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Displayed below are some selected recent viaLibri matches for books published in 1913

        The North Pole and Bradley Land

      Philadelphia: Campion and Company 1913, 1st Edition. (Hardcover) 91,(3). Very good. Tall Octavo (approximately 26.5cm tall) in original gilt lettered brick red cloth; top edge gilt. Spine slightly darkened. Scarce in this condition. "With the compliments of the author" slip tipped at front. Arctic Bibl. 999. An attempt by the author to prove that Cook was the first to reach the North Pole..

      [Bookseller: Aquila Books]
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        BIRDS OF A COUNTRY PALATINE

      THE Wild Life Publishing Company, London 1913 - Hand-Signed by Famous Birdologist way back in 1913 - BEING A CAMERA RECORD OF BIRDS FOUND, INFREQUENTLY FOR THE MOST PART, IN THE COUNTRY OF LANCASTER. - Stated on Full Title Page: ALFRED TAYLOR: FELLOW AND MEDALLIST OF THE ROYAL PHOTOGRAPHIC SOCIETY OF GREAT BRITAIN. - Hand Signed, beautifully to Half-Title Page: Yours Sincerely - Alfred Taylor. - CONDITION & DESCRIPTION: Original cloth with gilt lettering to the spine and front board, in a very nice condition. Inlaid illustration of a tawny owl to the upper board is also in a very nice condition. Decorative blind tooling all round, front and rear boards and spine. Light bumping to extremities and very light soling in general. The overall condition of the boards is very nice. There are 148 pages and these are all in a remarkably clean condition. Whomever owned this book took a great deal of care when they had it. There are no faults to report on the inside of this book. All the pages are clean and tightly bound. There are 30 large tipped-in photographic plates, and numerous illustrations throughout. The birds that are reported historically are: The Curlew, The Golden Plover, The Merlin, The Sparrow-Hawk, The Long-Eared Owl, The Tawny Owl, The Barn Owl, The Cuckoo, The Woodcock, The Heron, The Kingfisher, The Pied Wagtail, The Missel-Thrush and The Ring Ousel. - Top edge of pages is decorated in gold. ----- POSTAGE OPTIONS: Our orders are shipped within 1 or 2 business days. --- If you select 'Priority' as the postal option, you will get the fastest option. [Please have a look at my Shipping Rates and Estimated times for Delivery, so you can make your preferred choice]. - Thanks for your interest and I hope you like the book enough to buy it. - Regards from Arabella. [Attributes: First Edition; Hard Cover]

      [Bookseller: Arabella's Beautiful Books]
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        Scènes de la vie de bohème (tirage unique à 100 exemplaires - Lettre autographe signée de l'auteur - reliure signée)

      - Aquarelles de A. Robaudi mises en couleurs par l'artiste. Tirage unique à 100 exemplaires sur papier du Marais, ici N°7. Paris L. Carteret éditeur (ancienne librairie Conquet), 1913. Au format grand in 8 comprenant XIV + 417 pages + table, intérieur bien blanc et frais. Notre exemplaire est enrichi d'une lettre autographe signée de Henry Murger à Mr Boyer, relative à l'une de ses pièces de théâtre : « Comme tu ne peux pas lire mon écriture, je ne t'envoie pas mon premier acte. J'irai à Paris quand j'aurai retrouvé le second. L'ouvrage en aura trois. ». Le tout est dans une superbe reliure mosaïquée signée « Dervois » en plein maroquin vert bronze (dos tourné au marron), dos lisse orné de motifs dorés et mosaïqués, plats avec quadruple filets double dorés avec motifs angulaires, intérieur des plats en plein maroquin violine orné de motifs dorés et de pastilles de couleurs mosaïquées, garde de soie, tranches des plats à double filets dorés, tête haute dorée, couvertures et dos illustrés conservés, emboitage. À noter l'adjonction des différents résultats de l'ouvrage aux enchères et d'un superbe portrait de Henry Murger volant. Pièce de bibliophilie exceptionnelle.

      [Bookseller: Le Beau Livre]
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        THE CONQUEST ... BY A NEGRO PIONEER

      Lincoln, Nebraska: The Woodruff Press, (1913.) . 2nd printing. . Very good in dark blue cloth with white lettering (lettering rubbed and illegible on the spine), some wrinkling to the cloth (binding flaw.) Uncommon. . African-American filmmaker Oscar Micheaux's first book, a self-published novel with a very strong autobiographical influence: Micheaux was a Nebraskan farmer, who eventually lost his land as a victim of fraud. Later, realizing the growing importance of the moving picture industry, he wrote. produced and directed several films with all-black casts, and even financed the films himself. The second printing of this landmark book was just 2 weeks after the first, and is notable both as an early work by an African American who was a pioneer in many different ways, and for its early Nebraska imprint. Illustrated with a frontispiece portrait of the author and 15 photographic plates, mostly of scenes of ranching or farming in Nebraska (all plates are present, but 2 are inserted at different pages than indicated in the list of illustrations.)

      [Bookseller: bookfever.com]
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        Stolitsa I Usadba [The Capital and the Mansion] [Russian Magazine]

      Petrograd: Printed By R. Golike and A. Vilborg. 1913. Folio - over 12" - 15" tall. F Limited to 1500 Copies. S Soft Cover. Fair. In Russian, printing limited to 1500 copies. Complete run of this rare bi- weekly periodical intended for the upper classes in Pre-Revolutionary Russia, 90 numbers in 72 separate issues from December 15, 1913 to September 30, 1917. Devoted to "the beautiful life", mainly in St. Petersburg and Moscow, the journal described the arts, architecture, fashion, decorating, sports events and entertainment available to the nobility and other moneyed classes of that period. Generously illustrated throughout in color and black and white, with numerous tipped-on color plates and the work of such noted artists as Arthur Rackham, W. Heath Robinson, James Montgomery Flagg, others. Includes the truly scarce issue number 55, devoted to the Tsar and his family, that was suppressed by the Bolsheviks. Numbers 1 through 24 [1913-1914] and 49 through 90 [1916- 1917] in separate issues with decorative covers; numbers 25 through 48 [1915] bound in a hardcover volume with original covers removed. Overall condition is fair to good, with numbers 12-13, 14-15, 81-81 and 89-90 in quite rough condition, others generally good with many of the spines reinforced with old paper tape, all issues lightly age-toned with some brittleness that has resulted in some minor chips to the margins, pages mainly good overall. A fascinating view of the Russian upper classes just before their world was to come to a swift and violent end.

      [Bookseller: Resource Books, LLC]
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        Fairy Tales

      London, Constable & Co. Ltd.,, 1913. Quarto. Original full vellum, titles and illustrations to front cover and spine gilt. 15 colour plates and 88 black and white illustrations by W. Heath Robinson. Vellum mottled and a little darkened but a sharp, clean and internally bright copy. Signed limited edition. Limited to 100 copies only, numbered and signed by Heath Robinson.

      [Bookseller: Peter Harrington]
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        [EXTENSIVE ARCHIVE OF MANUSCRIPT NOTEBOOKS OF COMPOSER NELLE RICHMOND EBERHART, CONTAINING PROSE AND LYRICAL WORKS, AS WELL AS TWO LARGE SCRAPBOOKS]

      [Various locations]. 1913-1936.. Thirty-seven composition notebooks, plus two thick scrapbooks. Notebooks mostly octavo with cardboard covers; scrapbooks folio, cloth over heavy boards. Some wear to notebooks, several with chipping. Some leaves a bit brittle. Scrapbooks worn at extremities, cloth frayed. Overall, very good. An important archive of the manuscript writings of author and lyricist Nelle Richmond Eberhart (1871-1944), containing much material relating to the Indianist Movement in American music. Eberhart is best known for her work with composer Charles Wakefield Cadman, and is credited with introducing Cadman to the music and culture of Native American Indians. The archive contains a wealth of prose and lyrical writing, covering more than twenty years of her career from 1913 to 1936 and filling hundreds of sheets of paper. Eberhart became enamored of Native American culture while growing up in Atkinson, Nebraska, where her family moved in 1881. While there she witnessed the trials of Indian removal and relocation to Oklahoma and developed an interest in the culture and music of the local tribes. Later, when married, she lived near Lincoln, Nebraska until moving to Pittsburgh in 1899. A school teacher, author, and lyricist, she was a pioneer of the Indianist music movement, which adapted traditional Native American music into modern-day themes. She met Cadman in Pittsburgh in 1902 at the start of his career, and by 1906 they had created Indianist songs together, and Eberhart was corresponding with Alice Fletcher and others on the topic. Collaborators for many years, Eberhart wrote the lyrics for more than one hundred of Cadman's best-known songs and worked with him on several operas. The most well-known of these songs, "From the Land of Sky Blue Water," written in 1908, was popularized by the American soprano Lillian Nordica and was considered a wild success. Eberhardt's other collaborations with the Cadman included "At Dawning," the opera "Shanewis," and also the songs "The White Dawn Is Stealing," "Far Off I Hear a Lover's Lute," "The Moon Drops Low," "From Wigwam to Teepee," and "I Hear a Thrush at Eve." Eberhardt frequently traveled with Cadman, who was an important collector of Native American music. His cylinder recordings of native music, made in Indian Territory, are at the Smithsonian. At the same time Cadman became a well-known theatre producer Also included here are two large scrapbooks belonging to Eberhart's daughter, the opera singer Constance Eberhart. Constance's career led the family to move to New York in 1918. These scrapbooks include many clippings, correspondence, and at least one signed photograph. A significant archive of an important figure in early modern American music, and of the adoption of American Indian themes into popular culture. Arlouine G. Wu, CONSTANCE EBERHART: A MUSICAL CAREER IN THE AGE OF CADMAN (Buffalo, 1983).

      [Bookseller: William Reese Company - Americana]
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        Archive of drawings, poems, and vignettes for Miscellaneous Moods in Verse. Together with a copy of the published book

      c. 1913. Approximately (53)ff. of varying sizes. A group of original drawings and manuscripts by Elihu Vedder for Miscellaneous Moods in Verse, his collection of 101 illustrated poems. Included are the original pen and ink drawings for all of the black & white illustrations in the book, with the exception of the nine half-tone plates. These drawings are often decorative vignettes, titles, head- and tailpieces. Vedder’s drawings are intricately detailed, ranging in tone from whimsical and humorous to mystical and macabre. Also included are manuscripts of poems which were reproduced in facsimile in the book, written in Vedder’s calligraphic hand with illustrations incorporated into the titles and borders. These original drawings provide insight into Vedder’s creative process, as some show several drafts and variations preceding the final, published version. One of the manuscript poems presents a different version of a poem that is depicted on one of the half-tone plates, and there are three versions of the title illustration for Vedder’s poem “The Love Sick Faun.” & & Also included are a salt print, a printed bookplate, and several miscellaneous drawings not included in the book. These include sketches for Vedder’s personal bookplate, hand-drawn monograms, and two trial examples of the color-illustrated limitation statements that Vedder drew in each of the deluxe copies of the book. Also included is a proof copy of one of the poems that has been delicately hand-colored by Vedder: in a holograph note from Vedder to Sargent at the bottom of the page, the artist suggests that a hand-colored version of the book could be produced, and he offers to create the book as an example if Sargent is interested. Some of the poems and drawings have corrections by the artist, and several have notes in pencil indicating how they were to be used in publication. Vedder was a prolific painter and illustrator, perhaps best-known for his illustrated edition of the Rubaiyat of Omar Khayyam. He turned to writing and poetry when he was approaching 80 years of age. A fine collection of original art. Together with: Miscellaneous Moods in Verse. Boston, Porter E. Sargent, 1914. Quarto. (62)ff. One of 100 deluxe copies, inscribed by the artist with an original color illustration. Some toning and rubbing to covers and extremities, a few small spots of soiling, else a very good copy. Internally clean and bright. Bookplate.

      [Bookseller: Bromer Booksellers]
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        CHANCE. A Tale in two parts. SIGNED BY CONRAD

      Methuen & Co. Ltd. London.,1913. Spurrious First edition. Actually the fourth impression with a cancel title page, stating " First Published 1913" on verso, on the title page stub. 8vo. (7.7 x 5.3 inches). 8 page publishers advert dated Autumn 1913. A very good copy in publishers green cloth binding with spine decorated and lettered in gilt, including the correct spelling of the publishers name at the bottom. Signed by Joseph Conrad on the front free endpaper, Dated 1923. The top of the signed leaf and the half title page have a small indentation where a paper clip has been used.Aside from some light rubbing to the extremities this is a very good tight copy, the gilt on the spine still strong and bright. Loosely inserted is the front panel from the rare dustwrapper, showing a full colour illustration by J. Dewar Mills within a grey border. The whole panel dark blue with grey title and author. An interesting copy, signed by the author and with part of the wrapper, of the less common 1913 Cancel title page issue. Copies with the true 1913 integral title are rare, it is thought that only about fifty survived, and most early copies were issued with cancel title pages dated 1914 - when the book was finally published.:.

      [Bookseller: Paul Foster Books]
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        Kidnapped [First N. C. Wyeth]

      New York: Charles Scribner's Sons, 1913. First edition. First issue with 1913 on color title and following printed title page, "Published October, 1913" and Scribner Seal on Copyright Page, and with top edges gilt, others untrimmed. Black cloth with gilt lettering on spine. Cover insert, color tilte and endpapers and 14 superb color plates each with tissue guards bound-in, as issued. One of the rarest Scribner Wyeth titles to find in original condition and this copy is fine with only very slight corner bumping.

      [Bookseller: Nudelman Rare Books]
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        The Mystery Queen

      New York, G.W. Dillingham. [1913], 1913. US First Edition. 8vo. Fine in publisher's red cloth titled and decorated in gilt to spine and front board. Fresh, bright and crisp. In a fine dustwrapper, illustrated by J. Hodson Redman, possibly supplied from an institutional copy or somesuch, as the jacket is a trifle short. Normally this would be a significant detriment, in this case however this book in jacket is such a rarity it's just nice to see it. With a Hume inscription laid in at the front. HUBIN; Crime Fiction IV, p774.

      [Bookseller: Adrian Harrington Rare Books]
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        The history of magic : including a clear and precise exposition of its procedure, its rites and its mysteries / by Eliphas Levi (Alphonse Louis Constant) ... Translated with a preface and notes by Arthur Edward Waite

      London : W. Rider & Son, 1913. 1st Edition. Physical description: xxxvi, 535, [1] p : front., plates, ports ; 24 cm. Subjects: Magic -- Magicians -- Conjuring -- Magic tricks -- History. Ritual -- Talismans -- Occultism. "The original illustrations are included and portraits of the author" -- t.p. Physical description: xxxvi, 535, [1] p : front., plates, ports ; 24 cm. Subjects: Magic -- Magicians -- Conjuring -- Magic tricks -- History. Ritual -- Talismans -- Occultism. "The original illustrations are included and portraits of the author" -- t.p.

      [Bookseller: MW Books Ltd.]
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        A Woman's Reliquary

      Churchtown, Dundrum: The Cuala Press,, 1913. Octavo. Original tan cloth backed white boards, titles to spine and upper board in black. Binder's ticket to front pastedown. Spine and edges of boards browned, front free endpapers tanned, contents toned. A very good copy. First edition, first impression. Edward Dowden (1843–1913) was an Irish literary critic, Shakespeare scholar, and poet, and this collection of his poems was published pseudonymously. The editor, Elizabeth Yeats, has inscribed this copy "To Philip & Sophia Miller friends of – Edward & Elizabeth Dowden – this little book is given with many memories, April 1914". Scarce.

      [Bookseller: Peter Harrington]
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        Indian Currency and Finance

      Macmillan and Co., Limited, London,, 1913. Octavo. Bound in recent full dark blue morocco, titles and decoration to spine gilt, raised bands, rule to boards gilt, marbled endpapers, all edges gilt. With foldout graph and other charts throughout the text. A nice clean copy in fine condition. Small library number 919 to bottom of the copyright page. First edition of the author's first book, based on lectures he had delivered at the London School of Economics in the spring of 1911. Keynes had been at the India Office, 1906–1908, and kept an interest in Indian finance after his resignation. The book earned him a seat on the royal commission on Indian finance and currency.

      [Bookseller: Peter Harrington]
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        ON THE CONSTITUTION OF ATOMS AND MOLECULES (Niels Bohr) In The London, Edinburgh, and Dublin Philosophical Magazine and Journal of Science, Vol. XXVI, Sixth Series, July -December 1913 pp. 1-25, 476-502, 857-875 and THE HIGH-FREQUENCY SPECTRA OF THE ELEMENTS I(H. G. J. Moseley) . In The London, Edinburgh, and Dublin Philosophical Magazine, Vol. XXVI, Sixth Series, July -December 1913 pp. 1024-1034 and The London, Edinburgh, and Dublin Philosophical Magazine and Journal of Science, Vol. XXVII, Sixth Series, January-June 1914 pp. 703-713. Two Volumes. [Moseley's papers are Printing and the Mind of Man (PMM) 407]

      London:: Taylor and Francis,, 1913. Very Good++. Dated 1913 -1914. Offered are two Very Good++ entire hardback Volumes XXVI and XXVII of The Philosophical Magazine and Journal of Science in modern brown half leather and marbled boards with raised bands spines, gilt lettering on black leather spine labels, new endpapers. Volume XXVII is Ex-library with library ink stamps title page and verso of plates. Mild soil and stains edges. 8vos. Bohr PMM 411b, Norman 258. Moseley PMM 407.

      [Bookseller: By The Book, LC ABAA-ILAB]
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        IN POWDER AND CRINOLINE

      1913. 1. (NIELSEN,KAY)illus. IN POWDER AND CRINOLINE retold by Sir Arthur Quiller Couch. (London) Hodder & Stoughton, no date [1913]. Folio (10 1/2 x 12 1/2"), full green vellum with extensive gilt decoration, top edge gilt, 164p., a few marks on the vellum as is common in this edition but this copy is much less marked than usual, original ties, endpaper foxed as usual else near FINE. LIMITED TO ONLY 500 NUMBERED COPIES SIGNED BY NIELSEN and illustrated by him with 26 magnificent color plates with pictorial lettered tissue guards. This limited edition has 2 more color plates than in the trade edition. There are also decorative borders. This is a lavishly produced book in extra nice condition. Very scarce.

      [Bookseller: Aleph-Bet Books, Inc.]
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        In Powder and Crinoline

      London, Hodder and Stoughton,, [1913]. Old Fairy Tales Retold. Quarto, pp. [iv] + 163 + [i]. Finely bound by Zaehnsdorf in full green morocco, titles to spine gilt, raised bands, title block to front board gilt, inner dentelles gilt, original decorative endpapers, top edge gilt, others untrimmed. With 26 tipped-in colour plates on grey paper. Covers very slightly bowed, endpapers with light offsetting to edges. A fine copy. Edition de Luxe, limited to 500 numbered copies signed by the artist.

      [Bookseller: Peter Harrington]
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        Entwurf einer Verallgemeinerten Relativitätstheorie unde einer Theorie der Gravitation

      Leipzig and Berlin: B. G. Teubner,, 1913. Octavo. Original light green wrappers printed in black. Housed in a green cloth solander case. Wrappers rubbed and spotted, chip from lower corner of cover, some wear to ends of spine, vertical crease from folding. A good copy. First separate edition, first impression of Einstein's 1913 "Draft Generalised Theory of Relativity", a turning point in his thought leading from special to general relativity, and the first example of his new appreciation that mathematics was central to the development of theory. One of the papers indicated by Weil's bibliography as being of special importance. After Einstein published his theory of special relativity in 1905 he realised that it was incomplete, and spent the next seven years trying to find a solution that would incorporate gravity and accelerated motion. His breakthrough was the idea that gravity could be defined as the curvature of space-time, and he enlisted his old friend, the mathematician Marcel Grossman, in the hunt for equations that would describe this phenomena. "Until then Einstein's scientific success had been based on his special talent for sniffing out the underlying physical principles of nature. He had left to others the task, which to him seemed less exalted, of finding the best mathematical expressions of those principles… But by 1912 Einstein had come to appreciate that math could be a tool for discovering–and not merely describing–nature's laws" (Isaacson, Einstein: His Life and Universe, p. 193). Einstein and Grossman approached the problem from two directions, mathematical and physical, and though Einstein came very close to the correct answer from the mathematical approach, abandoned it. Instead, the two men tentatively published as the present text the results from the physical approach, which they felt was "the best they could do for the time being" (Isaacson, p. 198). Einstein was never completely comfortable with this formulation, and in 1915 discovered that Entwurf was seriously flawed and that another physicist was racing to find the correct formulation. It took an "exhausting, four week frenzy" (Isaacson, p. 214) in late 1915 to finally established his special theory of relativity. The present edition was published concurrently with the paper's appearance in volume 62 of Mathematics und Physiks, pages 225–261. Though there are a number of institutional copies of this separate printing recorded in OCLC, no copies appear in the auction records.

      [Bookseller: Peter Harrington]
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        A BOY'S WILL

      London: David Nutt, 1913,. 1st edition, full bronze pebbled cloth, without dust jacket (as issued). Specially signed by Frost on the half-title page in fountain pen ink. The celebrated author's first commercially published book, presented here in the very rare first binding of which "no more than 350 copies were bound" in the bronze pebbled cloth. (Crane A2, p.8). A beautiful copy, very bright, and signed by this four-time Pulitzer Prize winning poet. A scarce title, especially so signed and in unequalled fine condition. The book is attractively housed in a specially designed archival box, featuring French goat spine, Roma paper boards, mahogany frame, and genuine gold titling. Truly a cornerstone for any Frost collection.

      [Bookseller: Jett W. Whitehead Rare Books (ABAA)]
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        Princess Badoura - A Tale from the Arabian Nights

      London: Hodder and Stoughton, 1913. [8], 114pp, original decorative cloth, title in gilt to spine and upper cover, upper cover with gilt and aquamarine design, t.e.g. Spine slightly browned, covers very slightly soiled. Internally very lightly browned, occasional light foxing, but all images are clean. With ten tipped in illustrations by Dulac (as called for). Limited edition of 750 copies, this being number 272, signed by Dulac to limitation leaf. Now housed in a cloth drop back box made by Temple Bookbinders, with title in gilt to spine. Signed by Illustrator. First Edition. Hardback. Good+/No Jacket. Illus. by Dulac, Edmund. 4to.

      [Bookseller: Temple Rare Books]
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        Unpath'd Waters

      London: John Lane, The Bodley Head,, 1913. Octavo. Original green cloth, titles to spine and upper board in black, top edge dyed green. With the dust jacket. Housed in a purple half morocco slipcase and chemise. An excellent copy in the lightly rubbed jacket with a few small chips and nicks and toned spine panel. First edition, first impression of the author's third collection of short stories. Rare in the dust jacket.

      [Bookseller: Peter Harrington]
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        The Village in the Jungle.

      London: Edward Arnold, 1913 - Octavo. Original blue cloth, titles to spine and upper board gilt. Spine rolled, cloth rubbed, a little wear at ends of spine, two dark spots to upper board, spotting to endpapers and title page. A very good copy. First edition, first impression. Presentation copy inscribed by the author to Lytton Strachey on the front free endpaper, "To G. L. S. from L. S. W. 21 Feb 1913", and with Strachey's bookplate on the front pastedown. Beginning in 1904, Woolf spent seven years in the colonial administration of Ceylon, a period he later described as his "anti-imperialist education". "Striving to improve the lives of the villagers with an efficiency that was at times ruthless, he became increasingly ambivalent about his government's mismanagement of jungle agriculture, the absurdity of one civilization imposing itself on another, and the hypocrisy of the British failure to prepare its colony for self-government. Returning on leave to England in 1911, Woolf began The Village in the Jungle, a novel that movingly reflected these concerns. He became involved again in London with his Cambridge friends and relatives who now made up the Bloomsbury group" (ODNB), including Lytton Strachey, who would remain a close friend of Leonard and his soon-to-be-wife, Virginia Stephen. A wonderful association. [Attributes: First Edition]

      [Bookseller: Peter Harrington. ABA member]
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        The Elements of Speculation

      GIBSON PUB. CO., NEW YORK 1913 - Gold gilt lettering on cover and spine, tight binding, clean body and unmarked text. Some shelf wear, tanned spine, faded edge on cover, a small soil stain on cover, and previous owner's name is written on front inside board. DATE PUBLISHED: 1913 EDITION: 149+ [Attributes: Hard Cover]

      [Bookseller: Princeton Antiques Bookshop]
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        Un mondo perduto.

      Subject: (Doyle, Doyle). Milano, 1913, diciassette fascicoli de "La Domenica del Corriere" con la prima traduzione e pubblicazione italiana.

      [Bookseller: LIBRERIA PIANI]
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        DIBUJO A LÁPIZ

      - - Ff. s. XIXDibujo a lápiz sobre papel, firmado en el ángulo derecho: R. Vinader. Enmarcado on un bello marco de marquetería de época.Con leyenda al pie:- Al cuarto segundo de la drecha de la casa de Astrarena- Si se le figurará á este bolo, que el coche ha de subir la escalera! ¡ Vaya unos señores!! .La Casa Astrarena se encontraba en Madrid cerca de la calle de Fuencarral, en el ABC (Madrid) 25/03/1913, se referencia que la valla por el derribo de la casa dificulta el paso.Ref:http://hemeroteca.abc.es/nav/Navigate.exe/hemeroteca/madrid/abc/1913/03/25/007.html Astrarena, Madrid, Desengaño, calles de Madrid, Navarra

      [Bookseller: Vindel Subastas]
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        Autograph letter, signed ("Charles M. Doughty"), to Mr. R. Palmer of Kirby Lonsdale, Westmorland, regarding Nigeria, retirement, happiness, Isaac Walton, and family matters

      Eastbourne, 10 august 1913 - Excellent and wide-ranging, reminiscent letter from the great Arabian explorer and author Charles M. Doughty, mentioning that he began to read the translations by his correspondent's son, discussing Nigeria and mentioning a Capt. Gordon, "going this week to Northern Nigeria as a Kaimakam." Doughty discusses Palmer's "superannuation from a responsible office, to be able look back upon many years of good work . and one would become gradually reconciled to a change of habit & new & complete leisure. And I can imagine you with your cheerful disposition & quiet humane tastes to be able, as Isaac Walton, to be happy every day & everywhere." Doughty concludes with news of his family and fond recollections of their visit to Kirby, "Believe me, sincerely yours, Charles M. Doughty." 12mo. 3 pp. on folded sheet, headed Lavrock, Grange Road, Eastbourne. Minor soiling along the fold. Opened envelope (addressed in Doughty's hand) tipped to blank verso. Fine

      [Bookseller: James Cummins Bookseller, ABAA]
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        Bokkachcho Fiametta.

      - St-Petersburg, M.G. Kornfeld, 1913. Original wrappers. (2), 216 p. Uncut. First edition. Damaged wrappers loose in two parts, repaired with paper and tape. Backstrip missing. Price sticker on rear. Title page loose.* Very rare translation into Russian of Boccaccio's Fiammetta by Michail Kuzmin. Not in very good condition. Green wrappers with gold lettering and a coy little devil at the backside. [Attributes: First Edition; Soft Cover]

      [Bookseller: Fokas Holthuis - Paulbooks]
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        Wild Life in Central Africa

      The Field and Queen, London - Published circa 1913, previous owner's inscription dated 1920. Slight wear to cover edges. some water damage around pp104 - 108. A guide to setting up camp, tracking and hunting. Illustrated with photographs and drawings. [Attributes: Hard Cover]

      [Bookseller: Quagga Books]
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        Cunard Line R.M.S. "Aquitania."

      Cunard.. No date. Ca. mid 1920s.. Color foldout poster showing a cutaway section of the ship, sheet 10 x 48 1/4 inches (25.5x122.5cm), 5 folds as issued. Travel agent stamp at upper right corner of image (smudged), otherwise very good condition. Blank verso. The luxurious Cunard liner Aquitania was launched in 1913 and began sea trials the following year. The vessel completed only three round trip crossings of the Atlantic before being pressed into service as a troop ship during World War I. (On 25 June 1915 she sailed from Liverpool with over 5,000 troops on board heading for the Gallipoli conflict.) After the war Aquitania was refitted for passenger service and at the same time converted from coal to oil burning (see item 83 "Oil Bunkers" on the diagram's index) and on 17 July 1920 resumed Liverpool - New York service. (It may be that this diagrammatic poster was issued in connection with the Aquitania's resumption of passenger service.) Three classes of service are listed (1st, 2nd, 3rd), while in 1927 "Tourist" class service was sandwiched between 2nd and 3rd. Aquitania served as a troop ship during the Second World War and remained in passenger service until 1949; she was scrapped the following year in Scotland. On the poster, below the cut-away image of the ship, is a line of technical information about the vessel: "Length 901 feet - Breadth 97 feet - Depth (from Boat Deck) 921 feet - Gross Tonnage 47,000 - Speed 23 Knots - Height to Tops of Funnels 164 free - Height to Mastheads 220 feet - Accommodation for nearly 5,000." As is the case with many sought-after posters from the 20s and 30s, the Aquitania diagram was produced by means of color lithography. .

      [Bookseller: oldimprints.com]
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        The Etching of Cities

      Published by The Chicago Society of Etchers for its Members Chicago: Published by The Chicago Society of Etchers for its Members. 1913. First. First edition. Octavo. Frontispiece proof of an etching by Ernest D. Roth. Quarter cloth and printed and stamped paper covered boards with leather spine label gilt. Printed in black, red, and brown with twelve facsimiles of etchings by Durer, Rembrandt, Whistler, and others. Some chips at the edges of the label, else very good plus. One of 325 copies. Laid in are four Autograph Letters Signed, totaling eleven pages, one from Ernest D. Roth (2 pages) enclosing proof etchings to be used in the book (not present). The other three are from the author and President of the Society,Thomas Wood Stevens. One (4 pages) comments on the proofs of the book and his corrections;another (2 pages) comments on his delight with the finished book; and the third (3 pages) suggest that now that Chicago-area members have become more active, a new President should be elected. All of the letters are to Bertha Jaques, the Secretary and Treasurer of The Chicago Society of Etchers, who apparently was in charge of the project to produce this book. Thomas Wood Stevens was an artist, teacher, author, and theater director. He served has head of the Illustration Department at the Art Institute of Chicago from 1903-1911; cofounded the Blue Sky Press, 1899-1907; he served as head of the Drama Department at the Carnegie Institute of Technology, 1913-1925; then at the Kenneth Sawyer Goodman Memorial Theatre, 1925-1930. A wonderful association copy of a handsome volume. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        The Mystery Queen.

      New York, G.W. Dillingham. [1913] - US First Edition. 8vo. Fine in publisher's red cloth titled and decorated in gilt to spine and front board. Fresh, bright and crisp. In a fine dustwrapper, illustrated by J. Hodson Redman, possibly supplied from an institutional copy or somesuch, as the jacket is a trifle short. Normally this would be a significant detriment, in this case however this book in jacket is such a rarity it's just nice to see it. With a Hume inscription laid in at the front. HUBIN; Crime Fiction IV, p774. [Attributes: First Edition; Hard Cover]

      [Bookseller: Adrian Harrington Rare Books, ABA ILAB]
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        North American Indians Being Letters and Notes on Their Manners, Customs, and Conditions, Written During Eight Years' Travel Amongst the Wildest Tribes of Indians in North America, 1832-1839, Volumes I & II

      Leary, Stuart and Company, Philadelphia 1913 - Two volume set, ix, [3], 298pp; xii, 303pp, bound in original gilt illustrated maroon cloth covers, with gilt illustrated spines. Collated and complete with 320 color engravings from original paintings by the author, as called for [including the folding map, and two full page maps, all in Very Good++ condition] all with colors still bright, top edges gilt. Owners name on front free endpapers, occasional pencil marking, light foxing on preliminary pages. Includes a 1931 map of the Indian Reservations tipped-in back, along with a 1948 news article laid-in, in a protective mylar sleeve. [Attributes: Hard Cover]

      [Bookseller: Monroe Bridge Books, MARIAB Member]
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        Gouache aquarellée de Jan Starace pour la couverture de Les Habits-Rouges de Pierre Sales.

      Arthème Fayard 1913 Gouache aquarellée de Jan Starace pour la couverture de Les Habits-Rouges de Pierre Sales, n°11 des Grands Drames de l'Amour, Arthème Fayard, décembre 1913. Exécutée sur un carton Whatman Board à grain fin de format 19 x 26,5 cm (marges comprises), non signé [Jan Starace]. Un macaron avec le prix de vente est collé sur le dessin. Un papier calque monté sur le haut du canson vient protéger le dessin. Certaienement l'une des meilleures couvertures de Jan Starace pour cette collection. Magnifique état. Joseph-Jean Starace (né en 1888), dit Jan Starace, fut illustrateur pour les éditions Arthème Fayard, comme son père, le célèbre Gino Starace, auteur des couvertures de Fantômas. Il est l'auteur des couvertures de la collection éphémère des Grands Drames de l'Amour (20 volumes entre février 1913 et septembre 1914, écrits par Pierre Sales) Très bon couverture rigide Edition originale

      [Bookseller: Librairie Dejolibelle]
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        JOHN L. STODDARD'S LECTURES - Fifteen Volumes

      Geo. L. Shuman & Co., Chicago 1913 - In 15 volumes plus five supplemental volumes, illustrated in color and in black & white, bound in 3/4 brown morocco over marbled covered boards, top edge gilt, spine deorated in a floral motif and lettered in gilt, floral endpapers, a near fine set with very minor shelf wear. Photo illustrated, color frontispiece. Picture. [Attributes: Hard Cover]

      [Bookseller: The Antiquarian Shop]
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        Les Cloches et Quelques Autres Poemes.

      L'Edition d'Art H.Piazza, 1913 - Traduits par J.Serruys. 4to. 96pp. 28 mounted color plates. Half leather, spine gilt decorated, slightly rubbed, internally slightly foxed, original wr. preserved. [Attributes: Hard Cover]

      [Bookseller: The Isseido Booksellers, ABAJ, ILAB]
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        Mother Goose The Old Nursery Rhymes Signed and Illustrated by Arthur Rackham Limited Edition

      Hardcover, Very Good. William Heinemann, London 1913. Limited Edition. Limited to Eleven Hundred and thirty copies. Signed by Arthur Rackham on the Limitation page. The Signature is Guaranteed by the Publisher. Illustrated with thirteen tipped in color plates by Arthur Rackham. Also illustrated in black and white throughout by Rackham. White cloth boards with gold lettering and illustration at the front board. Uncut page edges. Top edge gold gilt. Book Condition: Very Good+, light spots on the boards, tight spine, foxing at the half title page and at the last page of text, clean pages.

      [Bookseller: 1st Editions and Antiquarian Books]
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        Paul Helleu: Peintre et Graveur

      Paris: H. Floury, 1913. First edition, one of 100 copies on Japon vellum. 4to. Illustrated with ith 100 plates, of which 50 are in color. 114 pp. Original printed pictorial wrappers. Fine, in the original glassine jacket and with all tissue guards . Helleu (1859-1927) was a French artist who, like his close friend John Singer Sargent, was known for his society portraits

      [Bookseller: James Cummins Bookseller]
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        THE CONQUEST ... BY A NEGRO PIONEER

      Lincoln, Nebraska: The Woodruff Press, (1913.) . 2nd printing. . Very good in dark blue cloth with white lettering (lettering rubbed and illegible on the spine), some wrinkling to the cloth (binding flaw.) Uncommon. . African-American filmmaker Oscar Micheaux's first book, a self-published novel with a very strong autobiographical influence: Micheaux was a Nebraskan farmer, who eventually lost his land as a victim of fraud. Later, realizing the growing importance of the moving picture industry, he wrote. produced and directed several films with all-black casts, and even financed the films himself. The second printing of this landmark book was just 2 weeks after the first, and is notable both as an early work by an African American who was a pioneer in many different ways, and for its early Nebraska imprint. Illustrated with a frontispiece portrait of the author and 15 photographic plates, mostly of scenes of ranching or farming in Nebraska (all plates are present, but 2 are inserted at different pages than indicated in the list of illustrations.)

      [Bookseller: bookfever.com]
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        Nouvelle Iconographie de la Salpêtrière tome XXVI

      Masson, Paris 1913 Grand et fort in-octavo relié demi-chagrin éditeur grenat, titre et tomaison doré et gravé. Très belle iconographie, nombreuses planches hors-texte en héliogravure et figures in-texte. - Patronage scientifique : J. Babinski - Gilbert Ballet - E. Brissaud - Dejerine - E. Dupré - A. Fournier - Grasset - Joffroy - Pierre Marie - Albert Pitres - Raymond - Emmanuel Régis - Jules Seglas - très nombreuses planches hors-texte et très nombreuses figures in-texte - articles de : Abadie - André Thomas - Austregesilo - Babinski - Bacaloglu - Barbé - Basta - Baumel - Benon - Bertolotti - Boks - Bouttier - Aloysio de Castro - Carlos Chagas - René Charon - J. Charpentier - Stephen Chauvet - Ciuffini - Cluzet - Courbon - Déjerine - P. Denès - Dustin - Maurice Dide - Faure-Beaulieu - E. Felstein - M. Goldstein - L. Gravier - Haskovec - Jarkowski - Jumentié - Klippel - Laignel-Lavastine - La Salle Archambault - P. Lereboullet - André Léri - Juliette Levèque - Adrien Lippens - Margarot - Pierre Marie - G. Marinesco - P. Mersey - Egas Moniz - A. Pitres - Radovici - G. Rauzier - Rebattu - Rotstadt - Roubinovitch - Snessareff - A. Souques - Vaucher - Zaharescu - Tables des auteurs, des planches et des matières. 511 pp. Précieux exemplaire provenant de la collection personnelle de Georges Guillain qui lui aussi occupera la célèbre chaire de la Salpêtrière crée par Charcot, cachet gras sur la page de garde. Très bel exemplaire en parfait état, sinon les coins et les coupes très légèrement émoussés, il est très rare de trouver ces volumes dans un tel état de fraicheur, ils ont tendance en vertu de leur épaisseur à se fendre au millieu au fil des lectures et à perdre leurs feuillets. FIRST EDITION - VERY PERFECT COPY. 511 [1] pages. Magnifique exemplaire aux coiffes intactes Très bon couverture rigide Edition originale

      [Bookseller: Librairie Dejolibelle]
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        Sons and Lovers

      Duckworth, London, 1913. First Edition. Hardcover (rebound in leather). Very Good Condition. First edition, second state - title is a cancel, lacking the ads at the rear (no doubt discarded when rebound). Finely rebound in full brown morocco by Sangorski & Sutcliffe. Foxing to first few pages and page edges, but mostly clean otherwise. Size: Octavo (8vo). Quantity Available: 1. Shipped Weight: Under 1 kilo. Category: Fiction; Inventory No: 043197. .

      [Bookseller: Pazzo Books]
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        Cubismo e oltre. Con illustrazioni di Paul Cezanne, Pablo Picasso, Georges Braque, Ardengo Soffici, Umberto Boccioni, Carlo D. Carrà.

      Firenze, pubblicato dalla Libreria della Voce, 1913, in-8, grande, br. edit. con xilografia di Soffici sulla coperta anteriore, pp. 42, [2] + 8 tavv. di ill. f.t. Esemplare che reca qualche annotazione marginale e sottolineatura a matita, attribuibili, data la provenienza, ad Ugo Ojetti. Prima edizione. Dizionario del Futurismo, Vallecchi, 2001: "Il 1913 è un anno di feconda attività futurista per Soffici. Dà alle stampe "Cubismo e oltre" in cui legittima una storicizzazione del futurismo in quanto movimento proiettato a superare il cubismo". Bell'esemplare. Alleghiamo una ventina di articoli di giornali d'epoca riguardanti Soffici, ritagliati a suo tempo da Ojetti e conservati all'interno del volume.

      [Bookseller: Libreria Antiquaria Gozzini]
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        Mother Goose The Old Nursery Rhymes Signed and Illustrated by Arthur Rackham Limited Edition

      William Heinemann, 1913. Hardcover, Very Good. William Heinemann, London 1913. Limited Edition. Limited to Eleven Hundred and thirty copies. Signed by Arthur Rackham on the Limitation page. The Signature is Guaranteed by the Publisher. Illustrated with thirteen tipped in color plates by Arthur Rackham. Also illustrated in black and white throughout by Rackham. White cloth boards with gold lettering and illustration at the front board. Uncut page edges. Top edge gold gilt. Book Condition: Very Good+, light spots on the boards, tight spine, foxing at the half title page and at the last page of text, clean pages.

      [Bookseller: 1st Editions and Antiquarian Books]
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        [Racing Car Number 11 / Grand Prix de France 1913 / Le Mans Pablot sur Delage].

      Mabileau & Co. 1913 Pochoir con ritocchi a mano di mm 420x870 su foglio di mm 450x900. Marguerite Montaut (che sovente utilizzò il soprannome Gamy) assieme al marito Ernest, si dedicò nella produzione di tavole illustranti i più svariati eventi della prima apparizione del motore in gare di motoscafi, motocicli, automobili e dirigibili. Gamy si specializzò in particolar modo nella composizione di soggetti di velivoli, spesso rappresentandoli nei loro primi voli significativi. Il complesso processo di colorazione delle litografie impegnò una numerosa squadra di artisti di alto livello, che contribuì all'enorme successo che le opere dei coniugi Montaut ebbero in tutta l'Europa contemporanea, affascinata dalla nascita e dalla veloce evoluzione che ebbe il motore nei suoi primi anni di vita. Bell'esemplare, finemente colorato.

      [Bookseller: Libreria Papalería Herso]
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        Scott's Last Expedition.

      London, Smith, Elder, & C., 1913. 1913 Due volumi in 8° grande, pagg. XXVI, 633; XVI, 534 con numerose tavole e mappe ripiegate fuori testo, legatura in tela editoriale blu con filetti e titoli oro al dorso. Con le commoventi lettere ritrovate accanto al suo cadavere, che Scott scrisse in fin di vita alla sua famiglia, alla moglie del compagno Wilson e ad altri. Robert Falcon Scott (1868-1912) fu marinaio ed esploratore britannico. Animato dal desiderio di raggiungere il Polo Sud, organizzò numerose esplorazioni nel continente antartico. La spedizione narrata in quest'opera è quella più celebre. Fu condotta tra il 1910 ed il 1913 a bordo della nave "Terra nova" e si trasformò ben presto in una competizione con Amundsen. Scott raggiunse l'ambita meta nel gennaio del 1912, ma era stato preceduto di qualche settimana dal rivale norvegese. Fu questo l'ultimo viaggio per Scott ed i suoi uomini, che trovarono la morte sulla barriera di Ross. Ottimo stato. Piccola riparazione ad una cuffia. Prima edizione. Gobetti, Le esplorazioni polari, pag. 320.

      [Bookseller: Biggio Giuseppina]
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        Designs on the Dances of Vaslav Nijinsky Foreword by Francis de Miomandre

      La Belle Edition 1913 Folio (320X280). Pagg. (12), tre pochoir in nero nel testo, 12 splendide tavole in pochoir messe a colori alla mano da Barbier. Cartoncino editoriale a stampa originale.Prima edizione di quest'opera, che riflette la passione di Barbier (1882 - 1932 uno dei più importanti illustratori francesi), per i Balletti Russi, da egli regolarmente frequentati, questo libro fu un omaggio al grande ballerino russo Vaslav Nijinsky, famoso per le sue performances teatrali . Tiratura unica limitata a 400 copie numerate, la nostra è la numero 208; stampata in Francia su carta de Luxe. Magnifica edizione di Georges Barbier, che sottolinea il suo talento eccezionale e la raffinata qualità del suo genio esplicato nei disegni per la moda, il teatro e la pubblicità. Ottimo esemplare.Deco Book in France 31.

      [Bookseller: Libreria Antiquaria Perini s.a.s.]
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