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Displayed below are some selected recent viaLibri matches for books published in 1897

        Catalogue des pointes sèches d?Helleu -

      Lemercier 1897 -, Paris - 1 volume. In-folio Sous étui de protection. Reliure plein maroquin signé de Carl Sonntag avec décor de filets sur les plats, formant un cadre comportant à chaque coin une rosace mosaïquée, dos à nerfs décoré de rosaces et filets, filets intérieurs, gardes de soie, tranches dorées, couverture conservée. Catalogue contenant 60 planches tirées en héliogravure comportant chacune le cachet à sec de l?imprimeur et du catalogue. Très bel état. TIRAGE LIMITE à 500 exemplaires, un des 25 exemplaires de tête numérotés sur papier impérial du Japon (n°7). [Attributes: Hard Cover]

      [Bookseller: Librairie KOEGUI]
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        The Chess Boquet; or, the Book fo the British Composers of Chess Problems with portraits, Biographical Sketches, Essays on Compo

      Feilden, McAllen & Co, Ltd 1897 London, 1897 About very good issued in red cloth with gilt lettering First Edition Hardbound Quarto 257pp Spine sunned, corners bumped, some internal and external soiling. (betts: 32-19A). 1st Edition. Hardcover.

      [Bookseller: The Book Collector]
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        L'Ermitage - Revue artistique et littéraire. Année complète 1897

      Bureaux de la Revue, 1897. - Bureaux de la Revue, Paris 1897, 11,5x18,5cm, 2 volumes reliés. - Originale.Reliure editor per bradel metà oscura calico verde, liscia schiena, parte del titolo marocco nero, piccolo ferro dorato e doppio oro nei numeri netti queue.Douze da gennaio a dicembre 1897 numero conservées.Chaque Covers Edition è illustrata con una xilografia bichrome.Contributions letterari Rene Boylesve, Paul Fort, Francis Jammes, Henri Ghéon, Remy de Gourmont, etc.Publication fondata nel 1890 da Henri Mazel, l'Eremo è una rivista mensile di proprietà della prima ondata di piccole riviste simboliste. Nel 1895, la rivista tra il declino e il suo nuovo direttore, Edouard Ducoté, utilizza André Gide. La redazione è ridotto a dodici collaboratori regolari, amici Gide. Dopo molte difficoltà e tentativi per rivedere la redazione (Remy de Gourmont ci sarà una transizione e contribuirà anche finanziariamente nel 1905), l'Hermitage spirò nel 1906 L'Ermitage riesce a venire fuori altro importanti riviste del tempo, come la Francia o La Revue blanche Mercure de perché vanta eclettico e apolitica; in copertina, si può anche leggere che è "l'unica rivista che si occupa solo di politica o sociologia [ma] che si occupa solo con la letteratura e l'arte." Le sue piccole illustrazioni sono in stile art nouveau, e, fedele al suo stato d'animo simbolista, i dipendenti sono più interessati alla poesia di romanzo. Tiphaine Samoyault, critico letterario francese, ha detto che il Hermitage esprime una transizione a cavallo della fin de siècle estetismo e poesia d'avanguardia degli anni 1910. - [FRENCH VERSION FOLLOWS] Edition originale. Reliure de l'éditeur à la bradel en demi percaline verte foncée, dos lisse, pièce de titre de maroquin noir, petit fer doré et double filet doré en queue. Douze numéros de janvier à décembre 1897. Couvertures conservées. Chaque numéro est illustré d'une xylographie bichrome. Contributions littéraires de René Boylesve, Paul Fort, Francis Jammes, Henri Ghéon, Remy de Gourmont, etc. Publication fondée en 1890 par Henri Mazel, l'Ermitage est une revue mensuelle appartenant à la première vague des petites revues symbolistes. Dans les années 1895, la revue entre en déclin, et son nouveau directeur, Edouard Ducoté, fait appel à André Gide. L'équipe de rédaction est alors réduite à douze collaborateurs réguliers, amis de Gide. Après de multiples difficultés et tentatives de remaniement de l'équipe rédactionnelle (Remy de Gourmont y fera un passage et y contribuera également financièrement en 1905), l'Ermitage rend son dernier soupir en 1906. L'Ermitage parvient à se détacher d'autres revues importantes de l'époque comme le Mercure de France ou la Revue blanche car elle se revendique éclectique et apolitique ; sur sa couverture, on peut d'ailleurs lire que c'est "la seule Revue qui ne s'occupe ni de politique ni de sociologie [mais] qui traite uniquement de littérature et d'art." Ses petites illustrations sont de style art nouveau, et, fidèle à son état d'esprit symboliste, ses collaborateurs s'intéressent davantage à la poésie qu'au roman. Tiphaine Samoyault, critique littéraire française, estime que l'Ermitage exprime une transition à cheval sur l'esthétisme fin de siècle et la poésie d'avant-garde des années 1910.

      [Bookseller: Librairie Le Feu Follet]
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        The Works.

      London: Chapman & Hall,, 1897?9. With Introduction and Notes by Andrew Lang. 36 volumes, octavo (200 x 140 mm). Contemporary burgundy three-quarter crushed morocco by Morrell for Leary, spines gilt in compartments, top edges gilt. Illustrated titles and plates throughout the sets from the original editions. Volume 20 with professional repair to head of spine, occasional minor scuffs, slight wear to corners. An excellent set. The Gadshill Edition. Printed from the edition carefully corrected by Charles Dickens in 1867-68 and reproducing Cruikshank and Browne's glorious illustrations, the Gadshill Edition is considered one of the best editions of the author's collected works. Uncommon complete with the two volumes of miscellaneous papers.

      [Bookseller: Peter Harrington]
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        La vie de caserne - Le Train de 8 h. 47. Illustrations en couleurs d'Albert Guillaume.

      P., Ernest Flammarion, s.d. (1897), 1 vol. in-12° (186 x 115) relié 1/2 maroquin cerise à coins à la Bradel, dos lisse, tête dorée, couv. ill. en coul. et dos cons., (Stroobants), de 337 pp.Parfait exemplaire très bien relié par Stroobants. - Deuxième édition illustrée par Albert Guillaume ; la première est parue en 1888 et était illustrée par Steinlen et Durvis. Il a été tiré 10 exemplaires sur Chine et 10 sur Japon numérotés et paraphés par l'auteur. Notre exemplaire est sur Japon mais non justifié ni paraphe. Réf. biblio. : Talvart & Place III, 304.

      [Bookseller: Bouquinerie Aurore (SLAM-ILAB)]
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        NAUMANN, NATURGESCHICHTE DER VÖGEL MITTELEUROPAS. I. Band Drosseln II. Band Grasmücken, Timalien, Meisen und Baumläufer III. Band Lerchen, Stelzen, Waldsänger und Finkenvögel IV. Band Stärlinge, Stare, Pirole, Rabenvögel, Würger, Fliegenfänger, Schwalbenvögel, Segler, Tagschläfer, Spechte, Bienenfresser, Eisvögel, Racken, Hopfe, Kuckucke V. Band Raubvögel VI. Band Taubenvögel, Hühnervögel, Reiher, Flamingos und Störche VII. Band Ibisse, Flughühner, Trappen, Kraniche, Rallen VIII. Band Regenpfeifer, Stelzenläufer, Wassertreter, Strandläufer IX. Band Wasserläufer, Schnepfen, Schwäne, Gänse X. Band Enten XI. Band Pelikane, Fregattvögel, Tölpel, Fluss-Scharben, Tropikvögel, Möven XII. Band Sturmvögel, Steissfüsse, Seetaucher, Flügeltaucher. [= in 12 Bänden komplett]. WIKIPEDIA: Johann Andreas Naumann (geb. 13. April 1744 in Ziebigk bei Köthen; gest. 15. Mai 1826 ebenda) war ein bedeutender deutscher Ornithologe. - ..Die Naumannsche Vogelsammlung, die von Johann Andreas Naumann initiiert und von Johann Friedrich Naumann fortgesetzt wurde, befindet sich heute im Naumann-Museum in Köthen. Sie ist die einzige bekannte Naturaliensammlung des BIEDERMEIER, die in Originalaufstellung erhalten geblieben ist. Der RÖTELFALKE (Falco naumanni) wurde von JOHANN GOTTLIEB FLEISCHER nach Naumann benannt. Auch die NAUMANNDROSSEL (Turdus naumanni) wurde nach Johann Andreas Naumann benannt.

      Gera Untermhaus, Eugen Köhler, 1897-1905. Zweite Auflage (keine Reprints!!), 12 Bände XLVI, 3 Bll. [Die Empfänger des \"Neuen Naumann\"], 253 S., + 30 Chromo- und 2 Schwarztafeln / ohne Titelbl., IV !!, 340 S., + 30 Chromotafeln / VI, 393 S., + 48 Chromotafeln / VI, 432 S., + 49 Chromotafeln / IV, 334 S., + 71 Chromo- und 4 Schwarztafeln / 1 Bl. (Inhalts-Verzeichnis / Verzeichnis der Tafeln), 337 S. + 31 Chromo- und 1 schwarze Tafel / 1 Bl. (Inhalts-Verzeichnis / Verzeichnis der Tafeln), 207 S., + 20 Chromotafeln / 1 Bl. (Inhalts-Verzeichnis / Verzeichnis der Tafeln), 276 S., + 28 Chromotafeln / 1 Bl. (Inhalts-Verzeichnis / Verzeichnis der Tafeln), 408 S., + 34 Chromotafeln / 1 Bl. (Inhalts-Verzeichnis / Verzeichnis der Tafeln), 307 S., + 29 Chromotafeln / 2 Bll. 1 Bl. (Inhalts-Verzeichnis / Verzeichnis der Tafeln), 343 S., + 42 Chromotafeln / 1 Bl. (Inhalts-Verzeichnis / Verzeichnis der Tafeln), 274 S., + 27 Chromo- und 3 Schwarztafeln; 39,5 x 29cm 4° Sprache : de Bibl.-Ex. (Schule) mit entspr. Kennungen (mont. Rs. (teilw. entfernt) /Stempel auf Titelbl.); OHldrBde. /Lederecken mit uml. marmor. Schnitt, Einbände & Kanten stärker beschabt & berieben. Ecken bestossen. Bei den Bänden I., X. und XII. sind die Buchrücken am oberen & unteren Kapital gering beschädigt (eingerissen). Innenteile teilw. Vorsatz & Titel etwas knitterig, vorne & hinten mit geringen Stockflecken; mit leichten Spuren vom Umblättern. Bei Band II. fehlt das Titelbl. + vi!!. Bei Band III. sind die letzten Seiten in falscher Seitenfolge eingebunden. Bei Band VI. sind einige Tafeln am unteren Rand (Innenkante) leicht eingerissen. Bei Band VII. ist die letzte Tafel am oberen Rand etwas wasserrandig. Bei Band XI. ist 1 Bl. (S. 343) gelöst. Die Buchrücken haben unterschiedliche Farben des Leders. Ansonsten saubere, gute Exemplare. Die (insges. 449; davon 439 chromolith.) Tafeln sind farbenfroh /-frisch erhalten. Int.; Te /Reg-hi Versand D: 3,95 EUR

      [Bookseller: Hadler Antiquariat]
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        Familiar wild flowers First[-fifth] series / figured and described by F Edward Hulme, F L S , F S A - Complete in 5 Volumes

      London ; Paris ; Melbourne : Cassell & Company, Limited [1897], 1897. First Edition. Good copies in the original anilne calf over pebble-grain cloth boards. Spine compartments elaborately gilt-tooled with contrasting title and series labels. Spine bands and panel edges somewhat rubbed and dust-toned as with age, hinges sound. Remains quite a well-preserved set overall; tight, clean and strong.; 8vo 8"" - 9"" tall; Physical description; 5 v. : ill. (col.) ; 20 cm. Notes; Pagination: v. 1: xvi, 160 p., [10] leaves of plates ; v. 2: xv, [1], 160 p., [10] leaves of plates ; v. 3: xv, [1], 160 p., [10] leaves of plates ; v. 4: xv, [1], 160 p., [10] leaves of plates ; v. 5: xv, [1], 168 p., [10] leaves of plates. Each volume is made up of four parts, numbered continuously, with an additional part, number 21, containing the title pages and contents for all five volumes. Part 20 includes a cumulative index on p. [161]-168. Volumes designated as series. Subjects; Wild flowers - Great Britain - Pictorial works. Wild flowers - United States - Pictorial works.

      [Bookseller: MW Books Ltd.]
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        Album Salon. Primera Ilustracion Espanola en Colores. Ano 1897 through Ano 1907. (all published).

      Eleven issues bound in ten volumes (384, 292, 292, 292, 296, 260, 236, 212, 204, 212 pp.) comprising a complete run of the Catalonian fine arts annual published by Miguel Segui, providing an overview of the year's developments in painting, sculpture, architecture and theater, primarily focused on Barcelona, with additional coverage of events elsewhere in Spain, Europe and the Americas, profusely illustrated throughout with reproductions of photographs, paintings and illustrations, many of them beautiful full-color lithographs or halftone tints. In overall excellent condition throughout most of the set's nearly 2500 pp., with approximately eighteen heavily varnished two-page color spreads damaged due to internal adhesion, resulting in a loss of surface material in ca. 11 cases, and inseparably fused pages in ca. 7 places. Small folio. Uniformly bound in 1/2 leather and red cloth, spines tooled and gilt with five raised bands, slightly rubbed, a few interior hinges starting. Barcelona (Centro Editorial Artistico de Miguel Segui) 1897-1907.

      [Bookseller: F.A. Bernett Books]
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        (Hrsg.) Adressbuch für die Stadtgemeinde Köln 1897. UMfassend: Köln und die Vororte Bayenthal, Deutz, Ehrenfeld, Lindenthal, Nippes, Riehl, Sülz, Zollstock usw. sowie für die Umgebung, besonders: Mülheim am Rhein und Kalk.

      Köln (Greven), 1897. 43. Jg. Gr. 8°. 12 bl, 9, XCIX, 455, 393, 173, 137 S. mitbzahlr. Abb. und dem Theaterplan. ill. OLn. Blattränder nur sehr vereinzelt minimal lädiert, sonst insgesamt von spektakulär guter Erhaltung. Allerdings ohne den beiliegenden Stadtplan. Sehr sehr seltenes Adressbuch. Versand D: 6,00 EUR

      [Bookseller: Antiquariat Bebuquin]
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        The Tailless Batrachians of Europe

      Ray Society. London: Ray Society, 1897-1898. 2 vols, 24 plates (16 col), 6 folding maps, 124 text figs. Hardback. Orig. cloth, gilt. Fine bright set. Owner's name / inscription to endpapers / half-titles Illustrated by fine chromolithographs

      [Bookseller: Pemberley Books]
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        La clarté de vie

      1897. Mercure de France, Paris 1897, 14x18,5cm, broché. - Mercure de France, Paris 1897, 14x18,5cm, broché. - Edition Collective, un ex prima emissione. Precious invio l'autore Jules Renard. La nostra copia è arricchita dal famoso dedicatario ex libris disegnata e incisa da Henri de Toulouse-Lautrec incollato sulla prima guardia. Torna leggermente incrinato alla testa e piede, un po 'imbottitura diviso e ristrutturato con un cerotto adesivo, due piccoli strappi restaurati imbottitura con toppe adesive, qualche boccone che interessano alcuni testimoni. La nostra copia, anche se sulla carta attuale è tutti i margini. [FRENCH VERSION FOLLOWS] Edition originale collective, un des ex de première émission. Précieux envoi autographe signé de l'auteur à Jules Renard. Notre exemplaire est enrichi du célèbre ex-libris du dédicataire dessiné et gravé par Henri de Toulouse-Lautrec encollé sur la première garde. Dos légèrement fendillé en tête et en pied, un mors fendu et restauré en marges intérieures à l'aide d'une pièce adhésive, deux petites déchirures restaurées en marges intérieures à l'aide de pièces adhésives, rares piqûres affectant certains témoins. Notre exemplaire, bien que sur papier courant, est à toutes marges.

      [Bookseller: Librairie Le Feu Follet]
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        LES CONFRERIES RELIGIEUSES MUSULMANES.

      1897. ALGER. 1897. In-4.Carré. Broché. Etat d'usage. Couv. convenable. Dos abîmé. Intérieur bon état. 576 pages contenant 4 chromo-lithographies, 7 gravures tirés a part, 55 dans le texte et une carte couleur.Ouvrage de bibliothèque avec code collé sur le dos, annotation et petit tampon en page de titre. Publié sous le patronage de M Jules Cambon.

      [Bookseller: Le-Livre.Com]
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        LA VIE DE NOTRE SEIGNEUR JESUS-CHRIST, TOME I & TOME II

      1897. Maison Alfred Mame et Fils. 1897. In-Folio.Carré. Cartonnage d'éditeurs. Etat d'usage. Couv. convenable. Dos satisfaisant. Intérieur bon état. 272 pages pour le tome I et 279 pages pour le tome II. Gravures en noir et blanc en pages de titre. Illustrés de nombreux dessins et gravures en noir et blanc dans et hors texte et de dessins en couleur dans et hors texte. Une planche en couleur du tome I détachée. Edition nationale. La Sainte Enfance. La Prédication. La Semaine Sainte. La Passion. La Résurrection. Illustrations: lithographies en couleur, et fac-similés sur cuivre et sur bois, dessins explicatifs.

      [Bookseller: Le-Livre.Com]
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        Farthest North: The Voyage of Exploration of the 'Fram' 1893-96 & The Fifteen Months' Sledge Expedition (2 vls - with Nansen's signature)

      A. Constable & Co, Westminster, 1897. 1st edition. Hardcover. The first English issue (Newnes was the following year) of Nansen's great polar exploration. Original green cloth, spines and front boards lettered in gilt with gilt illustration to front of each, slightly bumped extremities, tight bindings, a few small marks, but generally in very good order. Title-pages lettered in red and black, nearly 1200 pages in all, mostly very clean with only occasional light spotting, many pages still uncut. Sixteen colour plates taken from Nansen's own sketches, c. 120 full-page plates, many other illustrations in text, four folding colour maps, two in each volume (in excellent condition). Included is a laid-in card with the author's signature, taken from a 200-copy printing of an album of autographs for charity organised by the Duchess of Albany in 1906. In sum, a very good copy of the first English issue of Nansen's important expedition.

      [Bookseller: Shellhouse Books]
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        An Essay on the Foundations of Geometry.

      Cambridge: University Press,, 1897. Octavo. Original blue cloth, neatly rebacked with the original gilt-lettered spine laid down, boards ruled in blind, all edges untrimmed. Mild cockling to front board, tips lightly rubbed and bumped, page-edges tanned, contents toned, inner hinges reinforced. A very good copy. First edition, first impression, an excellent association copy of Russell's first published book of philosophy, with the pencilled ownership inscription of noted Cambridge philosopher R. B. Braithwaite, dated 1923, to the front free endpaper. Braithwaite (1900-1990), then a scholar at King's College, originally studied mathematics before switching to the moral sciences tripos for his final year, the year of the inscription. He was subsequently elected to a fellowship at the college, which he retained through a long career in which he founded the faculty of the history and philosophy of science with Herbert Butterfield, and worked "in the Cambridge tradition of scientifically informed philosophy exemplified by Bertrand Russell, J. M. Keynes, Frank Ramsey, and C. D. Broad" (ODNB). Based on Russell's Trinity College fellowship dissertation, An Essay on the Foundations of Geometry "provides a partial defence of Kant's theory that the truth of geometry is a necessary condition of all possible experience ? Russell later dismissed the book as a foolish and immature work, and its central claims have not been accepted by either mathematicians or philosophers. None the less, principally through being reviewed at length and with great respect by the eminent French mathematician Henri Poincaré, it served to establish Russell's professional reputation and led to his being invited to deliver a paper at the prestigious International Congress of Philosophy held in Paris in 1900, an event that profoundly affected his career" (idem).

      [Bookseller: Peter Harrington]
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        Hrsg.) Adressbuch für die Stadtgemeinde Köln 1897. UMfassend: Köln und die Vororte Bayenthal, Deutz, Ehrenfeld, Lindenthal, Nippes, Riehl, Sülz, Zollstock usw. sowie für die Umgebung, besonders: Mülheim am Rhein und Kalk.

      (Greven), Köln 1897 - 43. Jg. Köln (Greven), 1897. Gr. 8°. 12 bl, 9, XCIX, 455, 393, 173, 137 S. mitbzahlr. Abb. und dem Theaterplan. ill. OLn. Blattränder nur sehr vereinzelt minimal lädiert, sonst insgesamt von spektakulär guter Erhaltung. Allerdings ohne den beiliegenden Stadtplan. Sehr sehr seltenes Adressbuch. Blattränder nur sehr vereinzelt minimal lädiert, sonst insgesamt von spektakulär guter Erhaltung. Allerdings ohne den beiliegenden Stadtplan. [Attributes: Hard Cover]

      [Bookseller: Antiquariat Bebuquin (Alexander Zimmeck)]
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        Hohenzollern - Jahrbuch 1897 - 1916. Forschungen und Abbildungen zur Geschichte der Hohenzollern in Brandenburg-Preußen. 18 Bände von insgesamt 20. (Ohne die Bände 5, 1901 und Band 18, 1914). Mit Beiträgen von Dr. Bailleu, Prof. Dr. Berner, Dr. Friedländer,Dr. Granier, Dr. Hintze, Dr. Koser, Dr. Krauske, Dr. Krieger, Dr. Seidel, Dr. Ubisch, Dr. Volz und anderen. (Band 4: Festausgabe zur zweihunderjährigen Jubelfeier der Preußischen Königskrone 18. Januar 1701 bis 18. Januar 1901.. Band 15 Festausgabe zum zweihundertsten Geburtstage Friedrichs des Großen 24. Januar 1712 bis 24. Januar 1912.)

      Berlin und Leipzig: Verlag von Giesecke & Devrient, 1897 - 1916. Jeder Band mit zahlreichen Textabbildungen, Plänen, Wappen, Medaillen usw., teils farbigen Vollbildern auf Tafeln, sowie teils faksimilierten Beilagen und Stammtafeln. 35, 5 x 27 cm, grüne Original-Leinenbände mit goldgeprägten Deckel- und Rückentiteln und illustrierten Vorsätzen nach Zeichnung von Prof. E. Doepler d. J., Kopfgoldschnitt (Bände 15 und 19, 1911 und 1915, abweichend gebunden: Original-Halbleinenbände mit goldgeprägten Deckel- und Rückentiteln. Einbandtitel: Brandenburg-Preußens Geschichte, Kultur und Kunst in Einzeldarstellungen und Meisterbildern. Hohenzollern-Jahrbuch). Dem Jahrgang 17 von 1913 beigelegt ist die Inhaltsangabe und das alphabetische Namen- und Sachregister von Band 1 bis XVII, 56 Seiten. Dem Jahrgang 6 fehlt eine Beilage (Friedrich Wilhelm der Große Kurfürst von Brandenburg und seine erste Gemahlin Louise Henriette von Oranien. Nach einem Olgemälde von G. Honthorst); dem 16 Band fehlen 3 Beilagen (Friedrich der Große, 1 Portät nach Pesne und 1 von J. H. Chr. Franke; 1 Bildnis einer Sängerin von der Oper Friedrichs d. Gr. von Pesne), sonst sind alle Bände vollständig. \"Das Hohenzollern-Jahrbuch, jährlich erscheinend, bildet einen Mittelpunkt für die heute überall verstreuten Forschungen über die Geschichte der Hohenzollern und ihrer Tätigkeit für den Staat. Zahlreiche Mitarbeiter von bedeutendem Ruf unterstützen den Herausgeber durch wertvolle Beiträge für den literarischenTeil. Ganz eigenartig ist indessen das Jahrbuch in seiner Erscheinung dadurch, daß neben der literarischen Darstellung auf die Illustrierung nach zeitgenössischen Quellen ganz besonderer Wert gelegt wird.. . . Das Hohenzollern - Jahrbuch setzt sich in bezug auf die Darstellungen die Aufgabe, folgende Gebiete ganz besonders zu pflegen: Porträtgalerie des Brandenburgisch-Preußischen Königshauses, und solcher Männer die sich um das Haus Hohenzollern und den Brandenburgisch-Preußischen Staat besonders verdient gemacht haben, zeitgenössische Darstellungen von wichtigen Ereignissen, wie Schlachtendarstellungen und Pläne, Darstellungen von Staatsaktionen usw., Denkmäler der Hohenzollern, die eigenen Leisstungen der Hohenzollern auf künstlerischem, literarischen und wissenschaftlichem Gebiete, Wahlsprücher der Hohenzollern und Abbildungen besonders bemerkenswerter Urkunden derselben, Baugeschichte der königlichen Schlösser und Gärten, mit besonderer Berücksichtigung für Kunst und Kunstgewerbe, Baugeschichte der Hofkirchen und Fürstengrüfte, Geschichte der Musik, der Oper, Geschichte des Jagd- und Marstallwesens.\" (\"Das Hohenzollern-Jahrbuch\" in der Beilage zu Band 17) * * *Die meisten Bände ehemalige Bibliotheksexemplare unterschiedlichster Provenienz, auf dem Titel gestempelt, Spuren entfernter Standortsignaturen auf den Rücken. Einbände der Bände 1 und 2 berieben und fleckig, Band 14 etwas fleckig und angelockert, die restlichen Bände ordentlich und gut erhalten. In dieser fast erreichten Vollständigkeit sehr selten. Versand D: 5,20 EUR Hohenzollern Friedrich der Große Preußen Jahrbücher Brandenburg

      [Bookseller: Antiquariat Am Bayerischen Platz]
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        PAVLOV'S MAIN WORK] Lectures on the Work of the Principal Digestive Glands

      I.N. Kushnereff & Ko, St. Petersburg 1897 - [Lektsii o rabote glavnykh pishchevaritelnykh zhelyoz] [6], II, 223 p. 8vo. Contemporary owner's cardboards, original wrapper is glued to the front board. The owner's inscription (dated 15/XII/1902) on the wrapper. The private stamp of L.E. Gakkel on the title verso. Good clean copy. The binding is slightly shattered, one of the signatures can be detached. The edges of the binding are rubbed, the paper on corner of the rear board is missing. Rare. First edition. The ground-breaking work in the field of physiology. Undoubtedly one of the main works of Russian science. Ivan Pavlov (1849-1936) was a Russian physiologist who contributed to many areas of neurological sciences. During the 1890s he was looking at salivation in dogs as a response to being fed, when he noticed that his dogs would begin to salivate whenever he entered the room, even when he was not bringing them food. At first he found this something of a nuisance, but what he had accidentally discovered was the phenomenon of classical conditioning. Pavlov performed and directed experiments on digestion, eventually publishing this work after 12 years of research. He won the Nobel Prize for Physiology or Medicine in 1904 for his work. His discovery has gained growing significance in political practices and sociological sciences. He concluded that even such concepts as freedom, curiosity and religion were conditioned reflexes of the brain. ''Essentially, only one thing in life is of real interest to us- our psychical experience,'' he said in his Nobel address. ''Its mechanism, however, was and still is shrouded in profound obscurity. All human resources-art, religion, literature, philosophy, and the historical sciences-all have joined in the attempt to throw light upon this darkness. But humanity has at its disposal yet another powerful resource-natural science with its strict objective methods.''. [Attributes: First Edition]

      [Bookseller: Bookvica]
 18.   Check availability:     AbeBooks     Link/Print  


        [Morris, William- With May Morris ALS] William Morris, His Art: Writings and Public Life

      London: George Bell and Sons, 1897. First edition. Thick 4to. 462pp. Original light green cloth with ornate stamped William Morris patter, gilt central rectangle containg lettering on cover and spine. With two ALS signed by May Morris, daughter of William Morris, to the recipient (i.e. owner), Gladys Horton Wild, and a gift inscription form her mother , signed and dated, on the front free fly: "Gladys Horton Wild, from her Mother. Oct. 21st, 1906." Attached to front fly with paper tape: "Trenault, Egloskerry, Cornwall, 31st July, 1925. Dear Miss Wild, I am sorry I am away and the Manor shut up, so I am araid you had your journey there for nothing. I am always ready to show the house to people really interested... etc. Yours truly, May Morris." and laid in (having been released to what appears its attachment on front pastedown): "Kelmscott Manor. Lecklage" [embossed]. "24 Sept, 1925. Dear Miss Wild, The verses in question are by my Father- composed specially for the book. You will find them in the last and 24th volume of his "Collected Works" edited by me- the last poem in the volume. If you do not possess this editiion, it will doubtless be in some public library to which you have access. Yours truly, May Morris." A scarce and important work on Morris, with 37 plates including a double-spread full color reproduction of a tapestry, specimen pages from books, packed with facinating descriptions of of his career and containing copious biographical information. Slightly loosened owing to the thick format, but a very good copy of what has become quite a scarce book.

      [Bookseller: Nudelman Rare Books]
 19.   Check availability:     Biblio     Link/Print  


        MICHEL STROGOFF MOSCOU IRKOUTSK SUIVI DE UN DRAME AU MEXIQUE - LES VOYAGES EXTRAORDINAIRES.

      1897. HETZEL. ENTRE 1897 ET 1902. In - 4.Carré. Cartonnage d'éditeurs. Bon état. Couv. convenable. Dos satisfaisant. Intérieur frais. 368 pages - tranches dorées - un dessin en noir et blanc sous serpente en frontispice - ouvrage illustré de nombreux dessins en noir et blanc dans le texte - 7 illustrations en couleurs hors texte (collationnées) - cartonnage polychrome avec dos au phare - cartonnage au globe dorée aussi appelé à la mappemonde doré - rosace du 2ème plat indiquant JH et cie (3ème type) - 6 photos disponibles. DESSINS DE J.FERAT GRAVES PAR CH.BARBANT.

      [Bookseller: Le-Livre.Com]
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        Seconde patrie

      Hetzel, 1897. - Hetzel, Paris 1897, Grd. in 8 (18,5x28cm), relié. - Prima edizione illustrata. Questo titolo saprà solo seconda edizione nel 1905 (cartonnage un elefante). Sessantotto illustrazioni di Georges Roux in off-testo bianco e nero e 12 chromotypography, e due mappe. Editor di cartone globo d'oro, o detto, nella mappa del mondo. Piatto firmato Blancheland collegati da Souze. Indietro al faro. Angoli leggermente piegate. Piccola scolorimento in piano inferiore. penna luminosa ictus nella cartuccia. Bella piastra ben luminoso. Nonostante alcuni difetti, bella copia, senza lentiggini. Questo romanzo porta un sequel di 'Swiss Family Robinson' Rudolph Wyss. I viaggiatori partiti in Inghilterra alla fine del romanzo Wyss, vengono abbandonati dai pirati su un'isola sconosciuta, che si rivelerà essere il loro punto di partenza, Nuovo Svizzera. - [FRENCH VERSION FOLLOWS] Edition originale illustrée. Ce titre ne connaîtra qu'une seule seconde édition en 1905 (cartonnage à un éléphant). Soixante huit illustrations par Georges Roux en noir et blanc et 12 chromotypographie en hors-texte, et deux cartes. Cartonnage d'éditeur au globe doré, ou dit, à la mappemonde. Plaque signée Blancheland, reliée par Souze. Dos au phare. Coins légèrement pliés. Petites décolorations sur le plat inférieur. trait léger de stylo dans le cartouche. Belle plaque bien brillante. Malgré quelques défauts, bel exemplaire, sans rousseur. Ce roman apporte une suite au 'Robinson Suisse' de Rudolph Wyss. Les voyageurs partis en Angleterre à la fin du roman de Wyss, sont abandonnés par des pirates sur une ile inconnue, qui se révèlera être leur point de départ, la Nouvelle Suisse.

      [Bookseller: Librairie Le Feu Follet]
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        Captains COURAGEOUS, a STORY of the GRAND BANKS

      The Century Co.. Very Good-. 1897. First American Edition; First Printing. Hardcover. Three quarter tan morocco leather bound cover with 5 raised bands and marbled boards has wear to corners. Boards and spine are straight. Binding is tight. Pages clean and in very good condition. ; 7.60 X 5.60 X 1.50 inches .

      [Bookseller: New Boston Fine and Rare Books]
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        Species des Hymenopteres d'Europe & d'Algerie. Vol. 7: Les Cynipides [part]; Vol. 7bis: Les Cynipides (Suite)

      Froment-Dubosclard, 1897-1902. Two volumes covering the Gall-wasps

      [Bookseller: Pemberley Natural History Books]
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        Old and New London

      London - Cassell, Petter, Galpin and Co., 1897 Book. VERY GOOD INDEED. Hardcover. A fascinating look at London life, with details of the history of the city, its influential characters, and geographical studies of places of interest. A new edition, carefully revised and corrected. George Walter Thornbury (1828, London - 11 June 1876, London) was an English author. These are volumes for the true Antiquarian, not the scientific historian of today, who often no longer remembers why he plys his craft. A true sense of passion for the old times saturates these pages, and conjures up vivid images of the old times in the mind of the reader, almost in a Dickensian manner. His style of writing is as antique as the monuments and events he describes. It is replete with dozens of evocative engravings of ancient monuments, or recreations of notable events. It is not without great academic merit, although it was clearly not written as an academic work. The facts themselves are reliable, thoroughly researched, yet are presented with a flavour of sentimentality which makes them a pleasure for the imaginative reader to absorb and ponder over. The primary urge engendered on finishing any chapter is to go and visit the site, and see it for one's self. Illustrated throughout with many engravings in the text and six frontispieces (one to each volume). Including chapters on Fleet Street, Roman London, St Paul's, Saxon London, and many other topics. Complete in six volumes. Condition: Rebound in brown cloth bindings. Externally, very smart. Internally, firmly bound. Pages are quite bright, though with some scattered light spotting. Overall: VERY GOOD INDEED..

      [Bookseller: Rooke Books]
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        P.R.A.

      DAY AND SON, London England 1897 - This Lithograph Is For The Collectors Of True Vintage First Editions The Rarest Of All Vanity Fair Lithographs By Day And Son Vincent Brooks, Day & Son Was A Major British Lithographic Firm Most Widely Known For Reproducing The Weekly Caricatures Published In Vanity Fair Magazine. The Company Was Formed In 1867 When Vincent Brooks Bought The Name, Good Will And Some Of The Property Of Day & Son Ltd, Which Had Gone Into Liquidation That Year. The Firm Reproduced Artwork And Illustrations And Went On To Print Many Of The Iconic London Underground Posters Of The Twenties And Thirties Before Being Wound Up In 1940. [Attributes: First Edition; Signed Copy]

      [Bookseller: peterfryersales]
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        Kalenderblad voor april.

      Originele kleurenlitho. [1897]. Horizontale en verticale vouw (niet storend). Ingelijst achter glas (lijst: 60 x 47 cm). Onder passe-partout (litho zichtbaar: 40,5 x 28 cm). Door ons niet uit de lijst gehaald.* Zeldzaam kalenderblad voor de maand april 1898 - die toevallig precies overeenkomt met de maand april 2016, die met een vrijdag begint. Art-nouveau-ontwerp van Theo Nieuwenhuis, geheel passend bij de Art Nouveau-vormgeving van het boek. Oordeel over dit blad in het Nieuws van den Dag, 18 november 1897: 'April, met bloempjes en blaadjes van speenkruid en vlinders geornamenteerd, is bijzonder mooi.' De vorige eigenaar heeft het blad smaakvol laten inlijsten.Braches, Nieuwe Kunst Documentatie, 1432:8.

      [Bookseller: Antiquariaat Fokas HOLTHUIS]
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        L'Île mystérieuse

      Hetzel, 1897. - Hetzel, Paris 1897, 18x28cm, 616pp. ; 8pp, relié. - Nuova edizione, illustrata con 154 disegni di Férat incisa da Barbant. il volume tripla. Catalogo Y per 1897-1898. Cartone Hetzel ha detto Editor "sulla mappa del mondo e di nuovo all'ancora." piastra superiore speciale firmato Engel. Secondo tipo di appartamento "i". Alcuni attriti sul piatto, non è grave. Torna un po 'passato. - [FRENCH VERSION FOLLOWS] Nouvelle édition, illustrée de 154 dessins par Férat gravés par Barbant. Volume triple. Catalogue Y pour 1897-1898. Cartonnage d'éditeur Hetzel dit "à la mappemonde et au dos à l'ancre". Plaque supérieure polychrome signée Engel. coupes biseautées. Second plat de type "h". Quelques frottements sur la plaque, sans gravité. Dos très légèrement passé. 

      [Bookseller: Librairie Le Feu Follet]
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        Brückensprung. [1918]. [Original-Holzschnitt / original woodcut].

       Conrad Felixmüller, geboren 1897 in Dresden, gestorben 1977 in Berlin-Zehlendorf. Maler des Expressionismus und der Neuen Sachlichkeit. Von Conrad Felixmüller signierter und datierter `18` und mit dem Zusatz `sign. 24` versehener Holzschnitt auf gelblichem Velin mit typografischer Bezeichnung: \"Felixmüller: Originalholzschnitt zu `Exaltationen meiner Seele` 1918\". Werkverzeichnis Söhn 127 c. Erschienen im Felixmüller-Katalog der Galerie Emil Richter, Dresden, 1919. Maße Blatt: 28,1 x 22,0 cm. Maße Platte: 14,5 x 8,5 cm. Blatt rückseitig mit geringen Montageresten, ansonsten sehr gutes Exemplar. Original woodcut, signed, dated and labeled `sign 42` by Felixmüller. Measure sheet: 28,1 x 22,0 cm. Measure plate: 14,5 x 8,5 cm. Backside light traces of mounting, otherwise fine condition. Versand D: 4,90 EUR Expressionismus / expressionism; Original-Holzschnitt / original woodcut; Signatur, signiert / signature, signed copy

      [Bookseller: Antiquariat Lenzen GbR]
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        La Comedie Humaine. Scenes of Parisian Life. Scenes of Private Life. Etchings by Gery-Bichard, Eugene Gaujean and R de Los Rios, after paintings by Georges Cain and Louis-Edouard Fournier (amongst others). 22 volume set

      London: Leonard Smithers. VG : in very good condition without dust jacket. Slight rubbing to covers. Some light browning to edges of pages. Spines lightly sunned. Pages uncut. Teg. Rare. 1897. Limited Edition [of 250]. Red/gilt hardback cover. 220mm x 150mm (9" x 6"). [7500pp.]. Illustrations. The titles covered in this set are: The Splendours and Miseries of Courtesans (Vol 1 & 2 - The Way That Girls Love, How Much Love Cost Old Men, The End Of Bad Roads & The Last Incarnation of Vautrin) The Poor Relations (Cousin Bette, Pierre Grassou, The Girl with the Golden Eyes), The Poor Relations (Cousin Pons), History of the Thirteen: Ferragus Chief of the Devorants, La Duchesse de Langeais, History of the Grandeur and Downfall of Cesar Birotteau, The Civil Services, Gaudissart II, A Prince of Bohemia, The house of Nucingen, The Secrets of La Princesse de Cadignan, Sarrasine Facino Cane, A Man of Business, The Involuntary Comedians, The Petty Bourgeois (Vol I&II), The House of the Cat and Racket, The Danse at Sceaux, The Purse, The Vendetta, Memoirs of Two Young Wives, Modeste Mignon, A Start in Life, Madame Firiani, The Message, The Atheist's Mass, Albert Savarus, A Daughter of Eve, The Marriage Contract, La Grenadiere, Gobseck, A Woman of Thirty, The Deserted Mistress, Old Goriot, Honorine, Colonel Chabert, The Interdiction, Beatrix, A Double family, The Peace of the Household, A Study of Woman, Another Study of a Woman, The Pretended Mistress. Honoré de Balzac (1799-1850) was a French journalist and writer, regarded as one of the creators of realism in literature. Balzac's huge production of novels and short stories are collected under the name La Comédie Humaine. A key figure in the 1890's the publisher Leonard Smithers was known best for publishing authors other publishers wouldn't touch 'with a barge pole' from writers and artists like Oscar Wilde and Aubrey Beardsley to outright pornography. .

      [Bookseller: Barter Books Ltd]
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        FLORE PHANEROGAMIQUE DES ANTILLES FRANCAISES (MARTINIQUE ET GUADELOUPE) AVEC ANNOTATIONS SUR L'EMPLOI DES PLANTES PAR LE PROFESSEUR EDOUARD HECKEL - EXTRAIT DES ANNALES DE L'INSTITUT COLONIAL DE MARSEILLE 3E VOLUME 4E ANNEE 1896 .

      1897. PROTAT FRERES. 1897. In - 8.Carré. Relié. Bon état. Couv. convenable. Dos satisfaisant. Intérieur frais. XXVIII + 654 pages - quelques rousseurs sans conséquence sur la lecture - petite annotation sur la page de garde - 3 photos disponibles . Sommaire : Abelmoschus - abilgaardia - abroma - abrus - abutilon - acacia - acalypha - achras - acnistus - arenga - areca - amyris - barleria - batis - bignonia - baccharis - cecropia - cassia - catalpa - cajanus - caryota - coix - coccos - clitoria - cypérées - lobelia - luffa - lithophila - lippia - mentha - meyenia - miconia - maytenus - schradera - sauvagesia - sapota - ronabea - oxalis - panax - nerium - musa - myrsine - mimosées - néottiées - solandra - piper - pinzona - prunus - ricinus - raphia - talinum - syagrus - tabac montagne - trilix ETC ETC ...

      [Bookseller: Le-Livre.Com]
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        L'Ermitage. Revue illustree.

      Poster for the illusrated magazine, "L'Ermitage". Etampes: Enard 1897. Published in "Les Maitres de l'Affiche", 1900. Plate no. 227. Indrammet på syrefrit karton i lys eg med anti-reflektivt glas med en UV beskyttelse på 70 %, 1895. Les Maîtres de l'Affiche (The Masters of the Poster) refers to 256 colour lithographic plates used to create a very significant art publication during the Belle Époque in Paris, France. The collection, reproduced from the original works of ninety-seven artists in a smaller format, was put together by Jules Chéret, the father of poster art. By the 1890's the streets of French cities were enlivened by large, colourful posters. The poster had not only caught the fancy of the public, but its best examples were already being regarded as true works of art (specifically, as fine prints) to be exhibited, reviewed in journals, collected and reproduced in a more manageable form. In the last five years of the 19th century, Imprimerie Chaix was to play a great part in codifying, hallowing and perpetuating the ebullient spirit of the Belle Epoque. The renowned set of 256 prints were created by Imprimerie Chaix, forever to be known as a set as Les Maîtres de l'Affiche. Each print was rendered as a separate sheet measuring 11 x 15 inches. [27.9 x 38.1 cm]. The set was compiled in a unique way: Every month for 60 months - from December 1895 through November 1900 - subscribers received a wrapper containing four consecutively numbered prints. On 16 occasions (each of the five Decembers, each of the Junes, and the March and September of the final three years) the monthly wrapper also contained a bonus plate, not a poster reproduction but a specially created lithograph. The compilation of this set of original prints makes up the complete suite known as Les Maîtres de l'Affiche.

      [Bookseller: Peter Grosells Antikvariat]
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        Sapho. Pièce lyrique en cinq actes d'après le roman d'Alphonse Daudet. [ Livre dédicacé par J. Massenet ]

      Heugel, 1897. Paroles de MM. Henri Cain et Bernède, Musique de J. Massenet, 1 vol. gr. in - 4 relié bradel demi - toile à coins verte, couv. cons., au Menestrel, Heugel & Cie, Paris, 1897, 227 pp. Envoi de Jules Massenet : "à Madame Bruman, de respectueuse sympathie". Envois de Henri Cain et Bernède : "les indignes librettistes". Signature d'Emma Calvet et petit bout de partition ms. sur couv., manifestement de la main de Massenet ("ce que j'appelle beau"). Couv. conservée et renforcée, restauration en titre et 2 prem. ff., qques rouss., bon exemplaire par ailleurs dans une reliure postérieure en très bon état. Exceptionnel exemplaire dédicacé à la fois par Jules Massenet, par les deux librettistes et par la célèbre cantatrice Emma Calvet, qui créa le rôle de Sapho à l'Opéra Comique, le 27 novembre 1897. Français

      [Bookseller: Librairie Du Cardinal]
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        La feuille

      Paris, Zo d'Axa, oct. 1897 - mars. 1899. de 26 feuilles demi toile verte de l'époque oct. 1897 - mars. 1899, oct. 1897 - mars. 1899, in - folio, de 26 feuilles, demi toile verte de l'époque, Collection complète des 25 numéros de La Feuille, publié au moment des tumultes de l'affaire Dreyfus. Chaque numéro consiste d'une feuille (sauf le douzième, une double - page imprimée sur une côté seulement) avec une lithographie d'après des dessins de Steinlen, Willette, Léandre, Hermann Paul, Couturier, Anquetin, ou Luce et un article écrit par l'anarchiste Zo d'Axa au verso. Fortement antimilitariste, d'Axa écrit de Dreyfus, mettant en colère les deux camps : "Si ce monsieur ne fut pas traître - il fut capitaine. Passons." La feuille numéro 9 annonce la candidature d'un âne blanc qui se nomme Nul : "Je n'aime pas flagorner le peuple. Voilà le candidat qu'il mérite. A Rome, aux jours de la décadence, la plèbe acclamait un cheval consul. Le bourricot doit triompher en république opportuniste." Peu après d'Axa déclara le succès de son candidat. Bel exemplaire

      [Bookseller: Librairie Alain Brieux]
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        THE BOOK OF THE THOUSAND NIGHTS AND A NIGHT

      London: H. S. Nichols Ltd.. Complete 12 volume set handsomely bound in 3/4 burgundy leather. 1897. hb. Royal 8vo, . More colloquially known as "The Arabian Nights", this magnificant work was first published in 1885 by Burton through the private Kamashastra Society in order to evade the likely consequences of publishing commercially what was perceived at the time to be pornography. Each of the volumes in this set has the name of the society stamped at the bottom of the spine and is "Illustrated by a Series of seventy-one original illustrations reproduced from the Original Pictures in Oils specially painted by Albert Letchford". Each engraving carries the original printed tissue-guard. Each book measures 26 x 18 cms and the "pebbled" leather is bound over woven green cloth with the top edge gilt. The endpapers are marbled and each front endpaper carries the attractive bookplate of J. H. Burton, which depicts a schooner with all sails set, and is bordered by mermaids. The bookplate is initialled in the plate "H.N." (being Harold Nelson, the famed British bookplate designer, artist and engraver). The extremities of each volume do show some rubbing, but it is not untoward. The hinges are tight and the contents are in exceptionally good condition - in fact, the volumes appear never to have been read. We have taken detailed photographs of the set and they are available upon application. .

      [Bookseller: GREENFIELD BOOKS]
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        Aus siebzig Jahren. Lebenserinnerungen.

      Stuttgart, Leipzig: Deutsche Verlag Anstalt, 1897. - Notka wydawnicza: Stuttgart, Leipzig: Deutsche Verlag Anstalt, 1897.; Wymiar bloku: 25cm.; Naklad: 0; Uwagi: Efektowna luksusowa wydawnicza (w wersji bibliofilskiej) oprawa w dwoch rodzajach skory, na przedniej wyklejce ekslibris: Albert Odermann No 306. Przed karta tytulowa calostronicowy portret autora w drzeworycie sztorcowym.Wilhelm Joseph von Wasielewski (17.06.1822 Lezno powiat Kartuzy / Großleesen bei Danzig - 13.12.1896 Sondershausen) urodzony w rodzinie o polskich korzeniach wybitny niemiecki skrzypek, dyrygent i muzykolog, po ukonczeniu szkoly sredniej w Gdansku studiowal w konserwatorium w Lipsku, gdzie jego nauczycielami byli: Felix Mendelssohn-Bartholdy, Robert Schumann, Moritz Hauptmann i Ferdinand David.Ojciec muzyka Jozef Tadeusz Wasielewski ur. 1785, szlachcic i katolik, pochodzil z Nasielska pow. Nowy Dwor Mazowiecki o czym mowa na s.3, zas matka Henriette Christina Piwko z Gdanska, malzonkowie zamieszkali w Leznie, a od 1826 w Gdansku, gdzie ojciec byl nauczycielem.; Waga: 880g; Jezyk: niemiecki; Strony: 278, [10]s. [1]k. tabl.; Kategorie tematyczne: design grafika uzytkowa ksiazki z oryginalna grafika oprawy/okladki XIX wiek, historia XIX wiek wspomnienia, historia Europy Niemcy, sztuka XIX wieku europejska Niemcy muzyka wspomnienia, regiony gedanensia (Gdansk) pomeranica, obcojezyczne niemiecki, okres wydania XIX wiek / , 19th century memoirs , art art of the 19th century music memoirs, regions Pomeranica, foreign languages German, period of edition 19th century / , 19. Jh. Erinnerungen , Kunst Kunst des 19. Jh.s Musik Erinnerungen, Regionen Pomeranica, fremdsprachig deutsch, Erscheinungsperioden 19. Jh.; Oprawa nieznacznie uszkodzona (otarcia) poza tym egzemplarz bez wad. Pozycja w dosc ladnym stanie. Oprawa wydawnicza pelna skora zlocona i zdobiona na grzbiecie, grzbiet 6-polowy, zwiezy wypukle, okladziny z innej skory (krokodyla?); obciecie barwione.

      [Bookseller: POLIART Beata Kalke]
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        Never had traveller a better Steed"

      1897. Nicnack Rides on the back of the UnicornRACKHAM, Arthur, artist. "Never had traveller a better Steed" [London], 1897. Original pen-and-ink drawing, signed "A Rackham '97" on lower right-hand corner, for the drawing illustrating A.E. Bonser's The Treasure at the end of the Rainbow, (pp. 717-727). The drawing is titled by Arthur Rackham in the lower left-hand corner "The Treasure at the end of the Rainbow/Never had traveller a better Steed."Image size: 8 7/8 x 10 1/2 inches: 225 x 266 mm. Matted, framed and glazed. The drawing appears on p. 723 in the St. Nicholas Magazine. London, Frederick Warne & Co.,1898. In St. Nicholas the drawing is titled "They approached the Mountains of the Moon, and saw the lofty summits". "Nicnack," said the Phenix, peeping over the edge,--- for it was indeed the royal bird,--"is that you? I have been expecting your visit. You can help me, and I can help you. I am short of cinnamon sticks. Down where you stand you can see over yonder a grove of the spice. The unicorn will take you to it. Please get me some; and," the Phenix added thoughtfully, "while you are about it, you might bring three straight young palm-trees." Down climbed Nicnack; off he sped on the unicorn's back, and soon returned with the spice and palms. "Thank you, Nicnack," said the Phenix; "but you're tired, so sit down and rest, and tell me what you saw in Fairyland. You see, I know a good deal about you already." Nicnack was more than astonished; but he frankly told the Phenix of his adorable Princess, and how he hoped to win her by finding the Treasure at the End of the Rainbow."In this pen and ink drawing, Rackham depicts a sense of urgency in how he draws Nicnack riding like the wind on his unicorn. His cape and his feathered hat are billowing out behind him. In the foreground a rabbit, looking scared runs out of the way of the hooves of the unicorn. The mountainous landscape is rugged with rocks in the foreground. Not typical of a Rackham drawing, but still full of detail and movement - a skill that Rackham uses to great effect.

      [Bookseller: David Brass Rare Books, Inc.]
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        Never had traveller a better Steed

      [London]: , 1897. - Nicnack Rides on the back of the UnicornRACKHAM, Arthur, artist. "Never had traveller a better Steed" [London], 1897. Original pen-and-ink drawing, signed "A Rackham '97" on lower right-hand corner, for the drawing illustrating A.E. Bonser's The Treasure at the end of the Rainbow, (pp. 717-727). The drawing is titled by Arthur Rackham in the lower left-hand corner "The Treasure at the end of the Rainbow/Never had traveller a better Steed."Image size: 8 7/8 x 10 1/2 inches: 225 x 266 mm. Matted, framed and glazed. The drawing appears on p. 723 in the St. Nicholas Magazine. London, Frederick Warne & Co.,1898. In St. Nicholas the drawing is titled "They approached the Mountains of the Moon, and saw the lofty summits". "Nicnack," said the Phenix, peeping over the edge,--- for it was indeed the royal bird,--"is that you? I have been expecting your visit. You can help me, and I can help you. I am short of cinnamon sticks. Down where you stand you can see over yonder a grove of the spice. The unicorn will take you to it. Please get me some; and," the Phenix added thoughtfully, "while you are about it, you might bring three straight young palm-trees." Down climbed Nicnack; off he sped on the unicorn's back, and soon returned with the spice and palms. "Thank you, Nicnack," said the Phenix; "but you're tired, so sit down and rest, and tell me what you saw in Fairyland. You see, I know a good deal about you already." Nicnack was more than astonished; but he frankly told the Phenix of his adorable Princess, and how he hoped to win her by finding the Treasure at the End of the Rainbow."In this pen and ink drawing, Rackham depicts a sense of urgency in how he draws Nicnack riding like the wind on his unicorn. His cape and his feathered hat are billowing out behind him. In the foreground a rabbit, looking scared runs out of the way of the hooves of the unicorn. The mountainous landscape is rugged with rocks in the foreground. Not typical of a Rackham drawing, but still full of detail and movement - a skill that Rackham uses to great effect.

      [Bookseller: David Brass Rare Books, Inc.]
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        Messidor

      Fasquelle, 1897. - Fasquelle, Paris 1897, 13x19,5cm, relié. - Edizione originale sulla carta corrente. Associazione a bradel abete metà percaline, liscio indietro con un oro motivo floreale, la data e filo oro coda doppia, come stanza bordeaux lutto con due graffi, piatti di carta in marmo, due angoli leggermente urtato, vincolante tempo. Firmato autografo dell'autore Henri Meilhac. Nizza copia. - [FRENCH VERSION FOLLOWS] Edition originale sur papier courant. Reliure à la bradel en demi percaline sapin, dos lisse orné d'un motif floral doré, date et double filet dorés en queue, pièce de titre de chagrin bordeaux comportant deux éraflures, plats de papier marbré, deux coins légèrement émoussés, reliure de l'époque. Envoi autographe signé de Emile Zola à Henri Meilhac. Agréable exemplaire.  

      [Bookseller: Librairie Le Feu Follet]
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        Magyar kozmondasok es kozmondasszeru szolasok

      Kiadja Kokai Lajos (1897), Budapest - 770 pages. This collection of Hungarian proverbs and idioms was the most extensive and important up to its day, with neary 20,000 entries. The book was reprinted a number of times, most recently in 1998. Uncommon and important. First edition (first printing). A near fine copy in the publisher's original binding. With the bookplate of proverb collector Victor de Guinzbourg. [Attributes: First Edition; Hard Cover]

      [Bookseller: Eureka Books, ABAA]
 39.   Check availability:     IberLibro     Link/Print  


        Deuben den 30/31. Juli 1897

      Gemeinderat zu Deuben, Deuben 1897 - Oblong Quarto. (1) 21 plates. Original black leather with debossed ruling and gilt-stamped lettering and wave molding on cover. Gilt edges and decorative gilt-stamped endpapers. Printed dedication page, with decorative ruling, reads: "In thankful recognition of the great emergency relief efforts on and after the disaster on July 30th and 31st, 1897 (In dankbarer Anerkennung der grossen Mühen zur Linderung des Notstandes an und nach den Unglückstagen 30. und 31. Juli 1897), The City Council Deuben, Director Rudelt. Illustrated with 20 dramatic silver gelatin prints (8 1/2 x 5 3/4") mounted to heavy card stock plates onto decorative white ruling. The photographs by Emil Krausse convey a vivid impression of the magnitude of this flood as well as the rescue efforts undertaken, depicting City Hall, various residences, the electric power station, the city gym and destroyed bridges as well as the large rescue party in uniform. All photographs are captioned in German. Printed by Julius Köckritz in DeubenInscription in German inked to free front endpaper in memory of Adolf Bahr, one of the city officials during the 1897 flood catastrophy. Small sticker reading "R. 20" in upper right corner of front free endpaper. Binding with some wear and rubbed along edges. Spine with moderate scuffing, rubbing and some light wear at head and tail. Plate 15 with name inked under photograph of city gym. Plate 16 loosened from binding with left lower corner chipped and closed tear. Some age-toning along edges of card stock. Binding in overall good-, interior in very good, photographs in near fine condition. Deuben was first documented in 1378 as "Duben" which means "settlement where oaks stand" in the Sorbian language. It is spoken by the West Slavic people known as Sorbians who were, genetically and based on the spoken language, most closely related to the Czechs and Poles. In today's Germany the language is protected as a minority language. The discovery of coal in the 19th century triggered a rush of numerous processing businesses and subsequently a rise in population. During the Soviet occupation coal containing Uranium was found and produced. The devastating flood catastrophe of 1897 was the result of uninterrupted rainfall for 20 days. Within a day six inches of rain prompted the Weisseritz, a tributary to the Elbe, to rise many times above its normal level. 19 lives perished and the destruction in the area amounted to 320 houses and 130 bridges lost. [Attributes: First Edition; Hard Cover]

      [Bookseller: ERIC CHAIM KLINE, BOOKSELLER (ABAA ILAB)]
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        Naturgeschichte der Vögel Mitteleuropas. Neu bearbeitet von Prof. Dr. R. Blasius und vielen anderen. Herausgegeben von Dr. Carl Hennicke in Gera. Bände 1 bis 5 von 12. 1. Band: Drosseln; 2. Band: Grasmücken, Timalien, Meisen und Baumläufer; 3. Band: Lerchen, Stelzen, Waldsänger und Finkenvögel; 4. Band: Stärlinge, Stare, Pirole, Rabenvögel, Würger, Fliegenfänger, Schwalbenvögel, Segler, Tagschläfer, Spechte, Bienenfresser, Eisvögel, Racken, Hopfe, Kuckucke; 5. Band: Raubvögel (Eulen, Käuze, Falken, Weihen, Bussarde, Adler, Habichte, Geier).

      Gera-Untermhaus: Lithographie, Druck und Verlag von Fr. Eugen Köhler, 1897 - 1905.. Zusammen LXVIII, 1754 Seiten mit gelegentlichen Textabbildungen, 228 chromolithographierte Tafeln, 6 schwarz-weiße Tafeln. 39,5 x 29,5 cm, mittelbraune Original-Halbleinenbände mit goldgeprägten Rückentiteln, Deckel mit schwarzem Papier bezogen, dreiseitig marmorierter Schnitt. Durch Band Register erschlossen. Einbände berieben und etwas fleckig, Hinterdeckel des ersten Bandes vom Rücken gelöst, Stempel und Inventarnummer auf den Titelblättern, sonst, und vor allem innen, gut erhaltenes und sauberes Exemplar. Versand D: 5,20 EUR Drosseln; Grasmücken, Timalien, Meisen und Baumläufer; Lerchen, Stelzen, Waldsänger und Finkenvögel; Stärlinge, Stare, Pirole, Rabenvögel, Würger, Fliegenfänger, Schwalbenvögel, Segler, Tagschläfer, Spechte, Bienenfresser, Eisvögel, Racken, Hopfe, Kuckucke; 5. Band: Raubvögel (Eulen, Käuze, Falken, Weihen, Bussarde, Adler, Habichte, Geier).

      [Bookseller: Antiquariat Am Bayerischen Platz]
 41.   Check availability:     buchfreund.de     Link/Print  


        Les nourritures terrestres

      first edition printed in small numbers. Binding half blue calico, discolored smooth back with a floral pattern golden initials and double gold tail thread, marbled paper plates, guards and contreplats of handmade paper, contemporary binding. Rare autograph signed Gide this text E. Vigié-Lecoq on the half-title page. A small marginal tear without gravity on the half-title page. Mercure de France Paris 1897 11,5x18,5cm relié

      [Bookseller: Librairie Le Feu Follet]
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        Les Programmes Illustres des Theatres et des Cafes-Concerts, Menus, Cartes d'Invitation, Petites Estampes, etc.

      Nilsson/Lamm, Paris - A very good copy with spotless plates. The book is scarce as plates were frequently sold separately. French bookseller's postcard bound in. Volume I (possibly only volume made). Preface par Pierre Veber. Original published parts with wrappers bound together as one volume. 39 pages of text in French plus summary pages printed on tissue paper. In-text figures plus 63 lithographic plates, printed by Draeger, Appel, Verneau & others, 40 in full color the rest tinted, with tissue guards. Folio, rebound in older grey cloth-backed marbled boards with red leather spine label (somewhat edgeworn, but clean internally aside for ink on one wrapper. Front fly leaf creased and corners of first few pages dogeared, not affecting text). Paris: Nilsson/Lamm, [no date, 1897]. [Attributes: Hard Cover]

      [Bookseller: Argosy Book Store, ABAA, ILAB]
 43.   Check availability:     AbeBooks     Link/Print  

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