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Displayed below are some selected recent viaLibri matches for books published in 1913

        Lancashire & Yorkshire Railway. Session 1913. Plans & Sections

      Manchester Lancashire & Yorkshire Railway 1913. G: in Good condition without dust jacket as issued. Cover heavily rubbed with loss to spine. Content in overall VG condition First Edition Brown hardback half-leather cover with green boards 510mm x 380mm (20" x 15"). 44pp + fold-out maps. 44 large scale detailed plans, mostly coloured: Ainsdale - Southport; Lostock Junction; Royton Junction; Knottingley; Goole; Liverpool; Bootle; Manchester; Nelson; Bradford; Southport; Wigan; Todmorton; Knottingley; etc. Plus 5 b/w fold-out maps.

      [Bookseller: Barter Books]
 1.   Check availability:     TomFolio     Link/Print  

        Firmenkatalog mit 12 montierten Original-Fotografien von Albatros-Flugzeugtypen.

      Berlin-Johannisthal, ca. 1913/1914.. Fotos je ca. 11,5 x 16,5 cm. Kartoniertes Original-Album mit Kordelbindung, 21 x 25,5 cm.. Erster Katalog des Unternehmens Albatros Flugzeugwerke mit den damals lieferbaren Flugzeugtypen, das vor allem während des Ersten Weltkriegs Flugzeuge für die Fliegertruppe des Deutschen Heeres baute. - Ausgezeichnet erhalten.

      [Bookseller: Antiquariat Mertens & Pomplun GbR (Versa]
 2.   Check availability:     ZVAB     Link/Print  

        O Pioneers !

      Boston: Houghton Mifflin, 1913 Boston: Houghton Mifflin, 1913. First Edition, unknown state [see description]. Octavo, 309 pp., frontispiece. Brown textured cloth with orange imprinting on cover and spine. Light shelfwear, very slight spine cock, penciled notes by a previous owner. Does not show the typical serious wear of spine imprint. Very Good Plus or better. An interesting state of the first edition of Cather's classic, O Pioneers! The cloth is brown and cross textured, but the period after the "O" in "CO" at spine bottom does touch the "O". The states of the first edition seem to be beset with a degree of uncertainty, and mixed-state copies are not uncommon. The true first printing of June, 1913, numbered only 2,000 copies. All states of that printing can be identified by the misprint "chince bugs" [page 60] which was thereafter corrected to "chinch bugs". This copy is one of those 2,000. Partly based on her Nebraska childhood, O Pioneers! reflects Cather's belief in the primacy of spiritual and moral values over the purely material. The title is taken from Walt Whitman's Pioneers! O Pioneers !, which shared these American spiritual ideals. A sharp copy, with almost none of the typical fading of the orange imprinting. L21

      [Bookseller: Singularity Rare & Fine]
 3.   Check availability:     Biblio     Link/Print  

        "Am Bosporus".

      . Farblinolschnitt, auf chamoisfarbenem Japan-Bütten, signiert und betitelt. 31,9:44,2 cm. Provenienz: Sammlung Wi im Kreis, nicht bei Lugt.. Studium der Germanistik und Prähistorie mit Abschluß Promotion. Ab 1913 Weiterstudium in Wien an der Graphischen Lehr- und Versuchsanstalt bei L. Michaleks (1859-1942), durch dessen und O. Laskes (1841-1911) Vorbild Hinwendung zur Graphik. 1917 Umzug nach München, dort ein Semester an der Kunstgewerbeschule. Erste Holzschnitte ab 1917 und erste Ausstellungsbeteiligung 1918 im Wiener Künstlerhaus. 1918-1921 Lehrtätigkeit an der Schule für angewandte Kunst in München in der Graphikklasse. 1922 Hollandreise, 1924 England, Dalmatien, Italien und Schweden, wo sie ihren Ehemann Dr. Eugen Milch kennenlernte. 1926-1940 Dozentin an der Universität Wien. Mitglied des Künstlerhauses Wien seit 1935. Zahlreiche Reisen, u.a. 1929 in den Fernen Osten, 1931 nach Paris und 1932 nach Prag. 1940-1950 Aufenthalt in China (Hongkong, Shanghai, Peking) sowie Japan (Tokyo). Von Japan aus nach Thailand, Kambodscha, Mexico und in die USA. 1957 Rückkehr nach Japan, wo sie bereits große Bekanntheit erlangt hatte. Schuf überwiegend figürliche Darstellungen, Landschaften und Stadtansichten. Die Künstlerin ist in mehreren prominenten Sammlungen vertreten, so im Stadtmuseum Wien, Cleveland Museum of Art, Fine Arts Museum, San Francisco, oder im Metropolitan Museum of Art, New York.

      [Bookseller: Galerie Joseph Fach GmbH]
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        Die italienischen und spanischen Bildwerke der Renaissance und des Barock. In Marmor, Ton, Holz und Stuck.

      Bln., Reimer 1913.. 2. Aufl. 4°. 207 S. Mit 466 Abb. Ln. Mit Rückengoldpräg. Einige Textanstreich. - (Königliche Museen zu Berlin. Beschreibung der Bildwerke der christlichen Epochen. 5. Bd.).

      [Bookseller: Burgverlag Buchhandelsges.mb.H.]
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        [Harrington Emerson's home course of study in personal efficiency.]

      [ New York ]: No Place ; N. P., 1913. Hardcover. Very Good. 4to., pp. [ff 26] + 638 (hand stamped numerals); ox blood half calf and black pebbled cloth gilt; boards lightly scuffed and soiled; marbled endpapers; clean text sheets; pp. 285-288 detached but present; a good copy overall. Edition unknown. Typescript of a personal study guide in 24 parts, ostensibly devoted to increasing personal efficiency by creating goals, the use of meticulous planning, careful observation, standardizing operations, and time management. The author develops a number of "principles of efficiency, " illustrating each in detail. But Emerson goes much farther than simply offering a plan for self-improvement. He dives into all manner of psychology and behavior and recommends many types of physical and mental exercises, relationships, and ideals. The final goal of the program seems hardly less than the entire make over and management of the human personality. One of the more remarkable men of the post-Civil War era in America, Harrington Emerson (1853-1931) was born into a wealthy New Jersey family and educated on the Continent. He began his adult life as an instructor of modern languages at the University of Nebraska, but was dismissed in part due to profound differences in educational philosophy with the school's administrators. He later embarked on a career as a frontier banker and land speculator, and worked as well for major rail concerns in Nebraska, Kansas, & Colorado. He invested in land as the plains became a popular destination for immigrants, but drought and crop failures bankrupted him. He next found employment as a representative of an English investment syndicate, and in this position studied more than one hundred American mining and manufacturing companies as investment possibilities. In this job he first became acquainted with the way that large industrial concerns are organized and operated, which laid the basis for his career as an efficiency expert. He combined this knowledge with further studies and work in mechanical engineering, and became involved and financially indebted in a scheme to lay a trans-Pacific telegraph cable which nearly bankrupted him a second time. After that failure, Emerson worked for a time as an industrial consultant, before resolving to take up efficiency engineering as his primary career. In this he followed the pioneering work of Frederick W. Taylor, whose methods of labor organization had come to the attention of Henry Ford, among others. Emerson on the other hand was hired to reorganize the machine and locomotive repair shops for the Atchison, Topeka, and Santa Fe Railroad. There, over the course of three years, he developed standardized work procedures and implemented a bonus pay system. His reputation as an expert in labor efficiency won him a large clientele. Between 1907 and 1910, he performed consulting work for over 200 companies, from industrial concerns to retailers, hospitals, municipal governments and colleges. He later performed much of his work overseas for foreign governments, including China, Japan, Mexico, Poland and especially the Soviet Union, where Emerson was particularly optimistic for the future of "scientific management." Throughout his later life, Emerson saw himself as a promoter and educator for greater efficiency, for firms and individuals alike. In 1924, he re-wrote and marketed an earlier version of a correspondence course in personal efficiency. Under the direction of the Emerson Institute, his home study course garnered more than 40,000 subscribers in 1925 alone. Scarce in trade. WorldCat locates less than 15 copies. Hardcover.

      [Bookseller: Kuenzig Books, ABAA/ILAB]
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        Scott's Last Expedition

      London: Smith Elder & Co., 1913. Two volumes, large octavo, extensively illustrated including a frontispiece in each volume, six photogravures and 18 coloured plates, many full-page black & white plates, maps, diagrams, and a panorama; some maps with folds reinforced, a fine copy, in contemporary quarter morocco. Signed by two survivors of the Scott expedition. An excellent association copy signed by two of the surviving expeditioners. This is the first edition of the famous official expedition account, arranged from Scott's journals which were retrieved when his tent was discovered in 1912. This set is signed by Lieutenant-Surgeon G. Murray Levick in both volumes, and by Lieutenant Edward R.G.R. Evans, second-in-command on the Terra Nova, in the first: Murray Levick joined Scott's final expedition as surgeon and was second in command of the Northern Party, carrying out extensive studies on birds and marine life. Scott's achievement in reaching the South Pole on January 18, 1912, is inextricably linked with the sense of heartbreak at having been beaten to the Pole by Amundsen by just thirty-four days, and the disastrous return journey in which Scott, Evans, Oates, Bowers, and Wilson all perished. Scott wrote in a letter composed to his wife, "but for my own sake I do not regret this journey, which has shown that Englishmen can endure hardships, help one another, and meet death with as great a fortitude as ever in the past. We took risks, we knew we took them; things have come out against us, and therefore we have no cause for complaint, but bow to the will of providence, determined still to do our best to the last… Had we lived, I should have had a tale to tell of the hardihood, endurance, and courage of my companions which would have stirred the heart of every Englishman. These rough notes and our dead bodies must tell the tale…". Each volume is inscribed on the front free end-paper: "Presented to / The Grundy Library/ Malvern College/ by G.C. Levick (No. 8)/ Nov. 1913

      [Bookseller: Hordern House Rare Books]
 7.   Check availability:     Biblio     Link/Print  

        Preussische Hofgeschichten. Neu herausgegeben von Heinrich Conrad. 4 Bände.

      München, Georg Müller, 1913.. circa 21 x 14 cm. 397; 316; 396; 519 Seiten Original-Leder mit Rücken- und Deckelvergoldung, Kopfgoldschnitt. Eines von 150 numerierten Exemplaren (hier Nummer 80) der Vorzugsausgabe in Leder und auf besserem Papier. - Schönes Exemplar, zwei Stellen mit kleiner Bereibung, sonst sauber und gut erhalten.

      [Bookseller: Antiquariat Thomas Rezek]
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        A Naturalist in Western China, With Vasculum, Camera, and Gun: Being some Account of Eleven Years' Travel, Exploration, and Observation in the More Remote Parts of the Flowery Kingdom, in 2 volumes

      Published by Methuen & Co., London 1913 - , 2 uniform volumes, [xxxvii] 251 & [xi] 229 pages, second volume with publishers catalogue at the rear [29] pages, complete with 101 full page illustrations and a map in vol 2 First Edition , spines faded, covers clean and bright, light spotting to some pages, plates clean, one plate loose and creased, the books are in good++ condition , red cloth with gilt titles 23 x 16 cm Hardback ISBN: [Attributes: First Edition; Hard Cover]

      [Bookseller: Keoghs Books]
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        Sämtliche Werke. Historische-kritische Ausgabe. Unter Mitarbeit von Friedrich Seebass besorgt durch Norbert v. Hellingrath. Erster (1) Band: Jugendgedichte und Briefe.

      München, Georg Müller, 1913.. 8°, Ledereinband. 391 S. Nr. 256 von den 150 Vorzugsaugabe auf van Gelder Bütten u. im Ganzleder gebunden nach Entwurf von Paul Renner. Mit Kopfgoldschnitt u. Lesebändchen. Deckel- u. Rückenvergoldung. Rücken leicht verdunkelt, kopf u. Ecken leicht berieben, ansonsten noch sehr gut erhaltenes Exemplar.

      [Bookseller: Antiquariat an der Universität München]
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        The Interpretation of Dreams. Translated by A. A. Brill

      New York: Macmillan, 1913-01-01. First American Edition. Hardcover. Very Good. New York: Macmillan, 1913. First English language Edition, First Printing. Rare with integral title page, but lacking the printer's imprint on the verso and the errata slip on page 1. In about Very Good condition, as issued without a dust jacket. Clean text. Lightly age toned pages, with foxing to edges and end papers. Front hinge tender. Offsetting to front end sheet, with two small puncture holes at the top from a staple. Spine lightly sunned, with fraying to the ends. Gilt lettering strong, except for at publisher's imprint at base of spine. Boards show light scuffing and wear. Fraying to corners. A nice copy overall, presents well. The first appearance of Freud's greatest work in English, translated from the third German edition.

      [Bookseller: Burnside Rare Books]
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        Mademoiselle de Maupin. Roman. Deutsch von A. Schurig. Farbenlithographien von Karl Walser. München & Leipzig, Georg Müller 1913. 4to. 245 S. Mit 10 farbigen Orig.-Lithographien und 21 Vignetten und Initialen von Karl Walser. Violetter Orig.-Kalblederbd. mit goldgeprägter Deckelvignette, Deckeltitel, Rückentitel u. Kopfgoldschnitt. In Orig.-Schuber

      . . Eines von 50 numerierten Exemplaren der Vorzugsausgabe in violettem Kalbleder. Dazu die Extrasuite der 10 (davon das 1 Blatt signiert) Orig.-Farblithographien von Karl Walser in einer Orig.-Halbpergamentmappe. Die Lithographien wurden unter Aufsicht des Künstlers von der Pan-Presse, Berlin gedruckt. Der Einband wurde von Hübel & Denck, Leipzig gebunden. Dieses Buch ist das Meisterwerk von Karl Walsers Illustrationskunst. Die Stimmung der Erzählung wurde in den farbigen Lithographien prachtvoll getroffen. Die Luxusausgabe in absolut neuwertigem Zustand. - Badorrek-Hoguth A 8.1. - Schauer, Bd. II,56-57 mit Abb.

      [Bookseller: Antiquariat Schmidt & Günther Einzelunte]
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      Circa 1913.Image size (portrait) 170 x 50 mm, 7 x 2 inches, on Whatman's Sketching Board, drawn originally as a tailpiece for one of the stories but not published in the book which appeared first in 1913. It depicts an elderly gentleman in a long plain cloak in slippers and spectacles wearing a large hat on which is perched a small long legged bird. Below the image someone has written in ink "Snow Queen". Clean and bright, in large cream mount. ZOOMABLE IMAGE ATTACHED TO THIS LISTING. POSTAGE AT COST.

      [Bookseller: Roger Middleton P.B.F.A.]
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        Sämtliche Werke. Historische-kritische Ausgabe. Unter Mitarbeit von Friedrich Seebass besorgt durch Norbert v. Hellingrath. Erster (1) Band: Jugendgedichte und Briefe.,

      München, Georg Müller, 1913 - 391 S. Nr. 256 von den 150 Vorzugsaugabe auf van Gelder Bütten u. im Ganzleder gebunden nach Entwurf von Paul Renner. Mit Kopfgoldschnitt u. Lesebändchen. Deckel- u. Rückenvergoldung. Rücken leicht verdunkelt, kopf u. Ecken leicht berieben, ansonsten noch sehr gut erhaltenes Exemplar. Sprache: de Gewicht in Gramm: 1550 [Attributes: First Edition]

      [Bookseller: Antiquariat an der Uni Muenchen]
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        Bokkachcho Fiametta.

      St-Petersburg, M.G. Kornfeld, 1913. Original wrappers. (2), 216 p. Uncut. First edition. Damaged wrappers loose in two parts, repaired with paper and tape. Backstrip missing. Price sticker on rear. Title page loose.* Very rare translation into Russian of Boccaccio's Fiammetta by Michail Kuzmin. Not in very good condition... Green wrappers with gold lettering and a coy little devil at the backside.

      [Bookseller: Antiquariaat Fokas HOLTHUIS]
 15.   Check availability:     NVvA     Link/Print  

        The high-frequency spectra of the elements. In Phil. Mag. 26, no. 156 & 27, no. 160

      , 1913-14. 1913-14. <p>Moseley&#146;s Law in X-Ray Spectra</p><p>Moseley, Henry G. J. (1887-1915). The high-frequency spectra of the elements. In: Philosophical Magazine, sixth series, 26 (1913): 1024-34; 27 (1914): 703-13. 1 plate. The complete nos. 156 & 160, 8vo. London: Taylor & Francis, 1913-14. 226 x 147 mm., first number uncut & unopened. Original printed wrappers, advertising circular laid into second number. Very fine. </p><p>First Edition. Moseley&#146;s outstanding contribution to physics was the justification from physical laws of the previous empirical and chemical concept of the atomic number. This stemmed from his development of Moseley&#146;s Law concerning the characteristic x-rays that are emitted by atoms published in his paper of 1913. &#147;It is historically important in quantitatively justifying the conception of the nuclear model of the atom, with all, or nearly all, positive charges of the atom located in the nucleus, and associated on an integer basis with atomic number. Until Moseley&#146;s work, &#145;atomic number&#146; was merely an element&#146;s place in the periodic table, and was not known to be associated with any measureable physical quantity. Moseley was able to show that the frequencies of certain characteristic X-rays emitted from chemical elements are proportional to the square of a number which was close to the element&#146;s atomic number; a finding which supported van den Broek and Bohr&#146;s model of the atom in which the atomic number is the same as the number of positive charges in the nucleus of the atom&#148; (Wikipedia article on Moseley&#146;s Law, accessed 07-10-2011).</p><p>In 1913 Moseley, a member of Rutherford&#146;s Manchester Institute, set out to test the doctrine of atomic number by mapping the characteristic K and L spectra of the elements. Using a modification of the x-ray spectroscopy techniques developed by the Braggs, Moseley &#147;obtained the principal lines of the x-ray spectra of most elements by registering their ionization and photographic images. In November of that year he reported his results to Bohr as confirming the new theory of atomic constitutions and being &#145;extremely simple.&#146; . . . He also succeeded in correcting the sequence of transition elements to be Fe-Co-Ni according to increasing &#145;atomic number&#146; Z (rather than to their atomic weight A). That is, the neutral nickel atom possessed a higher nuclear charge and one electron more than the neutral cobalt atom, despite the fact that it had a smaller atomic weight&#148; (Twentieth Century Physics I, pp. 158-59).</p><p>When World War I broke out Moseley left his research work at the University of Oxford to volunteer for the Royal Engineers of the British Army. He was assigned as a telecommunications officer to the fighting force that invaded the region of Gallipoli, Turkey, in April 1915. On August 10, 1915, during the Battle of Gallipoli, Moseley was shot and killed at the age of 27. Some prominent authorities have speculated that Moseley would have been deserving of the Nobel Prize in Physics in 1916&#151; which went unawarded&#151;had he not died the previous year. Printing and the Mind of Man 407. </p>

      [Bookseller: Jeremy Norman's]
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        La Mome. Etude illustree de douze eaux-fortes de l'auteur.

      . Paris, Cres (1913). 8°. 106 S., 2 Bl. mit 12 Radierungen. Goldschnitt. Grünes Maroquin mit goldgepr. Rückenschildchen und leichter Rückenvergoldung, gold- und blindgepr. Deckeln. Einband signiert: Joh. Rudel, Elberfeld. Der Originalumschlag ist eingebunden. Edition originale. Nr. 111 von 449 Exemplaren sur velin. Von Henri Boutet in der Justification monogrammiert. Kleines blindgeprägtes Wappen-Ex Libris auf leerem Vorsatzblatt. Schönes Exemplar. -CHF 650.00.

      [Bookseller: Antiquariat Fatzer]
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        The South Pole: An Account of the Norwegian Antarctic Expedition in the 'Fram', 1910-1912, in Two Volumes"

      New York: Lee Keedick. First Edition. Very Good/No Jacket. First edition. Former library copy, most marks removed. No jackets. Hinges repaired. 1913 Hard Cover. We have more books available by this author!. xxxv, [5], 392, [1]; x, 449 pp. Original navy blue cloth, gilt titles, top edge gilt. Maps and illustrations in text, including a fold-out schematic of the Fram and a fold-out chart of the Antarctic region. A firsthand account of Amundsen's successful expedition to reach the South Pole; he was the first to do so, preceding Robert F. Scott's party by over a month.

      [Bookseller: Yesterday's Muse, ABAA, ILAB, IOBA]
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        Japanische Märchen. Eine Sammlung der schönsten Märchen, Sagen und Fabeln Japans für die deutsche Jugend ausgewählt und frei ins Deutsche übersetzt.

      Cl. Attenkofer, 1913.. 87 S., mit zahlreichen Abb.. 8°, Hardcover, Einband altersbedingt leicht gebräunt, Ecken leicht bestoßen und berieben, innen leicht gelblich sonst gut erhalten, mit Frakturschrift Q38

      [Bookseller: ABC Versandantiquariat]
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        Arthur Rackham's Book of Pictures

      Heinemann 1913 - First edition first impression from 1913 in VG+ condition, there is some minor marking to boards and wear to spine, all plates and tissue guards present there is an 8cm closed tear to the tissue guard for plate no 38 (no damage to plate) no other markings, please see pics, paypal accepted, any questions please get in touch. [Attributes: First Edition; Hard Cover]

      [Bookseller: Setanta Books PBFA]
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      1913 - Barcelona, Girona.Imp. Rafel Maso. Un volume au format 121X157mm. Cartonnage illustré sur le premier plat par Torres Garcia. Illustré de 4 bois gravés. Ex-libris manuscrit, il manque la page de titre. Photos supplémentaires sur demande. Premier livre de l'auteur, qui marque son tournant esthétique. [Attributes: Hard Cover]

      [Bookseller: Le Grand Verre]
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        Storia Di Pio II

      nbsp;Florence- E. Sborgi, 1913. nbsp;Florence- E. Sborgi, 1913 Book. Very Good. Hardcover. A scarce charming pictorial history of Pope Pius II, born Enea Silvio Piccolomini. Featuring brightly coloured captioned plates throughout, allpainted within the cathedral of Siena, and set in decorative boarders. Bernardino di Betto, nicknamed Pinturicchiofor his small stature, was a prolificItalian painter of the Renaissance. In 1504 he designed a mosaic floor panel for the Cathedral of Siena named The Story of Fortuna, or the Hill of Virtue. Condition: In original embossed decorative paper binding. Externally, smart and bright with only minor rubbing to the spine and extremities. Internally, generally firmly bound yet with lack of title page. Pages are bright and clean throughout. Overall: VERY GOOD INDEED..

      [Bookseller: Rooke Books]
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        Bréviaire Du Batologue.

      Léon L'homme, Paris 1913 - Bréviaire Du Batologue ou analyse descriptive des ronces d'europe.90 pp. + plates. Publishers green cloth, slightly worn, Interior good. [Attributes: Hard Cover]

      [Bookseller: Thulin&Ohlson AntiqBookseller Since 1918]
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        Die Brautwahl. Musikalisch - phantastische Komödie in drei Akten und einem Nachspiel nach E.T.A. Hoffmanns Erzählung. Text und Musik von Ferruccio Busoni. Zweite, endgültige, mit der Komposition übereinstimmende Fassung. Szenen und Figuren v. Karl Walser.

      Berlin Bruno Cassirer 1913. 55 Seiten und zahlr. Tafeln im Lichtdruck mit handkolorierten Figurinen. Eins von 200 num. Exemplaren. Dieses Ex. Ist Nr. 107. - Von Karl Walserim Impressum signiert, von Busoni faksimiliert signiert. Farb.ill. Orig. Halblederband 4° quer. - Einband und Vorsätze leicht stockig, sonst tadellos. - Nicht bei Riemer..

      [Bookseller: Christel Morner - Buch und Kunst]
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        Essais de Critique et D&#39;Histoire

      aris- Librairie Hachette, 1913. aris- Librairie Hachette, 1913 Book. Very Good. Hardcover. %0D%0AThis is a twelfth edition of this collected historical work by H. Taine. %0D%0AIn French. %0D%0AHippolyte Taine was a French critic and historian, and was the chief theoretical influence of French naturalism. %0D%0ACondition: %0D%0AIn a quarter morocco binding. Externally, a trifle rubbed with bumping to extremities. Internally, firmly bound although strained in places. Pages bright with age toning to edges and occasional scattered spot. Overall: VERY GOOD%0D%0A.

      [Bookseller: Rooke Books]
 25.   Check availability:     Biblio     Link/Print  

        A Descriptive catalogue of Marine Reptiles of the Oxford Clay

      London Trustees of the British Museum 1913. VG : in very good condition without dust jacket. Ex lib - University of Edinburgh with usual stamps and markings. Presentation plate to the Trustees of the British Museum to fep First Edition Brown hardback cloth cover 230mm x 150mm (9" x 6"). 205pp; 206pp + plates. 23 full page plates bound in to the rear in total.

      [Bookseller: Barter Books]
 26.   Check availability:     TomFolio     Link/Print  


      Paris - Nouvelle Revue Francaise, 1913. Paris - Nouvelle Revue Francaise, 1913 Book. Very Good. Hardcover. %0D%0AA scarce collection of French poetry by Stephane Mallarme. %0D%0AContaining more unedited poems and a portrait. %0D%0AFifth edition. %0D%0ACondition: %0D%0ARe-bound in a quarter vellum binding with marbled paper covered boards. Externally, smart. Internally, firmly bound. Pages are generally bright and clean with some scattered light foxing. Overall: VERY GOOD INDEED. %0D%0A%0D%0A.

      [Bookseller: Rooke Books]
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        OBRES. Publicades ab una introducció per R. Miquel y Planas, segons els manuscrits y primeres edicions

      Imp. F. Giró, Barcelona 1913 - 4º, Portada grabadada a dos tintas, XC págs., 459 págs. Papel de hilo, barbas. Tela original, escudo dorado en lomo y planos. Intonso. Buen ejemplar. Notable edición, bien impresa, con buenos márgenes, de las obras completas de este gran escritor valenciano del s. XV, Maestro en Sacra Teología, precedidas de unas doctas noticias biográficas y de un detallado estudio literario y bibliográfico de su obra. Literatura catalana. Valencia. Bibliofilia. Poesía. Catalan literature. Bibliophilism. Poetry.

      [Bookseller: Libreria Anticuaria Studio]
 28.   Check availability:     IberLibro     Link/Print  


      . Zustand: Bien Einband: Encuadernacion de tapa dura. Paris. Editeurs. 1913, 1919. 10h+48Pag(laminas s/p)+4h. 33X24. Ilustrada con bellas Laminas. Ref 20 Biblioteca A.

      [Bookseller: Libreria Anticuaria Marc & Antiques]
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        SANGAR. TO LINCOLN STEFFENS (Inscribed to Louise Bryant)

      Riverside, CT: Hillacre, 1913. Riverside, CT: Hillacre, 1913. First Edition. Hardcover. Boards slightly bowed; about an inch of the spine neatly and professionally repaired at the top, slight wear at the heel. Near Fine, lacking the publisher&#39;s cardboard slipcase. Small quarto (6-1/2" x 9-3/4"); dark brown paper boards stamped in gilt on front and spine. Illustrated with a frontispiece photograph of Lincoln Steffens with tissue guard. One of only 500 copies of Reed&#39;s first book, a poem subtitled "The mad recreant knight of the west." This copy is INSCRIBED and SIGNED by Reed on the front endpaper: "To Louise/with everything/John Reed." Perhaps the best known left-wing American journalist of the twentieth century; Reed was portrayed by Warren Beatty in the film REDS, nominated for twelve Academy Awards and winner of three, which centered on Reed&#39;s life, notably his romance with Louise Bryant, played by Diane Keaton, and his early death at 33 in Moscow. Reed&#39;s best known book, TEN DAYS THAT SHOOK THE WORLD, is Reed&#39;s firsthand account of the October Revolution in Russia in 1917. Steffens&#39;s complex and, ultimately, doomed effort to mediate in the infamous 1911 McNamara trial in Los Angeles inspired Reed&#39;s composition of this "Christian allegory." The McNamara brothers, John and James, leaders of the radical international association of bridge and structural iron workers union, were indicted for the 1910 dynamiting of the LOS ANGELES TIMES building which killed twenty people. Initially supporters of the McNamaras protested that the charges against the brothers were trumped up and that the deadly explosion was attributable to faulty maintenance by management. But as the trial dragged on even the brothers&#39; own lawyer, Clarence Darrow, grew convinced of their guilt. It was at this point that Steffens interceded (at whose request remains unclear to this day), confident that some permutation of the "golden rule" could be applied to resolve the case to the satisfaction of both sides and that the residual benefit of such a "Christianly" settlement would be a dialogue between capital and labor. But Steffens&#39;s meddling apparently infuriated Judge Bordwell, who tossed the book at the McNamaras even after they&#39;d altered their pleas to guilty expecting to be shown leniency. Both brothers received lengthy prison terms. Steffens was blasted from all sides. Capital -- led by Harrison Gray Otis, proprietor of the TIMES, and Theodore Roosevelt -- thumbed their noses at him, as did labor, cheerleaded by Emma Goldman and Max Eastman, who charged Steffens with sanctimonious naiveté for collaborating with the anti-McNamara forces. Reed&#39;s position was more ambiguous and he composed SANGAR ostensibly in praise of his mentor&#39;s work in Los Angeles. Reed went so far as to read SANGAR aloud to Steffens in a Greenwich Village restaurant prior to sending it off to POETRY magazine, where Harriet Monroe not only published it but gave it an award. But twenty years later when he wrote his autobiography, and Reed was many years dead, Steffens took no pride in the dedication. "John Reed, my own boy," he noted, "wrote a fierce poem, &#39;Sangar,&#39; denouncing me.

      [Bookseller: Charles Agvent]
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        The Splendid Wayfaring

      London - Simpkin, Marshall, Hamilton, Kent & Co., 1913. London - Simpkin, Marshall, Hamilton, Kent & Co., 1913 Book. Very Good. Hardcover. First edition. A first edition of this collection of essays on the Arts by Haldane Macfall. With numerous vignette illustrations throughout by Lovat Fraser, Gaudier Brzeska, Gordon Craig, and the author. With chapters including Of Art, Of Beauty, Of Impressionism, Of the Power of Drama, Of the Law, Of the Dealing in Antiquities and many others. Bookplate of Peter Summers to front pastedown. CONDITIONIn a decorative cloth binding. Externally smart, with just some minor shelfwear. Internally, generally firmly bound. Pages are bright, but have somescattered light spotting throughout. Overall: VERY GOOD INDEED..

      [Bookseller: Rooke Books]
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        La Ruota. Sensazioni di colore illustrate da Adolfo Magrini e Alberto Bianchi.

      Dott. Riccardo Quintieri Editore (stampa: Officine Tipo-Litografiche già Montorfano e Valcarenghi) 1913 (giu.) Edizione originale stampata in 500 esemplari, in carta pregiata e illustrata dalle belle tavole a colori di Magrini, oltre all?illustrazione di copertina di Bianchi che torna all?interno virata in inchiostro diverso. Raccolta di prose liriche. Cfr. Diz. Fut., p.669c: «Nonostante queste simpatie [futuriste], Luppis non è un futurista, come rivelano, ad esempio, suoi importanti testi poetici quali ?La ruota? (1913) o ?La spira? (1922), ricchi di echi d?annunziani, ma anche del simbolismo laforguiano». Esemplare molto buono. Raro. in 8° pp. 85 [1], 1 c.b. finale, 12 cc. su cartoncino colorato f.t. con ill. a colori applicata al recto.

      [Bookseller: Libreria Pontremoli]
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        Panurge. [Subtitle]: Haulte farce musicale en 3 actes de MM. Georges Spitzmüller et Maurice Boukay. [Music by Massenet]

      [Paris]: [Printed by J. Minot]. [1913]. Original lithographic poster by Charles-Lucien Léandre (1862-1934), signed and dated 1913 in the stone. 89 x 61.5 cms. (35.5" x 25"). Laid down to board. Minor wear to edges; some light staining to upper edge and right corner. . "Panurge, which should have been a popular farce in the lineage of Cendrillon and Don Quichotte, never achieved any success despite the usual masterly timing which Massenet deploys. The adventures and misunderstandings of Panurge and his wife Colombe make excellent operatic comedy. But perhaps the grossièreté of Rabelais is more literary than theatrical. In truth this final endearing comedy, which had to compete for attention with such novelties as Le sacre du printemps when it was first performed, has never been put to a fair test on the stage." Hugh Macdonald et al in Grove online A striking image of the rogue Panurge, sung by Vanni Marcoux, created for the premiere of the opera at the Théâtre de la Gaîté on April 25, 1913. "The artist Léandre (1862-1934), born in Normandy, began his career in Paris painting decorative pictures for hotels, then studied at the Beaux-Arts with Cabanel... [He] was known for his caricatures, many of which he drew for the periodical Le Rire. A street in Montmartre bears his name and a statue of him was erected in Paris after his death." Broido: French Opera Posters 42.

      [Bookseller: J & J Lubrano Music Antiquarians LLC]
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      Kommissionsverlag K. BecK (L. Haile), MÜNCHEN 1913 - EXPRESIONISMO. EXPRESSIONISMUS. 1913. 46 Páginas. 46 Seiten. Lithographien. Kunstausstellung, XI Internationale im König. Glaspalast in München [Attributes: Soft Cover]

      [Bookseller: NOSTROMO2]
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        Recherche de plastique de 1913. Erster Deutscher Herbstsalon. Berlin / Potsdamerstr. 75.

      Der Sturm,, Berlin, 1913 - Berlin, Der Sturm, o. J. [1913]. Orig. Ansichtskarte [14 x 9 cm]. Die Karte ist nicht im Katalog "Erster Herbstsalon" abgebildet. - Die Karte ist nicht gelaufen. Hds. Text a. Rückseite, leichte Gbrsp. - Die Ausstellung "Herbstsalon" wurde am 20. September 1913 in angemieteten Ausstellungsräumen (?Lepke-Räume") in der Potsdamer Straße 75, Ecke Pallasstraße, Dritte Etage, auf 1200 m eröffnet, unweit Waldens Galerie "Der Sturm" in der Potsdamer Straße 134a, und schloss am 1. Dezember 1913. Der Name der Ausstellung orientierte sich an dem seit 1903 in Paris durchgeführten Salon d'Automne. Die Ausstellung war eine Kontrastveranstaltung zur Sonderbundausstellung, die 1912 in Köln stattgefunden hatte und sich mehr der schon etablierten Moderne des Impressionismus gewidmet hatte. Im Herbstsalon gab es Künstler, die auch dort präsent gewesen waren, aber nicht zur Geltung gekommen waren, so Maler des Blauen Reiter, sowie Carlo Mense und Alexander Archipenko. Letzterer hatte auch schon im Herbstsalon in Paris ausgestellt. Der (ungenannte) Mäzen Bernhard Koehler sorgte mit 4000 Mark für die finanzielle Absicherung, ohne die die Ausstellung nicht zustande gekommen wäre. August Macke und Franz Marc nahmen die Hängung vor. Die Maler der Gruppe des Blauen Reiter bildeten den Hauptteil der Ausstellung. Marc selbst stellte auch sein programmatisches Bild "Der Turm der blauen Pferde" aus. Walden übernahm auch Künstler aus der Futurismus-Ausstellung, die er am 12. April 1912 in seiner Galerie ?Der Sturm" eröffnet hatte. In der Nachwirkung der Futuristen-Ausstellung und im Vorfeld des Herbstsalons hatte sogar das Preußische Abgeordnetenhaus am 12. April 1913 über Kunst debattiert. (Zitat) Deutsch Orig. Ansichtskarte [14 x 9 cm].

      [Bookseller: Antiquariat Weinek]
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        Chaussures d&#39;Antan

      Paris - Devambez, 1913. Paris - Devambez, 1913 Book. Very Good. Hardcover. First edition. A very scarce limited edition in paper wraps of Chaussures d&#39;Antan (Shoes of Yesteryear) by Jrome Doucet. First edition. In French. In a limited edition of ten copies printed on Japanese paper numbered 1 to 10, this copy is unnumbered. With apreface by Jean Richepin. Illustrated by painter and playwright Maurice Leloir with line drawings, colour plates and tipped-in reproductions of photographs. Condition: In paper wraps. Externally, sound but with slight edgewear, closed tears to joints and backstrip and scattered foxing. Internally, binding strained in places. Bright and generally clean throughout with the odd spot and mark to pages and slight foxing to endpapers. Overall: GOOD.

      [Bookseller: Rooke Books]
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      Chatto & Windus, London 1913 - 367pp., illustrated in color and black & white by J.A. Shepherd, bound by Bayntun in full brown polished calf, boards double ruled in gilt, pictorial spine gilt, red and brown leather labels gilt, iner gilt dentelles, marbled endpapers, all edges gilt. A beautiful copy, fine. Octavo

      [Bookseller: Alcuin Books, ABAA]
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        The Motorbus. The Marlborough Gallery. 34, Duke Stree, St. James's, S. W. Exhibition of Futurist Paintings by Gino Severini.

      -,, [London, 1913 - [London, -, 1913.] Orig. Ansichtskarte [8,6 x 13,7 cm]. - Die Karte ist nicht gelaufen. - Severini (1883 - 1966) siedelte 1899 nach Rom über und besuchte Abendkurse an der Villa Medici. 1901 begegnete er Umberto Boccioni und Giacomo Balla. 1906 ging er nach Paris und hatte Verbindung zu Amedeo Modigliani und den Kubisten. Er unterzeichnete 1910 das ?Technische Manifest der futuristischen Maler". 1917 hatte er eine Ausstellung in der Galerie 291 von Alfred Stieglitz in New York. 1918 arbeitete er an der Zeitschrift ?De Stijl " mit. Sein Stil war stark vom Impressionismus und Kubismus geprägt. 1921 veröffentlichte er das Buch "du cubisme au classicism". Gino Severini war Teilnehmer der documenta 1 (1955) und der documenta III im Jahr 1964 in Kassel. (Zitat) - Anläßlich seiner ersten Solo-Ausstellung herausgebrachte Postkarte. Deutsch Orig. Ansichtskarte [8,6 x 13,7 cm].

      [Bookseller: Antiquariat Weinek]
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        Mozarts Requiem Nachbildung der Originalhandschrift Cod. 17561 der k.k. Hofbibliothek in Wien in Lichtdruck [Subtitle]: Herausgegeben und erläutert von Alfred Schnerich

      Wien: Gesellschaft für Graphische Industrie. [1913]. Oblong folio. Original publisher&#39;s boards. 1f. (half-title), 1f. (title), 1f., 7-32 pp. textual commentary in German. i-xcvi pp. autograph manuscript facsimile. Free front endpaper creased; signature to half title.

      [Bookseller: J & J Lubrano Music Antiquarians LLC]
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        CHANCE: A Tale In Two Parts (VERY FINE COPY)

      London: Methuen, 1913. London: Methuen, 1913. Conrad, Joseph. CHANCE. London: Methuen, 1914 [1913]. First Edition. A VERY FINE example of Conrad&#39;s first major success, the book which brought his earlier novels to the attention of the reading public. It is his only novel with a female protagonist and the tale, despite lessened collector interest over the years in favor of such works of genius as LORD JIM and HEART OF DARKNESS, can be viewed as a minor masterpiece if only for its intriguing attempt to bring to female psychology the kind of insight Conrad so strongly succeeded in bringing to his male characters. This copy is completely unrubbed and unmarked, a stunning survival in this condition given it lacks the rare dustjacket. CHANCE was printed in 1913 but most copies (as here) sport the title page as a stub-borne cancel dated 1914 (made necessary by delays in production; only a few dozen copies still exist with the original 1913 title and we&#39;ve never seen a truly fine example). This copy is also in the binding state with the imprint showing the "U" in Methuen. It has adverts dated Autumn 1918. Although the bibliographic points on this title are fun to discuss (for some) if one has a passion for variations in the design of a publisher&#39;s imprint as stamped on the spine (sometimes books are bound at more than one location using different stamping tools) or adverts (they are insertions without any reliability; we never use them as bibliographic proof for anything). This is the 21st century and, unless you have the true integral 1913 title page, nothing really matters here except condition, condition, condition. Housed in a nice quarter morocco slipcase.. . First Edition. Decorative Cloth. VERY FINE.

      [Bookseller: Lakin & Marley Rare Books]
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        Minna von Barnhelm oder das Soldatenglück. Ein Lustspiel in fünf Aufzügen. München, Hans von Weber 1913. 4to. 174 S. Blauer Orig.-Maroquinbd. mit Rückentitel, Kastenvergoldung, 4-fachen Deckelfileten, Verlagssignet u. Kopfgoldschnitt. (Signiert K. Fikentscher, Leipzig).

      . . 17. Hundertdruck in 100 numerierten Exemplaren erschienen. Die einzige bibliophile Ausgabe von Lessings größtem Lustspiel. Gebunden in einem hervorragendem Einband von H. Fikentscher. Tadellos erhalten. - Rodenberg 412.

      [Bookseller: Antiquariat Schmidt & Günther Einzelunte]
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      Printed for the Author, New York 1913 - Stiff printed brown wraps (6-1/2" x 9-5/8"). Issued in an edition of 500 copies. Though there is no indication of such in the book itself, this volume was in the possession of Louis Bryant, Reed's wife. Laid in is an interesting piece: a 6" x 7-1/4" reproduction of an unidentified figure on which is written on the verso in an unidentified hand: "In the world is a big place which is called Russia, and there is a little place, my heart, which is full of gratefulness and love for a little American doll Louise Bryant. And when Louise thinks of Russia I beg her to think of me ever yours." Following that is a name, partly obliterated, dated Moscow, April 1921. Perhaps the best known left-wing American journalist of the twentieth century; Reed was portrayed by Warren Beatty in the film REDS, nominated for twelve Academy Awards and winner of three, which centered on Reed's life, notably his romance with Louise Bryant, played by Diane Keaton, and his early death at 33 in Moscow. Reed's best known book, TEN DAYS THAT SHOOK THE WORLD, is Reed's firsthand account of the October Revolution in Russia in 1917. Slight soiling to the covers; the bottom of the spine lacking about two inches of paper. Very Good [Attributes: First Edition; Soft Cover]

      [Bookseller: Charles Agvent, est. 1987, ABAA, ILAB]
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        Benz Automobile.

      Mannheim, 1913.. 69 S. mit zahlr. Abb. Gr.-8°, Broschur.. Firmenschrift mit den Luxusmodellen der Zeit, die gleichzeitig die Entwicklung des Automobilbus dokumentiert. - Einband etwas berieben, sonst tadellos.

      [Bookseller: Antiquariat Galerie Joy]
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