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Displayed below are some selected recent viaLibri matches for books published in 1900

        La Legende De Saint Julien L'Hospitalier

      London: Eragny Press, 1900. First edition thus. Hardcover. Orig. beige cloth spine, gray/blue boards, front cover paper label. Fine. Pissarro, Lucien. 195 pages 10.5 x 10.5 cm. Limited edition, one of 226 copies, sold by Hacon & Ricketts. Wood engraved first two leaves by Lucien Pissarro engraved by Esther Pissarro. Roderick Cave in THE PRIVATE PRESS notes, "But though Pissarro had learned much of typography from Ricketts they were no means imitations of the Vale manner, Eragny books had a charm and freshness quite unlike anything found in the work of any other private press,..... Not a small part of their charm came from the gaily patterned paper over boards used in their bindings." Bookplate of Richard D. Friedlander, small paper label, "From The Library Of Laurence W. Hodson, Compton Hall, Near Wolverhampton." Free endpapers lightly toned.

      [Bookseller: Royoung bookseller, Inc.]
 1.   Check availability:     Biblio     Link/Print  


        Itineraires a travers l'Asie, leves au cours du voyage accompli durant les annees 1895, 1896, 1897, 1898 sur l'initiative et pour le compte du journal Le Temps [Atlas]

      Paris Plon-Nourrit 1900 - Atlas volume only. 32 cm. 1/4 leather. Gilt ruled. 28 double page maps. Clean, unmarked pages. Fine binding. Morrison II, p. 180; Cordier, 2162. [Attributes: First Edition; Hard Cover]

      [Bookseller: Sequitur Books]
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        Männerakt: Grichischer Bogenschütze mit Helm - Bronzeplastik

      (um 1900). Höhe: ca. 27 cm, auf Sockel monogrammiert "Eisenberger

      [Bookseller: Celler Versandantiquariat]
 3.   Check availability:     booklooker.de     Link/Print  


        THE QUEEN OF THE WORLD OR UNDER THE TYRANNY

      London: Lawrence and Bullen, Ltd., 1900.. Octavo, pp. [i-v] vi [vii] viii [1] 2-293 [294: printer's imprint] + 24-page publisher's catalogue dated "Spring Season, 1899" inserted at rear, original red cloth, front and spine panels stamped in gold, edges untrimmed. First edition. A science fiction novel in which the protagonist, Gerald Pierce de Lacy, is sent three hundred years into the future by occult means. The world of 2174 is an authoritarian dystopia ruled by the Chinese who possess weapons of mass destruction (including something that might be a disintegrating ray) and a huge fleet of flap-winged airships of great speed and power. The Chinese empire is attacked by rebel forces based in Antarctica, the hidden headquarters of their leader, England's King Arthur. The insurgents are soundly defeated and the king is killed in a battle fought with fantastic weapons. "Yet this nominal victory for the Chinese marks the beginning of the downfall of their empire, for the rest of the world rises in rebellion. The English fleet destroys the Chinese capital, and eventually the empire falls ... [Lenore, King Alfred's daughter becomes] Queen of England, or, as the book title has it, Queen of the World. De Lacy would be Lenore's consort, but he is snatched back to the nineteenth century ... A curious work. Similar to the work of George Griffith, but superior in many ways. It is hack work done by a good writer who has dashed off a thriller hastily without worrying about loose ends, inconsistencies, or clarity." - Bleiler, Science-Fiction: The Early Years 1607. Clarke, Tale of the Future (1978), p. 26. Clarke, Voices Prophesying War: Future Wars 1763-3749, p. 231. Locke, A Spectrum of Fantasy, p. 165. Negley, Utopian Literature: A Bibliography 859. Sargent, British and American Utopian Literature, 1516-1985, pp. 122-23. Suvin, Victorian Science Fiction in the UK, p. 80. Bleiler (1978), p. 147. Reginald 10627. Offsetting to free endpapers with the upper right corner of the front free endpaper clipped, former owner's label pasted to front free endpaper (dated 1899), corners a little soft, spine a little faded, mild soiling to edges, a very good or somewhat better copy. A scarce book. (#139159)

      [Bookseller: L. W. Currey, Inc.]
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        Sailing Alone Around the World

      The Century Company 1900 - First edition. (Dated "1900" on title page, no later printings on copyright page, preferred binding.) xvi, 294 pp. Blue cloth with silver and green stamping, gilt top edge. Very Good. Edges of front and back cloth lightly dampstained, internally clean and uneffected. Cloth a bit worn at foot, two nicks in front cover, but lettering generally strong. Binding a bit shaky. A classic of sailing literature. [Attributes: First Edition; Hard Cover]

      [Bookseller: Burnside Rare Books]
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        La mécanique à l'exposition de 1900. 3 vols set. Compose de Haton de la Goupilliere.

      31 x 22 cm. Together ca. 2100 pp. with numerous figs and plates. Contemporary half cloth bindings, gilt titles spines. *A monumental work on all mechanical techniques shown on the world exhibition Paris 1900. Together 17 parts in 3 volumes: 1) Les Installations mécaniques de l'exposition par G. Eude. 92 pages, 127 figures in et hors texte, V planches hors texte dépliantes. 2) Les Chaudières à vapeur pour l'industrie et la marine par Ch. Bellens. 141 pages, 70 figures dans le texte. 3) Les Machines à vapeur par Gabriel Eude. 304 pages, 479 figures dans le texte. 4) Les Moteurs à gaz, à pétrole et à air comprimé par Jules Deschamps. 81 pages, 100 figures. 5) Les Moteurs hydrauliques par Rateau. 63 pages, 75 figures. Volume II : 6) Les Pompes par R. Masse. 86 pages, 143 figures dans le texte. 7) Les Régulateurs par Lecornu et les Machines marines par G. Richard. 47 pages., 24 et 65 figures. 8) Les Appareils de levage et de manutention par R. Masse. 108 pages, 136 figures dans le texte. 9) Appareils de sécurité par H. Mamy. 78pages, 170 figures dans le texte. 10) Les Machines-outils par G. Richard. 283 pages, 780 figures dans le texte. 11) Mécanique de la forge par G. Lavergne. 56 pages.,48 figures dans le texte. Volume III : 12) Exposition rétrospective de la mécanique par Eude. 61 pages., nombreuses figures dans le texte. 13) Les Machines frigorifiques par G. Richard. 40 pages, 63 figures dans le texte. 14) Le Matériel agricole par M. Ringelmann. 224 pages, 363 figures dans le texte. 15) L'Artillerie à l'exposition par le colonel X. 166 pages, 205 figures dans le texte. 16) Les Automobiles et le cycle par Sencier. 50 pages., 72 figures dans le texte. 17) Les Applications mécaniques de l'électricité par P., Bunet. 68 pages, 76 figures. - First titles recto stamped, else in overall good condition.

      [Bookseller: Antiquariat Bernd Braun]
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        THE SURGICAL HISTORY OF THE NAVAL WAR BETWEEN JAPAN AND CHINA DURING 1894-95.

      Tokio Printing Company, Ltd., Tokio 1900 - Cloth shows moderate wear. Rear cover spotted and damp-stained. Free-edge of about the last half of the book shows damp-stain and red color bled from rear cover. Internally text is crisp and clean throughout with no evidence of water-staining. This rare history was translated from the original Japanese report under the direction of Baron Y. Saneyoshi, by S. Suzuki. Frontispiece photographic portrait of Baron Saneyoshi in full military uniform. Twenty-one full-page illustrations, most of which are chromolithographs. Damp-stain around periphery of several color plates near the end, but never close to the illustration. A number of black and white text illustrations and graphs. Chapters on battles and injuries, brief history of the killed and wounded, injury statistics, causes of wounds and their classification,complications of wounds, and management of the wounded. The first book documenting the treatment of the wounded on ships since the modern revolution in naval warfare. This treatise was inspired by the "Medical and Surgical History of the War of the Rebellion" following the American Civil War, with typography and illustrations in a similar style. OCLC lists only two copies worldwide in libraries. A second edition was published in 1901. NUC 0108123. 406pp. Size: Quarto [Attributes: First Edition; Hard Cover]

      [Bookseller: Glenn Books, ABAA, ILAB]
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        History of the United States Capitol (with) a Signed Presentation Photograph of a Portrait Painting of the Author and Both Volumes Inscribed By Brown to His Children

      Washington D.C.: Government Printing Office, 1900. Two volumes; Vol. I xxi + 113 + v page index; Vol. II xi + (114 - 255) pages also with index, for both; prolifically illustrated throughout with the architectural details of the most important buildings of the U.S. capitol; Volume I inscribed on the title page, "May my children Elizabeth and Bedford remember me when they look thro. this book is the wish of Glenn Brown" - Vol. II similarly inscribed and signed; (with) a 7 3/4" x 9 3/4" black and white photograph of a portrait of Brown by S.B. Pinker(?) and inscribed in the bottom margin, "To Bedford & Elizabeth Glenn Brown AIA"; each volume approx. 12 1/4" x 15 1/4" size; a large and heavy set, approx. 25 pounds with the shipping; bound in the original red beveled-edged cloth boards, gilt cover and spine titles and design, top edges gilt; patterned-paper endpapers; some edge, tips wear and spine end fraying to the cloth; gilding dulled; contents loosening in the boards, still firmly bound and the contents very clean; a good set and especially appealing for the authorial presentation to his children; Glenn Brown (1854 - 1932) American architect, born in Fauquier County, Virginia, whose "...contributions to the political influence and organizational development of the American architectural profession were formidable...Brown's emergence as a leader of the architectural profession was built on his national reputation as a scholar and his prolific writing ability...The centerpiece of Brown's writing career was his two-volume History of the United States Capitol (1900-1903). No American work preceding Brown's History had provided as extensive an array of architectural drawings, prints, and photographs or narrative documenting the historic design evolution of a national monument and its site..." (William Bushong in the ANB). Signed by Author. First Edition. Hard Cover. Very Good.

      [Bookseller: Certain Books, ABAA]
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        SAXOLEINE - PETROLE DE SURETE

      1900 - SLND -(Imprimerie chaix 1900] . une affiche originale entoilée; Dimensions: 1,23 x 0n87m (+4cm de marge entoilée). très bel état. Livraison sous tube de protection.

      [Bookseller: librairie Mérolle]
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        THE FOX-WOMAN ..

      Philadelphia & London: J. B. Lippincott Company, 1900.. Octavo, pp. [1-6] 7-308 [309-320: ads], frontispiece with illustration by Virginia H. Davisson, title page printed in red and black, original pictorial white cloth, front and spine panels stamped in red and purple, rear panel stamped in red (binding signed "H"), t.e.g., other edges untrimmed. First edition. A presentation copy with initialed inscription by Long on the front free endpaper: "Das heist vergiss-mein-nich" (This means forget-me-not). Exotic romance of Americans in Japan; the title character is a beautiful but heartless femme fatale associated with the Fox Woman legend referred to as the "vampire-girl" - in short, the flame-haired variant of the vamp. No transformations; but Japanese victim succumbs to atavism under her fascination, has "a lust for warm and flowing blood," biting his prey. An evil dwarf features prominently in the story. Part sensational romance, part serious study of cultural conflicts, art vs. life, and the nature and destiny of souls. The author is best known for his short story "Madame Butterfly," dramatized in collaboration with David Belasco, later made into the famous opera by Puccini. Not in Bleiler (1948; 1978). Not in Reginald (1978). Wright (III) 3388. Stamping on spine panel faded, mild dust soiling to rear panel, a very good copy. A very nice copy of a rare vampire novel. (#136802)

      [Bookseller: L. W. Currey, Inc.]
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        GRANDE AFFICHE 1900 LAINAGE A LA OUATE DE TOURBE DU DOCTEUR RASUREL

      - GRANDE AFFICHE 1900 LAINAGE A LA OUATE DE TOURBE DU DOCTEUR RASUREL

      [Bookseller: GEOFFRIAULT]
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        Sketchbook with 45 scenes, mostly landscapes and views, mostly rendered with color pencils

      1900. Cloth Binder. Very Good. Lovely country landscapes, panaromas and cottages drawn by a sure hand with a real Impressionistic panache. N.d., circa 1900, based on the kind of album binder used. 4to. 27 by 19 cm. Most of the illustrations are done directly on the paper in the album, with some loose or attached via slits in the backing paper. And the vast majority are most of the page or one to a page, with a few pages with two illustrations. Place captions or short titles abound, although they are not always fully readable. There are mountain views, bridges, rivers, lakes, churches, gardens, streams, forests, groves, winter and summer views, and unnumerable cottages. There are also drawings of a few bouquets and flowers, and four drawings of butterflies. Finally, there is a black and white drawing of sailboats. A particular effective technique was Atkinson's use of a black pencil to provide an almost painterly sheen as well as provide some depth and motion. Wear to the cloth cover.

      [Bookseller: White Fox Rare Books and Antiques ]
 12.   Check availability:     ABAA     Link/Print  


        HILDA WADE ..

      London: Grant Richards, 1900.. Octavo, pp. [i-xi] xii-xiv [1] 2-360, illustrations by Gordon Browne, original pictorial blue cloth, front and spine panels stamped in gold, t.e.g. First edition. A posthumously published episodic criminous sensation novel which was completed by Allen's friend, Sir Arthur Conan Doyle and published in THE STRAND MAGAZINE. In his MEMORIES AND ADVENTURES (1924), p. 254, Doyle "says that, in response to Grant Allen's dying wish, he wrote the last two stories in HILDA WADE [i.e. 'The Episode of the Officer Who Understood Perfectly' and 'The Episode of the Dead Man Who Spoke']." - Wolff 106. In MURDER FOR PLEASURE, Howard Haycraft writes: "Vincent Starrett calls ... HILDA WADE ..., completed by Conan Doyle from Allen's notes, "one of the great stories of pursuit and detection and one that is too little known ..." (page 80). Glover and Green, Victorian Detective Fiction 6. Queen, The Detective Short Story, p. 4. Hubin (1994), p. 11. Slight spine lean, cloth worn at spine ends and corners, outer joints rubbed, short closed tear at upper edge of rear joint, a few scuffs to cloth, lower rear corner tip bumped, some spotting to endpapers, a sound, good copy. Still a fairly decent copy of a scarce book that does not age gracefully. (#151627)

      [Bookseller: L. W. Currey, Inc. ]
 13.   Check availability:     ABAA     Link/Print  


        London to Ladysmith via Pretoria

      Longmans, Green and Co., 91 and 93 Fifth Avenue, New York 1900 - First American edition, one of 3000 copies (English was 10, 000 copies). Folding map. 1 vols. 8vo. Original red cloth. Some wear at head and tail, but very good copy First American edition, one of 3000 copies (English was 10, 000 copies). [Attributes: First Edition]

      [Bookseller: James Cummins Bookseller, ABAA]
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        THE NEW SWISS FAMILY ROBINSON OR OUR UNKNOWN INHERITANCE

      New York, London, Montreal: The Abbey Press Publishers, [1900].. Octavo, pp. [1-7] 8-279 [280: blank] + 32-page undated publisher's catalogue at rear, inserted frontispiece map, title page printed in red & black, original pictorial blue cloth, front panel stamped in olive green, tan and black, spine panel stamped in black, all edges untrimmed. First edition. A Robinsonade written for young readers about the adventures of a family of English emigrants lost in the Amazon basin in Brazil in the 1840s. Early gift inscription on front free endpaper. Remnant of a small bird sticker on rear paste-down, else a nearly fine copy. OCLC records 4 copies. A very scarce book. Formerly, part of the Stuart A. Teitler collection of lost race fiction. (#151625)

      [Bookseller: L. W. Currey, Inc.]
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        Histoire Universelle de l' Eglise Catholique.

      Montrèjeau, 1900. 20 voll. , in 8° , m. pelle, pp. complessive XLVIII + 15126. Antip. del 1° vol. ill. con ritratto dell' autore.

      [Bookseller: Libreria Cicerone M.T.]
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        Hunting Photograph Album

      Vicinity of Green Bay, Wisconsin, 1900. Photograph album. Very good. 72 photographs (2.5" x 4") affixed to 18 thick cardboard leaves in a 5.25" x 7.25" album titled "The Kodak Book" in gilt. 71 of the photographs are 2.5" x 4"; one is approximately 3.5" x 4.5". The photographs are all in nice shape, some with a little light scuffing. The album has some minor wear. One of the photographs clearly shows a sign for the Hagemeister Brewing Company, a pre-prohibition Green Bay brewery established in 1890. 27 of the photos show men and boys hunting with rifles and dogs. Three show two men logrolling. The other photographs show houses, a lake, children with deer, dogs, family members, flowering bushes, horse-drawn buggies or carts, and the building with the Hagemeister sign.

      [Bookseller: Read 'Em Again Books, ABAA ]
 17.   Check availability:     ABAA     Link/Print  


        Photo Album: Hunting, Fishing, Canoeing, and Outdoor Life

      [N.p., American Northeast, 1900. 96 3 x 2 inch Kodak Brownie photographs, mounted 4 to a page. Oblong 8vo. Brown cloth album. Photographs generally fine. 96 3 x 2 inch Kodak Brownie photographs, mounted 4 to a page. Oblong 8vo. Includes deerhunting scenes, camping, fishing from a boat and netting fish near a dam, boating, canoeing; views of farm, field and woods; draught horses; and winter camping.

      [Bookseller: James Cummins Bookseller ]
 18.   Check availability:     ABAA     Link/Print  


        The Battles of the War for the Union

      Henry Altemus Company, Philadelphia 1900 - Circa 1900. Original color pictorial cloth binding showing Union soldiers engaged in battle.Title in red on front cover.Title in red on spine with a design of a flower in black.Very slight creasing to the tail and head cap.Color frontispiece with previous owner's neat signature in pencil.Eighty black and white illustrations. An OUTSTANDING DUST JACKET.The DJ is in beige with dark blue lettering and duplicates the action picture on the front cover of the book.Title on spine in blue with No. 26 added.Rear cover is an advert for other titles in the Artemus Young People's Library.Mild foxing on front of cover, moderate foxing on back of cover.Small tear to head and tail of spine.(easily repairable).The DJ is in a mylar protective cover. Size: 5" x 6 1/4" 1st Printing Language: eng [Attributes: First Edition; Hard Cover]

      [Bookseller: 12 Peers Fine Books]
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        [ALBUM CONTAINING OVER ON HUNDRED TWENTY VERNACULAR PHOTOGRAPHS OF MEXICO CITY AND ITS ENVIRONS AT THE TURN OF THE 20th CENTURY]

      [Mexico City, 1900. 124 silver gelatin photographs, each 3 1/4 x 4 1/4. Oblong octavo. Black cloth album, slightly rubbed and scratched, bookseller's label on rear pastedown. Photos mounted directly to black card stock, with tissue guards. A few photos lightly faded or with slight mirroring, but mostly sharp, clean images. Very good. A lively and well-composed vernacular photograph album containing over one hundred twenty pictures of Mexico City and the surrounding areas. Evidently from an early 20th-century American vacation, the album depicts a wide variety of street scenes, landscapes, architecture, and events. The photographer's recorded journey begins outside Mexico City in a small town, and the album contains several of the local buildings, including a restaurant, some religious edifices, and the railroad station, where the traveling party's train awaits. An image of Mexico City from the hills above announces their arrival, and there are a myriad of busy street scenes, including outdoor markets, restaurants and storefronts. There are also photos of the city landmarks, such as the Cuauhtémoc statue, the Paseo de la Reforma, the Caballito monument, Zocalo, the Catholic cathedral and other religious buildings. Further photos show gardens, street trams, hotels and other architecture. The group attends a bullfight, of which there are a series of photographs, and travels out to the canal district, Xochimilco. In the final section of the album the party has traveled back out into the nearby countryside, and there are photos of the train journey, town architecture, and gardens, as well as a view of the volcano Popocatépetl. A cohesive and engaging photograph album, showing Mexico City and the vicinity at the turn of the 20th century.

      [Bookseller: William Reese Company - Americana]
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        THE QUEEN OF THE WORLD OR UNDER THE TYRANNY.

      London: Lawrence and Bullen, Ltd.,. 1900. original red cloth, front and spine panels stamped in gold, edges untrimmed.. Offsetting to free endpapers with the upper right corner of the front. free endpaper clipped, former owner's label pasted to front free. endpaper (dated 1899), corners a little soft, spine a little faded,. mild soiling to edges, a very good or somewhat better copy. A scarce. book. (#139159). First edition. A science fiction novel in which the protagonist, Gerald Pierce de Lacy, is sent three hundred years into the future by occult means. The world of 2174 is an authoritarian dystopia ruled by the Chinese who possess weapons of mass destruction (including something that might be a disintegrating ray) and a huge fleet of flap-winged airships of great speed and power. The Chinese empire is attacked by rebel forces based in Antarctica, the hidden headquarters of their leader, England's King Arthur. The insurgents are soundly defeated and the king is killed in a battle fought with fantastic weapons. "Yet this nominal victory for the Chinese marks the beginning of the downfall of their empire, for the rest of the world rises in rebellion. The English fleet destroys the Chinese capital, and eventually the empire falls ... [Lenore, King Alfred's daughter becomes] Queen of England, or, as the book title has it, Queen of the World. De Lacy would be Lenore's consort, but he is snatched back to the nineteenth century ... A curious work. Similar to the work of George Griffith, but superior in many ways. It is hack work done by a good writer who has dashed off a thriller hastily without worrying about loose ends, inconsistencies, or clarity." - Bleiler, Science-Fiction: The Early Years 1607. Clarke, Tale of the Future (1978), p. 26. Clarke, Voices Prophesying War: Future Wars 1763-3749, p. 231. Locke, A Spectrum of Fantasy, p. 165. Negley, Utopian Literature: A Bibliography 859. Sargent, British and American Utopian Literature, 1516-1985, pp. 122-23. Suvin, Victorian Science Fiction in the UK, p. 80. Bleiler (1978), p. 147. Reginald 10627.

      [Bookseller: L. W. Currey, Inc. ]
 21.   Check availability:     ABAA     Link/Print  


        Ten Original Caricatures and Cartoons by Zito from the Surf Club

      No Place: Privately Printed, No Date. First edition. Loose Sheets. Very Good. Sold here together are ten wonderful hand-drawn caricatures and cartoons by Vincent Zito. They all were created at someplace called The Surf Club (possibly in Florida). Each one is on stiff board measuring 7 3/4" wide x 9 3/4" tall. All but one of them is SIGNED "Zito" All in very good condition. A few are a bit smudged. Zito (1900-1966) was a well-known caricaturist who worked throughout Europe and in Palm Beach, Florida. Photos available upon request.

      [Bookseller: Derringer Books, Member A.B.A.A.]
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        Southern Arabia

      London: Smith Elder. 1900 - FIRST EDITION. 8vo. (23 x 15 cm.). pp.x+[ii]+455+[4, ads]. Original red cloth, gilt stamped vignette to upper cover, spine gilt lettered and gilt rules. Complete with 6 maps and 24 illustrations as called for. Inner hinges cracked but firm, spine very lightly rubbed, generally an excellent copy. Ex libris Bibliothek des Tabakmuseums with their bookplte to inside front cover. [Attributes: First Edition; Hard Cover]

      [Bookseller: Robert Frew Ltd. ABA ILAB]
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        Original pencil and watercolor scale drawing for processional cross for The Knickerbocker Greys (with the logo coloured in red and blue). F.S.D. Processional Cross Length-72 ins Brasa & Oak Chromium Plated..,.Design B."

      New York: Black Starr & Frost Gorham Inc, 1900. 1 vols. Image 23-1/2 x 16-1/2 inches; matted to 29-1/2 x 22-1/2 inches overall. Matted. 1 vols. Image 23-1/2 x 16-1/2 inches; matted to 29-1/2 x 22-1/2 inches overall. George R. Benda worked in New York at the end of the 19th century; he specialized in designs in silver, many for the noted firm of Black, Starr & Frost - Gorham, for whom he made this elegant rendering. The Greys are headquartered in New York's Seventh Regiment Armory.

      [Bookseller: James Cummins Bookseller ]
 24.   Check availability:     ABAA     Link/Print  


        Works

      1900. IRVING, Washington. Works. New York and London: G.P. Putnam's Sons, circa 1900. Twenty-four volumes bound in 12. 12mo, modern three-quarter green morocco gilt, raised bands, top edges gilt. $2000.“Handy Volume Edition” of Irving's works, handsomely bound.“Before Emerson and Lowell, [Irving] married American literature to the literature of the world. He has every right to retain the title enthusiastically bestowed upon him, ‘Father of American Literature” (Kunitz & Haycraft, 407). Includes The Sketch-Book of Geoffrey Crayon (which contains “Rip Van Winkle” and “The Legend of Sleep Hollow”), The Crayon Miscellany, The Alhambra, Salmagundi, Knickerbocker's History of New York, Tales of a Traveller and more. Each volume with frontispiece, decorative head- and tailpieces. A fine set, handsomely bound.

      [Bookseller: Bauman Rare Books]
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        Documents inédits sur Alfred de Musset

      Librairie A. Rouquette, Paris 1900 - in-8 268 pp. Un nom + une date sur la 1ère page. Demi reliure à coins en toile postérieure. Un accroc sur la pièce de titre du dos. L'ouvrage contient des lettres manuscrites de l'auteur. Langue : Français Nb de volumes : 1 [Attributes: Hard Cover]

      [Bookseller: LibrairieLaLettre2]
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        Carte de Chine

      E. Bretschneider 1900 - Géographie. Carte. Hauteurs en pieds anglais. Explication de quelques termes géographiques chinois. Cette carte a été annotée à la main des lignes de chemin de fer : Ligne de Cheng-Zou à Han-Kéou, la Ligne de Cheng-Zou à Shangaï, les lignes en exploitation, les études, les études définitives, les constructions, les variantes. La nationalité des Sociétés concessionnaires (Anglaises, Allemandes ou Italiennes) est précisée. Une coupure de presse de 1908 concernant la convention de la construction de la ligne Pékin-Chenkiang est épinglé à cette carte. Pas courant ! 73x63. 1p. in-folio Etat correct. Quelques mouillures/taches qui n'affectent pas la lecture ! En feuille. 18 panneaux collés sur papier toilé

      [Bookseller: Librairie du Bassin]
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        Materialien der Literatur- und Kunstgesellschaft "PAN". Aus dem Nachlass von Hugo und Rudolf Greinz.

      Linz - Innsbruck, -, 1897 - 1900. - Bei den Materialien handelt es sich offensichtlich um Papiere aus der Gründerzeit der Literatur- und Kunstgesellschaft "PAN" in Linz und in Innsbruck. Die Gründung wurde circa 1897 anvisiert, sodann 1898 realisiert. In diesem Konvulut, aufbewahrt in einer Kladde, überschrieben mit PAN, enthält neben 13 Berichten über die Gründung des Vereins in damaligen Tageszeitungen (z. Teil sehr ausführlich) auch die handschriftlichen Notizen (zum Teil in Stenographie) über die zukünftigen Mitglieder, weiters die gedruckten Statuten von Innsbruck und Linz, daneben Einladungen zu Festivitäten und die Kassagebarung, dann Grußbotschaften, Kartengrüße, Briefe und erste Rezensionen (Seebach). Der handschriftliche Teil besteht aus circa 46 Blatt und bezieht sich nur auf den Verein "PAN". Diese Materialien sind unerschlossen und stellen ein wichtiges Bindeglied der literarischen Vernetzung in Österreich dar, deren Bedeutung sich rund um die Zeitschrift "Der Brenner" und "Föhn" spiegelte. Die Namen lesen sich wie ein "who is who" des literarischen und künstlerischen "Jung-Tirol". - Unikat!

      [Bookseller: Antiquariat Weinek]
 28.   Check availability:     ZVAB     Link/Print  


        BOOKMAN.|THE

      London, England: Hodder and Stoughton, 1893, 1900-34. 4to. half leather, cloth; and stiff paper wrappers. variously paginated. 34 volumes. Union List I, 741. Set of 34 volumes includes bound set, Volumes XIX (October 1900-March 1901), XX (April-September 1901), XXI (October-December 1901). Also includes loose Christmas supplements 1893, 1900 and 1902-34. 1901 Chistmas supplement included in bound set. Illustrated. Bound set rubbed and scuffed at edges. Most loose supplements chipped at edges, especially spines. Covers of 1893 supplement loose. Inside front hinge of bound volume cracked.

      [Bookseller: Oak Knoll]
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        Meisner & Buch - postcard designs.

      WEDGWOOD GIRLSOntwerpen voor postkaarten uitgegeven door Meissner & Buch, gouaches van de hand van monogrammist ?M.S.M.?? vervaardigd rond 1900. Afm. elk 19,2 x 13,8 cm.Meissner & Buch uit Leipzig waren van 1876 tot 1914 drukkers en uitgevers van een verscheidenheid aan fijne lithografische producten. Meissner & Buch verspreidden hun productie via een agent in Engeland. Ze staan bekend om hun zeer hoge kwaliteit postkaarten met afbeeldingen van schone dames, kinderen en stads- en vergezichten. Aan hun kaarten liggen vaak schitterende grafische ontwerpen ten grondslag.Prijs: ?875,- (per stuk, incl. lijst).

      [Bookseller: Inter-Antiquariaat MEFFERDT & DE JONGE]
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        The Importance of Being Earnest - A Trivial Comedy for serious People, in Three Acts. [Price One Shilling and Sixpence Net]. [Together with Stuart Mason's Bibliography on Oscar Wilde - Original Edition] First Edition / Original Acting Edition (Textbook).

      London/New York, Samuel French, [no date] c. 1900. - 12,5 x 18,5 cm. [6], 52, [2] pages (with notice of Acting rights on pastedown and 2 pages of advertised works, published by French, in the back). Original printed wrappers (Softcover). Spinestrip damaged with more than two thirds missing. Bookblock a little shaky. But front and rear wrappers in very good condition besides a smaller, closed tear to front wrapper. Minor signs of foxing only. Few marginal notes in the text and some underlining in ink. COPAC locates only 6 copies worldwide (and all of them falsely mention 1893 as issue date, which results from the mentioning of the date on the titlepage as "Copyright , October 1893". On the Character - page below the title it correctly reads: "Played for the first time at the St.James's Theatre, on Thursday, February 14th, 1895". Remarkably rare and desirable collector's item of Wilde's masterpiece. Stuart Mason - Bibliography of Oscar Wilde - No. 384 (page 431). Later impression of the First Edition of the so-called "Acting Edition", containing an unrevised text ! This one sown, not wired. Barely any of these Textbooks survived. [The Dramatic Works of Oscar Wilde]. The Importance of Being Earnest, A Trivial Comedy for Serious People is a play by Oscar Wilde. First performed on 14 February 1895 at the St James's Theatre in London, it is a farcical comedy in which the protagonists maintain fictitious personæ in order to escape burdensome social obligations. Working within the social conventions of late Victorian London, the play's major themes are the triviality with which it treats institutions as serious as marriage, and the resulting satire of Victorian ways. Contemporary reviews all praised the play's humour, though some were cautious about its explicit lack of social messages, while others foresaw the modern consensus that it was the culmination of Wilde's artistic career so far. Its high farce and witty dialogue have helped make The Importance of Being Earnest Wilde's most enduringly popular play. The successful opening night marked the climax of Wilde's career but also heralded his downfall. The Marquess of Queensberry, whose son Lord Alfred Douglas was Wilde's lover, planned to present the writer with a bouquet of rotten vegetables and disrupt the show. Wilde was tipped off and Queensberry was refused admission. Soon afterwards their feud came to a climax in court, where Wilde's homosexual double life was revealed to the Victorian public and he was eventually sentenced to imprisonment. His notoriety caused the play, despite its early success, to be closed after 86 performances. After his release, he published the play from exile in Paris, but he wrote no further comic or dramatic work. After the success of Wilde's plays Lady Windermere's Fan and A Woman of No Importance, Wilde's producers urged him to write further plays. In July 1894 he mooted his idea for The Importance of Being Earnest to George Alexander, the actor-manager of the St James's Theatre. Wilde summered with his family at Worthing, where he wrote the play quickly in August. His fame now at its peak, he used the working title Lady Lancing to avoid pre-emptive speculation of its content. Many names and ideas in the play were borrowed from people or places the author had known; Lady Queensberry, Lord Alfred Douglas's mother, for example, lived at Bracknell. There is widespread agreement among Wilde scholars that the most important influence on the play was W. S. Gilbert's 1877 farce Engaged; Wilde borrowed from Gilbert not only several incidents but, in Russell Jackson's phrase "the gravity of tone demanded by Gilbert of his actors". Wilde continually revised the text over the next months: no line was left untouched, and "in a play so economical with its language and effects, [the revisions] had serious consequences". Sos Eltis describes Wilde's revisions as a refined art at work: the earliest, longest handwritten drafts of the play labour over farcical incidents, broad puns, nonsense dialogue and conventional c

      [Bookseller: The Time Traveller's Bookshop Ltd.]
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        KELEA: THE SURF-RIDER: A ROMANCE OF PAGAN HAWAII ...

      New York: Fords, Howard, & Hulbert,. 1900. original pictorial gray green cloth, front and spine panels stamped in black, white and gold, fore and bottom edges untrimmed.. Inner rear hinge repaired, a very good copy with a bright, clean. binding. (#151654). First edition. Presentation copy with inscription by Twombly on the front free endpaper: "To Robert E. Bond / with compliments / of the Author / Newton / Oct 28, 1906." The first surfing novel. Teitler Catalogue 1570. Wright (III) 5614.

      [Bookseller: L. W. Currey, Inc.]
 32.   Check availability:     Biblio     Link/Print  


        The Importance of Being Earnest - A Trivial Comedy for serious People, in Three Acts. [Price One Shilling and Sixpence Net]. [Together with Stuart Mason's Bibliography on Oscar Wilde - Original Edition] First Edition / Original Acting Edition (Textbook).

      London/New York, Samuel French, [no date] c. 1900. 12,5 x 18,5 cm. [6], 52, [2] pages (with notice of Acting rights on pastedown and 2 pages of advertised works, published by French, in the back). Original printed wrappers (Softcover). Spinestrip damaged with more than two thirds missing. Bookblock a little shaky. But front and rear wrappers in very good condition besides a smaller, closed tear to front wrapper. Minor signs of foxing only. Few marginal notes in the text and some underlining in ink. COPAC locates only 6 copies worldwide (and all of them falsely mention 1893 as issue date, which results from the mentioning of the date on the titlepage as "Copyright , October 1893". On the Character - page below the title it correctly reads: "Played for the first time at the St.James's Theatre, on Thursday, February 14th, 1895". Remarkably rare and desirable collector's item of Wilde's masterpiece. Stuart Mason - Bibliography of Oscar Wilde - No. 384 (page 431). Later impression of the First Edition of the so-called "Acting Edition", containing an unrevised text ! This one sown, not wired. Barely any of these Textbooks survived. [The Dramatic Works of Oscar Wilde]. The Importance of Being Earnest, A Trivial Comedy for Serious People is a play by Oscar Wilde. First performed on 14 February 1895 at the St James's Theatre in London, it is a farcical comedy in which the protagonists maintain fictitious personæ in order to escape burdensome social obligations. Working within the social conventions of late Victorian London, the play's major themes are the triviality with which it treats institutions as serious as marriage, and the resulting satire of Victorian ways. Contemporary reviews all praised the play's humour, though some were cautious about its explicit lack of social messages, while others foresaw the modern consensus that it was the culmination of Wilde's artistic career so far. Its high farce and witty dialogue have helped make The Importance of Being Earnest Wilde's most enduringly popular play.nnThe successful opening night marked the climax of Wilde's career but also heralded his downfall. The Marquess of Queensberry, whose son Lord Alfred Douglas was Wilde's lover, planned to present the writer with a bouquet of rotten vegetables and disrupt the show. Wilde was tipped off and Queensberry was refused admission. Soon afterwards their feud came to a climax in court, where Wilde's homosexual double life was revealed to the Victorian public and he was eventually sentenced to imprisonment. His notoriety caused the play, despite its early success, to be closed after 86 performances. After his release, he published the play from exile in Paris, but he wrote no further comic or dramatic work. nnAfter the success of Wilde's plays Lady Windermere's Fan and A Woman of No Importance, Wilde's producers urged him to write further plays. In July 1894 he mooted his idea for The Importance of Being Earnest to George Alexander, the actor-manager of the St James's Theatre. Wilde summered with his family at Worthing, where he wrote the play quickly in August. His fame now at its peak, he used the working title Lady Lancing to avoid pre-emptive speculation of its content. Many names and ideas in the play were borrowed from people or places the author had known; Lady Queensberry, Lord Alfred Douglas's mother, for example, lived at Bracknell. There is widespread agreement among Wilde scholars that the most important influence on the play was W. S. Gilbert's 1877 farce Engaged; Wilde borrowed from Gilbert not only several incidents but, in Russell Jackson's phrase "the gravity of tone demanded by Gilbert of his actors".nnWilde continually revised the text over the next months: no line was left untouched, and "in a play so economical with its language and effects, [the revisions] had serious consequences". Sos Eltis describes Wilde's revisions as a refined art at work: the earliest, longest handwritten drafts of the play labour over farcical incidents, broad puns, nonsense dialogue and conventional comic turns. In revising as he did, "Wilde transformed standard nonsense into the more systemic and disconcerting illogicality which characterises Earnest's dialogue". Richard Ellmann argues that Wilde had reached his artistic maturity and wrote this work more surely and rapidly than before.nnWilde hesitated about submitting the script to Alexander, worrying that it might be unsuitable for the St James's Theatre, whose typical repertoire was relatively serious, and explaining that it had been written in response to a request for a play "with no real serious interest". When Henry James's Guy Domville failed, Alexander turned to Wilde and agreed to put on his play. Alexander began his usual meticulous preparations, interrogating the author on each line and planning stage movements with a toy theatre. In the course of these rehearsals Alexander asked Wilde to shorten the play from four acts to three. Wilde agreed and combined elements of the second and third acts. The largest cut was the removal of the character of Mr. Gribsby, a solicitor who comes from London to arrest the profligate "Ernest" (i.e., Jack) for his unpaid dining bills. Algernon, who is posing as "Ernest", will be led away to Holloway Jail unless he settles his accounts immediately. Jack finally agrees to pay for Ernest, everyone thinking that it is Algernon's bill when in fact it is his own. The four-act version was first played on the radio in a BBC production and is still sometimes performed. Peter Raby argues that the three-act structure is more effective, and that the shorter original text is more theatrically resonant than the expanded published edition.nThe play was first produced at the St James's Theatre on Valentine's Day 1895. It was freezing cold but Wilde arrived dressed in "florid sobriety", wearing a green carnation. The audience, according to one report, "included many members of the great and good, former cabinet ministers and privy councillors, as well as actors, writers, academics, and enthusiasts". Allan Aynesworth, who played Algernon Moncrieff, recalled to Hesketh Pearson that "In my fifty-three years of acting, I never remember a greater triumph than [that] first night". Aynesworth was himself "debonair and stylish", and Alexander, who played Jack Worthing, "demure".nThe Marquess of Queensberry, the father of Wilde's lover Lord Alfred Douglas (who was on holiday in Algiers at the time), had planned to disrupt the play by throwing a bouquet of rotten vegetables at the playwright when he took his bow at the end of the show. Wilde and Alexander learned of the plan, and the latter cancelled Queensberry's ticket and arranged for policemen to bar his entrance. Nevertheless, he continued harassing Wilde, who eventually launched a private prosecution against the peer for criminal libel, triggering a series of trials ending in Wilde's imprisonment for gross indecency. Alexander tried, unsuccessfully, to save the production by removing Wilde's name from the billing, but the play had to close after only 86 performances.nnThe play's original Broadway production opened at the Empire Theatre on 22 April 1895, but closed after sixteen performances. Its cast included William Faversham as Algy, Henry Miller as Jack, Viola Allen as Gwendolen, and Ida Vernon as Lady Bracknell. The Australian premiere was in Melbourne on 10 August 1895, presented by Dion Boucicault, Jr. and Robert Brough, and the play was an immediate success. Wilde's downfall in England did not affect the popularity of his plays in Australia.nnWilde's two final comedies, An Ideal Husband and The Importance of Being Earnest, were still on stage in London at the time of his prosecution, and they were soon closed as the details of his case became public. After two years in prison with hard labour, Wilde went into exile in Paris, sick and depressed, his reputation destroyed in England. In 1898, when no-one else would, Leonard Smithers agreed with Wilde to publish the two final plays. Wilde proved to be a diligent reviser, sending detailed instructions on stage directions, character listings and the presentation of the book, and insisting that a playbill from the first performance be reproduced inside. Ellmann argues that the proofs show a man "very much in command of himself and of the play". Wilde's name did not appear on the cover, it was "By the Author of Lady Windermere's Fan". His return to work was brief though, as he refused to write anything else, "I can write, but have lost the joy of writing". (Wikipedia)

      [Bookseller: The Time Traveller's Bookshop ]
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        BRULE COUNTY, SOUTH DAKOTA

      Issued by the Chicago, Milwaukee & St. Paul Railway, n. d. (ca 1900)., Chicago - First edition. 7 5/8" x 5 1/4" gray wrappers printed in green and black, 32 pp., illustrated from photographs, map. Map is folded and is 9 1/2" x 12 3/4" and is titled "Map Of The Chicago, Milwaukee and St. Paul Railway and Connections." All railway routes are outlined in red. The Chicago, Milwaukee & St. Paul Railway owns and operates over 6,600 miles of thoroughly equipped road in Illinois, Wisconsin, Iowa, Minnesota, South Dakota, North Dakota, Missouri and the Upper Peninsula of Michigan. Brule County, South Dakota is situated in the heart of the famous Missouri River Valley, being bounded on the west by the Missouri River, on the south by Charles Mix County, on the east by Aurora County, and on the north by Buffalo County. Jerauld County joins Brule on the northeast corner. Views of farms, cattle and sheep ranches, and Chamberlain, a town in the county. They promote plenty of water for farming as sourced by the Missouri River and numerous artesian wells that are scattered over the county. In addition to livestock production there is much wheat, corn, oats, dairy products, orchards, etc. due to the fertile ground, water, climate, and availability to markets. In addition to Chamberlain, the county seat, the towns of Pukwana,and Kimball are touted as being good places to live. Covers lightly soiled, a faint vertical crease, a tiny old water spot to the bottom margins of the front cover and the first page, a tiny bit of penciled under lining, else a very good copy. [Attributes: First Edition; Soft Cover]

      [Bookseller: BUCKINGHAM BOOKS, ABAA, ILAB, IOBA]
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        Ten Little Niggers

      Bo-Peep Series, 1900. Soft Cover. Very Good. 4to - over 9¾" - 12" tall. An uncommon edition of this classic racist nursery rhyme. Complete with twelve colorful lithographs (one double-page) along with music and lyrics. Old, neatly done, thread and paper reinforcement to the spine. Minor wear and light soiling; faint dampstain at the top margin of several leaves. The song was originally written in 1868 by Septimus Winner as a minstrel number, titled "Ten Little Injuns." A year later, Frank Green re-wrote the lyrics as "Ten Little Niggers," in which a number of "nigger boys" meet unusual, violent deaths, one-by-one. In 1875, the McLoughlin Brothers first published Green's version as a children's book, and the song became a very popular nursery rhyme. In 1894, McLoughlin revised the lyrics so that rather than dying, the last "nigger boy" grows up, marries, and lives a happy life with his wife. (see Anderson, "Ten Little Niggers: The Making of a Black Man's Consciousness.") This edition of the rhyme includes the revised lyrics with illustrations of the marriage and the happy couple. Rather scarce; as of 2016, OCLC shows no copies of this edition held by institutions, ABPC and Rare Book Hub show no auction records, there is one copy for sale in the trade.

      [Bookseller: Read 'Em Again Books, ABAA ]
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        RARE AUTOGRAPH LETTER SIGNED BY THE CLASSICAL PIANIST MARGUERITE LABORI TO THE WIFE OF MAJOR POND.

      Villers sur mer, France, [1900].. [1900].. Very good. - Four pages, 5-1/4 inches high by 4-1/8 inches wide. Approximately 150 words penned on four sides of a folded sheet of creamy white paper, addressed to the wife of the American lecture manager and impressario James B. Pond. The pianist Marguerite Labori expresses her pleasure that Mrs. Pond had "such a pleasant stay on the Continent" and regrets that she didn't get to see her. Major Pond had likely invited her second husband, famous for his defense of Dreyfus and Zola, to return for a tour of America as she goes on to say that her husband "thanks Major Pond for his offer to come back again to see him, but at present he would not be able to make any plans for a trip to America." She does offer hope though "But we do hope to make up our minds to go to the States within the next year, & if this desire is realized we shall let you know...." Signed "Marguerite Labori". Folded once for mailing. Very good with the original postmarked mailing envelope. <p>Born Maggie Okey in Australia, the classical pianist & composer Marguerite Labori (1864-1952) toured with her first husband, the celebrated pianist Vladimir de Pachmann. Following her second marriage to the attorney Fernand-Gustave-Gaston Labori who was famous for his defense of Zola and Alfred Dreyfus, she turned to composing. She achieved distinction as a composer with her Piano Concerto in F minor.<p>A RARE autograph.

      [Bookseller: Blue Mountain Books & Manuscripts, Ltd.]
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        KÖNIGSSEE., Blick von einer frühlingshaften Bergwiese über den See nach St. Bartholomä, rechts vorne Almhütte.

      Gouache von Rudolf Reschreiter, links unten signiert, um 1900, 32,5 x 48 cm. Bruckmann, Münchner Maler, Bd. 3, Abb. 551 Schemmann, Alpines Museum Innsbruck S. 123/4. - Rudolf Reschreiter (1868 - 1938) war mit Ernst Platz und Zeno Diemer einer der wichtigsten Alpenmaler. Unverkennbar ist er durch seine charakteristische Farbgebung mit den leuchtenden Blau- und Grüntönen. - Stimmungsvolle Ansicht mit imposantem Bergpanorama. - Auf fester Pappe. Gerahmt. Aquarell/Zeichnung, BAYERN, Oberbayern

      [Bookseller: Buch- und Kunstantiquariat]
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        Pan. Herausgegeben von der Pan Genossenschaft. Redigiert von Otto Julius Bierbaum und Julius Meier-Graefe. (Ab 1. Jg., Heft III) Wilhelm Bode, Eberhard Frhr. v. Bodenhausen, Caedar Fleischlen, Richard Graul, Otto Erich Hartleben u.a.

      Berlin, Verlag Pan, ab 2. Jg. bei F. Fontane, 1895/1896-1899/1900. - 5 Jahrgänge in 6 Bänden. 37,5x30 cm. Mit 231 (von 234) Kunstbeilagen (davon 100 [von 103]) Originalgraphiken. Grüne O.-Leinen-Bde. mit Jugendstil-Illustr. in Gold und Schwarz sowie Kopfgoldschnitt. Bis auf 3 Originallithographien komplettes Exemplar der biliophilen Zeitschrift zur Förderung der neuen Kunst, 4 Jahrgange auf Japanpapier. - . Mit literarischen und Kunst-Beitägen sowie Originalgraphiken. 1. Jahrgang 1895/1896 (Heft I und II / Heft III, IV, V) in 2 Bänden auf Normalpapier. Mit Zwischeverzeichnissen, Jahrestitelblatt in Band 1, Jahresverzeichnis, Subskribentenverzeichnis und illustriertem Interimsbroschurvorderdeckel 1895/96 in Band 2. Mit 63 (von 64) Kunstbeilagen (in Heft III fehlt farb. Originallithographie von Henri de Toulouse Lautrec). 2. Jahrgang 1896/1897 (1. Hälfte, 1. und 2. Heft / 2. Hälfte, 3. und 4. Heft) in 1 Band. Künstlerausgabe: 36 (Heft 1) bzw. 37 (Heft 2-4) Exemplare auf Kaiserlichem Japan (No. H). Mit 2 Halbjahrestitelblättern, 4 Titel- Kolophonblättern, 4 Verzeichnissen und 4 Druckvermerkblättern. Mit 56 Kunstbeilagen. 3. Jahrgang 1897/1898 (1. Hälfte, 1. und 2. Heft / 2. Hälfte, 3. und 4. Heft) in 1 Band. Künstlerausgabe: 37 Exemplare auf Kaiserlichem Japan (No. H). Mit 2 Halbjahrestitelblättern, 4 Titel- Kolophonblättern, 4 Verzeichnissen und 4 Druckvermerkblättern. Mit 39 Kunstbeilagen. 4. Jahrgang 1898/1899 (1. Hälfte, 1. und 2. Heft / 2. Hälfte, 3. und 4. Heft) in 1 Band. Künstlerausgabe: 38 Exemplare auf Kaiserlichem Japan (No. H). Mit 2 Halbjahrestitelblättern, 4 Titel- Kolophonblättern, 4 Verzeichnissen und 4 Druckvermerkblättern. Mit 36 (von 38) Kunstbeilagen (in Heft 1 fehlt je eine farbige Originallithographie von Paul Signac und Henri Edmond Cross). 5. Jahrgang 1899/1900 (1. Hälfte, 1. und 2. Heft / 2. Hälfte, 3. und 4. Heft) in 1 Band. Künstlerausgabe: 38 Exemplare auf Kaiserlichem Japan (No. H). Mit 2 Halbjahrestitelblättern, 4 Titel- Kolophonblättern, 4 Verzeichnissen und 4 Druckvermerkblättern. Mit 37 Kunstbeilagen, einem 4seitigen allgemeinen Register zu Jahrgang I-V, 2 S. Schlusswort. Pan. Published by the Pan Genossenschaft. Edited by Otto Julius Bierbaum, Julius Meier-Graefe and (from the third issue of vol. I on) by Wilhelm Bode, Eberhard Baron of Bodenhausen, Caedar Fleischlen, Richard Graul, Otto Erich Hartleben andothers. 5 years in six volumes. Berlin, Verlag Pan (first year) and F. Fontane, 1895/1896-1899/1900. 37,5x30 cm. With 231 (of 234) illustrations ("Kunstbeilagen") of which 100 [of 103]) are original prints, lithographs etc. Original green publisher's cloth with art nouveau ornament in black and gold, edges gilt. CHF 35'000.00 Fine and almost complete set of this celebrated bibliophile periodicalto promote &#132;Art Nouveau", three original lithographs are lacking (one by Toulouse Lautrec, one by Paul Signac, and one by Henri Edmond Cross). Four of the six years are printed on imperial Japan paper (No. H). With text contributions on art and literature plus original lithographs etc. Year I of 1895/1896 (Issue I and II, Issue III, IV, V) in 2 vols. printed on normal paper. With intermediate indices, title for vol. I, year index, subscriber's list and original illustrated interim wrappers 1895/96 in vol. 2. With 63 (of 64, the original color lithograph of Toulouse Lautrec in issue 3 is lacking) illustrations ("Kunstbeilagen"). Year II of 1896/1897 (First half, issues 1 and 2, second half, issues 3 and 4) in one volume. Artist's edition ("Künstlerausgabe"): one of 36 copies (Issue I), resp. 37 copies (Issues 2-4) printed on imperial Japan (No. H). With 2 half-year-titles, 4 colophone-title-leaves, 4 indicesand 4 leaves with imprint notes. With 56 illustrations ("Kunstbeilagen"). Year III 1897/1898 (First half, issues 1 and 2, second half, issues 3 and 4) in one volume. Artist's edition ("Künstlerausgabe"): one of 37 copies printed on imperial Japan (No. H). With 2 half-year-titles, 4 colophone-title-leaves, 4 indices and 4 leaves with imprint notes. With 39 illustrations [Attributes: Soft Cover]

      [Bookseller: Biblion Antiquariat]
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        J.A.J. Trade Catalogue. Rule of the Game With Notice Concerning Roulette. Up-to-date Games.

      1900 - Oblong 8vo., original decorative wrappers stapled as issued. Wrappers splitting and a little grubby, a little general soiling, otherwise a very good copy. A trade catalogue for the provider of gaming tables and apparatus, J.A.J. The 8 page illustrated pamphlet lists their wares including roulette tables, billiard tables, backgammon tables, card presses, sabots, bagatelle tables etc Other games include mascotte, petite boules, petits chevaux, nicholas, castouillet and the rabbit hunt. The catalogue was designed to be customised to particular games through the insertion of a set of rules for a chosen game, in this example Roulette. The inserted "Roulette. Rules of the Game" is a 4 page insert printed on pink paper. The designation of the particular game for the catalogue is marked by an applied paper label "Roulette" pasted onto the upper wrapper. A fascinating insight into the games and pastimes of the late Victorian/ early Edwardian.period "Who has not been at a loss, on occasion. to find or offer a suitable game with which to entertain one's children or friends. The games offered by us, among which are some of the most original and most novel, will easily solve the difficulty of making a choice." [Attributes: Soft Cover]

      [Bookseller: Henry Sotheran Ltd]
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        Lettres à Angèle

      - Mercure de France, Paris 1900, 10x15cm, broché. - Edizione originale stampata in 300 copie su Holland. autografo firmato Gide a Henry Lerolle. Piccoli spazi angolari della testa minore e del piede di colonna vertebrale e le coperture. - [FRENCH VERSION FOLLOWS] Edition originale imprimée à 300 exemplaires sur Hollande. Envoi autographe signé d'André Gide à Henry Lerolle. Infimes manques angulaires sans gravité en tête et en pied du dos et des plats.

      [Bookseller: Librairie Feu Follet]
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