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Displayed below are some selected recent viaLibri matches for books published in 1913

        Works of Charles Dickens [ Complete in 15 Volumes ] in Period Bookcase

      The Waverley Book Company Ltd, London 1913 - Complete in 15 volumes. The Author's Favourite Edition. In Facsimile. Many full page illustrations throughout. No publishers date, but published circa 1910. Christmas Carol. Edwin Drood. A Tale of Two Cities. Great Expectations. Old Curiosity Shop. Little Dorrit. Uncommercial Traveller. Bleak House. Pickwick Papers. Our Mutual Friend. Sketches by Boz. Oliver Twist. Christmas Books Etc. Martin Chuzzlewit. Barnaby Rudge. Hard Times. Nicholas Nickleby. Dombey and Son. David Copperfield. Books measure 8 x 5 1/4 inches. Bound in original publishers red embossed cloth, with gilt lettering and design on spines. All bindings are in very good clean firm condition. Internally, pages clean throughout. A very nice set, in unusually clean bright condition. House in a period bookcase. Not sure if the bookcase was supplied by the publishers or purpose built. A very attractive set. [Attributes: Hard Cover]

      [Bookseller: George Jeffery Books]
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        Mother Goose. The Old Nursery Rhymes.

      London: William Heinemann, 1913 - Quarto. Original white cloth, titles and decoration to spine gilt, titles and pictorial block to front board gilt. Spine lightly toned, occasional foxing to contents but clean plates; an excellent copy. Frontispiece and 12 coloured plates, captioned tissue-guards and numerous black and white illustrations throughout. Signed limited edition. [Attributes: First Edition; Signed Copy]

      [Bookseller: Peter Harrington. ABA member]
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        Bibliotheca Vinaria. A Bibliography of Books and Pamphlets Dealing with Viticulture, Wine-Making, Destillation, the Management, Sale, Taxation, Use und Abuse of Wines and Spirits. Mit einigen s/w Textabbildungen. Mit einem Vorwort von Hugh Johnson.

      (Neuwertig, sehr schönes Exemplar) Weinrotes Oasenziegenleder (257 x 200 x 49 mm) intarsiert mit kreisrunden Stücken verschiedener Ledersorten, wie Ziegen-, Kalb- und Emuleder, sowohl auf den Deckeln wie dem Rücken, dazwischen größere vergoldete Punkte, im Ganzen an Trauben und Sektperlen erinnernd. Handgestochene Kapitale in rot/grüner Seide über Pergamentbändchen. Spiegel und fliegende Vorsätze aus Kleisterpapier von Victoria Hall, ebenso die Innenseiten des klappbaren Buchkastens (281 x 223 x 69 mm) aus dunkelrotem Leinen mit Lederauflagen auf dem Rückenteil. Gebunden von Stephen Conway, Halifax, UK, mit seinem Etikett auf dem hinteren Spiegel des Buches sowie im Buchkasten.Vom Verleger Richard Leech signiertes Rezensionsexemplar der auf 600 Exemplare limitierten, erweiterten Neuauflage des erstmals 1913 bei Grand Richards Limited erschienenen Werkes. Als Grundlage des Nachdruckes diente das von Simon mit hunderten von Nachträgen durch handschriftliche Ergänzungen auf eingeschossenen Blättern fortgeführte Handexemplar, so daß das vorliegende Werk fast den doppelten Umfang der Erstausgabe hat. - Red morocco, gilt, with inlays, bound by Stephen Conway, Halifax, UK. One of 600 copies of the new, enlarged edition, edited by Hugh Johnson. Review copy, signed by the publisher Richard Leech. With some b/w illustrations in the text. As new. A really beautiful binding, reminding to grapes and champagne. - Besterman IV,6548 (zur Erstausgabe). / A unique copy in a designer binding by Stephen Conway. - RFM - Weitere Bilder auf Anfrage oder auf unserer Homepage.

      [Bookseller: Versandantiquariat Bürck]
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        The Interpretation of Dreams.

      New York: The MacMillan Company, 1913. First edition in English of this cornerstone of psychoanalysis. Octavo, original blue cloth. In very good condition with light rubbing to the crown of the spine. Introduction by A.A. Brill. Unquestionably Freud's greatest single work. It contains all the basic components of psychoanalytic theory and practice: the erotic nature of dreams, the 'Oedipus complex,' the libido and the rest; all related to the background of the 'unconscious,' later to be called the 'sub-conscious" (PMM 389). First published in German in 1899 Die Traumdeutung has "ranked Freud with Darwin and Marx... This book remained for Freud his greatest achievement." He later wrote that it contains "'the most valuable of all the discoveries it has been my good fortune to make. Insight such as this falls to one's lot but once in a lifetime" (Grolier 87). Freud revised the book at least eight times and, in the third edition, added an extensive section which treated dream symbolism very literally, following the influence of Wilhelm Stekel. Freud said of this work, "Insight such as this falls to one's lot but once in a lifetime." Listed on Modern Library 100 greatest non-fiction books of the twentieth century.

      [Bookseller: Raptis Rare Books ]
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        Fountains of Rome

      None Stated [Carfax and Co.?]. LOOSE_LEAF. London, 1913. A suite of 23 fine etchings, housed in a large folio, all signed by Hogarth and numbered on rectos. With a three page introduction by Thomas Ashby. Images measure 15 x 20 inches. Plates in near fine condition with a few small marginal tears at far edges. Portfolio with some wear and stains. Very good condition overall with fine plates. A scarce work, possibly produced at or for the Carfax and Co. Gallery, which notes an exhibition held by the artist in 1913. OCLC notes two copies, one at the Metropolitan Museum of Art and one at the American Academy in Rome. A Lincolnshire-born artist, she taught at Wycombe Abbey School and exhibited her work in 1914 at the New English Art Club. She produced this series and a series of Athens Sketches, also scarce, though a single illustration from that series did sell at Bonhams in 2005. Please contact us for additional pictures or information. . Fine. 1913. First Edition.

      [Bookseller: Auger Down Books]
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        The Lodger. Copyright edition.

      Leipzig: Bernhard Tauchnitz, 1913 - Octavo (151 x 105 mm). Contemporary orange cloth, gilt lettered green skiver label. Spine rolled and toned, slight wear to back cover, front free endpaper toned and slightly dampstained, yet a very good copy, clean and sound. First Tauchnitz edition, published in the same year as the London and New York editions. Presentation copy from the author to fellow novelist A. S. M. Hutchinson, inscribed on the front free endpaper: "A. S. M. Hutchinson, with the kind thoughts of the writer, Marie Belloc Lowndes". Arthur Stewart-Menteth Hutchinson (1879-1971) was editor of The Daily Graphic and a prolific author whose bestselling If Winter Comes (1922) was, like The Lodger, adapted for the screen (MGM, 1947). Belloc Lowndes's most enduring novel, "a story of a London couple in the 1880s who suspect that their lodger is Jack the Ripper. has undergone various adaptations, as a stage play, several films (including an early Alfred Hitchcock), and an opera by Phyllis Tate. The Lodger was a best-seller in its day, yet Marie Belloc Lowndes found herself constrained in the summer of 1914 to borrow £350 from her brother, Hilaire Belloc, to pay off an overdraft, a debt which seemed to rankle over the years, although in general brother and sister remained friends" (ODNB). Decidedly uncommon: Copac cites just the Bishopsgate Library copy among British and Irish institutional libraries (although there is a copy in the Todd-Bowden Collection at the BL); OCLC adds another 20 worldwide. Inscribed copies are particularly elusive. Hubin p. 256 (not listing this edition) [Attributes: First Edition; Signed Copy]

      [Bookseller: Peter Harrington. ABA member]
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        The Mystery of Fu Manchu

      London: Methuen & Co, 1913. First Edition. Hardcover. Very Good. Signed. First British edition, first printing. Presentation copy signed by Sax Rohmer on the half title page, inscribed to Robert M. McBride, a partner in McBride, Nast and Co., who was responsible for publishing the first American edition of this book. The inscription reads "To R. M. McBride with cordial good wishes." Recent half red leather binding over red cloth, marbled end sheets. 308pp, 8, 31. Pages toned, edge of page block with light scratches and light staining to top edge, contents Very Good. A nice presentation of the first British edition of the first Fu Manchu novel, signed by the author to his American publisher.

      [Bookseller: Burnside Rare Books, ABAA ]
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        The Rubáiyát. Rendered into English Verse by Edward Fitzgerald. Illustrated in Colour and Line by René Bull.

      Hodder and Stoughton 1913 - FIRST BULL EDITION, 241/250 COPIES signed by the artist, 10 full-page tipped-in colour plates with captioned tissue guards, 19 smaller mounted colour plates, line drawings and borders throughout, all by René Bull, half-title foxed and occasional light foxing throughout, gift inscription to blank preceding half-title, 4to, original vellum, ornate design to upper board by René Bull stamped in blue and gilt, backstrip lettered in gilt, lacking ties, t.e.g., others untrimmed with a few faint spots, very good.

      [Bookseller: Blackwell's Rare Books ABA ILAB BA]
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        The Interpretation of Dreams

      London: George Allen, 1913. First Edition. Cloth. Near fine. 1st edition in English, the scarce 1st state, and also the 1st issue. But why is it the 1st state? Let's snuggle up against the bibliography without falling into it. All the 1st edition sheets were printed in England, but only a small fraction of them were issued there with an integral London (George Allen) title page. Almost all of the sheets were sent to the U. S. for the New York (1st American) edition, and they were issued there with a cancel title page, followed by copies with an integral title (likely a case of initially printing a title page to be tipped in as a cancel, and then printing a single sheet bifolium which was sewn in for the integral title page, but not reprinting the text, that came even later). Exact publication dates are not known but the London edition is, inarguably, the 1st state with its integral London title page, exactly as the book was 1st printed. It precedes, the NY edition, probably by a week, or 2. And besides it being the primary edition, it's 20 times (40 times?) scarcer than the NY edition, of which there are always copies for sale, mostly because the London issue was reserved for, and only sold to, "the medical, scholastic, legal, and clerical professions" and never sold to the public, and a printed publisher's note, tipped-in to all copies (present in our copy, missing in others) ratifies this. For contrast, ABPC records 8 copies of the NY issue sold at auction since the mid-1970s, against no copies of this London issue. Original cloth, not known by me to exist in, or have been issued in, a dustjacket. 3 faint spots to the cloth, spine faded a shade darker, first and last few leaves foxed, else near fine (see photograph). Want more? It's a superb association copy. Ex-Dr. Alan W. Tyson, eminent psychiatrist, assistant editor of Freud's Works, and the translator of 3 of Freud's books, as well as 3 of his clinical papers. Our copy has 6 pages of Tyson's apt, closely written, pencil notes on the 4 rear blanks and endpapers, the notes themselves a dissection of the text as earnest as any published. Incorrect attributions of priority for the NY edition follow a simple minded projection from insufficient data; that because the translation, was done by an American (A. A. Brill) the N. Y. issue must precede, another case of convenient erroneous conclusions (bikinis cause hot weather, or spoons make you fat) here drawn from the guesses of expediency, motivated by either materialism (given that it is the NY edition that booksellers always have in hand to sell), or an inability (moral exhaustion?) to be honestly discerning (like having garbage can security judged by raccoons, or tennis ball inflation judged by Golden Retrievers). But our book is the genuine article, and comparing this London edition to the New York edition is like comparing a peach, to peach scented room freshener. And here's a social warning. "Let me tell you about my dream last night…" is, at all times, an introduction that calls for the interjection, "Hold it right there!".

      [Bookseller: Biblioctopus]
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        The Wind in the Willows

      New York: Charles Scribner's Sons,, 1913. Octavo. Original blue cloth, title to spine in gilt and to front cover in red and black on a white background, gilt, green, and blue illustrated design to front cover, illustrated endpapers, top edge gilt. Colour frontispiece with tissue guard, 9 colour plates, all by Bransom. Gift inscription to binder's blank. A little bit of rubbing to extremities, some pages unopened, a few spots to text block, light rubbing to top edge, loss to fore-edge of p. 3 not affecting text, 5 cm rip to top corner p. 117. Otherwise a fine, bright copy in the chipped and lightly soiled jacket, loss to spine ends, short closed tears and wear to extremities. First illustrated edition, first printing, published in the UK later the same year. The first edition of this classic work was first published in 1908 and was illustrated by a frontispiece. It is here accompanied for the first time with illustrations throughout, by American artist Paul Bransom. This edition of Grahame's classic is rare complete with the dust jacket.

      [Bookseller: Peter Harrington]
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        John Wisden's Cricketers' Almanack for 1913 - 1913 Original Hardback Wisden,

      1913. This lot is an 1913 Original Hardback Wisden. 50th Edition! In Very Good Condition. This book is very nice, it has had slight restoration to the spine gilt and the hinges but it has done the book well, the front board is very nice with shiny, original gilt, the spine cloth is clean with a touch up to the gilt. Internally the hinges are restored and strong, the internal pages are very nice and clean with exceptional pastedowns, tightly bound and an excellent photoplate of John Wisden and tissue paper, small 1cm tear to page 131 but very nice inside.

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      L. C. Page & Company, Boston 1913 - First edition, first printing with First Impression, February, 1913 stated on the copyright page.Bound in green silk cloth with gold titles and decorations. The book has light edge wear, The spine is darkened and there are two short tears at the head of the spine. [Attributes: First Edition; Hard Cover]

      [Bookseller: Mark Henderson]
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        Masterpieces by Sesshu

      The Shimbi Shoin, Tokyo 1913 - Printed green silk on boards, silk cloth spine, purple cord tied binding, brown buckram slipcase. 9 pages of text, 60 engraved plates mostly bw, some with multiple colors. Plates have tissue protectors. Oversized and heavy. Front cover is another printed design of Sesshu's. From the introductory text: "If we point out the greatest of all landscape painters, numerous in old as well as in modern times of Japan, Sesshu must be the first one. He was a Zen priest, and his real name was Toyo; but he used several pseudonyms: Bikeisai, Beigen Sanshu, Unkoku, etc." Annotations given for each plate. Exceedingly rare. VG-, ex-library with bookplate and a few other labels and stamps. Bottom and top of text block stamped lightly. Cover show slight wear, silk spine fragile, chipped, and missing on top two inches. Slipcase has frayed spine ends, some torn cloth and separation near top and bottom of each opening. [Attributes: Hard Cover]

      [Bookseller: Mullen Books, ABAA]
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        The Song of Songs which is Solomon's: Imprinted in the authorised text, by permission.

      London: Philip Lee Warner for The Medici Society, 1913 - Small quarto (211 x 145 mm). Mid-20th century red calf by Bayntun Riviere, spine lettered in gilt with gilt motifs to compartments, double gilt fillet to covers with gilt floral cornerpieces, gilt turn-ins, marbled endpapers, edges gilt. Bookplate of F. C. Miller to pastedown. Lightly bowed, very minor scratches to covers, front free endpaper very slightly creased with a tiny nick, occasional very light foxing. An excellent copy. With 11 full-page colour illustrations by William Russell Flint. First small crown quarto edition. A very attractively illustrated and printed copy of the first book book published by the Medici Society, in a fine binding. This edition of the Song of Songs was first published in 1909 in extra crown quarto by Riccardi Press Books.

      [Bookseller: Peter Harrington. ABA member]
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        Poh-Dèng - Scènes de la vie siamoise.

      1913 - Paris, l'Édition d'Art H. Piazza, 1913, par G. Kadar, un volume in-8 broché, couverture illustrée rempliée, sous étui en couleur estampé d'un cachet or, 181 pages. Richement illustré par de La Nézière. 50 illustrations en couleurs dont 10 hors texte, bandeaux, culs-de-lampe, encadrements décoratifs. Rare édition de ce bel ouvrage classique sur la vie siamoise. Tirage limité à 350 exemplaires. Celui-ci, numéroté 342, sur papier vélin à la cuve, des Manufactures Blanchet et Kléber. Ouvrage remarquable par ses illustrations de H. de La Nézière, peintre et illustrateur du début du XXème siècle. "La femme et l'homme sont comme le safran et la chaux: si vous les mettez en présence, comment empêcher le safran de colorer la chaux?" (Proverbe siamois). Petites usures, fragilité au brochage, petit accident à l'étui. Livre

      [Bookseller: Librairie Chretien]
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        L'Action française et la religion catholique -

      Nouvelle librairie nationale 1913 -, Paris - 1 volume. In-12. 354 pp. Reliure plein chagrin rouge. Dos à 4 nerfs sautés et date dorée au talon. Tête dorée. Couverture conservée. Très bel état. ÉDITION ORIGINALE sur papier d'édition. Enrichi d'un envoi autographe signé de l'auteur sur page de faux titre à Mademoiselle G. Lépine. [Attributes: Hard Cover]

      [Bookseller: Librairie KOEGUI]
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        Danseuses Cambodgiennes anciennes et modernes -

      Augustin Challamel 1913 -, Paris - 1 In-4 178 pp. Couverture crème à rabats avec petit manque sur le premier plat. Dos strié. Mors cassé. Intérieur très propre. Avec 15 planches hors-texte en couleurs et en noir. Fragile mais complet Jolies illustrations dont le frontispice en couleurs. [Attributes: Soft Cover]

      [Bookseller: Librairie KOEGUI]
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        In Powder and Crinoline: Old Fairy Tales

      Hodder and Stoughton 0, London - First edition [1913]. Folio. Quarter cream linen over light-blue paper boards. Top edge gilt; others untrimmed. Title labels to front and spine. Mild bumping to corners and edges. Internally fine and unfoxed, clean, tight and unmarked. Rare dust jacket with title labels to front and spine is toned, mildly scuffed, and just a little edgeworn. Special large-size issue with a full compliment of 26 plates (as in the limited signed edition) by Kay Nielsen, all with captioned tissue-guards. All plates in colour and mounted on grey wove card-stock. Tipped-in title-page also on grey card. Illustrated endpapers, page illustrations and head-pieces throughout. Printed by Henry Stone and Son, Ltd., Banbury. xii[13-164][+26 plates]pp. Size: Folio - over 12 - 15" tall [Attributes: First Edition; Hard Cover]

      [Bookseller: CARDINAL BOOKS ~~ ABAC/ILAB]
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        Das Maler-Hauptbuch.

      Karlsruhe: Kunstdruckerei Künstlerbund 1909 / 1913 - 110 Bll., 1 Bll. (bis Bll. 108 ausgefüllt). - sehr selten, handsigniert von Rudolf Hause. Ebd. berieben, die mont. Fotographien sind teilweise verblichen, -- Das Malerhauptbuch des Malers ‘Rudolf Hause‘ (1877 - 1961, Münchener Maler, Schüler von Schmid-Reutte) gibt eine detaillierte Auskunft über das Schaffen des Künstlers. Es sind darin handschriftlich 98 Werke registriert. Rudolf Hause führte darin Buch über die Bilder, die auf Ausstellungen bei Händlern gezeigt wurden. Der Künstler hat weiterhin jeweils auf einer Doppelseite des Buches den Titel des Werkes, die Technik, die Bildgröße, Inhaltsangabe des Bildes, das Datum der Fertigstellung, entstandene Unkosten, den Verkaufspreis und den Besitzer des Werkes eigenhändig eintragen. Bei manchen Bildern ist auch eine sehr kleine Fotographie montiert, die das Gemälde zeigt. Ein schöne, äußerst seltene Dokumentation eines Teils der Werke von Rudolf Hause. -- Wir akzeptieren VISA und MASTERCARD. Credit cards accepted. --- Sprache: Deutsch Gewicht in Gramm: 1100 Orig.Halblederbd. mit Lederecken. 34x21 cm. [Attributes: First Edition; Signed Copy]

      [Bookseller: Antiquariat im Kloster]
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        Gum Tree Brownie and other Faerie Folk of the Never-Never

      George Robertson & Co., Melbourne - 2nd issue with text corrected to "A ride on a comet". 22 x 19cm landscape green cloth with bevelled edges and red & black stamped decoration and titles to the front. All edges green, marble endpapers vi, 184pp, with black and white illustrations throughout. The boards are bright with only a small 0.7cm patch of colour loss to the front cover. There is rubbing to edges corners and spine tips with the cloth rubbed through at the corners, for 1cm along the bottom edge of the front board, and a few small holes, three at the foot of the spine and two at the top and another 2mm hole to the rear. Internally, there are two initials to the front free endpaper and a gift inscription dated 1913 to the half title page but otherwise the book is very clean. The binding is a little stretched but all pages are firmly attached. All in all, a very good copy of this scarce early Outhwaite illustrated work. If you have any questions or require any additional images please do not hesitate to ask. [Attributes: First Edition; Hard Cover]

      [Bookseller: TheBookshelfOnline~Rainford&Parris PBFA]
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        Indian Motocycle and Yale Motorcycle Photographs (c 1913 New England)

      New England: n.p.. Unbound. Good. A circa 1913 [?] collection of exceptional historical images from original photograph negatives, depicting early Indian and Yale motorcycles with riders in period New England biker gear. Nine photographic negatives, seven being 116 film (image c. 2-1/2 x 4-1/4 inches wide) and two being 105 film (image c. 2-1/4 x 3-1/4 inches wide), together with nine photographs developed from the negatives, each of which is mounted on archival board (c. 5 x 7 inches wide) and all but one of which reveal a beautiful image. Also included is the illustrated negative envelope folder from Iver Johnson Sporting Goods Company in Boston, Massachusetts with "Developing / Printing / Enlarging" services mentioned and "Our new building, corner of Washington and Cornhill." The envelope is in Good condition with a jagged tear to the front panel's upper left, a shorter tear to the lower left, minor soil and edge wear. The folder appears to be hand-dated "1-14-16" inside. Each negative is in Good condition, with one being over exposed. From the photographic evidence, it is apparent that the images are likely from the Rhode Island/New England area, having the bike id numbers "R.I. 8171" or similar painted onto the rear fender of each motorcycle ; a "Providence" pennant flying from one of the side cars and a large "Cameron Car Co." sign [which operated in Rhode Island from 1902 to 1906] visible in the background of a group street shot. Other images show an Indian Motorcycle dealership storefront, rows of vintage Indian and Yale motorcycles, groups of motorcycle riders with pennants (club insignia) pinned onto their jackets, a biker party with the ladies in long dresses and hats, Indian motorcycles gathered at a home, individuals sitting on or examining Indian motorcycles - one of which appears to be equiped with an uncommon racing tank. A professionally made high-resolution TIFF Archive CD is provided of all the images, enabling a close up examination of specific details of the bikes. Note: Please contact us if you wish to have the original Cellulose Nitrate negatives shipped as special arrangements will likely be necessary.

      [Bookseller: Harropian Books, IOBA]
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        LE MEUBLE. Ameublement provençal et comtadin du Moyen-Age à la fin du 18ème siècle. ( Arts et industries artistiques de la Provence. )

      Laveur - Jouvène 1913 - 2 volumes grand in-4 carré ( 330 X 250 mm ) de VIII-319 pages et 368 pages, brochés sous couvertures rempliées illustrées d'une vignette collée au centre de chaque plat. Meilleure édition de cet important ouvrage illustré de 128 planches hors-texte et de quelques gravures dans le texte. Préface de Henry HAVARD. Edition Originale et la plus complète, de l'ouvrage de référence sur le mobilier provençal. Tirage limité à 650 exemplaires numérotés. Celui-ci ( N )186 ) un des 614 sur vélin teinté. Très bel exemplaire, très pur. Régionalisme,Provence,Beaux-arts,Mobilier,Meubles, [Attributes: First Edition; Soft Cover]

      [Bookseller: Tiré à Part]
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        Das französische Generalstabswerk über den Krieg 1870/71. Wahres und Falsches. Heft 1 - 12.

      Berlin (Luckhardt), 1903 - 1913. - in 11 Bänden. Gr. 8°. ca 2000 S. mit zahlr. Karten, Skizzen und Faltplänen. Hldr der Zeit unter Verwendung der Originaleinbände. Ordnungsgemäß aus Bundeswehrbeständen ausgesondertes Bibliotheksexemplar (Stempel, Rückenschild). EA mit detaillierten Berichten über die Schlachten bei Weißenfels, Saarbrücken, Wörth, Spichern, Metz und Gravelotte sowie über die Armee von Chalons und die Nordarmee. KOmplett höchst selten [Attributes: Hard Cover]

      [Bookseller: Antiquariat Bebuquin (Alexander Zimmeck)]
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        The Seven Seas Edition Of The Works Of Rudyard Kipling [27 Vols Complete 1913-14 Signed] [Bx]

      Garden City / New York: Doubleday, Page & Company. Very Good with no dust jacket. 1913-1914. Cloth. 27V Rudyard Kipling SEVEN SEAS EDITION OF COMPLETE WORKS 1914 Author Signed Limited Edition Classic English Literature. Width: 6.5" Height: 9.75". Joseph Rudyard Kipling was an English poet, short-story writer, and novelist chiefly remembered for his celebration of British imperialism, tales and poems of British soldiers in India, and his tales for children. Kipling received the 1907 Nobel Prize for Literature. He was born in Bombay, in the Bombay Presidency of British India, and was taken by his family to England when he was five years old. Kipling is best known for his works of fiction, including "The Jungle Book", many short stories, including "The Man Who Would Be King" (1888) , and his poems, including "Mandalay" (1890) , "Gunga Din" (1890) , "The White Man's Burden" (1899) and "IfÑ" (1910). He is regarded as a major "innovator in the art of the short story" and his children's books are enduring classics of children's literature. This complete set is a limited edition, 258/1050, with the author's signature on the series title page of Vol. I. Bound in cloth with paper boards (the last three with somewhat different colored boards than the rest of the set) , the spines with paper labels, printed on laid paper with deckled edges. Some pages are unopened. Red ribbon bookmarks. Clean and solidly bound set. Ownership sig on back of first blank. Printed in red and black. 80 pounds wt. Shelf length 50". Signed by Rudyard Kipling. ; Signed by Author .

      [Bookseller: poor mans books]
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        Unter Kopfjaegern in Central Celebes

      Leipzig, 1913. Paperback. UsedGood. Unter Kopfjaegern in Central Celebes Some dust/dirt on page edges from long-term storage.

      [Bookseller: SEATE SERVICES]
 25.   Check availability:     Biblio     Link/Print  

        Des travaux en coleurs naturelles de Mr S.M. Prokoudine-Gorsky (Prokudin-Gorskij)

      In 8 (cm 15 x 22), pp. (8). Brossura editoriale con riproduzione di una fotografia a colori applicata al piatto anteriore, cordoncino al dorso, qualche alone al piatto anteriore. Catalogo in francese e in russo della mostra di fotografie a colori di Prokoudine-Gorsky svoltasi a S. Pietroburgo nel giugno 1913. Compaiono gli elenchi con i titoli delle fotografie esposte divise nelle sezioni: Sur le Volga (11 foto), Le Turkestan (9 foto), La voie d'eau projetee de la Kama a Tobolsk (10 foto); Caucase (14 foto), La nature et la vie russe (17 foto). Segue l'elenco in russo. NON vi sono riproduzioni fotografiche all'interno eccetto quella applicata al piatto anteriore. Sergej Michajlovic Prokudin-Gorskij e' stato un chimico e fotografo russo. Fu fra i primi a sviluppare la tecnica della cromatografia. Presento' intorno agli anni Dieci allo zar Nicola II il progetto 'Gli splendori della Russia' spiegando che avrebbe voluto far conoscere tutti gli angoli della Russia. Per ottenere lo scopo gli venne fornito uno speciale carro ferroviario dotato di camera oscura e vennero messi a sua disposizione anche un battello a vapore, una barca dal fondo piatto per navigare lungo i canali e un veicolo a motore adatto ai terreni accidentati. Fu inoltre fornito di un lasciapassare e di un documento nel quale si invitavano i vari amministratori locali a fornirgli la massima collaborazione. ITA

      [Bookseller: Libreria Antiquaria Coenobium]
 26.   Check availability:     Link/Print  

        Fine photo signed on the mount (Jean, 1865-1957, Finnish Composer)

      1913 - showing him head and shoulders with his arms folded, 5" x 3½" in mount 7" x 4½", no place, no date but

      [Bookseller: Sophie Dupre ABA ILAB PADA]
 27.   Check availability:     AbeBooks     Link/Print  

        Ägypten und der Sudan. Handbuch für Reisende. Mit 21 Karten, 84 Plänen und Grundrissen und 55 Abbildungen.

      Leipzig, Baedeker, 1913. CXC + 438 S. OLwd. m. OSch. 7. Aufl. Mit allen Karten und Plänen. Hinrichsen D 493. - OSch. m. Faltspuren, leichte Gbrsp. Schönes Expl. Versand D: 7,00 EUR Reise

      [Bookseller: Antiquariat Weinek]
 28.   Check availability:     Link/Print  

        A Boy's Will

      David Nutt, London 1913 - 50 pp., 4.75 x 7.25 inches. Sewn signatures glued into printed wrappers. Second issue, in fourth binding (as usual), with "Printed in Great Britain" stamp to verso of title page. A few tiny spots of foxing to edges, and very light soiling to wrappers otherwise fine. A superior copy of Frost's rare first book, preceded only by "Twilight" (1894), printed in an edition of two copies, one of which survives. [Attributes: First Edition; Soft Cover]

      [Bookseller: Passages Bookshop]
 29.   Check availability:     AbeBooks     Link/Print  

        Pferdebeschirrung und Reitausrüstung. Musterbuch Nr. 2563.

      (ca 1913). - 120 Seiten mit 60 Tafeln (zur Hälfte etwa farbig). Übersicht über alle Arten von Pferdegeschirren, Reitausrüstungen und alle zur Pferdebeschirrung nötigen Einzelteile. Lieferbar im (beschädigten) Original-Schuber. Sprache: Deutsch Gewicht in Gramm: 1001 Illustr. Ln. Vorsatz und Schnitt leicht fleckig. Sehr gut erhalten. [Attributes: Hard Cover]

      [Bookseller: Antiquariat Ursula Hartmann]
 30.   Check availability:     AbeBooks     Link/Print  

        The Decorative Art of Leon Bakst.

      The Fine Art Society London 1913 - Folio (41.3 x 28.5 cm). Photographic portrait frontispiece, title, [4] ll., 51 pp. and [12] ll., [1] l., 77 tipped-in plates including 50 in colour. Original publisher's half vellum over marbled boards. Very fresh example of this major luxury work on Bakst's art, the earliest of a series of similar publications. Rare in such good, unrestored condition. "Born in Russia in 1866, Léon Bakst belonged to that young generation of European artists who rebelled against 19th century stage realism, which had become pedantic and literal, without imagination or theatricality. There were no specialist trained theatre designers, so painters like Léon Bakst turned their painting skills to theatre design. Bakst's fame lay in the ballets he designed for the Diaghilev Ballets Russes, and huge pageant spectaculars for dancer and patron, Ida Rubinstein. He died in 1924 but after nearly 100 years his magic is as potent as ever, rediscovered by every generation. His influence was such that people who have never heard his name now see the world in a different way" (Victoria & Albert Museum). [Attributes: Hard Cover]

      [Bookseller: Shapero Rare Books]
 31.   Check availability:     ZVAB     Link/Print  

        Animal Communites in Temperate America as Illustrated in the Chicago Region A Study in Animal Ecology

      Chicago: University of Chicago Press, 1913. The Beginning of Organized Theoretical Principles for Animal Ecology, Inscribed to William Morton Wheeler Shelford, Victor Ernest (1877-1968). Animal communities in temperate America as illustrated in the Chicago region: A study in animal ecology. xiii, 362pp. Frontispiece, folding map, text illustrations. Chicago: University of Chicago Press, 1913. 243 x 168 mm. Original cloth, gilt-lettered spine, hinges repaired. Light finger-soiling in lower corner of book block, but very good. Presentation Copy, inscribed by Shelford to William Morton Wheeler (1865-1937) on the front endpaper: "Compliments of the author Victor E. Shelford." Wheeler's signature on the title. First Edition of one of the landmark works in ecology, representing "the first systematic attempt to codify terrestrial animal communities" (Elton, The Pattern of Animal Communities, p. 32). Trained as a zoologist, Shelford created the field of animal ecology with this work and later publications such as Bio-Ecology (1939, with F. E. Clements). Shelford helped found the Ecological Society of America and headed the ESA's Committee for the Preservation of Natural Conditions, which later became the Nature Conservancy. He presented this copy of Animal Communities to William Morton Wheeler, professor of applied biology at Harvard's Bussey Institute and one of the foremost experts on ants. Allaby, Ecology: Plants, Animals and the Environment, pp. 152-153. $450.

      [Bookseller: Jeremy Norman's]
 32.   Check availability:     Biblio     Link/Print  

        The Spirit of Paris [together with salesman's sample for the book].

      London, Adam and Charles Black, 1913. 8vo. Original brown cloth with a pictorial design by G. Riom blocked in gilt and printed in pink, green and black on the spine and upper board, top edge gilt; pp. xii, 169, [2, advertisements], 20 colour-plate illustrations by various Parisian artists: G. Fraipont, Raphael Kirchner, G. Riom, Lucien Gautier, Maurice de Lambert & A. Marcel-Clement; [salesman's sample]: pp. xii, 9-40, [4], 6 colour plates with tissue guards; main work with contemporary Danish bookplate; sample volume a little spotted internally. First edition. 3000 copies. Includes the amusing An Imaginary Conversation Serving as a Preface where Sommerville scripts a conversation between publisher and author justifying the need for a book capturing 'The Spirit of Paris'. The existance of sample volumes of A&C Black titles were hitherto unknown, and are not mentioned by the bibliographer Inman. 'A & C Black's Twenty Shilling series of colour plate books, published from 1901 onwards, brought the world into the home at a time when travel, especially overseas, was much more difficult than it is today. For the first time books containing large numbers of colour plates - up to 100 per volume - were made available to the public at an affordable price.' (Inman) Inman 175.

      [Bookseller: Henry Sotheran Ltd.]
 33.   Check availability:     Direct From Seller     Link/Print  

        Princess Badoura; A Tale from the Arabian Nights.

      London, Hodder and Stoughton. [1913]. 4to. Original cream cloth pictorially stamped in turquoise and gilt, top edge gilt, others uncut; pp. [viii] + 113; with 10 fine mounted coloured plates behind captioned tissues; a fine and immaculate copy, both externally and internally, with all plates and guards in pristine state. First edition de luxe, limited to only 750 numbered copies signed by Edmund Dulac. One of the most elegant and stylish of the early Dulac titles, in which the artist develops his oriental mood. The story of Princess Badoura is the final one in the 1001 tales of fantasy told by Scheherazade to her Sultan husband in the Arabian Nights Entertainments. The pervading light in the images is one of early morning which casts a softness 'as though filtered through the oil-paper walls of a Japanese house'. It is in this work that we first see the influence of Persian miniature painting which later led Dulac to employ flat planes and patterned shapes alongside a stylised and shorthand form of landscape art, as seen in Japanese scroll work (Colin White. Edmund Dulac).

      [Bookseller: Henry Sotheran Ltd.]
 34.   Check availability:     Direct From Seller     Link/Print  


      New York: The Jewish Agricultural And Industrial Aid Society(1913). First edition. Period Boards. 306 pages. 31 cm. In Yiddish and English. Title translates to "The Yiddish Farmer. " Whereas earlier agriculture societies sought to resettle groups of new immigrants in farming colonies, generally preferred to support Jewish famers on an individual basis. In its early years. The Jewish Agricultural and Industrial Aid Society, incorporated in 1900. Focused its efforts on procuring land for prospective [Jewish] farmers and on helping them manage financially. After a few years it widened its mission and began to engage in education. In 1908 the Society founded The Jewish Farmer, for many years the only agricultural magazine in the world published in Yiddish. The monthly contained articles on scientific farming and advertisements for services and good needed by farmers. In its early years an English page was added for the children of immigrant farmers" (Kinsberg, "People of Faith" JTS, 2003) . SUBJECTS: Jewish farmers -- Periodicals. Jews -- Agriculture -- Periodicals. OCLC lists 20 libraries with holdings, but most of these are partial, often only fragmentary. A different single volume of 12 issues sold at auction in 2015 for over $7000 with commission. Ex-library with markings only on boards and cover of first issue. Light water stains throughout. Pages are warped. All contents are clear. Overall Good- Condition throughout. (YID-27-33)

      [Bookseller: Dan Wyman Books]
 35.   Check availability:     Bibliophile     Link/Print  

        The South Pole. An Account of the Norwegian Antarctic Expedition in the "Fram," 1910-1912.

      First one-volume edition. 8vo. pp. xxxv, 392, [iii-vii], 449; 12 plates of photo. illusts., one map; minor marginal age-toning, else very good in the original cloth, gilt, slightly rubbed. A presentation copy from the author, inscribed to the flyleaf: "General Hector with hearty thanks for all courtesy, Waldorf, Jan 30th 1925 Roald Amundsen".

      [Bookseller: Meridian Rare Books]
 36.   Check availability:     PBFA     Link/Print  

        IN POWDER & CRINOLINE. Old Fairy Tales Retold by Sir Arthur Quiller-Couch.

      Hodder & Stoughton 1913 - 80/500 COPIES signed by the artist, with 26 colourprinted plates (2 plates more than those issued with the trade edition) by Kay Nielsen, each tipped to thin pale grey card and with a decorative grey border design by Nielsen, the text and head border to each page all printed in grey, the title-page printed on pale grey card with the Nielsen designed lettering in red and the designs in grey, page-heads a little toned with the occasional faint spot, pp. [ii], 164, 4to, original dark green vellum, with a Nielsen design incorporating the lettering to the backstrip and upper board all blocked in gilt, discolouration to vellum at bottom corners,ties lacking, faint free endpaper browning, t.e.g., others untrimmed, endpapers with Nielsen designs in pale grey, free endpapers browned with spotting to margins of pastedowns, the latter lifting slightly at bottom corner, very good.

      [Bookseller: Blackwell's Rare Books ABA ILAB BA]
 37.   Check availability:     AbeBooks     Link/Print  


      Milano, Direzione del Movimento Futurista (stampa A. Taveggia) (1913). In-4 p. (mm. 293x230), pp.nn. 4. Manifesto datato 29 giugno 1913 diviso in 4 parti: “Distruzione - Costruzione - Mer.. da.. - Rose”. In ultima pagina del volantino elenco di 16 manifesti del Movimento futurista (si spediscono gratuitamente dietro richiesta). "Prima edizione" della versione italiana. Cfr. Tonini “I manifesti del futurismo italiano”, p. 42, n. 60.2 - Salaris, p. 83. Piccole manc. alla piegatura e lievi fiorit., ma certamente un buon esemplare.

      [Bookseller: Libreria Malavasi sas]
 38.   Check availability:     Biblio     Link/Print  


      Milano, Direzione del Movimento Futurista (stampa: A. Taveggia), 1913. In-4 p. (mm. 290x232), pp.nn. 4. Il manifesto, pubblicato l'11 maggio 1913 in volantino, è diviso in otto sezioni: “La sensibilità futurista - Le parole in libertà - L'immaginazione senza fili - Aggettivazione semaforica - Verbo all'infinito - Onomatopee e segni matematici - Rivoluzione tipografica - Ortografia libera espressiva”. "Prima edizione" della versione italiana. Cfr. Tonini “I manifesti del futurismo italiano”, p. 41, n. 58.1 - Salaris, p. 83 Esemplare ben conservato. .

      [Bookseller: Libreria Malavasi sas]
 39.   Check availability:     Biblio     Link/Print  

        Brakls Kunsthaus. Farbig lithographiertes Plakat.

      München, Druck bei Consée. 1913 - Ca. 41 x 31 cm. In der Vorlage monogrammiert. Gefaltet, etwas knitterspurig, sonst ein gutes Exemplar des in mindestens zwei Formaten erschienenen Plakates. Literatur: Meissner, Karl Heinz: "Von der Modernen >KunsthandlungBrakls Kunsthaus< in: "ohne Auftrag: Zur Geschichte des Kunsthandels Band I München", 1989, (mit Abbildung).

      [Bookseller: Stader Kunst-Buch-Kabinett]
 40.   Check availability:     ZVAB     Link/Print  

        Gems of Japanese Art and Handicraft

      London: Sampson Low, Marston & Co. Ltd., 1913. In original solander case. 42cm x 31cm. Text volume of pp. i-vi, + pp. 1-60 text. 65 chromolithograph and 3 uncoloured plates, unbound as issued. New paper spine to text volume, lacks one tie, lacks plate XII of series 1. A heavy book, additional postage may be required for orders outside the UK. (under bs35f). Hard Cover. Good.

      [Bookseller: Besleys Books]
 41.   Check availability:     Biblio     Link/Print  


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