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Displayed below are some selected recent viaLibri matches for books published in 1897

        Captains Courageous

      London: Macmillan & Co., Ltd., 1897. First edition. Hardcover. This is the British first edition, noteworthy both for interesting provenance and for retaining the illustrated front face of the original dust jacket. Kipling tells the story of the spoiled fifteen-year-old son of a millionaire who is lost at sea and finds himself rescued by the crew of a fishing schooner, which proves to be a redemption of both character and body. From an original 1897 review: “A big, soft-armed wave picks the boy from the deck of an ocean steamer, and drops him into a dory which happens with fairy-tale appropriateness to come by, and this convenient conveyance delivers him over to a crew of stern-faced, laconic fishermen, who knock the nonsense out of him and put him in the way of learning the two lessons that in Mr. Kipling's eyes make up the chief duty of man—to work and not to be afraid.” This British first edition is a handsome production, featuring gilt-stamped blue cloth illustrated on both the front cover and spine, black endpapers, gilt page edges, and 22 full-page illustrations by I. W. Taber within. This copy is in very good condition. The blue cloth binding is tight with modest wear to spine ends and corners, light scuffing to the blank rear cover, and a slight forward lean. The spine gilt is mildly dulled, still distinct but no longer vibrant. The contents remain respectably bright, though we do note intermittent spotting throughout. The original black endpapers are intact, as are all illustrations, including the frontispiece and tissue guard. The quite rare original dust jacket was illustrated and lettered in dark blue on light bluish gray paper and featured two front face vignettes – of a dory being rowed on the lower half and of said dory delivering mail to a schooner on the upper half. The illustrated front face of the dust jacket is preserved with this copy, tipped onto the front free endpaper verso. A tiny Pall Mall bookseller's sticker is affixed to the upper front pastedown. This book came to us from the library of Nelson Doubleday Jr., son of Nelson Doubleday, and grandson of Frank Nelson Doubleday, Kipling's friend and U.S. publisher and founder of the Doubleday publishing empire. F.N. Doubleday began work in the publishing industry working for Charles Scribners Sons. His 18-year career with Scribners included the task of assembling a complete set of Kipling's works for publication in a collected edition in 1897. His work with Kipling on this endeavor sparked a friendship and partnership that lasted for decades. Kipling affectionately gave Doubleday the nickname "Effendi", a play on the initials of his name - F.N.D. Frank's son Nelson was president of the firm from 1922 to 1946, as was Nelson Jr., from 1978 to 1983. Joseph Rudyard Kipling (1865-1936) was an English poet, short-story writer, and novelist chiefly remembered for his celebration of British imperialism, tales and poems of British soldiers in India, and his tales for children.  Despite this reputation, Kipling's extraordinary body of work “eludes all labels in its range and variety… Kipling's work is not only of the highest artistic excellence, it is deeply humane and fully expresses the sense of one of his favourite texts: ‘Praised be Allah for the diversity of his creatures.'” (ODNB)  Kipling was in his twenties when his stories of Anglo-Indian life made him a literary celebrity, and he was awarded the Nobel Prize in Literature in 1907.  Born in India and educated in England, Kipling could not afford to attend either Oxford or Cambridge University and instead returned to India to work as a newspaper editor and writer, which proved formative.  He returned to England in 1889, later living in the United States and South Africa before finally settling in England. Owing mostly to ill health, Kipling's production of original work diminished in the years between the end of the First World War and his death. Bibliographic Reference: Richards A103

      [Bookseller: Churchill Book Collector]
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        Norddeutscher Lloyd Bremen : oben die 'Kaiser Wilhelm der Grosse' darunter der erste Lloyddampfer Bremen umrahmt von historischen Schiffen.

      Chromolithographie, oben und unten Metallschiene mit Aufhängung. Blattgrösse 106 x 68 cm, etwas angestaubt, nur minimale Randläsuren und kleine dünne Rostspuren im untern weissen Rank, schönes gepflegtes Exemplar, farbfrisch, gerollt, 'Kaiser Wilhelm der Grosse' 1897 fertiggestellter Doppelschrauben-Schnelldampfer des Norddeutschen Lloyd für die Linienschifffahrt auf der Transatlantikpassage BremerhavenNew York, 1897 bis 1900 Trägerin des Blauen Bands. Mit ihren vier Schornsteinen verkörperte sie den damals bei Reisenden gefragtesten und spektakulärsten Schiffstyp und versah bis 1914 ihren Liniendienst (nach Gefecht von der Besatzung selbst versenkt).-

      [Bookseller: Antiquariat an der Stiftskirche : Bad Wa]
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        Reisen In Sud-Arabien, Mahra-Land Und Hadramut.

      E. J. Brill, Leiden 1897 - xii, 332 pp., German text, 2 plates of which one is folding, large folding map with small tear without loss, some browning & foxing in places, original wrappers preserved. Copy in good condition. An unusual example of this important work in its original state. Hirsch, was inspired by the travelogue A. Wrede and Heinrich Maltzan. Leo Hirsch was the first European to reach Shibam and Tarim in the Wadi Hadramaut. This work was written three years after the completion of the journey. Hirsh began planing to travel to Hadhramaut in 1888 with a voyage to Aden, but he encountered many problems and left Aden to Somalia. But his journey to Aden opened for him the possibility to try again by keeping correspondence with a Yemeni of the Makkawi family. In December 1892, Hirsch landed again in Aden, after receiving help from an officer in the East India company, who had travelled several times between Hadramaut and India, and who provided him with maps of the region. He finally succeeded on the first of July 1893 to reach Mukallah, as he was following the route taken previously by Wrede. Hirsch travelled to the city of Hora, and from there he set out into Hadhramaut. He was the first scientist to step into Wadi Hadhramaut, which he reached via the towns of Shibam, Siyun, and Tarim. Hirsch provides not only new insights into the cities and towns of the coast and the Wadi, but also gives a lively scientific description of his route, as well as rich information which added many basic facts to the physical and geographical knowledge of Hadhramaut. He describes in details the topography of the Hadramaut region, its tribes, irrigation, Sultans, and the different plants. Bibliographical References: Henze II, 588; Hilprecht p.724. Size: 8vo. [Attributes: First Edition; Hard Cover]

      [Bookseller: FOLIOS LIMITED]
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        Ludwig van Beethoven (1770 - 1827).

      German 1897 - Original 19th century Gouache after an 1870 painting by C. Jäger. 48 x 34,5 cm. Outer margins slightly frayed only. Extraordinary work with fresh impression of the signature face of this timeless composer. Gouache, also spelled guache, is a type of paint consisting of pigment, a binding agent (usually gum arabic), and sometimes added inert material, designed to be used in an opaque method. It also refers to paintings that use this opaque method. The name derives from the Italian guazzo. Gouache differs from watercolor in that the particles are larger, the ratio of pigment to water is much higher, and an additional, inert, white pigment such as chalk is also present. This makes gouache heavier and more opaque, with greater reflective qualities. (Wikipedia). Ludwig van Beethoven (baptised 17 December 1770 – 26 March 1827) was a German composer and pianist. A crucial figure in the transition between the Classical and Romantic eras in Western art music, he remains one of the most famous and influential of all composers. His best known compositions include 9 symphonies, 5 concertos for piano, 32 piano sonatas, and 16 string quartets. He also composed other chamber music, choral works (including the celebrated Missa Solemnis), and songs. Born in Bonn, then the capital of the Electorate of Cologne and part of the Holy Roman Empire, Beethoven displayed his musical talents at an early age and was taught by his father Johann van Beethoven and Christian Gottlob Neefe. During his first 22 years in Bonn, Beethoven intended to study with Wolfgang Amadeus Mozart and befriended Joseph Haydn. Beethoven moved to Vienna in 1792 and began studying with Haydn, quickly gaining a reputation as a virtuoso pianist. He lived in Vienna until his death. In about 1800 his hearing began to deteriorate, and by the last decade of his life he was almost totally deaf. He gave up conducting and performing in public but continued to compose; many of his most admired works come from this period. (Wikipedia)

      [Bookseller: The Time Traveller's Bookshop Ltd.]
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      1897. WHARTON, Edith, and CODMAN, Ogden. THE DECORATION OF HOUSES. New York: Charles Scribner's Sons, 1897. First edition. Paisley cloth covered boards. With 56 plates. There is a one inch chip missing from the bottom of the spine, the hinges are cracked internally, and some external rubbing and fading to the cloth, paraticularly the spine. An increasingly difficult edition to obtain.

      [Bookseller: Boston Book Company]
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        The Seats of the Mighty

      D. Appleton and Co. New York 1897 - First Edition. Historical novel depicting the English conquest of Quebec with James Wolfe and the Marquis de Montcalm as two of the characters. It was also adapted into a play by late 1896, and a silent film in 1914 starring Lionel Barrymore. First published in serial form in The Atlantic starting in March 1895. It was the third highest best-selling book in the United States in 1896. Near Fine in Very Good dustjacket, shallow chipping at spine ends, flap corners, and top rear panel. [Attributes: First Edition; Hard Cover]

      [Bookseller: Babylon Revisited Rare Books]
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      New York, London: Edward Arnold, 1897.. Octavo, pp. [1-6] 1-279 [280: printer's imprint] [281-282: blank] [note: last leaf is a blank], original orange cloth, front and spine panels stamped in red and black. First U.S. edition. "Amoral scientist discovers invisibility, but even this fails in the face of invincible obtuseness and cruelty of petty bourgeois England. Brilliant idea, memorable scenes, and vigorous chase-plot in an ambiguous (and scientifically impossible) tale." - Suvin, Victorian Science Fiction in the UK, p. 70. The Arnold edition has minor textual variations and the first book appearance of "The Epilogue." Anatomy of Wonder (1976) 2-163 and (2004) II-1227. Bleiler, Science-Fiction: The Early Years 2330. Clareson, Science Fiction in America, 1870s-1930s 797. Locke, A Spectrum of Fantasy, p. 226. Survey of Science Fiction Literature III, pp. 1057-61. In 333. Bleiler (1978), p. 205. Reginald 15039. Currey, p. 520. See Hammond B4. See Wells 11. See Wells Society 11. Cloth just a bit dusty, a couple of small, faint spots on front cover, a very good copy. A considerably better than average copy of one of Wells' more elusive American editions. (#152448)

      [Bookseller: L. W. Currey, Inc.]
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        A DIFFERENCE OF OPINION - Alma-Tadema, 1897.

      A DIFFERENCE OF OPINIONStaalgravure uit 1897 naar het schilderij (Opus CCCXXXIX) van Lourens Alma-Tadema. Gesigneerd in potlood door Alma-Tadema en de graveur. Later met de hand gekleurd. H x B: 34,4 x 20,3 cm.Het gekibbel tussen geliefden was een populair 19de-eeuws onderwerp dat zich kon afspelen in iedere gewenste historische periode of setting, in de Klassieke Oudheid, middeleeuwen, 18de-eeuw of in de moderne tijd.De mannelijke figuren in werken van Alma-Tadema hebben veelal een tamelijk emotieloze lichaamsuitdrukking, In A Difference of Opinion wijkt de man, die zijn geliefde van iets tracht te overtuigen, daar van af.Alma-Tadema verwerkte veelvuldig archeologische vondsten in zijn voorstellingen. In 1860 was men begonnen met het opgraven van Pompeji en leverde sindsdien een schat aan kunstvoorwerpen en informatie. De bronzen cherubijn met een gans die in deze voorstelling het waterbekken siert, staat thans in het Museo Nazionale te Napels.Prijs: 1.650,- (incl. lijst).

      [Bookseller: Inter-Antiquariaat MEFFERDT & DE JONGE]
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        La conquista de Mexico efectuada por Herman Cortes segun el codice jeroglifico Troano-americano. Edition especial, que con preliminares de la clave jeroglifica, dedica al Señor presidente de la Republica Mexicana, general Don Porfirio Diaz

      Mexico: Tip. de la Oficina impresora del timbre Palacio Nacional, 1897. Folio, pp. [4], 40; 10 plates, 1 folding; original tan paper wrappers; light chips to edges and spine, very good. An Ayer Linguistics duplicate, with their release stamp on verso of title page. An account of Cortes's conquest, with particular attention paid to native accounts and documents.

      [Bookseller: Rulon-Miller Books]
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      New York: Edward Arnold, 1897.. Octavo, pp. [i-v] vi 1-504 [505-506: blank] [note: last leaf is a blank], original pictorial medium green cloth, front panel stamped in black and gold, spine panel stamped in black, t.e.g., other edges untrimmed. First edition. Collects thirty stories, three of which appear here for the first time in book form. Most of the others were published earlier in THE STOLEN BACILLUS (1895) and THE PLATTNER STORY (1897). This was Wells's first short story collection published in America and there was no equivalent printing in Britain. Bleiler, The Guide to Supernatural Fiction 1677. Bleiler, Science-Fiction: The Early Years 2329. Tymn (ed), Horror Literature 3-247. Bleiler (1978), p. 205. Reginald 15082. Wells 13. Owner's signature on front free endpaper. Cloth rubbed at spine ends and corner tips, hairline crack along part of inner rear hinge which is still holding tight, a good copy which is outwardly attractive. One of the more elusive Wells first editions. (#149936)

      [Bookseller: L. W. Currey, Inc.]
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        The Voice of the Valley.Introduction by Chas. Warren Stoddard.

      - San Francisco: William Doxey At the Sign of the Lark, [1897]. Small 8vo., 51 pp., inlaid frontis illustration of Yosemite Valley by William Keith. Printed brown paper boards, top edge gilt, untrimmed. Minor foxing to endpapers, chipping to the last few leaves; very good. First Edition. Inscribed to "Lottie Saalbury Nov. 20, 1897," by Ambrose Bierce. Yone Noguchi (1875-1947) moved from his native Japan to San Francisco in 1893. He worked as a journalist for a newspaper associated with the Freedom and People's Rights Movement. In 1896 Yone befriended Joaquin Miller whom invited him to his Oakland hillside home. Miller introduced him to many prominent Bay Area bohemians, including Gelett Burgess (who first published Noguchi's work in The Lark), and Charles Warren Stoddard. BAL 19005 [Attributes: First Edition; Hard Cover]

      [Bookseller: John Windle Antiquarian Bookseller, ABAA]
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        [Tractatus de prescriptionibus.] [Running title:] Tractatus prescriptionum. 35 leaf fragment

      With five large woodcut initials. Text in two columns, with occasional shoulder notes. Ff. 34 to 58, signed [f4] to k4. 1 vols. Folio. In late nineteenth century reverse calf binding. Lower margins with old dampstaining, some brittleness, small losses affecting a few shoulder notes. Good. With large bookplate of Afrikaans poet Eugène Marais. With five large woodcut initials. Text in two columns, with occasional shoulder notes. Ff. 34 to 58, signed [f4] to k4. 1 vols. Folio. With the symbolic bookplate of Afrikaans poet and pioneering ethologist Eugène Marais. The bookplate measures 4-3/4 x 6-1/4 inches, and was designed by James J. Guthrie (his monogram at lower left); printed: London, 1897. The motto, Dit of Dood, translates as "This or Death" ; in The Dark Stream. The Story of Eugne Marais (Jonathan Ball, 1982), reflecting upon the time Marais spent in London in the 1890s, biographer Leon Rousseau devotes a substantial passage to discussing the symbolism and implications of this bookplate.

      [Bookseller: James Cummins Bookseller]
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        Tractatus de prescriptionibus.] [Running title:] Tractatus prescriptionum. 35 leaf fragment

      - With five large woodcut initials. Text in two columns, with occasional shoulder notes. Ff. 34 to 58, signed [f4] to k4. 1 vols. Folio. With the symbolic bookplate of Afrikaans poet and pioneering ethologist Eugène Marais. The bookplate measures 4-3/4 x 6-1/4 inches, and was designed by James J. Guthrie (his monogram at lower left); printed: London, 1897. The motto, Dit of Dood, translates as "This or Death" ; in The Dark Stream. The Story of Eugne Marais (Jonathan Ball, 1982), reflecting upon the time Marais spent in London in the 1890s, biographer Leon Rousseau devotes a substantial passage to discussing the symbolism and implications of this bookplate. In late nineteenth century reverse calf binding. Lower margins with old dampstaining, some brittleness, small losses affecting a few shoulder notes. Good. With large bookplate of Afrikaans poet Eugène Marais With five large woodcut initials. Text in two columns, with occasional shoulder notes. Ff. 34 to 58, signed [f4] to k4. 1 vols. Folio [Attributes: Signed Copy]

      [Bookseller: James Cummins Bookseller, ABAA]
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        La Feuille. Par Zo d'Axa.

      1897-1899, Paris 1897 - 25 livraisons in-folio sous chemise illustrée de l'éditeur. Collection complète. Fameux journal anarcho-pacifiste comportant à chaque livraison une grande caricature lithographiée par Steinlein (16), Hermann-Paul (3), Léandre, Couturier, M. Luce, Willette, Anquetin. Maitron, II, 261. Bel exemplaire. [Attributes: Soft Cover]

      [Bookseller: Bonnefoi Livres Anciens]
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        Captains Courageous Story of Grand Banks

      Macmillan, London 1897 - Very good condition for it's advanced age. Clean text, some breaks in the spine. Some minor edge wear on the covers. Size: 8vo - over 7¾" - 9¾" Tall [Attributes: First Edition; Hard Cover]

      [Bookseller: Lowry's Books]
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        Captains Courageous

      London: Macmillan & Co.. 1897. First. First edition. Illustrations by I.W. Tabor. A beautiful, fine and bright copy. The boys' classic of a pampered, rich lad who accidentally falls in with a crusty fishing crew and has some sense knocked into him. Basis for the excellent Victor Fleming film featuring Freddie Bartholomew and Spencer Tracy, who won an Academy Award for his portrayal of the Portuguese fisherman. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        Autograph letter signed; "H Vaihinger," to a "Sehr geehrter Herr," January 6, 1897

      - 4 pages, on a bifolium of printed stationery, approx. 5-1/2 X 8-1/2 in. Hans Vaihinger (1852-1933), Philosopher, author of "Die Philosophie des 'Als Ob'", editor of "Kant-Studien." Letter to a publisher. [Attributes: Signed Copy]

      [Bookseller: Locus Solus Rare Books (ABAA, ILAB)]
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        La clarté de vie

      First collected edition, a first issue copy.Handsome autograph inscription signed by the author to Jules Renard.This copy is enriched with the famous ex libris of the dedicatee drawn and engraved by Henri de Toulouse-Lautrec, laid down on the ffep.Spine slightly cracked at head and foot, one joint cracked and repaired in the inside margin with a piece of adhesive tape, two small tears to inner margins repaired with adhesive tape, occasional wormtracks affecting some guards.This copy, though an ordinary paper copy, is well-margined.Mercure de France Paris 1897 14x18,5cm broché

      [Bookseller: Librairie Le Feu Follet]
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        John Gabriel Borkman: A Play in Four Acts

      London: William Heinemann. 1897. First. First English edition, wrappered issue. Translated by William Archer. 202 [8] ads pp. Printed buff wrappers. Slightly cocked, a little wear along the spine, a nice, very good copy. Edvard Munch called this play "the greatest winter landscape in Scandinavian art," appropriate for the great dramatist's most chilling work, about an old and ruined banker whose undying rage ruins his family. Dated January 1897, almost certainly simultaneous with the much more common hardcover edition. A nice copy of a fragile volume. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        Gedruckte Todesanzeige der Gesellschaft der Musikfreunde in Wien

      Wien 4 4 1897 - Quer-kl-4, Faltspuren. - Beiliegt: Wann hört der Himmel auf zu strafen .? (Humoristischer Kanon nach Text von Uhland). Autographen-Faksimile mit Textheft von Otto Biba, Wien, Ges. der Musikfreunde, 1995. Quer-kl-8; 8 pp, 1 Taf., orig. Kartonumschlag. Brahms, der sich 1872 endgültig in Wien niedergelassen hatte, war eng mit der Gesellschaft der Musikfreunde verbunden und leitete von 1872 bis 1875 ihre Konzerte; er vermachte ihr auch den Hauptteil seines Nachlasses.

      [Bookseller: Wiener Antiquariat Ingo Nebehay GmbH]
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        Geschichtbeschreibung des Helvetischen Bundes. Aus dem Franzosischen ins Deutsche Uebersetzt von Uriel Freudenberger.

      Leipzig, Germany: Verlag Von Wilhelm Engelmann, 1897. Large portfolio with spine missing, leaving the front board detached, and heavy rubbing to the extremities, and moderate foxing, soiling and staining. String-ties are missing, but printed paper label is intact. Contains [viii], 16 pages of text followed by 9 vivid chromolithographed color plates. Minor creasing and tearing to the page edges, and minor bumping to the corners. The pages measure 17 inches in height. The text is clean and unmarked. Text is in German. First edition.. First Edition. Hardcover. Very good- condition. Folio.

      [Bookseller: Kurt Gippert Bookseller (ABAA)]
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        The Book of the Thousand Nights and a Night. Translated from the Arabic by Captain Sir R. F. Burton, reprinted from the Original Edition and Edited by Leonard C. Smithers. Illustrated by a Series of Seventy-one Original Illustrations reproduced from the Original Pictures in Oils specially painted by Albert Letchford.

      London: H. S. Nichols Ltd., 1897 - 12 volumes, large octavo (253 × 154 mm). Publisher's red half morocco, green cloth boards, raised bands, title gilt direct to the spines in English in the second and fourth, compartments, in Arabic in the first and sixth, interlace panels to the third and fifth, top edges gilt the others uncut, marbled endpapers. Spines just a little dulled and rubbed, overall an excellent set. 71 photogravure plates from specially commissioned oils by Albert Letchford, each with captioned tissue-guard. One of the variant issues of the Nichols-Smithers Editions, this styled the "illustrated 'Library Edition'" by Penzer (p.122), while the blocking to the tails of the spines identifies it as the Kamashastra Edition. An excellent example of this attractive and well-produced set. Chauvin IV, 229 refers to the 1893 issue of the "Library Edition", note at p.85 to the Letchford illustrations; Penzer pp.122-3;

      [Bookseller: Peter Harrington. ABA member]
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        Die infantile Cerebrallähmung

      1897 - de (4), 327, (1) pages et 3 Wien, Alfred Hölder, 1897, in-4, de (4), 327, (1) pages et 3 tableaux repliés, plein vélin blanc moderne, Première édition, peu courante, du texte fondateur de la neurologie pédiatrique, et du texte le plus important du jeune neurologue, Sigmund Freud. "Freud is today considered a founder of pediatric neurology, and Pollack called Freud's Infantile Cerebrallähmung, "one of the most important works ever written on this object". (Norman) "Freud gave an excellent description of the various forms of cerebral palsy, with precise classification of the different spastic symptoms and references to the extra-pyramidal symptoms ; he also mentionned the extra-pyramidal symptoms" (Garrison and Morton). Restauration de papier à la page de titre, et petites déchirures, sans atteinte au texte, en marges de quelques feuillets (second tableau et pages 81-85), sinon bon exemplaire sans rousseur. Norman F32 ; Garrison and Morton 4708.2. [Attributes: Hard Cover]

      [Bookseller: Librairie Alain Brieux]
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        Au drapeau! -

      Librairie Hachette 1897 -, Paris - 1 volume. Grand in-4. VI-313 pp. Sous étui bordé. Reliure plein maroquin cerise. Dos à nerfs orné de filets dorés et date dorée au talon. Quadruple filet doré en encadrement sur les plats. Toutes tranches dorées. Contreplats de soie bleue encadrés d'une bande de maroquin rouge ornée de filets dorés. Couverture et dos conservés. Reliure signée Ch. SEPETIER. Orné de 12 planches hors texte, 12 en-têtes et 12 culs-de-lampe reproduits en couleurs par H. Reymond d'après les aquarelles de J. LE BLANT. Couverture d'après une aquarelle de Giraldon. Avec une préface par George Duruy et un tableau historique des régiments français. Très bel exemplaire. Récits militaires extraits des mémoires de G. Bussiècre, du comte de Ségur, du maréchal Masséna, du général de Pelleport, du maréchal Marmont, du commandant du Fresnel, du général Corbineau, du général Thoumas, du général Ambert, du général baron Lejeune, de Norvins, de A. Vandal, de A. Thiers, du comte de Michaud, de A. Lallemand, de E. de Lyden, du baron Petiet, de Camille Rousset, du capitaine Richard, de Garnier-Pagès, du général du Barail, de A. Rambaud [.]. EXEMPLAIRE UNIQUE contenant 36 AQUARELLES ORIGINALES signées de Julien LE BLANT, soit 12 planches hors- texte, 12 en-têtes et 12 culs-de-lampe. Chaque aquarelle originale a été placée en regard de la gravure. On joint également l'aquarelle préparatoire de Giraldon pour la couverture. [Attributes: Hard Cover]

      [Bookseller: Librairie KOEGUI]
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        [Kelmscott Press- Presentation Copy from May Morris] The Sundering Flood

      Hammersmith: Kelmscott Press, 1897. Original holland-backed boards, printed label on spine. A Presentation Copy from the author's daughter, May Morris, noted artist, designer and active in the affairs of William Morris, socialism, as well as co-founding the Women's Guild of Arts in 1907. Her inscription is on the front free endpaper: "From May Morris / Lond. 1907." 310 Copies on paper, printed in Chaucer type in red and black, first page of text with full woodcut page-border, numerous partial page borders, 12-line and smaller initials, printer's device. Owner's initials on recto of first flyleaf reads: "A. C. R." The book was possibly presented to Arthur Compton Rickett, biographer of Theodore Watts-Dunton as well as William Morris. This Kelmscott title was the last romance by William Morris, finished just prior to the author's death and subsequently, his daughter, May Morris, oversaw the editing and printing. Label chipped and with loss to word, "Sundering." Cloth cracked along joints and boards a little soiled, all else very good.

      [Bookseller: Nudelman Rare Books]
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        Near Woodstock on the D. S. P. & P. RR. Photograph

      - Image area measures 17 1/8" x 21". Mounted. A crack in the original plate appears as a curved line across the upper left. Image cropped due to scanner size; more images available upon request. This black and white photograph was developed from the original glass plates of William Henry Jackson and contains a caption, the number 01287, and the imprint of the Detroit Photographic Company, which bought Jackson's plates from him in 1897. Shown are a train locomotive and caboose of the Denver, South Park and Pacific Railway with men posing next to the tracks. Circa 1880s-1890s. The print was developed from the Colorado Historical Society's glass plate collection circa 1970s by Richard A. Ronzio, a collector of historic Colorado photographs who furnished images for many books on railroads and mining in Colorado. Ronzio also wrote "Silver Images in Colorado." ;

      [Bookseller: Back of Beyond Books, ABAA]
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        Naturgeschichte der Vögel Mitteleuropas. Neu bearbeitet von G. Berg, R. Blasius u.a. Herausgegeben von Carl R. Hennicke. 12 Teile in 5 Textbänden und 2 Tafelportfolios.

      Gera-Untermhaus, Köhler, (1897)-1905.. Folio. Text: Zeitgenössisches Halbleinen mit handschriftlichem Rückenschild. Tafeln: Zeitgenössisches, schlichte Ganzleinenportfolios mit Klappdeckel. Mit 449 (davon 439 chromolithogr.) Tafeln. Textbände leicht berieben, Titel alt gestempelt. Die Tafeln von gelegentlichen leichten Randläsuren abgesehen in frischer Erhaltung. Nissen, IVB 667. Anker, 356. – Standardwerk der deutschsprachigen Ornithologie (einschließlich der Oologie), basierend auf dem unverändert übernommenen Text Naumanns, jedoch von etwa 40 namhaften Ornithologen der Zeit durch teils sehr umfangreiche Anmerkungen in Fußnoten und Ergänzungen aktualisiert. Die Illustrationen, in Technik und Stil von den vorausgehenden Ausgaben des Naumannschen Klassikers völlig abweichend und von einer Vielzahl der bekanntesten Vogelmaler der Zeit entworfen (u.a. O. Riesenthal, O. Kleinschmidt, J. G. Keulemans), hier erstmals erschienen. Kennzeichnend für den Stil der Darstellungen ist die durchgängige, künstlerisch den Vogeldarstellungen ebenbürtige Einbettung der Vögel in ihre natürliche Umgebung. Das Werk gliedert sich wie folgt: Teil I: Drosseln; II: Grasmücken, Timalien, Meisen und Baumläufer; III: Lerchen, Stelzen, Waldsänger und Finkenvögel; IV: Stärlinge, Stare, Pirole, Rabenvögel, Würger, Fliegenfänger, Schwalbenvögel, Segler, Tagschläfer, Spechte, Bienenfresser, Elsvögel, Racken, Hopfe, Kuckucke; V: Raubvögel; VI: Taubenvögel, Hühnervögel, Reiher, Flamingos und Störche; VII: Ibisse, Flughühner, Trappen, Kraniche, Rallen; VIII: Regenpfeifer, Stelzenläufer, Wassertreter, Strandläufer; IX: Wasserläufer, Schnepfen, Schwäne, Gänse; X: Enten; XI: Pelikane, Fregattvögel, Tölpel, Fluss-Scharben, Tropikvögel, Möven; XII: Sturmvögel, Steissfüsse, Seetaucher, Flügeltaucher. – Das Werk wurde über einen Zeitraum von fast 10 Jahren in insgesamt 150 Lieferungen herausgegeben; Subskribenten konnten sich nach Abschluß der Einzelbände diese in verlagsseitige Halbledereinbände binden lassen; die Tafeln wurden dann in den Text an zugehörige Stelle eingebunden. Davon abweichend wurde unser Exemplar offenbar für eine Bibliothek in schlichte, aber benutzerfreundliche Zustand gebracht, mit dessen Hilfe eine parallele Benutzung von Illustration und Text über das gesamte Werk hinweg ermöglicht werden sollte.

      [Bookseller: Antiquariat Stefan Wulf]
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      San Francisco: H. S. Crocker , 1897. First edition. Map. Marginal stains, faint horizontal crease from folding, small areas of paper loss to 3 points at margin edges. Original color lithograph on thin, semi-transparent wove paper, sheet size 51.5 x 86.5 cm (23.25 x 34 inches), image size 43.5 x 76 cm (17.25 x 30 inches). Laid down on archival tissue. Lower margin with printed title and letter key to 3 land features flanked by numbered reference key in 4 columns to 41 identified public and commercial buildings within the view. "Presented by W.D. Reynolds, Real Estate and Insurance Agent. Investment of Funds and Negotiation of Loans" printed at upper left in image field. W. D. Reynolds together with T. A. Proctor published "The Illustrated Atlas of Sonoma County" in 1897. The color lithograph image is very bright and buildings, streets, landforms, and flora are sharply defined. While the perspective is much the same as in the 1885 Elliott & Co. view, the image area is much larger and shows considerable development around the city. Rare; not found on OCLC, not in Reps.

      [Bookseller: Chanticleer Books]
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      George Barrie & Son, Philadelphia - Title: 10VOLS ROMAN CONT(trans from French)/LIMITED/NICE 1897 Author: various French authors Publisher/Copyright: George Barrie & Son, Philadelphia no date found except in volumes 9 and 10 with the line 'copyright by G.B. & Sons.' Edition: Limited - Of this edition, printed on Japanese vellum paper, only one thousand complete copies are printed for sale - no. 226 printed for Mr. Frank S. Waterman. Condition:(all defects if any are formulated into pricing): Overall a really good set. Books are without marks or writings, pages are clean, books are tight and sturdy. A good set. Size: 5 ½ x 9 (approximately)Pages: see below pages Binding/Cover: Hardbacks with dust jacket Shipping & Handling:$7.50 U.S (heavy volumes when put together), Insurance extra. Refunds: All items are 100% refundable up to 10 days after item received Background/Description: There are 10 volumes ROMAN CONTEMPORAIN present, printed only for subscribers by George Barrie & Son, Philadelphia no date found: 1)Madame Bovary by Gustave Flaubert. Volume one. Twelve Etchings. Translated by William Walton. The etchings are by Eugene Abot, Daniel Mordant and drawings by Albert Fourie. 359 pages. 5 ½ x 9. 2) Madame Bovary by Gustave Flaubert. Volume two. Twelve Etchings. Translated by William Walton. The etchings are by Eugene Abot, Daniel Mordant and drawings by Albert Fourie. 359 pages. 5 ½ x 9. 3)The Cardinal Family by Ludovic Halevy. Volume three. Twenty-seven Etchings. Translated by George B. Ives. The etchings are by Louis Muller and the drawings by Charles Lucien Leandre. 205 pages. 5 ½ x 9. 4)Germinie Lacerteux by Edmond and Jules De Goncourt. Volume four. Ten Etchings. Translated by John Chestershire. The etchings are by Louis Muller and the drawings by George Jeanniot. 387 pages. 5 ½ x 9. 5)Sapho: Parisian Customs by Alphonse Daudet. Volume five. Ten Etchings. Translated by T.F. Rogerson. The Etchings are by Eugene Abot, Albert Duvivier and the drawings by Stanislas Rejchan. 365 pages. 5 ½ x 9. 6)The Lady Of The Camellias by Alexandre Dumas Fils. Volume six. Ten Etchings. Preface by Jules Janin. Unpublished preface by the author translated by William Walton. The Etchings are by Eugene-Andre Champollion and the drawings by Albert Lynch. 337 pages. 5 ½ x 9. 7)A Page Of Love by Emile Zola. Volume seven. Eleven Etchings. Translated by T.F. Rogerson. The etchings are by Albert Duvivier and the drawings by Edouard Dantan. 319 pages. 5 ½ x 9. 8) A Page Of Love by Emile Zola. Volume eight. Eleven Etchings. Translated by T.F. Rogerson. The etchings are by Albert Duvivier and the drawings by Edouard Dantan. 361 pages. 5 ½ x 9. 9)Mademoiselle De Maupin by Theophile Gautier. Copyright 1897 by G.B. & Sons. Nineteen Ethcings. Translated by I. G. Burnham. The etchings are by Francois-Xavier Le Sueur and the drawings by Edou Toudouze. 249 pages. 5 ½ x 9. 10) Mademoiselle De Maupin by Theophile Gautier. Copyright 1897 by G.B. & Sons. Nineteen Ethcings. Translated by I. G. Burnham. The etchings are by Francois-Xavier Le Sueur and the drawings by Edou Toudouze. 317 pages. 5 ½ x 9. There is only one other similar set on the Internet, and it is priced in the $1400 range. Really good price! InvCode: ze59 Size: 5 ½ x 9 [Attributes: Hard Cover]

      [Bookseller: VIEWFAIR BOOKS]
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      Philadelphia: George Barrie, 1897. Edition printed on Japan vellum, limited to 26 copies, this no. 3. Fine in morocco lined cloth slipcase - slipcase worn. Edition printed on Japan vellum, limited to 26 copies, this no. 3. (viii) v, 207p. Translated by George B. Ives and illustrated by Charles Lucien Leandre with 27 etchings executed by Louis Muller; 10 sets of plates in three states each: duplicate impressions of all the intaglio plates especially printed by hand, one in black, one in sepia, one finished in watercolors; 17 en-têtes et cul-de-lampe in two states. Finely bound by Barrie in in full green crushed morocco with watered silk flyleaves, a.e.g., the spine with gilt titles and floral panel ornaments, the covers with gilt fillet border and floral corner and central initials surrounded by a wreath, green watered silk flyleaves and doblures of brown and blue morocco in elaborate gilt frames and central floral devices on laid in tan and rose. From the series Chefs d'Oeuvre du Roman Contemporain - Realists--Romancists.

      [Bookseller: First Folio]
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        Ilsée princesse de Tripoli

      - Editions d'art H. Piazza, Paris 1897, 25,5x33cm, broché. - Edizione, a 180 esemplari numerati su pergamena a formare. Libro Illustrato di 132 litografie originali di Alphonse Mucha. Nizza e rara copia. - [FRENCH VERSION FOLLOWS] Édition originale, un 180 exemplaires sur vélin à la forme. Dos habilement restauré Ouvrage illustré de 132 lithographies originales d'Alfons Mucha. Agréable et rare exemplaire.  

      [Bookseller: Librairie Feu Follet]
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        [Vale Press] The Book of Thel; Songs of Innocence and Songs of Experience

      London: Hacon & Ricketts; Vale Press, 1897. Original publishers gray paper covered boards. 210 copies. Exquisite double-page title spread including half-page woodcut illustration, intricate border designs (same as used in "Hero and Leander"), and decorative initials, all by Charles Ricketts. One of the scarcer Vale Press titles that just doesn't show up very often, and when it does, there is usually considerable wear. This copy fine with barely any signs of wear.

      [Bookseller: Nudelman Rare Books]
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        The Book of the Thousand Nights and a Night

      London: H S Nichols, 1897. Edition de Luxe reprint - Coffin Set. Hardcover. Fine/Original box fair. Letchford, A. Penzer p 20. This is the "coffin set" or boxed 1897 edition printed by Nichols. Of all the reprints, the second best (after the true first) is the Nichols edition of 1897. The most elaborate of these is Style C described in the prospectus as follows: In three quarter levant, Selected Syrian large grained Angora goat skins. Sumac tanned of the characteristoics Damascus red. Full gold black and five double bands, Grolier corners, gold tops, tooled sides, silk head bands, triple cord stitching, hollow backs, rein forced joints, gold veined end papers. The twelve volumes enclosed in a leather casket 23" x 12.5" x 8.5 ", to place on an ordinary bookshelf or stand on a table. The casket in olive green morocco, lined soft cloth with a spring lock and key of oriental design (this set does Not have the key). It contains the 71 Letchford plates printed on special paper. Volumes over 400 pages each. The set was issued at L15,15s each. There were 500 such sets. All 12 of the books in this set are Fine, appearing as if never read or opened. The case, however, has seen better days. The leather is dried and cracking, and chipped, and the inside shows its age. Repeat, the key is missing. A very scarce and stunning set.

      [Bookseller: Trophy Room Books]
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        The Invisible Man. A Grotesque Romance.

      London: C. Arthur Pearson Limited, 1897.. FIRST EDITION. Octavo, pp.viii; 246; [2] advertisements. Page 1 is incorrectly numbered as 2, rubric lettered title page printied in black and orange. Pictorial red cloth blocked in black and gilt. A tight copy with nicely rounded spine, contents lightly toned, no inscriptions, old repaired tear to leading edge of flyleaf, cloth rather clean, spine a little sunned. A handsome, superior copy of Wells' classic sci-fi novella, being a commentary on the misuse of science for selfish ends; the famous story of a scientist who tampers with nature in his pursuit of superhuman powers.

      [Bookseller: Adrian Harrington Rare Books]
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      Chicago: Way & Williams, 1897. This antique hardcover novel is bound in blue-gray cloth with black cover lettering and a black and yellow cover illustation by Bert Cassidy depicting Paul Travers lost at sea on a raft, signalling to a far-off ship by waving his shirt. The rear cover has a yellow and black picture of a sad-looking tiger; both covers have narrow yellow and black borders. Spine lettering is black. There is edgewear and soil to the covers, front hinge starting, faded spine, some spine wear. All 12 of Bert Cassidy's indexed full-page black-and-white plates are present. The book is a fictionalized account of the author's adventures as a young newsboy traveling through the Old West, the South Pacific and beyond. 368 pages; approx. 5"x8".. 1st Edition. Hard Cover. Good/No Jacket. Illus. by Cassidy, Bert.

      [Bookseller: Popeks Books, IOBA]
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