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Displayed below are some selected recent viaLibri matches for books published in 1901

        The Poems of Percy Bysshe Shelley [Three Volume Set]

      The Vale Press and John Lane, New York and London 1901 - Sold by Hacon & Ricketts, The Vale Press and John Lane (Printed at The Ballantyne Press under the Supervision of Charles Ricketts), London and New York, 1901. Cream buckram cloth with gilt lettering to spine. Unique copy of this scarce set in that the multiple pansy and willow borders, as well as the ten initials by Charles Ricketts, have all been colored by hand. Some browning to endpapers, browning to spines. Bookplate to front pastedowns. Percy Bysshe Shelley 4 August 1792 - 8 July 1822) was one of the major English Romantic poets, and is regarded by some as among the finest lyric poets in the English language, and one of the most influential. A radical in his poetry as well as in his political and social views, Shelley did not see fame during his lifetime, but recognition for his poetry grew steadily following his death. Shelley was a key member of a close circle of visionary poets and writers that included Lord Byron, Leigh Hunt, Thomas Love Peacock, and his own second wife, Mary Shelley, the author of Frankenstein. Shelley is perhaps best known for classic poems such as Ozymandias, Ode to the West Wind, To a Skylark, Music, When Soft Voices Die, The Cloud and The Masque of Anarchy. His other major works include a groundbreaking verse drama The Cenci (1819) and long, visionary poems such as Queen Mab (later reworked as The Daemon of the World), Alastor, The Revolt of Islam, Adonaïs, Prometheus Unbound (1820)- widely considered to be his masterpiece¿Hellas: A Lyrical Drama (1821), and his final, unfinished work, The Triumph of Life (1822). Shelley's close circle of friends included some of the most important progressive thinkers of the day, including his father-in-law, the philosopher William Godwin, and Leigh Hunt. [Attributes: First Edition; Hard Cover]

      [Bookseller: Sean Fagan, Rare Books]
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        Relation de l'exploration du haut Yang-tsé-kiang par Hourst.

      - 4 lettres autographes signées 19 In-4 et in-8 3 novembre - 16 décembre [1901] Petites salissures sur une lettre. Lieutenant de vaisseau et explorateur, il mène une mission hydrographique sur le fleuve Niger (1895-1896), puis en Chine une mission d'exploration du haut Yang-tsé-kiang (1901). [Attributes: Signed Copy]

      [Bookseller: Traces Ecrites]
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        Extraordinary signed Letter By Tolstoy on war and Religion

      - An extraordinary five-page letter signed by Leo Tolstoy, 'Leon Tolstoy', in French, October 23rd 1901. The author addresses his letter to 'Mon Prince' (the former Persian ambassador to St. Petersburg, Prince Mirza Reza Khan Arfa) and begins by thanking his correspondent for sending him a poem. He then reflects on the views of one of the poem’s characters, adding 'that the roots of evil are egoism and ignorance'. Tolstoy then expounds on this idea with a summation of his personal beliefs, in part (translated): 'The most important ignorance is ignorance of the "true religion" within the reach of all men, founded upon reason, common to all peoples and therefore imperative for all. The principle of this religion is expressed in the Gospel by these words: "Do unto others as you would have them do unto you". Tolstoy opposes his correspondent’s view that a sense of brotherhood is possible between states and their heads, insisting that true brotherhood would render obsolete all distinctions of authority, 'All should obey God and not man'. He continues by declaring that war, perpetuated by self-interested governments, would be abolished by the 'true religion' which would make murder and military service impossible: 'Wars can only be abolished by the individuals who are their victims. They will only be abolished when the true religion will be so widespread that the majority of men will be ready to suffer violence rather to use it.' Tolstoy concludes by explaining that he is ill and bedridden, thus unable to write in his own hand. In fine condition, with small splits along intersecting folds and small mounting remnants at corners. The great Russian author of War and Peace was excommunicated from the Russian Orthodox Church the very year this letter was written. Tolstoy converted to Christianity at the time of his fiftieth birthday, and developed his theological philosophy of Christian anarchism by deviating from traditional doctrine and through strict study of the ministry of Jesus, in particular the Sermon on the Mount. Tolstoy’s "true religion" defied the role of authority and superstition, proclaiming that connection to the universe and to God was only capable through an independent search for truth. [Attributes: Signed Copy]

      [Bookseller: Adam Andrusier Autographs ABA PADA]
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        The Lama

      [Australia? United Kingdom? : artist unknown : between 1901 and 1910]. Carving from teak wood (Tectona grandis) in high relief, 580 x 340 x 40 mm, set in its fully contemporary oak frame, 680 x 440 mm; the carving is unsigned, and the back of the frame is also sans label or inscription; the work is in fine original state, and appears to have never been removed from the frame. This impressive relief wood carving by an anonymous but highly proficient artist is an accurate contemporary copy of one of the suite of ten low-relief terra-cotta plaques modelled by Rudyard Kipling's father, John Lockwood Kipling, which were used as the photographic plate illustrations in the first American and first English book editions of Kipling's novel Kim. The first American book edition was published in New York City by Doubleday, Page & Company on 1 October 1901; the first English book edition quickly followed, published in London by Macmillan and Co. on 17 October 1901. Lockwood Kipling's illustrations continued to be used in numerous successive editions on both sides of the Atlantic. Kim was hugely successful and has, over time, cemented its place as one of the most popular works of fiction in the English language. The novel is set during the 1890s, prior to the Third Afghan War, against the backdrop of The Great Game - the political conflict between Russia and Britain in Central Asia. Yorkshire-born artist and teacher John Lockwood Kipling (1837-1911), an influential figure in the Arts and Crafts movement, spent most of his career in India. He first arrived there in 1865 to take up his position as professor of architectural sculpture in the Jeejeebhoy School of Art in Bombay. His son Rudyard was born in Bombay in December 1865. In 1875 Kipling was appointed the Principal of Mayo School of Arts, Lahore, British India and also became curator of the old Lahore Museum, the institution on which the Wonder House, or Ajaib Ghar, is based in Kim. He retired back to England in 1893. Lockwood Kipling provided the illustrations for many of Rudyard Kipling's books, including his two most famous works, The Jungle Book and Kim, as well as for Flora Annie Steel's Tales of the Punjab. He is known for his architectural decorations for the Victoria and Albert Museum in London and friezes on the Crawford Market in Bombay. Kipling also designed the uniforms and decorations used in the Imperial Assemblage at Delhi in 1877, at which Queen Victoria was proclaimed Empress of India. While there can be little doubt that the present work was created by an admirer of both Rudyard Kipling and Lockwood Kipling, we can only speculate as to whether the carver was closely associated with either the writer or the artist. The carving was sourced in Australia, a country where Rudyard Kipling's work was extremely popular and which he had visited in 1891; while Lockwood Kipling had provided a carved showcase for the Melbourne Exhibition in 1879, and had himself visited Melbourne, Sydney and Adelaide in 1892, around the time of the publication of his book Beast and Man in India. There is therefore some likelihood of the carving having been made by an Australian artist, possibly someone who had met one or even both of the Kiplings. More remote possibilities are that the artist was a member of Lockwood Kipling's circle in England, or one of the many Indian pupils whom he had trained as craftsmen. The absence of a firm attribution notwithstanding, this superb recreation in wood of The Lama is an important testament to the type of adulation and veneration that Rudyard Kipling and his works attracted across the Empire, and indeed the world, in this period. Kipling was awarded the Nobel Prize for Literature in 1907. Provenance: Private collection, Melbourne

      [Bookseller: Douglas Stewart Fine Books]
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        An archive of photographs of Hong Kong and Canton taken by a crew member of USAT Hancock, 1901.

      [Hong Kong and Canton, April 1901]. Group of 67 silver gelatin photographs taken by an anonymous photographer with a private camera, all in format 95 x 115 mm, mounted recto and verso of [19] loose leaves from an album of the period, all with the photographer's handwritten captions in ink beneath the image; 63 of the photographs, taken in April 1901, show views and scenes in Hong Kong (approximately 50) and Canton, including streetscapes, harbour and river scenes, prominent buildings and geographical features, temples, an execution ground, examination cells, a dinner hosted by the officers of the Fürst Bismarck, and army personnel, nursing sisters and civilians on board USAT Hancock; a further 2 photographs show the Hancock on her return voyage to America at Nagasaki (May 1901) and San Francisco (June 1901), and 2 photographs show nursing sisters on board the USAT Sheridan in November 1900; all of the photographs are in very good condition; a few of the album pages have some mild foxing or toning, but are otherwise clean and sound. A unique visual record of Hong Kong and Canton at the opening of the twentieth century, taken with a private camera by an American visitor. Both the USAT Hancock (formerly SS Arizona) and USAT Sheridan (formerly SS Massachusetts) were fitted out as troop ships by the US army in 1898 and used as transports during the Spanish-American War, carrying soldiers and nursing staff between San Francisco and Manila. The present photographs were most likely taken by one of her crew on the Hancock's final return voyage to the States from the Philippines.

      [Bookseller: Douglas Stewart Fine Books]
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        The Book of Jade

      New York: Doxey's. New York, Doxey's, 1901. First Edition. First Impression. Hardback. 436/600 Copies. A very nice copy of an uncommon book, one of only 600 copies printed by William Doxey who was on the verge of bankruptcy at the time. The book has been popular with readers of horror and the supernatural for a century, due in large to the horrific descriptions of death. The book is near fine with some bumping to the spine tips, a little rubbing and a tight split to the front hinge. Barnitz, who had the book published anonymously, died shortly after its publication of a reported 'enlarged heart' though some suspect suicide. A masterpiece of decadant poetry. [6459, Hyraxia Books]. . Near Fine. Hardback. 1st Edition. 1901.

      [Bookseller: Hyraxia]
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        Les Poëtes Chansonniers Montmartrois.

      [Paris, 1901?] 20” by 15”, matted and framed. An intriguing and quite charming painting of a cafe scene in Belle Époque Paris. Research has failed to yield anything about the artist, although he has signed his name (Gaston Dumoniel?), dated his work 1901, and even given the precise name and address of the cafe. Le Grand Manège at 4 Rue Buffault, Faubourg Montmartre, was once popular with early bicyclists (although no one present here appears dressed for the sport) and was positively reviewed in La Bicyclette of April 13, 1894. Provenance: Private collection, California.

      [Bookseller: John Windle Antiquarian Bookseller]
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        Luftdruckbremse Marke HB.

      Berlin (Ca ) 1901 - (24 x 32 cm). (2) 73 S. Mit 85 Abbildungen auf 80 Tafeln. Original-Lederband mit dreiseitigem Goldschnitt und Seidenvorsätzen. Ungewöhnlich aufwändige Firmenschrift mit deutsch-französischem Paralleltext. - Die Berliner Maschinenfabrik stellte Luftdruckbremsen für elektrische Straßenbahnen her. Die Abbildungen zeigen neben den Produktionsräumen und den Details der Bremse auch viele hübsche Straßenbahnen (u.a. von Leipzig, München, Nürnberg-Fürth, Prag, Riga, Mansfeld, San Cataldo, Berlin, Krefeld, Bern, Oberschlesien, Düsseldorf-Krefeld, Verviers, Kiew und Paris). - Sauber und wohlerhalten. - Beiliegend: Maschinenschriftlicher Brief auf Geschäftspapier. Berlin 23. April 1903. Mit eh. Unterschrift Hermann Heinrich Böker [Attributes: Hard Cover]

      [Bookseller: Antiquariat Gerhard Gruber]
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        Ein Dokument deutscher Kunst: Die Ausstellung der Künster-Kolonie in Darmstadt 1901. Festschrift.

      Verlag der Verlags-Anstalt, München 1901 - Schutzumschlag und Einband stark beschädigt. Schutzumschlag mit großen und vielen Einrissen. Ebenfalls ist eine Kante und Ecke des Schutzumschlags und des Einbands abgerissen. Auch am Einband mit mehreren Einrissen. Buchrücken ist von den Seiten getrennt. Das heißt die Seiten sind lose. Innen leicht gedunkelt und leicht fleckig. 30 Abbildungen/ 47 Seiten Deutsch 460g [Attributes: Hard Cover]

      [Bookseller: Guthschrift Antiquariat]
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        The Life of Samuel Johnson. Edited by Arnold Glover of the Inner Temple, with an introduction by Austin Dobson. 3 volumes.

      J.M. Dent, London 1901. 3 engraved frontispieces in colour, xxxvii,(3),458, viii,464, viii,466 pp., more than 100 illustrations by Herbert Railton, with 27 photogravure portraits in colour, one of 150 numbered copies on large paper, bound uncut in nice ni

      [Bookseller: Andersens Antikvariat]
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        Manuscrit d'un long article de Clemenceau sur la visite du Tsar Nicolas II.

      - 1 manuscrit autographe 9 In-4 26/09/1901 Nombreuses ratures et corrections. bon Manuscrit d'un article de Clemenceau paru dans la Dépêche [de Toulouse, le 26 septembre 1901 (coupure jointe)], intitulé : Les Nationalistes et "l'Alliance", sur la visite du Tsar à Compiègne et la complicité des monarchistes et nationalistes français avec la Russie impériale. Clemenceau évoque avec dérision les fêtes de Compiègne, et espère qu'un jour on recevra un potentat en "noble simplicité républicaine". Cependant la visite du Tsar a des répercussions sur la politique intérieure, déjà troublée par l'agitation monarchiste : l'ancien ambassadeur russe, M. de Mohrenheim, a encouragé cette agitation ; et Clemenceau blâme les nationalistes d'avoir rejeté le ministre de la Guerre, le général André, qui ne se prêtait pas aux entreprises antirépublicaines. Il raille deux «chefs d'emploi» de la droite : le cardinal Langénieux, et M. Dausset, président du conseil municipal de Paris, suppôts des congrégations romaines. Or «toutes ces tentatives de s'approprier Nicolas II pour en faire un instrument de combat contre le gouvernement républicain, sont autant de traits d'une suspension d'armes généreusement consentie, sous le nom de "Trêve du Tsar" par la troupe de la monarchie. Ce qui a particulièrement caractérisé cet "armistice imposé par le patriotisme devant l'étranger", c'est que jamais les ministres républicains n'ont reçu tant d'injures», notamment le général André, traité de "canaille" lors d'un banquet officiel. Clemenceau s'amuse de constater que depuis qu'ils ont renoncé à «l'espoir de faire de Nicolas II un outil de restauration monarchique en France, quelques-uns de nos cléricaux les plus caractérisés ont vu se refroidir outre mesure leur enthousiasme d'antan pour l'alliance franco-russe [.]». Homme politique. Il est l'un des grands artisans de la victoire de 1918. Elu à l'Académie française en 1920. [Attributes: Signed Copy]

      [Bookseller: Traces Ecrites]
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        Riverdale Illustated Editions of The Writings of Mark Twain Volumes IV-XXIII [20 volumes]

      Published by The American Publishing Company, HartfordConn. 1901 - , 20 volumes of the white limited Rivendale edition featuring message from Mark Twain on the limitation page "This is the authorized uniform edition of all my books". Titles include: A Tramp Abroad, Following the Equator, Roughing it, Life on the Mississippi, The Gilded Age, Tom Sawyer, Huckleberry Finn, Pudd'nhead Wilson, The Prince and the Pauper, A Connecticut Yankee in King Arthur's Court, Joan of Arc, Short Stories and Sketches, Literary Essays and My Debut as a Literary Person. Each volume has 3 photogravure plates, some of which are in colour. Limited Edition , minor wear to edges and corners, volume 12 missing title label on spine, spines discoloured and some marks to boards, pages and plates clean, edges untrimmed, very good condition , white cloth, paper title labels to spines, gilt top edge , octavo, 22 cm x 15 cm Hardback ISBN: [Attributes: Hard Cover]

      [Bookseller: Keoghs Books]
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        With The Guns In South Africa. By Lieutenant E. W. B. Morrison, D Battery, Royal Canadian Artillery, Illustrated with Photo-Engravings and from Sketches by the Author

      Spectator Printing Company, Hamilton 1901 - 307 p. 20 cm. 21 b&w plates and illustrations. Brown cloth hardcover with gold, black and red impressing. Spine ends softened and corners slightly bumped. Signed presentation copy, inscribed by author on front free endpaper. Small hole in text of p. 113. Born in London, Ontario in 1867, Lt. "Dinky" Morrison was a journalist at the start of his career, becoming editor of the Ottawa Citizen. His military career began with his appointment as a Second Lieutenant in Hamilton’s 4th Battery, Canadian Field Artillery. As a subaltern with "D" Battery, Royal Canadian Artillery (RCA) in the South African War he was awarded the Distinguished Service Order for saving the guns at Leliefontein on November 7, 1900. In this account of the war, he describes his journey to South Africa, battles, impressions of the country, and such horrors as starving horses, fever and dysentery, ruined and burned houses. "War is not a parlor game" he writes in his Apology, and none of his men were sorry to return to "the nice, clean, beautiful snow of old Canada" (p. 291). [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Attic Books (ABAC, ILAB)]
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        The Tempest

      London: Freemantle & Co.,, 1901. Small quarto. Original vellum with yapp edges, spine and front cover elaborately blocked in gilt, illustrated endpapers, top edge gilt, others uncut, one of the original ties laid in. Frontispiece and 24 full-page illustrations, numerous small illustrations to text, and decorated initials, all in black and white by Bell. Text printed in black and red. Vellum a little bowed, tiny split to head of front hinge. An excellent copy, internally fresh. Signed limited edition, number 134 of 174 copies signed by the artist.

      [Bookseller: Peter Harrington]
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        L'assiette au beurre. 1901-1902, N°1 à 52 et un hors série, première année complète.

      SCHWARZ 1901 - Paris, 1901-1902. Revue satirique, humoristique hebdomadaire fondée et dirigée par Samuel-Sigismond Schwarz. Format 25 × 32 cm, sur seize pages en moyenne, avec des dessins en pleine page, en demi page et vignettes majoritairement en couleurs. Les 52 premiers numéros et un numéro hors série "les falsificateurs de lait", du 4 avril 1901 jusqu'au 29 mars 1902. Avec table des gravures et bon de commande de la reliure monté sur onglet ajouté en fin de volume ; également insérés, plusieurs avis aux lecteurs. Reliure d'éditeur beige, premier plat illustré d'un personnage en gaufrage et d'ornements incrustés, titrage, années et numéros en rouge sur le premier plat et au dos. Quelques rousseurs d'usage sur le premier plat, intérieur très frais, l'ensemble est en bon état. Quelques exemples de numéros à thème : N° 26 : « Les camps de reconcentration du Transvaal », par Jean VEBER, 28 septembre 1901 - Ce numéro renfermant le dessin "l'IMPUDIQUE ALBION" sans la jupe qui fut saisi par la police à son apparition. TRES RARE ; N°30 : « La prostitution », par Kees van DONGEN, 26 octobre 1901 ; N°41 : « L'argent », par KUPKA, 11 janvier 1902 ; N° 42 : « Les tueurs de la route », par Lucien-Henri WEILUC, 18 janvier 1902 ; N°48 : « Crimes et châtiments », par Félix VALLOTTON. L'Assiette au beurre est considérée comme une revue graphiquement novatrice (gravures et dessins en pleine page, numéro entier consacré à un thème unique. ). Elle rassemble les meilleurs illustrateurs européens qui y critiquent avec une grande liberté le militarisme, le colonialisme, le cléricalisme, le féminisme et les conditions de travail. Avec environ 10 000 dessins par 200 dessinateurs, l'assiette au beurre constitue un précieux témoignage de la Belle Epoque. [Attributes: Hard Cover]

      [Bookseller: Librairie Quillet]
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        Nouveaux principes de la géométrie avec une théorie complète des parallèles

      Hayez, Bruxelles 1901 - Pleine toile verte moderne Un volume in-8 (230x154 mm), (2)-132 pages et 9 planches Dos légèrement passé. . Premier édition en français de cet important ouvrage publié en Russe, entre 1835 et 1838, dans la revue des Mémoires scientifiques de Kazan. Lobachevsky est considéré (avec Bolyai) comme le fondateur de la géométrie non Euclidienne. C'est en 1826, qu'il présente pour la première fois ses conceps sur la géométrie non Euclidienne à l'université de Kazan. Cet article ne sera pas publié et il faudra attendre 1829-1830 pour que sa théorie soit pour la première fois publiée sous le titre "sur les fondations de la géométrie". Et donc entre 1835 et 1838 qu'il publie ses "Nouveaux principes de la géométrie avec une théorie complète des parallèles" en Russe qui est considéré comme étant sa meilleure publication sur la géométrie non Euclidienne. "It is from this memoir that one can draw the most completely information on the global scientific, worldoutlook and philosophical views of this great mathematician" (Popov). Rare première traduction en français de de texte majeur pour l'histoire des mathématiques Popov ['Lobachevsky Geometry and Modern Nonlinear Problems', p.4 : "This is the largest work of N.I. Lobachevsky, which sums up in detail, and in the necessary cases develops, the results of his earlier work. It is from this memoir that one can draw the most completely information on the global scientific, worldoutlook and philosophical views of this great mathematician. In this work the fundamental notions of geometry are discussed in detail: adjacency, cuts and the definition of the notions of the notion of point connected with them, lines, surfaces, and also the basic theorems on perpendicular straight lines and planes, relations in triangles, linear and angular measures, measuring of areas, an others. Starting from more general fundamental premises (compared with earlier works), a theory of parallel straight lines is constructed in detail. The fundamental equations of the imaginary geometry are introduced. As a whole, in this work Lobachecsky establishes the precise axiomatic foundations of geometry and defines the principles of its logical development, accompanying them with the corresponding foundational results in each of the fields he considered"], Kline [p. 873 : "He presented his views on the foundations of geometry in a paper before the department of mathematics and physics of the University in 1826. However, the paper was never printed and was lost. He gave his approach to non-Euclidean geometry in a series of papers, the first two of which were published in Kazan journals. The first was entitled " On the Foundations of Geometry" and appeared in 1829-30. The second, entitled "New Foundations of Geometry with a Complete Theory ol Parallels" (1835-37), is a better presentation of Lobatchevsky's ideas"] ___________________________________________________________________________________ ______________________________ENGLISH_DESCRIPTION______________________________ ___________________________________________________________________________________ Modern full green cloth. 8vo (230x154 mm), (2)-132 pages and 8 plates Spine a little faded. . First edition in french of this the "New Foundations of Geometry with a Complete Theory ol Parallels" Popov ['Lobachevsky Geometry and Modern Nonlinear Problems', p.4 : "This is the largest work of N.I. Lobachevsky, which sums up in detail, and in the necessary cases develops, the results of his earlier work. It is from this memoir that one can draw the most completely information on the global scientific, worldoutlook and philosophical views of this great mathematician. In this work the fundamental notions of geometry are discussed in detail: adjacency, cuts and the definition of the notions of the notion of point connected with them, lines, surfaces, and also the basic theorems on perpendicular straight lines and planes, relations in triangles, linear and angular measures, measuring of [Attributes: First Edition; Hard Cover]

      [Bookseller: Eric Zink Livres anciens]
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        Songs of the Hill Winds: a book of Lyrics and other Verse which have appeared in the Undergraduate Publications of Dartmouth College

      Kendall Banning, The Cheltenham Press 1901 - Number 432 of a limited edition of 500 copies. This copy is SIGNED twice by Kendall Banning, once on the recto of the front free endpaper (dated Aug. 27, 1937) and once on a note pasted to the front pastedown, dated July 20, 1938. The typed note explains the (non-) role of Moses Bradstreet Perkins (listed as a co-editor on the title page). Full leather-covered boards (or stiff card covers), blindstamped front board, 6 3/4 x 4 3/8 inches, top edge gilt, 94 pp. The leather is dry and shows considerable chipping at the edges, and there is a previous repair of the spine with dark brown tape; inscription in pencil by a previous owner on the recto of the front free endpaper, dated December 25, 1901; a small image of Richard Hovey pasted to the verso of the front free endpaper (Hovey contributed the first piece in the text of the book, "Men of Darmouth"). Otherwise, pages clean and binding intact. Scarce, especially signed. Lee Michaelides: "Kendall Banning is one of Dartmouth’s most prolific, versatile and all-but-forgotten men of letters. Best known on campus as the editor of Songs of the Hill Winds, a book of Dartmouth verse, he also wrote plays, histories of America’s military academies and a fake 1784 cookbook—all in his spare time. By day Banning edited several well-read magazines, including Popular Radio, Judge, Cosmopolitan (when it ran serious pieces of journalism) and Snappy Stories (a pulp mag for men). Danielle Sigler ’96, a curator at the Harry Ransom Center at the University of Texas at Austin, recently rediscovered one of Banning’s more interesting works, Censored Mother Goose Rhymes, a 1929 self-published collection of the well-known nursery rhymes. The slim volume packs a powerful—and amusing—punch with its anti-censorship message. Banning placed black bars over certain words in the rhymes, leaving much to the reader’s imagination and humorously demonstrating how censors “have taught us how to read naughty meanings into harmless words,” as he wrote in his dedication. Banning understood the uses of censorship. In 1926 he’d written The Military Censorship of Pictures, a volume that documented the “crucial” censorship of WW I photos. Conversely, he complained in his class’ 1927 annual report that as an editor he “waged almost constant warfare with professional reformers, censors, prohibitionists, fundamentalists and other groups of busybodies [who] seek to enforce their own particular brand of idiosyncrasy or doctrine upon the rest of us mortals in general and upon editors and publishers in particular—presumably on the assumption that the press, being influential in molding public opinion, should be muzzled and forced to conform to the pet theories of the particular group that starts the trouble.” Most bothersome to Banning was a campaign to have Snappy Stories banned in Massachusetts. “It may interest members of our class to know that the Boston fight started when we refused to recognize the mandate of the Watch and Ward Society to keep out of New England an issue of Snappy Stories that contained an excellent short tale by our classmate Charlie Goddard,” he wrote. Banning’s Mother Goose became a curiosity in the history of censorship because he sent it to Congress in 1929 as part of a lobbying effort against an anti-smut provision in the Smoot-Hawley Tariff Act. “These rhymes have given pleasure to generations,” Banning wrote on the book’s last page, “and this version makes a new claim as amusing nonsense. But even more important than jingle or nonsense is the clear demonstration made here of the effect of censorship upon anything it touches.” Although history is silent as to Mother Goose’s impact on the legislation, the tariff bill passed in 1930 with an amended censorship provision that wasn’t nearly as strident as what bill sponsor Sen. Reed Smoot had wanted.” (1722RO090) [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Boojum and Snark Books]
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        Yellowstone Through the Stereoscope.

      New York & London: Underwood & Underwood. - 1904 & 1909* 1901 - Set of 30 stereo cards (each 9 x 18cm) contained in original brown cloth book style box, (19 x 11 x 7cm) spine gilt with accompanying book, includes folding map of "Tour through Yellowstone National Park" (33.5 x 47.5cm). Box slightly rubbed but generally very good. Booklet in fine condition. Cards very good. *Booklet dated 1909 on title page with Copyright 1904 to verso. Cards all dated 1904 with exception of one dated 1901 and one undated. [Attributes: Hard Cover]

      [Bookseller: Robert Frew Ltd. ABA ILAB]
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        Nevskii Prospekt" (1703-1903): kul'turnoistoricheskii ocherk dvukhvyekovoi zhizni S.-Peterburga. (Two volumes) ["Nevsky Prospekt" (1703-1903): a cultural and historical study of two centuries of life in Saint Petersburg.].

      A.I. Vil'borg, St. Petersburg 1901 - Text in Russian. Two volumes (complete.) Volume 1 has been rebound with the original cover (slightlty trimmed down) laid in. Volume 1 has some dampstaining to the lower right corner of the leaves. There is scattered tape repair to leaves. A few leaves have tears that impact text. Despite the flaws these volumes are rich with photographs, drawings, maps, etc. of St. Petersburg before the revolution. Facsimiles and reproductions of documents, etc., inserted throughout. These two volumes are large and very heavy. Size: 36 cm tall [Attributes: First Edition; Hard Cover]

      [Bookseller: Elkhorn Books, IOBA]
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      Printed Under The Care of C. R. Ashbee At The Essex House Press 1901 - This is a very good hardback copy in the original white vellum covers. For books going outside Europe I strongly recommend airmail as sea mail is a poor service, books to Europe always go by airmail in any case. Inland, I send all parcels that weigh under a kilo by first class. For any enquiries please do get in touch. If you are ever in Bath, please visit our bookshop Bath Old Books, although this book is not in the shop but in my book room at home. [Attributes: First Edition; Hard Cover]

      [Bookseller: Steven Ferdinando PBFA]
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        L'AFFAIRE CRAINQUEBILLE. 63 Composition de Steinlen.

      - Paris: Édouard Pelletan, 1901. 1 vol. in-8 Jésus: 18.5 x 26 cm, 101-[8] pp. Édition originale du texte illustrée de 63 compositions, également originales, de Steinlen (6 hors-texte et 57 en-têtes, vignettes et culs-de lampe), gravées par Deloche et imprimées en noir par Ernest et Frédéric Florian, Emile et Eugène Fromet, Pierre Gusmann, M. Mathieu et M. L. Perrichon. Tirage limité à 400 exemplaires. Celui-ci est un des 243 sur vélin (no. 116). Reliure d'art signée Carayon en demi-maroquin brun. Dos lisse avec auteur, titre et filets dorés et incrusté de motifs géométriques en maroquin rouge. Gardes et plats recouverts de papier marbré. Tranche de tête dorée. Emboitage assorti avec les bords arrondis en maroquin rouge. Luxueux exemplaire. En parfait état. Cette longue nouvelle d'Anatole France (1844-1824) se positionne comme une critique des institutions judiciaires qui, en multipliant les injustices, amènent les pauvres gens au crime. L'auteur met en scène Crainquebille, un marchand de quatre-saisons estimé dans son quartier. Un jour, il est condamné à une peine de prison pour avoir prétendument insulté un agent de police. Steinlen, artiste engagé comme on le sait, se présente comme l'illustrateur le plus approprié pour orner ce récit sur fond de revendications sociales. Biblio.: Crauzat, L'Oeuvre gravé et lithographié de Steinlen, no. 615 [Attributes: First Edition; Signed Copy]

      [Bookseller: Librairie de l'Univers]
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        Portrait signed with autograph musical quotation.

      Vysoká, 7. VII. 1901. - 165:110 mm. Framed.

      [Bookseller: Antiquariat INLIBRIS Gilhofer Nfg. GmbH]
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        Mark Twain Autographed Letter Signed.

      Mark Twain Autographed letter signed. It reads, "Ampersand" [Harrietstown, NY] , 27 August [1901] My dear Mr. West I thank you very sincerely. But reflect: if you & the 1207 others who wrote me, had said the same things in their local press, (no signature required) think of the hundreds & thousands of converts that vast wave of mere honest simple confession[s] of faith would have made! And how it would have upheld my hands--& what authority it would have given to my mouth! Whereas I got only kicks & never had a friend--apparently. I was sure I had friends somewhere; & if I had had the wit to suggest the above course I believe they would have been prompt to show up & stand by me. It was my own fault that in my hands the cause didn't fare better. Sincerely yours SL Clemens." Double matted and framed opposite a photograph of Twain. The entire piece measures 16 inches by 18 inches. In the summer of 1901, Twain rented a cottage on Lake Saranac in Harrietstown, NY, where he vacationed with his wife and daughters. During his stay, Twain wrote a novella, A Double-Barrelled Detective Story, published in 1902, and an essay, "The United States of Lyncherdom," which was not published until after his death and which captures his reaction to an article about a Lynching that had taken place in Missouri that summer, on August 19.

      [Bookseller: Raptis Rare Books]
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        American Handy-book of the Brewing, Malting and Auxiliary Trades; A Book of Ready Reference for Persons Connected with the Brewing, Malting and Auxiliary Trades, Together with Tables, Formulas, Calculations, Bibliography and Dictionary of Technical Terms. Copiously Illustrated

      Chicago: Wahl-Henius Institute, 1901. Leather bound. Very good. First edition, octavo size, 1266 pp., illustrated. First edition of this scarce, pre-prohibition guide to brewing. Authors Dr. Robert Wahl and Dr. Max Henius founded the Wahl-Henius Institute of Fermentology in Chicago in 1886, and operated successfully until prohibition in 1921, when the brewing trade nearly dissolved and forced its closure and sale. "The American Handy-book of the Brewing, Malting and Auxiliary Trades" is considered one of two of the most important pre-prohibition texts on beer and brewing due to its near encyclopedic vision and detailed illustrations, covering nearly every known detail of the brewing process from chemistry, ingredients, brewing materials, buildings and pumps, yeast and wort, storage, bottling, beer types, legal regulations, and A-Z dictionary of terms (to name a few).___DESCRIPTION: Original full limp leather with extended flap that folds over the upper cover and is lettered in gilt, backstrip also lettered in gilt, all edges gilt, floral endpapers, numerous illustrations in text, octavo size (6.5" by 4.25"), 1266 pp., first edition.___CONDITION: A very good copy, internally bright and complete, text block is straight and square, no prior ownership markings, the delicate leather binding has been professionally restored along most of the joints (especially concerning the extended flap), some chipping and rubbing to edges, some small scattered holes do affect a select few pages of text, other than those condition points mentioned of the binding, this copy is complete, and overall very good.___POSTAGE: International customers, please note that additional postage may apply as the standard shipping charge does not always cover costs; please inquire for details.___Swan's Fine Books is pleased to be a member of the ABAA, ILAB, and IOBA and we stand behind book we sell. Please contact us with any questions you may have, we are here to help.

      [Bookseller: Swan's Fine Books]
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        The Writings & Speeches of Edmund Burke. In Twelve Volumes.

      Boston. Little, Brown and Company. 1901.. Hardcover. Book 8vo, 22.5cm, complete in 12 volumes, (over 6,000pp.), with 12 photogravure frontis plates, 29 gravure portrait plates, captioned tissue guards, index, title pages printed in black and red, in contemporary half crushed crimson morocco, blind ruled raised bands, ornate gilt flora & vine decorations in the panels, gilt titles, matched marbled boards and endpapers, t.e.g., a fine bright set, attractively bound (s20) Burke, Edmund (1729-97), political writer. Born in Dublin, he was educated at Trinity College and studied law in London. He was private secretary to the chief secretary for Ireland, William Gerard Hamilton, 1764, and from 1765 private secretary to Lord Rockingham. Elected to the British parliament in 1765, he emerged as a leading orator and theorist of the new reformist Whig Party. He attacked George III's personal government, called for conciliatory treatment of the American colonists, introduced an economical reform bill (1780) to reduce official corruption, and led the attack on Warren Hastings's abuse of power in India. Following the French Revolution, however, Burke became a defender of the existing order against what he saw as a destructive quest for abstract liberty, publishing Reflections on the Revolution in France (1790) and breaking with his Whig colleague Charles James Fox. "Burke's mother was a Catholic of the Co. Cork Nagle family and he was shaken when Nagle relatives were caught up in the show trials of prominent Catholics, provoked by the Whiteboy movement. He was partly educated as a Catholic school in Co. Cork, his wife was an Irish Catholic, and his lawyer father may have been a convert. Yet opinion is divided between those who see this background as shaping his whole political outlook and those who see the mature Burke primarily as a metropolitan reformer. His open advocacy of free trade for Ireland cost him his Bristol constituency in 1780. On the other hand he was cool towards legislative independence, which he saw as strengthening an intolerant Protestant elite. In the 1790s, notably in his Letter to Sir Hercules Langrishe (1792), he advocated Catholic relief as the only means to prevent revolution in Ireland." - (Oxford Campanion Irish History) Vol. I: A Vindication of Natural Society, On the Sublime and Beautiful, Present State of the Nation, etc. Vol. 2: On Conciliation with America, Security if the Independence of Parliament, On Mr. Fox's East India Bill, etc. Vol. 3: On the Nabob of Arcot's Debts, Speech on the Army Estimates, Reflections on the Revolution in France. Vol. 4: Letter to a Member of the National Assembly, Appeal from the New to the Old Whigs, Policy of the Allies with Respect to France, etc. Vol. 5: Observations on the Conduct of the Minority, Thoughts and Details on Scarcity, Three Letters to a Member of Parliament, etc. Vol. 6: Fourth Letter on the Proposals for Peace, To Charles James Fox on the American War, The Measures in the American Contest, etc. Vol. 7: Speeches in Parliament, Abridgment of English History. Vol. 8: Reports on the Affairs of India, Articles of Charge of High Crimes and Misdemeanors against Warren Hastings. Vol. 9 to 12: Articles of Charge against Warren Hastings Esquire, Speeches in the Impeachment. A very attractive set in fine bindings. .

      [Bookseller: Patrick McGahern Books, Inc. (ABAC)]
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        Ishō sekai. 意åŒä –ç•Œ. Design World, volume 6.

      Seibikai. Tokyo. Meiji 34. 1901. - 18 full page color woodblock prints, 9 1/2 x 6 1/2 inches, decorative color paper wrappers with two ribbon ties. Light soiling and tiny hole (pinhead size) to lower left corner margin of frontispiece illustration, light wear to back cover, small areas of light dampstaining to right and lower edges of back cover (not affecting the text block). Overall the images are clean and bright. The epilogue to this beautiful publication "Isho Sekai" explains that the periodical is published monthly on the fifth day of the month providing designers with the latest developments in dyeing and weaving patterns. The charming kuchi-e (frontispiece illustration) is of Kure-hatori and Aya-hatori. The story of Kureha and Ayaha dates back to ancient times - these two "princesses" came to Japan from the Chinese region of Kure. Renowned weavers, they taught their skills to local women and are remembered at two shrines in Ikeda, Osaka. The signature on this woodblock illustration reads Rōsai 桜斎 which was an alternate name used by Ogata Gekkō. The style of the picture matches Gekko's, and he was active as a kuchi-e artist. An uncommon and quite exquisite item. [Attributes: Soft Cover]

      [Bookseller: old imprints ABAA/ILAB]
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        Сказка об Иване-царевиче, жар-птице и о сером волке [Le Tzarewitch Ivan - L'oiseau de feu et le loup gris]

      First edition and first edition of 8 illustrations including 3 full page Ivan Bilibine.Nice and rare copy in this condition.Ivan Yakovlevich Bilibin (Иван Яковлевич Билибин 1876-1942) is a painter and illustrator from St. Petersburg. Student of the painter Repine, he studied the arts and worked for two years alongside him before traveling to Europe. On his return to Russia, he co-founded with Leon Bakst the group Mir Iskousstva (Мир Искусства "The World of Art"), a collective that promotes meetings between artists and men of letters. From then on, he throws himself into the artistic enterprise of his life, illustrating traditional Russian tales, thus creating the "Bilibine style" that will characterize all the work of his career. Anxious to implement the appropriate graphic processes, he carries out extensive reseArches paper, collects the louboks (Лубок Russian popular images) and is enthusiastic about the ornamental miniatures and the brightness of the icons colors characteristic of the 17th century Russian. He also draws inspiration from embroidery and printed fabrics. Nevertheless, Bilibin is not limited to Russian folk culture; rich of his expeditions in Europe but also in the East (he lived in particular several years in Egypt), he likes to mix Russian and Oriental motifs, thus wishing to create a new language: the graphic language. The modernity of his style allows him to meet very soon an immense success and to answer to many requests for illustrations, that it is about tales and bylines (былины epic tales of oral tradition) but also of works in the theatrical field (sets and costumes). Bilibine brings as much care to the "decorations" of his works (vignettes, cartridges, frames) as to watercolors finely highlighted with a black line and enhanced with gold. Expédition de l'approvisionnement des papiers d'État Saint-Pétersbourg 1901 26x33cm agrafé

      [Bookseller: Librairie Le Feu Follet]
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        Topographie des weiblichen Ureters mit besonderer Berücksichtigung der pathologischen Zustände und der gynäkologischen Operationen.

      Wien & Leipzig, Wilhelm Braumüller, Leipzig 1901, Folio, 78 pp., mit 32 farblith. Tafeln, Halblederband mit orig. geprägten Deckelbezügen feines Exemplar. Erste Ausgabe - Entklammert und neu aufgebuden feines Exemplar ! "1901 erschien bei Wilhelm Braumüller in Wien der Atlas über die "Topographie des weiblichen Ureters mit besonderer Berücksichtigung der pathologischen Zustände und der gynäkologischen Operationen", von Tandler und Josef Halban (1870-1937), der 1903 zum Dozent für Gynäkologie ernannt wurde. Auf 32 lithographischen Tafeln mit kurzem Text werden alle topographischen Beziehungen dargestellt, die für den gynäkologischen Operateur wichtig sind. Verschiedene Operationsmethoden, vor allem die vaginalen sind festgehalten pathologische Zustände der weiblichen Beckenorgane wurden durch Bilder dem Verständnis näher gebracht. Die Präparate, in natürlicher Größe abgebildet, sind teilweise durch IVoige Chromsäure fixiert worden, in anderen Fällen durch ein Gemisch von Formol, Alkohol und Glycerin. Die Bedeutung des Werkes liegt darin - und hier findet sich eine Ansicht Tandlers nicht nur vorgebildet, sondern schon ausgeprägt -, daß die Anatomie die Gynäkologie befruchten kann." Der Wunsch nach naturgetreuen Abbildungen entspricht den praktischen Bedürfnissen des gynäkologischen Operateurs, heißt es im Vorwort. Die normale Anatomie wurde nicht mit einbezogen, da Zuckerkandl gerade ein einschlägiges Werk vorbereitete. Nur die pathologischen Zustände und operativen Eingriffe wurden dargestellt. Die Bilder zeigen den Einfluß der pathologischen Zustände auf die Topographie des Ureters. Die Topik des Ureters wird in den einzelnen Phasen der wichtigsten Operationen festgehalten. Die Bilder - der Künstler war B. Keilitz - wurden nach dem frischen Objekt in natürlicher Größe gezeichnet, mit möglichster Beibehaltung der topographischen Verhältnisse. Die Rezensionen überboten sich: "Nach wissenschaftlichem Inhalte und Ausstattung einfach ein Prachtwerk ersten Ranges", schrieb Gustav Klein (1862-1920, Leiter der Universitätsbibliothek München) in der "Münchner Medizinischen Wochenschrift" (92), der Operateur findet sofort alles in klarster Weise im "Tandler und Halban". Das Buch wurde zum Begriff. Man sollte es "neben dem Operationszimmer" aufbewahren, um es bei schwierigen Fällen stets zur Hand zu haben. Der Rezensent schloß sich den Worten Zuckerkandis an, daß bald ähnliche Werke für andere Organe geschrieben werden mögen. ... " Karl Sablik , Julius Tandler: Mediziner und Sozialreformer (2010), p.26

      [Bookseller: MedicusBooks.Com]
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        Typed Letter Signed ("Booker T. Washington, Principal") to Mrs. Romaine Wade, declining her request to help find domestic servants, and expressing a preference that his graduates stay in the "Southland"

      Tuskegee 1901 - 1 page. Oblong 8vo. Washington replies to a Mrs. Wade in Santa Barbara, California, who had evidently sought help finding domestic servants: "Referring to your letter which has just been received, I am very sorry to say that I am unable to assist you in the matter of securing such domestics as you desire. Although we have a great many young women taking our course in domestic science, none of them seem disposed to leave the school at this time in the term to take up work in other directions. However, we rather urgue upon our graduates to remain in the South after completing their course as we believe the Southland offers greater opportunities for their usefulness among their own people."

      [Bookseller: James Cummins Bookseller, ABAA]
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        Das zweite Vaterland.

      Wien (Hartleben), 1901. - 2 Teile in 1 Bd. Gr. 8°. 464 S. mit 73 Illustrationen. OLn. mit reicher Gold- und Schwarzprägung und Farbschnitt. fliegender Vorsatz fehlt, sonst schönes Ex. = Bekannte und unbekannte Welten, Bd. 77 + 78. dt. EA. Prachtausgabe. Fromm 26376. [Attributes: Hard Cover]

      [Bookseller: Antiquariat Bebuquin (Alexander Zimmeck)]
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        The blessed damozel.

      [colophon: Portland, Maine: Thomas B. Mosher, 1901]. 4to (14.7 cm; 5.75"). [2], frontis., xiii, [1], 32, [2] pp. First variorum edition of Rossetti's poem, here with a photogravure frontispiece after the author's 1874 portrait of Alexa Wilding for Lord Mount-Temple. The text is here printed as it first appeared in the February 1850 issue of The Germ with, neatly printed below, the variants present in the 1856 Oxford and Cambridge Magazine, the 1870 Poems, and the 1886 Collected Works. Mosher printed two other editions in 1902 and 1905.    Bishop notes the decorative similarities between this edition and that of Hacon & Ricketts in 1900, including the "same alternating black and red Ricketts initials and text, the same red rules as the two-page openings of the book following the half-titles, and the same red Roman numerals of each stanza," although Mosher here opts for smaller type, a larger page, and different dingbats, with his printer's device prominently displayed on the title-leaf verso.    => Of the ten copies printed on pure Roman vellum, this offering is number two and signed by Mosher.    Provenance: From the library of American collector Albert A. Howard, small booklabel ("AHA") at rear.         Hatch, Mosher, 184; Bishop, Mosher, 47. Vellum-cased boards with green silk accents, spine modestly lettered in gilt; very lightly dust-soiled and spotted, outer green silk uniformly faded, ties appearing to have been trimmed off at edges. Interior creamy and clean. => A textually interesting work and a spectacular example of an unusual printing method from an American press.

      [Bookseller: Philadelphia Rare Books & Manuscripts Co]
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        Soren Kierkegaard's Samlede Vaerker (14 VOLUMES - COMPLETE WORKS - FIRST EDITION in a FINE BINDING)

      Gyldendalske Boghandels Forlag (F. Hegel & Son), Kjobenhavn 1901 - Soren Kierkegaard's Samlede Vaerker - 14 VOLUMES COMPLETE. RARE FIRST EDITION of Kierkegaard's Complete Works in the original Dutch, presented in a FINE BINDING. Edited by (Udgivne af) A.B. Drachmann; J.L. Heiberg; & H.O. Lange. TEXT IN DUTCH. Comprehensive printed footnotes. A total of over 5700 pages. Each volume contains two title pages: Samlede Vaerker (1901-1906), plus individual volume title page with full details & original 1st ed date (1843-1855). Title page publication dates of individual volumes of the complete works (Samlede Vaerker) as follows: Vols 1-2 (1901); Vols 4-7 (1902); Vols 8-9 (1903); Vol 10 (1904); Vols 11-12 (1905); Vols 13-14 (1906). From the library of Kierkegaard scholar Knud Jensenius (1903-1953), with his bookplate to ffep of EACH volume. Also, EACH volume is signed by both Jensenius & O. (Ola) Koch in black ink on title page. Volume 1 contains an additional inscription on title page from Koch to Jensenius, dated 1928. Knud Jensenius wrote "Nogle Kierkegaardstudier - De tre Store Ideer" [Some Kierkegaard Studies - The Three Big Ideas] (published København 1932). Fine binding. Uniformly bound in white crocodile skin (or alligator?) & half-leather (spine & tips), gilt lettering within gilt border to spines, fine gilt-printed endpapers (Vols 1-10 with maroon/gilt marbled endpapers, & Vols 11-14 with red/gilt floral endpapers). Trykt hos J. Jorgensen & Co. (M.A. Hannover). Slight handling wear, mild sunning to spines, some mild penciling, single page in Vol.14 detached (but present), otherwise a very nice clean tight solid set. A total of 5716 pages: 420pp + 326pp + 322pp + 437pp + 259pp + 467pp + 561pp + 423pp + 372pp + 355pp + 286pp + 489pp + 619pp + 380pp. Very heavy set of volumes (almost 10kg), extra shipping may be required for international customers. A wonderful scarce set, beautifully bound. RARE. SB-237. Size: 20.5 x 15cm [Attributes: Hard Cover]

      [Bookseller: Bookwood]
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        Presso la culla

      Tipi Paolo Vitagliano e Alfredo Di Mauro - Cava dei Tirreni, CAVA DEI TIRRENI 1901 - ITALIANO Fascicolo dei primi del XX secolo in buono stato, coperta in carta, su piatto anteriore firma d'appartenenza, punte appena piegate abrasioni e piccoli fori, cima e piede consumati, tracce di fioritura, margini dei piatti e tagli poco bruniti, pagine in buono stato.

      [Bookseller: Biblioteca di Babele]
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        The standard American speaker and entertainer: Recitations, readings, plays, drills, tableaux, etc., etc. : together with rules for physical culture ... of gesture, according to the Delsarte system

      J.C. Winston, 1901-01-01. Hardcover. Fair. the binding of the book is loose; the spine is split on the top edge of the front cover; the folio is loose from the spine; there is wear and rubbing on the corners and edges;

      [Bookseller: Renee Scriver]
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        Arbeiter-Zeitung. Zentralorgan der österreichischen Sozialdemokratie. Morgenblatt. 1377 Hefte der Jahrgänge XIII bis XXVI (1901-1914). Gebunden in 17 Bänden auf je 5 Bünden, ohne Einbände.

      2. Die Sammlung umfasst die folgenden Hefte: XIII. Jg. Nrn. 1-176 (1. Jän. - 29. Juni 1901) und 272-359 (4. Okt. - 31. Dez. 1901) XIV. Jg. Nrn. 1-178 (1. Jänner - 30. Juni 1902) 270-357 (1. Okt .- 31. Dez. 1902) XVI. Jg. Nrn. 1, 4, 5, 9, 11-20, 22, 23, 25, 26, 28, 31-35, 37, 42, 44-48, 50, 52, 56, 57, 59-63, 66, 73, 75, 77, 78, 85, 87-89, 91 (1. Jänner - 31. März 1904) und 272-361 (1. Okt. - 31. Dez. 1904) XVII. Jg. Nrn 91-360 (1. April - 31. Dez. 1905) XVIII. Jg. Nrn 179-270 (1. Juli - 30. Sept. 1906) XIX. Jg. Nrn 269-359 (1. Okt. - 31. Dez. 1907) XXI. Jg. Nrn 271-359 (1. Okt. - 31. Dez. 1909) XXII. Jg. Nrn 1-7 (1. - 8. Jän. 1910) XXIV. Jg. Nrn 192, 208-212, 215, 218, 219, 221-224, 226-230, 232, 233, 235-250, 252-268 (16. Juli - 30. Sept. 1912) XXVI. Jg. Nrn 90-178 (1. April - 30. Juni 1914) und 272-362 (1. Okt. - 31. Dez. 1914). Die Hefte sind in 17 Blöcken gebunden, allerdings nicht mit Einbänden versehen worden. Hefte teilw. stockfleckig, angestaubt und mit Randläsuren. Einige Seiten mit geringfügigem Textverlust.

      [Bookseller: erlesenes Antiquariat und Buchhandlung]
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        Letters to Fanny Brawne.

      New York: George Broughton and Barclay Dunham,, 1901. Octavo. Original japon-backed covers, front cover lettered in gilt. Silhouette frontispiece with tissue guard. Spine slightly darkened and rubbed, very minor soiling to covers, bottom corners slightly bumped, pages unopened. An excellent copy. Limited edition, one of 50 copies printed on Japon paper, with an additional 250 copies printed on handmade paper and 700 on deckle edged paper. It was not until the letters between Keats and Brawne were first published in 1878 that it was known that the couple were secretly engaged; this is perhaps the finest printed edition of the letters.

      [Bookseller: Peter Harrington]
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      London: Macmillan & Co., 1901. - FIRST EDITION FIRST ISSUE SIGNED AND DATED BY THE AUTHOR. 1 vol., illustrated, signed by the author on the title page in his typical fashion and dated "10.10.23". Bound in the publisher's original gilt stamped red cloth, top edge gilt, head and foot of spine fine, outer hinges fine, rear inner hinge just starting, front inner hinge fine, bookplate of Alain Raffin additionally noted in pencil "autographed for me on 10/10/23 AR", portrait of Kipling adhered to verso of frontis, offsetting to half-title and blank endleaf from old newspaper articles once adhered to them otherwise internally clean and bright, better than that may sound, still a VERY GOOD copy which is very difficult to find signed, housed in a 1/2 red calf slipcase, ribbed gilt lettered spine. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: D&D Galleries - ABAA]
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        Statuto della Banca Artistica Industriale in Napoli

      Stab. Tip. Fratelli Jovane - Salerno, SALERNO 1901 - ITALIANO Fascicolo dei primi del '900 in stato discreto, coperta in carta, su piatto anteriore affrancatura con francobollo del Regno d'Italia del valore di 2 centesimi, annullato con timbro postale, ed indirizzo del destinatario della copia, margine di testa tagliato, margini dei piatti e delle pagine poco bruniti, fioritura sparsa, lievi abrasioni e foro su piatto inferiore con punta inferiore molto consumata. Bella testatina su incipit.

      [Bookseller: Biblioteca di Babele]
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        Vierteljahresschrift der astronomischen Gesellschaft - 36. Jahrgang 1901 bis 63. Jahrgang + 73. +74. Jahrgang (hier Schriftführer P. Guthnick und H. Ludendorff) (30 Jahrgänge, ab ca. 1920 zwei Jahrgänge in einem Band)

      Leipzig : Wilhelm Engelmann. 1901 1901 ca. 10000 Seiten, 22,5cm. ca. 10000 Seiten. Halbleinen Zustand: Gut min. gebräunt (Innen); Bibliotheksex. mit Klebestreifenrest; Besitzerstempel; Einband Außen hat geringe bis leichte Gebrauchsspuren; Zustand: Gut min. gebräunt (Innen); Bibliotheksex. mit Klebestreifenrest; Besitzerstempel; Einband Außen hat geringe bis leichte Gebrauchsspuren; Später Verlag in Kommission bei Poeschel & Trepte; Versand D: 4,75 EUR

      [Bookseller: Gebrauchtbücherlogistik]
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      - Original print, titled: 'Kind in de Wieg' / 'Speelmakkers''. It shows: (Child in a cradle / Playmates), a cradle with child in it, behind which a chair on which a second child. Original etching on a vellin type paper. Description: This print originates from the 1901 monograph by Max Liebermann: 'Jozef Israels. Kritische Studie' (Berlin: Cassirer 1901).Artists and Engravers: Etched by Jozef Israels. Jozef Israels (Groningen 1824 - Den Haag 1911) was the most important artist of the Haagsche School (The Hague). He is known as a painter of fishing scenes, Jewish themes and rural scenes. Condition: Very good, given age. Some foxing in the margins, margins reinforced on the rear, remains of mounting to the top corners. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Storage location: C92-17 The overall size is ca. 8.9 x 6.3 inch. The image size is ca. 6.1 x 3.9 inch. The overall size is ca. 22.5 x 16 cm. The image size is ca. 15.5 x 10 cm.

      [Bookseller: ThePrintsCollector]
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        Photograph Album and Scrapbook for Trip to California: includes St. Augustine Florida, 1901 Wedding, Alligator Farm, Golden Gate, Cliff House, Seal Rocks, China Town and other photos including Cyanotypes.

      [Thomas Swanney] [1901], [California] - Quarto, example of eastern binding late 1890-1900's. Green cloth over paper. Chinese characters in black on front cover translate to: 1901. This appears to be a ledger book that has been used instead as a scrapbook. Each page consist of a sheet approx. 21 inches folded once, printed with vertical red lines with Chinese script on fold. This interesting and varied collection contains clippings, photos and other ephemera from the early 1900's, kept in the pages of a hand-bound Asian ledger book. An ownership inscription reads: Thos. B. Swanney Trip to California, Jan 27, 1901. The book begins as a scrapbook with clippings from famous California sites such as Golden Gate, Cliff House, Seal Rocks, and China Town - all photos from Waters Nickel Series; and clippings from various magazines or postcards. The scrapbook records a sightseeing trip that would seem to begin in San Francisco and proceed through Santa Barbara along the coast by rail to Pasadena and Pikes Peak. Photos of the Mount Tamalpais Railway. Most of the original photos 3 1/3 inch square with people as subjects. Many photos of courting couples, Gibson Girl fashions and hair, buggies, and men in swimming attire at the beach. Of particular interest are photos from St. Augustine Florida, including six cyanotypes; as well as photos at the (now historic) St. Augustine Alligator Farm (founded in 1893) - photos show the courting couple viewing the alligators - as well as Wedding photos that include the only dated caption Feb 14, 1901. Other ephemera include A hand-written poem entitled To The Sea on stationary from the S. S. Majestic; a typed poem dated 1927; dried leaves, and a Customs Notice for Passengers dated 1897. [Attributes: Hard Cover]

      [Bookseller: Yesterday's Gallery, ABAA]
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        The blessed damozel.

      Thomas B. Mosher, 1901. First variorum edition of Rossetti's poem, here with a photogravure frontispiece after the author's 1874 portrait of Alexa Wilding for Lord Mount-Temple. The text is here printed as it first appeared in the February 1850 issue of The Germ with, neatly printed below, the variants present in the 1856 Oxford and Cambridge Magazine, the 1870 Poems, and the 1886 Collected Works. Mosher printed two other editions in 1902 and 1905. Bishop notes the decorative similarities between this edition and that of Hacon & Ricketts in 1900, including the "same alternating black and red Ricketts initials and text, the same red rules as the two-page openings of the book following the half-titles, and the same red Roman numerals of each stanza," although Mosher here opts for smaller type, a larger page, and different dingbats, with his printer's device prominently displayed on the title-leaf verso. => Of the ten copies printed on pure Roman vellum, this offering is number two and signed by Mosher. Provenance: From the library of American collector Albert A. Howard, small booklabel ("AHA") at rear.

      [Bookseller: PRB&M/SessaBks (Philadelphia Rare Books ]
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        Sir Henry Raeburn. Text volume + Portfolio with 66 plates on India Paper. 2-vol. set (Complete) [WITH] Portraits by Sir Henry Raeburn, 1756-1823, Loan Exhibition, March 28 to April 16 1938

      Heinemann / Dodd, Mead & Company, London / New York 1901 - Folio (15 1/4 x 12"). ix, [1], 121, [1]pp (Text Vol.); [66] leaves (Plates) (Plates Vol.). Original 3/4 morocco over burgundy cloth, with gold lettering and ruling to spine. Raised bands. Top edge gilt. Marbled endpapers. Title in red and black lettering. Decorative initials (Text volume). Original burgundy cloth covered portfolio, with gold lettering to front cover (Plates volume). Deluxe edition of this splendid monograph on Sir Henry Raeburn (1756-1823), a renown Scottish portrait painter and Scotland's first significant portrait painter since the Union to remain based in Scotland. Raeburn's notoriety was such that he served as portrait painter to King George IV.The text volume contains several in-text reproductions of the artist's work, as well as a detailed biographical and descriptive catalogue by John L. Caw.Its companion volume is a striking portfolio of 66 plates printed on India paper. The mounts for the plates measure 15 x 11.4" (38cm x 29cm); the printed images themselves vary in size, but are typically about 7.5 x 6" (19cm by 15cm). Each of the 66 plates is tissue-guarded.Binding and portfolio are both partly rubbed along edges. Closed tear at upper back joint of portfolio. Binding and portfolio in overall good- to good, interior in very good condition.[WITH]Portraits by Sir Henry Raeburn, 1756-1823, Loan Exhibition, March 28 to April 16 1938: Published in New York by Jacques Seligmann & Co., Inc. Quarto (10 3/4 x 8 1/4"). 12, [3]pp (Text), 14, [1]pp (Plates). Original printed wrappers. Catalogue of a loan exhibition held in New York City in 1938, for the benefit of the Adopt a Family Committee of the Association for Improving the Condition of the Poor. Contains 14 b/w portraits at rear.Slight age-toning and soiling to wrappers. Wrappers in overall good+, interior in very good condition. [Attributes: Soft Cover]

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        To the South Polar Regions; Expedition of 1898-1900

      London: Hurst & Blackett, 1901. Octavo, title printed in red and black, 73 plates and illustrations (mostly photographic by the author, one folding), two large folding maps (one printed in colours), 4 pp. of advertisements at end; publisher's red "Colonial issue" cloth. First edition of this participant's account of the Antarctic cruise of the Southern Cross under the leadership of C.E. Borchgrevink. This was the first expedition to winter in the Antarctic. In 1884, Belgian-born Bernacchi had arrived in Tasmania with his family, aged eight; he was naturalised in 1886. Bernacchi joined the Southern Cross expedition as physicist and astronomer and became the first Australian to work and winter in Antarctica. In 1900 he was made a Fellow of the Royal Geographical Society and was awarded the Society's Peek Grant. In 1901-4 he served as physicist with Scott's first Antarctic Expedition. "Bernacchi's account is a gem in the Antarctic literature... To him we are indebted for many beautiful literary images of the voyage. Bernacchi was only twenty-six at the time of publication but had an unmistakable writing ability, amply confirmed in his subsequent literary output; the work is attractively illustrated with photographs taken by the author" (Rosove). Provenance: Private collection (Australia).

      [Bookseller: Hordern House Rare Books]
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