15th of November, 1918. He was a machine gunner, a 1st class private, in 74th Infantry Regiment, 19th Division. He was called for service again on the 6th of August, 1919 this time serving in the 42nd Infantry Regiment until the 18th of September 1920. During 1918 and 1919 he served in Northern Manchuria. From late August in 1919 he was posted to such places in Siberia as Nerchinsk, Sretensk, Borzya, and so on. On the 1st of December, 1919 he was promoted to superior private. In August 1920 he was hospitalised and returned to Japan on September 13, 1920. He was released from the army on September 15th, 1920 although he performed some subsequent duty as a reserve. This pocket book contains an insert showing Imperial rescription from 1926. The Siberian Intervention is a conflict which, although not well known in the West had some significant consquences in twentieth century world history. The participating western powers had three main objectives: to stop the stockpile of Allied arms falling into either Bolshevik or German hands; to restore the Tsar and to rescue the Czech Legion. There was considerable argument in Japan concerning whether or not to take part in the Intervention, but compelling arguments, including the desire to establish Siberia as a buffer state between Japan and Bolshevik Russia was certainly one of the attractions. It has also been argued that this conflict prepared the Japanese people for a vision of an empire enabling democracy to be put to one side in the years to come. The problems caused within the relationship between Japan and the USA, when the American forces, due to a slip up in communication, appeared to withdrawn early, also fueled long standing Japanese feelings of mistrust towards its powerful Pacific neighbour. Siberian Intervention pocket books are quite scarce. .

      [Bookseller: Asia Bookroom]
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        Sweden's Laureate: Selected Poems of Verner Von Heidenstam [Signed / Ingraverat] WAS $4,250

      New Haven, CT: Yale University Press, 1919. First edition. Hardcover. Very Good/very good. PRESENTLY DISCOUNTED 30%. WAS $4,250. A Very Good copy of the first edition, first printing (some surface rubbing to the boards, rubbing to the board corners, bump and minor wrinkling to the upper leading corner of each board), in a Very Good example of the scarce dust jacket (modest edge wear and a few small edge tears, fold line at the bottom of each panel and the spine tail, tiny closed concertina tear and nearby tiny indent, light sunning to the spine, some foxing), SIGNED BY VERNER VON HEIDENSTAM on the title page and ALSO SIGNED BY CLARE BOOTHE LUCE on the front free endpaper. Swedish Poet and Novelist Verner Von Heidenstam, known for the joy of life shown in his prose and poetry, won the 1916 Nobel Prize in Literature "in recognition of his significance as the leading representative of a new era in our literature". The leader of his generation of Swedish Poets, and ranked among the masters of Swedish Literature, von Heidenstam regenerated Swedish Poetry, abandoning the then-prevalent realistic school of Swedish Poetry and its gloomy works, and introducing imagination and the value of appreciating beauty for its own sake. Thus, in presenting the Prize to von Heidenstam, the noted Swedish critic Sven Söderman stated: "In the constellation of original artists who regenerated Swedish poetry at the end of the last century, Verner von Heidenstam was the most brilliant star. He was the leader of the generation of poets of 1890; he was the first to set forth in theory and also to realize in his works the ideal of new Swedish generations." Söderman also noted that von Heidenstam's first poetic work, "Vallfart och vandringsår" (1888) ["Pilgrimage: The Wander Years"], "...marked an epoch in the modern literature of Sweden. In truth it gave the final blow to the realistic school, enemy of all imagination, which was then dominant in Sweden and which since 1880 had darkened literature with its sadness and its gloom. This was the first manifestation of a new poetry in which free individuals, led only by the logic of their imagination, worshipped beauty for its own sake. " (The book herein described includes work from "Vallfart och vandringsår" (1888) as well as from "Dikter" (1895) [Poems] and from "Nya Dikter" (1915) [New Poems], presenting approximately one-fourth of the work presented in those three volumes.) The interior of the book is in superior condition with the leaves being quite clean and bright. A number of leaf-pairs remain uncut at the bottom, indicating that the book likely has not been read -- certainly not in its entirety. Having a notable Provenance, this copy belonged to editor, playwright, journalist, ambassador, socialite, and U.S. Congresswoman (representing Connecticut) Clare Boothe Luce and carries her elegant possession signature to the front free endpaper. Signed copies of von Heidenstam's work in any language and in any edition are extraordinarily scarce. In our experience, his signed books are among the scarcest of all those of the Nobel Prize in Literature winners. On our most recent check, the auction records revealed no signed copies of Verner von Heidenstam's works in any language appearing at auction in the past 39 years, beyond which the records do not go. A Very Good copy of this quite scarce assemblage of Verner von Heidenstam's works, being only the second book of von Heidenstam's work to be published in English translation, having an excellent Provenance, and having been SIGNED BY THE PRIOR OWNER, CLARE BOOTHE LUCE and, most notably, SIGNED BY VERNER VON HEIDENSTAM. EXCEEDINGLY SCARCE TO RARE.

      [Bookseller: Allington Antiquarian Books, LLC]
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        Der erste Beernhäuter.

      Berlin: Otto von Holten / Brandus'sche Verlagsbuchhandlung, 1919. - Vitri8 18,8 x 12 cm (8°). Violetter Originalhalblederband mit einem goldgeprägten Rücken und Kopfgoldschnitt. 28 Seiten (+ 2 Bll.) mit 5 ganzseitigen Originalradierungen und 1 radierten Originalinitiale in Sepia von Marcus Behmer. Das Einbandleder an den Rändern etwas berieben. Innen sauber und fest. Collationiertes Exemplar in gutem Zustand. In Berlin bei Otto v. Holten in einer einmaligen Auflage von 300 Exemplaren im Frühjahr 1919 auf Bütten gedruckt. Druck der Radierungen mit Plattenton von A. Ruckenbrod. Dieses Exemplar trägt die Nummer 231. -- (= Siebenter Nibelungendruck ). -- Rodenberg S. 445. 450

      [Bookseller: Antiquariat und Buchhandlung Carl Wegner]
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        The lost oracles : A masque / by James Westfall Thompson [original draft typescript with manuscript corrections]

      No Publisher, 1919. No Publisher, 1919. 1st Edition. Very good copy bound in contemporary gilt-blocked cloth. Spine ends and panel edges somewhat dulled and rubbed as with age. Some surface scuffs and scratches also evident to cloth. Hinges starting. Remains quite well-preserved overall. Further scans, images etc. and additional bibliographical material available on request.. Original draft typescript manuscript of 'The lost oracles...' by by James Westfall Thompson, dated 1919. This title was eventually published in 1921, by Walter M. Hill, Chicago. The manuscript includes some annotations and corrections in pen. 139p. 29cm. Subjects: Masques -- Drama -- Religion -- Paganism -- Ancient religions -- Spirituality -- Ancient Greece. Some leaves typed on headed paper from the Quadrangle Club, Chicago.

      [Bookseller: MW Books Ltd.]
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