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Displayed below are some selected recent viaLibri matches for books published in 1880

        Manuscrit autographe. Les Economistes.

      1880 ca 1880 - 3 feuillets in-8 manuscrits (11 x 18 cm). Ebauche inédite non signée, vraisemblablement le canevas d'un article à venir composé et disposé comme un poème en vers libres. 1. Il nous faut la liberté de discuter / L'Armée / Avoir raison trop tôt /Loi d'airain du salaire / des enfants dans les manufactures / Système de banque le peuple s'en fiche bien / Ils étaient la morale et la - depuis 3000 ans. / L'an 2000 ! Et bien après / Le monopole, le privilège. Bastiat même / se fâche. M. Molineau demande la liberté / Libre échange / Haine de l'Internationale et du peuple qui n'est qu'une idéd / Charité / Lyon, le drapeau noir sans parti / Mariage et collage d'idées bizarres / Leurs idées sont des faits non des préjugés. 2. Sans la Guerre nous serions plus avancés / association de grands capitaux/ Tolain / Ecole de Manchester / La bourgeoisie ruinée accepterait nos théories / Question d'argent est tout. C'est pourquoi on regrette tant de n'avoir pas pris la banque / Discuter la théologie / Peuple et déclassés / Le travail / C'est eux les chimériques ! La liberté ce qu'elle produit sans contradictions /Justice et justesse / Compas balance / On vient la facasser dans nos mains / Ils devraient nous protéger eux-mêmes. 3. Ce qui. [Fin du manuscrit].

      [Bookseller: Bonnefoi Livres Anciens]
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        Picturesque Palestine, Sinai and Egypt With Numerous Engravings on Steel and Wood Assisted by the most eminent Palestine Explorers, etc

      London: S.Virtue and Co., Ltd., n.d. (c. 1880s)., 1880. Quarto. 4 volumes bound as 2 in half brown oasis morocco leather, spine gilt-lettered in six compartments with raised bands, cloth boards, top edge gilt. Illustrated with 38 steel engraved plates plus 4 engraved vignette titles, 2 double page sepia maps and numerous further woodcut illustrations within the text. Some foxing to steel engravings and adjoining pages, as is usually found. Externally fine. A generously illustrated and very handsome set.

      [Bookseller: Adrian Harrington Rare Books]
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        Aladdin or the Wonderful Lamp Pantomime Toybook

      New York: McLoughlin Bros., n.d., ca. 1880. Very good. Hardcover. Large thin 4to. Upper bard in full color chromolithography; rear board in single color and listing the five books in the Pantomime Series. 10pp of text, with the two remaining blanks serving as front and rear pastedowns. With a full color chromolithographed harlequinade inside with pages of varying sizes which tell the story of Aladdin as described in the text and as a stage production. Light wear to the corners; fingering soil; hinges neatly nearly invisibly mended ; spine partially perished but stable; still a very good copy.Rare.

      [Bookseller: Thorn Books]
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        Four original vintage albumen paper photographs of Bungaree Station, near Clare in South Australia

      - The photographs are mounted on both sides of a large piece of card (447 x 335 mm); each one is set within a thin black ink border with a neat calligraphic title written underneath it. On one side are Bungaree Woolshed (170 x 220 mm) and Bungaree Shearers (157 x 210 mm); on the other side, Bungaree Garden (165 x 220 mm) and Bungaree Buck Board (168 x 222 mm). Apart from a little foxing visible in the sky, the photographs are in fine condition. The blind-stamp of 'Captn Sweet Landscape Photographer Adelaide' can be found in the bottom right-hand corner of Bungaree Shearers if you look hard enough. The State Library of South Australia has an example of the buck-board image with Sweet's negative number 674 scratched into the emulsion. The State Library of Victoria has a group (flock?) of shearers posed in front of the stone building shown in the centre of our woolshed photograph; our blokes are lambing it up in front of a corrugated iron woolshed. Both of these institutions date their images circa 1880. Bungaree station was founded in 1841 by George Hawker; five generations and 174 years later, it is still in family hands. Please use the 'Ask Bookseller a Question' link below to confirm availability and postage charges.

      [Bookseller: Michael Treloar Booksellers ANZAAB/ILAB]
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        Armorial Historique du Pays de Vaud. Seconde Edition par A. de Mandrot Colonel Federal.

      Lausanne: Rouge Et Dubois, 1880. - MANDROT, A[lphonse] De. Armorial Historique du Pays De Vaud. 4to. 32 chromolithographed plates (incl. title) & 1 leaf of text. Lausanne: Rouge Et Dubois, 1880. Second Revised and Enlarged Edition. Bound with Monaies Inedites et Imitations Italiennes [1866] And Imitations De Diverses Monnaies Suisses [1864] ----------------------------------------- Good condition – new spine with reasonably clean text and bright chromolithographs. Corners are original and therefore worn and aged. Some pages have closed tears. Marbled end papers and armorial gilt decoration to the front and rear boards as well as the front end paper [Philip Hammond]. Condition Report Externally see above and see photos Internally see above and see photos clean and tidy [Attributes: Hard Cover]

      [Bookseller: Louis88Books]
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        History of Nevada County California with Illustrations Descriptive of Its Scenery, Residences, Public Buildings, Fine Blocks and Manufactories

      Thompson & West, Oakland 1880 - The margins are dampstained throughout including the margins of the plates and the Mexico portion of the map. Nevada County, California was an early mining center, including gold mining. Pages 170-206 describe the various mines in operation. Also there is an earlier chapter on the discovery of gold at Sutter's mill in nearby El Dorado County. Nevada City, the county seat, was once the third largest city in California. This work details the railroads, roads, bridges and public works of the county. Also, there is a chapter on the lost Donner Party with two plates. Howes N-60. Cowan II, p. 452. 105 lithograhed plates. hand-colored lithographed map of California, Nevada, Arizona, and Utah in 1880. 234pp. Oblong folio, contemporary 3/4 morocco, paper spine label worn, front cover slightly warped, title page torn and repaired, with no loss of text, front flyleaf chipped, several pages of text chipped in margin, several pages crudely repaired in margin with tape, not affecting plates, bottom of spine and edges of corners lightly worn and repaired. Oakland: Thompson & West, 1880. First Edition. [Attributes: First Edition; Hard Cover]

      [Bookseller: Argosy Book Store, ABAA, ILAB]
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        Sur les maladies virulentes, et en particulier sur la maladie appelée vulgairement choléra des poules. SS. 239-248. - Und: Derselbe. Sur le choléra des poules. SS. 952-958 und 1030-1033. In: Comptes rendus. de l'Académie des Sciences. Band 90.

      Paris Mallet-Bachelier 1880 - (27 x 21 cm). 1639 S. Mit Abbildungen. Halblederband der Zeit. Erste Ausgabe. - Titel gestempelt. Einband leicht berieben, sonst gut erhalten. - DSB 10, 391; Garrison-Morton 2537; Grolier, Medicine 78; vgl. Norman 1661 (andere Ausgabe) [Attributes: First Edition; Hard Cover]

      [Bookseller: Antiquariat Gerhard Gruber]
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        Original Japanese Woodblock Print Book, Minkan Shihio Taizen Meiji Shin Hyakunin Isshu, Atlas and Almanac

      Tokyo, 1880. Paperback. Very Good. An outstanding and original Japanese woodblock print book Atlas and Almanac. Meiji 13 (1880). Original patterned paper covers, volume measures 6.5 by 9 inches (closed), in sewn binding with partial title slip. 304pp. with many colorful woodblock prints and maps, including: Double page full color map of the world with flag borders; Double page full color map of Japan w/ flag borders and insets of the disputed Northern Islands and the Kingdom of Ryukyu (Okinawa); A rare early Train Schedule; a rare Schedule of Ships; Postal Rate Tables; A double page map of Osaka; Double page map of Kyoto; Double page map of Tokyo; 21p Picture Dictionary; 6p full color prints on Japanese coinage; 4p full color prints on Japanese military orders and Decorations; and sections on Astronomy, Hyakunin Isshu, History, Geography, and other subjects. Very good. Wear to covers, loss to title slip. Contents are complete and the woodblocks bright, in good condition for the age. RARE, a beautiful example of Japanese woodblock art as applied to geography. Digital images available upon request.

      [Bookseller: Caliban Books ABAA-ILAB]
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        OBERWITTELSBACH. "Stammschloss Oberwittelsbach von 1113 - 1209" und "Burgplatz Oberwittelsbach 1880". Zwei Ansichten.

      - Zwei Lithographien von Balthasar Lacher bei J. Hickl, Schrobenhausen, 1880, je ca. 24 x 36 cm. Lechner/Brandner, Aichach bey Wittelsbach S. 93; nicht bei Lentner. - Die breitrandigen und tadellos erhaltenen Blätter wurden als Widmungsexemplare des Verlages an Herzog Maximilian in Bayern verschickt. Gerollt in Pp.-Rolle der Zeit.

      [Bookseller: Peter Bierl Buch- & Kunstantiquariat]
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        Seedsman's sample book of horticulture and floriculture, including fruits, flowers, and ornamental trees.

      Rochester, NY: J. W. Thompson & Co.,, [c.1880]. Octavo (223 x 149 mm when closed, 223 x 429 mm when opened). Contemporary brown grained skiver, paper label on front cover inscribed "John H. Norris", blue striped decorative cloth endleaves, brown linen hinges between the plate triptych sections, plates joined by purple cloth ribbons. 108 colour plates (97 hand-coloured theorem stencil plates, 11 chromolithographs, a number given a heightened sheen through the application of gum arabic); plate sizes 205 x 129 mm., arranged back-to-back as a triptych in rows of three mounted on white linen hinges, which when opened allows 6 plates to be viewed at a time. Light abrasions to binding, small bump on back cover, occasional offsetting, but in remarkably good condition. A scarce survival in an unusual format from one of the most important centres of the 19th century American nursery business: a seedsman's sample book, or "tree pedlar's" catalogue. The firm of J. W. Thompson & Co specialised in producing pocket size portfolios for nursery firms, or salesmen, tailoring them to the individual market in varieties of ornamental trees, fruits and flowers. This example includes large decorative conifers (including Scotch Pine and Norway Spruce) as well as deciduous varieties (including Weeping Mountain Ash and Kilmarnock Weeping Willow), many examples of fruit (three of pear, six of cherry, six plums and apricots, nine of grapes, one each of mulberry and huckleberry, rhubarb, four of strawberry, two of gooseberry, six of blackberry, raspberry and currant), and six of roses among other flowers. However, the main emphasis here is on apples, with 27 varieties illustrated. The original owner, John H. Norris was a nursery salesman who travelled the Willamette Valley of Oregon in the late 1870s and early 1880s, a period of tremendous growth in that region's apple orchards. These catalogues were expensive productions, and their owners were instructed not to allow customers (largely farmers who may have come straight from toiling in field and orchard) to handle them, and if that should happen and they should get soiled, then they were to have them trimmed and rebound. Many nurserymen would rebind their catalogues as often as every two years. This catalogue was obviously well cared for, the plates seeming to be entirely untrimmed. English-born John Wrigley Thompson (1826-1900) produced nurserymen's colour plates from 1876 until 1891, focussing initially on producing what is known as theorem stencil plates, a system that involved multiple overlays. "While they were at the forefront of modern promotional strategies like advertisements and catalogues, many nurseries also depended on the personal contact of nursery agents or 'tree pedlars' to extend horticultural interest... [and] plant peddling came into its own as a horticultural sales technique with the mid-nineteenth-century rise of commercial nurserymen... As plant peddling flourished, a new industry also developed to assist independent agents in their sales techniques. In 1858, Dellon Marcus Dewey, a Rochester bookseller, began producing brightly coloured illustrations of fruits, flowers, and ornamental trees that he called 'plates'. Taking his cue from nursery agents who used preserved fruit specimens, newspaper illustrations, or pictures clipped from horticultural magazines to illustrate their wares, Dewey reasoned that professional-looking illustrations would heighten customer interest and the pedlar's credibility" (Cheryl Lyon-Jenness, For Shade and For Comfort: Democratizing Horticulture in the Nineteenth-Century Midwest, 2004, pp. 135 & 137). "From the 1850s, as Rochester [NY] became an important centre of nursery gardening, another local industry grew up to provide illustrations of fruit, flowers, shrubs, trees, selections of which were used as catalogues by travelling 'tree peddlers' who sold plants from the nurseries they represented to farmers and gardeners in the territories they visited. The earliest illustrations of this kind were watercolours copied by local artists, but soon their production was made more efficient by the use of stencils to provide theorem paintings of flowers and fruit. Printed outlines or lithographs were also coloured by hand until chromolithographs added colour to the basic process, though even then they were often finished by hand" (Sandra Raphael, An Oak Spring Pomona, 1990, p.167). A wonderful example in terms of construction and vibrancy of colour and bearing a close relationship to the directness of American naïve art

      [Bookseller: Peter Harrington]
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        Shogaku Jorei Shikizukai (Elementary Illustrated Etiquette Book For Young Women)

      Tokyo: Sonbe Okura, 1880. Orihon (accordion-fold). Very Good. Ginko (Heisichi Adachi). 12mo. Ukiyo-e woodblock book. Series of 10 beautiful accordian-bound hand-colored woodblock diptych illustrations depicting etiquette lessons at a 'finishing' school for young Japanese women. The book contains a series of illustrated 'how to' lessons regarding talking with elders, praying, opening doors, conducting a tea ceremony, playing Go, etc. The final illustration shows women receiving their certificates after completing the training. Light wear and soiling; some of the folds have small splits; looks like two have been reinforced with tissue or transparent archival tape. Ginko, who worked between 1873 and 1908 under several studio names, is best known for his prints in the ukiyo-e style as a member of the Utagawa school. He worked with a variety of subjects including depictions of beautiful women and actors, landscapes, book illustrations, and contemporary events. He was jailed and fined in 1889 for satirically depicting Emperor Meiji as a skeleton.

      [Bookseller: Read 'Em Again Books, ABAA]
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        Indien in Wort und Bild. Eine Schilderung des Indischen Kaiserreiches. In zwei Bänden. Mit zahlreichen Illustrationen, ganzseitigen Holzschnitten auf Tafeln u. 1 gefalt. farb. Übersichtskarte im Anhang des zweiten Bandes.

      Leipzig: Heinrich Schmidt & Carl Günther 1880-1881 OLWd., vi, 253 S.; ix, 227 Seiten, 2°, Prachtvolle Einbände mit Reichverzierung auf Vorderdeckel und Rücken. Blindgeprägte Bordüre auf Hinterdeckel. Vergoldeter Schnitt, gemusterte Vorsätze. Beide Einbände wenig berieben und abgegriffen; erster Band ganz leicht gelockert, Hinterdeckel bei beiden Bänden wenig beschmutzt. Innen frisch und sauber. Stockfleckfreies Exemplar, sehr guter Zustand.Geographie, Reisebeschreibungen, Indien

      [Bookseller: Antikvariát Valentinská]
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        Report on the royal Commissioners appointed to Inquire into the Sewwerage and Drainage of the City of Dublin, and other matters conceerned therewith,.

      Alexander Thom & Sons - 1880. Hardcover. 275pp including Index.complete with 7 folding maps .Folio.From the Library of the Public Record Office. . . . . from our Bookshop. [Attributes: Hard Cover]

      [Bookseller: Kennys Bookshop and Art Galleries Ltd.]
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        Alice and Other Fairy Plays for Children

      London: W. Swan Sonnenschein and Allen,, 1880. Octavo. Original green cloth, titles and vignettes to spine and front board in gilt and black, all edges gilt, cream coated endpapers. Frontispiece with tissue-guards, 7 plates, 4 pictorial initials by Mary Sibree, and music scores to accompany each play. An excellent copy. First edition of the first printed dramatic adaptation of the Alice stories, and the first version to appear without Tenniel's illustrations. The volume includes two illustrations of Alice and a picture initial of Alice by Mary Sibree. The play was "intended to be acted for children" (Cohen, p. 402) and includes scenes from both Alice books, together with musical settings for "Speak Roughly" and "Beautiful Soup". Having failed to engage Arthur Sullivan to write some songs for a musical production in 1877, Dodgson might have been expected to be protective of his copyright, but he proved amenable: in the preface the author writes, "I have to express my sincerest gratitude to Mr. Lewis Carroll for the permission to dramatize his charming story." On 6 November 1879 the author presented a copy to Dodgson, which he sent back for inscription: "I may candidly confess, it would be a much higher gratification to me to possess a copy given to me by the author, with my name written in it in her own hand". Ten years later, on 19 December 1889 he notes in his diary "Went over to Birmingham to see a performance of 'Alice' (Mrs. Freiligrath-Kroeker's version) at the High School."

      [Bookseller: Peter Harrington]
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        Eigenh. Brief mit U.

      Ostende, 26. VII. 1880. - 5 SS. auf 4 Bll. 8vo. An einen Grafen (Rudolf Chotek?): "Lieber Graf! in den für mich unvergeßlichen Tagen, die wir zusammen in der herrlichen Fruska-Gora zubrachten, waren Sie so gut mich zu angagiren [!] ein anderesmal [!] wiederzukommen. Sie sagten damals, daß die Jagden in der Ludenhütte auf große Raubvögel im Herbste oder Winter sehr schön seien; und forderten mich auf Sie einmal um diese Zeit zu besuchen. Ich habe heuer das Project im November eine Reise durch Nordungarn behufe Bärenjagden zu unternehmen [.] Dürfte ich Sie dann auf der Heimreise in Futak besuchen? [.] Mich würde es ungemein freuen Sie wiederzusehen und mit Ihnen Ihre prächtigen Wälder durchstreifen zu können [.]". - Mit gepr. Briefkopf "Pavillon d'Ostende".

      [Bookseller: Antiquariat INLIBRIS Gilhofer Nfg. GmbH]
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        ENCICLOPEDIA AGRARIA ITALIANA. Opera redatta da agronomi delle diverse provincie. Illustrata con molte incisioni nel Testo e Tavole in Litografia. 1880-1882.

      U.T.E., Torino - Prima edizione. Opera completa in otto volumi. Cm.27,4x18,6. Pg.4804 complessive. Legature in mz.tela, con piatti e dorsi originali applicati alle coperte. Moltissime illustrazioni xilografiche nel testo. Testo su due colonne. Bruniture. Timbri di biblioteca estinta. Piano dell'Opera: Parte prima: "Storia dell'Agricoltura; Botanica; Climatologia; Meteorologia applicata all'Agricoltura; Fisiologia vegetale; Malattie delle piante cagionate da vegetali parassiti" (sei tavole fuori testo). Parte seconda: "Costruzioni rurali; Edifizi per l'irrigazione; Viabilità; Meccanica agraria". Parte terza: "Geologia e geognosia agraria; Il terreno e sua classificazione; Costituzione chimica delle piante; Elementi dell'atmosfera; Nutrizione delle piante; Correttivi terrosi; Concimi; Stallatico; Concimi minerali; Irrigazione; Dissodamenti e prosciugamenti" (una tavola fuori testo). Parte quarta: "Coltivazione del lino e della canapa; Del pascolo, del prato e della marcita; Della risaia; Coltivazione generale" (una tavola fuori testo); Parte quinta: "Fioricoltura; Orticoltura; Frutticoltura; Storia della Bachicoltura fuori della Cina e del Giappone; Breve storia delle selve e dei boschi; Monografia dell'olivo (venti tavole fuori testo, una in più di quante indicate nell'indice, tutte relative all'olivicoltura). Parte sesta: "Zootecnia, allevamento e governo degli animali utili; Loro malattie principali; Insetti utili e nocivi; Piscicultura; Igiene rurale" (dieci tavole fuori testo). parte settima: "Tecnologia agraria, o delle industrie dette rurali" (Cinque tavole fuori testo). Parte ottava: "Legislazione rurale e forestale; Contabilità rurale; Saggio di economia rurale". Monumentale opera, di difficile reperimento completa do ogni sua parte. 12000 gr. [Attributes: First Edition; Hard Cover]

      [Bookseller: studio bibliografico pera s.a.s.]
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        Archive and Scrapbook of Aerial Balloonist C. W. Williams of Williams & Young]

      ca. 1880-1890, Various - Folio. Ornate commercial Victorian album. 43pp. on 22 leaves, all but last both recto and verso, covered with a variety of scrap - mostly newspaper clippings. Several dozen more clippings additionally loosely laid in. Also included: several promotional broadsides and a small selection of business documents (letterhead, promotional flyers, etc.) for Williams & Young's air show, several small original sketches by Williams, a 7pp. manuscript entirely in Williams' hand entitled "Biograph of the World Famous Aeronaut C. W. Williams," plus an additional 1+p. manuscript essay also by Williams on parachuting. Scrapbook fair condition only. Spine perished. Several leaves loose, toning through, and chipping to the edges. Overall, fragile. Manuscripts also worn and a bit fragile, but entirely legible. Remainder of documents very good. Though manned ballooning was pioneered in the late 18th century in Europe, it took longer to establish itself in the States. However, by the middle of the 1800s, ballooning was a popular American entertainment, featured both in circuses and other traveling shows, as well as in festivals and on its own. Here offered is an important archive of a pioneering aeronaut and a substantial record of 19th century ballooning, assembled by a prominent practitioner. Williams and Young were most active from the early 1880s through the early 1890s (when Young perished in a ballooning accident). The duo were best known for their "Parachute Jump For Life," in which Williams ascended to 5000 feet and parachuted to safety below. The duo were also purported to have the largest hot air balloon in the world at the time, some 50 feet high and 70 feet around. They worked throughout the country and on both sides of the Atlantic. The scrapbook portion of the archive covers not only the exploits of the compiler's own company, but also those of their fellow balloonists. Indeed, the clippings alone amount to an impressively comprehensive portrait of ballooning as it neared the end of its popularity (the Wright brothers first flight was 1903) - and demonstrates both Williams' love of aeronautics and his careful monitoring of his competition. Together with the manuscripts and business portions, a rare primary collection relating not only to early flight but to its business and promotion as well. [Attributes: First Edition]

      [Bookseller: Brian Cassidy, Bookseller ABAA/ILAB]
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        Picturesque Europe

      London - Cassell, Petter, Galpin and Co., 1880 Book. Very Good. Hardcover. A?bright copy?of this very collectable set. Full of?illustrations and descriptions of picturesque cities and towns in Europe. Containing three volumes on the mainland continent, and two on the British Isles. With sixty-five engraved plates and hundreds of illustrations in the text (collated complete), based on illustrations by artists such as T. G. Bonney, R. J. King, and Arthus Griffiths. Some of the locations included are Dresden, the Tyrol, The High Alps, North Wales and the Grampians. Complete in five volumes. Condition: In decorative cloth bindings with gilt detailing. Externally generally smart, although with some wear to the spines and corners. Some slight bumping also. Eight?hinges?failed, with the other two tender. Internally, generally firmly bound although strained in places. Pages are bright, with some scattered light spotting. Overall: GOOD ONLY. ?.

      [Bookseller: Rooke Books]
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        The Works of . . . In Verse and Prose. Now First Brought Together with Many Pieces not Before Published. Edited with Prefaces Notes and Appendices by Harry Buxton Forman

      London: Reeves and Turner, 1880, 1880. First edition of the Poetical Works together with the Prose Works. NCBEL III, 311. Just slight rubbing to a few edges; fine, handsome set.. 8 vols, 8vo, contemporary maroon half morocco, marbled paper boards and matching endpapers, gilt decorated and lettering spines, t.e.g, other untrimmed. Frontis portrait in each volume, six facsimiles and vignettes in the text.

      [Bookseller: The Brick Row Book Shop]
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        The Unanimous Declaration of the Thirteen United States of America in Congress. [Benjamin Tyler-Giles Lithograph printing of the Declaration of Independence]

      Durham and New York: The Giles Lithographic and Liberty Printing Co. for Mess. W. Duke, Sons & Company, 1880. Broadside. Very Good. Lithographic print on faux parchment. Approximately 20.5" x 27". Original metal trim still present at top and bottom. Minor edge wear and light wrinkling. Three short marginal tears, mended on verso with what appears to be tissue or archival tape. This reprint of the Declaration of Independence is of the famous facsimile originally published by Benjamin Owen Tyler in 1818. Tyler's documents were the first to produce the Declaration in script and included exceptionally realistic signatures of the signers. "The publisher designed and executed the ornamental writing, and has been particular to copy the Facsimiles exact, and has also observed the same punctuation, and copied every Capital as in the original. . . . [The signatures] are curiously exact imitations, so much so that it would be difficult if not impossible for the closest scrutiny to distinguish them . . . from the original." (Bidwell, #2, pp. 286-287) As also noted by Bidwell (see the note after the entry on p. 287), Giles lithographs are facsimiles of Tyler's work. These were produced as premiums for Duke tobacco products and could only be obtained by redeeming certificates from 75 packets of Duke products. As such, it is likely that few of these lithographs remain, and they may possibly be as scarce as the Tyler originals. As of 2015, no examples are listed in OCLC, and Bidwell found only one example at the New York Public Library as well as a photostat reproduction at the American Antiquarian Society. Between ABPC, the Rare Book Hub, and Worthpoint, only two examples are shown as having been sold at auction; one for $1,024 in 2009 and one for $7,995 in 2011.

      [Bookseller: Read 'Em Again Books, ABAA]
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        History of Nevada County California with Illustrations Descriptive of Its Scenery, Residences, Public Buildings, Fine Blocks and Manufactories

      Oakland: Thompson & West, 1880. First. hardcover. good. 105 lithograhed plates. hand-colored lithographed map of California, Nevada, Arizona, and Utah in 1880. 234pp. Oblong folio, contemporary 3/4 morocco, paper spine label worn, front cover slightly warped, title page torn and repaired, with no loss of text, front flyleaf chipped, several pages of text chipped in margin, several pages crudely repaired in margin with tape, not affecting plates, bottom of spine and edges of corners lightly worn and repaired. Oakland: Thompson & West, 1880. First Edition. The margins are dampstained throughout including the margins of the plates and the Mexico portion of the map. Nevada County, California was an early mining center, including gold mining. Pages 170-206 describe the various mines in operation. Also there is an earlier chapter on the discovery of gold at Sutter's mill in nearby El Dorado County. Nevada City, the county seat, was once the third largest city in California. This work details the railroads, roads, bridges and public works of the county. Also, there is a chapter on the lost Donner Party with two plates. Howes N-60. Cowan II, p. 452.

      [Bookseller: Argosy Book Store]
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        A history of british birds

      Groombridge and sons s.d. (1880 circa) 12mo (cm. 18,4), 8 voll. di circa 200 pp. ciascuno. Complessive 358 tavv. in cromolitografia protette da velina f.t. Legature editoriali in tela rossa con scritte in nero ed oro ai piatti e al ds. Fregi e impressioni a secco. Taglio superiore dorato. Parziale scollatura del ds. del primo vol. altrimenti esemplare in eccellente stato di conservazione. Collezione Marchese Sacchetti (ex libris cartacei).

      [Bookseller: Libreria Antiquaria Ex Libris s.r.l.]
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        The Works of Edward Bulwer-Lytton

      London: G. Routledge and Co. 1880 - London: G. Routledge and Co, not dated, 1880’s. Very Good. The works of Edward Bulwer-Lytton, complete in twenty volumes. The set consists of The Last of the Barons, The Caxtons, Zenoni, The Disowned, The Last Days of Pompeii, Eugene Aram, Devereux, Paul Clifford, Godolphin, Ernest Maltravers (in two volumes), My Novel (in two volumes), Pilgrims of the Rhine, Lucretia, Renzi, Harold, Leila, Night and Morning and Pelham. Edward George Earle Lytton Bulwer-Lytton, 1st Baron Lytton PC (25 May 1803 18 January 1873), was an English politician, poet, playwright, and novelist. He was immensely popular with the reading public and wrote a stream of bestselling dime-novels which earned him a considerable fortune. He coined several phrases that would become clichés, especially the great unwashed, pursuit of the almighty dollar, the pen is mightier than the sword, as well as the famous opening line “It was a dark and stormy night”. Pelham brought him public acclaim and established his reputation as a wit and dandy. Its intricate plot and humorous, intimate portrayal of pre-Victorian dandyism kept gossips busy trying to associate public figures with characters in the book. Previous owner's bookplate to front pastedown. In half leather bindings with marbled paper covered boards. Externally, generally smart with slight shelfwear. VERY GOOD. Condition Report Externally Spine – good condition – gilt titles to the spine, scratches and marks shown up by the flash – on the shelf these look very good/fine. Joints – very good condition - solid. Corners – good condition - some bumped. Boards – very good condition – some marks to one or two of the marbled boards. Page edges – very good condition – top edge gilt, front handcut. See above and photos. Internally Hinges – very good condition. Front paste down – good condition – previous owner’s bookplate. Front free end paper – very good condition. Title – very good condition. Pages – very good condition – minor foxing to very few pages. Binding – very good condition – solid binding. See photos [Attributes: Hard Cover]

      [Bookseller: Louis88Books]
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        Kunstfotografien italienischer Bildhauer

      0 - 25 Fotografien, ca. 1880. Albuminabzüge auf Karton aufgezogen. 24 - 25 cm x 17,5 - 19,5 cm. Karton 43 x 32,8 cm. - Meist mit Blindstempel "ALINARI", 1x "BROGI". - Aufnahmen von Skulpturen und Plastiken aus den Sammlungen in Rom und Florenz, darunter 9 x Michelangelo, 4 x Canova, 3 x Ghiberti, 3 x Antike. - Beil. 1 Karton handschriftl. num. Auflistung mit Titel, Künstler u. Ortsangabe /Leichte Gebrauchssp., Kratzsp., Karton stockfl. mit Randläsuren/ - Fratelli Alinari, ein seit 1854 von den 3 Brüdern Alinari in Florenz geführtes photogr. Atelier. Auf Photographie von Kunstwerken und antiken Denkmälern spezialisiert. 1855 auf der Pariser Weltausstellung. [Attributes: Soft Cover]

      [Bookseller: Antiquariat Hardner]
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        Folge von 5 farbigen Aquarellen mit Darstellungen hinduistischer Gottheiten.

      Indien, Kalkutta, um 1880. - Farbenprächtige Original-Aquarelle, silbergehöht; von Hand bezeichnet. Je ca. 45 x 28 cm, auf Trägerpapier aufgezogen, unter Passepartouts. 1. "Jagannath, Subhadra and Balaram". - 2. "Vishnu enthroned with Lakshmi". - 3. "Goddess Manasa". Snake goddess (Schlangengöttin). - 4. "Durga on a huge fish". - 5. "Shiva with his wife Parvati". - - Provenienz: Nachlass H.P. Kraus, New York, mit beigefügter englischer Beschreibung. Teils gering knittrig und fleckig. Gute Exemplare

      [Bookseller: Antiquariat Mertens & Pomplun GbR]
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        Power of Movement in Plants

      John Murray, London 1880 - Second Thousand. 8vo: x,592,32(publisher's catalog)pp, with 196 text woodcuts. Original publisher's standard green pebbled cloth, covers paneled in blind, spine lettered and decorated in gilt, brown end papers. According to Freeman, the inserted catalog may be dated January 1879 or January 1882; our copy has the earlier date. A superlative example, binding clean, tight. and unmarred; text fresh and bright, barring light foxing to endpapers and several pages within text. Freeman 1326. N. B. With few exceptions (always identified), we only stock books in exceptional condition, carefully preserved in archival, removable polypropylene sleeves. All orders are packaged with care and posted promptly. Satisfaction guaranteed. [Attributes: First Edition; Hard Cover]

      [Bookseller: Fine Editions Ltd]
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        THE BATTLE OF WATERLOO. A Grand Military Melodrama in 3 Acts. POLLOCK'S CHARACTERS & SCENES. With booklet.

      London, B. Pollock, 73 Hoxton Street, Hoxton, circa 1880.. Circa 1880, approximately 175 x 220 mm, 6 9/10 x 8 6/10 inches, 26 hand coloured sheets as required: 12 plates of characters, 12 plates of scenes, and 2 wings, plus original booklet with play and stage directions: 160 x 100 mm, 6 3/10 x 4 inches, no wrappers called for, 16 pages of text including covers. An odd fox spot to margins on some of the sheets, a little very pale foxing to booklet, which is otherwise clean. A very good plus complete set of sheets and with rare booklet. The play by James J.H. Amhurst was first performed in 1824 at Astley's and juvenile drama versions of it were issued by West, Hodgson, Skelt and others before Pollock acquired his business from Redington in 1876. See Speaight, Appendice B. MORE IMAGES ATTACHED TO THIS LISTING, ALL ZOOMABLE. FURTHER IMAGES ON REQUEST. POSTAGE AT COST.

      [Bookseller: Roger Middleton]
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        Wien's Huldigungs-Festzug zur Feier der silbernen Hochzeit des Kaiserpaares nach Aquarellen von Ed. Stadlin (Deckeltitel). Hans Makart's Festzug der Stadt Wien als Huldigung zur silbernen Hochzeit des Kaiserpaares naturgetreu chromolithogr. dargestellt von E. Stadlin. 27. April 1879. (Lieferungstitel).

      Perles, Wien 1880 - Wien, Perles 1880. Quer-Großfolio (68 x 37,5 cm). Titelblatt, [4] Bl. Text, [46] Bl. Tafeln mit montierten Original-Chromolithographien. Illustrierte rote Original-Ganzleinenmappe. Einband etwas fleckig. Trägerkartons meist stockfleckig, die Tafeln jedoch sauber und farbfrisch. Kein österreichischer Künstler erlangte im 19. Jahrhundert eine derart prominente Stellung wie der »Malerfürst« Hans Makart (1840-1884). Inbegriff des »Makart-Stils« ist sein Atelier: Ort der Repräsentation und Selbstinszenierung, Arbeits- und Ausstellungsstätte, aber auch gesellschaftlicher Treffpunkt: Hier fanden opulente Künstlerfeste statt, hierher pilgerte man, um die neuesten »Sensationsbilder« zu bestaunen. Makarts malerisch-dekorative Kunstauffassung entsprach dem bürgerlichen Repräsentationsbedürfnis der Ringstraßen-Zeit, als Universalkünstler nahm er Einfluss auf Wohnkultur und Kleidungsstil, Oper und Theater. Den Festzug für das Kaiserpaar von 1879 gestaltete Makart als alle Kunstsparten übergreifendes visuelles Massenspektakel. (nach Makart. Ein Künstler regiert die Stadt. Katalog, Wien Museum 2011). „Seinen kometenhaften Aufstieg konnte Makart 1879 mit der künstlerischen Leitung des großen Festzugs zur Silberhochzeit des Kaiserpaares krönen. Schon von Zeitgenossen wird der Umzug nicht nur als monarchische Jubiläumsfeier oder Ausdruck des selbstbewussten Bürgertums aufgefasst, sondern als Apotheose Makarts, des Arrangeurs dieser spektakulären Inszenierung, interpretiert." (S. 205) Seltene Großfolio-Ausgabe, in der die prachtvollen Darstellungen entsprechend zur Geltung kommen. Nicht zu verwechseln mit der Quartausgabe (ca. 25 x 44 cm), die zudem lediglich 36 Tafeln umfasst. "Der wohl wichtigsten Bildpublikation des Festzugs, zumeist mit dem Kostümierer des k.k. Hofburgtheaters, Eduard Stadlin, verbunden und in Einzellieferungen (mit Begleittexten von J. C. Fischer) erschienen, ist neben 44 hochwertigen Chromolithografien eine genaue Chronik der Planungen des Unternehmens beigegeben. Darin wird der Festzug als Abschluss der Stadterweiterung gefeiert und der Entschluss der Festkommission des Gemeinderates begründet, von bisher üblichen Festformen abzugehen und „die Ihren Majestäten darzubringende Huldigung durch Veranstaltung eines großen Festzugs zum Ausdruck zu bringen". In diesem Sinn erscheint die Ringstraße als Prachtboulevard des unter Franz Joseph zu neuer Blüte gebrachten sowie als Kristallisationspunkt eines sowohl höfisch als auch bürgerlich konnotierten Festraums mit dem kaiserlichen Festzelt im Mittelpunkt". (S. 108) Mit den 12 Original-Lieferungsumschlägen (teils lädiert mit Rissen), welche interessante zusätzliche Informationen zum Unternehmen enthalten. Über den geplanter Umfang, die vier verschiedenen Einbandvarianten, passende Rahmen für einzelne Blätter, dem Erscheinungszeitraum und vor allem zeitgenössische Pressereaktionen auf das Prachtwerk. Die begleitenden Texte sind zugleich Musterbeispiele für Werbetexte der Ringstraßenzeit: "Die Ausführung wird eine brilliante, die Farbzusammenstellung genau den Originalen entnommen sein und werden die Blätter sowohl einen prächtigen Zimmerschmuck bilden, als vereinigt jedem Salontisch zur Ehre gereichen" (Prospekt). "Diese Blätter sind zugleich ein Denkmal, das wir der Nachwelt vermachen, um ihr das entschwundene Schauspiel im Bilde zu überliefern, ein Schauspiel, um das Wien von der ganzen Welt beneidet wird und das den Ruhm seiner kunstsinnigen Bürger in die fernsten Zonen getragen hat" (Begleittext). Einband etwas fleckig. Trägerkartons meist stockfleckig, die Tafeln jedoch sauber und farbfrisch. Illustrierte rote Original-Ganzleinenmappe.

      [Bookseller: Antiquariat Peter Fritzen]
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        TA., Innenstadtansicht von Suez mit Eselreiter.

      - Aquarell n. Hildebrandt, dat. 1880, 24,3 x 34 Nach dem Aquarell von Eduard Hildebrandt, das auf seiner Weltreise 1862/63 entstanden ist. - Auf festem Papier und datiert : 3 April 1880. Vgl. Lit.: Th./B.XVII. Dekoratives Blatt.

      [Bookseller: Antiquariat Nikolaus Struck]
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        TA., "St. Franzisko. Der Hafen" - Fernsicht.

      - Chromolitho. v. R. Steinbock n. Hildebrandt b. Mitscher, um 1880, 24 x 37,1 Die Chromolithografien wurden von R. Steinbock und W. Loeillot nach den von Eduard Hildebrandt meist auf seiner Weltreise 1862/63 geschaffenen Aquarellen angefertigt. - Original auf einen Untersatzkarton montiert ( 45,5 x 56 cm ). Verso mit Verlagsschild " No. 30 Ed. Hildebrandt . - Die Reise um die Erde ". Lit.: s. Th./B.XVII. Tadellos sauber, dekoratives Blatt. Rechts unten in der Darstellung: E. Hildebrandt.

      [Bookseller: Antiquariat Nikolaus Struck]
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        "THE BEST THING IN THE WEST." THE RICH VALLEY LANDS OF THE ATCHISON, TOPEKA AND SANTA FE RAILROAD COMPANY, SITUATED ON THE BEAUTIFUL COTTONWOOD AND ARKANSAS RIVERS, IN SOUTHWESTERN KANSAS. 2, 500.000 ACRES FOR SALE ON ELEVEN YEARS' CREDIT

      Topeka: Geo. W. Martin, Kansas Publishing House, n. d. (ca 1880s)., 1880. First edition. First edition.15" x 7 1/2" printed broadside, 18" x 11 1/2" matted and framed. Broadside issued by the Atchison, Topeka & Santa Fe Railway Company promotes an excursion trip to Southwestern Kansas in the 1880s for purchase of 2,500,000 acres of land on eleven years' credit terms. Contains composite engraved views and promotional text. The views show comparative successes after starting on either the prairie or the woods and the resultant success for each after a few years of hard work. Also an image of a train locomotive is viewed as "The Granger's Friend." It appears that there is additional printing on the reverse side as well, but since the broadside is matted and framed the information cannot be read. A fine copy.

      [Bookseller: BUCKINGHAM BOOKS]
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        Picturesque Europe. 5 Bände komplett. With illustrations on steel and wood by the most eminent artists.

      London, Paris, New York. Cassel Petter & Galpin., o.J. (ca. 1880-1890 er Jahre). Bände 1 bis 5. Mit 64 Stahlstichen (je Band 13 Stahlstiche). Band 5 mit Generalregister. 4°, Halbleder, Rückenvergoldung, Titelschild in Rot. Insgesamt ordentliche Exemplare. Einbände etwas berieben / beschabt. Die ersten und letzten Seiten jeweils mit Stockflecken. Stahlstiche stellenweise etwas stockfleckig. 1 Stahlstich (Straßburg) fehlt, ein Stahlstich lose. Band 5 ohne Inhaltsangabe und Illustrationsverzeichnis, ist aber auch mit 13 Stahlstichen. Versand D: 4,80 EUR

      [Bookseller: Heiko Wiegand, Antiquitäten & Antiquaria]
 32.   Check availability:     buchfreund.de     Link/Print  


        The Complete Poker-Player

      Dick & Fitzgerald Publishers, New York 1880 - Second edition, later printing. x, [11]-142, [2, catalogue] pp. 12mo. One of the Earliest Poker Manuals. A fine copy of the second edition of this foundational work on poker. The rare first edition of 1875 - with only one copy located on OCLC - is, along with Winterblossom's The Game of Draw Poker, the earliest published work dedicated solely to poker. Blackbridge attempts to legitimize poker, and gambling and gaming in general, harmonizing it with Christian values and drawing comparisons to generally respected professions that trade in risk, such as that of banker and insurance provider. Beyond the moralizing tone, Blackbridge's work provides a technical and probabilistic discussion of the game, and includes a section on "Probabilities at Draw-Poker" by Dr. Pole. The rules printed in Chapter XIX are adapted from The American Hoyle. A third edition was published by Dick & Fitzgerald in 1884. Jessel 122; Horr 167; All In 13 Publisher's green cloth with gilt-stamped title and illustration of hand holding four aces. Some light surface scuffing to front cover, else a fine copy with bright gilt x, [11]-142, [2, catalogue] pp. 12mo [Attributes: First Edition]

      [Bookseller: James Cummins Bookseller, ABAA]
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        Ecuadorian Rainbow

      Supplement; 16 Ecuadorian Rainbow. Diphlogaena hesperus. ~p~A Monograph of...Hummingbirds [supplement], W. Hart for Gould, 1880-7. 530 x 360mm. £395

      [Bookseller: Henry Southern Ltd.]
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        Historia da America Portugueza desde o anno de mil e quinhentos do seu descobrimento ate o de mil e setecentos e vinte e quatro.

      Lisboa da Silva, 1880 - xxvii, 404 S. Good condition. Ex-Library. New library binding. With 6 plates and 1 map. pt Gewicht in Gramm: 945 Segunda edicao revista e annotada por J.G. Goes.

      [Bookseller: Antiquariat Thomas Haker GmbH & Co. KG]
 35.   Check availability:     IberLibro     Link/Print  


        The Photophone

      Dawson Brothers, Montreal 1880 - First Edition. [385]-448 pages. 8vo. Original light orange printed wrappers. The copy of "A. H. Foord", with his name and street address in pencil at top of front wrapper. Minor soiling and edge chipping to the wrappers. In the Canadian Naturalist, Vol IX, No 7, New Series, Dec. 29th, 1880. The paper is found on pages 397-407, and is the address before the American Association at Boston in August of 1880. Wraps. Here, Alexander Graham Bell explains the genesis of his idea, followed by an extensive history of selenium and the part it played in the the photophone. The photophone used light pulses, and selenium's photoconductivity to convert sound into light pulses, and back again to sound at the other end. Bell credits Taintor with the implementation of the apparatus, which was sent to the Smithsonian in a sealed box.In hindsight, Bell may have anticipated the entire field of fiber optic transmission: "It was evidently necessary, in order to reduce the idea to practice, to devise an apparatus to be operated by the voice of the speaker, by which variations could be produced in a parallel beam of light, corresponding to the variations in the air produced by the voice." (p. 401) In concept, this is exactly what fiber optic transmission equipment does - encoding information on one end, transmitting it, and decoding it at the other. "Even before the work of Hertz, Bell had transmitted speech over a beam of light and was granted a patent in 1880 (US 235496 A ) for a device which he called the 'photophone'. An improvement was worked out in the Boston laboratory of the American Bell Telephone Company in 1897 on which a fundamental patent was issued [which according to Lloyd Espenschied covers for the first time the modulation of radiant energy by a voice current and, in a sense, is the basis for all amplitude modulated radio and carrier telephone systems.] (History Bell System, Engineering, Vol 1, p362)Unfortunately the new device's transmission distance was only tested to 213 meters, and it had the same issues as any line-of-sight signaling technique. In "The City of Light : The Story of Fiber Optics" author Hecht points out that although the discovery was exciting to Bell, the practicalities (weather and radio) doomed it. The concept still spread like wildfire. We offer what is most likely the first Canadian edition, dated December 29, 1880. The first American printing is American Journal of Science", Third series, Vol. XX, No. 118, October 1880, followed closely by an article in the Scientific American, Supplement 246, September 18, 1880. pp. 3921-3923. There is also a French edition (Paris: 1880), and a Leipzig edition in the same year. Foord is most probably "the English palaeontologist and scientific illustrator Arthur Humphreys Foord (1844-1933)" (Geological Society of America). See Hecht, City of Light: The Story of Fiber Optics, pp. 80-82 for a nice discussion of the evolution of fiber optics. [Attributes: First Edition; Soft Cover]

      [Bookseller: Kuenzig Books ( ABAA / ILAB )]
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        Ulysses S. Grant Signed Letter.

      Sante Fe, 1880. Autograph Letter Signed by Ulysses S. Grant which reads, "Dear Mrs. Hines, Mrs. Grant and I are under many obligations to you and the general for a very pleasant visit to Sante Fe. We hope to have someday, the opportunity of reciprocating your hospitality. Very truly yours, U.S. Grant Santa Fe, New Mexico, July 16, 1880." Matted and framed. Entire piece measures 13 inches x 16.5 inches. Three days earlier on May 8, 1871, President Grant had signed the Treaty of Washington, settling the so-called "Alabama Claims," whereby the U.S. sought reparations from the United Kingdom for attacks on U.S. ships by the British built ship, CSS Alabama, and other Confederate ships that were sold to the rebel states during the Civil War. The British government agreed to pay the U.S. $15.5 million.

      [Bookseller: Raptis Rare Books, ABAA/ ILAB]
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        Outstanding collection of early architectural photographs featuring buildings in Chicago, Cleveland, New York City, Buffalo, Boston, and Michigan]

      [Chicago, Cleveland, New York City, Buffalo, Boston, and Battle Creek, MI 1880 - 219 albumen photographs, backed on linen. A handful of photos in the second volume dampstained. Contemporary cloth. Housed in a black morocco-backed box. An amazing collection of photographs of Gilded Age mansions in Chicago An astounding collection of photographs highlighting the golden age of architecture in Chicago, particularly the style of Richardsonian Romanesque, named for the prominent architect Henry Hobson Richardson. Some of Richardson's own work is featured in this archive, including some of his buildings in Cleveland and Boston. Other architects represented in these photographs include an array of the most famous designers in Chicago during the latter part of the 19th century, such as Daniel Burnham, John Wellborn Root, Franklin Pierce Burnham, Willoughby J. Edbrooke, Joseph Lyman Silsbee, Solon Spencer Beman, H.M. Hansen, John J. Flanders, William Carbys Zimmerman, and other partnerships, including Wheelock & Clay, Mason & Rice, Treat & Foltz, Cobb & Frost, Patton & Fisher, and more. Some of the photographs carry stamps from these architects on the verso, including Henry Ives and L.G. Hallburg, while others are identified through pencil notations or by captions in the negative, likely by the photographic firm that produced the images. The archive also includes architectural works from firms in other cities, including Marling & Burdett and Green & Wicks in Buffalo, N.Y. (both of whom had worked and studied in Chicago - Marling under Beaman and Burdett under Richardson), and C.F. Schweinfurth, Coburn & Barnum, and George Smith in Cleveland. Some of the identifiable buildings in this collection include the Potter Palmer residence, the McWilliams residence, the Borden house, the Ransom Cable residence, the McGill house, Chicago City Hall (designed by James Egan), the Hair & Ridgway Building, and H.H. Richardson's McVay residence (among about a half dozen other buildings identified as Richardson designs). A healthy amount of the images show buildings at various stages of construction, a rare feature for albums of architectural photographs like this. Though the subject matter includes buildings in several cities, the photographs themselves, or at least the printing of the photographs all seem to be the work of a single Chicago architectural photography studio, explaining why architectural works from disparate cities are presented together. Seemingly all of the photographs emanate from the Chicago photographic firm of Allgeier, with a handful of photographs from Allgeier & Bertwistle. The second volume includes numerous images focusing on interior design, as well as close-up details of various architectural features of buildings in Chicago, including the aforementioned Hair & Ridgway Building. The third volume contains views of railroad stations, namely Battle Creek Depot in Michigan (designed by Rogers & MacFarland of Detroit) and another unidentified station in New York, as well as additional buildings in Chicago and New York. An amazing archive of Richardsonian Romanesque architectural photographs from the style's heyday. [Attributes: Hard Cover]

      [Bookseller: Donald A. Heald Rare Books (ABAA)]
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        Democracy: An American Novel (Leisure-Hour Series)

      New York: Henry Holt and Company, 1880. First Edition. Hardcover. Very Good. First edition, first printing. (BAL's earliest state, Form "A," with mark "F" on page 65, title page incorrectly stating Leisure Hour series number as 112, front pastedown dated March 31, 1880, white linen binding). 374 p. with eight pages of ads at rear. Very Good condition overall. Covers have some spots of staining and toning. First 14 or so pages have light creasing in one area along fore edge. Small stain on pg. 64. A nice copy. A popular anonymously-published political novel, which was only attributed to Adams after his death.

      [Bookseller: Burnside Rare Books]
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        \"The Victoria Graving Dock Company Limited. The Pontoons Victoria Dock. Capable of lifting vessels up to 3000 tons\". Darstellung der Trockendocks des Victoria Dock mit einer hydraulischen Schiffhebebühne (Edwin Clark`s Patent) mit einem Schiff, links der weite Blick über die Docklands im Londoner Eastend.

       Lithographie mit zwei Tonplatten bei C.H. Job, London, um 1880, 38 x 62 cm. Leicht angeschmutzt, im Himmel und oben in den Rändern leicht fleckig. - Große, dekorative Darstellung. Versand D: 6,00 EUR Europa, Großbritannien, London, Schiffahrt

      [Bookseller: Antiquariat Bierl]
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        Euripide IÂby Leconte de Lisle

      Paris - Alphonse Lemerre 1880 - An eight volume set consisting of six volumesÂof Leconte de Lisle translations withÂtwo Eugne Talbot translations of the major Ancient Greek texts into French. Euripide includes: 'Hkab', 'Orests', 'Les Phoinissiennes', 'Mdia', 'Hippolytos', 'Alkstis', 'Andromakh', 'Les Suppliantes', 'Iphignia a Aulis'. Hsoide includes: 'Bion', Moskhos', 'Tyrte', 'Odes Anacrontiques'. Eschyle includes: 'Promtheus Enchain' and 'Les Khophores'. Homre: Odysse and Iliade include the full-text translation from Ancient Greek to French. aSophocle includes 'Les Trakhiniennes', 'Oidipous-Roi', 'Oidipous a Kolonos', 'Antigone' and 'lekra'. Aristophane Vol IÂincludes 'Les Akharniens', 'Les Chevaliers', 'Les Nues', and 'La Paix', with a preface by fellow poet, Sully Prudhomme. Aristophane Vol IIÂincludes 'Les Oiseaux', 'Lysistrata' and 'Ploutos', with a preface by fellow poet, Sully Prudhomme. Euripide andÂAristophane Vol I are limited editions as listed on the front free endpaper. Aristophane:Twenty-fiveÂcopies on Holland paper, five copies on China paper. Euripide: Fourty copies on Holland paper, ten copies on China paper and 5 copies on Whatman paper. Charles Marie Ren Leconte de Lisle (1818-1894) was a French poet of Parnissian fame. The Parnissians wereÂa group of poets who placed syntax &Âmetre above the emotional value of a poem. Members of the group included Paul Verlaine, Sully Prudhomme and Thodore de Banville. Leconte de Lisle succeeded Victor Hugo in his election to the French Academy. Eugne Talbot was born in 1814 and died in 1894. Dating from Copac. ÂCondition: In half calf binding with marbled boards and gilt lettering and tooling to the spine. Externally, smart with slight edgewear and rubbing to the joints. Slight fading to the spine and sunning to the fore-edge. Internally, smart with browning to the edges throughout. Overall:FINEÂ [Attributes: Hard Cover]

      [Bookseller: Rooke Books PBFA]
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        Petersburg und Moskau [Mappe mit 32 alten Fotos von Petersburg und Moskau]

      [etwa 1880er Jahre] - HLWd. Mappe mit goldgeprägtem Vordertitel, Band, 24 Fotos (im Durchschnitt etwa 16,5 x 11,5 cm) mit verschiedenen Ansichten von St. Petersburg aufgezogen auf Karton (im Durchschnitt 32 x 24,5 cm), hinten tw. mit Aufkleber mit der Aufschrift "Magasin d'Estampes de VELTEN, Perspective de Newsky No. 20 à St. Pétersbourg." mit Bleistift frazösischer Name der Sehenswürdigkeit in der rechten unteren Ecke eingetragen (Colonne Alexandre sur la place du Palais, Senat et Monument de Pierre le Grande, Eglise de Isaac, .) und 8 Fotos (im Durchschnitt etwa 10,5 x 10,5 cm) mit Außenansichten von Moskauer Kirchen aufgezogen auf Karton (im Durchschnitt etwa 22 x 22 cm); Die Mappe ist angeschmutzt, beim Rücken eingerissen, die Kartons sind tw. stockfleckig, Fotos aber sauber, die Fotos der Moskauer Kirchen haben tw. Löcher von Reißnägeln, Reste von Klebebändern an der Rückseite, insgesamt annehmbarer Zustand. Die Fotos dürften in den 1880er oder 1890er Jahren gemacht worden sein. Book Language/s: de, fr [Attributes: Soft Cover]

      [Bookseller: Antikvariat Valentinska]
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        Bericht über die wissenschaftlichen Instrumente auf der Berliner Gewerbeausstellung im Jahre 1879.

      Berlin Springer 1880 - (24,5 x 16,5 cm). VIII, 535 S. Mit 292 Abbildungen. Original-Leinwandband. Erste Ausgabe, u.a. mit Beiträgen von W. Foerster, L. Loewenherz, Th. Liebisch, J. Hirschberg und H. W. Vogel. - Die beschriebenen Instrumente stammen u.a. aus den Bereichen Astronomie, Geodäsie, Nautik, Metrologie, Meteorologie, Physik, Chemie, Mikroskopie, Kristallographie, Spektroskopie, Ophthalmoskopie, Elektrizität und Telegraphie. Besonders zu beachten ist die Beschreibung des Phonographen von Glaue und Pensky. Mit vielen schönen Geräte- und Instrumentenabbildungen. - Einband leicht berieben. Rücken sauber restauriert, sonst gut erhalten. [Attributes: First Edition]

      [Bookseller: Antiquariat Gerhard Gruber]
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        The Gawler Handbook. A Record of the Rise and Progress of that important Town; to which are added Memoirs of McKinlay the Explorer and Dr Nott

      Goodfellow & Hele [almost certainly the Author - James Dally was convinced], Adelaide 1880 - Octavo, 182, 30 (advertisements) pages plus 6 lithographed plates (of farm machinery by James Martin & Co.) and 17 albumen paper carte-de-visite photographs individually mounted on tipped-in captioned leaves. Blind-decorated blue cloth lettered in gilt on the front cover; cloth slightly rubbed and bumped at the extremities, a little marked, and lightly sunned on the spine; some mounts lightly creased (a production flaw); a few trifling signs of use; a very good copy (but internally fine, with the photographs in superb condition). With the pictorial bookplate of J. Cluny Harkness (Federal President of the Chamber of Manufactures in the 1950s, according to Trove). Ferguson 11744; Holden 70. Holden's entry is more accurate and informative, although the photographs may vary slightly between copies. The photograph facing page 17 in this copy is of the 'Gawler Institute' (showing the Institute building and Town Hall), rather than 'Frankel's Hotel' as called for in Holden. These variations notwithstanding, two separate editions were produced: one in wrappers, with advertisements on the verso of the front cover and on both sides of the rear cover, without photographs (but with the lithographs not noted by Ferguson); the other in gilt-lettered cloth, without the cover advertisements, containing 17 mounted photographs plus the lithographs. Both contain 30 pages of advertisements at the rear. Rare in any state, and in our view, the version on offer is one of the more important and interesting photographically illustrated books produced in Australia. 'The handbook is illustrated with a number of views by Mr J. Taylor, the local photographic artist, representing the most important edifices and establishments in town' (Holden, quoting a contemporary review). The frontispiece is a portrait of John McKinlay (1819-1872); there are 14 pages devoted to him (he married a Gawler woman in the early 1850s and was based in the town until his death). Justice is not done to the other photographs in describing them prosaically as 'the most important edifices and establishments in town'. Without exception, signs of life and day-to-day activities flesh out the images, and most of the businesses - butcher shop, photographic studio, cordial factory, furnishing warehouse, music emporium - feature well-stocked windows or yards and numerous staff members or customers. Holden reproduces two interesting ones (including perhaps the best, the butcher shop, captioned merely 'Hodgson & Clements'), but there are wonderful vignettes in many others. Not least of these are the horse-drawn tram in front of the 'Commercial Bank' and the ornate hearse outside 'F. Fowler's Furnishing Warehouse'. While we are on the subject of death, one chapter stands out. Among those to be expected, say on 'Horticultural and Agricultural Progress. Gardens around Gawler', or 'The Humbug Society. Flam! Bam! Sham!', or 'The Streets - Number of Businesses - Description of Hotels', there is Chapter XI: 'The Neville and Adamson Tragedy'. Its thirteen pages describe in great detail the events surrounding the double suicide 'and its romantic accomplishment' of Neville and his partner Adamson. 'It is universally believed that Neville was the leading spirit in the suicide, and so strong was Adamson's affection, love, friendship, or whatever it may be termed, for his companion, that he consented to take that final leap in the dark in the wine cellar, with him to visit that "bourne whence none return"'. Please use the 'Ask Bookseller a Question' link below to confirm availability and postage charges. [Attributes: First Edition; Hard Cover]

      [Bookseller: Michael Treloar Booksellers ANZAAB/ILAB]
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