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Displayed below are some selected recent viaLibri matches for books published in 1913

        The Interpretation Of Dreams (Third Printing Of First American Edition)

      New York: The Macmillan Company, 1913. First American Edition. Blue-grey Cloth. Very Good Minus/No DJ. 3rd Printing 510 Pp. Gray Cloth, Gilt. Including Extensive Bibliography And Index. Third Printing Of The First American Edition Of The Third German Edition, After The Earlier 1913 First And Second Printings, Apparently With Errata Corrected. Frayed Along Top And Bottom Edges Of Spine With Slight Loss; Pinpoint Frays At Tips; Gilt Spine Lettering Clear And Bright, Cover Lettering Brilliant. Pencil Ownership Signature Of Psychotherapist Ben Jaxon, No Other Names Or Marks.

      [Bookseller: Arroyo Seco Books]
 1.   Check availability:     IOBABooks     Link/Print  

        The North Pole and Bradley Land

      Philadelphia: Campion and Company, 1913. Undetermined. fine. 1st Edition. 91pp. Tall Octavo (approximately 26.5cm tall) in original gilt lettered brick red cloth; top edge gilt. Rare in this condition. "With the compliments of the author" slip tipped at front. fine Arctic Bibl. 999. An attempt by the author to prove that Cook was the first to reach the North Pole. 1913

      [Bookseller: Aquila Books]
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        Deutsche Kunst und Dekoration (Illustrierte Monatshefte für moderene Malerei, Plastik, Architektur, Wohnungs-Kunst und künstlerische Frauenarbeiten), Oktober 1908 bis September 1913. Band 23 bis Band 32 in 10 Bänden

      Koch 1913 - - gute komplette Exemplare - Gewicht in Gramm: 22355 Koch, Darmstadt, 1908-1913. Insgesamt 4350 S. mit zahlreichen Abb., originale einheitliche Leinen-Verlagseinbände mit reichen Goldverzierungen, quart, (einige Seitenränder waren leicht verklebt, dadurch wenige Abriebstellen/ kein Bild- oder Textverlust/Namensstempel auf Vorsatz)

      [Bookseller: Celler Versandantiquariat]
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        Palast Und Villa in Toscana: Versuch Einer Entwicklungsgeschichte, Zweites Buch: Die Zeit Des Suchens Und Des Findens (Pseudorenaissance Und Klassiche Renaissance)

      Klinkhardt & Biermann Verlag, Leipzig 1913 - Band II of "Die Renaissance und Barockvilla in Italien". Volume Two, Book Two only. 208 pages of text, 69 pages of black and white pictures. Text in German. [Attributes: Hard Cover]

      [Bookseller: Arizona Book Gallery]
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        1913 Petition Signed by 13 British Artists - Royal Academicians

      1913 - This petition is addressed to the Prime Minister, Herbert Henry Asquith, and asks him to give his attention to ".the claims for a Civil List Pension of the three unmarried daughters of the late Henry George Hine - Vice President of the Royal Institute of Painters in Water-Colours. Mr. H. G. Hine was held in very high esteem both as an artist and a man by the leading members of his profession." It goes on to speak highly of Hine's character and the value of his work, which continued to be "sought after for international exhibitions," as well as to reiterate that Hine worked hard until his death and that his three daughters, ages 64-70, were still working and they hoped that the civil list pension would allow them to rest. The petition is signed by thirteen of Hine's colleagues, all well-regarded artists of the time, including Edward Poynter, Ernest Waterlow, Walter William Ouless, George Clausen, Frank Dicksee, Hubert von Herkomer, William Blake Richmond, John Seymour Lucas, and Briton Riviere. The petition is written on a sheet of stationery from "The Athenaeum, Pall Mall S.W." and measures approximately 10" x 14" when it is unfolded. The first page has a few small spots of ink bloom around some of the darker letters and is lightly toned in some places. Someone has written the date received - June 1913 - in pencil in the blank top right margin. There are remnants of paper on the blank last page where it was previously tipped into a scrapbook. Generally in very good condition. [Attributes: Signed Copy]

      [Bookseller: Dennis Holzman Antiques]
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        The Noble and Joyous Book Entytled Le Morte D'Arthur Notwithstanding It Treateth of the Byrth, Lyf, and Actes of the Sayd King Arthur, of His Noble Knyghtes and of the Round Table ...

      xxiv, 502 pp Folio Illustrated by Margaret and Charles M. Gere, cut on wood by W. H. Hooper and J. B. Swain with two full page woodcuts, and 27 smaller woodcuts in the text full brown smooth morocco, spine with five raised bands, lettered in gilt, inner gilt dentelles, marbled endpapers, all edges deckled -original binding "Le Morte d'Arthur" (originally spelled "Le Morte Darthur", Middle French for "the death of Arthur") is a reworking of existing tales by Sir Thomas Malory about the legendary King Arthur, Guinevere, Lancelot, Merlin, and the Knights of the Round Table. Malory interprets existing French and English stories about these figures and adds original material (e.g., the Gareth story). Le Morte d'Arthur was first published in 1485 by William Caxton, the first English printer, and is today one of the best-known works of Arthurian literature in English. Many modern Arthurian writers have used Malory as their principal source, including T. H. White in his popular The Once and Future King and Tennyson in The Idylls of the King. The first printing of Malory's work was made by Caxton in 1485. Only two copies of this original printing are known to exist, in the collections of the Morgan Library & Museum and the John Rylands Library.[10] It proved popular and was reprinted in 1498 and 1529 with some additions and changes by Wynkyn de Worde who succeeded Caxton's press. Three more editions were published before the English Civil War: William Copland's (1557), Thomas East's (1585), and William Stansby's (1634), each of which contained additional changes and errors (including the omission of an entire leaf). Thereafter, the book went out of fashion until the Romantic revival of interest in all things medieval; the year 1816 saw a new edition by Walker and Edwards, and another one by Wilks, both based on the 1634 Stansby edition. Davison's 1817 edition was promoted by Robert Southey and was based on Caxton's 1485 edition or on a mixture of Caxton and Stansby. Davison was the basis for subsequent editions until the discovery of the Winchester Manuscript. The "Ashendene Press "was a small private press founded by St John Hornby (1867-1946). It operated from 1895 to 1915 in Chelsea, and was revived after the war in 1920. The press closed in 1935. Most Ashendene editions used one of two fonts which were specially cast for the Press: Subiaco, which was based on a fifteenth-century Italian type cast by Sweynheim and Pannartz in Subiaco, Italy, and to a lesser extent Ptolemy. Some Ashendene books, such as that by St. Francis of Assisi shown, were illustrated with wood-engravings, but the majority were printed solely using type. The wood engraver William Harcourt Hooper worked for the Press from about 1896 -wikipedia Spine a bit faded, minimal rubbing of edges and corners,morocco dentelles offset to endpapers (as usual), interior pristine One of 145 copies (and eight copies on vellum). With three armorial bookplates on front pastedown. Laid in is a reproduction from a woodcut of this edition, used as memento at the exhibition of the Ashendene Press at Stanford University, 1971 [Hornby 26

      [Bookseller: Antiquarian open bookshop Randall House ]
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        The Great Mother: A Gospel of the Eternally Feminine--Occult and Scientific Studies and Experiences in the Sacred and Secret Life

      New York: The Inner-Life Publishing Companmy, 1913. 1st. Cloth. Collectible; Very Good. A REMARKABLE ASSOCIATION COPY: INSCRIBED IN THE YEAR-OF-PUBLICATION BY THE AUTHOR, C.H.A. BJERREGAARD, TO HIS DAUGHTER ("To Lulu: I consider it an eternal glory to be a woman. Father --Dec. 2nd 1913"). BELOW THIS INSCRIPTION IS A 1954 INSCRIPTION FROM "LULU", BJERREGAARD'S DAUGHTER: ("Rev. Frank Curtis Williams: Ownership of this book, the last work of my father, I am pleased to transfer to you. Marie Bjerregaard Erdmann"). This copy, while solid and bright, has been annotated thruout by Reverend Willams, with underlining and perceptive margin notes and detailed lists to the rear endpapers. A tight, VG copy in its navy-blue cloth, with bright gilt-lettering at the front panel and spine. Light spotting at the front panel's lower-edge and very light wear along the spine base. Still though, very presentable. Octavo, 330 pgs. Also includes a laid-in 1916 Bulletin from New York's "Society of the Inner Life", one of whose members has issued a handwritten invitation on the back to Mr. Bjerregaard, inviting him to the new quarters and asking him to "become one of us" Signed by Author.

      [Bookseller: Appledore Books, ABAA]
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        White and Goldmark on Non-stock Corporations: Containing the Statutes and Procedure Relative to the Organization, Regulation and Powers of Membership and Religious Corporations in the State of New York with Decisions, Annotations and Forms

      Baker, Voorhis and Company, New York 1913 - The original edition. 725 pages. Clean copy. The Making of the Modern Law: Legal Treatises, 1800-1926 includes over 20,000 analytical, theoretical and practical works on American and British Law. It includes the writings of major legal theorists, including Sir Edward Coke, Sir William Blackstone, James Fitzjames Stephen, Frederic William Maitland, John Marshall, Joseph Story, Oliver Wendell Holmes, Jr. and Roscoe Pound, among others. Legal Treatises includes casebooks, local practice manuals, form books, works for lay readers, pamphlets, letters, speeches and other works of the most influential writers of their time. It is of great value to researchers of domestic and international law, government and politics, legal history, business and economics, criminology and much more. Quite scarce [Attributes: First Edition; Hard Cover]

      [Bookseller: Rob Warren Books]
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        The House in Good Taste

      New York: The Century Co., 1913. Original pictorial blue/grey cloth, decorated in pink, with gilt lettering. Top edge gilt. Spine is slightly darkened and gilt is dulled. Light wear and rubbing at edges but overall good clean boards. Clean and bright throughout. Illustrated with numerous plates, some in colour. No names or inscriptions. Book is tight and square. A very good copy. . First Edition. Hardcover. Very Good. 8vo.

      [Bookseller: Karol Krysik Books, Member ABAC, IOBA]
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        Mother Goose

      London: William Heinemann, 1913. Edition De Luxe With A Superb Signed Original Watercolor By Arthur Rackham RACKHAM, Arthur. Mother Goose. The Old Nursery Rhymes. Illustrated by Arthur Rackham. London: William Heinemann, [1913]. De Luxe Edition, limited to 1130 copies signed by the artist, this being copy no. 639. With, on the half-title, a three-quarter page, very fine original pen, ink and watercolor drawing signed at lower left "Arthur Rackham", illustrating the fairy tale "Old Mother Goose". Quarto (11 3/8 x 8 3/4 in; 288 x 222 mm). xi, [1], 159, [1] pp. Thirteen color plates and one black and white plate, all mounted on brown card with captioned tissue guards. Eighty-four black and white drawings in the text. Publisher's original white buckram pictorially stamped on front cover and spine, top edge gilt, others uncut. Spine darkened and with a small (3/4 inch) split in middle of lower joint and minor wear to spine extremities. Some light foxing to front and rear end-papers. Small armorial red leather book-plate of Margot Holmes on front paste-down. A very good copy with an wonderful original watercolor. Housed in a fleece-lined, half dark blue straight-grain morocco clamshell case. The original watercolor depicts a lovely pastoral scene. A very pretty thatched cottage with three anthropomorphic trees in the background. Along the path stands Old Mother Goose... She's wearing a lilac and white dotted dress, bonnet and red shoes. Her arms are crossed by her waist and she's looking kindly at her very colorfully dressed son Jack who is looking back at her with a jaunty expression. Next to Old Mother Goose is a huge goose, also looking at Jack. The image itself measures approximately 4 3/4 x 7 1/2 inches (123 x 190 mm). "So far as titles go (but not so far as artwork goes) we move into a different key with Mother Goose, a book constructed in 1913 from a series of plates and line drawings which had appeared and would reappear in St Nicholas between 1912 and 1914. The poems were chosen by Rackham, presumably in terms of the themes and subjects he wished to illustrate: this would account for the consistently good quality of the many plates and of the numerous line drawings..." (Gettings, Fred. Arthur Rackham, p. 131). Latimore and Haskell, p. 41. Riall, p. 115.

      [Bookseller: David Brass Rare Books, Inc.]
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      Fine Art Society, 1913. 1st edn. Folio (16 x 11 ins). Original gilt decorated half vellum with green leather label, on marbled paper-laid boards, top edge gilt (bright VG). Pp. 51 thereafter unpaginated, illus b&w tipped-in portrait frontispiece, 77 tipped-in coloured and b&w plates and vgnettes in text (small mark on front paste-down; no inscriptions).

      [Bookseller: Rothwell & Dunworth Ltd]
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        Portrait photograph of Rupert Brooke

      n.p., 1913. Vintage gelatin silver print half-length portrait, mounted on card, signed in pencil, "Sherril Schell photographer". 1 vols. 9 x 7-1/2 in. Fine. Vintage gelatin silver print half-length portrait, mounted on card, signed in pencil, "Sherril Schell photographer". 1 vols. 9 x 7-1/2 in. Rupert Brooke by Sherril Schell. A vintage portrait photograph of Rubert Brooke by the American photographer Sherril Schell, "... the photographer who would one day make [Brooke's] appearance more familiar than his poems" (Hassall, Rupert Brooke, p. 384). Schell took 12 portraits of Brooke and the last, a profile view with Brooke's shoulders bare, became the iconic image of the poet. It was used as the frontispiece to his 1914 & Other Poems and provided the model for a memorial plaque in Rugby Chapel. From the collection of poet Frances Cornford, granddaughter of Charles Darwin and close friend of Rupert Brooke. Provenance: Frances Cornford (née Darwin)

      [Bookseller: James Cummins Bookseller]
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        THE DRAGON ..

      London: Grant Richards Ltd. Publishers, [1913].. Octavo, pp. [1-6] 7 [8] 9-356 [note: first leaf is a blank] + [28]-page publisher's catalogue dated 1913 on page [1] inserted at rear, original pictorial dark gray-green cloth, front panel stamped in black and red, spine panel stamped in gold and black. First edition. Science fiction novel of future war between Britain and China. Bleiler, Science-Fiction: The Early Years 2029. Clarke, Tale of the Future (1978), p. 43. Clarke, Voices Prophesying War (1992), p. 235. Locke, A Spectrum of Fantasy, p. 195. Bleiler (1978), p. 178. Reginald 13024. Morse, The Works of M. P. Shiel Updated (1980), p. 190. Neat owner's signature dated 1933 on the front free endpaper. Just a bit of rubbing to spine ends and corner tips, a clean, tight, nearly fine copy. A very nice copy of an attractive book. Scarce in this condition. (#149374)

      [Bookseller: L. W. Currey, Inc. ]
 13.   Check availability:     ABAA     Link/Print  

        The Noble and Joyous Book entytled Le Morte d'Arthur

      Chelsea: Ashendene Press, 1913. First edition. Fine. One of 145 unnumbered copies on paper from the total edition of 153 (8 were on vellum). A Fine copy in the original publisher's binding of full brown calf, housed in a slipcase. 29 woodcuts: 2 are full-page, 26 by Charles M. Gere, 3 by Margaret Gere; Initials by Graily Hewitt in red and blue; headings to the chapters and shoulder notes in red. Subiaco type on specially-made Batchelor Ashendene handmade paper with watermark bearing the Knight in Armor. Malory translated and compiled the legends of Arthur, Merlin, Lancelot, Guinevere, Sir Gawain, and the Knights of the Round Table, using numerous French and English sources. His work was first published in 1485 by William Caxton, the first English printer. It proved immensely popular and became the basis for the countless retellings and adaptations throughout the next five centuries (with a few periods of silence, namely 1634 - 1816). We can think of no other collection of stories that have more fully captured the imagination and passion of the English people than the Arthurian legends. "It is the only true English epic; its matter is 'the Matter of England'. The matchless style, the humour, the magnificence, the magic that takes away the breath, combine in a masterpiece of legendary narrative. Each century has produced its own version of the Arthurian tapestry, but Malory's will never be forgotten." (Printing and the Mind of Man, 29). Fine.

      [Bookseller: Whitmore Rare Books]
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        Modernisierte Ornamentik in Anlehnung and den gotischen Stil

      Plauen I.V.: F. C. Schulz & Co, 1913. First edition. Hardcover. g. Three-quarter cloth over decorative paper-covered boards elephant portfolio with ties. 20 chromolithographs showing early 20th century German decorative ornamentation in the Gothic style by Alfons Peerboom (1882-1958). Heavy age wear, staining and abrasions on boards. Lower quarter of front and back board bowed. Worming to outer edges of leaves, foxing on margins. Portfolio in fair, edges of leaves in poor, chromolithographs in very good to near fine condition. Scarce complete portfolio with chromolithographs in rich vibrant colors.

      [Bookseller: Eric Chaim Kline - Bookseller ]
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        Commentaries on the Law of Contracts, 8 Vols, 1913-1918.

      1913. Elliott on Contracts Elliott, William F. Commentaries on the Law of Contracts: Being a Consideration of the Nature and General Principles of the Law of Contracts and their Application in Various Special Relations. Indianapolis: The Bobbs-Merrill Company, [1913]. Seven volumes. [And] Elliot, William F. A Supplement to the Commentaries on the Law of Contracts: Bringing the Law of Each Section of the Original Text Down to the Present Time and Adding All New Points of Law Subsequently Decided. Volume VIII of the Set. Indianapolis: The Bobbs-Merrill Company, [1918]. cxii, 936 pp. Together eight volumes. Original buckram, blind rules to boards, red and black lettering pieces. Light rubbing to extremities, light soiling and some dampspotting to spine, minor chipping to edges of lettering pieces, internally clean. Ex-law office library. Owner stamp to front board of each volume. A nice set. * Sole edition. A massive compilation. Volumes 1-6 contain Sections 1-6299, Volume 7 contains a Table of Cases and Index, Volume 8 is a 1913-1918 supplement. A standard work for many years until it was displaced by Corbin on Contracts. "It has been the purpose in preparing this work to cover the subject of contracts fully and more in detail than in any other book on the general subject. It is believed that this work has all the advantages of both an ordinary treatise and an encyclopedia" (iii-iv). Another cumulative supplement, designated Volume IX, was published in 1923. Marke, A Catalogue of the Law Collection at New York University (1953) 418.

      [Bookseller: The Lawbook Exchange, Ltd.]
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        TRAPP Family [SOUND OF MUSIC related] original Photo of Georg Ritter von Trapp (1880-1947) at a birthday party in Austria 1913. And the relatives of his first wife Agathe Whitehead (1891-1922) in december 1913. The photo was taken in 1913 in Austria, Grafenegg. ARISTOKRATIE ÖSTERREICH 1913 original Foto Nobility

       1913 original Photo 1913, gerahmt, framed, Format ca.34x27,5 cm People shown in the picture: Agathe Gräfin Breunner-Enkevoirth geb. Gräfin Szechenyi [1833-1920] 1) Graf Andor Zichy [(1858-1918)] 2) Gräfin Hilda Herberstein-Breunner [geb. Gräfin Breunner-Enkevoirth (1872-1960) 3) Se. Köngl. Hoheit Prinz Friedrich Wilhelm von Preußen 4) Fürstin Auersperg-Breunner[Eleonore geb. Gräfin Breunner-Enkevoirth (1864-1920), 5) Erbprinzessin Ratibor-Oettingen [Elisabeth geb. zu Oettingen-Oettingen und Oettingen-Spielberg (1886-1976)] , 6) und 7. Deren Töchter [= a) Marie Agathe Elisabeth Clementine Marguerite Caroline Prinzessin von Ratibor (1911-1971) später verm. mit Edmundo Lassalle y Garcia Mayen UND b) Sophie Agathe Marie Charlotte Prinzessin von Ratibor und Corvey (1912- 1981) später verm. Gräfin Praschma, Freiin von Bilkau] , 8.) Gräfin Breunner, 9) der Herzog von Ratibor [Victor II. Amadeus Herzog von Ratibor, Fürst Corvey, Prinz von Hohenlohe 1847-1923], 10) Mrs. John Whitehead-Breunner,[Agathe geb. Gräfin Breunner-Enkevoirth (1859-1945)] 11) Gräfin Coudenhove-Breunner [Ernestine geb. Gräfin Breunner-Enkevoirth (1861-1945)], 12) Graf Herbert Herberstein[(1863-1940] , 13) Graf Karl Stubenberg [(1904-1950)], 14) Mr. Robert Whitehead [(1893-1961)], 15) Frau Georg von Trapp- Whitehead [Agatha Whitehead (1891-1922)], 16) Fürst Auersperg [Karl Maria Alexander, Fürst von Auersperg, Herzog von Gottschee (1859- 1927) , 17) Graf Kuno Coudenhove [Coudenhove-Kalergi 1858-1915] , 18.) die Herzogin von Ratibor [Marie Gräfin von Breunner-Enckevoirth (1856-1929)], 19) Bischof Graf Széchenyi [Graf Nikolaus [Miklos] Széchényi von Sárvár-Felsövidék (1868-1923)], 20) Herr Georg von Trapp [Georg Ritter von Trapp (1880-1947)], 21) Mrs. John Whitehead, 22) Mr. John Whitehead, 23) Mlle. Mellier, 24) Graf Domonkos Szechenyi [(1871-1950)], 25) Erbprinz von Ratibor [Victor III. August Maria Herzog von Ratibor, Fürst Corvey, Prinz von Hohenlohe (1879-1945)], 26) Miss Joan Whitehead [(1899-1985)], 27) Prinzessin Elisabeth Croy, 28) Prinzessin Schönburg-Auersperg [Agathe geb. Prinzessin von Auersperg (1888- 1973), 29) Prinz Adolf Auersperg [(1886-1923)], 30) Prinz Hans Ratibor [(1882-1948)], 31) Miss Mary Whitehead [verm. Malfatti von Monte Tretto(1895-1993)], 32) Gräfin Stubenberg-Breunner [Gabriele geb. Gräfin Breunner-Enkevoirth (1875-1950)] , 33) Gräfin Marie Agathe Stubenberg [(1903-1972)], 34) Prinzessin Margarethe Ratibor, 35) Prinz Karl Auersperg [(1895-1980)], 36) Prinzessin Eleonore Auersperg [ verm., Wallner (1879-1845)], 37) Prinzessin Johanna Auersperg [verm. Gräfin von Meran (1890-1967)], 38) Prinz Alexander Schönburg [Alexander Fürst von Schönburg-Hartenstein (1888-1956)], 39) Graf Viktor Szechenyi [(1871-1945)] 40) Mr. Frank Whitehead [(1889-1950)], 41) Graf Lajos Szechenyi [(1868-1919)] Versand D: 9,00 EUR

      [Bookseller: ANTIQUARIAT.WIEN Fine Books & Prints- Fl]
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        Boy Scouts Beyond the Seas: "My World Tour"

      C. Arthur Pearson, Ltd., 1913. First edition hardcover is very good minus with shelfwear, bumped corners, and writing on the bottom outer page edges. The mylar protected dust jacket is good with rubbing, edgewear, a number of small tears, about a 1 square inch piece missing from the bottom of the front cover and other very small pieces missing, and lightl creasing. A nice example of a very scarce book.. First Edition. Hard Cover. Very Good/Good.

      [Bookseller: MyFirstEditions]
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        Scythians and Greeks.: A Survey of Ancient History and Archaeology on the North Coast of the Euxine from the Danube to the Caucasus.

      Cambridge at the University Press 1913 - This book weighs 4 kg - postage quoted on request. A near fine copy in original cloth. First edition 4to, pp.xl, 720, 9 plates, 352 illustrations, 9 maps, 7 folding.

      [Bookseller: John Randall (Books of Asia), ABA, ILAB]
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        Fêtes galantes dessins et eaux-fortes de Léon Lebègue.

      Paris, A. & F. Ferroud, 1913, pet. in 4°, de 56pp., 2ff., ill. de 75 compositions in t. et 23 planches gravées à l'eau-forte h.t. en coul., demi-maroquin vieux rose époque à coins, dos richement orné, t. dorée, couv. et dos cons., (E. & A. Maylander). 1 des 54 exemplaires sur Japon impérial avec 3 états des eaux-fortes dont l'eau-forte pure, et le tirage à part en bistre, sur japon à la forme, des entêtes et culs-de-lampe. (second tirage de tête). L'état définitif des eaux-fortes et les en-têtes et culs-de-lampe ont été très soigneusement rehaussés à l'aquarelle. Le bulletin de souscription est relié in fine. Très bel exemplaire finement relié. Tirage limité à seulement 512 exemplaires numérotés. ¶ Carteret IV, 393 - Monod 11089.

      [Bookseller: L'intersigne Livres anciens]
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        The Interpretation Of Dreams (Third Printing Of First American Edition)

      The Macmillan Company, New York 1913 - 510 Pp. Gray Cloth, Gilt. Including Extensive Bibliography And Index. Third Printing Of The First American Edition Of The Third German Edition, After The Earlier 1913 First And Second Printings, Apparently With Errata Corrected. Frayed Along Top And Bottom Edges Of Spine With Slight Loss; Pinpoint Frays At Tips; Gilt Spine Lettering Clear And Bright, Cover Lettering Brilliant. Pencil Ownership Signature Of Psychotherapist Ben Jaxon, No Other Names Or Marks. [Attributes: First Edition; Hard Cover]

      [Bookseller: Arroyo Seco Books, Pasadena, Member IOBA]
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      London, New York, Toronto: Hodder and Stoughton, [1913].. Octavo, pp. [i-iv] v [vi] vii-viii [1-2] 3-199 [200: blank], sixteen inserted plates with illustrations by Harry Rountree, original pictorial blue cloth, front panel stamped in black, spine panel stamped in black and gold. First edition. The second Professor Challenger story. A catastrophe novel in which the earth passes through a region of "poisoned ether." "... one of Doyle's finest stories ..." - Bleiler, Science-Fiction: The Early Years 613. Anatomy of Wonder (1995) 1-32. Clareson, Science Fiction in America, 1870s-1930s 266. Clarke, Tale of the Future (1978), p. 42. Locke, A Spectrum of Fantasy, p. 71. Survey of Science Fiction Literature IV, pp. 1702-04. In 333. Bleiler (1978), p. 63. Reginald 04502. Green and Gibson A38a. Previous owner's name and date in ink on the front free endpaper. Light uniform sunning to spine panel (less than usual), a few fade spots to front cover, scattered foxing throughout, a bright, very good copy. Lawrence Solomon book label affixed to front paste-down. (#156096)

      [Bookseller: L. W. Currey, Inc.]
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        Vieux habits Vieux Gallons

      Carteret, Paris 1913 - Un volume, in-8, demi maroquin vert à coins, dos à caissons très orné, auteur et titre doré en tête, date dorée en queue, tête dorée, couvertures conservées, non rogné. Reliure de l'époque par Canape. [4], xvi, 265, [1] pages. Édition originale posthume de ce roman historique dû à Albert Sorel (1842-1906), historien, membre de l'Académie française et un des fondateur de l'école libre de Sciences Politiques. L'ouvrage est illustré d'un portrait-frontispice, de 7 vignettes en en-têtes, 7 en culs-de-lampes ainsi que de 9 hors textes par le peintre Maurice Leloir (1851-1940). Ouvrage tiré à 300 exemplaires, l'un des 170 sur vélin du Marais. Très bel exemplaire dans une reliure de Canape malheureuse au dos et et aux bordures insolés. /// One volume, 8vo, half cornered green morocco, gilt-lettered and gilt-ornate raised spine, top edge gilt, original wrappers bound in. Binding of the time signed by Canape. [4], xvi, 265, [1] pages. Remarkable edition, printed on vellum paper du Marais illustrated with 23 etchings (1 frontispiece-portrait, 9 out-of text and 14 head and tail pieces) engravings by Maurice Leloir (French painter, 1851-1940). Very attractive copy in a somewhat sunned binding. [Attributes: First Edition; Hard Cover]

      [Bookseller: Le Scriptorium d'Albi]
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        Death in Venice

      Published by S. Fischer, 1913 First trade edition. Original unrestored gray wrappers, deckled edges. One of 1000 copies. Scattered modest creasing to covers and general light wear along the edges else fine. A remarkably nice copy housed custom slipcase. Only one copy to appear in the auction record and that one was trashed. A cult classic of 20th century fiction.

      [Bookseller: Anniroc Books]
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        Water Supply of the District of Columbia and Water Power at Great Falls [and] Development of Great Falls for Water Power and Increase of Water Supply for the District of Columbia (Two Volumes)

      Washington: Government Printing Office. (1913 / 1921). First. First edition. Two volumes: the 1913 topographical and engineering survey and the 1921 Federal Power Commission report, undertaken to determine the feasibility of constructing a hydroelectric power plant at Great Falls on the Potomac River (now a protected National Park). The 1913 survey was issued as House Document No. 1400 (62d Congress, 3d Session). Portfolio. 143pp., 1 folding chart (bound in linen cloth wrappers) and 64 loose folding maps and plans, complete as issued in the original publisher's cloth portfolio box with cloth tie. Moderate soiling to the portfolio very good. Prepared under the direction of the Secretary of War by the US Army Corps of Engineers. The 1921 report was issued as Senate Document No. 403 (66th Congress, 3rd Session). Quarto. 179pp., 28 numbered folding maps, folding color chart, and plates. Also complete as issued in the original publisher's cloth. A very good or better set, scarce in the trade, with the many folding maps in the portfolio and bound volume in fine condition. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        Water Terminal and Transfer Facilities

      Washington: Government Printing Office. 1913. First. First edition. House Document No. 226 (63d Congress, 1st Session, 1913). Thick octavo. 1528pp., folding maps, black and white photographs (halftone plates and folding landscape panoramic plates), plans, charts and tables. Complete as issued in the original publisher's cloth. Light soiling to the boards, very good or better. Contains extensive surveys of the important water terminal and transfer facilities contiguous to harbors, rivers, and bays throughout the United States. Included is a photographic survey of the New Orleans Harbor (with two large folding panoramic views), and of the many harbors along the coast of North Carolina. Prepared under the direction of the Secretary of War by the US Army Corps of Engineers. A nice copy of this very large work (nearly five inches thick), scarce in the trade, with the folding maps and photographs in fine condition. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
 26.   Check availability:     ABAA     Link/Print  


      The Reilly & Britton Co., Chicago 1913 - Baum, L. Frank. THE PATCHWORK GIRL OF OZ illustrated by John R. Neill. Chicago: The Reilly & Britton Co., (1913). First edition, first state (H/G VII) ("C" in "CHAP. THREE" on p. 35 overlaps text). 8vo - 7" x 9-1/4". Green pictorial cloth with extremely little to no wear at all. Color pictorial endpapers. 340 + [1] pp. plus [6] pp. advertisements. Illustrated throughout the text with both black and white and full color drawings by John R. Neill. The condition of the book is VERY FINE. A magnificent copy of this early Oz title. Rare in such nice condition. [Attributes: First Edition; Hard Cover]

      [Bookseller: Wallace & Clark, Booksellers]
 27.   Check availability:     AbeBooks     Link/Print  

        Au Pole Sud Expedition du Fram 1910-1912

      Paris: Librairie Hachette et Cie 1913 - Paris: Librairie Hachette et Cie, 1913. Adapte du Norvegien par M. Ch. Rabot. , [xv], 371pp, frontis with tissue guard, 72 b/w photographic plates and images, and fold-out color map, Appendices. Publisher's dark green cloth with bright gilt on spine and cover. A scarce publication in Very Good+ condition. Spence 17. First French Edition of Roald Amundsen's Antarctic expedition in quest of the South Pole. Very Good Condition. [Attributes: First Edition; Hard Cover]

      [Bookseller: Chet Ross Rare Books, ABAA]
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        Deutsche Kunst und Dekoration (Illustrierte Monatshefte für moderene Malerei, Plastik, Architektur, Wohnungs-Kunst und künstlerische Frauenarbeiten), Oktober 1908 bis September 1913. Band 23 bis Band 32 in 10 Bänden

      Koch 1913 Koch, Darmstadt, 1908-1913. Insgesamt 4350 S. mit zahlreichen Abb., originale einheitliche Leinen-Verlagseinbände mit reichen Goldverzierungen, quart, (einige Seitenränder waren leicht verklebt, dadurch wenige Abriebstellen/ kein Bild- oder Textverlust/Namensstempel auf Vorsatz) - gute komplette Exemplare - Versand D: 5,90 EUR Architektur/ Innenarchitektur,Zeitschriften

      [Bookseller: Celler Versandantiquariat]
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      London and Felling-on-Tyne, New York ... and Melbourne: The Walter Scott Publishing Co., Ltd.,. 1913. original pictorial white wrappers.. Covers worn and creased at edges, rear cover dusty, but a nice copy. of this fragile book printed on pulp paper. (#111369). First edition in English. The very scarce paperbound issue with striking illustration not used in the hardbound issue. Translation, by G. H. Marchat, of LES TORPILLEURS DE L'AIR (Paris 1912). Future war in Europe involving France and Germany, story largely focused on espionage and romance. Clarke, Tale of the Future (1978), p. 42. Clarke, Voices Prophesying War 1763-3749 (1992), p. 234. Locke, A Spectrum of Fantasy, p. 89. Bleiler (1978), p. 80. Reginald 05837.

      [Bookseller: L. W. Currey, Inc.]
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        Rubaiyat of Omar Khayyam

      Hodder & Stoughton, London 1913 - No date (1913). First Bull trade edition. Rene Bull (Illustrator). 10 color tipped-in full page plates, and 19 small color plates mounted headpices, other headpieces and decorations in blue. Original brown cloth, decorative gilt stamped spine and cover in gilt & blue. Printed by Henry Stone & Son, Ltd., Banbury. Unpaginated. Book Condition: Very Good: Bright gilt, binding slightly shaken but holding, tears to spine head and foot, frayed corners."Brentano's New York" small bookshop ticket to rear. No foxing. Plates brilliant. / [Attributes: First Edition; Hard Cover]

      [Bookseller: Heartwood Rare Books]
 31.   Check availability:     AbeBooks     Link/Print  


      G.P. Putnam's Sons 1913 - Wentworth, Patricia. THE FIRE WITHIN. NY: G.P. Putnam's Sons, 1913. 268pp., publisher's ads. 8vo. Brown cloth with gold titles, blind stamped front cover. With only minimal light soiling on outer edges of textblock, an attractive hardcover with sharp corner tips, unblemished covers, bright gilt, clean interior. Fine hardcover [Attributes: Hard Cover]

      [Bookseller: Columbia Books, ABAA/ILAB]
 32.   Check availability:     AbeBooks     Link/Print  

        Original watercolour: "List, ah list to the zephyr in the grove.

      1913. Original pen, ink, watercolour and wash heightened. 270 x 310 mm. Mounted and framed. A fine, beautifully characteristic piece in excellent condition with a couple of faint spots in the yellow sky. An original watercolour for In Powder and Crinoline, signed and dated "Kay Nielsen [19]13" in the lower left corner. "Nielsen shows in his development a fancy so delicate and an outlook so original that no charge of plagiarism can be brought against him. His colour work is delicate and suggestive rather than forceful. Very lovely in its faint blues and greens with tones of peach is the illustration plate 21 [i.e. this painting] where the high folly, the love birds and the blossom testify to the legacy of Japan." (Keith Nicholson, Kay Nielsen, 1975). Nielsen produced 26 watercolours for In Powder and Crinoline to illustrate seven fairy tales chosen by Sir Arthur Quiller-Couch. This watercolour illustrates the story, "Felicia or The Pot of Pinks".

      [Bookseller: Peter Harrington]
 33.   Check availability:     Biblio     Link/Print  

        Palast Und Villa in Toscana: Versuch Einer Entwicklungsgeschichte, Zweites Buch: Die Zeit Des Suchens Und Des Findens (Pseudorenaissance Und Klassiche Renaissance)

      Leipzig: Klinkhardt & Biermann Verlag, 1913. Band II of "Die Renaissance und Barockvilla in Italien". Volume Two, Book Two only. 208 pages of text, 69 pages of black and white pictures. Text in German.. Hard Cover. Very Good/No Dust Jacket. 4to - over 9¾" - 12" tall.

      [Bookseller: Arizona Book Gallery]
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        Jack Dempsey, full figure photograph in boxing pose. Inscribed and signed by Dempsey December 19, 1921 as World Champion

      New York: APEDA, [1913]. sepia toned, inscribed and signed in brown ink. Newly archivally matted and framed with museum glass. Fine. Approximately 10 x 8 inches. With: "Jack Dempsey by the Man Himself As Told to ..." by Bob Considine and Bill Slocum. New York: Simon & Shuster, 1960. First edition. Octavo, gray cloth lettered in white. Spine a little faded (lettering bright), inscription on front free endpaper, else fine. Six months before inscribing this photograph Dempsey had defeated the Frenchman Georges Carpentier for the world's heavyweight championship in what is remembered as "The Battle of the Century." Witnessed by over 80,000 it introduced the first million-dollar gate in professional boxing.

      [Bookseller: Randall House Rare Books]
 35.   Check availability:     Biblio     Link/Print  

        La Céramique dans l’Art Musulman. (TWO VOLUMES).

      Morance, Paris 1913 - 100 mounted colour plates, tipped-in colour illustrations, loose as issued in original pictorial cloth folders with ties, printed in grey, brown and yellow, half-title to vol.1 lightly browned, Uncut, vol.1 with additional printed wrapper inside folder, Preface by Gaston Migeon, very slightly browned but a very good set. Limited Edition of 200 copies of which this copy is number 124. Henri Benjamin Jean-Pierre Rivière (1864- 1951), French artist and designer best known for his creation of a form of shadow play at the Chat Noir cabaret, and for his postimpressionist illustrations of Breton landscapes and the Eiffel Tower. Henri Rivière is remembered as one of the foremost proponents of Japonisme, the French fascination with all things Japanese at the close of the 19th century. Inspired by the possibilities of lithography to render rich, atmospheric images in full colour, he enlisted Eugène Verneau in 1897 to assist him in producing the most ambitious project in colour printmaking Europe had seen to date. Through this collaboration with Verneau, Rivière was able to translate his panoramic Japonist landscapes of Paris and Brittany into over sixty monumental colour lithographs involving the execution and registration of dozens of limestone (often larger than 30 x 40 inches.) This work is a monumental achievement by Rivière on the Islamic ceramics. Creswell 736. [31320] Size: Folio - over 12" - 15" tall [Attributes: First Edition; Hard Cover]

      [Bookseller: FOLIOS LIMITED]
 36.   Check availability:     AbeBooks     Link/Print  


      New York: Dodd, Mead & Co., 1913. First Edition. Hard Cover. Near Fine binding. A lovely copy of Harrison Fisher's lovely book. The 16 mounted plates are beautiful -- several plates had slight creases at the edge, which have uncreased and show very little. The original glassine wrapper is present (with a small amount of loss) and the book is housed in the original printed publisher's box with pastedown. There is some occasional toning. The plates are clean and bright. The box has been repaired. There are no marks of any kind in the book.

      [Bookseller: Black Swan Books, Inc.]
 37.   Check availability:     Biblio     Link/Print  

        The End of Her Honeymoon

      Charles Scribner's Sons New York 1913 - First Edition. Arthur Becher dustjacket art. A newly wed couple arrive in Paris. Its the Exhibition and every lodging house is at full capacity. At well past midnight they manage to secure rooms at an ancient home, although not together. Morning comes but her artist husband is nowhere to be found. Not only has he mysteriously disappeared but the owners deny all knowledge that he even exists, insisting that the bride arrived alone. Uncommon. Very Good or Near Fine, ownership signature at front endpaper and half title page, in Very Good dustjacket, modest soiling to spine and panels, nickel sized chip at lower rear panel. [Attributes: First Edition; Hard Cover]

      [Bookseller: Babylon Revisited Rare Books]
 38.   Check availability:     AbeBooks     Link/Print  


      1913. Fine. [EHON] Ko^no BAIREI, artist. BAIREI GAKAN. 7 volumes, Kyo^to, Unso^do^, Taisho^ 2 [1913] We have had a copy in the past with a stamped colophon of O^saka-based Shigemoto, dated 1903. The preface is dated 1904. (The copy catalogued [at second hand?] at page 216 of Mitchell was without date). It would appear that Unso^do^ bought the blocks sometime before this issue. This copy, in the original printed paper-covered boards, is in the original chitsu clasped case and has the original Unso^do^ Pre-war price sticker for 10 yen. In any event, the volumes are very well printed in color woodcut and span the full breadth of Bairei's subjects. Well over 100 double page prints in all, each 21.3 x 26.6 cm. Complete, near fine condition, very good impressions and colors. A grand collection of designs by this important artist.

      [Bookseller: Boston Book Company]
 39.   Check availability:     Biblio     Link/Print  

        Banking and currency and the money trust. Dedicated to the public

      [Washington, D.C.: National Capital Press, Inc, 1913. Family presentation copy of the first edition of the author's first commercially published book (it was preceded by about a half dozen speeches and reports published by the Minnesota legislature and the U.S. Congress); 8vo, pp. 318; original green cloth stamped in gilt on upper cover and spine; very good, sound copy. In a red cloth clamshell box. Inscribed: "To my sister Juno Butler from her brother, the author, Charles A. Lindbergh." This book was a vehement attack on big bankers and Federal Reserve Law, and was later suppressed and the plates destroyed. Minnesota socialism at its best, by the aviator's father.

      [Bookseller: Rulon-Miller Books]
 40.   Check availability:     Biblio     Link/Print  

        Delightful photograph signed "David" and dated in his hand (1894-1972, King of Great Britain, Later the Duke of Windsor)

      1913 - showing the young Prince of Wales three quarters length standing, wearing dress uniform with his hand on the hilt of his sword and his hat in his hand, 6" x 4¼", no place, A rare example of Edward VIII using his family name "David", this photo must have been a gift to a close friend or family member. From a Royal Collection.

      [Bookseller: Sophie Dupre ABA ILAB PADA]
 41.   Check availability:     AbeBooks     Link/Print  

        A Booklet of Designs. Will Bradley's Art Service for Advertisers

      New York: 131 East 23rd Street, 1913. First edition. Each page illustrated. 54 pp. 1 vols. 8vo. Original printed pictorial yellow wrappers. Fine. First edition. Each page illustrated. 54 pp. 1 vols. 8vo. Rare. Bambace p. 206

      [Bookseller: James Cummins Bookseller]
 42.   Check availability:     Biblio     Link/Print  


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