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Displayed below are some selected recent viaLibri matches for books published in 1913

        Torquato Tasso.

      Doves Press, Hammersmith 1913. 21x15,5 cm, (gekürztes) Original-Ganz-Pergament. 1 nn. Bl. (we.) 163 röm. num. SS., 5 nn. SS. (le.4 we.).. Eines von 200 Exemplaren auf Bütten (ges. 227), durchgehend in rot und schwarz gedruckt. Der Buchblock an der Vorder- und Stehkante um ca 1 cm beschnitten, der flexible Original-Ganzpergamenteinband durch Umschlagen entsprechend gekürzt.Die Signatur der Doves Bindery befindet sich möglicherweise auf dem eingefalteten Teil des Umschlags, allerdings sind auch Drucke diesen Titels im Originaleinband ohne diese Signatur nachweisbar.Rückentitel in Gold. Pergament materialbedingt ganz minimal knittrig. Ansonsten von bester Erhaltung.

      [Bookseller: AS - Antiquariat Schröter]
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        L'Homme qui a perdu son Ombre. [Der Mann ohne Schatten]. Text französisch. Avec 15 eaux-fortes (Orig.-Radierungen, davon 12 ganzseit.) de Bernard Naudin.

      Paris, Peignot 1913.. 4°. 98, (4) S. mit 3 Radierungen im Text + 12 Bl. ganzseit. Radierungen + 15 Bl. Sonderabzüge, Ganzlederbd. der Zeit mit eingebundener illustr. OBroschur. Hervorragend erhaltenes, absolut makelloses Exemplar im Schuber mit Lederkanten - nur das handmarmorierte Überzugspapier des Schubers ist minimal berieben. Thieme-Becker XXV.358.. * Eins von 15 (ges. 100) in der Presse numer. Exemplaren der Luxusausgabe - dieses Ex. trägt die Nr. 22 - das Exemplar mit der Nummer 1 ist als Unikatexemplar erschienen, die Nrn. 2 - 9 auf Vieux Japon, 10 - 25 auf Japon Imperial, 26 - 100 auf Holländischem Bütten. - Das uns vorliegende Luxus-Exemplar wurde also auf kräftiges, elfenbeinfarbenes "Japon Imperial"-Papier gedruckt und enthält - den regulären Graphiken jeweils beigebunden - eine komplette Suite aller 15 Radierungen: Zustandsdrucke, teils eindrucksvoller als die endgültigen Fassungen und noch ohne die Signaturen in den Druckplatten. - Bernard Naudin (1876 - 1946) war Schüler von Leon Bonnat, Mitarbeiter an "Cri de Paris" u. "Assiette au beurre". Neben seiner Graphikfolge zum "Mann ohne Schatten" illustrierte er auch "Peter Schlemihl", ferner Werke von Poe u. Villon. - Sehr selten, wir haben im Netz nur ein einziges Exemplar gefunden, ebenfalls eines der 15 Luxus-Exemplare, allerdings broschiert und nicht, wie unser Exemplar, im luxuriösen Einband: Nachtschwarzer Maroquin-Ganzfranzband auf vier Bünden, mit goldgepr. Rückentitel, reich vergoldeten, breiten Innenkanten, Seidenspiegeln u. Ganzgoldschnitt. Geschützt durch diesen Einband ist auch die dünne Original-Broschur bestens erhalten.

      [Bookseller: Antiquariat Matthias Loidl]
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        Galerie Alfred Flechtheim Eröffnungs-Katalog. Zusammengestellt von Dr. Paul Mahlberg, herausgegeben anläßlich ihrer Eröffnung von der Galerie Alfred Flechtheim G.m.b.H., Beiträge zur Kunst des 19. Jahrhunderts und unserer Zeit.

      Düsseldorf, Alleestraße 7, gedruckt von Aug.[ust] Bagel, 1913,. Signet auf dem Umschlag von Richard Schwarzkopf. 22,5 x 16 cm, 159 (1) Seiten, (64) nicht paginierte Seiten im Anzeigen-Anhang (u. a. mit Anzeigen von Bruno Cassirer, R. Piper Verlag, Galerie Caspari, Museum für Ostasiatische Kunst Köln, Delphin-Verlag, Erich Baron Verlag, Graphisches Kabinett J. B. Neumann, Verlag Paul Cassirer, Kaufhaus Leonard Tietz Düsseldorf, Verlag F. Bruckmann, Trocadero-Bar Düsselorf, Kurt Wolff Verlag, Verlag A. Bagel, Verlag E. A. Seemann, Werkstätten für angewandte Kunst G.m.b.H., Zwiebelfisch Hans von Weber Verlag, Verlag Die Aktion, L'Art Decoratif, Neu Kunst Hans Goltz, Bernheim-Jeune & Cie. Editeurs, Kunstverein für die Rheinlande und Westfalen, Verlag der Galerie Alfred Flechtheim). Original-Broschur mit Gebrauchsspuren am papierbedingt empfindlichen Schutzumschlag. Kleinere Fehlstellen. >Hier wohl Flechtheims eigenes Exemplar mit der Nummer 1, da alle anderen Vorzugsexemplare von ihm eigenhändig signiert wurden. Das vorliegende Exemplar ist nicht von ihm signiert. Siehe dazu in Dascher (Nimbus-Verlag, 2011) Seite 86 das Beispiel von Exemplar Nummer 5, das signiert und an Heinrich Stinnes weitergegeben wurde<.. Dascher (2011) Seite 83ff., mit Abbildung Seite 81. - Dokumentations-Bibliothek I, 358 ; VI, 527.1. - Perkins 131. - Spalek 11. - Imprimatur NF, Bd. V, Seite 92. - Katalog Flechtheim Düseldorf 1987, Seite 135 bzw. 144, Bibliographie. - Alfred Flechtheim (Münster 1.4.1878 - 9.3.1937 London), war bis 1913 Getreidehändler. In dieser Zeit hatte er schon enge Beziehungen zu den jungen Künstlern, die Flechtheim während seiner häufigen Aufenthalte in Paris kennenlernte; ab 1910 war er Geschäftsführer des Sonderbundes. 1913 eröffnete er seine Galerie in Düsseldorf. Während des ersten Weltkrieges wurden die Bestände versteigert [1917]. 1919 Wiedereröffnung der Galerie, die zum Zentrum des rheinischen Kunstlebens wurde (zitiert nach Perkins, Expressionismus, 1971). - "Der reich bebilderte Eröffnungskatalog >Beiträge zur Kunst des 19. Jahrhunderts und unserer Zeit< - heute [damals, 1967, Anmerkung des Antiquars] eine bibliophile Kostbarkeit, verzeichnet u. a. Beiträge von Julius Meier-Graefe, Ambroise Vollard, Wilhelm Uhde, Herbert Eulenberg, und Theodor Däubler. Gezeigt wurden mehrere Werke von Cezanne, van Gogh, Gauguin, Renoir, Seurat, Rousseau, Picasso, dazu Bonnard, Braque, Leger, Matisse, Pascin, de Vlaminck und neben [!] Jawlensky, Kokoschka, Macke, Marc und Munch. Der Katalog zählt über hundert Nummern auf. Eine besondere Abteilung galt der Bildhauerei mit Werken von Barlach, Haller, Lehmbruck, Maillol, Minne und Picasso. Die graphische Kollektion bot eine reichhaltige Auswahl von Marees-Zeichnungen, Munch-Graphik sowie Lithographien, Holzschnitten und Radierungen deutscher Expressionisten". (Zitat nach Vömel, Imprimatur NF V, Seite 92).

      [Bookseller: Stader Kunst-Buch-Kabinett]
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        Das Relativitätsprinzip. Eine Sammlung von Abhandlungen. Mit Anmerkungen von A. Sommerfeld und Vorwort von O. Blumenthal. (= Fortschritte der mathematischen Wissenschaften in Monographien ; 2. Hrsg. von Otto Blumenthal).

      Leipzig und Berlin, B. G. Teubner, 1913.. (4), 89, (1) SS. Mit gedr. Portraittafel von H. Minkowski. Bedr. grüner Originalleinenband. Gr.-8vo.. Erste Ausgabe dieser Sammlung von für die Wissenschaftsgeschichte der Relativitätstheorie überragenden Arbeiten. Enthält: H. A. Lorentz, "Der Interferenzversuch Michelsohns". A. Einstein, "Zur Elektrodynamik bewegter Körper". H. Minkowski, "Raum und Zeit". Der Aufsatz des Nobelpreisträgers für Physik 1902, H. A. Lorentz (1853-1928), stammt aus seiner bahnbrechenden Schrift "Versuch einer Theorie der elektrischen und optischen Erscheinungen in bewegten Körpern" (PMM 378b; Leiden, 1895), in der Lorentz das von A. A. Michelson aufgezeigte Problem der Messung relativer Geschwindigkeiten von Lichtwellen löste. "Im Jahre 1905 stellte Einstein seine spezielle Relativitätstheorie auf, mit der er das Aberrationsproblem zu klären versuchte. Zu diesem Zweck übernahm er Lorentz' Theorie" (Carter/Muir, S. 681). Einsteins erwähnte einschlägige Schrift bildet den zweiten Aufsatz des Bandes. Verfaßt während Einsteins Zeit als Sekretär im Berner Patentamt. Er führt aus, "daß das Michelson-Morley'sche Experiment fehlschlagen mußte, weil es die Existenz eines bevorrechteten Beobachters ohne jede Beziehung zum Universum voraussetzte. Jeder denkbare Beobachter der Naturereignisse muß jedoch selber im Universum in Bewegung sein, das heißt die Geschwindigkeitsmessung wird von der Lage des Messenden abhängen" (ebd., S. 714). Im dritten Aufsatz des Bandes, erstmals 1909 in Leipzig erschienen (PMM 401), führt Minkowski diesen Ansatz weiter. Seine "Raum-Zeit-Hypothese bedeutete soviel wie eine Neuaufstellung von Einsteins Grundprinzip, doch in einer Form, die es wesentlich plausibler machte und außerdem wichtige neue Entwicklungen einleitete" (ebd., S. 715). - Kapitale lädiert; Rücken etwas gebleicht. Am vorderen Innendeckel Geschenketikett von Bern Dibner für die Burndy Library. - Norman 1390. - Zu Einstein: Weil 59. Vgl. Boni 9. Vgl. Grolier/Horblit 26b. Vgl. Norman 691. Vgl. Dibner, Heralds of Science 1767. - Zu Lorentz: Vgl. PMM 378b und Norman 1389. - Zu Minkowsi: Vgl. PMM 401 und Norman 1513.

      [Bookseller: Antiquariat Inlibris, Gilhofer Nfg. GmbH]
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        The Motorbus. The Marlborough Gallery. 34, Duke Stree, St. James's, S. W. Exhibition of Futurist Paintings by Gino Severini.

      [London, -, 1913.]. Orig. Ansichtskarte [8,6 x 13,7 cm].. - Die Karte ist nicht gelaufen. - Severini (1883 - 1966) siedelte 1899 nach Rom über und besuchte Abendkurse an der Villa Medici. 1901 begegnete er Umberto Boccioni und Giacomo Balla. 1906 ging er nach Paris und hatte Verbindung zu Amedeo Modigliani und den Kubisten. Er unterzeichnete 1910 das "Technische Manifest der futuristischen Maler". 1917 hatte er eine Ausstellung in der Galerie 291 von Alfred Stieglitz in New York. 1918 arbeitete er an der Zeitschrift "De Stijl " mit. Sein Stil war stark vom Impressionismus und Kubismus geprägt. 1921 veröffentlichte er das Buch "du cubisme au classicism". Gino Severini war Teilnehmer der documenta 1 (1955) und der documenta III im Jahr 1964 in Kassel. (Zitat) - Anläßlich seiner ersten Solo-Ausstellung herausgebrachte Postkarte.

      [Bookseller: Antiquariat Weinek]
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        Haschisch. Erzählungen von Oscar A.H. Schmitz - Mit dreizehn Zeichnungen von Alfred Kubin

      G. Müller, München und Leipzig, 1913.. 25 x 19 cm. Grauer Original-Pappband mit schwarzgedruckten Titeln auf 2 aufmontierten Titelschildern, an den Kanten und Kapitalen etwas berieben. 6 Blätter Titelei mit Frontispiz, IV S., 109 S., 1 w. Bl.. Mit insgesamt 13 ganzseitigen Illustrationen von Alfred Kubin. Innen und außen in gutem Zustand.. Dieses in einer limitierten und nummerierten Auflage von 800 Exemplaren erschienene Buch trägt die Nummer 316. #FL3229

      [Bookseller: Antiquariat Carl Wegner]
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        Eigenh. Visitenkarte mit U. ("P. Kropotkine").

      [Brighton], o. D.. Mit einer Beilage (s. u.).. An einen M. Laisant: "Je vous remercie de tout cour pour vos felicitations pour les paroles si pleines d'amitie que vous m'avez adressees et je regrette infiniment que l'etat de ma sante m'empeche de vous ecrire plus longuement. Vous ai-je remercie, cher ami pour "la barbarie moderne". C'est un livre puissant qui fera bonne besogne. Tombe malade quelques jours apres mon anniversaire, je me remets, mais assez lentement, le temps est trop mauvais. Dans 8-10 jours nous comptons partir pour le midi. Beaucoup d'amities de la part de nous deux. Bien fraternellement a vous [...]". - Beiliegend ein eh. Brief mit U. von Sophie Kropotkine an denselben Adressaten: "Sep. 12 1913, Cher Monsieur Laisant, nous serons enchantes de vous voir mardi prochain chez nous avec monsieur votre fils et femme. Si vous pouvez venir vers les quatre heures pour prendre avec nous le the, ce sera encore mieux et on aura le temps de causer. En attendant ce plaisir, bien cordialement [...]" (12. IX. 1913; 1½ SS., 8vo).

      [Bookseller: Antiquariat Inlibris, Gilhofer Nfg. GmbH]
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        Inscriptiones Atticae Euclidis anno posteriores. Consilio et Auctoritate, Academiae Litterarum Borussiace. 6 volumes and 1 Fasc. (I/1: Decreta continens, fasciculus prior, decreta annorum 403/2-230/29. I/2: Decreta continens, fasciculus alter, decreta anno 229/8 posteriora accedunt leges sacrae. II/1: Tabulas Magistratuum, catalogos nominum, instrumenta iuris privati continens, fasciculus prior, tabulae Magistratuum. II/2: Fasciculus posterior, catalogi nominum, instrumenta iuris privati. III/1: Dedicationes, titulos honorarios, titulos sacros, titulos sepulcrales continens, fasciculus prior, dedicationes, tituli honorarii, tituli sacri. III/2: Fasciculus posterior, tituli sepulcrales, tituli memoriales, insunt tabulae duae. IV, Fasc. I: Indices continens, Fasciculus prior, Archontum tabulae, chronologica, sermo publicus decretorum proprius.). (= Inscriptiones Graecae, Editio minor, Vol. II+III). [GROSSFORMATIGE ORIGINALAUSGABE]

      Berlin / Berolini, de Gruyter / Georg Reimer 1913-1940.. Folio, Pappbände der Zeit,. Bibliotheksexemplar mit Rückenschild und Stempeln (entwidmet) / ex-library copy with backlabel and stamps, Einbände fleckig und berieben, Papier etwas gebräunt und teils etwas fleckig, ansonsten ordentlich erhalten, teils in Latein, teils in Altgriechisch, teils unbeschnitten, / binding stained and rubbed, paper a bit browned and partially a bit stained, otherwise fine, text partially Ancient Greek, partially Latin, partially uncut,

      [Bookseller: Antiquariat Hagena & Schulte]
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        4 Bände. Dictionary of the Irish Language. Based mainly on Old and Middle Irish Materials.

      Dublin: Royal Irish Academy, 1913 - 78.. Ca. 400 S. (doppelspaltig; in wechselnder Paginierung) pro Band. Originalleinen.. Gebraucht, aber gut erhalten. - Aus dem Nachlass von Michael Richter. Mit Namensstempel auf Vorsatz. - 4 BÄNDE = KOMPLETT ! A bis U (Die Buchstaben V-Z existieren nicht im klassischen irischen Alphabet). - This work has appeared over the years in parts, some with the title Dictionary of the Irish language (D-degoir,) E and F), the remainder as Contributions to a dictionary of the Irish language. The relationship between the two is explained in what follows. The early history of the undertaking fwas dealt with by R. I. Best in his ' On recent Irish studies in the Academy ', an address delivered to the Royal Irish Academy on 25 February 1946 and later published as Proceedings of the Royal Irish Academy Section C No. 2. This is the main source of information for much of what follows, though of course the later years have been dealt with on the basis of personal knowledge. The Dictionary was first projected at a meeting of the Irish Archaeological Society held in November 1852. The beginnings were slow and consisted mainly in the preparation of plans, projects and memoranda. The original idea was that the work should be carried out by the two foremost Irish scholars of the day, John O'Donovan and Eugene O'Curry. Unfortunately both of these were dead by 1862, and only their several individual efforts remain, O'Donovan's in the form of his supplement to O'Reilly's Irish-English dictionary (new edition 1864), O'Curry's in manuscript in four large volumes in the Academy archives. Before he died O'Donovan had outlined his ideas of what the Dictionary should be and the lines along which it should be compiled. The main basis was to be a thorough excerpting of the older Irish MSS. and of such other texts as were available. The meanings of words were to be supported by citations. Etymology was not to be attempted apart from derivation within Irish itself and the giving of sources of loanwords. These directions have in fact been adhered to in the work as eventually compiled. A further pronouncement of O'Donovan's has proved to be only too true-' This task can hardly be performed in our time, and it will be found that the workmen will break down before it is half done.' He can, however, hardly have foreseen the long delay which would ensue and the number of workers who would die without seeing the results of their labours in print. Nor can he have foreseen the particular direction the work would take. It would seem that in the early days Irish was looked on as a seamless garment for lexicographical purposes. But by the time publication of at least some of the Dictionary became imminent it had been agreed that the first requirement was to deal with the older language, and the first fasciculus to be issued added to Dictionary of the Irish language the words ' based mainly on old and middle Irish materials.' And although Marstrander, the editor of this fasciculus, makes reference to modern Irish forms, this was not continued, and the Dictionary remains for all intents and purposes a dictionary of early Irish. After the death of O'Donovan and O'Curry little immediate progress was made, and it was not till 1880 that a further important step was taken. This was the appointment of Robert Atkinson as editor. In Irish studies Atkinson is chiefly remembered for his massive and still extremely useful glossaries to the official edition of the Ancient laws of Ireland and to his editions of the Passions and homilies from the Leabhar Breac and Keating's Three shafts of death. But in spite of the energy and expertise which must have gone to the making of these lexicographical aids little apparent progress with the Dictionary was made during the twenty-seven years of his editorship, from which he retired in 1907. During the years from 1900 to 1907 Whitley Stokes and Kuno Meyer had published the three volumes of the Archiv fiir celtische Lexicographie, and to these were appended Meyer's Contributions to Irish lexicography, described as a ' collection of words . . . the outcome of about twelve years' desultory reading of Middle- and Modern-Irish books and manuscripts.' This extends only from A to DNO, and was by no means intended as a full-scale dictionary. On Atkinson's retirement Meyer took over the direction of the Dictionary, the Archiv ceased publication, and lexicographical work proceeded under the editorship of Osborn Bergin. The School of Irish Learning had been founded in 1903, and from then till its incorporation in the Royal Irish Academy it held summer courses in Irish and Welsh given by distinguished scholars from overseas. In addition, continuous instruction had been given by Osborn Bergin. When in 1910 Bergin was appointed to a chair in University College, Dublin he was succeeded in the School of Irish Learning by the Norwegian scholar Carl J. S. Marstrander who, at the early age of twenty-seven, had a wide acquaintance not only with Irish but also with a considerable range of other Indo-European languages. ... (Vorwort)

      [Bookseller: Fundus-Online GbR]
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        A SELECTION FROM THE LOVE POETRY OF WILLIAM BUTLER YEATS

      Churchtown, Dundrum: The Cuala Press, 1913. Churchtown, Dundrum: The Cuala Press, 1913. Limited ed. Hardcover. Very Good +. The Cuala Press, Churchtown, Dundrum, 1913. A Limited Edition of 300 copies. Signed by Yeats on the title pg. and dated 1913. White linen and gray paper boards. Gray endpapers. 2 blank pp, limitation pg, thanks for permission pg., title pg, contents, 29 pp., 4 blank pgs. Condition is VERY GOOD+ ; no shelf-wear, covers extremely clean and fresh with just a hint of toning/foxing to the linen. The spine is slightly more toned, with the paper label there very good, not chipped. There are small, neat markings in black in on the spine, at top, bottom and center, the central letters are over the lower edge of the paper label. These markings are most likely from a private collection. The binding is tight and the text is spotless. There is a paper label on the front pastedown that reads; "Bound by Galwey and Co, Eustaces, Dublin." Poetry. RGR

      [Bookseller: Andre Strong Bookseller]
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        Sons and Lovers

      First Edition. Blue hardback cloth cover. G : in good condition without dust jacket. Some rubbing and bumping to boards. Spine marked. Inner hinge cracking but binding intact. Light spotting to the page edge block and a little within. Dated 30.11.16 & 8841 to fep. 190mm x 140mm (7" x 6"). vii, 423pp. + 20pp advts. Roberts A4 variant 1.

      [Bookseller: Barter Books Ltd]
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        Potash and Perlmutter": Original drawing of the characters in this play, ink on board, signed lower right

      n.p, ca. 1913 - In 1910 Montague Glass published Potash and Perlmutter, a collection of stories written in vernacular and dealing with two partners in the cloak- and-suit business. They were immensely popular, and led to a number of sequels and dramatizations, among them the one celebrated here in Raven Hill's lively and expressive drawing Leonard Raven Hill (1867-1942) was born in Bath and studied at the Lambeth School of Art, and in Paris with Bouguereau(1885-87). On his return he became a prolific contributor to various British publications. "Altogether", note Bryant and Heneage, "he was one of the most celebrated black and white artists of the period". In 1896 he joined Punch, an association which lasted 40 years, and ended only when his eyesight began to fail in 1935. "In his prime he was a fine strong draughtsman, good at portraying character and making the most of a wide range of jokes." This drawing shows Potash, and Perlmutter, surrounded by other characters in the play; it probably appeared in Punch around 1913 A SPLENDID THEATRICAL DRAWING BY A NOTABLE ARTIST 14 x 10-1/4 inches. . Fine condition. Bryant and Heneage, pp. 110-11.

      [Bookseller: James Cummins Bookseller, ABAA]
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        Arthur Rackham's Book of Pictures

      London: William Heinemann, 1913. - With Forty-Four Mounted Color PlatesIncluding 'Cupid's Alley'RACKHAM, Arthur. Arthur Rackham's Book of Pictures. London: William Heinemann. n.d. [1913]. First trade edition. Quarto ( 10 1/4 x 7 5/8 in; 261 x 193 mm). 43, [1] pp. Forty-four color plates (including frontispiece) mounted on tan paper, with descriptive tissue guards, and ten drawings in black and white.Original gray green cloth pictorially stamped and lettered in gilt. Later (1918) printed dust jacket. Top edge stained gray. Small bump to fore edge of upper board otherwise A near fine copy, gilt bright with covers and spine unfaded. "Arthur Rackham's Book of Pictures brings together a number of drawings unrelated in theme. Most of them, it is true, are drawings of the supernatural, of goblins, elves and fairies, and many are based on actual fairy tales; but there are also delightful straightforward drawings of children at the seaside or in the Broad Walk, Kensington Gardens; there is also the well-known 'Cupid's Alley' [the original of which is in the Tate Gallery], which illustrates verses by Austin Dobson, and there are subject pictures and landscapes of wide variety. It was important that such a book should be drawn together by an introductory essay, and natural for Rackham to invite [J.M.] Barrie to write it. The answer he received was cordial but disappointing: '24 June 1913. Dear Rackham, I wish I could, but I have promised to write two introductions this autumn, and had better not undertake more. Added to which I would be very bad at it as I have no skill in criticism. I am very glad to hear of the book and look forward to it. You have no greater admirer than myself, and few there are more warmly indebted to you. 'Yours very sincerely J.M. Barrie'. Rackham was fortunate in obtaining Sir Arthur Quiller-Couch as a substitute for Barrie. 'Q' not only admired Rackham's work; he also thoroughly understood a child's instinctive longing for the imaginative and fanciful. 'To this instant, constant, intellectual need of childhood no one in our day,' he wrote, 'has ministered so bountifully or so whole-heartedly as Mr. Rackham.' And Quiller-Couch was happy, too, in associating the random, impressionistic nature of much of the Book of Pictures with 'the wayward visions that tease every true artist's mind, while he bends over the day's work'". (Derek Hudson. Arthur Rackham. His Life and Work, pp. 97-98).Latimore and Haskell, pp. 41-42. Riall, p. 118.

      [Bookseller: David Brass Rare Books, Inc.]
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        THE EYE OF DREAD By PAYNE ERSKINE 1913 First Edition

      LITTLE, BROWN, AND COMPANY, BOSTON 1913 - TITLE: THE EYE OF DREAD By PAYNE ERSKINE 1913 First Edition (Scarce) AUTHOR: PAYNE ERSKINE PUBLISHER - (LOCATION) / COPYRIGHT: LITTLE, BROWN, AND COMPANY - BOSTONPublished, October, 1913 EDITION: First Edition ISBN: NONE CATEGORY: Super Rare, Love, First Edition, Rare BINDING/COVER: Hardback without dust jacket COLOR: MAROON SIZE: 5 ½ x 8 ½ (approximately) PAGES: 508 pages. CONDITION: The book is without a dust jacket. The outside is in good condition; there is some spotting like splashes to the front board an d spine; the corner edges have minor rubs or scuffs. The first front free endpaper has evidence of pencil erasures that were minor. Book is without marks or writings, pages are clean and book is tight and sturdy. All the pages are present in book. Good/None dust jacket condition. BACKGROUND/DESCRIPTION: WITH FRONTISPIECE By GEORGE GIBBS. There are no other 1913 Little, Brown, and Company copies of this book found for sale on the internet at the time of this research!!! Scarce. COMPETITIVE PRICING! Once paid, book(s) will ship immediately to customer (it's on the way), you are welcome to email about shipment date! REFUNDS: All ViewFair books, prints, and manuscript items are 100% refundable up to 14 business days after item is received. InvCodePrc E H V VIEWFAIR BOOKS: 008476 [Attributes: Hard Cover]

      [Bookseller: VIEWFAIR BOOKS]
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        Le Dictionnaire des idées reçues *

      L. Conard, Paris 1913. - Relié demi toile 28 x 20, titre doré, première couverture conservée. Établi d'après le manuscrit original et préfacé par E.-L. Ferrère.Dans un avis préliminaire l'auteur nous informe que ce texte fut pré publié par l'éditeur dans le tome des oeuvres complète à la suite de "Bouvard et Pécuchet".Les textes périphériques, un tiers de ce volume d'une centaine de pages, sont inédits.En voici mon extrait favori pour ma favorite (les autres apprécieront) :FEMME ? .

      [Bookseller: Librairie Oh 7e Ciel]
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        Vanity Fair

      [London]: Hodder & Stoughton, [1913]. - "Miss Pinkerton's Academy for Young Ladies"BAUMER, Lewis, illustrator. THACKERAY, Henry Makepeace. Vanity Fair. Illustrated in Colour by Lewis Baumer. [London] Hodder & Stoughton, [1913]. Large quarto (10 15/16 x 8 3/8 inches; 277 x 211 mm.). xviii; 483 [1] blank. Twenty mounted color plates with titled tissue-guards. Publishers gray cloth, front cover decoratively tooled in gilt with oval color illustration. Spine decoratively lettered in gilt. Color pictorial end-papers. A very fine copy housed in the original pictorial dark green cardboard box.Vanity Fair: A Novel without a Hero is a novel by English author William Makepeace Thackeray, first published in 1847&#150;48, satirizing society in early 19th-century Britain. The book's title comes from John Bunyan's allegorical story The Pilgrim's Progress, first published in 1678 and still widely read at the time of Thackeray's novel. In that work, "Vanity Fair" refers to a stop along the pilgrim's progress: a never-ending fair held in a town called Vanity, which is meant to represent man's sinful attachment to worldly things.The novel is now considered a classic, and has inspired several film adaptations. Lewis Christopher Edward Baumer (August 8, 1870 &#150; October 25, 1963)[1] was an English caricaturist who worked for more than fifty years for the British magazine Punch. He illustrated or contributed illustrations to more than forty books between 1897 and 1936.

      [Bookseller: David Brass Rare Books, Inc.]
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        Ceylon: The Portuguese Era,

      Colombo: The Colombo Apothecaries Co. Ltd.,, 1913-4. being a History of the Island for the Period 1505-1658. 2 volumes octavo. Original brown cloth, title gilt to the spines, Sinhalese lion gilt to both upper board, black surface-paper endpapers. Frontispiece to each and 33 plates in all, 4 coloured maps, two of them folding, and one other folding map A little rubbed, corners bumped, front hinge of volume II cracked to the gauze lining, but sound, a very good set. First edition. Important contribution to the modern historiography of Sri Lanka/Ceylon, the work of Paul Edward Pieris. Graduated from Trinity College, Cambridge in 1894; barrister Inner Temple 1895; Ceylon Civil Service 1896-1935; Trade Commissioner for Ceylon in England; Organiser of National Day Movement in 1913; father of Paules Edward Pieris Deraniyagala, palaeontologist, zoologist, and artist, Director of the National Museum of Ceylon, 1939 - 1963. Later bookplates of John R. Ribeiro to the front pastedowns.

      [Bookseller: Peter Harrington]
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        Publications of the Lick Observatory Vol VII, Contributions of the Berkeley Astronomical Department

      Sacramento CA: California State Printing Department, 1913, Sacramento CA - Hard Cover. Good/No Jacket. First Edition. Inscribed By Author. A reasonable copy of this scarce astronomical volume, inscribed to a student "With the compliments of A. O. Leuchsner, May 19, 1938". Cover is smoke damaged, cheap pebbled-cloth binding is slightly loose at front and back hinges (not well glued down!). Not an ex-lib copy. Inscriptions in such volumes are quite scarce. [Attributes: First Edition; Hard Cover]

      [Bookseller: The Other Change of Hobbit]
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        Primer (I) Congreso de Historia de la Corona de Aragón, dedicado al Rey Don Jaime I y su época. Barcelona, 1908.

      Barcelona, Stampa d'en Francisco Altés, 1909 - 1913. - Dos volúmenes en folio, con un total de 1258 pp. Ejemplar carente de la carpeta con 50 láminas. Cubiertas originales.

      [Bookseller: Hesperia Libros]
 19.   Check availability:     IberLibro     Link/Print  


        The Tale of Pigling Bland

      London: Frederick Warne and Co., 1913., 1913. First Edition. Publisher&#39;s green paper-covered boards with titles in brown to spine and upper; colour illustration laid down to upper; pictorial end papers. Illustrated with fifteen coloured plates and numerous black and white illustrations in-text. Shows light handling, neat gift inscription to flyleaf, minor rubbing to spine. A lovely copy of a fragile book.

      [Bookseller: Adrian Harrington Rare Books]
 20.   Check availability:     Biblio     Link/Print  


        Notes on the life of Noah Webster. Compiled by Emily Ellsworth Fowler Ford. Edited by Emily Ellsworth Ford Skeel.

      privately printed, 1912 [i.e. 1913]., New York - First edition, 8vo, 2 volumes; presentation copy "For our dear Miss Estes representing two generations of love. June 10th, 1913" all in the hand of the editor, Emily Ellsworth Ford Skeel. A note on the verso of each title reads "Printed by Kathleen Gordon Ford Turle, Rosalie Greenleaf Ford Barr, Grace Kidder Ford Williams, Emily Ellsworth Ford Skeel, Worthington Chauncey Ford, Roswell Skeel, Jr." A printer's imprint at the end of each volume shows that the book was printed in Glasgow by Robert Maclehose & Co. The work contains seven first printings of certain Webster materials (mostly extracts, letters and memoranda -- see Skeel 766). With two frontis portraits (browned from acidic tissue, now removed) and 7 plates; extremities rubbed and with some slight chipping, spine bubbled on vol. II, front hinge on vol. I cracking, else a good, sound set in orig. blue cloth. [Attributes: First Edition; Hard Cover]

      [Bookseller: Rulon-Miller Books (ABAA / ILAB)]
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        Five New Poems

      Flying Flame - 1913. Paperback. 20pp. Decorations by Lovat Fraser. Hand coloured and signed by the artist. Some shelf wear on spine. First edition copy. . . . Free Shipping Worldwide. Books ship from the US and Ireland . [Attributes: Soft Cover]

      [Bookseller: Kennys Bookstore]
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        THE WORKS OF RUDYARD KIPLING: The Bombay Edition in 25 Volumes [signed by Kipling]

      London, Macmillan, 1913-1919. Limited Edition. 25 volumes, large 8vo. Bound by Bayntun-Riviere in 3/4 calf and black cloth, elaborate gilt-decorative spines, black leather labels, top edges gilt. A clean, tight set. 9.5" x 6.5" Calf & Cloth. Fine. Signed by Rudyard Kipling on the half-title of Volume I. One of 1, 050 copies printed by R Clarke from the Florence Press type, designed by Herbert P. Horne.

      [Bookseller: R Petrilla, Booksellers]
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        Stary Gdansk".

      - Typ: rycina; Haslo: Gdansk; Przyn. adm.: wojewodztwo pomorskie (gdanskie); Sygnatura: Rycina sygnowana olowkiem pod kompozycja: "Stary Gdansk. Anna Grzeska".; Technika: Akwaforta na tincie na kartonie; Format: 217x249.; Datowanie: II pol. XX w.; Inf o autorze: A. Grzeska-Meczynska (ur. 1913) absolwentka Wydzialu Sztuk Pieknych UMK w Toruniu w 1953, zob. Indeks 2 s.38.; Uwagi: Dekoracyjna rycina.; Kategorie tematyczne: architektura panoramy rynki / Architektur Panoramas/Panorama Ringe/Ring / architecture market squares/market square panoramas/panorama / Radierung / etching;

      [Bookseller: POLIART Beata Kalke]
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        Fishing At Home & Abroad

      London: The London & Counties Press Association Ltd, 1913. One of 750 copies. Folio. Illustrated with 6 photogravure plates, 7 full- page color plates, and 56 monochrome and half-tone illustrations in the text. Original full dark brown pebbled morocco, t.e.g. Somewhat rubbed at extremities. Near Fine overall, a magnificent publication . Dedicated to His Majesty King George V, printed on handmade paper and lavishly illustrated, Sir Herbert Maxwell&#39;s book is perhaps the most distinguished single volume publication of its kind, and successfully realizes the author&#39;s goal of providing "in a single work information about fishing in all parts of the world" (Preface, p. v). With chapters on salmon, trout, sea fishing, fishing techniques, fly patterns, local angling peculiarities, etc

      [Bookseller: James Cummins Bookseller]
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        Sac au Dos

      Paris: Librarie de la Collection des Dix, A. Romagnol éditeur, [1913] - A unique copy, elegantly bound, with plates in 6 states, and original studies and sketches for the the plates by Barlangue bound in. In addition, bound-in at the front is a two page Autograph Letter, signed ("C. Hüysmans"), dated Paris, 27 Janvier 1902, praising 3 works of Victor Hugo - Les Miserables, Les Travailleurs de la mer, and L'Homme qui rit - as among the greatest works of French literature: "Un volume suffirait à peine pour t'achever d'analyse et de montrer la force et l'ampleur de l'oeuvre d'Hugo - "; and two Autograph Letters, signed ("Gustave Coquiot"), the author of the Preface, to one M. Decraver, concerning the Preface and this unique copy "Exemplaire unique avec les Croquis". 4to. Compositions et Gravure Originale de Barlangue. Etched plates in 6 states, many signed in pencil by the artist, 20 ORIGINAL PENCIL DRAWING STUDIES for the illustrations, an additional 14 leaves of sketches and studies, some double-sided, all bound in at rear. Original prospectus bound in at rear. [xii], 79, [3] pp. Full contemporary red morocco, covers gilt with interlocking strapwork border, spine with raised bands, lettered in gilt in one compartment, tooled in gilt with strapwork design in the rest, red morocco doublures with inlaid maroon morocco border, moiré endpapers, a.e.g., by E. Maylander, in matching morocco-tipped slipcase. Fine [Attributes: Hard Cover]

      [Bookseller: James Cummins Bookseller, ABAA]
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        Fishing At Home & Abroad

      London: London & Counties Press Association. Good+; Scattered foxing on end-papers, binding shows some rubbing, . corners and hinges are sound.. 1913. First Edition. Hardcover. Folio 13" - 23" tall; Full morocco, gilt title and rules on spine anf front board, rear board blind ruled, top edge gilt, ribbon deckle edges, xii, 413p., illustrated iln various mediums, seven in color, index. **Copy 241 of 750. Includes American Trout Fishing, by Theodore Gordon. .

      [Bookseller: HJHurley]
 27.   Check availability:     Biblio     Link/Print  


        Westward Ho! Or, the Voyages and Adventures of Sir Amyas Leigh, Knight, of Burrough, in the County of Devon. In the Reign of Her Most Glorious Majesty Queen Elizabeth

      Oxford University Press, Henry Frowde, 1913., 1913. 8vo. Contemporary full green calf with gilt titles and extra gilt tooling to spine, gilt rule to boards, all edges gilt; marbled end papers. Prize binding with Morpeth High School for Girls arms stamped in gilt to centre of upper and bookplate award of same to paste down. With 12 illustrations. Spine sunned but gilt bright. The fore-edge painting shows a scene of the Armada, 2 ships in battle, and a medalion portrait of Queen Elizabeth I. Fine.

      [Bookseller: Adrian Harrington Rare Books]
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        The Vanishing Race: The Last Great Indian Council

      Garden City: Doubleday, Page & Company, 1913. FIRST EDITION. Brown cloth, tall octavo. Very Good. Very minor rubbing at spine ends, copyright, dedication and pp 44-45 browned from laid in clippings, hinges professionally and very skilfully repaired. Illustrated with 80 exceptional photogravures.

      [Bookseller: Blue Whale Books, Inc.]
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        Kidnapped. Being Memoirs of the Adventures of David Balfour in the Year 1751 -

      New York: Scribners, 1913. (WYETH, N.C.) First Wyeth edition. Illustrated by N.C. Wyeth. Folding map in outline. Pictorial title page, endsheets, 14 plates, and cover illustration after paintings by Wyeth. Black cloth, upper cover with full color pictorial onlay, t.e.g. Spine very slightly faded, faint rubbing, near fine, tight copy

      [Bookseller: James Cummins Bookseller]
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        EXCEPCIONAL LOTE DE 21 FOTOGRAFIAS DEL ACCIDENTE DEL CAÑONERO BONIFAZ EN LA CARRACA (CADIZ)

      - Se trata de un conjunto de 21 fotografías tomadas la primera una hora después de ocurrir el accidente el 30 de septiembre de 1913 en el que el cañonero Bonifaz tocó los pescantes al transporte General Valdés, produciéndole una vía de agua, en el arsenal de la Carraca (Cádiz), cada fotografía está explicada por detrás y fechada con la hora exacta en que fue tomada. La primera es de una hora después de ocurrir el accidente el 30 septiembre 1913, y la nº 11 es del 4 de octubre de 1913 estas 11 fotografías muestran al Bonifaz siendo auxiliado por el "Nerva" sacado a flote y finalmente conducido por el "Nerva" y un remolcador a el dique. A partir de la nº 12 tomada el 30 septiembre 1913 a las 8 de la mañana se muestra los restos de el "Valdés" en bajamar y pleamar, se muestra una vista del Carlos V y Princesa de Asturias hacia la Bahía de Cádiz, y otras vistas del Caño de Sancti Petri, todas tomadas el 30 de septiembre de 1913. Todas las fotografías van pegadas sobre cartón y a la vez están enteladas formando un desplegable con las tapas en tela. Miden 15x11 cm. (54788).

      [Bookseller: Librería J. Cintas]
 31.   Check availability:     IberLibro     Link/Print  


        The Cottage in the Chine

      London, Ward Lock. 1913, 1913. Mystery novel. FIRST EDITION. 8vo. Pristine in publisher&#39;s black embossed cloth titled and decorated in gilt and red to spine and front board. Internally clean, light foxing to pastedowns. Frontis with tissue guard. In the very scarce near fine colour dustwrapper with some light edgewear and marginal creasing, one closed tear to rear panel. A splendid copy, rarely seen in this condition, and certainly very rarely seen in the dustwrapper. With the bookplate of Adrian Homer Goldstone to the front pastedown. Goldstone was a noted book connoisseur and bibliographer responsible for sterling research on both Steinbeck and the legendary Arthur Machen. Headon Hill was the pseudonym of crime writer Francis Edward Grainger, 1857-1927, who specialised in Scotland Yard police procedurals. HUBIN 734.

      [Bookseller: Adrian Harrington Rare Books]
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        Die italienischen und spanischen Bildwerke der Renaissance und des Barock. In Marmor, Ton, Holz und Stuck

      Bln., Reimer 1913.. 2. Aufl. 4°. 207 S. Mit 466 Abb. Ln. Mit Rückengoldpräg. Einige Textanstreich. - (Königliche Museen zu Berlin. Beschreibung der Bildwerke der christlichen Epochen. 5. Bd.)

      [Bookseller: Antiquariat Burgverlag]
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        Sju böcker om konung Carl X Gustafs bragder med förträffliga bilder sirade och med nödigt register försedda. Öfversatta af Adolf Hillman. Del 1-7 i 2 volymer.

      Wahlström & Widstrand 1913-1915. Folio. (8), 405 + (4), 408-698, (1) s. + 130 hel- och dubbelsidiga planscher, varav många utvikbara av Erik Dahlberg, W. Swidde, J. le Pautre, N. Perelle m.fl. 1:a svenska upplagan. Praktupplaga om 300 numrerade ex, varav detta är nummer 62. Halvfranska band (G. Hedberg) med övre guldsnitt, överdådigt guldornerade ryggar med röda och gröna titeletiketter samt fem markerade bind. Samtliga omslag medbundna. Ryggarna obetydligt blekta samt lätt skavda med några små fläckar. Längdsnittet på del 1 med en del fläckar men i stort en trevlig uppsättning av detta berömda historiska verk.. Pufendorf 1632-94, tysk jurist och historiker. År 1668 blev Pufendorf professor vid det nygrundade universitetet i Lund och 1677 svensk rikshistoriograf. Som rikshistoriograf skrev Pufendorf om Sveriges insatser under 30-åriga kriget (De rebus Svecicis, 1686) och om Karl X Gustavs bedrifter (De rebus a Carolo Gustavo gestis, 1696) som senare utkom på tyska och franska men inte på svenska förrän denna utgåva

      [Bookseller: Aspingtons Antikvariat]
 34.   Check availability:     Antikvariat     Link/Print  


        ORIGINAL PEN AND INK DRAWING FOR HANS ANDERSEN&#39;S FAIRY TALES. UNSIGNED

      Circa 1913.. Image size (portrait) 170 x 50 mm, 7 x 2 inches, on Whatman&#39;s Sketching Board, drawn originally as a tailpiece for one of the stories but not published in the book which appeared first in 1913. It depicts an elderly gentleman in a long plain cloak in slippers and spectacles wearing a large hat on which is perched a small long legged bird. Below the image someone has written in ink "Snow Queen". Clean and bright, in large cream mount. ZOOMABLE IMAGE ATTACHED TO THIS LISTING. POSTAGE AT COST.

      [Bookseller: Roger Middleton]
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        AUCASSIN AND NICOLETE

      [London]: George G. Harrap, n.d. [c. 1913]. Some normal warping to cover, all else fine and bright. No. 117 of 125 copies signed by Evelyn Paul Small quarto. 124p. "Depictured by Main R. Bocher, music by Horace Mansion, decorated by Evelyn Paul." Illustrations on every page in orange, thirteen mounted color plates, preliminaries in several colors. Bound in full white vellum with decorated endpapers, t.e.g., the cover with titles and designs in orange, gray and gilt.

      [Bookseller: First Folio]
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        Gebäude der Papierindustrie, Hansa Burg., Schwarze Kreide.

      1913 - Signiert und datiert. Detaillierte und akribisch gezeichnete Architektur von der Hand des Architekten. Die eindrucksvolle Zeichnung verleiht dem Gebäude durch die extreme Nahansicht eine enorme Päsenz. Der angedeutete Straßenverlauf im Vordergrund und die in großzügiger Strichführung gezeichneten Wolken geben der Zeichnung einen bildhaften Charakter. Das in der Wendenstraße 493 befindliche Gebäude zählt zu den bedeutensten Beispielen der Hamburger Industriearchitektur zu Beginn des 20. Jahrhunderts. Errichtetet wurde es von der Firma Lehmann und Hildebrandt 1913 - 15 für die Papierfabrikation. Heinrich Schöttler und die Westfälische Bau-Industrie Aktiengesellschaft Haspe i.W. lieferten den Entwurf für das Gebäude. - Am äußeren rechten Bildrand kleiner Feuchtigkeitsfleck. Insgesamt sehr guter Zustand. Sprache: de Gewicht in Gramm: 2100 71 x 137 cm. Auf bräunlichem festen Papier. In breitem Mahagoni-Rahmen der Zeit.

      [Bookseller: Kunstantiquariat Joachim Lührs]
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        Haschisch. Erzählungen von Oscar A.H. Schmitz - Mit dreizehn Zeichnungen von Alfred Kubin

      G. Müller, München und Leipzig, 1913. - FLUR 25 x 19 cm. Grauer Original-Pappband mit schwarzgedruckten Titeln auf 2 aufmontierten Titelschildern, an den Kanten und Kapitalen etwas berieben. 6 Blätter Titelei mit Frontispiz, IV S., 109 S., 1 w. Bl. Mit insgesamt 13 ganzseitigen Illustrationen von Alfred Kubin. Innen und außen in gutem Zustand. Dieses in einer limitierten und nummerierten Auflage von 800 Exemplaren erschienene Buch trägt die Nummer 316. 700

      [Bookseller: Antiquariat Carl Wegner]
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        British Deer & Ground Game. Dogs, Guns & Rifles

      London & Counties Press, London 1913 - 4to. The Gun at Home and Abroad. No 565 of an edition of 950 copies. c.p. including 15 coloured plates. Light foxing and browning to e.p.s, prelims and some tissue guards with damp marks affecting two edges of rear e.p. t.e.g. A good tight copy in original brown morocco gilt. Light wear to extremities and small spot of surface damage to spine otherwise near very good. [Attributes: Hard Cover]

      [Bookseller: Tombland Bookshop]
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        AFTER FIVE. A Face Comedy in Three Acts

      (n. p.). (1913).. 11" x 8-1/2". Unpaginated, though each Act&#39;s section is foliated. ~ 114 leaves.. Black flexible pebbled leather binding with gilt title lettering stamped to front panel and spine. Marbled paper eps.. Sunning and a closed tear to spine otherwise a VG copy.. Includes an inserted program from Fulton Theater - "Beginning Wedesday Evening October 29, 1913." However, this play did not do as well as his pervious effort, the Woman, and only lasted 13 performances. Offered with 12 other deMille play typescripts [IDs 34217 - 34229]; the price is for all 13 volumes. . A few set design sketches.

      [Bookseller: Tavistock Books, ABAA]
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        Catlogo de los manuscritos existentes en la Biblioteca Universitaria de Valencia. [Three Volumes].

      Valencia: Librera Maraguat, 1913.. Francisco Rodrguez Marn, prlogo. xiv, 307 pp.; 358 pp.; 333 pp. 4to. Cloth. First edition. Illus. with 30 facsimile plates. Palau 111545. No. 119 of 500 copies. A magnificent catalogue of 2422 manuscripts described in detail. Palau lists date as 1914. "Magnifier orb, appreciate y escape, " (Palau y Dulcet, VI, p. 490). ABPC shows only one copy sold at auction in the last 30 years. Spine scuffed and boards rubbed else very good copies with scattered foxing.

      [Bookseller: Collectors Treasury]
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        Werke (in 3 Abteilungen = Große Gesamtausgabe). Mischauflage (Bde 13, 17, 18 und 19 enthalten Erstdrucke). 18 Bände (von insges. 20 der Edition; es fehlen Bd 16 und das Register, dieses erst 1926 erschienen).

      Leipzig, Naumann bzw. Kröner (ab Bd 17), 1895-1913. - Mit insges. 2 Porträts und 4 Faksimiles. Gr.8°. OHLeder (mit 2 Rückenschildern und etwas -vergoldung) bzw. OHLeinen (4 Bände). Teils etwas berieben; bei den Bdn 1, 3 und 6 Kapitale mit farblich angepassten Lederstreifchen verstärkt; bei den Bdn 1, 2, 7, 11 und 12 Gelenke an den Kapitalen mit Einrissen, diese fixiert; bei den Bdn 4, 14 und 15 Kapitale mit kleineren Fehlstellen; Rücken schwach verblaßt. Die Schäden sind wohl eher auf das verwendete Material und/oder mangelnde bzw. fehlerhafte Buchpflege als auf intensiven Gebrauch zurückzuführen; trotz der Mängel ordentliches Exemplar. Mit Widmungs-/Grußkärtchen: "Im Auftrag von Frau Dr. E. Förster-Nietzsche Naumburg a. d. S. Groschlitzer Str. 7"; Bd 12 mit dem Exlibris des Schriftstellers Friedrich von Oppeln-Bronikowski. Ziegenfuß II, 216. DE

      [Bookseller: Antiquariat am Moritzberg]
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        Politische Chronik der österreichisch-ungarischen Monarchie. Mit Benützung amtlicher Quellen hrsg. von Karl Neisser Konvolut folgender Bände: 1913 Heft 1-4 / 1914 Heft 1- 12 kompletter Jahrgang / 1915 Heft 1- 12 kompletter Jahrgang / 1916 Heft 1- 12 kompletter Jahrgang / 1919 Heft 1- 12 kompletter Jahrgang

      Wiener Zeitung 1913-1914, Wien - 6 Halbleinenbände der Zeit, 4°, zus. Über 3600 Seiten, Exemplar gestempelt, etwas angestaubt guter Zustand Erscheingungsverlauf: Jg 1910-1920. / Akribische Dokumentation des Zeitgeschehens in den Jahren des Untergangs der Doppelmonarchie de 15000 Buch

      [Bookseller: Antiquariat Bernd]
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        THE CURIOUS LORE OF PRECIOUS STONES

      Lippincott 1913 Very light rubbing to corners, not obtrusive ; Blue dark blue cloth boards and spine with light blue lettering and gilt decorative design. Top edge gilt. Numerous illustrations in color and b&w. A very rare book (especially in this condition) by the well known American mineralogist that landed a job at Tiffany & Co. And was vice president of this company by the age of 23. INSCRIBED by Kunz on the front free endpaper: "Renee Dupont Esq. With the sincere regards of the author. George F. Kunz. New York 15 Jan 1920." ; 8vo; xiv, 406 pages

      [Bookseller: The Complete Traveller]
 44.   Check availability:     maremagnum.com     Link/Print  


        Werke (in 3 Abteilungen = Große Gesamtausgabe). Mischauflage (Bde 13, 17, 18 und 19 enthalten Erstdrucke). 18 Bände (von insges. 20 der Edition; es fehlen Bd 16 und das Register, dieses erst 1926 erschienen).

      Mit insges. 2 Porträts und 4 Faksimiles. Gr.8°. OHLeder (mit 2 Rückenschildern und etwas -vergoldung) bzw. OHLeinen (4 Bände). Teils etwas berieben; bei den Bdn 1, 3 und 6 Kapitale mit farblich angepassten Lederstreifchen verstärkt; bei den Bdn 1, 2, 7, 11 und 12 Gelenke an den Kapitalen mit Einrissen, diese fixiert; bei den Bdn 4, 14 und 15 Kapitale mit kleineren Fehlstellen; Rücken schwach verblaßt. Die Schäden sind wohl eher auf das verwendete Material und/oder mangelnde bzw. fehlerhafte Buchpflege als auf intensiven Gebrauch zurückzuführen; trotz der Mängel ordentliches Exemplar. Mit Widmungs-/Grußkärtchen: "Im Auftrag von Frau Dr. E. Förster-Nietzsche Naumburg a. d. S. Groschlitzer Str. 7"; Bd 12 mit dem Exlibris des Schriftstellers Friedrich von Oppeln-Bronikowski. Ziegenfuß II, 216.

      [Bookseller: Antiquariat am Moritzberg]
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        On the Quantum Theory of Radiation and the Structure of the Atom.[London: Taylor & Francis], 1915. First edition.

      Author's presentation offprint, inscribed by Bohr to Prof. Biilmann, of this seminal paper in which Bohr introduced the concept of 'stationary state'. <br/><br/> Soon after the completion of Bohr's great trilogy on atomic constitution had appeared in November 1913, Moseley began to carry out experiments on X-ray spectra. Among other things, he found that the frequency of the K<sub>&alpha;</sub>-line followed a Balmer-type formula similar to those which had inspired Bohr to develop his theory of atomic structure. In this paper Bohr attempts an explanation of this formula, refuting Moseley's suggestion that the lines might be caused by several electrons jumping simultaneously (See Pais 182).<br/><br/> "Moseley was later killed in a war-related incident, a death that shocked Bohr and the entire scientific community.... coping with the calamity of his colleague's death and the constant pressures created by the war, Bohr had to frequently revise and refine his atomic model in light of new discoveries. One significant paper, 'On the Quantum Theory of Radiation and the Structure of the Atom,' added more specific details about atomic states. For example, Bohr had earlier made the argument that electrons could jump from one orbit to another as energy was emitted or absorbed. In this paper, he theorized that an atom possesses stationary states in which energy was neither emitted nor absorbed. Any emission or absorption that did occur, such as might induce an electron to jump, would correspond to the transition between two stationary states." (http://www.sparknotes.com/biography/bohr/section4.rhtml)<br/><br/> "Franck and Hertz unwittingly provided an independent confirmation of the concept of stationary state. In 1914 they observed an energy threshold in the electron-stopping power of mercury vapor. This threshold, Bohr explained the following year [in the present paper], corresponded to a transition between the normal state and another (first excited) stationary state of the mercury atom (and not, as Franck and Hertz had originally thought, to the ionization of the atom)." (http://content.cdlib.org/xtf/view?docId=ft4t1nb2gv&chunk.id=d0e5922&toc.depth=1&toc.id=d0e5922&brand=eschol).. Offprint from the Philosophical Magazine, vol. xxx, September 1915, pp. [i], 394-415 [1:blank], 8vo (222 x 145 mm), original printed orange wrappers, with inscription in Bohr's hand 'Hr. Prof. E. Biilmann // ærbødigst fra Forf.', with numbering to the upper left corner of the front wrapper, from the library of the Danish chemist Prof. Einar Biilmann (1873-1946)

      [Bookseller: Sophia Rare Books]
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        L&#39;ARCHITECTURE & LA DECORATION FRANCAISES AUX XVIIIe & XIXe SIECLES

      Paris: Editions Albert Morance, Librairie Centrale D&#39;Art et A&#39;Architecture, (c.1913-14). All plates clean and bright, portfolios VG. Three series in three portfolios. Tall folio (20 1/2" tall). Each portfolio with half-title and title page and introductory text. I: 80 plates; II: 80 plates; III: 78 plates. Plates from photos. Complete. Portfolios of titled tan boards with gilt-titled red cloth spines and string ties Louis Dimier&#39;s name printed on third series only. & Quite scarce in nice condition and complete.

      [Bookseller: First Folio]
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        Condecoraciones militares y civiles de España.Legislacion,anotado y concordada,de todas las ordenes.Merito militar y toison de oro.Carlos III.Cruz Roja.Damas Nobles de la reina Maria Luisa Maria Cristina.Merito Agricola.Merito Naval.Orden de San .

      Juan Pérez Torres, Madrid 1913 - pasta española época bien conservada con nervios y tejuelo 2 láminas color, Palau 319864, 3 Tomos en un Volúmen. Fernando.Alfonso XII.Beneficiencia.Isabel la Católica.Maria Cristina ( Naval ).San Hermenegildo.San Juan de Jerusalen.Medallasconmemorativas y de centenarios de hechos de guerra y para premiar servicios especiales. 842 págs.

      [Bookseller: LIBRERIA ANTICUARIA EPOPEYA]
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