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Displayed below are some selected recent viaLibri matches for books published in 1918

        Photo Album]: YWCA OH! Club - College Women in the Midwest

      Various Midwest locations 1918 - Small oblong octavo. Measuring 8" x 6". Alligator patterned cloth over flexible card. 110 mostly sepia-toned gelatin silver prints. The majority are approximately 4.5" x 2.75" with a few larger. About half are captioned. Small stain on one board, images with a little fading, very good or better, images near fine. The images follow a group of cheerful young women, members of the "Oh! Club" (possibly at Ohio University). The women are shown in large groups starting in 1913 at banquets, at initiations which includes a photo of all the women blindfolded, at a slumber party, a farmer's party, a Christmas party, a "Stag" party, etc. Many of the photos are of the girls traveling as a group to several Midwest locations: the Oh! Camp at Cedar Bluffs, (Nebraska?); at another Oh! Camp at Valley Park, (Missouri?); on a "St. Louis-Mazda Boat Excursion"; north of St. Louis at Chain of Rocks; at "Chautauqua" (which could be one of any number of places). In several of the images the women are dressed as men. The photos are dated through 1917 and show the women delighting in each other's company. There are photos of them in bathing costumes at various Oh! camps, hiking, and posing on a ship. A nice collection of photographs depicting an organization for young women in the early part of the 20th Century. [Attributes: Soft Cover]

      [Bookseller: Between the Covers-Rare Books, Inc. ABAA]
 1.   Check availability:     AbeBooks     Link/Print  

        [Photo Album]: A Photo Album of an Ohio Family's Life through Two Generations, 1918 to 1943

      Canton, Ohio / Chicago. 1918-1943. Oblong quarto measuring 11" x 7". String-tied black leather over stiff paper boards. Contains 295 gelatin silver black and white or sepia toned photographs measuring between 1" x 2.5" and 4.5" x 4" with some captions. Cover and first page detached but present, small chips and tears thus good with fine photographs. A collection of photographs from Canton, Ohio in 1918 through 1943 showing a young woman's family and friends when she is a young girl and following her life until she has children of her own. There are two magazine cut outs showing the "Members of the Ohio State Dental Laboratory Guild and Their Ladies," in which the woman is seen with her husband F. C. Hoffman. The first few photos are of the woman's family standing solemnly together with very few smiles; however, the vast majority of the photos are of the woman and her friends having adventures together. Some of the photos are of the young people at a lake, swimming at the beach, camping in the woods, and visiting different cities and locations some of which include Chicago and Geneva, Ohio. Later photos show the group of friends getting older, having kids, and then their kids becoming adults in a 25 year time span. The woman's son at 18, is pictured wearing a World War II Army uniform in some of the last photos of the album. This extensive multiple era piece shows three decades of fashion, automobiles, and general tom-foolery that young people of the time got into in Ohio. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        Eine Einführung.

      Berlin, Druck: Buch- und Kunstdruckerei Neue Vorortzeitung Berlin-Pankow, [1917 oder 1918]; - 24 x 16 cm, 16 Seiten mit 4 schwarz-weiss Abbildungen auf Kunstdruckpapier (Porträt August Stramm; Marc Chagall: Der Viehhändler/Gemälde; Blick in die Kunstausstellung Der Sturm 53. Ausstellung/Sturm Gesamtschau; Sammlung Walden/Blick in das Speisezimmer. Original-Klammerheftung (etwas fleckig und berieben, lichtrandig), Illustration von Georg Schrimpf auf dem Vorderdeckel, ordentliches Exemplar dieser seltenen Kleinschrift. Obere linke Ecke bestossen. Alms/Steinmetz 269. - Expressionismus Kat. Marbach 145. - Holstein 93, 417. - Perkins 75. - Walden-Schreyer 269. - "Die Einführung stellt das Ziel des Sturm vor Augen, dass alle Künstler, die eine führende Bedeutung für den Expressionismus haben, an einer Stelle vereinigt sind. Diese ist der STURM". Eine sehr seltene Selbstdarstellung des STURM, die einer Programmschrift gleichkommt. Folgende Einzelpunkte sind berücksichtigt: Der Sturm - Der Expressionismus - Die expressionistische Malerei - Die expressionistische Plastik - Die expressionistische Dichtung - Die expressionistische Musik - Kunstschule Der Sturm - Die Sturm-Kunstabende - Die Sturmbühne - Die Privatsammlung Herwarth Walden - Die Sturm-Buchhandlung.

      [Bookseller: Stader Kunst-Buch-Kabinett]
 3.   Check availability:     ZVAB     Link/Print  

        The "Sydney Set"

      Melbourne : Edward A. Vidler, 1918. Folio, gilt-lettered papered boards (a little marked), 8 folded sheets with six original etchings, each signed in pencil, tipped in, with three of the six captioned tissue guards, light foxing and offsetting, title page a little marked. The list of plates are: Sydney Cove, From Musgrave Street Wharf, 1917 George Street, Sydney, 1918 Sydney, From Taronga Park, 1918 Sydney Harbor, From Bradley's Head, 1917 Sydney Heads, From Clifton Gardens, 1918 Bond Street, Sydney. 1918. Limited to 55 numbered copies, signed by John Shirlow, with no further printings of the plates. Shirlow produced a further three folios of etchings, 'Five etchings' (1904) limited to 25 copies, 'Four etchings' (1921) limited to 57 copies, The Melbourne Set (1920) limited to 80 copies and the rarer 'The Sydney Set' (1918) limited to 55 copies. Shirlow writes in his Foreword 'These etchings have been made during my two very pleasant visits to Sydney in 1917 - 1918. They were done primarily for my own pleasure, and if they should happen to have interest for those who like this form of work then it will be, to me, an added satisfaction. Whatever opinions may be expressed of these plates, I know that the doing of them afforded me a a great deal of happiness, as being some slight record of a very beautiful city'. Complete and unbroken examples of any of Shirlow's folios are rare. Collections : National Gallery of Australia, State Library of Queensland, State Library of New South Wales

      [Bookseller: Douglas Stewart Fine Books]
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        Just 18 days after the armistice was signed ending World War I, Zionist Vladimir Jabotinsky and sisters Bella and Nina Berligne, each in uniform, signed this postcard in Jaffa, Palestine.

      Jaffa (Palestine), November 29, 1918. Please update Dimensions. "Rare Photograph Signed "V. Jabotinsky" in Hebrew on verso. Silver gelatin print, postcard format, 5.25" x 3.25". Jabotinsky is flanked by sisters Bella and Nina Berligne. Dated and signed "29/XI. 18 / Yaffa. / Bella" and signed "Nina." During World War I, Jabotinsky asked the British to establish a Jewish Legion which would fight alongside their troops against the Ottoman Empire which then controlled Palestine. With Joseph Trumpeldor, Jabotinski created the Zion Mule Corps of several hundred men, mostly Russians, who had settled in Egypt after being exiled from Palestine by the Ottomans (Turks). The Zion Mule Corps served with distinction at the Battle of Gallipoli but was then disbanded. In 1917, Jabotinsky succeeded in getting the government to establish three Jewish units in the British Army, the Jewish Legion. In 1918, Jabotinsky fought against the Turks in the Jordan Valley and was decorated for bravery. He is wearing his military uniform in this photograph. Bella and Nina Berligne are wearing armbands and hats, each displaying the Star of David. There does not seem to be much information on the Berligne sisters on the web. There is, however, a letter from Chaim Weizmann to Bella Berligne, June 20, 1920, in "The Letters and Papers of Chaim Weizmann" and there is a record of a Nina Berligne (1897-1963) buried in Tel-Aviv."

      [Bookseller: University Archives]
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        Photo Album): A World War I Soldiers Photo Album of his Adventures from Before he Entered the War, 1916 to 1918

      Oakland, California 1918 - Oblong quarto measuring 11.5" x 7". String-tied black leather over stiff paper boards. Contains 161 gelatin silver black and white or sepia toned photographs measuring between 2.5" x 1.5" and 6" x 3.5" with some captions. Rubbing, bumped corners, and spotting thus very good with fine photographs.This photo album features a group of young men and their adventures together during 1916 through 1918 in Oakland, California. Several of the same young men are seen in group photos or standing and smiling together. In some photos the men are seen riding or posed next to motorcycles with "best ones" written below. A few pictures feature their girlfriends on "Picnic days" out in parks or around the city. The album focuses on one of the young men, Charles Vanina, as he is seen in most of the photos wearing a huge grin sometimes arm in arm with his girlfriend, Olympia Elaine Goodman. The last few pages are of the young couple out in the country on a farm. Also included are a few small newspaper clippings, one of which is titled, "Airman Tells Life in Italy" which includes accounts from U.S. Airman living in Italy during World War I. The Airman is Clarence M. Smith who went to Oakland's Polytechnic College of Engineering and talks about passing his first flying brevet. Smith is presumably one of the men in this photo album or a friend. Other clippings reference the college's engineering club winning competitions and several clippings about Vanina going off to war in the Engineer Corps. Vanina was the Assistant City Building Inspector for Oakland until he was drafted in the war. One clipping writes that the position of Building Inspector had not been filled when Vanina left for the war.A photo album featuring several young men and their adventures in and around Oakland together during World War I. [Attributes: Hard Cover]

      [Bookseller: Between the Covers-Rare Books, Inc. ABAA]
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        Free and Other Stories

      New York: Boni & Liveright. 1918. First. First edition. Fine in fine dustwrapper with a nearly invisible little smudge. A truly beautiful copy, and seldom found thus. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        Med Dalälven från källorna till havet. I-III:3 (del III:5-6 saknas)

      Bok. 1918-34. Färgplanscher o. a. ill. 10 vol. varav vol. II-IX i förlagets gulddekorerade halvfranska band, vol. I linneklotband med titeletiketter i skinn. De flesta främre häftesomslag medbundna, mycket bra skick. 20x27 cm.

      [Bookseller: Antikvariat Asken]
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        Oda a S.E. el presidente de los Estados Unidos de America Mr. Woodrow Wilson

      (Santiago de Chile): Litografia Cadot. 1918. First. First edition. Octavo. 14pp. Stapled illustrated self-wrappers with decorative red, white, and blue ribbons along the spine. Vertical crease, some foxing and small stains and tears on the wrappers, very good. A poem in celebration of Wilson, with an essay on Pan-American unity. Inscribed by the author in slightly fractured English to Wilson: "To H.E. Mr. Woodrow Wilson. To the most vast intelligency of the world, and to the most eminant Statesman of America. Let the Star of Chile unite with the luminous pleyade of the United States of America and illuminate constantly the American fraternity. Gustavo Undurraga." Laid in is a wraparound band hand addressed to Wilson. OCLC locates no copies. Possibly unique. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        Atlas of the International Boundary Between the United States and Canada, Arctic Ocean to Mount St Elias [Atlas Volume]

      U.S. Department of State. Hardcover. Washington, 1918. Elephant Folio, green cloth, 42 sheets of maps. 19 x 28 inches. The scarce atlas volume of the two volume set. A companion volume, Joint Report Upon the Survey and Demarcation of the International Boundary Between the United States and Canada along the 141st Meridian from the Arctic Ocean to Mount St. Elias, was also published by the State Department and is not included here. An excellent copy with light shelfwear and a small amount of wrinkling to maps at lower margins. Maps are in excellent condition overall despite the wrinkling. A scarce volume. We can only find one instance of this being offered for sale, and it was an inferior copy with the spine missing. International and priority shipping at cost. Please contact us for additional pictures or information. . Very Good. 1918. First Edition.

      [Bookseller: Auger Down Books]
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        Cleek, The Master Detective

      Doubleday, Page, Garden City 1918 - First American edition. Published in 1910 in England as *The Man of Forty Faces*. Slight evidence of a label removed from the front pastedown, a couple of smudges to the endpapers, and light wear to the extremities, a near fine copy lacking the dustwrapper. Vincent Starrett's copy with his ownership Signature. A collection of stories featuring the author's best known detective protagonist, Hamilton Cleek. See this book in 3D on our site. [Attributes: First Edition; Hard Cover]

      [Bookseller: Between the Covers-Rare Books, Inc. ABAA]
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        Last Poems

      London: Selwyn & Blount, 1918. First edition, unrecorded variant without the publisher's ads at the back. 1 vols. 8vo. Original boards, printed spine label, dust jacket. Faint offsetting to endpapers, bottom corner a little bumped, otherwise a fine unopened copy in the extremely rare dust jacket, which is chipped at the head of the spine and slightly rubbed and dust-soiled. First edition, unrecorded variant without the publisher's ads at the back. 1 vols. 8vo. The bibliographer observes that this volume is "said to be rare." Eckert, pp. 245-246

      [Bookseller: James Cummins Bookseller ]
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        The Spy: The Story of a Superfluous Man.

      New York: B. W. Huebsch, 1918. First American edition. Octavo, original cloth. Inscribed by Maxim Gorky on the front free endpaper in both English and Cyrillic. Translated from the Russian by Thomas Seltzer. Books signed and inscribed by Gorky are uncommon.

      [Bookseller: Raptis Rare Books ]
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        The Springtide of Life

      London: William Heinemann, 1918. Some soiling to binding, unnamed booklabel on front free endpaper. Folio. Color frontispiece and 8 plates after Rackham, tipped to mounts, captioned tissue guards preserved. Original vellum-backed boards, gilt-lettered and -decorated on front cover and spine, decorated endpapers, top edges gilt, others untrimmed with deckle-edges preserved. LIMITED EDITION, number 179 of 765 copies signed by Rackham.

      [Bookseller: Riverrun Books & Manuscripts]
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        Claudius. Friedrich und Anna. Juanna.

      Erste Ausgabe. - Eins über die Auflage von 500 gedrucktes Exemplar. - Vorsatz mit eigenh. Widmung an Gustav Landauer, signiert und datiert Weimar 1918. - Uraufführung am 21. Oktober 1918 im Neuen Theater, Frankfurt am Main. - Einband fleckig u. mit kleiner Tintenkritzelei, Bindung neu verleimt. - Raabe/Hannich-B. 147. 15.

      [Bookseller: Rotes Antiquariat]
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        John Wisden's Cricketers' Almanack for 1918 : 1918 Wisden Original Hardback - fine condition

      1918. This 1918 Wisden original hardback is in truly fine condition. The front and rear boards are immaculate and the gilt to the front board and spine is in really bright un-restored condition. The spine itself is in really tremendous condition. If you were being really picky the top and bottom of the spine are very very slightly bumped. The front and rear yellow pages are in as new condition and the front and rear hinges are immaculate. The contents are in almost as new condition. Once again a tremendous copy. We hope to list over the next few weeks a number of fine pre-war publisher s hardbacks including issues for the 1890 s and the First World War and several years from the 1860 s and 1870 s all in fine condition. Please keep a look out for them.

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        Siberia and Eastern Russia, Part I General Description and Introductory Information. Part II Pacific Coast to Irkutsk. Part III Central Siberia. Part IV Western Siberia and Eastern Russia.

      Washington: Governemnt Printing Office, 1918. Undetermined. very good. 1st Edition. 103,xv; 180,xv; 121,xv; 162,xvpp. Four volumes. 16mo. Original green cloth with fold over right hand board and button snap. Title imprinted on spine and front board. Minor wear and soiling to exterior. Russian alphabet tipped onto pastedown in each volume. 33 Figures in Vol. 1; 106 figures in Vol. 2; 49 figures in Vol. 3 and 24 figures in Vol. 4. The figures consist of black and white illustrations and maps, many folding. Each volume has a section of blanck pages for notes with a number of the pages filled at an early date. Limitation page, unused on the reverse of the title page. very good A very interesting publication marked "Confidential for Official Use Only" on the top of the title page. The limitation page states there wer 3000 copies printed and each were assigned to a specific individual of which this set seems not to have been named. The general use would have been intended for military purposes and thus many were probably destroyed after the First World War. Each volume was given a copy no. On the front board with this being a mixed set with the numbers 429, 211, 143 and 143. A great set filled with information about Russia before World War I. 1918

      [Bookseller: Aquila Books]
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        THE RED ONE

      Macmillan Company, NY 1918 - 193 pages plus publisher's ads. Portrait frontis. Original brown boards pictorially stamped on front cover and spine in orange, blue, and black. Expertly rebacked with some loss of lettering at the top of the spine with loss of part of the word 'The' in title and complete loss of publisher's imprint at the base of the spine; new endpapers. BAL 11977, Woodbridge 154, HBS 526. Very good. (085) [Attributes: First Edition; Hard Cover]

      [Bookseller: Colorado Pioneer Books]
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        A British Soldier's First World War Keepsakes Comprising: a commendation for gallantry from Secretary of State for War Winston S. Churchill; an original, hand-annotated trench map of Lens; a 1914 Field Service Pocket Book; and six embroidered, wartime souvenir postcards

      London, 1918. This is a British soldier's archive of First World War keepsakes. Included are: a commendation for gallantry from Secretary of State for War Winston S. Churchill; an original, hand-annotated trench map of Lens; a 1914 Field Service Pocket Book; six embroidered, wartime souvenir postcards. The commendation to “(A/L/C.) J. Johnstone” states his mention in a 16th March 1919 Despatch from Field Marshal Sir Douglas Haig “for gallant and distinguished services in the Field.” In the First World War, future Second World War Prime Minister Winston S. Churchill (1874-1965) remarkably served both in the Cabinet and on the front. Churchill was First Lord of the Admiralty until 1915 and then, after being scapegoated for the Dardanelles tragedy, served as a lieutenant colonel leading a battalion in the trenches. By the war's end, he was exonerated and rejoined the Government, initially as Minister of Munitions. On 9 January 1919 - the same month that the Paris Peace Conference convened - Churchill was appointed Secretary of State for War and Secretary of State for Air. This certificate was issued six months later, “1st July 1919.” The quite large and well-worn, hand-annotated Trench Map is of Lens, France. Lens fell under German control in 1914 and was recovered by British and Canadian forces in 1917. The map measures 84 x 64 cm and is printed on cloth with later, clear lamination on the verso. We note significant annotations in blue, most of them enclosed shapes with letter designations. The 1914 Field Service Pocket Book approaches near fine condition, bound in the original waxed canvas chemise binding with integral flap that folds over the fore edge. Measuring 17 x 11 cm, the book is 290 pages with pink paper advertisements for additional military books bound in both preceding and following the text. The contents feature several color fold-out illustrations. We note the purple ink stamp of “Thacker, Spink & Co., Calcutta” at the foot of the title page. Six souvenir postcards accompany the certificate, map, and book. These post cards are embroidered, several dated in the embroidery (1915, 1917, and 1918). All are addressed to “My dearest” or “My dear Clara” from “Will” except the 1918 card, which is addressed “fondest love to my dear wife from your loving husband | Will”.

      [Bookseller: Churchill Book Collector]
 19.   Check availability:     Biblio     Link/Print  


      Petro Grad: Iz. M.V. Pirozhkova, 1918. Third edition. Cloth bound in fine condition; Contents very good.. Original Russian edition: The Fourth Dimension. An Experiment in the Examination in the Realm of the Unmeasurable; Originally paperbound,nicely recound in blue cloth with original cover pasted to front; 101 pages.

      [Bookseller: By The Way Books]
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        Analyse babylonienne. Originalholzschnitt auf Maschinenpapier. Von Christian Schad unten links betitelt und unten rechts voll signiert. 1918. 12,9 x 8 cm, Blattgröße 23 x 15,9 cm.

      Christian Schad schuf im Jahr 1918 eine Reihe von abstrakten Holzschnitten, von denen er jeweils nur einige wenige Abzüge herstellte. Zu dieser Gruppe gehört auch vorliegender Holzschnitt. Er ist der einzige Holzschnitt den Schad mit einem Titel versah und der in einer Auflage von 38 Exemplaren gedruckt wurde. Der Druckstock des Holzschnittes gilt als verschollen. Der Holzschnitt war als Beilage für die Luxusausgabe der Züricher Zeitschrift Dada 4/5 vorgesehen, die in einer Auflage von 38 Exemplaren erscheinen sollte. Von dieser Luxusausgabe wurden jedoch nur wenige Exemplare hergestellt und so ist zu erklären, daß sich allein im Nachlaß des Herausgebers dieser Zeitschrift noch 11 Exemplare befanden. Siehe dazu: Bern, Kornfeld & Klipstein, Auktion 126: Dokumentations-Bibliothek III. Teile der Bibliothek und Sammlung Tristan Tzara. Paris, Nr. 154. Schad war eng befreundet mit Walter Serner und Mitglied des Züricher Dadakreises. 2 weitere, abstrakte Holzschnitte steuerte Schad auch der im November erschienenen Dadazeitschrift „Der Zeltweg" bei. Von großer Seltenheit. Gerahmt. Provenienz: Galleria Schwarz, Milano mit dem entsprechenden Galerieaufkleber auf der Rahmenrückwand Referenz: Dada in Zürich 59 mit Abbildung auf Seite 168 - Schad Dada. Galeria Schwarz 1970, Nr. 24 mit Abbildung auf Seite 27

      [Bookseller: Antiquariat Günter Linke]
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        Vingt-cinq poèmes. (Édition de luxe). H. Arp: Dix gravures sur bois. Collection Dada. Zürich. Imprimerie Julius Heuberger 1918. 19,8 x 14,4 cm. 52 ungezählte Seiten mit 10 Original-Holzschnitten von Hans Arp. Originalkarton mit einer Original-Tuschpinselzeichnung von Hans Arp auf den auf dem Vorderdeckel aufgeklebten Goldfolienplättchen..

      Imprimerie Julius Heuberger, 1918. Originalausgabe. Vorliegend ein Exemplar der im Druckvermerk auf der letzten Seite aufgeführten Vorzugsausgabe sur hollande. Die Auflage dieser Édition de luxe wird dort mit 10 Exemplaren angegeben. Unser Exemplar ist auf der dritten Seite des Buches von Tristan Tzara signiert und als Exemplaire No. 9 bezeichnet und auf der gleichen Seite mit einer handschriftlichen Widmung Tzaras an die französische Schauspielerin und Sängerin Marcelle Favrel versehen. Marcelle Favrel stammte aus einer Pariser Bankiersfamilie und heiratete 1921 den amerikanischen Geschäftsmann David Jefferson-Cohn, dessen Namen Sie ab diesem Zeitpunkt trug. Der Druck auf starkem, weißen Hollandbütten sorgt dafür, dass das Buch doppelt so dick ist wie die Normalausgabe. Im Unterschied zur Normalausgabe, bei der ein Original-Holzschnitt von Hans Arp auf die Goldfolie des Einbandes gedruckt wurde, hat Hans Arp bei der Vorzugsausgabe auf die aufgeklebten Goldfolienplättchen des Einbandes eine Original-Tuschpinselzeichnung gemalt. Diese wahrscheinlich mit Hilfe einer Schablone ausgeführte Zeichnung verdeutlicht in eindrucksvoller Weise die enge Verbindung von Text und Illustration. Die Luxusausgabe des Werkes enthält insgesamt 10 Original-Holzschnitte, wovon acht ganzseitig abgedruckt wurden. Die Rückseiten aller 10 Blätter, die einen Originalholzschnitt tragen, blieben unbedruckt. Die Vingt-cinq poèmes sind Tzaras erste Gedichtveröffentlichung in Buchform. Für Hans Arp stellen die in dem Buch verwendeten Original-Holzschnitte die ersten Resultate seiner neugewonnenen Formensprache der biomorphen Abstraktionen dar. Herausragende Publikation dadaistischer Buchillustration. In der vorliegenden Vorzugsausgabe eine große Rarität. Referenz: Dada in Zürich 82 - Centre Pompidou, Dada 1310 mit Abbildungen auf den Seiten 963 und 964, 270, 699 - Peyré. Peinture et poésie 15 mit Abbildung auf Seite 59 und 115 - Washington, Dada, Seite 49 mit Abbildung - Berggruen, Bibliographie Tzara 2 - Hans Arp zum 100. Geburtstag 6 - Motherwell/Karpel. The Dada Painters and Poets 416 - Verkauf. Dada. Monographie einer Bewegung, Seite 105 - Arntz. Verzeichnis der graphischen Arbeiten von Hans Arp 16-25 - Hagenbach 46 - The Artist and the Book 2 - A Century of Artists Books, Seite 177 - Dada Artifacts 19 - Artists' Books in the Modern Era 23 - Andel. Avant-Garde Page Design 135

      [Bookseller: Antiquariat Günter Linke]
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        The Springtide of Life

      London: William Heinemann, [1918]. Folio. Color frontispiece and 8 plates after Rackham, tipped to mounts, captioned tissue guards preserved. Original vellum-backed boards, gilt-lettered and -decorated on front cover and spine, decorated endpapers, top edges gilt, others untrimmed with deckle-edges preserved. LIMITED EDITION, number 179 of 765 copies signed by Rackham. Some soiling to binding, unnamed booklabel on front free endpaper.

      [Bookseller: Riverrun Books & Manuscripts]
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        A History of the American People: Documentary Edition.

      New York: Harper & Brothers Publishers, 1918. First edition. Octavo, 10 volumes, bound in the publisher's three quarters morocco, gilt titles to the spine, contains numerous plates and illustrations. One of 400 copies, signed by President Wilson on the limitation page. An excellent set of this scarce edition of Wilson's history of the American people, first published in 1902, this expanded edition was published at the start of his second term as President of the United States. Rare. "Wilson wanted to enhance the presidency by establishing a direct link to the American people. He thought the president, as their spokesman, should be the preeminent leader of the democratic nation. Long convinced that the British parliamentary government was better than the American constitutional system, he exerted personal influence on the legislative branch in unprecedented ways...The first president to hold regular press conferences, he sought to shape public opinion by managing news from the White House. Moreover, he delivered messages personally to Congress, reviving a practice that George Washington and John Adams had used on a few occasions. From Jefferson through Taft, other U.S. presidents had submitted only written messages" (ANB). As a writer, Wilson "propounded his own frontier thesis to explain American history. Influenced by conversations and correspondence with historian Frederick Jackson Turner, Wilson now credited the frontier, more than the Anglo-Saxon heritage, with the rise of freedom and democracy in the New World" (ANB). "As a lecturer and writer Wilson had a genius for simplification, for the clarification of the complex and the explanation of the relation of things. These qualities he carried into his political speeches and they account in part, at least, for the effect he exercised upon men's minds" (DAB).

      [Bookseller: Raptis Rare Books]
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        COME ON!

      1918 - Philadelphia, Ketterlinus 1918. Une affiche lithographique originale et entoilée. Dimension: 0,76x 0,51m. Très bel état.

      [Bookseller: librairie Mérolle]
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        The Tale of Igor

      London: C.W. Beaumont, 1918. Limited first edition of 25 copies printed on sleek japanese vellum. This copy is particularly notable as it is signed by both author and illustrator. Adapted in the late 19th Century from the old Russian legend by playwright Borodin, Helen de Vere Beauclerk's revisiting of this national epic poem charts the hero's failed raid against the Polovtsians. Her tale is illustrated in bright block-colours by Sevier. Unseen at auction for decades. Rare. Large slim octavo, six full-page plates hand-coloured by Sevier; original quarter cloth with paper label; boards scratched, otherwise in very good order.

      [Bookseller: Rare Illustrated Books]
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        The pen drawings of Norman Lindsay (deluxe edition)

      Special number of Art in Australia. Edited by Sydney Ure Smith & Bertram Stevens. Sydney: Angus & Robertson Ltd., 1918. Quarto, quarter cloth over papered boards (some wear to the joints, loss to corner of paper on front board), photographic frontispiece, 55 tipped-in plates, a couple with corners creased. Limited to 200 copies signed by Norman Lindsay. There was also a trade edition produced in an edition of 2000 copies and a larger format deluxe edition limited to 35 copies. A scarce Lindsay title signed by the artist.

      [Bookseller: Douglas Stewart Fine Books]
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        Contest Friars VS. Lambs For United War Work Campaign

      Carey Show Print, New York - Poster. Page measures 85 1/2" x 40" This large scale World War I poster features patriotic red, white, and blue fonts to underscore its message. The Friars and the Lambs, two organizations operating at the time of the War (and still today), participated in fundraising contests for the United War Work Campaign or UWWR. That 1918 campaign was charged with raising $170,000,000 to help demobilize the army and maintain morale in the final few years of the war. The campaign was a success, and was at the time recognized as the largest fundraising event in history. This poster is a wonderful vestige that illustrates the willingness of all different organizations to demonstrate their devotion to the nation's troops. It is in very good condition, and is creased at the folds as issued. Scarce.

      [Bookseller: Argosy Book Store, ABAA, ILAB]
 28.   Check availability:     AbeBooks     Link/Print  

        Verses Of A V A D

      The First UK Printing published by Erskine MacDonald in 1918. The BOOK is in Very Good++ or better condition. Light rubbing to the upper edges and a little pushing at the spine ends. Mild toning to the text block and page edges. Free from inscriptions and erasures. Very small ink mark to the lower front pastedown which has slightly offset to the half title. The book has no end papers - as issued. The binding is tight with some early hinge loosening in a few places. A slim book of only 46 pages. The WRAPPER is complete and is in Very Good ++ condition. Mild edge wear with a little loss at the spine and flap ends. Rubbing to the spine and along the flap folds. A few nicks with a small closed tear to the rear cover edges. The red titling remains bright to the spine with the correct issue price of 2/6 net to the spine. A small area of loss with some adjacent rubbing to the front upper cover. The wrapper looks very attractive in the removable Brodart archival cover. The author's first published collection of poetry which was dedicated to her fiancee Roland Leighton who had been killed in action in 1915. The book also contains the poem 'To My Brother' (Capt. E.H. Brittain M.C.) which had been written four days before his death in action on the Italian Front in 1918. Brittain had abandoned her studies at Oxford University and had trained as a nurse and had gone off to France, as a member of a Voluntary Aid Detachment (VAD). 'Verses of a V.A.D.' were written whilst Brittain was on active service. She would go on to have her her masterly autobiographical account of this period 'Testament Of Youth' published some 15 years later. A very rare survivor with such attributes of what was a cheap post war production. I can locate no other copies for sale worldwide at the time of listing and less than a handful of copies in institutions, mostly without the scarce wrapper. Ashton Rare Books welcomes direct contact.

      [Bookseller: Ashton Rare Books ABA (Associate) PBFA]
 29.   Check availability:     Biblio     Link/Print  

        Eigenh. Brief mit U. O. O., "Pfingstsonntag 1918".

      1918. 2 SS. 8vo. An die Schriftstellerin Lisa Tetzner (1894-1963): "Grade heute am Pfingstsonntag erfahre ich beim telephonischen Anruf, daß Sie abgereist sind, und gerade heute fiel es mir mit ehrlichem Erschrecken bei, daß ich Ihre freundliche Karte vergessen hatte. Das ist mir nun leid, und es bleibt mir nur zweierlei: Ihnen von Herzen Glück auf die Fahrt zu wünschen, und Sie zu bitten, uns nach Ihrer Rückkehr Nachricht zu geben, denn wir würden uns sehr freuen, Sie wiederzusehn [...]".

      [Bookseller: Antiquariat Inlibris]
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        Mid-American Chants

      New York: John Lane. 1918. First. First edition. Boards a trifle soiled else fine in a good only dustwrapper with overall age-toning, several small chips and tears, and the rear panel detached at the joint and flap fold. The author's third book, and his very important first book of poetry. Anderson's poems, long overshadowed by his short stories, evolved directly from the tradition of Walt Whitman. Rare in dustwrapper. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
 31.   Check availability:     IOBABooks     Link/Print  

        America Calls Enlist in the Navy.

      U.S. Navy. No date. Ca. 1918. - Color poster, 40 3/4 x 28 inches, archivally mended with linen backing. Light creasing at edges from rolling (now minimized by linen backing), very good condition. A particularly good copy of this iconic Navy recruitment poster showing Columbia and a sailor standing resolutely hand in hand. It was designed by the great American artist and illustrator J.C. Leyendecker and printed by the U.S. Navy Publicity Bureau. "The U.S. Navy Publicity Bureau gratefully acknowledges its indebtedness to Mr. J.C. Leyendecker for this design and to the Beck Engraving Co. for the reproduction" is printed at lower left corner. [Attributes: Soft Cover]

      [Bookseller: old imprints ABAA/ILAB]
 32.   Check availability:     AbeBooks     Link/Print  

        Svenska Linnesällskapets Årsskrift (SLÅ) Uppsala

      Tidning, tidskrift. Utgiven av Svenska Linnesällskapet. Uppl. 1918-2015. Häftad. 24x17cm. Mycket gott skick. Unikt tillfälle ! Sveriges äldsta årsskrift i sitt slag. Började utkomma 1918. Säljes inte i enstaka band, utan helst hela samlingen. 6000:- Evtl enstaka årgångsexemplar/årgångar 500:-/styck. årgång 1 - 1918 (nytryck 2007) årgång 2 - 1919 årgång 3 - 1920 årgång 4 - 1921 årgång 5 1922 årgång 6 1923 årgång 7 1924 årgång 8 1925 årgång 9 1926 årgång 10 1927 årgång 11 1928 årgång 12 1929 årgång 13 1930 årgång 14 1931 årgång 15 1932 årgång 16 1933 årgång 17 1934 årgång 18 1935 årgång 19 1936 årgång 20 1937 årgång 21 1938 årgång 22 1939 årgång 23 1940 årgång 24 1941 årgång 25 1942 årgång 26 1943 årgång 27 1944 årgång 28 1945 årgång 29 1946 årgång 30 1947 årgång 31 1948 årgång 32 1949 årgång 33-34 1950-1951 årgång 35 1952 årgång 36 1953 årgång 37-38 1954-1955 årgång 39-40 1956-1957 årgång 41 1958 2 exemplar årgång 42 1959 årgång 43 1960 årgång 44 1961 årgång 45 1962 !!!!! årgång 46 - 1963 saknas !!!!! årgång 47 1964 2 exemplar årgång 48 1965 årgång årgång 49 1966 årgång 50 1967 Därefter enbart årgångsuppgifter på omslaget årgång 1968-1969 årgång 1970-1971 årgång 1972-1974 årgång 1975-1977 (2 exemplar) !!!!! årgång 1978 saknas !!!! årgång 1979-1981 årgång 1982-1983 årgång 1984-1985 årgång 1986-1987 årgång 1988-1989 årgång 1990-1991 årgång 1992-1993 årgång 1994-1995 årgång 1996-1997 årgång 1998-1999 årgång 2000-2001 årgång 2002-2003 årgång 2004-2005 årgång 2006 årgång 2007 årgång 2008 årgång 2009 årgång 2010 årgång 2011 årgång 2012 årgång 2013 årgång 2014 årgång 2015

      [Bookseller: Sepp]
 33.   Check availability:     Bokbörsen     Link/Print  

        Quick! The Cause of the War. Our Reason for Entering the War. Why we must win the War.

      Melbourne: Director-General of Recruiting, 1918. Large folding poster illustrated by Norman Lindsay. Some small splitting along folds but overall a very good example.

      [Bookseller: Douglas Stewart Fine Books]
 34.   Check availability:     Direct From Seller     Link/Print  

        Opium Almok . Songes dOpium.

      Aiglon (Attila Sassy): Opium Almok (Opium Dreams) (1918) 4to., orig. stiff card portfolio (missing front cover), one text page, title page with illustration and a long warm dedication from the artist to his sister Edit and 8 Zinkographs by Aiglon. This is the second edition (the first one was published in a very small edition), Masodik Kiadas, Taltos, Budapest. His very rare Portfolio (Opium Dreams) was one of the best works of Art Nouveau (shown his inspiration by the work of Aubrey Beardsley). Sassy process all the essential styls of the art of Egypt in his work. The cover spine is torn, text page with spots, edges of the zincographs has small tears and partly small spots, one zincography incomplete (only the margins and with many long tears) but the others are in good condition. Scans on inquiry.

      [Bookseller: tigerle]
 35.   Check availability:     Link/Print  

        Hasten! German Atrocities. A terrible record. The call of humanity

      Melbourne: Director-General of Recruiting, 1918. Large folding poster illustrated by Norman Lindsay. Some splitting along folds and chipping with a little loss but overall a good example.

      [Bookseller: Douglas Stewart Fine Books]
 36.   Check availability:     Direct From Seller     Link/Print  

        Archive of private photographs taken by an Australian soldier on the Western Front in 1918

      A significant unofficial photographic record of the Western Front in 1918, taken with a private camera by a young Australian soldier from Perth; a total of 267 photographs contained in four albums. Private Laurence Lee, 7994, 16th Battalion, 27th Reinforcement, A.I.F., a labourer from Western Australia, enlisted at Perth on 29 August 1917, at the age of 19. His unit embarked at Fremantle on the troopship SS Canberra, on 23 November 1917, bound for Southampton. Private Lee spent 1918 with his unit in the living hell that was the Somme. With his own Kodak camera he recorded for posterity this horrific experience, as well as the victory celebrations in Amiens and his happy return home to Australia on HMAT Pakeha. Album 1. Small oblong quarto, 145 x 190 mm, original cloth boards. Private Lee's ownership inscription to front pastedown, with his full regimental details. Contains 96 window-mounted (removable) snapshot photographs taken by Private Lee, dimensions of each 50 x 65 mm, numbered 1-96 and captioned; scenes of destruction and captured German armaments at numerous locations on the Somme, including Villers-Bretonneux, Framerville, Guillaucourt, Rosieres, Vaire Wood, Rainecourt, Chaulnes, Sailly-Laurette, and Hamel; the last photos in the album are scenes of Peace Day in Amiens and on board HMAT Pakeha, on the return voyage to Australia. Album 2. Small oblong quarto, 145 x 220 mm, original card covers. Contains 48 window-mounted (removable) snapshot photographs taken by Private Lee, dimensions of each 50 x 65 mm, numbered 97-144 and captioned; further documentation of scenes of battle, prisoners of war, a bombing party, a French sweetheart etc., taken at various locations on the Somme, including Villers-Bretonneux, Bouzincourt, Framerville, Vaux-sur-Somme and Bonnay; scenes around Sutton Veny camp in Wiltshire. Album 3. Small oblong quarto, 160 x 240 mm, original card covers. Private Lee's ownership inscription to front pastedown, with his full regimental details. Contains 45 window-mounted (removable) snapshot photographs taken by Private Lee, dimensions of each 50 x 65 mm, numbered 145-192 (3 of the 48 are missing) and captioned; scenes in Cape Town, Le Havre, Southampton and Amiens; no. 4 Company AGD at work; ruins at Villers-Bretonneux, destroyed tanks etc. Album 4. Small oblong quarto, 140 x 220 mm, original card covers (upper cover detached). Contains 78 window-mounted (removable) snapshot photographs taken by Private Lee, dimensions of each 50 x 65 mm, the first 52 are numbered (193-244) and captioned; German prisoners; memorial to the Australian fallen at Villers-Bretonneux; Cape Town; on board HMAT Pakeha, including portraits of his mates in drag; scenes back home in Western Australia, including a rare shot of the crash of the West Australian Airways Bristol 28 Tourer, G-AUDI, near Murchison River on its inaugural flight on 5 December 1921.

      [Bookseller: Douglas Stewart Fine Books]
 37.   Check availability:     Direct From Seller     Link/Print  

        My Ally

      Dies ist ein seltenes, sehr gut erhaltenes und faszinierendes Kriegs-Nazi-Propagandakreis, das Churchills Kriegs-Allianz der Bequemlichkeit mit Stalin lächerlich macht. Es wurde von den vermutlich von den Deutschen speziell dazu erstellt, um gefangene britische Soldaten für den britischen Freikorps zu rekrutieren, die SS-Einheit aus britischen Truppen. Diese englische Sprachausgabe wurde an britische Kriegsgefangene verteilt. Versionen sind in Kroatisch, Französisch, Deutsch, Norwegisch und Schwedisch bekannt, aber bei weitem die wichtigste ist die englischsprachige Version. Das Format enthält Zeitungskarikaturen, die Stalin auf jeder rechten Seite mit Noten und Churchill-Zitaten kritisch gegenüber dem stalinistischen Russland auf entgegengesetzten Seiten kritisch sind. Die Wirkung ist ein stechender Kontrast zwischen Churchills Kriegsallianz der Notwendigkeit mit seiner langen Geschichte der glühenden antikommunistischen Stimmung. Das Buch misst 8 5/8 x 6 Zoll, ist 110 Seiten lang und ist in cremefarbenen Kartenverpackungen gebunden. Die Titelseite listet Winston Churchill als Autor auf, wobei sowohl der Herausgeber als auch der Redakteur nicht spezifiziert sind. Es gibt eine unsigned, zwei-seitige Vorwort am Anfang und eine dreiseitige Liste von "Source of Reference" am Ende. Die Publikation war natürlich direkt auf Geheiß der Nazi-Regierung. Churchill-Bibliograph Ronald Cohen spekuliert, dass Wilhelm Liljencrantz der Verfasser gewesen sein könnte Enthält 110 Seiten illustriert mit monochromen Reproduktionen von Original-Bildern in englischen und amerikanischen Zeitungen und Zeitschriften mit Mastheads und Cartoons mit gedruckten Beispielen von Artikeln über Russland und Bolschewismus geschrieben von Winston Churchill zwischen 1918 und 1940 veröffentlicht. I: The Bolshevist Blood Lust II: Bolshevism, the World Enemy III: Moscow Imperialism IV: We cannot treat with Bolshevism Einband berieben, Ecken und Kanten bestossen, sonst in einem Altersentsprechend guten Zustand, Besitzervermerk innen

      [Bookseller: Christel888]
 38.   Check availability:     Link/Print  

        Atlas of the International Boundary Between the United States and Canada, Arctic Ocean to Mount St. Elias [Atlas Volume]

      U.S. Department of State 1918 - Washington, 1918. Elephant Folio, green cloth, 42 sheets of maps. 19 x 28 inches. The scarce atlas volume of the two volume set. A companion volume, Joint Report Upon the Survey and Demarcation of the International Boundary Between the United States and Canada along the 141st Meridian from the Arctic Ocean to Mount St. Elias, was also published by the State Department and is not included here. An excellent copy with light shelfwear and a small amount of wrinkling to maps at lower margins. Maps are in excellent condition overall despite the wrinkling. A scarce volume. We can only find one instance of this being offered for sale, and it was an inferior copy with the spine missing. International and priority shipping at cost. Please contact us for additional pictures or information. [Attributes: First Edition; Hard Cover]

      [Bookseller: Auger Down Books, ABAA/ILAB]
 39.   Check availability:     AbeBooks     Link/Print  

        The Magic Pudding

      Being the adventures of Bunyip Bluegum and his friends Bill Barnacle & Sam Sawnoff. Sydney : Angus & Robertson, 1918. Quarto, quarter cloth over papered boards (small water stain along bottom 2 cm of lower board, touching last couple of pages), lettered in gilt on the spine, in fine original illustrated dust jacket (small chips to head and foot of spine), patterned green A & R endpapers (bookplate to front pastedown, neat owner's inscription to front free endpaper), colour title page, 171 pp., illustrated throughout by Lindsay, slight foxing to half-title and final leaf, text block slightly loose, overall a very good copy. The Magic Pudding is without doubt the most famous Australian children's book ever published, and for nearly a century has never been out of print. Written for children but enjoyed as much by adults, the iconic characters of Bunyip Bluegum, Sam Sawnoff, Bill Barnacle and of course the Pudding have delighted for nearly a century. 'No matter how much the reader gets out of the story, there is, as with the Pudding itself, always something left' (National Treasures from Australia's Great Libraries, Canberra : National Library of Australia, 2005, p. 130). It is well documented how the idea of the Pudding was first cooked. Lindsay's friend and editor of Art in Australia Bertram Stevens claimed fairies were the most popular characters for children's books (an Outhwaite reference), while Lindsay thought characters based on food were more loved. To prove his point, he wrote the book and completed the 102 illustrations in 1917, and immediately upon publication in 1918 it was hailed a success, somewhat to the embarrassment of Lindsay. Published in large format, with a dust jacket, it was designed to appeal to the art collector as much as the child. 3000 copies were printed, but bound at different times, and as such some copies have white endpapers, rather than bearing the A & R monogram, and are lettered in black on the spine. This is an example of the first issue, with the A & R endpapers and the gilt lettered spine; it is also slightly larger than the second issue. Jane Lindsay (1920-1999, later Jane Glad), the eldest daughter of Norman and Rose Lindsay, recounts in her biography of her father Portrait of Pa : Norman Lindsay at Springwood (Sydney : Angus & Robertson, 1973, p. 45) childhood memories of learning to read through Norman reading aloud The Magic Pudding to her and her sister. 'We were allowed to appear at eleven o'clock in the studio. Pa put his feet up on the mantlepiece and reached for The Magic Pudding. This was our introduction to Pa's most important work of juvenile fiction. The fact that our own Pa had written it did not impress us at all. I doubt if we realised that he was the inventor of the book's collection of crazy characters. We just enjoyed them the way thousands of other children have been enjoying them all these years.' A well presented copy of the great Australian classic, rare in this condition. Muir 4263; People, Print & Paper, 229.

      [Bookseller: Douglas Stewart Fine Books]
 40.   Check availability:     Direct From Seller     Link/Print  

        The Road from Arras to Bapaume.

      1918 1918 - Small repair to lower part of the sky, an excellent richly inked impression, untrimmed. Presented in hand-finished stained oak frame with UV conservation glass. Original lithograph on Antique Deluxe laid paper. Image size 47.2 x 38.5 cm. Sheet size: 57 x 44.4 cm. Edition unknown but not exceeding 75 copies. Signed and dated lower right in pencil by Nevinson. First exhibited at the Leicester Galleries, London, March 1918. "Nevinson first learned lithography in 1912 All Nevinson's lithographs were made on stone, not zinc or transfer paper. 'I got back (to London in 1918) to find that a bomb had fallen on the printing works where my lithographs were kept and my stones were damaged. The reason for the extra ridge on my lithograph of the Arras-Bapaume Road is because I had to put it in to cover the injury done to my original stone" (Frances Carey & Anthony Griffiths, "Avant-Garde British Printmaking: 1914–1960", British Museum, London, 1990, p. 53). The lithograph is redrawn after the original oil painted in 1917, now in the Imperial War Museum. Nevinson's portrayal of the British supply route between Arras and Bapaume, with its soft contours, is a conscious echo of the traditions of English landscape painting, consistent with his change in style in 1917, forgoing the earlier influences of Italian Futurism. However, the road stretching beyond the horizon through bleak, featureless terrain also reflects the artist's first hand experience of the harsh conditions of the Western Front. He had served as a Red Cross orderly (1914–15), and with the Royal Army Medical Corps in France and Flanders (1915–16) before illness led to his military discharge in 1916. While employed as an official war artist Nevinson's work came under the close scrutiny of the War Office censor, Major A. N. Lee. Lee objected to the painting's initial portrayal of a left-hand traffic flow—the correct alignment on the Western Front was to the right—and Nevinson dutifully repainted the vehicles. Black 30 p130. [Attributes: Signed Copy]

      [Bookseller: Peter Harrington. ABA member]
 41.   Check availability:     ZVAB     Link/Print  

        A Daughter Of The Land (First Issue With All Points)

      Garden City, New York: Doubleday, Page & Co., 1918. First Edition, First Issue. Green Cloth. Very Good/Good Dustjacket. 8" Tall. Illustrations By Frances Rogers. 475 Pages. Green Cloth Stamped In Yellow And Brown, Illustrated Endpapers. Very Scarce First Issue: First Binding State With Publisher's Name With Ampersand In Shape Of Open "E", Without Diagonal Cross Line; Lettering On Cover And Backstrip Both Orange (Not Mixed With One Panel In Yellow).; First Issue With "Were" On Line 20, Page 304 ( Almost All Copies Were Printed With "Were" Corrected To "Was" In Heavier Type); And All Other Points Sometimes Present Even After "Were" Corrected: Perfect Page Number On Page 11; Pages 1 1/8" Thick When Compressed. First Editions Lacking Several Or All Points Are Common; Issues With All First Issue Points Are Very Scarce. This Copy With Light Rubbing, Without Fading Or Names Or Marks, Very Good. In Somewhat Worn Dust Jacket With Chipping At Corners, The Largest 2" X 5/8" Along Bottom Of Spine And Left Corner Of Front Panel, Removing Most Of Publisher's Name On The Spine And The "Ge" In The Author's Name On The Front Panel.

      [Bookseller: Arroyo Seco Books]
 42.   Check availability:     Biblio     Link/Print  


      Nyu York; Aroysgegeben Fun Idishen Togeblat 1918 - Original illustrated publisher’s wraps. 8vo. 32 pages. 20 cm. First edition. In Yiddish. Arabic transliterated into Yiddish. "Arabic-Yiddish guide: a practical method to acquire in a month the spoken Arabic of Palestine and Egypt. For the use of the Jewish Legion fighting with the British Colors in the Holy Land. By Prof. G. Selikovitsch, formerly Head Interpreter with Lord Kitchener in Egypt and Soudan". A primer in spoken Arabic for Yiddish speakers of the Jewish Legion. The introduction of Arabish-Idisher Lehrer explains the purpose and method of the book. Its goal is to teach colloquial Palestinian Arabic—namely, not literary Arabic—to Jewish Legionaries, settlers [kolonisten], merchants, tourists, learned people [maskilim], laborers in Palestine, and maybe even Hebrew teachers abroad. This aim and the target population dictated the method, structure, and style of the book: a practical teaching aid in Yiddish, to learn basic spoken Arabic quickly. Subjects: Arabic language - Self-instruction. Arabic language - Conversation and phrase books - Yiddish. Yiddish language - Dictionaries - Arabic. Arabic language - Palestine. Arabic language - Egypt. Arabic language - Conversation and phrase books. Egypt. Middle East - Palestine. OCLC lists 8 copies. Princeton keeps their copy in the rare book room. Clean and fresh. Great condition. An outstanding copy of this important title (BIBLIOG-36-32) [Attributes: First Edition; Soft Cover]

      [Bookseller: Dan Wyman Books, LLC]
 43.   Check availability:     ZVAB     Link/Print  


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