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Displayed below are some selected recent viaLibri matches for books published in 1902

        Dracula

      New York: Doubleday, Page & Co., 1902. Hardcover. Near fine. 8vo. Second American edition, first state with green ribbed cloth. Cloth blocked in dark green design with white titles on the spine and upper board, and with an illustration of Dracula, whip in hand, with a bat and a wolf pasted onto the upper board. This cover illustration has been found to be particularly intriguing to collectors; it is unique to this edition. The previous edition depicted Dracula climbing headfirst down a castle wall; later editions showed the Count as a debonair nobleman. But this illustration combines the images from the story of Dracula as a shaggy coachman, a bat and a wolf. One wonders if Stoker himself approved this depiction of his subject. The publisher's issue in green ribbed cloth is considered the first and scarcer state as the green cloth was soon replaced with red cloth. This copy has a slight crease on the upper board which has caused a ripple to the cloth; the white titling especially on the spine shows slight wear. A former owner has penciled his name and address on the front pastedown. In spite of these small faults, this is likely the finest copy of this edition available. Protected in a custom clamshell case.

      [Bookseller: Thorn Books]
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        Just So Stories For Little Children Illustrated by the Author

      London: Macmillan & Co, 1902. 249p, illustrations. 24cm. In publisher's illustrated red cloth. Minor wear to the spine ends and edges; small non detracting spot near the top edge of the front cover; front free endpaper corner creased from fold; otherwise the covers and spine are quite bright with the illustrations intact and in better than very good condition.

      [Bookseller: Michael J. Osborne Books LLC]
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        HISTOIRE DE NANCY.

      Berger-Levrault. 1902 - Livre d'occasion 3 forts volumes, grands et fort in-8, reliure de l'époque, demi-chagrin vert à coins bordés d'un filet doré, dos à faux nerfs ors de filets perlés dorés, caissons à triple encadrement, titre et tomaison dorés, tête dorée, plats marbrés gardes peignées, couvertures conservées, (rel. A. DESTREES), XXIV-750, 1099, 913pp, illustré de 596 figures dans le texte, 19 planches dont 4 en couleurs et 9 plans, index. Sommaire : Exemplaire auquel est joint: une lettre de l'auteur datée du 1e mars 1908, traitant de cet ouvrage, 3 cartes de visite de Christian Pfister comportant des mentions autographes dont celle-ci: "Avec les meilleurs remerciements. Mais il faudrait m'adresser des condoléances plutôt que des félicitations, tant mon chagrin de quitter Nancy est vif. Et mon nouveau métier m'inspire beaucoup de crainte. Je ne serai pas souvent à Nancy et mes études d'histoire locale et aux amis que j'ai laissé là bas. Signé: Ch. Pfister". Joint également l'hommage rendu à l'auteur par Louis Madelin de l'Académie française au Centre d'études lorraines, le 27 mars 1934, publié dans les Annales de l'Est, paginé 132-152. Condition : Bel ex. (dos uniformément passés). 8000g. [Attributes: Hard Cover]

      [Bookseller: Librairie Le Trait d'Union sarl.]
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        Brumes de fjords EDITION ORIGINALE ENVOI AUTOGRAPHE

      Paris: Alphonse Lemerre, 1902. Fine. Alphonse Lemerre, Paris 1902, 12,5x18,5cm, broché. - First Edition, there is no mention of leading copies. Important and beautiful autograph signed by the author to his friend Jeanne Belluno: "I give my Jeannot liked this remembrance of a past already remote distant Renee." Rare and beautiful copy. --- Please note that the translation in english is done automatically, we apologize if the formulas are inaccurate. Contact us for any information! - [FRENCH VERSION FOLLOWS] Edition originale, il n'est pas fait mention de grands papiers. Important et bel envoi autographe signé de Renée Vivien à son amie Jeanne de Bellune : "Je donne à mon Jeannot bien aimé ce souvenir d'un passé déjà lointain lointain. Renée" Rare et bel exemplaire.

      [Bookseller: Librairie Le Feu Follet]
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        Leurs figures EDITION ORIGINALE

      Paris: Félix Juven, 1902. Fine. Félix Juven, Paris 1902, 14x19cm, en feuilles sous chemise et étui. - Original, one of 20 numbered on Arches paper exmeplaires and reserved for the bibliophile society "XX", limited edition of Edition. Half-title page and last guard lightly shaded minor, otherwise nice copy in double covers and backs of the "XX" and Felix Juven. --- Please note that the translation in english is done automatically, we apologize if the formulas are inaccurate. Contact us for any information! - [FRENCH VERSION FOLLOWS] Edition originale, un des 20 exmeplaires numérotés sur Arches et réservés à la société bibliophilique des "XX", tirage de tête. Page de faux-titre et dernière garde légèrement ombrées sans gravité, sinon agréable exemplaire sous doubles couvertures et dos des "XX" ainsi que de Félix Juven.

      [Bookseller: Librairie Le Feu Follet]
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        Eigenh. Brief mit U. ("Rainer Maria Rilke").

      Westerwede bei Worpswede (über Bremen), 19. III. 1902.. 8 SS. auf 2 Doppelblättern. Kl.-4to. Auf Briefpapier mit illustr. Briefkopf.. Langer, früher Brief an den dänischen Schriftsteller und Redakteur Poul Levin (1868-1929) in Paris: "Verehrter Herr Doctor Levin, erinnern Sie sich wirklich noch meiner? Ich sende Ihnen mitfolgend einige Kleinigkeiten, welche dazu beitragen sollen, diese Erinnerung aufzufrischen. Und viele Grüße. - Dieser Brief bringt eine Neuigkeit: Wir haben vor, im Herbst nach Paris zu übersiedeln. Wir: Daß ich geheiratet habe, habe ich Ihnen wohl angezeigt. [Fußn.: Natürlich, Sie haben uns ja auch gratuliert!] Meine Frau ist die junge Bildhauerin Clara Westhoff. Bleibt noch zu erwähnen, dass wir seit Dezember eine kleine Tochter haben Ruth, Ruth Rilke, eine liebe, gar nichtmehr ganz unverständige Freundin unserer Tage. - Dieses alles, einschließlich meiner Person kommt, nach Paris. - Meine Frau, die einige Zeit bei Rodin gearbeitet hat, will wieder in seiner Nähe arbeiten. Worpswede, das dem Maler unerschöpflich viel bietet, konnte ihr, dem Bildhauer, nur eine gewisse Zeit lang Anregung und Arbeit bieten - und diese Zeit ist, glaube ich, abgelaufen. - Wir haben nun ein Jahr in aller Stille gelebt. Und wir gedenken in Paris nicht weniger still zu leben. Nur mehr lernen wollen wir, mehr sehen und uns vielem aufthun; denn das Viele ist uns, da wir beide über einen gewissen Punkt in unserer Entwicklung hinaussind, keine Gefahr mehr. - Meine Frau hat in diesem Jahr manches ausgestellt und verkauft, und neben den ihren sind meine äußeren Erfolge nicht nennenswert. Das kleine Buch 'Die Letzten' ist den Meisten zu still, das Drama 'Das tägliche Leben ' ist in Berlin bei der Premiere totgelacht worden; es soll noch in Hamburg bei Baron Berger gegeben werden, aber ich erwarte mir nichts davon. - Das macht mir natürlich diese beiden Bücher, nicht weniger lieb. Ich habe ein treues Vertrauen zu Ihnen und ganz allein stehe ich nicht da mit diesem Gefühl. - Aber zur Sache: Meine Frau hat ganz bestimmte Absichten in Paris. Die Nähe des Meisters, der ihr Vertrauen besitzt, ist nun doppelt köstlich für sie, da ihre Kunst in der Einsamkeit ganz eigenständig und sicher sich entfaltet hat, so dass sie neben dem Willen des Großen, seinen Anregungen dankbar, ihren eigenen Willen mühelos wird behaupten können. - Und ich: ich habe in der Einsamkeit dieses Jahres, Durst bekommen, viel zu lernen. Ich gedenke die russische Universität [Fußn.: eine solche ist doch kürzlich gegründet worden?] in Paris zu besuchen; denn seit meinen großen Reisen in Russland verlässt mich der Gedanke nichtmehr, in diese wahlverwandte Sprache so tief einzudringen, dass ich sie einmal noch neben meiner ursprünglichen ebenbürtig gebrauchen kann. - Also lernen. Und ich glaube man lernt in Paris auf Schritt und Tritt. Natürlich auch verdienen. Erinnern Sie sich: einmal schrieb ich Ihnen von den traurigen Umständen, in denen ich lebe. Nun diese haben an Traurigkeit noch zugenommen. - Aber es muss mir gelingen, von Paris aus für ein oder zwei Kunstzeitschriften regelmäßige Korrespondenzen zu finden, - dazu Übersetzungen aus dem Russischen.... - Kurz: es muss gehen! Was hab ich in diesem Jahr nicht alles zu erlangen gesucht! Das Haupthindernis schien, dass ich so auf dem Lande, im Moor saß: von dort aus wollte Keiner was hören, obwohl eine ganze Menge da geschieht... Dieses Hindernis soll nun beseitigt werden. Und dann muss sich etwas finden. - Natürlich denke ich an Ihren Rath, womöglich sogar an Ihre Hülfe. Aber erschrecken Sie nicht: ich weiß wie kostbar Ihre Zeit ist und verlange nur gelegentlich einen Wink, einen Rath im Telegrammstyl, eine Anempfehlung, die ich mir selber zubereite, wenn Sie mir sie in rohem Zustand überlassen. - Zum Beispiel: Thema: Wohnen. Meine Frau schlägt vor: St. Cloud oder Meudon oder Joinville... Mit wem kann man sich wohl in Verbindung setzen, um von solchen Möglichkeiten zuverlässiges zu hören? - Meine Bitte meint nur, daß Sie, sehr werter Herr Dr. Levin, wenn Sie zufällig etwas hören, was dieses Thema oder ein anderes (etwa das meines täglichen Brotes) anlangt, es für mich notieren, um es mir bei Gelegenheit mitzutheilen. - Es ist ja noch eine Weile Zeit; denn wir kommen voraussichtlich erst Ende September, und Sie hören inzwischen gewiß manches, was wir uns zunutze machen können. - Sie waren gewiß in den letzten Jahren noch öfters in Italien. Für mich war es ferne seit Russland; ein Land wie im Traum. Und Russland ist voll tiefer unerwarteter Wirklichkeiten! Was für Menschen. Das war mein Ereignis! - Ich würde Ihnen gerne davon erzählen. Ich würde Sie überhaupt so gerne wiedersehen, aufrichtig: obwohl es den Anschein hat, dass ich Ihnen immer nur schreibe, wenn ich wieder was brauche. Aber können überhaupt nicht nur müssige Menschen auch zu anderen Zeiten aneinander denken? Kann man es nicht auch in freundlichem Sinne auslegen, dass ich, wenn ich was brauche, an Sie denke? Bitte, thun Sie das. - Noch Eines: ich habe in Bremen kürzlich Maeterlincks 'Schwester Beatrix ' inszeniert. Mit Dilettanten; es war eine schwere Sache, die schließlich gut gelang. Die Aufführung fand zur Eröffnung der umgebauten bremer Kunsthalle (und einer sehr schönen internationalen Kunstausstellung) statt und hernach wurde das Festspiel gesprochen, das ich Ihnen auch beilege, weil es mir lieb ist und mancher Vers darin, [der] über den vergangenen Zweck hinaus gilt! Ihr aufrichtig ergebener: Rainer Maria Rilke". - Erstes Doppelblatt etwas angestaubt.

      [Bookseller: Antiquariat Inlibris, Gilhofer Nfg. GmbH]
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        Cantilènes du malheur EDITION ORIGINALE Tirage de tête ENVOI AUTOGRAPHE

      Paris: P. Sevin & E. Rey, 1902. Fine. P. Sevin & E. Rey, Paris s.d. (1902), 16x24cm, relié. - Original, one of 150 ex numbered on Japan, the only major paper edition. Bound in red half morocco with corners, back with five nerves, when tail, covers and spine preserved, golden head on witnesses, bookplate of J. Lawrence glued to the back of the first flat, binding signed Devauchelle. Our copy includes both the original drypoint Steinlen in two states. The book is enriched with an autograph ticket duplex author sent to one of his friends. Beautiful copy well established. --- Please note that the translation in english is done automatically, we apologize if the formulas are inaccurate. Contact us for any information! - [FRENCH VERSION FOLLOWS] Edition originale, un des 150 ex numérotés sur Japon, seuls grands papiers. Reliure en demi maroquin roux à coins, dos à cinq nerfs, date en queue, couvertures et dos conservés, tête dorée sur témoins, ex-libris de J. Laurent encollé au verso du premier plat, reliure signée de Devauchelle. Notre exemplaire comporte bien la pointe sèche originale de Steinlen en deux états. L'ouvrage est enrichi d'un billet autographe recto-verso de l'auteur adressé à l'un de ses amis. Bel exemplaire parfaitement établi.

      [Bookseller: Librairie Le Feu Follet]
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        Antonio Stradivari, His Life and Work (1644-1737)

      London: William E. Hill & Sons, Violin Makers, New Bond St., 1902. 31 plates of violins and labels, 21 being chromolithographs, numerous illustrations in the text. 4to., later half tan morocco, marbled paper covered sides, spine faded but otherwise a very good copy.

      [Bookseller: SOPHIE SCHNEIDEMAN RARE BOOKS]
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        The Varieties of Religious Experience: A Study in Human Nature

      New York: Longmans, Green, and Co, 1902. First Edition. Hardcover. Very Good. First American edition, first issue. "First Edition, June 1902" on copyright page; uncorrected spelling of "Nietsche" on page 39, line 11; without publisher's ads at rear. Includes the often missing inserted slip between pages 126-127. Near Fine. Spine cloth faded. Title label on spine lightly toned, though almost completely intact. Small bookseller label to front free end paper. A lovely first edition of James' influential text, derived from the Gifford Lectures which he delivered at the University of Edinburgh in 1901-1902.

      [Bookseller: Burnside Rare Books]
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        The War In South Africa. Its Cause and Conduct

      London, Smith Elder. 1902., 1902. First Edition. 8vo. Original publisher's paper wraps. A 156 page booklet, beautifully clean and unmarred by the passage of time over such a fragile object. Light toning to text block, otherwise clean and delightful. A charming survival of a scarce item. Conan Doyle certainly was familiar with the subject of the Boer War; In 1900 he traveled to South Africa to serve as a doctor in a medical unit treating British troops. After his return he researched and wrote 'The Great Boer War'. and in the 1902 publication 'The War in South Africa: Its Causes and Conduct', Doyle responded to all of the charges leveled against the British; he declared that the 'concentration camps' were really refugee camps that the government of Great Britain was duty bound to create; housing was needed for the women and children displaced during the war- he admitted that mortality rates in the camps was high, but pointed out however, that this was due to disease rather than bad treatment; many British troops died similarly so Doyle reasoned that civilians in the camps were treated at least as well as Britain treated her troops. The book was a success; it was widely read and public opinion about Britain's Boer War softened. As a result of this contribution to his country's welfare Conan Doyle received a Knighthood from King Edward VII. Green and Gibson; A Bibliography of Arthur Conan Doyle.

      [Bookseller: Adrian Harrington Rare Books]
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        Seven Poems and Two Translations

      Hammersmith: Doves Press, 1902. One of 325 copies. Printed in red and black throughout. 8vo., a handsome copy bound in full vellum by The Doves Bindery, spine lettered in gilt. The fourth book from the Press included two translations from the Iliad by Tennyson - 'Achilles over the Trench' and 'Hector and the Bridge of War'. Cobden-Sanderson decided to print these completely in red as a prologue and epilogue with the seven poems printed in black, with red titles, in between. He was thrilled with the result using Milton's words about his setting "...soaring above th'Aonian Mount, and brooding dove-like on the vast abyss!". The seven poems chosen were Oenone, The Lotos Eaters, Ulysses, Tithonus, Tiresias, Demeter and Persephone and Death of Oenone.

      [Bookseller: SOPHIE SCHNEIDEMAN RARE BOOKS]
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        Souvenir: Acis & Galatea -- Masque of Love -- As Produced at the Great Queen Street Theatre, March 10th, 1902.

      J.D. Waddington, London 1902 - Small 4to. Stiff brown wrappers with black lettering and decoration, brown cloth tape spine. Unpaginated (ca. 75pp). Illustrations (some color, one tipped in). Very good. Yapped edges rather chipped as usual. A tight and nice first edition of this elaborate program which is much more than a program. J.A. Fuller Maitland introduces this elaborate production of Handel's pastoral opera "Acis and Galatea" and Henry Purcell's "Masque of Love." Shaw served as musical director and Craig (son of actress Ellen Terry) as stage director. Tipped to the front flyleaf is a heavy stock 11" X 8½" handbill announcing these two productions, listing cast, show times, etc., between March 15-22, 1902. A scarce booklet with even scarcer handbill. [Attributes: First Edition; Soft Cover]

      [Bookseller: Main Street Fine Books & Mss, ABAA]
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        Marie - Louise

      Paris: Goupil, Manzi, Joyant, 1902. Full leather. Fine. Paris: Goupil, Manzi, Joyant, 1902. Full leather. One volume. Quarto. L' Impèratrice Marie - Louise par Frèdèric Masson. De cette edition originale cent cinquante exemplaires sur papier des manufactures impèriales du Japon no. civ. Extra illustrated. Bounf in full red crushed morocco, gilt decoration to covers and spine, raised bands, top edge gilt, marbled endpaper. ( Text is in French ).

      [Bookseller: Imperial Fine Books]
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        Sir Galahad, A Christmas Mystery

      New Rochelle: Elston Press, 1902. One of 180 copies, this one unique in a special binding by Zaehnsdorf "done by the old man himself. One of 180 copies, this in a special binding by Zaehnsdorf himself. 2 full-page woodcut illustrations, double page title border and decorative red initials by J.M. O'Kane, printed in red and black throughout. Sm. folio, bound by Zaehnsdorf in full brown crushed morocco with a fifteen line gilt border, spine lettered and decorated in gilt, inner dentelles decorated with five line gilt borders and small gilt roll, marbled endpaper, a little wear and tear to head of spine, otherwise a very good, luxurious copy. Loosely inserted is a typed letter (Aug. 11 1941) from Dutton's booksellers in New York to the collector E.J. Brady about the binding of this copy "I am sending you two Elston books today, and you are in great luck with "Sir Galahad" as that was bound by Zaehnsdorf of London and done by the old man himself, who I happen to know quite well. The binding alone is easily worth $40." Presumably Dutton's refers to Ernest Joseph Watts Zaehnsdorf (1879-1970), the grandson of the founder Joseph Zaehnsdorf. The Elston Press existed between 1900 and 1904 and produced about 20 or so books, all deeply influenced by William Morris.

      [Bookseller: SOPHIE SCHNEIDEMAN RARE BOOKS]
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        The Exploration Of The Caucasus

      London: Edward Arnold, 1902. Second Edition. During the course of three journeys, in 1868, 1887, and 1889, Freshfield traversed the main chain of the Caucasus eleven times by eight different passes, and crossed in and out of Suanetia eight times by seven different routes. He took part in the ascent of three of the great peaks, Elbruz, Kasbek, and Tetnuld, in addition to several lesser summits. Also included here are accounts of the ascents of other peaks by several of his friends in the Alpine Club, H.Wooley, J.G.Cockin, and H.W.Holder. The illustrations are after photographs by Vittorio Sella, M. De Déchy, H.Woolley, W.F.Donkin, and S.Sommier. Neate 288. 2 Volumes. large 8vo. pp. xii, 278; viii, 295, [1]. with half-titles. profusely illus. incl. 2 frontis. (1 folding) & 4 folding maps (3 in colour; 1 with partial colour). untrimmed in original cloth (joints & extremities frayed)

      [Bookseller: D & E Lake Ltd. (ABAC, ILAB)]
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        The Collected Poems, Lyrical and Narrative, of A. Mary F. Robinson [Madame Duclaux]

      T. Fisher Unwin, London 1902 - 303pp. Beautifully bound in three-quarter olive green morocco over green marbled boards (handmade paper), raised bands on spine with superb interlocking stem and blossom patter, marbled endsheets. Extra-illustrated with two holograph poems in Robinson's hand and both bearing the author's name at the end, one appearing in the front ("The Idea,") and the other at the end ("The Cup of Life."). The latter is purple-stamped by "The Roycrofters," and dated Dec. 12, 1923, East Aurora." As well, at the very end is a small tipped-in engraved card of a winter scene. Robinson was a noted poet and biographer who wrote a rather scholarly work on Emily Bronte. The author was in a long romantic relations with Vernon Lee (Violet Paget) but later married James Darmester in 1887 and finally the French scientist Emile Duclaux. First poem on onion skin or rice paper, the second annotated May 24 and with one correction: the old title, "The Answer" is crossed out and replaced by the new one, the cup of life. TEG, others, uncut. Fine condition and a nice combination of art, aesthetics and poetry. [Attributes: First Edition]

      [Bookseller: Nudelman Rare Books]
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        Manuscript Circulating Magazine - Splendid Drawings, Poetry, Recipes and More.

      England 1902 - England, July - October, 1902. Unpublished juvenile manuscript magazine produced by teens from across England, featuring numerous coloured hand drawings, 5 original photographs, and unusually substantial, informative written works. 8vo. 115 pages. Black cloth boards decorated with a regal motif by the contributors, to commemorate the coronation of King Edward VII in August. Volumes measure approximately 21 x 24 cm. Wear to boards, particularly at extremities, lacking a frontis of Julius Ceasar according to the table of contents, otherwise in very good condition, a charming and well composed number. Yielding a broad spectrum of subject matter and exceptional manuscript drawings, complete with editor's page, reader's commentary, treasurer's page, and a quarterly address, this volume travelled far and wide throughout England, to contributors in London, Sydenham, Dorchester, Devon, Plymouth, Ilchester, Worcester, Leeds, Manchester, Bath, Birmingham, and Lancashire. Produced in the year of Edward VII 's coronation, the royal event appears in two formats by two clever contributors. A notable work in this volume is a well researched and unusually thorough 20 page description of the regalia used in British coronation ceremonies, complete with several ink drawings, composed by two siblings with the surname Crisford. Accolades from readers praise this work. An exceptionally rare snapshot photograph from the Second Boer War, showing South African Boer commander and rebel leader, the formidable Christiaan Rudolf de Wet, alongside Colonels Law and Hammond of the Bedfordshire Regiment at Brandfort, South Africa., is furnished and captioned by one of the contributors whose father was evidently also a participant. In 1900, the British had hopes that capturing the enemy capital, Pretoria, would end the war. The following two years, however, were a period of exhausting guerrilla warfare, the Boers having the advantage of knowledge of the country, mobility, and a friendly civilian populace. In the Orange Free State, De Wet in particular exploited these advantages brilliantly. It was against him that the 2nd Bedfords were now to operate. The Boer "front" was at Brandfort. On the eve of Lord Roberts' advance from the Free State capital, General Christian De Wet and other Free State officers were already falling back, thus allowing the English to occupy Brandfort. Eventually 4,000 of De Wet's Commando's surrendered; De Wet escaped as usual. He took an active part in the peace negotiations of 1902, being one of the signatories. Briefly (30 to 31 May) he took on the role of Acting State President of the Orange Free State, when President Steyn had to leave the negotiations due to illness. De Wet was one of the signatories of the Treaty of Vereeniging. At the conclusion of the war he visited Europe with other Boer generals. Also engaging is a 19 page Egyptology paper, with manuscript plates which so skilfully illustrate ancient Egyptian frescoes, earthenware, bronze vessels, agriculture, arts and labour. Titled "Love and Money" a clever 13 page narrative in the form of a parable is both thought-provoking and uplifting. An address is made by Reverend Cecil Foster Burgess, Vicar of Stratton St Margaret in the Borough of Swindon, Wiltshire. Other contributions of interest include a cookery page with recipes such as "Railway Pudding," useful household hints, a biblical expert reflecting inner peace presented in a fine nationalist coloured motif, watercolour drawings of flowers and children from Holland and France, several gargoyle sketches, a clever cartoon, comical illustrations, and three original photographs from Calcutta including one of the palm grove botanical gardens. During the Anglo-Boer War (1899-1902) 55,000 Boers of the Transvaal and Orange Free State fought a guerrilla war against 500,000 British soldiers under the leadership of Generals Christiaan de Wet, Jan Smuts, Louis Botha and Koos de la Rey. The Boer Generals were looked upon as heroes

      [Bookseller: Voyager Press Rare Books & Manuscripts]
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        Montmartre et ses chansons Poètes et chansonniers EDITION ORIGINALE Tirage de tête ENVOI AUTOGRAPHE

      Paris: Henri Daragon, 1902. Fine. Henri Daragon, Paris 1902, 14x22,5cm, relié. - First edition, one of 10 numbered copies on Japan, ours unjustified, drawing on large paper with the smaller 10 Chine.binding chocolate half morocco corners, back with five nerves, when golden tail, flat marbled paper guards and contreplats of handmade paper, covers and spine preserved, gilded head, contemporary binding signed by L. Pouillet.Envoi autograph signed by the author to the publisher of the book Henri Daragon.Notre copy is enriched a card on which L. Bercy added a few words and that is the header of the cabaret Ane red whose author was the owner; 5 autograph letters of the author addressed to his éditeur.Ouvrage illustrated portraits 5-load C. Léandre.Notre copy, like all large paper copies, is full of double state-portraits loads copy .Exceptionnel fully established. --- Please note that the translation in english is done automatically, we apologize if the formulas are inaccurate. Contact us for any information! - [FRENCH VERSION FOLLOWS] Edition originale, un des 10 exemplaires numérotés sur Japon, le nôtre non justifié, tirage en grand papier le plus restreint avec 10 Chine. Reliure en demi maroquin chocolat à coins, dos à cinq nerfs, date dorée en queue, plats de papier marbré, gardes et contreplats de papier à la cuve, couvertures et dos conservés, tête dorée, reliure de l'époque signée de L. Pouillet. Envoi autographe signé de Léon de Bercy à l'éditeur de l'ouvrage Henri Daragon. Notre exemplaire est enrichi d'une carte de visite sur laquelle L. de Bercy a ajouté quelques mots et qui est à l'en-tête du cabaret de l'Ane rouge dont l'auteur fut le propriétaire; de 5 lettres autographes de l'auteur adressées à son éditeur. Ouvrage illustré de 5 portraits-charge de C. Léandre. Notre exemplaire, à l'instar de tous les exemplaires en grands papiers, est bien complet du double état des portraits-charges. Exceptionnel exemplaire parfaitement établi.

      [Bookseller: Librairie Le Feu Follet]
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        Veröffentlichungen der Gutenberg-Gesellschaft. Band I bis XXIII (in 13 Bänden). (Vollständige Reihe).

      Mainz Verlag der Gutenberg-Gesellschaft -1934 1902 - O-Broschur (4 Bände in fester Bibliothekseinbindung), Broschurbände unbeschnitten und z. Teil unaufgeschnitten, 2 Broschurbände: Einband lose u. mit kl. Fehlstellen, Seiten auf Büttenpapier und sauber und Abbildungen im Text. Band I: 57 Seiten mit 13 Tafeln, Band II: 49 Seiten mit 7 Tafeln, Band III: 51 Seiten mit 11 Tafeln. Band IV: 75 Seiten mit 11 Tafeln. Band V-VII: 235 Seiten mit 14 Tafeln. Band VIII-IX: 166 Seiten mit 1 Tafel. Band X-XI: 113 Seiten mit 23 Tafeln. Band XII-XIII: 116 Seiten ohne Tafeln. Band XIV-XIX: 289 Seiten mit 10 Tafeln. Band XX: 125 Seiten mit 52 Tafeln. Band XXI: 92 Seiten mit 20 Tafelabbildungen. Band XXII: 270 Seiten u. 25 Seiten mit 19 Tafeln. Band XXIII: 131 Seiten mit 36 Tafeln, 4°. Die Bände gliedern sich in folgende Titel. I. Zedler: Die älteste Gutenbergtype; II. Schwenke: Die Donat- und Kalender-Type; III. Schröder, Zedler, Wallau: Das Mainzer Fragment vom Weltgericht. Falk, Wallau: Der Canon Missae vom Jahre 1458; IV. Zedler: Das Mainzer Catholicon; V-VII. Schröder: Das Mainzer Fragment vom Weltgericht. Zedler: Die 42-zeilige bibeltype im Schöfferschen Missale Moguntinum von 1493. Tronnier: Die Missaldrucke Peter Schöffers und seines Sohnes Johann.Velke: Zu den Bücheranzeigen Peter Schöffers. VIII-IX. Seymour de Ricci: Catalogue raisonne des premieres impressions de Mayence (1445-1467); X-XI. Zedler: Die Bamberger Pfisterdrucke und die 36-zeilige Bibel; XII-XIII. Zedler: Die Mainzer Ablassbriefe der Jahre 1454 und 1455; XIV-XIX. Schottenloher: Das Regensburger Buchgewerbe im 15. und 16. Jahrhundert; XX. Zedler: Gutenberg und Schöffer im Lichte des Mainzer Früdrucks. 1. Die sog. Gutenbergbibel sowie die mit der 42-zeiligen Bibeltype ausgeführten kleineren Drucke; XXI. Schottenloher: Die Landshuter Buchdrucker des 16. Jahrh.; XXII. Schorbach: Der Strassburger Frühdrucker Johann Mentelin; XXIII. Zedler: Gutenberg und Schöffer im Lichte des Mainzer Frühdrucks. 2. Gutenbergs älteste Type und die mit ihr hergestellten Drucke. 0 gr. [Attributes: Soft Cover]

      [Bookseller: Versandantiquariat Christine Laist]
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        Mathilde, Zeichnungen aus dem Leben einer armen Frau

      Munchen, D.W. Callway. PAPERBACK. Poor copy best suited for rebinding. In three pieces, though all pages and cover present. Spine mostly perished. An interesting association copy, with a long inscription from Hauptmann to Frank Wedekind. Both important German dramatists. * Rare books make Fine Gifts. Free tracking USA. Quality, Value, Experience. . Fair. 1902.

      [Bookseller: Robinson Street Books, IOBA]
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        Color problems A practical manual for the lay student of color

      1902. VANDERPOEL, Emily Noyes. Color problems. A Practical Manual for the Lay Student of Color. xv, 137 pp. Illustrated with 117 colour plates, each on a stub, and an envelope containing a chart and two plastic colour squares. 8vo., 194 x 145 mm, bound in original green cloth, gilt on front cover and spine. New York: Longmans, Green & Co., 1903. First Edition, second printing of a magnificent and little known masterpiece of American book-making. Vanderpoel was a New York artist, author, and collector of oriental art objects. Color Problems was intended as a manual for all those (decorators, designers, lithographers, etc.) requiring a fuller understanding of colour theory. She refers to Chevreul, Bezold, Rood, Church, and others as having written more technical treatises or artists' manuals. The text focuses on colour contrasts and harmonies, with 117 plates printed in colour, and includes an appendix of definitions and terms and an interesting bibliography of fifty titles in several languages. This copy is complete with the mask, which is usually missing, inside the pocket of the rear cover. Spine lightly rubbed with evidence of old sticker, but a good copy. Wurmfeld, Color Documents 41 (illustrating four of the plates in colour). Birren 629.

      [Bookseller: Ursus Rare Books]
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        Teoría Gráfica de las Conmutatrices

      Madrid, Imprenta y Litografía del Ministerio de Marina, 1902. 4to.mayor; 252 pp., 2 hs., con 31 figuras entre el texto. Cubiertas originales. García de los Reyes, nacido en Montevideo, fue uno de los marinos españoles de más alto nivel técnico del pasado siglo. Ingresó en la Escuela Naval en 1876, se doctoró en Ingeniería Eléctrica en el Instituto Técnico de Montefiore, en Lieja. Tomó parte en las Campañas de Filipinas y Africa, dirigió más tarde la Escuela de Submarinos de Cartagena y fue Ministro de Marina en 1928. Murió en Paracuellos del Jarama en los primeros meses de la Guerra Civil. No se halla registrado en el «Ensayo de Bibliografía Marítima Española».

      [Bookseller: Hesperia Libros]
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        Les Trente-six Vues de la Tour Eiffel

      1902. RIVIÈRE, Henri. Les Trente-six Vues de la Tour Eiffel. Prologue d'Arsène Alexandre. [16] pp. Illustrated with 36 coloured lithographs. Oblong 4to., 225 x 285 mm, bound by Charles Baron in blue paper over boards, embossed with circular Japonisme iris ornaments, title-labels on front cover and spine, in original matching brown slipcase. Paris: Eugène Verneau, 1902. |~||~||~||~| First Edition. Limited to 500 copies (though see below) on vélin wove paper manufactured exclusively for the publication by the Rives paper mill. Signed by initial block HR on justification leaf. Each lithograph signed in the plate with Henri Rivière's initial stamp. Essentially Les Trente-six Vues de la Tour Eiffel is an Art Nouveau livre d'artiste. Yet the book owes as much to Japonisme as it does to Art Nouveau. The elegant japoniste mise-en-page, the delicate ornamental details, and the unusual typeface designed and set by Art Nouveau designer George Auriol, give the book a unique, exotic sensibility. The thirty-six coloured lithographs were executed by Rivière between 1888 and 1902; the lithographs were then carefully printed for the edition under his direction. Each coloured lithograph captures the presence of the newly constructed Eiffel Tower from a different vantage point, much like Hokusai's 36 views captured Mt. Fuji in 1831. Sometimes we are passing directly under the tower, other times it is seen in the far distance surrounded by clouds. The printed index at the end identifies the location from which each view was drawn. The Eiffel Tower was built for the 1889 World's Fair, and yet, by the time Rivière's 36 views were published, the excitement over the tower was over, and the book was a commercial failure. Far fewer copies than the anticipated five hundred were actually printed, making the book rare and highly sought-after today Henri Rivière (1864-1951), a grand figure at the Montmartre cabaret Le Chat Noir, was one of the most inventive actors during the Belle époque. He created the celebrated Théâtre d'ombres which held performances at Le Chat Noir to the end of the 1880s. He was also a collector of Japanese woodblock prints and played a significant role in the promulgation of Japanese art that became all the rage in Paris in the second half of the nineteenth-century. A very fine copy preserved in its original delicate paper binding. Very rare thus. Cachin Françoise & Marc Bascou, De Manet à Matisse: sept ans d'enrichissement au Musée d'Orsay [Exhibition catalogue], Paris, 1990.

      [Bookseller: Ursus Rare Books]
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        Styx. Gedichte.

      Berlin Axel Juncker Verlag 1902, Erstausgabe.. 8° ( 19,5 x 13,3 cm). Helles Originalhalbleinen mit grüngeprägtem Deckelbild nach der Autorin, Kopfgoldschnitt und goldgeprägten Titeln. Der Einband leicht angeschmutzt mit kleinen Fehlstellen des Bezugspapiers. Buchblock neu eingehangen, Vorsatzpapiere erneuert. Auf Bütten gedrucktes Exemplar. Die Vorderdeckelillustration auf dem Titelblatt wiederholt. 77 (+2) Seiten mit wiederholten jugendstiligen Kopfleisten und Schlußornamenten von Fidus. Die Klammerung gering rostig. Im Innenbereich sauber und wohlerhalten. Vier kaum sichtbare Markierungen in Bleistift im Inhaltsverzeichnis. Seite für Seite genau überprüftes Exemplar in gutem Zustand.. Auf dem Widmungsblatt sechszeilige Zueignung an Hans Heinrich von Twardowski in Tinte von Herbert Grünbaum. Beide waren deutsche Schauspieler, Grünbaum jüdischer Herkunft, Twardowski ein Nazi-Gegner. Zusammen spielten Sie unter anderem in dem 1930 gedrehten Film Der König von Paris. #LitVit

      [Bookseller: Antiquariat und Buchhandlung Carl Wegner]
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        The Epistle of Peter Peregrinus

      London, U.K.: Charles Whittingham and Company, 1902. No dust jacket. Hardcover. Signed and dedicated by the author on second of front endpapers. No. 74 of an edition of 250 copies. Minor brown staining on spine sides and along lower edge of front board. Edges of boards are a little faded. Cloth spine is a little faded and bumpy. Pages are lightly rough-cut. One or two age spots on page near middle of item (pages are unnumbered). Binding is sound and contents are clear. AF. By Author. hardcover. Good/No Dust Jacket. Used.

      [Bookseller: PsychoBabel & Skoob Books]
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        Tale of Peter Rabbit

      1902. POTTER, Beatrix.The Tale of Peter Rabbit.London and New York: Frederick Warne, [1902].First trade edition—among the earliest issues, with first-state text and earliest endpapers—of Potter?'s first book, one of the most popular of not only her but also all children?'s tales, with 30 charming color illustrations.In 1893, young Beatrix Potter, on holiday with her parents in Scotland, composed a letter to cheer Noel, the child of her former governess, who was suffering from rheumatic fever. "My dear Noel," she began, "I shall tell you a story about four little rabbits, whose names were Flopsy, Mopsy, Cottontail and Peter…" The Tale of Peter Rabbit was born. Undaunted by multiple publishers' rejections, Potter published the first two private editions of Peter Rabbit at her own expense, both editions totaling only 450 copies—which immediately sold. Publisher Frederick Warne agreed to print the first trade edition of Peter Rabbit and presented for the first time the now-familiar format of Potter's books: the earlier black-and-white line drawings replaced by full-color illustrations and the famous prancing image of Peter mounted on the front cover.Quinby 2.Light scattered soiling and marginal finger-smudging; expert restoration to binding. An extremely good copy. Rare.

      [Bookseller: Bauman Rare Books]
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        Staghunting with the Devon and Somerset 1887-1901 : an account of the chase of the wild red deer on Exmoor / by Philip Evered. Illustrated by H.M. Lomas

      [London] : Chatto & Windus, London; James G. Commin, Exceter, 1902. 1st Edition. Sumptuously bound in a contemporary, hand-crafted designer binding with inner gilt dentelles and all edges gilt. Raised bands, gilt cross-bands. Spine compartments uniformly gilt-tooled. Minor dulling, scuffing to the spine bands and panel edges. A highly attractive copy; of presentation quality. Physical description; xv, 378, [2] p. : ill. ; 23cm. Illustrations are included in the pagination. Subjects; Devon and Somerset Staghounds. Red deer hunting - England - Exmoor. Deer hunting. Hunting - England - Exmoor.

      [Bookseller: MW Books Ltd.]
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        Architectural Gardens of Italy A Series of Photogravure Plates From Photographs Made for and Selected By A Holland Forbes (3 volume set)

      New York, Forbes & company, limited, 1902-01-01. Hardcover. Good. 3 volume set. Large folios, 44 x 34 cm. Publisher’s green cloth portfolios with black lettering and décor. Limited edition of 750 sets, of which this is no. 97. 196 plates, loose as issued. Internally excellent, with clean, unmarked pages. Gorgeous photogravures. Some fray, minor splitting to outer edge of portfolio cases. Library book plates inside cover. A. Holland Forbes was a known architect, balloonist and aviator, and editor for The Architect. This collection showcases some of the exceptional architecture that went into the Rennaissance gardens of Italy. Top folding flap of Vol. III is detached. This is an oversized or heavy book that requires additional postage for international delivery outside of Canada and the US.

      [Bookseller: SequiturBooks]
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        Styx. Gedichte.

      Berlin Axel Juncker Verlag 1902, Erstausgabe. - LitVit 8° ( 19,5 x 13,3 cm). Helles Originalhalbleinen mit grüngeprägtem Deckelbild nach der Autorin, Kopfgoldschnitt und goldgeprägten Titeln. Der Einband leicht angeschmutzt mit kleinen Fehlstellen des Bezugspapiers. Buchblock neu eingehangen, Vorsatzpapiere erneuert. Auf Bütten gedrucktes Exemplar. Die Vorderdeckelillustration auf dem Titelblatt wiederholt. 77 (+2) Seiten mit wiederholten jugendstiligen Kopfleisten und Schlußornamenten von Fidus. Die Klammerung gering rostig. Im Innenbereich sauber und wohlerhalten. Vier kaum sichtbare Markierungen in Bleistift im Inhaltsverzeichnis. Seite für Seite genau überprüftes Exemplar in gutem Zustand. Auf dem Widmungsblatt sechszeilige Zueignung an Hans Heinrich von Twardowski in Tinte von Herbert Grünbaum. Beide waren deutsche Schauspieler, Grünbaum jüdischer Herkunft, Twardowski ein Nazi-Gegner. Zusammen spielten Sie unter anderem in dem 1930 gedrehten Film Der König von Paris. 550

      [Bookseller: Antiquariat und Buchhandlung Carl Wegner]
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        [Photo Album]: South Africa

      South Africa. [Circa 1900s]. Oblong quarto. Measuring 9.5" x 11.5". String-tied photo album. A collection of 161 sepia toned or black and white photographs measuring between 2" x 3" and 6.25" x 8.5" affixed to stiff black paper with some of them laid in, and some captions on the back. All photographs are near fine or better in a very good photo album with a detached front board. The album contains snapshot photographs from a British family vacationing in South Africa at the turn of the century showing them camping in tents and cabins. The images include beautiful scenes of the countryside with some large photos of waterfalls and mountainsides as well as the indigenous people alongside the British settlers seemingly during or just after the Second Boer War, which ended in 1902. These include images of native peoples in traditional dress as well as farmers cultivating the soil with large plows. Interspersed throughout the collection are a few commercial shots with captions of "Zulu mothers," "Isipingo, Natal," and "The Club, Esplanade, Durban." The family went to the beaches where they spent some time with exotic animals including numerous pictures of a camel. An interesting album documenting South Africa during a difficult period of adjustment resulting from the clash of cultures both foreign and domestic. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        Album containing 41 musical quotations, postcards, and clippings by Eugene d'Albert, Hans von Bülow, Engelbert Humperdinck, Joseph Joachim, Karl Klindworth, Moritz Moszkowski, Carl Reinecke, Josef Gabriel von Rheinberger, Hans Sitt, Felix Weingartner, et al.

      Various places, 1889-1902. - Large oblong 8vo. 41 ff. mounted on 23 ff. Limp cloth over boards. The album contains autographs of the following: I: Heinrich de Ahna. QS. Berlin, October 1890. - II: Eugene d'Albert. AMusQS. Lichterfelde, 25 May 1891. Four bars. - III and IV: Heinrich Barth. 2 AMusQS and APcS. Berlin, 1890. - V: Hans von Bülow. AMusQS. No place, 27 May 1891. Two bars for piano. - VI: Luigi Chiostri. AQS. No place, 26 Jan. 1892. - VII: The same. AMusQS. Florence, 5 April 1892. Six bars for piano and voice. - VIII: Harry Wheaton Howard. AMusQS. Berlin, no date. - IX: Engelbert Humperdinck. AMusQS. No place or date. Two bars. - X: Salomon Jadassohn. AMusQS. Leipzig, 26 Aug. 1896. Five bars from op. 35, no. 3. - XI: Joseph Joachim. APcS. [Berlin, 20 July 1889]. 1 p. Oblong 8vo. With autogr. address. - XII: Karl Klindworth. QS. No place or date. - XIII: Andreas Moser. AQS. No place or date. - XIV: Moritz Moszkowski. AMusQS. Four bars from Suite for Pianoforte op. 50. - XV: The same. AQS. No place or date. - XVI: Carl Reinecke. AMusQS. Five bars from "Ein Märchen ohne Vorspiel", op. 165. - XVII: Josef Rheinberger. AMusQS. Bad Krauth, 23 Aug. 1896. Two bars from "op. 5". - XVIII: Moritz Rosenthal. AQS. Berlin, 18 Dec. 1890. - XIX: Xaver Scharwenka. QS. No place or date. - XX: Otakar Ševcík. APcS. Prague, 25 Feb. 1902. - XXI: Hans Sitt. APcS. No place or date. - XXII: The same. AMusQS. Leipzig, 25 Aug. 1902. Five bars. - XXIII: Felix Weingartner. AMusQS. Prob. Lausanne-Ouchy, 1896. Four bars. - XXIV: August Wilhelm. AMusQS. Dresden, 17 May 1890. Three bars. - XXV: Emanuel Wirth. AMusQS. Berlin, 22 Oct. 1890. Four bars from "Fuge a/d Quartett Cdur op. 59 von L. van Beethoven". 16 other entries remain unidentified. [Attributes: Hard Cover]

      [Bookseller: Antiquariat INLIBRIS Gilhofer Nfg. GmbH]
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        Collection de 124 Carnets de Bal du XVIIIe Siecle, Formee par M. Bernard Franck, a Paris, de l'annee 1875 au 23 avril 1902

      Paris: Gerschel, Photographie, [1902]. Hardcover. Very Good+. Contemporary full dark green morocco, gilt-stamped lettering and ornament on upper board and spine, a.e.g.; 4to (279 x 324 mm); contains 263 mounted carbon print photographs on 67 leaves of hinged cardstock. One of only 20 copies, this one inscribed by Franck to J. P. Morgan. Binding a bit scuffed, mostly along joints and edges of boards; slight wave to text block. Carnets de bal were cases used to house dance cards. Ornately jeweled, often made of precious metals and decorated with enamels, stones, and more, they were issued for royal and aristocratic balls. The photographs in this sumptuous tome show a painted portrait of the collector, two full-page photographs of the entire collection, and 260 shaped carbon prints, arranged 4 per page, showing the front and back of each carnet. The verso of each leaf has printed text describing the items on the facing page. Printed in red and black, each entry describes the construction of a case, its previous owner, and the period of its use. The photographer, likely Mathias Gerschel, was active in Strassburg in 1891.

      [Bookseller: Sanctuary Books]
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        John Wisden's Cricketers' Almanack for 1902

      John Wisden & Co, London 1902 - Thirty-Ninth Edition. Full scores and bowling analyses of all important matches played in 1901. Special photographs of F. Mitchell, C. McGahey, J.T. Tyldesley, L.C. Braund and W.G. Quaife. Original brown cloth binding with gilt titles to the front and spine. Light wear to the extremities, small cm or so split to the cloth at the top of the spine. Nice condition otherwise. Endpapers in good condition, no cracking. Contents clean. Photo plate in very good condition with original tissue guard. Binding just a little weak. A nice example overall. cxviii + 536pp.  [Attributes: Hard Cover]

      [Bookseller: St Marys Books And Prints Wisden Dealers]
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        "A la Memoire de Rossini." Original large lithograph by Henri Fantin-Latour (1836-1904)

      Dated the day that Rossini's remains were brought to and interred in Florence, "23 Juin 1902 Florence," in the stone at lower left and signed by the artist both in the stone and at lower right. Sheet size 470 x 642 mm., image size 382 x 380 + ca. 90 x 62 mm. portrait of Rossini (a "remarque") to right margin. Small tear to blank right margin; hinged to mat at upper corners of verso. In very good condition overall. . We believe the edition of this print to have been limited to 150 copies (50 on china paper, 100 on Japon) plus 20 trial proofs. The present print is, in all likelihood, a proof, evidenced by the presence of the remarque and also the faint suggestion of additional lettering in the stone at the upper margin. Rare. Fantin-Latour was a French painter and lithographer, well-known for his portraits of Parisian artists and writers.

      [Bookseller: J & J Lubrano Music Antiquarians LLC]
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        The Lady of the Barge

      London: Harper, 1902. First edition. Signed by Author.. Hardback. 8vo. (7.5 x 5.25 inches). pp.300. B/w frontis and a further 11 b/w plates, hors-texte. Publisher's pictorial cloth, gilt, rubbed to edges, decorated and lettered in black. Spotting and browning to prelims and extrems. Owner's name in ink to browned front free endpaper. Trifle light scattered spotting. Chipped to margin of p.13, not touching text. O/w contents clean and bright. Binding firm and square. A single page ALS from the author, dated 7 May 1903, tipped in: 'Dear Mr Filler [?], I believe not. It was not when I saw [Louis N.] Parker a week ago + I expect that I shall have heard if he has placed it since. It seems to be a little too gruesome for the managers'. A Very Good copy. We reduce the default shipping charge for lighter books or use it for a tracked service if books are expensive or uncommon. We pack books securely in boxes, or corrugated card or cardboard, and protect corners with bubble-wrap.

      [Bookseller: John Taylor Books P.B.F.A.]
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        Life and Labour of the People in London. First Series. [&] Second Series. [&] Third Series. [&] Final Volume.

      1902 - London: McMillan & Co., 1902. First edition of the complete work. 17 vols & map case, original parchment-papered boards, gilt-decorated spines, partially unopened; Series 1 with map case with five coloured folding Poverty maps, illustrated in text with graphs & tables; Series 2 illustrated in text with graphs & tables; Series 3 with 20 coloured folding maps (lettered A-U, although 'I' was not used) and sketch maps in text; 'Final Volume' with coloured folding map in rear pocket. Some spotting of text throughout. A fine set of the three series that made up Booth's socio-economic survey of London, including his famous Poverty map which colour-coded streets according to the degree of wealth of the inhabitants, ranging from black ('Lowest class'), through shades of blue and purple ('Poor', 'Mixed', 'Fairly Comfortable'), to red ('Well to do') and yellow ('Wealthy'). Booth (1840-1916), owner of the Booth Shipping Line, acted in response to an 1886 Pall Mall Gazette article that claimed that 25% of Londoners lived in poverty. Booth regarded this figure as wildly exaggerated, so recruited a team of volunteer researchers (including his cousin Beatrix Potter) to compile an analysis of social conditions based on field visits and interviews with local police, clergy and employers. The First Series of 'Life and Labour' (1889), covering the East End, showed that 35% lived in poverty. The Second Series (1891), covering the rest of the city, showed that no less than 30 per cent of the city's total population could be classed as poor. The Third Series (1902) covered Religious Influences. The 'Final Volume' (also 1902) contained notes on social influences and Conclusions, with a map marking places of worship, public elementary schools and public houses. [Attributes: First Edition; Hard Cover]

      [Bookseller: Altea Antique Maps]
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        Just So Stories

      London: Macmillan and Co., 1902., 1902. First Edition. Octavo, pp. 249. Illustrated throughout by the author. Handsomely bound in recent maroon full Morocco, gilt border to the boards, gilt titles and tooling to the spine, raised bands to the spine. Marbled endpapers. Original cloth retained and bound in at the rear. Some occasional light spotting throughout the textblock. A very good copy in a very smart binding.

      [Bookseller: Adrian Harrington Rare Books]
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        SONGS OF CHILDHOOD

      - [DE LA MARE,WALTER]. SONGS OF CHILDHOOD by Walter Ramal. Lond.: Longmans Green 1902. 12mo, blue cloth stamped in gold, parchment spine, top edge gilt, other edges uncut, 106p., some light soil else near Fine. 1st edition of de la Mare's first book using his pen name of Walter Ramal. The poems are for children of all ages, including Dame Hickory, As Lucy Went a Walking, etc. Illustrated with a gravure frontis by RICHARD DOYLE captioned Under The Dock Leaves. It is interesting to read how Doyle's illustration came to be used. De la Mare's brother in law introduced him to a literary agent who in turn introduced them to Andrew Lang, an advisor to the publisher. When Longman decided to publish de la Mare's book, Lang offered his prized Doyle watercolor for the book. De la Mare felt that if the poems were good enough, one's imagination could provide the pictures, but as a newcomer he accepted the offer. [Attributes: First Edition; Hard Cover]

      [Bookseller: Aleph-Bet Books, Inc. - ABAA]
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        Histoire de NANCY.

      BERGER-LEVRAULT, PARIS & NANCY 1902 - Les 2 volumes en reliure de l'éditeur , demi chagrin rouge, plats toilés et illustrés. 339 illustrations dans le texte + 75 hors texte + 8 planches dont 3 en couleurs + 7 plans. Histoire des Origines à 1795. Tome 1 daté =1902 Tome 2 = 1909 [Attributes: Hard Cover]

      [Bookseller: LeCapricorne]
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        JUST SO STORIES For little children

      Macmillan and Co. London. 1902. FIRST EDITION. Large 8vo. (9.5 x 7.3 inches). Illustrated throughout by the author. Some minor offsetting to the endpapers but generally a near fine, tight and clean copy in the original publishers decorative red cloth, lettered and illustrated in black and white, after a design by Kipling, to both boards and spine. The bottom of the spine has some fading to the red cloth but overall this is a better than very good copy of this classic book.

      [Bookseller: Paul Foster Books]
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        Tannhauser. A Story of All Time.

      London:Kegan, Paul, Trench and Trubner. 1902 - First edition. One of a run of 500 copies on laid paper [a further 6 copies were printed on vellum]. 4to. Publisher's white linen spine over blue paper covered boards. Slight rubbing to extremities, edge chipping to the white paper title label, some soiling of the white linen, some scuffing to edges and a couple of slight scratches to the front board, not penetrating the paper. A very good copy. Internally clean with light spotting, most noticeable to prelims. Last third or so of pages unopened. A strong handsome copy of a rare piece of Crowley. Legend has it that the Major Therion himself wrote this piece of teutonic drama in a single 67 hour frenzy of composition. It seems to have been met with rather grim critical response at the time, although all agreed that it was a nicely produced volume.: "Such magnificence of paper, print, and margin, that we trust we are right in assuming that he is possessed of material wealth even greater than the wealth of languages, which he displays so profusely throughout the volume. With all these attractions, he nevertheless fails to stir at all deeply. —The Pall Mall Gazette, date unknown." And my personal favourite: " We are not sure that Mr. Aleister Crowley treats life as a sacrament, because we do not understand him. —The Daily Chronicle, date unknown." Comprehensible or not, Mr. Crowley was nothing if not impossible to ignore. A distinguished copy of a scarce work. [Attributes: First Edition; Hard Cover]

      [Bookseller: Adrian Harrington Ltd, ABA, ILAB]
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        The Complete Works of Edgar Allan Poe (Virginia Edition) [Complete in 17 volumes]

      New York: Thomas Y. Crowell Co., 1902. First Edition, First Printing. Original cloth. Very good +. Very good+ overall, with defects noted for individual volumes. The definitive and scholarly collection of Poe's works. First Virginia edition [BAL 16172 A]. Title page reads "Virginia Edition" and copyright date 1902. Printed in red and black on title page with original frontispieces and all pages intact. Publisher's original deep red cloth. Top edge gilt. Minor bumping and shelf wear. Volume I: Biography [by Harrison]; Volume II: Tales - Part 1 ; Volume III: Tales - Part 2 [front board cracked - only visible on pastedown, cloth faded]; Volume IV: Tales - Part 3; Volume V: Tales - Part 4 [water stain]; Volume VI: Tales - Part 5; Volume VII: Poems; Volume VIII: Criticism - Part 1 [rear board cracked - only visible on pastedown]; Volume IX: Criticism - Part 2; Volume X: Criticism - Part 3; Volume XI: Criticism - Part 4; Volume XII: Criticism - Part 5; Volume XIII: Criticism - Part 6; Volume XIV: Essays and Miscellanies [water stain]; Volume XV: Literati and Autography; Volume XVI: Marginalia and Eureka [and general index]; Volume XVII: Letters [water stain]. Each volume around 200 pp. Sextodecimo, 3 5/8 x 6 inches tall.

      [Bookseller: Uncommon Works]
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