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Displayed below are some selected recent viaLibri matches for books published in 1913

        La Città della Vergine. Poema. Xilografie di Gino Barbieri e di Ferruccio Pasqui

      Formiggini editore, Genova. 1913 - cm 22x14,5, pag 83, br edit ill. Targhetta editoriale al piatto. E.O. [Attributes: First Edition]

      [Bookseller: Libreria Ardengo]
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        Gedichte.

      de Zilverdistel,, Haarlem, 1913 - Haarlem, de Zilverdistel, 1913. 28 + 1 S. OBrosch. m. OSch. Nicht bei WG. Nr. 53 von 150 Expl. - Leichte Gbrsp., Lage gelockert. - "Dieses Buch, die erste Ausgabe der sämtlich in der selben Zeit wie "Der Garten der Erkenntnis" geschriebenen Gedichte Leopold Andrians wurde im Jahre MDCCCCXIII im Auftrage von De Zilverdistel, im Haag, bei Johannes Enschdeé en Zonen, in Haarlem, in hundertfünfzig Exemplaren gedruckt." Deutsch [Attributes: First Edition; Soft Cover]

      [Bookseller: Antiquariat Weinek]
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        [Sketchbook]. Recueil thematique de L.v. Beethoven. Autographe contenant 37 pages de musique. [Subtitle]: Donne a Mr. Artot (celebre violoniste francais) par Mr. Auguste Artaria, editeur des ouvrages de Beethoven, a Vienne le 19 Mai 1835

      Leipzig Wilhelm Engelmann 1913. Oblong folio. Paper over boards with gilt stamping. 40 leaves, printed on rectos only. Facsimile of the Engelmann sketchbook. Contains sketches for the Diabelli variations and Symphony no. 9. Original title page reads "Esquisses autographes de Louis van Beethoven". Binding slightly worn and bumped, spine with minor chips to the head and the tail.. Scarce.

      [Bookseller: J & J Lubrano Music Antiquarians LLC]
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        Band 1 - 61 und Generalregister Band 1 und 2 in einem Buch. 1. Reihe (komplett).

      1913 - 1931. Kösel, München, 1. Auflage.. Grünes OLeinen, ca. 18500 S... 3 Bände Ambrosius. 1 Band Apostelväter. 2 Bände Athanasius. 10 Bände Augustinus.2 Bände Ausgewählte Schriften der Armenischen Kirchenväter. 1 Band Ausgewhlte Schriftensyrischer Dichter. 2 Bände Basilius. 1 Band Chrysologus. 7 Bände Chrysostomus. 2 Bände Cyprian. 1 Band Cyrillus von Jerusalem. 1 Band Dionysos. 1 Band Eusebius. 2 Bände Ephräm der Syrer. 1 Band Epiphanius von Salamis. 2 Bände Frühe christliche Apologeten. 1 Band Gregor von Nazians. 1 Band Gregor von Nyssa. 1 Band Griechische Liturgien.1 Band Hieronymus. 1 Band Hippolyt. 2 Bände Irenäus. 1 Band Johannes von Damaskus. 1 Band Justinus. 1 Band Laktantius. 2 Bände Leo der Große. 1 Band Makarius. 3 Bände Origenes. 1 Band Persische Märtyrerakten. 1 Band Sulpicius Severus. 2 Bände Tertullian. 2 Bände Theodoret. Gute Ausgabe aus einer Hand., Konto in der Schweiz vorhanden,

      [Bookseller: Versandantiquariat Matthias Neumann Einz]
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        The Principles and Practice of Medicine Designed for the Use of Practitioners and Stidents of Medicine

      D. APPLETON AND COMPANY, NEW YORK AND LONDON 1913 - Handsomely rebound in contemporary maroon leather. General wear and rubbed cover. Gold gilt title and ornaments on the spine. Tight binding. No bookplate. Tears on few pages. Previous owner's name on free endtitle page. Markings on page 1225. Age toned pages. Endpapers replaced. DATE PUBLISHED: 1913 EDITION: EIGHTH ED 1225 [Attributes: Hard Cover]

      [Bookseller: Princeton Antiques Bookshop]
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        QUALITY STREET. A Comedy in Four Acts. Illustrated by Hugh Thomson

      Hodder & Stoughton. Nd (ca 1913), 1913-01-01. Hardcover. Very Good. London: Hodder & Stoughton, [1913]. Limited deluxe edition, bound in white vellum, and hand numbered and signed by the illustrator, Hugh Thomson. The limitation page states this is one of only 1,000 copies; this copy is number 16. In Good+ condition, with light signs of age. Rubbing to boards, bumped corners. Silk tie missing. Sound binding, clean pages. A nice copy, beautifully and richly illustrated. Signed by Hugh Thomson and numbered 16 out of a limited 1,000 copies.

      [Bookseller: Burnside Rare Books]
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        Kunstgeschichte der Seidenweberei

      Berlin: Wasmuth. Very Good; 10 x 13.5 (36 cm) 2 Volume Hardback in Very Good condition. . Edges worn. Minor chipping to head and foot of spine.. 1913. Hardcover. Illustrated by 613 ill. in text and on plates, which include 10 chromolithographs; Standard reference work on historical silk textiles. German text. Examples are mainly from European museums. Two volumes. Volume 1: xlii, 128 pp., [43] plates; Volume 2: 147 pp., [88] plates; 11 .

      [Bookseller: RugBooks]
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        Die Werke. In deutscher Ãœbersetzung. Ãœbertragen von F. v. Oppeln-Bronikowski u. hrsg. v. B. Volz. 10 Bde. Berlin, Hobbing 1913-14. Klein-Folio. Ca. 3000 S. Mit zahlr. Illustr. v. Adolf v. Menzel. Sehr dekorative rote Orig.-Maroquinbände mit mit reicher Deckel- u. Rückenvergoldung. (Adler u. königliches Monogramm als Deckelmedaillon), Goldfileten, grüne Rückenschilder u. Kopfgoldschnitt.

      . . Eines von 440 Exemplaren der Vorzugsausgabe. Diese größte deutschsprachige Ausgabe der Werke Friedrichs d. Großen erschien in Erinnerung der 200. Geburtstagsfeier des großen Königs. Tadelloses Exemplar dieser gesuchten Luxusveröffentlichung.

      [Bookseller: Antiquariat Schmidt & Günther Einzelunte]
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        John Barleycorn

      Century 1913 - First Edition, 1913, Macmillan, Very Good book in a Fair to Good dust jacket. The dust jacket has chipping and small pieces missing but is rare. The books advertised on the dust jacket were published in the same year, so the dust jacket is from the same time period. London dust jackets are becoming more and more uncommon. [Attributes: First Edition; Hard Cover]

      [Bookseller: My Book Heaven]
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        The Abysmal Brute (First Edition, Boxing, Books into Film)

      New York: The Century Company, 1913. First Edition, First Printing, second state binding. Hardcover. Very Near Fine/Very Good. Publisher's green cloth with title and decorations stamped in black and dark green onto upper board and spine, 16mo (6-5/8 inches tall), pp. (iv), 169, (1) ads, tissue-guarded frontis, copyright page with "Published, May, 1913" and "1913" printed at foot of title page. Volume with light touch of wear to spine ends and tips, faint pencil erasure ffep. DJ with small closed tears, shallow chips to spine ends and flap folds, a single tape repair verso and one half inch V shaped chip at top of rear panel, light creases to rear flap and lower half of spine panel. The colors of the DJ front panel remain particularily strong. Together with the sporting section from two issues (June 30th & July 1st, 1910, four pages each) of the San Francisco Chronicle leading up to the 1910 Johnson-Jeffries fight. Both issues are in Good condition with toning, tears and each single sheet folded three times. The July 1st, 1910 issue has two photos of Jack London and carries his story and thoughts leading up to the championship match. This copy of The Abysmal Brute is in the "Variant binding...stamped in black and green", Ahearn, 054b. A prizefighting story likely inspired by the great Johnson-Jeffries boxing match (his June 27th, 1910 New York Herald article states "Fighter with the quality of the 'Abysmal brute' will win the great battle...") where London reported on the buildup to and championship fight between, Johnson and Jeffries for the Heavyweight Championship of the World in Reno, Nevada. Johnson was the first black man to win the coveted title and on this challenge, knocked Jefferies down three times in the fourteenth round before before his corner threw in the towel. The outcome of the fight triggered race riots that evening - the Fourth of July - all across the United States. The 1936 film "Conflict" is an American film based on The Abysmal Brute, staring John Wayne. Ref. Johnson p. 319; Sisson & Martens p. 70; Woodbridge, 109, 1000 & 1004; Wikipedia.

      [Bookseller: Harropian Books, IOBA]
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        A Changed Man: The Waiting Supper And Other Tales concluding with The Romantic Adventures of a Milkmaid

      London: MacMillan and Co., Limited, 1913., 1913. FIRST EDITION. 8vo. With photogravure frontispiece of 'The Castle of Mai-Dun' and folding map of Wessex. An attractive copy bound by Zaehnsdorf c. 1914 in three quarter dark green morocco with gilt titles and gilt raised bands to spine, green cloth boards with gilt rule, top edge gilt, marbled end papers. Slight sunning to spine; bookplate to paste down. Fine. Purdy, p.151-157.

      [Bookseller: Adrian Harrington Rare Books]
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        MEN OF MARK

      London / New York:: Duckworth & Co. / Mitchell Kennerley,, 1913. First Edition. Very Good++. Very Good++ hardback First Edition First Printing in the original quarter linen cloth covered board binding with gilt lettering front cover. Covers mildly soiled, owner inscription front paste down. Darkening endpapers due to laid in invitation. Complete with all 33 tipped-in photogravure plates produced under the direct supervision of the artist, each with tissue guard. The plate number and facsimile signature are on each photo mount. 4to. 30 pp., 33 tipped-in photographs. & The laid-in invitation (present and now in archival plastic holder) was to a 1912 exhibition at the Blanchard Gallery in Los Angeles of many of these photographs. The exhibition predates publication of the book. On that invitation the subjects are referred to as "men of genius". On page 29 of Coburn's introductory comments, he thanks Arnold Bennett for suggesting the more modest "Men of Mark". Six of the photographs, including Mr. Bennett's, were taken after the Los Angeles exhibition, prior to the suggested title for the volume. Hence Coburn's original appellation "men of genius" is on invitation. The photographs reflect a rather broad world view and include artists, writers and statesmen, among others. Henri Matisse, George Bernard Shaw, Mark Twain and Theodore Roosevelt are all represented. A Scarce classic work of photo-portraiture from the early twentieth century.

      [Bookseller: By The Book, LC ABAA-ILAB]
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        The Lodger

      London: Methuen & Co. Ltd,, 1913. Octavo. Original blue cloth, titles to spine and front board gilt. Spine rolled and toned, extremities rubbed, bottom corner of rear board bumped, a few scattered spots to endleaves and endpapers. An excellent copy. First edition, first impression. Mary Belloc Lowndes's classic novel, which tells the story of a couple in 1880s London who suspect that their lodger is Jack The Ripper, has long been ranked amongst the finest of detective fiction, earning it several stage and screen adaptations, most famously by Alfred Hitchcock in 1927.

      [Bookseller: Peter Harrington]
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        Neue deutsche Exlibris.

      München, Franz Hanfstaengl. (1913).. 23,2x17 cm. 45 S. mit 84 Tafeln mit teils montierten Exlibris. Originallederband mit Rückenschild und Kopfgoldschnitt.. Eines von 50 numerierten Exemplaren der Sonderausgabe auf Japan-Bütten. - Einband etwas berieben. Rücken schwach verblasst.

      [Bookseller: Antiquariat Daniel Thierstein]
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        Lancashire & Yorkshire Railway. Session 1913. Plans & Sections

      Manchester Lancashire & Yorkshire Railway 1913. G: in Good condition without dust jacket as issued. Cover heavily rubbed with loss to spine. Content in overall VG condition First Edition Brown hardback half-leather cover with green boards 510mm x 380mm (20" x 15"). 44pp + fold-out maps. 44 large scale detailed plans, mostly coloured: Ainsdale - Southport; Lostock Junction; Royton Junction; Knottingley; Goole; Liverpool; Bootle; Manchester; Nelson; Bradford; Southport; Wigan; Todmorton; Knottingley; etc. Plus 5 b/w fold-out maps.

      [Bookseller: Barter Books]
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        Firmenkatalog mit 12 montierten Original-Fotografien von Albatros-Flugzeugtypen.

      Berlin-Johannisthal, ca. 1913/1914.. Fotos je ca. 11,5 x 16,5 cm. Kartoniertes Original-Album mit Kordelbindung, 21 x 25,5 cm.. Erster Katalog des Unternehmens Albatros Flugzeugwerke mit den damals lieferbaren Flugzeugtypen, das vor allem während des Ersten Weltkriegs Flugzeuge für die Fliegertruppe des Deutschen Heeres baute. - Ausgezeichnet erhalten.

      [Bookseller: Antiquariat Mertens & Pomplun GbR (Versa]
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        O Pioneers !

      Boston: Houghton Mifflin, 1913 Boston: Houghton Mifflin, 1913. First Edition, unknown state [see description]. Octavo, 309 pp., frontispiece. Brown textured cloth with orange imprinting on cover and spine. Light shelfwear, very slight spine cock, penciled notes by a previous owner. Does not show the typical serious wear of spine imprint. Very Good Plus or better. An interesting state of the first edition of Cather's classic, O Pioneers! The cloth is brown and cross textured, but the period after the "O" in "CO" at spine bottom does touch the "O". The states of the first edition seem to be beset with a degree of uncertainty, and mixed-state copies are not uncommon. The true first printing of June, 1913, numbered only 2,000 copies. All states of that printing can be identified by the misprint "chince bugs" [page 60] which was thereafter corrected to "chinch bugs". This copy is one of those 2,000. Partly based on her Nebraska childhood, O Pioneers! reflects Cather's belief in the primacy of spiritual and moral values over the purely material. The title is taken from Walt Whitman's Pioneers! O Pioneers !, which shared these American spiritual ideals. A sharp copy, with almost none of the typical fading of the orange imprinting. L21

      [Bookseller: Singularity Rare & Fine]
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        "Am Bosporus".

      . Farblinolschnitt, auf chamoisfarbenem Japan-Bütten, signiert und betitelt. 31,9:44,2 cm. Provenienz: Sammlung Wi im Kreis, nicht bei Lugt.. Studium der Germanistik und Prähistorie mit Abschluß Promotion. Ab 1913 Weiterstudium in Wien an der Graphischen Lehr- und Versuchsanstalt bei L. Michaleks (1859-1942), durch dessen und O. Laskes (1841-1911) Vorbild Hinwendung zur Graphik. 1917 Umzug nach München, dort ein Semester an der Kunstgewerbeschule. Erste Holzschnitte ab 1917 und erste Ausstellungsbeteiligung 1918 im Wiener Künstlerhaus. 1918-1921 Lehrtätigkeit an der Schule für angewandte Kunst in München in der Graphikklasse. 1922 Hollandreise, 1924 England, Dalmatien, Italien und Schweden, wo sie ihren Ehemann Dr. Eugen Milch kennenlernte. 1926-1940 Dozentin an der Universität Wien. Mitglied des Künstlerhauses Wien seit 1935. Zahlreiche Reisen, u.a. 1929 in den Fernen Osten, 1931 nach Paris und 1932 nach Prag. 1940-1950 Aufenthalt in China (Hongkong, Shanghai, Peking) sowie Japan (Tokyo). Von Japan aus nach Thailand, Kambodscha, Mexico und in die USA. 1957 Rückkehr nach Japan, wo sie bereits große Bekanntheit erlangt hatte. Schuf überwiegend figürliche Darstellungen, Landschaften und Stadtansichten. Die Künstlerin ist in mehreren prominenten Sammlungen vertreten, so im Stadtmuseum Wien, Cleveland Museum of Art, Fine Arts Museum, San Francisco, oder im Metropolitan Museum of Art, New York.

      [Bookseller: Galerie Joseph Fach GmbH]
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        Die italienischen und spanischen Bildwerke der Renaissance und des Barock. In Marmor, Ton, Holz und Stuck.

      Bln., Reimer 1913.. 2. Aufl. 4°. 207 S. Mit 466 Abb. Ln. Mit Rückengoldpräg. Einige Textanstreich. - (Königliche Museen zu Berlin. Beschreibung der Bildwerke der christlichen Epochen. 5. Bd.).

      [Bookseller: Burgverlag Buchhandelsges.mb.H.]
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        [Harrington Emerson's home course of study in personal efficiency.]

      [ New York ]: No Place ; N. P., 1913. Hardcover. Very Good. 4to., pp. [ff 26] + 638 (hand stamped numerals); ox blood half calf and black pebbled cloth gilt; boards lightly scuffed and soiled; marbled endpapers; clean text sheets; pp. 285-288 detached but present; a good copy overall. Edition unknown. Typescript of a personal study guide in 24 parts, ostensibly devoted to increasing personal efficiency by creating goals, the use of meticulous planning, careful observation, standardizing operations, and time management. The author develops a number of "principles of efficiency, " illustrating each in detail. But Emerson goes much farther than simply offering a plan for self-improvement. He dives into all manner of psychology and behavior and recommends many types of physical and mental exercises, relationships, and ideals. The final goal of the program seems hardly less than the entire make over and management of the human personality. One of the more remarkable men of the post-Civil War era in America, Harrington Emerson (1853-1931) was born into a wealthy New Jersey family and educated on the Continent. He began his adult life as an instructor of modern languages at the University of Nebraska, but was dismissed in part due to profound differences in educational philosophy with the school's administrators. He later embarked on a career as a frontier banker and land speculator, and worked as well for major rail concerns in Nebraska, Kansas, & Colorado. He invested in land as the plains became a popular destination for immigrants, but drought and crop failures bankrupted him. He next found employment as a representative of an English investment syndicate, and in this position studied more than one hundred American mining and manufacturing companies as investment possibilities. In this job he first became acquainted with the way that large industrial concerns are organized and operated, which laid the basis for his career as an efficiency expert. He combined this knowledge with further studies and work in mechanical engineering, and became involved and financially indebted in a scheme to lay a trans-Pacific telegraph cable which nearly bankrupted him a second time. After that failure, Emerson worked for a time as an industrial consultant, before resolving to take up efficiency engineering as his primary career. In this he followed the pioneering work of Frederick W. Taylor, whose methods of labor organization had come to the attention of Henry Ford, among others. Emerson on the other hand was hired to reorganize the machine and locomotive repair shops for the Atchison, Topeka, and Santa Fe Railroad. There, over the course of three years, he developed standardized work procedures and implemented a bonus pay system. His reputation as an expert in labor efficiency won him a large clientele. Between 1907 and 1910, he performed consulting work for over 200 companies, from industrial concerns to retailers, hospitals, municipal governments and colleges. He later performed much of his work overseas for foreign governments, including China, Japan, Mexico, Poland and especially the Soviet Union, where Emerson was particularly optimistic for the future of "scientific management." Throughout his later life, Emerson saw himself as a promoter and educator for greater efficiency, for firms and individuals alike. In 1924, he re-wrote and marketed an earlier version of a correspondence course in personal efficiency. Under the direction of the Emerson Institute, his home study course garnered more than 40,000 subscribers in 1925 alone. Scarce in trade. WorldCat locates less than 15 copies. Hardcover.

      [Bookseller: Kuenzig Books, ABAA/ILAB]
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        Scott's Last Expedition

      London: Smith Elder & Co., 1913. Two volumes, large octavo, extensively illustrated including a frontispiece in each volume, six photogravures and 18 coloured plates, many full-page black & white plates, maps, diagrams, and a panorama; some maps with folds reinforced, a fine copy, in contemporary quarter morocco. Signed by two survivors of the Scott expedition. An excellent association copy signed by two of the surviving expeditioners. This is the first edition of the famous official expedition account, arranged from Scott's journals which were retrieved when his tent was discovered in 1912. This set is signed by Lieutenant-Surgeon G. Murray Levick in both volumes, and by Lieutenant Edward R.G.R. Evans, second-in-command on the Terra Nova, in the first: Murray Levick joined Scott's final expedition as surgeon and was second in command of the Northern Party, carrying out extensive studies on birds and marine life. Scott's achievement in reaching the South Pole on January 18, 1912, is inextricably linked with the sense of heartbreak at having been beaten to the Pole by Amundsen by just thirty-four days, and the disastrous return journey in which Scott, Evans, Oates, Bowers, and Wilson all perished. Scott wrote in a letter composed to his wife, "but for my own sake I do not regret this journey, which has shown that Englishmen can endure hardships, help one another, and meet death with as great a fortitude as ever in the past. We took risks, we knew we took them; things have come out against us, and therefore we have no cause for complaint, but bow to the will of providence, determined still to do our best to the last… Had we lived, I should have had a tale to tell of the hardihood, endurance, and courage of my companions which would have stirred the heart of every Englishman. These rough notes and our dead bodies must tell the tale…". Each volume is inscribed on the front free end-paper: "Presented to / The Grundy Library/ Malvern College/ by G.C. Levick (No. 8)/ Nov. 1913

      [Bookseller: Hordern House Rare Books]
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        Preussische Hofgeschichten. Neu herausgegeben von Heinrich Conrad. 4 Bände.

      München, Georg Müller, 1913.. circa 21 x 14 cm. 397; 316; 396; 519 Seiten Original-Leder mit Rücken- und Deckelvergoldung, Kopfgoldschnitt. Eines von 150 numerierten Exemplaren (hier Nummer 80) der Vorzugsausgabe in Leder und auf besserem Papier. - Schönes Exemplar, zwei Stellen mit kleiner Bereibung, sonst sauber und gut erhalten.

      [Bookseller: Antiquariat Thomas Rezek]
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        A Naturalist in Western China, With Vasculum, Camera, and Gun: Being some Account of Eleven Years' Travel, Exploration, and Observation in the More Remote Parts of the Flowery Kingdom, in 2 volumes

      Published by Methuen & Co., London 1913 - , 2 uniform volumes, [xxxvii] 251 & [xi] 229 pages, second volume with publishers catalogue at the rear [29] pages, complete with 101 full page illustrations and a map in vol 2 First Edition , spines faded, covers clean and bright, light spotting to some pages, plates clean, one plate loose and creased, the books are in good++ condition , red cloth with gilt titles 23 x 16 cm Hardback ISBN: [Attributes: First Edition; Hard Cover]

      [Bookseller: Keoghs Books]
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        A Naturalist in Western China With Vasculum, Camera, and Gun. Being some account of eleven years' travel, exploration, and observation in the more remote parts of the flowery kingdom. 2 Volumes.

      London: Methuen 1913 - 2nd edition. Hardcover. Red cloth, gilt lettering to front covers and spines. Covers nice and bright. Ilustrated, with fold-out map, complete. Map loose, 1 plate and 2 pages almost loose. Some shelfwear and minor general wear. Foxing to edges and minor foxing and browning to endpapers and occasionally in book, a few slight bumps to covers, otherwise just about VG [Attributes: Hard Cover]

      [Bookseller: Joe McKernan]
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        Moderne Flachen-Dekors. Herausgegeben Von Der Zeitschrift "Das Interieur"

      Eduard Kosmack, Vienna 1913 - Small 4to, portfolio with cloth spine and printed pictorial boards with paper flaps designed by Ernst Lichtbau. Light wear to edges; excellent copy. Eduard Kosmack, the art publisher, was a friend of Egon Schiele, who depicted him five times. Mounted color plate on title page by Hugo Falkenstein. List of artists and 45 plates, of which 17 are mounted and in color. Most of the designers were associated with Josef Hoffmann and were members of the Wiener Werkstatte. Designs for textiles and other decorative work by Hoffmann, Koloman Moser, Otto Prustscher, Franz and Lotte Fochler, Emil Hoppe, Josef Zotti, Max Benirschke, Karl Klaus and others. Otto Prutscher was an architect and designer influenced by contemporary Secessionist style. He designed the marble room for the Kunstschau in 1908 which was executed by craftsmen of the Wiener Werkstatte and worked n a contemporary idion similar to that of Hoffmann, designing textiles, jewelry, graphics and ceramics. Emil Hoppe was an architect who worked with Otto Wagner on major commissions including the Post Office Savings Bank and the Church Am Sohne.Member of the Wiener Werkstatte, he created textile designs for Johann Backhausen & Sohne. Lotte Fochleer, another student of Hoffmann, worked for the Wiener Werkstatte from 1908 to 1914 designing fashion and fabric designs. Josef Zotti, an architect, also designed interiors, furniture, metalwork and textiles, and his work reflects that of Hoffmann and the Wiener Werkstatte. His textiles were an important element of early 20th century design. Small 4to [Attributes: Hard Cover]

      [Bookseller: Braiterman, Marilyn (ABAA member)]
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        Wiener Werkstätten Postkarte No. 149.

      [Wien, 1913 - [Wien, 1913.] OPostkarte [14 x 9 cm]. Monogrammiert "KD". - Die Karte ist gelaufen, kl. Stempelabriebn a. Vorderseite, Rückseite m. kl. Wasserflecken, Schrift etw. verwischt, leichte Gbrsp. - Delavilla (1884 - 1967) erhielt zunächst eine einjährige Ausbildung am Technologischen Gewerbemuseum Wien und war dann 1901 bis 1903 Schüler an der K.K. Fachschule für Textil-Industrie Wien. 1903 erhielt er im Wettbewerb des Niederösterreichischen Gewerbevereins den 1. Preis für die beste Arbeit im Zeichnen. Von 1903 bis 1908 war er Staatsstipendiat an der Kunstgewerbeschule des K.K. Österreichischen Museums für Kunst und Industrie, wo ihn u. a.Carl Otto Czeschka und Bertold Löffler unterrichteten. Ab 1907 bekam er erste Aufträge für angewandte Kunst und arbeitete ab dem gleichen Jahr an der "Wiener Werkstätte GmbH", einer von 1904 bis 1932 bestehenden Produktionsgemeinschaft bildender Künstler. Entwürfe für Schmuck, Mode, Bühnenbilder, Plakate, Karten für diverse Anlässe und die Illustration von Büchern waren sein Metier. Ab 1908 veranstaltete die Werkstätte alljährlich eine Kunstschau, wo auch Arbeiten Delavillas gezeigt wurden . (Zitat) Deutsch

      [Bookseller: Antiquariat Weinek]
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        Sämtliche Werke. Historische-kritische Ausgabe. Unter Mitarbeit von Friedrich Seebass besorgt durch Norbert v. Hellingrath. Erster (1) Band: Jugendgedichte und Briefe.

      München, Georg Müller, 1913.. 8°, Ledereinband. 391 S. Nr. 256 von den 150 Vorzugsaugabe auf van Gelder Bütten u. im Ganzleder gebunden nach Entwurf von Paul Renner. Mit Kopfgoldschnitt u. Lesebändchen. Deckel- u. Rückenvergoldung. Rücken leicht verdunkelt, kopf u. Ecken leicht berieben, ansonsten noch sehr gut erhaltenes Exemplar.

      [Bookseller: Antiquariat an der Universität München]
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        The Interpretation of Dreams. Translated by A. A. Brill

      New York: Macmillan, 1913-01-01. First American Edition. Hardcover. Very Good. New York: Macmillan, 1913. First English language Edition, First Printing. Rare with integral title page, but lacking the printer's imprint on the verso and the errata slip on page 1. In about Very Good condition, as issued without a dust jacket. Clean text. Lightly age toned pages, with foxing to edges and end papers. Front hinge tender. Offsetting to front end sheet, with two small puncture holes at the top from a staple. Spine lightly sunned, with fraying to the ends. Gilt lettering strong, except for at publisher's imprint at base of spine. Boards show light scuffing and wear. Fraying to corners. A nice copy overall, presents well. The first appearance of Freud's greatest work in English, translated from the third German edition.

      [Bookseller: Burnside Rare Books]
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        Mademoiselle de Maupin. Roman. Deutsch von A. Schurig. Farbenlithographien von Karl Walser. München & Leipzig, Georg Müller 1913. 4to. 245 S. Mit 10 farbigen Orig.-Lithographien und 21 Vignetten und Initialen von Karl Walser. Violetter Orig.-Kalblederbd. mit goldgeprägter Deckelvignette, Deckeltitel, Rückentitel u. Kopfgoldschnitt. In Orig.-Schuber

      . . Eines von 50 numerierten Exemplaren der Vorzugsausgabe in violettem Kalbleder. Dazu die Extrasuite der 10 (davon das 1 Blatt signiert) Orig.-Farblithographien von Karl Walser in einer Orig.-Halbpergamentmappe. Die Lithographien wurden unter Aufsicht des Künstlers von der Pan-Presse, Berlin gedruckt. Der Einband wurde von Hübel & Denck, Leipzig gebunden. Dieses Buch ist das Meisterwerk von Karl Walsers Illustrationskunst. Die Stimmung der Erzählung wurde in den farbigen Lithographien prachtvoll getroffen. Die Luxusausgabe in absolut neuwertigem Zustand. - Badorrek-Hoguth A 8.1. - Schauer, Bd. II,56-57 mit Abb.

      [Bookseller: Antiquariat Schmidt & Günther Einzelunte]
 29.   Check availability:     ZVAB     Link/Print  


        ORIGINAL PEN AND INK DRAWING FOR HANS ANDERSEN'S FAIRY TALES. UNSIGNED.

      Circa 1913.Image size (portrait) 170 x 50 mm, 7 x 2 inches, on Whatman's Sketching Board, drawn originally as a tailpiece for one of the stories but not published in the book which appeared first in 1913. It depicts an elderly gentleman in a long plain cloak in slippers and spectacles wearing a large hat on which is perched a small long legged bird. Below the image someone has written in ink "Snow Queen". Clean and bright, in large cream mount. ZOOMABLE IMAGE ATTACHED TO THIS LISTING. POSTAGE AT COST.

      [Bookseller: Roger Middleton P.B.F.A.]
 30.   Check availability:     maremagnum.com     Link/Print  


        Sämtliche Werke. Historische-kritische Ausgabe. Unter Mitarbeit von Friedrich Seebass besorgt durch Norbert v. Hellingrath. Erster (1) Band: Jugendgedichte und Briefe.,

      München, Georg Müller, 1913 - 391 S. Nr. 256 von den 150 Vorzugsaugabe auf van Gelder Bütten u. im Ganzleder gebunden nach Entwurf von Paul Renner. Mit Kopfgoldschnitt u. Lesebändchen. Deckel- u. Rückenvergoldung. Rücken leicht verdunkelt, kopf u. Ecken leicht berieben, ansonsten noch sehr gut erhaltenes Exemplar. Sprache: de Gewicht in Gramm: 1550 [Attributes: First Edition]

      [Bookseller: Antiquariat an der Uni Muenchen]
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        Bokkachcho Fiametta.

      St-Petersburg, M.G. Kornfeld, 1913. Original wrappers. (2), 216 p. Uncut. First edition. Damaged wrappers loose in two parts, repaired with paper and tape. Backstrip missing. Price sticker on rear. Title page loose.* Very rare translation into Russian of Boccaccio's Fiammetta by Michail Kuzmin. Not in very good condition... Green wrappers with gold lettering and a coy little devil at the backside.

      [Bookseller: Antiquariaat Fokas HOLTHUIS]
 32.   Check availability:     NVvA     Link/Print  


        Christus gewidmet. Erster Deutscher Herbstsalon. Berlin / Potsdamerstr. 75.

      Der Sturm,, Berlin, 1913 - Berlin, Der Sturm, o. J. [1913]. Orig. Ansichtskarte [9,1 x 14 cm]. Die Karte ist nicht gelaufen. Hds. Text beidseitig, leichte Gbrsp. - Die Ausstellung "Herbstsalon" wurde am 20. September 1913 in angemieteten Ausstellungsräumen („Lepke-Räume") in der Potsdamer Straße 75, Ecke Pallasstraße, Dritte Etage, auf 1200 m eröffnet, unweit Waldens Galerie "Der Sturm" in der Potsdamer Straße 134a, und schloss am 1. Dezember 1913. Der Name der Ausstellung orientierte sich an dem seit 1903 in Paris durchgeführten Salon d'Automne. Die Ausstellung war eine Kontrastveranstaltung zur Sonderbundausstellung, die 1912 in Köln stattgefunden hatte und sich mehr der schon etablierten Moderne des Impressionismus gewidmet hatte. Im Herbstsalon gab es Künstler, die auch dort präsent gewesen waren, aber nicht zur Geltung gekommen waren, so Maler des Blauen Reiter, sowie Carlo Mense und Alexander Archipenko. Letzterer hatte auch schon im Herbstsalon in Paris ausgestellt. Der (ungenannte) Mäzen Bernhard Koehler sorgte mit 4000 Mark für die finanzielle Absicherung, ohne die die Ausstellung nicht zustande gekommen wäre. August Macke und Franz Marc nahmen die Hängung vor. Die Maler der Gruppe des Blauen Reiter bildeten den Hauptteil der Ausstellung. Marc selbst stellte auch sein programmatisches Bild "Der Turm der blauen Pferde" aus. Walden übernahm auch Künstler aus der Futurismus-Ausstellung, die er am 12. April 1912 in seiner Galerie „Der Sturm" eröffnet hatte. In der Nachwirkung der Futuristen-Ausstellung und im Vorfeld des Herbstsalons hatte sogar das Preußische Abgeordnetenhaus am 12. April 1913 über Kunst debattiert. (Zitat) Deutsch Orig. Ansichtskarte [9,1 x 14 cm].

      [Bookseller: Antiquariat Weinek]
 33.   Check availability:     AbeBooks     Link/Print  


        The high-frequency spectra of the elements. In Phil. Mag. 26, no. 156 & 27, no. 160

      , 1913-14. 1913-14. <p>Moseley&#146;s Law in X-Ray Spectra</p><p>Moseley, Henry G. J. (1887-1915). The high-frequency spectra of the elements. In: Philosophical Magazine, sixth series, 26 (1913): 1024-34; 27 (1914): 703-13. 1 plate. The complete nos. 156 & 160, 8vo. London: Taylor & Francis, 1913-14. 226 x 147 mm., first number uncut & unopened. Original printed wrappers, advertising circular laid into second number. Very fine. </p><p>First Edition. Moseley&#146;s outstanding contribution to physics was the justification from physical laws of the previous empirical and chemical concept of the atomic number. This stemmed from his development of Moseley&#146;s Law concerning the characteristic x-rays that are emitted by atoms published in his paper of 1913. &#147;It is historically important in quantitatively justifying the conception of the nuclear model of the atom, with all, or nearly all, positive charges of the atom located in the nucleus, and associated on an integer basis with atomic number. Until Moseley&#146;s work, &#145;atomic number&#146; was merely an element&#146;s place in the periodic table, and was not known to be associated with any measureable physical quantity. Moseley was able to show that the frequencies of certain characteristic X-rays emitted from chemical elements are proportional to the square of a number which was close to the element&#146;s atomic number; a finding which supported van den Broek and Bohr&#146;s model of the atom in which the atomic number is the same as the number of positive charges in the nucleus of the atom&#148; (Wikipedia article on Moseley&#146;s Law, accessed 07-10-2011).</p><p>In 1913 Moseley, a member of Rutherford&#146;s Manchester Institute, set out to test the doctrine of atomic number by mapping the characteristic K and L spectra of the elements. Using a modification of the x-ray spectroscopy techniques developed by the Braggs, Moseley &#147;obtained the principal lines of the x-ray spectra of most elements by registering their ionization and photographic images. In November of that year he reported his results to Bohr as confirming the new theory of atomic constitutions and being &#145;extremely simple.&#146; . . . He also succeeded in correcting the sequence of transition elements to be Fe-Co-Ni according to increasing &#145;atomic number&#146; Z (rather than to their atomic weight A). That is, the neutral nickel atom possessed a higher nuclear charge and one electron more than the neutral cobalt atom, despite the fact that it had a smaller atomic weight&#148; (Twentieth Century Physics I, pp. 158-59).</p><p>When World War I broke out Moseley left his research work at the University of Oxford to volunteer for the Royal Engineers of the British Army. He was assigned as a telecommunications officer to the fighting force that invaded the region of Gallipoli, Turkey, in April 1915. On August 10, 1915, during the Battle of Gallipoli, Moseley was shot and killed at the age of 27. Some prominent authorities have speculated that Moseley would have been deserving of the Nobel Prize in Physics in 1916&#151; which went unawarded&#151;had he not died the previous year. Printing and the Mind of Man 407. </p>

      [Bookseller: Jeremy Norman's Historyofscience.com]
 34.   Check availability:     Biblio     Link/Print  


        La Mome. Etude illustree de douze eaux-fortes de l'auteur.

      . Paris, Cres (1913). 8°. 106 S., 2 Bl. mit 12 Radierungen. Goldschnitt. Grünes Maroquin mit goldgepr. Rückenschildchen und leichter Rückenvergoldung, gold- und blindgepr. Deckeln. Einband signiert: Joh. Rudel, Elberfeld. Der Originalumschlag ist eingebunden. Edition originale. Nr. 111 von 449 Exemplaren sur velin. Von Henri Boutet in der Justification monogrammiert. Kleines blindgeprägtes Wappen-Ex Libris auf leerem Vorsatzblatt. Schönes Exemplar. -CHF 650.00.

      [Bookseller: Antiquariat Fatzer]
 35.   Check availability:     ZVAB     Link/Print  


        The South Pole: An Account of the Norwegian Antarctic Expedition in the 'Fram', 1910-1912, in Two Volumes"

      New York: Lee Keedick. First Edition. Very Good/No Jacket. First edition. Former library copy, most marks removed. No jackets. Hinges repaired. 1913 Hard Cover. We have more books available by this author!. xxxv, [5], 392, [1]; x, 449 pp. Original navy blue cloth, gilt titles, top edge gilt. Maps and illustrations in text, including a fold-out schematic of the Fram and a fold-out chart of the Antarctic region. A firsthand account of Amundsen's successful expedition to reach the South Pole; he was the first to do so, preceding Robert F. Scott's party by over a month.

      [Bookseller: Yesterday's Muse, ABAA, ILAB, IOBA]
 36.   Check availability:     IOBABooks     Link/Print  


        Japanische Märchen. Eine Sammlung der schönsten Märchen, Sagen und Fabeln Japans für die deutsche Jugend ausgewählt und frei ins Deutsche übersetzt.

      Cl. Attenkofer, 1913.. 87 S., mit zahlreichen Abb.. 8°, Hardcover, Einband altersbedingt leicht gebräunt, Ecken leicht bestoßen und berieben, innen leicht gelblich sonst gut erhalten, mit Frakturschrift Q38

      [Bookseller: ABC Versandantiquariat]
 37.   Check availability:     ZVAB     Link/Print  


        Arthur Rackham's Book of Pictures

      Heinemann 1913 - First edition first impression from 1913 in VG+ condition, there is some minor marking to boards and wear to spine, all plates and tissue guards present there is an 8cm closed tear to the tissue guard for plate no 38 (no damage to plate) no other markings, please see pics, paypal accepted, any questions please get in touch. [Attributes: First Edition; Hard Cover]

      [Bookseller: Setanta Books PBFA]
 38.   Check availability:     AbeBooks     Link/Print  


        NOTES SOBRE ART

      1913 - Barcelona, Girona.Imp. Rafel Maso. Un volume au format 121X157mm. Cartonnage illustré sur le premier plat par Torres Garcia. Illustré de 4 bois gravés. Ex-libris manuscrit, il manque la page de titre. Photos supplémentaires sur demande. Premier livre de l'auteur, qui marque son tournant esthétique. [Attributes: Hard Cover]

      [Bookseller: Le Grand Verre]
 39.   Check availability:     IberLibro     Link/Print  


        Storia Di Pio II

      nbsp;Florence- E. Sborgi, 1913. nbsp;Florence- E. Sborgi, 1913 Book. Very Good. Hardcover. A scarce charming pictorial history of Pope Pius II, born Enea Silvio Piccolomini. Featuring brightly coloured captioned plates throughout, allpainted within the cathedral of Siena, and set in decorative boarders. Bernardino di Betto, nicknamed Pinturicchiofor his small stature, was a prolificItalian painter of the Renaissance. In 1504 he designed a mosaic floor panel for the Cathedral of Siena named The Story of Fortuna, or the Hill of Virtue. Condition: In original embossed decorative paper binding. Externally, smart and bright with only minor rubbing to the spine and extremities. Internally, generally firmly bound yet with lack of title page. Pages are bright and clean throughout. Overall: VERY GOOD INDEED..

      [Bookseller: Rooke Books]
 40.   Check availability:     Biblio     Link/Print  


        Bréviaire Du Batologue.

      Léon L'homme, Paris 1913 - Bréviaire Du Batologue ou analyse descriptive des ronces d'europe.90 pp. + plates. Publishers green cloth, slightly worn, Interior good. [Attributes: Hard Cover]

      [Bookseller: Thulin&Ohlson AntiqBookseller Since 1918]
 41.   Check availability:     AbeBooks     Link/Print  


        Die Brautwahl. Musikalisch - phantastische Komödie in drei Akten und einem Nachspiel nach E.T.A. Hoffmanns Erzählung. Text und Musik von Ferruccio Busoni. Zweite, endgültige, mit der Komposition übereinstimmende Fassung. Szenen und Figuren v. Karl Walser.

      Berlin Bruno Cassirer 1913. 55 Seiten und zahlr. Tafeln im Lichtdruck mit handkolorierten Figurinen. Eins von 200 num. Exemplaren. Dieses Ex. Ist Nr. 107. - Von Karl Walserim Impressum signiert, von Busoni faksimiliert signiert. Farb.ill. Orig. Halblederband 4° quer. - Einband und Vorsätze leicht stockig, sonst tadellos. - Nicht bei Riemer..

      [Bookseller: Christel Morner - Buch und Kunst]
 42.   Check availability:     ZVAB     Link/Print  

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