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Displayed below are some selected recent viaLibri matches for books published in 1895

        The Three Impostors, or The Transmutations.

      London: John Lane, 1895. London: John Lane, 1895. FIRST EDITION, WITH NOTABLE BOOKPLATE. Octavo, pp. 290; 30 [advertisements]. Cover and title page design by Beardsley; bound in publisher's navy cloth with gilt titles to spine, light blue decoration and titles to front board, key motif in silver to spine and rear board, with year of publication incorporated. All edges deckled, blank endpapers. Bookplate of Piercy Henderson "Dolly" Morrison (1868-1936) attached to pastedown, ephemera in protective plastic slipped into volume (article on Machen from the Hereford Times, 2002). In very good condition, boards clean, edgeworn with endcaps pushed, all corners bumped, textblock age toned with spotting toward first and final few leaves. Machen continues to be celebrated as a giant of horror, whose works have contributed to the genre in a hugely transformative sense. The first edition, generally preserved.

      [Bookseller: Adrian Harrington]
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        The House of Joy [Together with] The Field of Clover

      London: Kegan, Paul, Trench, Trubner & Co, 1895, 1898. First editions. Offered here are two fine copies of some of Housman's most endearing and recognizable book covers and illustrations, matched together due to the collector's discerning eye and housed in a folding box with superb marbled paper over boards. Two of the finest copies we have ever seen of these books much more commonly found in less than admirable condition. Replete with superb full-page illustrations by Housman. Scarce indeed.

      [Bookseller: Nudelman Rare Books]
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        Les Mois: Douze Compositions graves sur bois & imprimées en chromotypographie

      Paris: G. De Malherbe, 1895. First edition. Folio size. Contemporary three-quarter vellum-style boards with handmade marbled paper boards, morocco label on spine as well as gilt designs on spine. TWO STATES OF THE ILLUSTRATIONS: 24 chromotypographed plates, two for each month in succession. The first being before type with month only printed, and the second after type, designed for the 1896 calendar of the Parisian department store La Belle Jardiniere. With original gray wrappers (on thick paper) for the "Imprimever Edition," by Malherbe, Paris bound front and rear. Sheets measure 17x241 mm; 12 1/2x9 1/2 inches, images are roughly 209x159mm; 8 1/4x6 1/4 inches (plates before letters are printed on the sheets, those with text cut and mounted to sheets). In the early 1890s Grasset began experimenting with a new form of printing called chromotypography, an early form of photolithography invented by his friend, Firmin Gillot. This calendar was printed in "Gillotage," a version of chromotypography where the plates are engraved on wood and printed on vellum. Covers slightly discolored with one small square at bottom left marked from a stamp, spine gilt rubbed, scattered marginal foxing. Overall very good and plates fine. A very nice set, extremely rare thus, with the calendar plates.

      [Bookseller: Nudelman Rare Books]
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        The earliest Autograph Letter Signed of Andrew Jackson on the market in the last four decades. A choice letter by Jackson, then a young Tennessee lawyer and merchant, offers frank advice to a client, and references James Robertson, the co-founder of Nashville

      n.p., October 2, 1895. 7.25" x 13.25". "Autograph Letter Signed, ""Andw Jackson,"" 3 pages, 7.25"" x 13.25"", [n.p.]. October 2, 1795. Separated folds repaired, loss to right margin on third page infilled with on two letters of Jacksons' signature expertly filled in, moderate toning and soiling, else very good overall.Jackson, then a young Nashville attorney, offers frank advice to his client, and reads in full: ""Capt. David Smith waited upon me this day, and Communicated to me your Desire of Seeing Me in the Town of Nashville this Evening in order (as I understand him) to adjust a Disputed Matter now Existing between you and him ?" One thing I can observe that agreeable to the articles of agreement which were Entered into between you and Spring. Spring was to have one hundred Dollars out of the Bond originally given by David Smith to you and transferred from you to Spring; agreeable to your instructions Smith paid to Spring one hundred Dollars upon which I as attorney for Spring Dismissed the suit instituted on Said bond by Spring vs Smith; all this was Done agreeable to your request & Spring['s] instructions; now sir if the hundred Dollars which you Compelled Smith to pay you in the Notion[?] was on acct. of the hundred Dollars reserved for Spring it was a wrong payment; and by law Smith has a good cause of action against you will be Compelled to pay it back with Costs of Suit, when you and Myself Talk of this Matter in Nashville you then Told me it was not the Same Money reserved for the payment of Spring but that it was the balance of the Debt owing to you; but from the information of Colo Hays I am now of the oppinion [sic] that it was for the Said Debt Owing to Spring?" Now Sir as all the land was transfer[r]ed to Spring by you upon which Smith was sued, it was a good payment made by Smith to Spring, more particularly as it was by your Express instructions So as to have the suit dismissed and to obtain the ballance [sic] of the Debt that by the articles of agreement between you and Spring was Due and owing to you. My advice therefore is to you to repay the money to Smith and Save the Expence [sic[] of a Lawsuit which you will undoubtedly have to pay; Genl Robertson can inform you that it will be the Consequence from the Statement herein which are facts and not as plainly stated as they will be proven in Court from the original bond as from [your] own agreement and Confessions[.]""Jackson makes reference to James Robertson, who, with John Donelson (1718-1785) founded Nashville. Jackson settled in Nashville in 1788 first boarding with Donelson's widow where he met his future wife, Rachel Donelson Robards. Jackson had precious little legal training, but compared to others in the sparsely-settled trans-Appalachian West, he was one of the most qualified jurists around. In 1788 he secured the post of prosecutor for the Western District of North Carolina, and then in 1791 The Southwest Territory. His legal work enabled him to seek political office. The year after Jackson penned this letter, he would attend the Tennessee constitutional convention, together with Robertson, when it became the sixteenth state to be admitted to the Union. In 1796, Jackson was elected to Congress, beginning a long and successful political career. This is the earliest Autograph Letter Signed that we have seen appear on the market. Only a few earlier examples of Jackson's hand have been sold in the past forty years, but only cut signatures, signed documents and endorsements. "

      [Bookseller: University Archives]
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        A History of British Birds [6 Volume Set]

      London: John C. Nimmo, 1895. Hardbacks, no dust-wrappers. 6 volume set. Pp. 318; 288; 281; 258; 232; 235. Complete with 394 colour plates. Fourth edition, revised, corrected and enlarged. Ex-library copies with usual library markings, but plates clean without stamps. Bindings a little faded and worn, some spines slightly skewed. Tape repairs to page 53-56 in volume 5. A heavy set, additional postage may be required for orders outside the UK. (ar19). Hard Cover. Good/No Jacket.

      [Bookseller: Besleys Books]
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        MODEL MENAGERIE

      POP-UP. (NISTER) MODEL MENAGERIE with natural history stories by L.L. Weedon, Evelyn Fletcher and others. London: Nister no date ca 1895. Large oblong 4to, (14x10 3/4") cloth backed pictorial boards, lacks rear blank endpaper and front endpaper chipped else VG+. This is a beautiful pop-up book with 6 full page chromolithographed pages of animals in cages that emerge when the page is turned. The scenes are very detailed, many have animals decorating the cage bars. Includes lion with cubs, deer with fawns, tiger with cubs, a cage full of monkeys, brown bear and elephant. Text pages are illustrated in brown. See Whitton:Paper Toys of the World p. 68, 70. Quite often found with the bars of the cage detached or missing, this copy is in nice condition.

      [Bookseller: Aleph-Bet Books, Inc.]
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        Große Menagerie. Tiergeschichten.

      Nürnberg, Stroefer o. J. (1895).. Quer-4°. 14 unbez. Bl. mit illustr. Titel, 6 chromolithogr. Aufstellbildern u. Illustrationen im Text von (William Foster). Farbig illustr. OHln. (Verlags-Nr. 747).; (Verlags-Nr. 747).. Klose, Die Zusammenarbeit der Kunstverlage Th. Stroefer und Ernst Nister in Nürnberg. In: Arbeitskreis Bild Druck Papier, Tagungsband. Nürnberg 2009, S. 111 f. (mit Abb.). Klotz 4627/19. Rammensee 1092. Nicht bei Ries 527. - Seltenes Spielbilderbuch aus dem Stroefer-Verlag, der vor der Jahrhundertwende für seine hervorragend ausgestatteten Kinderbücher bekannt war. Die qualitätsvollen bei Nister gedruckten Chromolithographien des englischen Tiermalers W. Foster (1853-1924) zeigen die Tiere (Löwen, Hirsch, Tiger, Affen und Papageien, Braunbär, Elefant) jeweils in kunstvoll verzierten Käfigen. - Ecken etwas bestoßen, vord. freies Vorsatzblatt mit kl. Randläsuren, Bindung stellenweise gelockert, Titelblatt leicht stockfl., Gitterstab bei einem Aufstellbild geklebt, sonst sehr gut erhalten.

      [Bookseller: Antiquariat Haufe & Lutz]
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        My Travels in Europe and America

      George Routledge and Sons. Good. 1895. B0026Y42ZM Good. (Binding: Hardcover, Jacket: No Jacket) Cloth, 29 cm, 203 pages, with four black & white plates. Good copy. Covers worn at edges and corners and with some soiling. Head and tail of spine fraying. . B0026Y42ZM .

      [Bookseller: Moe's Books]
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        Fables choisies

      1895. relié. DeCollection. Les illustrations ont été exécutées par des artistes japonais (Marpon & Flammarion, 1895. In/4 reliure éditeur illustré en couleur contenant deux albums : 28 planches repliées en accordéon non paginées, deux couvertures en couleur , et des illustrations in-texte en noir (par Kano Tamonobu, Hajita Hando et Kubota Tosui.). La finesse du trait, le charme des détails, le choix des coloris et la mise en page si particulière des oeuvres japonaises forment ici une alliance parfaite entre l'occident et l'orient. Rare. Exemplaire en tirage de luxe (190 ex.) sur papier japonais Tori-noko. Légère trace de pliure sur le premier feuillet, sinon, très bon état.

      [Bookseller: Librairie]
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        Confessions EDITION ORIGINALE ENVOI AUTOGRAPHE

      Paris: Publication , 1895. Fine. Publication , Paris 1895, 11,5x18,5cm, relié. - First Edition. Binding to bradel half canvas fir, smooth back with a gold floral pattern, gilt double fillet tail, flat marbled paper. Signed autograph author Rene Andreau. Illustrated book with a portrait of the author as a frontispiece by Louis Anquetin. --- Please note that the translation in english is done automatically, we apologize if the formulas are inaccurate. Contact us for any information! - [FRENCH VERSION FOLLOWS] Edition originale. Reliure à la bradel en demi toile sapin, dos lisse orné d'un motif floral doré, double filet doré en queue, plats de papier marbré. Envoi autographe signé de Paul Verlaine à René Andreau. Ouvrage illustré d'un portrait de l'auteur en frontispice par Louis Anquetin.

      [Bookseller: Librairie Le Feu Follet]
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        Unpublished Autograph Letter Signed

      [England], 1895. An excellent handwritten letter from Rudyard Kipling to Sibyl Healey (also Heeley). Sibyl Heeley was the daughter of Wilfrid Heeley, who was a friend of Morris and Burne-Jones and a contributor to the Oxford and Cambridge Magazine. She was possibly born at The Grange, the Burne-Jones's house in Fulham. Sibyl and Kipling were lifelong friends, from the 1870s through the 1930s. He called Sibyl's mother Aunt Josephine (although they were not related and presumably named his daughter--the one who died--Josephine, after her. In this letter he writes: "Waite Windham Co. Nov. 23 95 My dear Sibyl, Your note from Dover (without a date) has just caught me on my return from a trip to Boston. The book hasn't turned up yet but our P.O arrangements are careless in this land and I thank you for it in advance. Little Josephine shall most surely hear of her Aunt Sibyl and shall put her in her prayers which is her little notion of great honour. It was wrong of you not to come down when we were at Tisbury (someday I'll tell you the tale of the drunken woman in that same hostelry & you'll laugh) but that wrong you shall remedy next year when we come over (?) as we hope to do, all being well, in the autumn. Dearest love to Aunt Josephine. I didn't know till you wrote how ill she has been: but I heard generally that she had been very far out of health. Pray heaven the (??) life will mend her and do kiss her from me. The idea of you with a (?) fills me with solemn chuckles. Keep out of (?) Child; gut I'll look at your note when it comes & if it's good I'll (?) say so. My few days away in Boston have given me a mail to dispose of as high as a haystack & not half as interesting. Hence my awful handwriting. And I'll write anew when the book comes. Ever your loving brother Rud. " Written on two sides of a folded 7 x 8 1/2 sheet of notepaper. Embossed at top with Naulakha Battleboro Vermont, with Battleboro crossed out and Wait Windham Co. written next to it. Small closed tear along crease where folded in half but otherwise very good. AUTOGRAPH/072915.

      [Bookseller: The Kelmscott Bookshop]
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        GRAYLING AND HOW TO CATCH THEM: AND RECOLLECTIONS OF A SPORTSMAN. By Francis M. Walbran.

      "The Angler." Scarborough. - 1895 1st edition. Small 8vo (130 x 190mm). Ppxvi,142. Frontispiece portrait, small b&w photograph illustrations in text. Binding A. Dark green cloth printed black. A very good copy in a beautiful clamshell box with enclosures * Francis "Max" Walbran was a well-known angling writer and fishing tackle dealer from Leeds. His writings remain a valuable guide to the methods and attitudes of the Yorkshire school of fishing which had developed in the 19th century. The book is divided into two parts: Part I - Grayling And How To Catch Them - has chapters discussing: times of spawning, distribution, size, flies and dressings and different fishing methods. Part II - Recollections Of A Sportsman - is a collection of angling articles and sketches, describing his fishing trips in different parts of the country. * A very nice copy, bearing the signatures of M.G. Watkins (1895) and Horace Kippax (1946). Enclosed in a very handsome half-leather custom-made clamshell box, ornately decorated on the spine (raised bands, etc). In a separate marbled-paper folder within the box are a large quantity of newspaper cuttings from the 1920s, all relating to grayling fishing. Also seven separate leaves, hand-written on both sides, detailing excursions for grayling between 1921 and 1924, on the North Country rivers Eden, Irthing, Glen (at Akeld Steads), Blyth and Bowmont. The unidentified author, evidently a real grayling specialist, fished with fly, worm and maggot, and described the locations, conditions and catches in great detail. A great example of the diary and interests of an early single-species specialist, beautifully preserved and presented. [Attributes: First Edition; Hard Cover]

      [Bookseller: Coch-y-Bonddu Books Ltd]
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        The fortunes and misfortunes of the famous Moll Flanders / by Daniel Defoe ; edited by George A Aitken with illustrations by J B Yeats - Complete in 2 volumes

      London : J. M. Dent, 1895. 1st Edition in this form. Provenence; bookplate of Laudatur et Alget. Very good copies both in the original gilt-blocked cloth. Spine bands and panel edges somewhat rubbed and dust-toned as with age. Remains quite well-preserved overall; tight, bright, clean and strong. Physical description; 2 v. : tissue-guarded plates ; 19 cm. Series; Romances and Narratives by Daniel Defoe ; 7, 8. Title page printed in black and red. Head-pieces. Subjects; Children of prisoners - Fiction. Women - England - Fiction. Prostitutes - Fiction. Repentance - Fiction. Criminals - Fiction.

      [Bookseller: MW Books Ltd.]
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        Scientific Duck Shooting in Eastern Waters

      Falmouth, Mass.: Independent Press, Spencer & West, Proprietors, 1895. Book. Near Fine. Hardcover. 1st Edition. 116 p. 16mo. Green buckram. Boards are faintly mottled around the edges and there is a touch of foxing in the end papers. Crease line on pp. 77-80. Paper stock in the final signatures has yellowed. A highly readable and elegant text on duck hunting, this copy is a delight to hold..

      [Bookseller: Brown and Dickson (ABAC, ILAB)]
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        Thirty Years of Shikar

      Edinburgh and London: William Blackwood and Sons 1895. First edition. x, 373, 2, 32 pp. Publisher's original gilt-decorated green cloth. Maroon endpapers. Frontis illustration. Illustrated initials and tailpieces. Coloured folding map at rear. Slight foxing. Cloth boards bright and fresh with bright gilt decoration. Internally clean and fresh. No ownership names or any other markings. A handsome Near Fine copy of a very scarce book. . Near Fine. Decorated Cloth. First Edition. 1895. 8vo..

      [Bookseller: Fosters' Bookshop]
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        Half-Hours with an Old Golfer

      London: George Bell & Sons, 1895. . 8vo, [i-vii], viii, 184 pp. With 4 chromolithograph plates and 35 mostly humorous black-and-white illustrations. Original brown cloth bearing whimsical and elaborate golf-related designs in gilt (clubs, flags and golf balls). Minimal rubbing at foot and crown of backstrip; one or two little bumps at edges of boards. Occasional light spotting and a few leaves creased. A very good copy of a scarce binding in good condition. First edition of what may be the first trade binding depicting golfing accouterments. The color plates are nostalgic reminders of what a true links course should look like. The text is a combination of instructional illustrations with poems, humorous stories, etc. Donovan & Murdoch 1020.

      [Bookseller: John Windle Antiquarian Bookseller]
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        The Rose and The Key

      London; Downey and Co. [1895], 1895. First one volume edition. 8vo. Publisher's ribbed green cloth titled in gilt to spine and front board. Minor edgewear and rubbing to extremities, otherwise strong and bright, a very good copy indeed. Internally clean, neat ink ownership to pastedown, discreet W.H. Smith blindsatmp to flyleaf.

      [Bookseller: Adrian Harrington Rare Books]
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        NIMM MICH MIT

      MEGGENDORFER, LOTHAR. MEGGENDORFER,LOTHAR. NIMM MICH MIT. Munchen: Braun & Schneider no date, 10th auflage, circa 1895. Oblong 9 x 3", 210p., cloth, some cover soil, VG+ in custom cloth box. This is a fabulous picture book for the young child with each page chock full of hand-colored images showing life and every day objects found in Germany at the turn of the last century. Similar in format to Stump Books but larger, this is a rare Meggendorfer title.

      [Bookseller: Aleph-Bet Books, Inc.]
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        Signed Post Card Photograph with Biographic Notation, in German, AND Signed 12 mo card with same notation dated, Berlin, May 3, 1933

      Anything signed by Skladanowsky is considered rare. On the lower white margin of the post card photograph, Skladanowsky has written, "A souvenir from the inventor of motion pictures, Max Skladanowsky." Skladanowsky played an important role in the invention and early development of motion picture technology. Max and his brother Emil Skladanowsky used their bioscope camera to display the first moving picture show to a paying audience on November 1, 1895. Because this occurred just before the December 28, 1895 public debut of the Lumière Brothers' technically superior Cinématographe in Paris, Skladanowsky could make the claim that he and his brother "invented" motion pictures. However, the Lumiere brothers had held a private viewing of their camera earlier in March of the same year. Skladanowsky's trade license was eventually not renewed, and the Lumiere camera won the contest for best motion picture camera of the time. Skladanowsky's company, Projektion für Alle, produced a number of short films between 1895 to 1905. "..of the many inventors who tried to adapt the double-projection system of dissolving magic lanterns, only Skladanowsky produced a commercially used and widely seen apparatus." [http://www.victorian-cinema.net/skladanowsky.].

      [Bookseller: Schulson Autographs]
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        FAIR WOMEN OF TO-DAY

      - FLOWERS. FAIR WOMEN OF TO-DAY by Samuel Peck. NY: Stokes (1895). 4to, 3/4 blue cloth, fine. Poems about various flowers, illustrated with beautiful full page chromolithographs of women by CAROLINE LOVELL, very much in the style of Maud Humphrey. A remarkable copy of a beautiful book. [Attributes: Hard Cover]

      [Bookseller: Aleph-Bet Books, Inc. - ABAA]
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        Almanack for 1895.

      George Routledge and Sons, London, 1895. - 76 x 103 mm, with frontispiece, pictorial title, 12 illustrations with inset text, and 4 further illustrations depicting the seasons. A note on postage in the UK. Publisher's cream cloth with illustrations and titles to both boards. Plain cream dust wrapper with brown ink titles. All edges gilt. Fine. Now housed in a brown cloth clamshell case with an acid free felt inner. [Attributes: Hard Cover]

      [Bookseller: Adrian Harrington Ltd, ABA, ILAB]
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        Traité théorique et pratique du haschich et autres substances psychiques EDITION ORIGINALE

      Paris: Chamuel, 1895. Fine. Chamuel, Paris 1895, 12x19cm, broché. - Edition originale.A also about opium, cocaine, ether, magical herbs, pills, narcotic plants ... A little lack in foot back, two small spots in the first flat foot, a clear marginal wetting the second board, a few rousseurs.Rare. --- Please note that the translation in english is done automatically, we apologize if the formulas are inaccurate. Contact us for any information! - [FRENCH VERSION FOLLOWS] Edition originale. A propos également d'opium, de cocaïne, d'éther, d'herbes magiques, de pilules, de plantes narcotiques... Un petit manque en pied du dos, deux petites taches en pied du premier plat, une claire mouillure marginale sur le deuxième plat, quelques petites rousseurs. Rare.

      [Bookseller: Librairie Le Feu Follet]
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        Almanack for 1895.

      George Routledge and Sons, London, 1895. 76 x 103 mm, with frontispiece, pictorial title, 12 illustrations with inset text, and 4 further illustrations depicting the seasons. A note on postage in the UK. Publisher's cream cloth with illustrations and titles to both boards. Plain cream dust wrapper with brown ink titles. All edges gilt. Fine. Now housed in a brown cloth clamshell case with an acid free felt inner.

      [Bookseller: Adrian Harrington]
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        The Works of Edgar Allan Poe, 10 Vols.

      Stone & Kimball, Chicago 1895 - Of this edition on large paper, only two hundred and fifty sets have been printed for America, this is No 181. All volumes bound in full vellum, with gold lettering, and gold floral decorations to spine and upper & lower boards Printed on handmade laid paper. Good to very good condition, foxing throughout, scuffing on vellum boards. The spine of volume 10 is a little extra dirty [Attributes: First Edition; Hard Cover]

      [Bookseller: David Morrison Books]
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        Combat du Chevalier d'Eon EDITION ORIGINALE ENVOI AUTOGRAPHE

      Encre sur papier, 1895. Fine. Encre sur papier Fin XIXème, 27 x 21 cm. - Original ink drawing. Signature stamp of the artist's signature in the lower right of the work and signature monogram stamp of the artist angle; signature stamp on the back of the workshop. Mention handwritten on the back, in pencil, title, and date: 1895 Very nice condition.. Provenance: the artist's studio, referenced to catalog Atelier Louis Anquetin (Thierry de Maigret, 28/11/08). Louis Anquetin, Étrépagny born in 1861 and died in Paris in 1932, is an important French painter. He began his career with avant-garde artists such as Vincent van Gogh and Henri de Toulouse-Lautrec. With Émile Bernard, he is the inventor of Cloisonnisme. From 1884 to 1893, Louis Anquetin continues to explore new opportunities introduced by the release of Impressionism in French painting. From 1893, after a long confrontation with the "old masters", he adopts a bias pictorial that will line the general art movement, and take away from his friends. Dazzled by the baroque art and its creative force, so he thinks his childhood friends were involved in a pathway leading to the death of painting. He believes in a "perfect painting" which is embodied in the re-remember the lessons of Michelangelo and Rubens among others. His work becomes more conventional, he advocated a return to business by offering to reflect on the a priori conditions of any possible form of art in accordance with the rules of perspective and anatomy, as practiced by the masters the sixteenth and seventeenth century. Leaving only a few works that can be described as monumental, Anquetin turns prolific with its many studies and sketches, who considered that the design was "a very powerful means of expression" compulsory foundation of all arts plastics. Working voluntarily countdown of his time, Louis Anquetin made possible the existence of an original modern figuration. By his obstinacy and his passion for painting, he has indeed prevented is completely closed the way to the great Western tradition. You can admire his works in many prestigious museums such as the Musée d'Orsay or the Louvre in Paris, San Francisco and Detroit, the Hermitage Museum in St. Petersburg, the National Gallery and the Tate London, ... etc. --- Please note that the translation in english is done automatically, we apologize if the formulas are inaccurate. Contact us for any information! - [FRENCH VERSION FOLLOWS] Dessin original à l'encre. Signature du cachet de la signature de l'artiste dans l'angle inférieur droit de l'œuvre et signature du tampon du monogramme de l'artiste ; signature du cachet de l'atelier au verso. Mention manuscrite au dos, au crayon à papier, du titre, et de la date : 1895. Très bel état de conservation. Provenance : atelier de l'artiste, référencée au catalogue Atelier Louis Anquetin (Thierry de Maigret, 28/11/08). Louis Anquetin, né à Étrépagny en 1861 et mort à Paris en 1932, est un important peintre français.Il commence sa carrière aux côtés de peintres d'avant-garde tels que Vincent Van Gogh ou Henri de Toulouse-Lautrec. Avec Émile Bernard, il est l'inventeur du Cloisonnisme. De 1884 à 1893, Louis Anquetin ne cesse d'explorer les possibilités nouvelles offertes par la libération introduite par l'Impressionnisme dans la peinture française. A partir de 1893, à la suite d'une longue confrontation avec les « maîtres d'autrefois », il adopte un parti-pris pictural qui le mettra en marge du mouvement général de l'art, et l'éloignera de ses amis. Ébloui par l'art baroque et sa vigueur créatrice, il pense alors que ses amis de jeunesse se sont engagées dans une voie qui mènera à la mort de la peinture. Il croit en une « peinture parfaite » qui s'incarne dans le re-souvenir des leçons de Michel-Ange et de Rubens notamment. Son travail devient donc plus classique, il prône le retour au métier, en proposant de réfléchir sur les conditions a priori de toute forme d'art possible dans le respect des règles de la perspective et de l'anatomie, telles que pratiquées par les maîtres du XVIème et XVIIème siècle.Ne laissant que quelques œuvres que l'on peut qualifier de monumentales, Anquetin s'avère prolifique par ses nombreuses études et esquisses, lui qui considérait que le dessin était « un moyen d'expression tout puissant », le fondement obligatoire de tous les arts plastiques.En travaillant volontairement à rebours de son époque, Louis Anquetin a rendu possible l'existence d'une figuration moderne originale. Par son obstination et sa passion de la peinture, il a en effet évité que ne soit totalement obturé le chemin de la grande tradition occidentale. On peut admirer ses œuvres dans de nombreux et prestigieux musées comme le Musée d'Orsay ou Le Louvre à Paris, à San Francisco ou à Detroit, au Musée de l'Hermitage de Saint-Petersbourg, à la National Gallery et à la Tate de Londres, etc...

      [Bookseller: Librairie Le Feu Follet]
 25.   Check availability:     Biblio     Link/Print  


        L'Île à hélice

      Paris: Hetzel, 1895. Fine. Hetzel, Paris s.d. [1895], 18x28cm, cartonnage de l'éditeur. - Adorned with 80 illustrations Benett, including 12 etchings chromotypography and a color map and two noir.Cartonnage publisher Hetzel "portrait stuck" in full red calico signed A. Lenègre first polychrome board signed Souze representing various ways Edition locomotion (tank, locomotive, ships), a portrait of the author in sepia tones pasted in the center, various navigational instruments accented with gold in the foreground, second flat type "e" as indicated by Jauzac back decorated with several color illustrations and gold, pages backgrounds blue guard, all slices dorées.spine uniformly irradiated with a small tear in the rear, the first flat colors somewhat faded, a few small spots on the second board caps and corners slightly frottés.Quelques tiny foxing on the first and last sheets as often. --- Please note that the translation in english is done automatically, we apologize if the formulas are inaccurate. Contact us for any information! - [FRENCH VERSION FOLLOWS] Edition ornée de 80 illustrations de Benett, dont 12 gravures en chromotypographie et d'une carte en couleurs et deux en noir. Cartonnage éditeur Hetzel "au portrait collé" en pleine percaline rouge signé A. Lenègre, premier plat polychrome signé Souze représentant divers moyens de locomotion (ballon, locomotive, bateaux), un portrait de l'auteur dans les tons sépias contrecollé au centre, divers instruments de navigation rehaussés à l'or au premier plan, second plat de type "e" comme indiqué par Jauzac, dos orné de plusieurs illustrations en couleur et à l'or, pages de garde bleues d'origines, toutes tranches dorées. Dos uniformément insolé présentant un petit accroc en queue, couleurs du premier plat un peu passées, quelques petites taches sur le second plat, coiffes et coins très légèrement frottés. Quelques infimes rousseurs sur les premiers et derniers feuillets, comme souvent.

      [Bookseller: Librairie Le Feu Follet]
 26.   Check availability:     Biblio     Link/Print  


        La Princesse lointaine.

      Paris, G. Charpentier et E. Fasquelle 1895 - Pièce en quatre Actes en vers. Représentée pour la première fois, à Paris, le 5 avril 1895, sur le théâtre de la Renaissance. ÉDITION ORIGINALE tirée à 15 exemplaires numérotés sur papier du JAPON, celui-ci (N°3). Dédiée à Sarah Bernhardt. Paris, G. Charpentier et E. Fasquelle - 1895 - 98 pages. Ex Libris Laurent Meeûs. Superbe reliure plein maroquin vert sombre signée Champs. Dos à nerfs aux titre, auteur et date en pied dorés. Tranches dorées sur témoins, non rogné. Débordement maroquin sur les contreplats avec roulettes, filets et fleurons angulaires dorés. Double filet doré sur les coupes et les chasses. Couverture et dos bleus conservés. Pas de rousseur. Parfait état. Format in-12°(19x13). 1ère Edition [Attributes: First Edition; Hard Cover]

      [Bookseller: Livres et Collections]
 27.   Check availability:     AbeBooks     Link/Print  


        Le chariot de terre cuite EDITION ORIGINALE

      Paris: Albert Savine, 1895. Fine. Albert Savine, Paris 1895, 12x19cm, broché. - First edition of the French translation by Victor Barrucand this theatrical drama attributed to King Soudraka, it was not drawn large paper Illustrated cover of an original lithograph in colors of Henri de Toulouse-Lautrec. A small discharge adhesive paper head back and slightly off to the boards, otherwise nice copy. Rare. - [FRENCH VERSION FOLLOWS] Edition originale de la traduction française établie par Victor Barrucand de ce drame théâtral attribué au roi Soudraka, il n'a pas été tiré de grands papiers Couverture illustrée d'une lithographie originale en couleurs de Henri de Toulouse-Lautrec. Une petite décharge de papier adhésif en tête du dos et débordant légèrement sur les plats, sinon agréable exemplaire. Rare.

      [Bookseller: Librairie Le Feu Follet]
 28.   Check availability:     Biblio     Link/Print  


        Etidorhpa

      Cincinnati: John Uri Lloyd,, 1895. or the End of earth. The Strange History of a Mysterious Being and the Account of a Remarkable Journey. As communicated in manuscript to Lleweln Drury who promised to print the same, but finally evaded the responsibility which was assumed by John Uri Lloyd. Large octavo. Original dark olive-green cloth over bevelled boards, gilt lettered spine, front cover lettered and decorated in gilt and silver, top edges gilt, drab plum endpapers. Portrait frontispiece of "I-Am-The-Man", numerous monochrome illustrations throughout by J. Augustus Knapp. Spine slightly rolled, fabric of front cover just lightly rumpled. An excellent copy, uncommon in such condition. First edition, of "one of the most splendid of a number of opulent fantasy extravaganzas issued in America in the late 19th century" (Locke). Rare: Copac locates only 2 copies in British and Irish institutional libraries (Cambridge, National Library of Scotland), OCLC adds only one copy (Columbia), and George Locke states that it was "issued in an impression of 1299 copies" to subscribers and colleagues (the list is included at the end). This is the most extraordinary work of the eminent American pharmacologist John Uri Lloyd (1849-1936), "a long eccentric romance with interspersed sections that describe scientific experiments in chemistry and physics", whose hero, in the midst of metaphysical wranglings, is surprised by a bearded stranger called "I-Am-The-Man". This character explains that he has been taken to the centre of the earth by "an eyeless, sexless, nude humanoid" (Bleiler). Many things happen to "I-Am-The-Man", including the sampling of "liquid from a mushroom fruit [that induces] astonishing dreams of Dante-like hells, with misshapen organisms and gigantic hands emergent from the ground" (Bleiler). Etidorhpa (Aphrodite spelled backwards) became hugely popular, going through many editions and was translated into seven languages; there were Etidorhpa literary clubs in the United States and some parents even named their daughters Etidorhpa.

      [Bookseller: Peter Harrington]
 29.   Check availability:     Biblio     Link/Print  


        The Manufacture of Explosives - A Theoretical and Practical Treatise on the History, The Physical and chemical Properties and the Manufacture of Explosives.

      London, Whittaker and Co., 1895.. Volum II only. 8°. XII, 444 pages. With 181 illustrations. Original Hardcover. Good condition only with very strong signs of staining to the cover. Binding in firm condition. Interior excellent ! Very Rare Historical Publication on Explosives - here the more valuable second Volume !!. Including for example the following chapters: Gun - Cotton / Preparation of the Raw Cotton / Extraction of teh Acid / Compressed Gun-Cotton / Pyro-Paper / Schultze Powder / Nitro-Starch / Fulminating Sugar / Properties of Nitro-Glycerin / Physical properties / The Application of Nitro-Glycerin / Explosives from Aromatic Hydro-Carbons etc. / Fulminate of Mercury / Manufacture / Dynamite / Properties of Dynamite / Blasting Gelatine / Gelatine Dynamite / Sprengel's Explosives and Safety Blasting Materials / Smokeless Powders etc. etc./ Caps and Detonators / Marcel Deprez's Manometric Balances / Storage and Carriage of Explosives / Testing Dynamite, Vlasting Gelatine and other Explosives / Bibliography of Explosives / Alphabetical Subject Index.

      [Bookseller: The Time Traveller's Bookshop Ltd.]
 30.   Check availability:     ZVAB     Link/Print  


        The Three Impostors or the Transmutations.

      London: John Lane. 1895. - First Edition. Octavo, pp. 290, 30 of adverts. Blue cloth covers with light blue decoration and titles to front, same decoration and gilt titles to spine, edges uncut. Cover and title page design by Beardsley. Some spotting to prelims, edges of pages are beginning to brown ever so slightly. Quite heavy bumping to the head and tail caps and to the corners, some rubbing to the cloth. [Attributes: First Edition; Hard Cover]

      [Bookseller: Adrian Harrington Ltd, ABA, ILAB]
 31.   Check availability:     AbeBooks     Link/Print  


        The Life of Napoleon Bonaparte with the Memoirs of Bourienne, Junot and Tallyrand. Twenty-one volume Set

      Paris and Boston: The Napoleon Society, 1895. 1st Edition. Hardcover. Very Good. Edition De Grand Luxe 71/500. Printed by John Wilson and Son. Bound in marbled boards with leather spines and corners, marbled end papers. Top edges are gilt, side and bottom edges are untrimmed. Hazlitt's Life in six volumes, Bourienne's Memoirs in four volumes, Junot's Memoirs in six volumes and Talleyrand's Memoirs in five volumes. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its weight and value - we will inform you of the applicable amount at time of purchase. Non-U.S. buyers: Please check with us on shipping fees BEFORE placing your order.

      [Bookseller: Liberty Book Store]
 32.   Check availability:     IOBABooks     Link/Print  


        Le chariot de terre cuite

      First edition of the French translation by Victor Barrucand this theatrical drama attributed to King Soudraka, it was not drawn large paperIllustrated cover of an original lithograph in colors of Henri de Toulouse-Lautrec.A small discharge adhesive paper head back and slightly off to the boards, otherwise nice copy.Rare. Albert Savine Paris 1895 12x19cm broché

      [Bookseller: Librairie Le Feu Follet]
 33.   Check availability:     Direct From Bookseller     Link/Print  


        Baedekers Spezialführer für das Frühlings-Fest in „Etwa-Lugano" [vom 5. - 8. Juni 1895 für wohltätige Zwecke in der Städt. Gewerbehalle Stuttgart veranstaltet].

      Stuttgart Deutsche Verlags-Anstalt () 1895 - Einband gering berieben und bestoßen; innen minimal stockfleckig sowie vereinzelt mit schwachen Knickfalten; der Plan ebenso schwach stockfleckig sowie gering knitterig. - Mit Plan sehr selten. Es liegt ein 5-fach gefalteter lithographierter Plan zum Frühlingsfest lose bei. -

      [Bookseller: Mattheis]
 34.   Check availability:     AbeBooks     Link/Print  


        The Autocrat of the Breakfast Table

      Boston: Houghton, Mifflin. Near Fine in Very Good dust jacket. 1895. Cloth. Two volumes, reddish-brown cloth, titles and decoration in gilt on both boards and spine (binding by Sarah Wyman Whitman), dark green clay-paper endpages, t.e.g., in the publisher's printed dust-wrappers; pp. xvi, 219, [1]; vi, [221]-474. Both volumes very near fine, with only minor rubbing to the spine ends and board edges; jacket spines age-darkened, panels rubbed, both front flaps detached, rear nearly so, with additional chipping at the spine ends, a small chunk out of the spine head for volume 1; an attractive set in the scarce and fragile jackets. See BAL 9215 .

      [Bookseller: Books Tell You Why]
 35.   Check availability:     Biblio     Link/Print  


        The Jungle Book AND The Second Jungle Book

      London: Macmillan, 1895. hardcover. near fine. 2 volumes. Illustrated with b/w plates and in-text figures by J.L. Kipling, W.H. Drake, and P. Frenzeny. viii, 212; vi, 238, [2]pp. Small 8vos, handsomely rebound by Sangorski & Sutcliffe in older 3/4 green morocco over marbled boards; gilt-decorated spine with raised bands, marbled endpapers, t.e.g. London: Macmillan and Co., 1895. Mixed but matching editions in near fine condition. The Jungle Book is a third printing; The Second Jungle Book is the first edition.

      [Bookseller: Argosy Book Store]
 36.   Check availability:     Biblio     Link/Print  


        Etidorhpa. or the End of earth. The Strange History of a Mysterious Being and the Account of a Remarkable Journey. As communicated in manuscript to Lleweln Drury who promised to print the same, but finally evaded the responsibility which was assumed by John Uri Lloyd.

      Cincinnati: John Uri Lloyd, 1895 - Large octavo. Original dark olive-green cloth over bevelled boards, gilt lettered spine, front cover lettered and decorated in gilt and silver, top edges gilt, drab plum endpapers. Spine slightly rolled, fabric of front cover just lightly rumpled. An excellent copy, uncommon in such condition. Portrait frontispiece of "I-Am-The-Man", numerous monochrome illustrations throughout by J. Augustus Knapp. First edition, of "one of the most splendid of a number of opulent fantasy extravaganzas issued in America in the late 19th century" (Locke). Rare: Copac locates only 2 copies in British and Irish institutional libraries (Cambridge, National Library of Scotland), OCLC adds only one copy (Columbia), and George Locke states that it was "issued in an impression of 1299 copies" to subscribers and colleagues (the list is included at the end). This is the most extraordinary work of the eminent American pharmacologist John Uri Lloyd (1849-1936), "a long eccentric romance with interspersed sections that describe scientific experiments in chemistry and physics", whose hero, in the midst of metaphysical wranglings, is surprised by a bearded stranger called "I-Am-The-Man". This character explains that he has been taken to the centre of the earth by "an eyeless, sexless, nude humanoid" (Bleiler). Many things happen to "I-Am-The-Man", including the sampling of "liquid from a mushroom fruit [that induces] astonishing dreams of Dante-like hells, with misshapen organisms and gigantic hands emergent from the ground" (Bleiler). Etidorhpa (Aphrodite spelled backwards) became hugely popular, going through many editions and was translated into seven languages; there were Etidorhpa literary clubs in the United States and some parents even named their daughters Etidorhpa. Bleiler 1028: "it has long been a collector's item"; Howgego, Invented and Apocryphal Narratives of Travel, L43: "highly regarded by devotees of metaphysical fiction and the hollow-earth genre"; Locke, A Spectrum of Fantasy, I p. 141: "I have not seen this [first edition]".

      [Bookseller: Peter Harrington. ABA member]
 37.   Check availability:     AbeBooks     Link/Print  


        The Autocrat of the Breakfast Table

      Boston: Houghton, Mifflin. Near Fine in Very Good dust jacket. 1895. Cloth. Two volumes, reddish-brown cloth, titles and decoration in gilt on both boards and spine (binding by Sarah Wyman Whitman), dark green clay-paper endpages, t.e.g., in the publisher's printed dust-wrappers; pp. xvi, 219, [1]; vi, [221]-474. Both volumes very near fine, with only minor rubbing to the spine ends and board edges; jacket spines age-darkened, panels rubbed, both front flaps detached, rear nearly so, with additional chipping at the spine ends, a small chunk out of the spine head for volume 1; an attractive set in the scarce and fragile jackets. See BAL 9215 .

      [Bookseller: Books Tell You Why ]
 38.   Check availability:     ABAA     Link/Print  


        Le chemin de Paradis EDITION ORIGINALE ENVOI AUTOGRAPHE

      Paris: Calmann-Lévy, 1895. Fine. Calmann-Lévy, Paris 1895, 12x19cm, relié. - Edition on current paper. Bound in full navy morocco, spine with five nerves, date tail frames navy morocco gilt decorated with quintuple the guards, guards and contreplats red watered silk, following warnings of handmade paper, covers and spine preserved, all gilt edges, elegant binder signed Maylander. Our copy is enriched with two autograph autograph dedication of the authors signed by the author: the first, a contemporary of the release of the book in bookstores, addressed to Georges Montorgueil Charles Maurras raya two strokes of the pen to crack a new autograph signed later than forty-five years, to George Weyer. Very nice copy remarkably established. --- Please note that the translation in english is done automatically, we apologize if the formulas are inaccurate. Contact us for any information! - [FRENCH VERSION FOLLOWS] Edition originale sur papier courant. Reliure en plein maroquin marine, dos à cinq nerfs, date en queue, encadrements de maroquin marine agrémentés de quintuples filets dorés sur les gardes, gardes et contreplats de soie moirée rouge, gardes suivantes de papier à la cuve, couvertures et dos conservés, toutes tranches dorées, élégante reliure signée de Maylander. Notre exemplaire est enrichi de deux envois autographes signés de l'auteur : le premier, contemporain de la sortie de l'ouvrage en librairie, adressé à Georges Montorgueil que Charles Maurras raya de deux traits de plume pour se fendre d'un nouvel envoi autographe signé, plus tardif de quarante-cinq ans, à Georges Weyer. Très bel exemplaire remarquablement établi.

      [Bookseller: Librairie Le Feu Follet]
 39.   Check availability:     Biblio     Link/Print  


        Le Portrait de Dorian Gray (Traduit de L'Anglais)

      Paris: Albert Savine 1895. First edition of the first French translation. 316 pp. Black half calf over black cloth. Five raised bands to spine with maroon leather title label. Calf slightly rubbed. Bookplate to front pastedown. Edges slightly darkened. Text in French. Scarce. VG . Very Good. Half Calf. First Edition Thus. 1895. 8vo..

      [Bookseller: Fosters' Bookshop]
 40.   Check availability:     Biblio     Link/Print  


        Letterpress Block Book

      Bristol: Holloway & Son, [c. 1895]. 8vo, 77ff. title printed in red and black, 198 numbered printers ornaments, orig. calf, rubbed, lacks backstrip, initials of the firm on upper cover. Printers ornaments for letterheads and trade cards for the trades (i.e. grocery, tea, tobacconist, haberdasher, butcher, fruit grower, fishmonger, cobbler, etc.), many with a space within for the inclusion of the proprietors details. We have been unable to located any trade catalogues issued by this Bristol firm of printers.

      [Bookseller: Forest Books]
 41.   Check availability:     Biblio     Link/Print  


        L'Île à hélice

      Paris: Hetzel, 1895. Fine. Hetzel, Paris s.d. [1895], 18x28cm, cartonnage de l'éditeur. - Adorned with 80 illustrations Benett, including 12 etchings chromotypography and a color map and two noir.Cartonnage publisher Hetzel "portrait stuck" in full red calico signed A. Lenègre first polychrome board signed Souze representing various ways Edition locomotion (tank, locomotive, ships), a portrait of the author in sepia tones pasted in the center, various navigational instruments accented with gold in the foreground, second flat type "e" as indicated by Jauzac back decorated with several color illustrations and gold, pages backgrounds blue guard, all slices dorées.spine uniformly irradiated with a small tear in the rear, the first flat colors somewhat faded, a few small spots on the second board caps and corners slightly frottés.Quelques tiny foxing on the first and last sheets as often. --- Please note that the translation in english is done automatically, we apologize if the formulas are inaccurate. Contact us for any information! - [FRENCH VERSION FOLLOWS] Edition ornée de 80 illustrations de Benett, dont 12 gravures en chromotypographie et d'une carte en couleurs et deux en noir. Cartonnage éditeur Hetzel "au portrait collé" en pleine percaline rouge signé A. Lenègre, premier plat polychrome signé Souze représentant divers moyens de locomotion (ballon, locomotive, bateaux), un portrait de l'auteur dans les tons sépias contrecollé au centre, divers instruments de navigation rehaussés à l'or au premier plan, second plat de type "e" comme indiqué par Jauzac, dos orné de plusieurs illustrations en couleur et à l'or, pages de garde bleues d'origines, toutes tranches dorées. Coiffes et coins très légèrement frottés. Quelques infimes rousseurs sur les premiers et derniers feuillets, comme souvent.

      [Bookseller: Librairie Le Feu Follet]
 42.   Check availability:     Biblio     Link/Print  


        Malay Sketches

      London: John Lane, The Bodley Head. 1895., 1895. First Edition. Octavo, pp. xi, 289, 16 of adverts. Bound in decorative yellow cloth with ornate decoration to upper board and spine, bottom and fore edge untrimmed. Bookplate to front free endpaper, some spotting to endpapers and to the edges, some dustiness to top edge. Head and tail caps ever so slightly bumped. Some moderate wear and marking to boards, a very good copy of a really rather elusive title.

      [Bookseller: Adrian Harrington Rare Books]
 43.   Check availability:     Biblio     Link/Print  

______________________________________________________________________________


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