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Displayed below are some selected recent viaLibri matches for books published in 1880

        Vingt-Quatre Pastels De Maurice Quentin De La Tour

      L’Edition D’Art H. Piazza, Paris, 1880; Magnificent folio of twenty-four individual 10” x 13” color pastel portrait plates of famous French personages, by premier 18th century French portraitist Maurice Quentin de la Tour (1704-1788). Each portrait superbly reproduced in genuine lithograph on double-weight stock, each with its own guard tissue bearing the subject’s name in letterpress. Encased in the original marbled-board portfolio with linen tie, and accompanied by the full-size six page booklet, printed on Rives paper, containing titles and biographical notes for each personage. Text in French. Includes portraits of Rousseau, Voltaire, Jean Restout, Mme. de Pompadour, Louis XV, opera singer Marie Fel, famed danseuse Mlle. de Camargo, Latour himself, and numerous other notables of 18th century French high society. No printed publication date (circa 1880). All prints sparkling and Fine, in a Very Good Plus portfolio. A rare and beautiful item, with only one other copy on record at the Metropolitan Museum Of Art, New York.

      [Bookseller: AARDWOLF Fine Books]
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        Terrestrial table globe - Jan Felkl, c. 1880.

      SMALL TERRESTRIAL TABLE GLOBE WITH STANLEY"S NEW DISCOVERIES IN THE CONGO"Aardglobe naar de Nieuwste Bronnen bewerkt door W.J. Geerling. Fabriek van J. Felkl. te Praag', small (16 cm) terrestrial globe with 12 gores produced in Prague by Jan Felkl c. 1880. Lithographed in black and two shades of blue, with Asia, Australia, the Americas and parts of Antarctica outlined in red. With a brass meridian ring graduated in degrees and a brass pointer at the north pole (dial lacking), in a contemporary four-legged wooden base with central support, the horizon ring with a facsimile of a contemporary paper horizon ring pasted on it.A charming little globe, produced in Prague for the Dutch market by Jan Felkl (1817-1887) with the assistance of W.J. Geerling of Arnhem. Schools formed a large part of Felkl"s market, though the globes sold to schools are not distinguished from those sold to others. Since Felkl left Prague for Rostok in 1870 and traded as Felkl & Sohn from 1875, the plates for the present globe must have been made no later than 1870. Africa shows the results of Henry Morton Stanley"s exploration of the Congo in the years 1874 to 1877, so the plates must have been updated. It depicts the upper Congo accurately, reduces the old elongated Lake Albert to its proper extent and perhaps attempts to depict what are now lakes Edward and George. The presence of Transvaal Republic in South Africa suggests a date before its annexation by England in 1881.Condition: professional repair of a 1 cm hole in the Atlantic Ocean, east of West Indies, and a few minor scuffs, but still in good condition overall. A nice little globe from the famous firm of Felkl in Prague.Price: € 3.000,-.

      [Bookseller: Inter-Antiquariaat MEFFERDT & DE JONGE]
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        [Rossetti, Dante Gabriel- Autograph Letter to Watts, Mentioning Augmentation to one of his most famous poems, "Sister Helen" [Together with] a holograph DGR fragment from the poem.

      Fascinating one page letter on folded sheet, ca. 1880, a short but sweet letter to his closest friend in later life and fellow-Pre-Raphaelite, Theodore Watts-Dunton. "Wednesday, My dear Watts, Try & dine with me Saturday or Sunday. Which shall it be? & bring some Sonnets. I've given another Coup de grace to Sister Helen! Yours affec: DG." "Sister Helen," one of Rossetti's most acclaimed poems, was written in 1851 and appeared in his "Poems" (1870), but Rossetti continued to work on the poem for years, including changes, found in holograph, in Rossetti's own copy of a "Tauchnitz" reprint, and finally culminating in a finished revision ca. 1880. He sent some stanzas to Jane Morris, saying, "the tenor of the poem now shows that the witch began her spell on the wedding-morning of her false lover. I cannot think how I never did it before..." The final printed version of the expanded poem appeared in the "New Edition" of the "Poems" (1881). Therefore, mention of these incipient new additions to his friend, Watts, (and dubbing them a "Coup de grace!") to share with his closest friend during dinner, is indeed a delightful and interesting historical moment. [Together with] a HOLOGRAPH FRAGMENT OF THE ORIGINAL POEM ("SISTER HELEN") on 1 x 7" piece of paper: "A lady's here by a dark steed brought/ Sister Helen,/ So darkly clad I saw her not."/ "See her now or never see aught/ Little Brother." And on the verso of this fragment appears more Rossetti holograph lines, crossed out by him, from his "Sonnet LXII, The Soul's Sphere," "Some prisoned moon in steep cloud-fastness/ Blazed with momentous memorable fire." A very nice grouping of Rossetti ALS mentioning "Sister Helen" and holograph poem fragments.

      [Bookseller: Nudelman Rare Books]
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      [Tokyo] 1880, Funzau. A single Oban sheet size 23.5 x 35 cm.. print size 21 x 32 cm., very good, strong impression, ex-. cellent registry, signed & sealed in the block, good colors,. without flaw. S C A R C E. This historical prints shows "Minamoto no Yoriyoshi [955- 1082] striking a rock with his bow, from which a clear spring gushed forth. The stream is said to have formed the river, Kitagamigawa. The event took place during a drought n 1054 when his troops suffered greatly from thirst." See E. van den Ing et al: BEAUTY & VIOLENCE: JAPANESE PRINTS BY YOSHITOSHI 1839-1892, p.116 entry no. 5 for more details on this print & the series, as well as background information on Yoshitoshi. Minamoto is depicted in full battle Yoroi or armour, with his long bow, and a quiver of arrows. Two aids watch in astonishment as Minamoto pokes among the rocks. His beautiful armour is neatly wovern and tied, his Sae or sword sheath seems to have a host of peacock feathers decorating it. Yoshitosh was the leading exponent of reflecting the true Japanese warrior & Bushi spirit in his prints. Also il- lustrated in DIVINE DEMENTIA as item no. 75. A color scan can be sent by e-mail. Images displayed may not always be the exact photo of the copy in stock for sale at any given time. If you want to see the exact image of the book or edition in stock today, please request this by email. . Photos of most of our books are posted to our .

      [Bookseller: Rare Oriental Book Company, ABAA, ILAB -]
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        Album d'Etudes et Poses

      - oblong, 21 photographies Paris, A. Calavas, s.d. [circa 1880], in-4, oblong, 21 photographies albuminées (13,5 x 18 cm), demi-toile bordeaux, dos lisse, 21 photographies contrecollées sur carton fort bleu monté au nom des éditions Calavas. Ces photographies représentent 168 poses de modèles féminins (8 par planche), souvent nus. L'album était destiné aux étudiants des Beaux-Arts et aux artistes. On y trouve toutes sortes de poses (allongée, assise, debout, de face, de dos et de trois-quarts). Les modèles ont pour accessoire un drap, une couronne de fleurs ou un cerceau, avec lequel ils jouent. Exemplaire restauré, offrant un beau témoignage du nu académique de l'époque [Attributes: Hard Cover]

      [Bookseller: Librairie Alain Brieux]
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        Procedimenti della Spedizione artica svedese sotto il comando del professore Nordenskiold. 1878 - 79. Relazione di S.E. il Ministro della Marina del sottotenente di vascello Giacomo Bove idrografo della Spedizione. SEGUE : Idea sommaria della spedizione antartica italiana. SEGUE : I passati viaggi antartici e l'ideata spedizione italiana.

      Roma, Rivista Marittima, 1880, aprile, maggio, giugno, luglio/agosto, settembre, ottobre. Sei vol. pp. 58/112 - 325/359 - 563/595 - 181/192 - 430/463 - 89/109. Con 27 tavole fuori testo anche a colori molte volte ripiegate (carte geografiche, vedute, grafici). Negri, Idea sommaria .. 113/126 con una tavola - Negri, I passati viaggi .. 135/179 con 2 tavole. Sono i fascicoli da IV a X, per pag. 704630251 in eccellenti condizioni e nelle loro brossure originali.

      [Bookseller: Libreria Piani gia' Naturalistica]
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        MÜNCHEN. "C.G. Wenng's Special-Plan der Stadt München". Neunteiliger, nicht zusammengesetzter Plan.

      - 9 Farblithographien "bearbeitet unter Zugrundelegung der neuesten Aufnahmen" von C.G. Wenng bei Wolf & Sohn, München, um 1880, je ca. 53 x 65,5 cm. Slg. Proebst 48; nicht bei Lentner. - Sehr detaillierter Plan von München und seinen Vorstädten im Maßstab 1:4000. - Gering fleckig und etwas angestaubt, winzige Randläsuren. - Selten.

      [Bookseller: Peter Bierl Buch- & Kunstantiquariat]
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        The Memorial History of Boston Including Suffolk County, Massachusetts 1630-

      Ticknor & Co, 1880. Complete 4 volume hardcover set bound in tan leather along the spine and at the corners over marbled paper covered boards, all edges marbled with a matching pattern, titles and volume numbers are in gilt in black boxes on the spines, volume I has a 2-page colored map before the title with all other illustrations black and white. The 1880 copyright was held by James R. Osgood and Co but the set was published by Ticknor and Co. The volumes are: Volume I. The Early and Colonial Periods. 596 pages. Volume II: The Provincial Period. 577 pages. Volume III: The Revolutionary Period and The Last Hundred Years, Part I. 601 pages. Volume IV: The Last Hundred Years, Part II: Special Topics. 713 pages. All of the volumes are worn in spots along the edges, leather worn at the tips of the corners, end papers show darker areas where they came into contact with the leather of the binding, occasional soiled spot on a text page, all pages lightly age toned, volumes I and II have heavier wear from damp along the lower margin resulting with some wrinkling of the paper, damp stain shows on the lower portion of the leather on either side of the spine, volume II has heavier edge wear and damp wear which shows on the exterior panels and the first and last few pages which also have small chips near the heal of the spine. Images available. USPS tracking used on all domestic shipments. This set weighs more than 20 pounds and will require considerable additional postage for Priority or International shipment.. No Edition Stated. Half-Leather. Good/ .

      [Bookseller: The Bookbums at Ish Kabibble Books]
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        Laubmoose der Harzflora. Herbar des Hofapothekers Emil Wockowitz aus Wernigerode/Harz. Band 1: Tafel 1 bis 47; Band 2: Tafel 48-111; Band 3: Tafel 112-152.

      um 1880, 3 Bände, 8°, Ganzleinenbände der Zeit mit Rückentitel und mit verschließbaren Schlaufen in marmorierten Schubern mit Rückentitel, in jeder handschriftlich paginierten Seite liegen 1 oder 2 Einlegeblätter mit zahlreichen professionell präparierten montierten Pflanzen, diese mit handschiftlicher Beschreibung (Art/Fundort etc.), sehr gut erhaltenes Exemplar, Beiliegt 1: Loeske, Leopold. Moosflora des Harzes. Hilfsbuch für die bryologische Forschung im harze und dessen Umgebung. Verbreitungsangaben und Bestimmungstabellen. Gebr. Borntraeger, Leipzig 1903.XX, 350 S., privates Halbleinen, Einband berieben, buchblock leseschief, Papier leicht gebräunt und vereinzelt braunfleckig, Namensstempel auf Vorsatz. In diesem buch findet E. Wockowitz mit seinen Funden ausdrücklich Erwähnug (Seite IX). Beiliegt 2: Handgeschriebenes späteres Verzeichnis aller im buch aufgelisteter Moose (2 Blatt). Versand D: 5,00 EUR Herbar, Harz, Moose, Kryptogamen, Floren

      [Bookseller: Antiquariat Silvanus]
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        A History of the Birds of Ceylon

      London: Self Published, 1880 1237 pages, bound in two volumes. 34 hand-colored plates after J. G. Keulemans and colored map frontispiece. Finely bound in two volumes, half red leather and cloth over boards. Spines with slightly raised spine bands and black leather spine labels. Gilt stamped lettering and decoration. Marbled end leaves. No binder's ticket is noted. There is a very light smudge on bottom board of second volume. Leather shows a few very light scuffs/rubbed spots, though overall covers remain bright, very striking, and near fine. Black and white anatomical plate at frontis of second volume shows a vertical crease about two inches from outside edge. Light to moderate foxing is seen on the first and last few leaves of both volumes, and very light foxing is scattered throughout. Page 115/116 shows a two inch closed tear in the margin with old tape repair. A couple of the plates show very light smudges in white space, and a couple show very slight offsetting to opposite page. Plate XXXI [Gallus Lafayettii], opposite of page 736 shows a little more offsetting, and there is a very small and slight loss of coloring on chest of bird. Plates have been collated and are otherwise complete and in very nice condition. Other that stated, coloring remains bright and vibrant. There are some penciled notations on the newer blank rear end leaves, though contents are otherwise very clean and free of markings. Despite the described faults, this remains a very lovely and complete copy of this scarce title.. First Edition. Half Leather - Hardbound. Very Good-/No Jacket. Illus. by John Gerrard Keulemans. 4to.

      [Bookseller: Lloyd Zimmer, Books and Maps]
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        Campaigning in South Africa.

      Edinburgh and London: William Blackwood and Sons, , 1880. Reminiscences of an Officer in 1879. Octavo (196 × 130 mm) Recent dark blue morocco, red and green lettering-pieces, raised bands bracketed by double gilt rules, roundel with palmettes device gilt to the compartments, single fillet gilt panel to the boards, top edge gilt, marbled endpapers. Bound with the half-title. Old stain from self-adhesive tape to the half-title, some foxing front and back, light browning throughout and occasional marginal finger-soiling, remains a very good copy. First edition. Surprisingly uncommon account of the Anglo-Zulu War, just seven locations on Copac. Montague served in the Zulu War as brigade major of the 2nd Brigade, 2nd Division, and subsequently as Staff Officer Fort Marshall and to the flying column in the operations against the hostile chiefs: "In this book, Capt. Montague describes his journey to northern Natal, campaign life, the Battle of Ulundi, and the aftermath of the Anglo-Zulu War" (Raugh).

      [Bookseller: Peter Harrington]
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      Rand, Avery & Co., Railway Printers, 1880. - First edition. Yellow broadside printed in black ink. The Union Pacific Railroad Company made available a special trip from St. Johnsbury, Vermont to the rich farming lands in central Nebraska leaving on Tuesday, June 15, 1880. Arrangements have been made to accomodate passengers from other parts of New England and Canada to connect with this special train. These excursions will be accompanied by the well-known Excursion Agent, A. C. Harvey, who will endeavor to make the trip pleasant, and see that they have comfortable first-class cars, check baggage and furnish full information regarding the routes, lands, etc. A tiny bit of wear to bottom edge, else near fine, bright broadside. [Attributes: First Edition]

      [Bookseller: BUCKINGHAM BOOKS, ABAA, ILAB]
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        The Works. The text revised by the Rev. Alexander Dyce.

      London, Bickers & Son, 1880–81 - 10 volumes, octavo. 20th-century half crimson morocco, titles and decoration to spines gilt, raised bands, marbled boards and endpapers, top edges gilt, others untrimmed. A handsome set in excellent condition. Engraved frontispiece to volume 1. Fourth Edition.

      [Bookseller: Peter Harrington. ABA member]
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        Jahres Bluten: Das Jahr und Seine Kinder

      A. Bielefeld, Karlsruhe - no date (ca. 1880). Folio green cloth portfolio stamped in gilt and blind. Internal flaps covered in watered silk. Chromolithographed title page and 12 loose laid-in plates, each representing a month of the year. A very fine copy with the magnificent chromolithographed plates as new. This is the deluxe edition, issued in a very limited number. A beautiful production wonderfully preserved. [Attributes: Hard Cover]

      [Bookseller: The Literary Lion, ABAA]
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        Junge Schwangere vor Gartenhaus, sich anlehnend.

      1880 - Aquarell. Auf Papier. Inet // TB // Arbeiten in der Grafischen Sammlung München; im Fränkischen Luitpold-Museum Würzburg u.i. Kunsthistorischen Museum, ebda.// Würzburg 1825-1917 München. -Gerahmt! Anm. zur Rechnungstellung: Die Buchpreise beinhalten die reduzierte MwSt von 7 %, diese wird gesondert ausgewiesen // Rechnungen für Kunstgegenstände wie Grafiken, Gemälde weisen gem. § 25a Abs.3 Satz 1 UStG (Differenzbesteuerung) bzw. § 25a Abs.3 Satz 2 UStG (Margenbesteuerung) keine MwSt aus (brutto = netto). 0 Gewicht in Gramm: 2001 Ca. 22,5x16,5 cm (Bl./ Abb.). Signiert, datiert u. ortsbezeichnet. [Attributes: Soft Cover]

      [Bookseller: Kunstantiquariat Rolf Brehmer]
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        Island Life: or, the Phenomena and Causes of Insular Faunas and Floras, Including a Revision and Attempted Solution of the Problem of Geological Climates

      London: Macmillan and Co., 1880. First edition. 8vo. xx, 526, (2) pp. Publisher's dark green cloth, a map of the western hemisphere in gilt to the upper board. Frontispiece and two full page maps, all with a degree of colouring, plus 23 further illustration, mostly maps. Neatly recased, crease to the upper board, some light wear, very good overall.

      [Bookseller: Bow Windows Bookshop]
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        Vintage photograph of Hawaiian dancers

      n.d., but circa, Hawaii 1880 - Vintage albumen photographs (180 x 260 mm.), mounted on card 320 x 244 mm.; fine. A rare Hawaiian photograph of a group of Hawaiian dancers. The photograph depicts a dance troupe, with five women in traditional dress and a man in serge pants and shirt posing with a drum.

      [Bookseller: Hordern House Rare Books]
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        Miniature watercolor or gouache portrait of Civil War Brevet Brigadier General David B. McKibbin.

      NP [Washington DC?], nd [ca. 1880]. Small oval portrait, 3 1/2 x 2 1/2 inches, in an elaborate Victorian gilt and plaster frame (chipped around the edges), glazed. The portrait of McKibbin is in profile, in full uniform, with grayish-white hair and beard; offered with a photograph, 4 3/8 x 7 5/8 inches (mounted on card stock), picturing the general and his wife in later years, with two other ladies, on a lawn planted with palm trees (backmark: "J.F. Blake / Belleview Terrace. / Los Angeles, Cal."). McKibbin (1831-1890), a native of Pennsylvania, attended West Point, 1846-1848, but did not graduate; he served in the Mexican War and by 1855 was a 2nd Lieutenant with the 9th U.S. Infantry. When the Civil War broke out he was promoted to 1st Lieutenant with the 9th and then to Captain in the 14th, but by early 1862, he was a Colonel commanding the 158th Pennsylvania Infantry; later in the war he commanded the 214th Pennsylvania Infantry. He participated in most of the battles and campaigns of the Army of the Potomac, from Manassas, to Antietam, the Wilderness, and the investment of Petersburg. McKibbin was brevetted brigadier general in March, 1865, but never won permanent promotion to that rank; he continued to serve in the army until 1875 when he retired. A bright and striking portrait. (#6206)

      [Bookseller: Bartlebys Books]
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        Etude sur le naturalisme].

      1880 ca 1880 - Manuscrit autographe de 2 feuillets in-4 (31 x 20 cm). Introduction manuscrite à une étude sur le naturalisme par le romancier, poète, auteur dramatique et critique littéraire Henry Céard (1851-1924), l'un des membres du groupe de Médan qui réunissait autour d'Emile Zola, Guy de Maupassant, J.-K. Huysmans, Léon Hennique et Paul Alexis. « A côté d'une littérature d'imagination, il y a eu à toute époque une littérature d'observation, basée sur la science. Quand Charcot écrivit son livre sur la névrose, il retrouva dans les portails de cathédrales les mêmes (instructions) que celles qu'il observait quotidiennement à la Salpêtrière, cette recherche de la vérité médicale qui tourmentait les sculpteurs, ce souci de l'anatomie pathologique dont les (mutilés) donnaient des preuves, quand on sait chercher, on le rencontre aussi en littérature. Il va parallèlement avec le besoin de l'imagination et la cause. Anatomiste, physiologiste, je vous retrouve partout (écrit) Ste. Beuve sur Flaubert, à la fin de son étude sur Mme Bovary. Ceci n'est pas seulement un cri contemporain (mais) à toute époque de l'histoire de la littérature, nous trouvons les écrivains préoccupés d'étude scientifique, même (Boileau) qui, dans son Art Poetique conseillait à ses élèves de connaître l'anatomie. Beaucoup même ne se contentent pas d'avoir le goût platonique. Beaucoup les ont pratiquées. Avant de tenir la plume, certains même se sont servis du scalpel. Le scalpel abandonné, la méthode d'analyse est demeurée dans leur esprit, et c'est l'histoire de ces intelligences travaillées par le désir de la vérité biologique et l'amour des lettres que nous allons essayer d'écrire à travers les âges. Le mot de Sainte-Beuve - Flaubert - La carte de Flaubert - Zola le Roman Experimental - la doctrine - les (vieux) - Zola scientifique de raisonnement plutôt que scientifique d'étude - Imitation de la Comédie Humaine de Balzac dédiée à Geoffroy St. Hilaire. L'dée première d'une littérature basée sur la science avant (déjà) est exprimée par Rétif de La Bretonne, première épreuve de Balzac. A côté des littérateurs scientifiques d'instinct, il ya les littérateurs qui ont fait des études médicales. Insigner le double courant de ceux qui font de la littérature scientifique sans études spéciales et de ceux qui sont renseignés ». [Attributes: Signed Copy]

      [Bookseller: Bonnefoi Livres Anciens]
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        Gesamtans., "Bräunlingen".

      - Lithographie ( m. farb. Tonplatte ) v. Dress ( Donaueschingen ), um 1880, 26 x 42 Sehr seltene Ansicht. Nicht bei Schefold (!) Blick zum Ort, rechts eine Kapelle.

      [Bookseller: Antiquariat Nikolaus Struck]
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        Sechs Portaitphotographien. [2004]. [6 Original-Fotografien / 6 original photographs].

       Ernst Ludwig Kirchner, geboren am 6. Mai 1880 in Aschaffenburg, gestorben am 15. Juni 1938 in Frauenkirch-Wildboden bei Davos. 6 Originalfotografien s/w. Hergestellt vom originalen Glasnegativ aus der Sammlung des Kirchner Museums Davos. Einmalige Auflage für die Griffelkunst Hamburg, 2004. Rückseitig mit typografischer Beschriftung versehen. Maße Blätter: 30,5 x 24,0 cm. Maße Abbildung: 24,0 x 18,0 cm. Serie in einer Mappe mit 8-seitigem begleitenden Text von Günther Gercken. Sehr gutes, tadelloses Exemplar. 6 Original photographs in b/w. Griffelkunst edition, Hamburg 2004. Measure sheets: 30,5 x 24,0 cm. Measure images: 24,0 x 18,0 cm. Original folder with 8-pages booklet with text by Günther Gercken. Mint condition. Versand D: 4,90 EUR Fotokunst / photographic art; Kunstgeschichte / art history; Original-Fotografie / Original-Photographie / original photograph

      [Bookseller: Antiquariat Lenzen GbR]
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        Album de Pernambuco.

      Pernambuco: F. H. Carls,, 1880. Landscape quarto (300 x 420 mm). Original green cloth, title gilt to the front board within a broad black stylised floral panel between two single gilt ruled panels, the black panel repeated on the lower board, edges lightly marbled, floral-pattered endpapers in sepia, the title in German neatly inked in purple in a contemporary hand to the first blank, small bookbinder's ticket of Wilhelm Bitz, Basel, to the lower fore-corner of the front pastedown, dated August 1885 in the same hand. High-finish pictorial chromolithographic calendar for 1880 with Carls' imprint as title page, and 36 coloured lithographic plates. Very light shelf-wear, some marginal browning to the plates, occasional scatter of spotting, overall very good indeed. A wonderfully-preserved copy of this superb visual record of Brazil in the late nineteenth century: "The colourful and airy rendering contributes much to the appeal of this extensive series of images that forms one of the most comprehensive visual reports carried out on any Brazilian city in the period" (Correa do Lago). The album was first issued in 1873 under the title Album de Pernambuco e seus Arrabaldes [Album of Pernambuco and its Environs] with fifty plates, it was subsequently reissued with varying numbers of plates, some copies having as few as 15 to 20, and with the composition rarely repeating. Carls was a German graphic artist, designer, and photographer who joined the wave of German immigration to Brazil, settling in Recife in 1859, and establishing there one of the first lithographic presses in Pernambuco, Casa Litographica. An enterprising and innovative printer he took on a wide range of work, bringing the potential of high quality lithographic printing to advertising material, diplomas, stock certificates, letterheads, and also maps, being the publisher of José Tibúrcio Pereira Magalhães' Cidade do Recife e seus Arrabaldes [the City of Recife and its Environs] in 1870. But it is for the sequence of plates that constitute the present work that he is best known, they comprise an inclusive collection of impressive views of of the region: the public buildings - provincial assembly, presidential palace, the Hospital Pedro II - commercial streets - rua do Imperador, rua 1o de Março - grand private homes - the mansion of Dr. Augusto Frederico de Oliveira, which now houses the state museum, and the seat of the Portguese merchant João José Rodrigues Mendes, Barão Rodrigues Mendes, now the headquarters of the Pernambuco Academy of Letters - theatres, churches - mother churches of San Antonio and Boa Vista - shipping in the harbour, markets, and landscapes of the outlying villages and estates, all teeming with life, showing the signs of the accelerating modernisation of Brazil following independence, "a significant iconographic series for the visual memory of of the country, depicting scenes of everyday life, customs and landscapes" (Silva, p.1567). A collaboration with German-born artist Louis Adam Cornell Krauss, who arrived in Recife in 1877, it has been suggested that the plates incorporate, uncredited, the work of pioneering Brazilian photographers such as João Ferreira Vilela, Alfredo Ducasble, Guilherme Gaensly (Wilhelm Gänsli) and Augusto Stahl. Certainly a number of the views do exhibit a sharpness of detail that hints at the use of photographic reference, and some do bear a close resemblance to images produced by these Brazilian pioneers, for example the view of Recife from the observatory of the Naval Arsenal is very similar to Gaensly's framing of the same subject, and the plate of the Sete de Septembro bridge bears comparison with Vilela's views. When the Pernambucan organising committee for the Berlin South American exhibition of 1866 included one of Carls' albums, they did so in the belief that this would present the German public with an "an idea of the beauty of our city".

      [Bookseller: Peter Harrington]
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        Autograph album of Wilhelmina Simson, containing 83 dedications and signatures by composers, poets, painters, and scientists of the 19th century, among them Berlioz, Auber, Meyerbeer, Flotow, Vieuxtemps, Grillparzer, Ibsen, Turgeniev, Manzoni, and Adolph Menzel.

      Various places, mostly 1850-1880. - Oblong folio. German, French, English etc. handwriting on paper. 98 (2 of which repeated) signatures (several pasted) and 3 pasted picture postcards and photographs on 83 pp. (on a total of 94 ff.). Contemporary cloth with stamped and sparely gilt covers. Silk endpapers. - Includes 4 ff. of letters and album leaves by Pope Pius IX (with autogr. date and signature) and the Societé des gens de lettres (copy with facsimile signatures by Georges Sand, Victor Hugo, Ludovic Halévy, Champfleury, Jules Claretie, etc.), as well as by 2 unidentified writers. Impressive autograph album compiled by the biographically unrecorded composer Wilhelmina Simson. Among the most significant contributors to this unique item are Alessandro Manzoni (Brusuglio, 7. X. 1865; f. 14v), Franz Grillparzer (pasted AQS, Vienna, 13. X. 1865; f. 16r), Henrik Ibsen (Dresden, 8. VI. 1873; f. 28r), Friedrich Frh. von Flotow (pasted AQS, Vienna, 12. X. 1865; f. 31v), Henri Vieuxtemps (pasted MusQS, Vienna, 28. I. 1854; f. 33r), Giacomo Meyerbeer (pasted ALS to an unnamed recipient, 1 p., 8vo, n. p. o. d.; f. 34v), Alexander Frh. von Humboldt (pasted fragment of an ALS to an unidentified recipient; 24. VII. 1853; f. 35r), Désirée Clary, Queen of Sweden (pasted QS with 5 autogr. lines; f. 38v), Joséphine, Queen of Sweden and Norway, née Duchess of Leuchtenberg (pasted QS; f. 39r), Daniel Auber (pasted AMusQS, Paris, 25. VIII. 1861, 1 p., oblong 8vo; f. 43v), Hector Berlioz (pasted AMusQS with autogr. dedication "pour l'album de Mr. Lang", Bade [?], 12. VIII. 1862, oblong 8vo; f. 45r), Ivan Turgeniev (19. VII. 1873; f. 48v), and Adolph Menzel (pasted fragment of a LS, f. 77v). - Apart from these, the album contains a twenty-line poem by the writer and translator Julie Ruhkopf (b. 1799; Dresden, 23. IX. 1864, f. 3r), a twelve-line poem by the anatomist Karl Aberle (1818-92; Salzburg, 3. X. 1864, f. 3v), a twelve-line poem by the actress Clara Jahn (1825-82; Dresden, 20. X. 1865; f. 9v), a four-line poem by the playwright Friedrich Halm (pasted AQS, Vienna, 13. X. 1865; f. 16v), 5 autogr. lines by L. A. Frankl Ritter von Hochwart (pasted AQS, Vienna, 13. X. 1865; f. 30v), 8 autogr. lines by the writer and musical scholar Arvid August Afzelius (pasted AQS, f. 46r), and an eight-line moral dictum by the writer Gustav von Moser (pasted AQS, Karlsbad, 2. VI. 1876; f. 51r). - In addition, the album contains dedications by the art critic and painter Agostino Gallo (1790-1872; Palermo, 11. IV. 1863, f. 6r), the writer Ciro Marzullo (f. 6v), the physicist and philosopher Pietro Blaserna (1836-1918; f. 7r), the anatomist and zoologist Carl Gustav Carus (1789-1869; Dresden, 20. X. 1865; f. 15r), the writer Salomon Hermann Ritter von Mosenthal (1821-1877; pasted AQS, Vienna, 13. X. 1865, f. 15v), the painter Raffaello Politi (May 1865; f. 19r), the composer Pietro Romani (pasted AQS, f. 22v), the writer Friedrich Ritter von Hackländer (pasted QS, f. 24r), the painter Salvadore Politi the Elder (with full-page drawing of a Medusa bust, 2. VII. 1865; f. 54r), the classical scholar J. J. Schubring (b. 1839; ff. 62r and 63r), the archaeologist and painter Saverio Francesco Cavallari (1809-96; pasted QS with autogr. sketch on f. 61v and pasted AQS with autogr. dedication on f. 62v), the painter Egron Sellif Lundgren (pasted ALS to an unidentified recipient; f. 65r), the composer Friedrich Pacius (1809-91; pasted QS; f. 65v), the musician Joseph Hellmesberger the Elder (1828-93; pasted QS, Vienna, 12. X. 1865; f. 66r), as well as signatures by Gustav Klemm (art historian, 1802-67; Dresden, 23. IX. 1864, f. 2r), Johan Bravo (consul and painter, 1796-1876; 3. XII. 1864, f. 4r), Maria Vinzenz Süß (archaeologist and founder of the Salzburg Museum Carolino Augusteum, 1802-68; pasted AQS, f. 5r), Bror Emil Hildebrand (archaeologist and historian, 1806-84; f. 38r), Ludwig Ettmüller (literary historian, 1802-77; f. 53v), and Amalia Lindegren (painter, 1814-91). - Two not fully identified entrie [Attributes: Hard Cover]

      [Bookseller: Antiquariat INLIBRIS Gilhofer Nfg. GmbH]
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        Les soirées de Médan

      - Charpentier, Paris, 1880 ;; In-18 Grand-Jésus, relié édition originale, un des 50 exemplaires sur hollande (n° 30), 295 pp., reliure à la bradel signée Champs en demi-maroquin brun à coins, dos lisse orné d'un fleuron doré, date en queue, couvertures conservées, bel exemplaire ! Carteret II 337, Laporte 277, Vicaire VII 567, 1219, [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: M.J.B. S.A.S., Librairie TOP DUCK]
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        History of the Eighth Regiment Kentucky Vol Inf , During Its Three Years Campaigns

      St. Joseph, Mo: St. Joseph Steam Printing Co, 1880. 1st. Cloth. Collectible; Very Good. A very sharp copy of the 1880 1st edition. Solid and VG+, with bright gilt-lettering at the front panel. Clean, unmarked pocket at rear pastedown, otherwise no writing or markings of any kind. 12mo, 286 pgs. Includes "much of the history of the old reliable Third Brigade, commanded by Hon. Stanley Matthews, and containing many interesting and amusing incidents of army life"

      [Bookseller: Appledore Books, ABAA]
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        Koku-Kuwa-Yobo [Kokka yoho]: Three Series of Color Plates showing Japanese Antiquities in Shosowin at Nara, the Temples and Treasures of Daijingu and Toyokegu at Ise, and other Antiquities. Three Parts in One Volume: [Shosoin gyobutsu, Ise naigai shinpobu, Kosho no bu]

      Tokio [Tokyo, Japan]: Insetszkioku [Okurasho Insatsukyoku]. [circa 1880-1881]. First. Three series in one volume. Quarto. Incomplete: 38 double-page color lithographic plates and 2 double-page plates of Japanese text, concertina folded within two brocade silk covered boards with a printed paper label tipped-in on each cover. Captions and text in Japanese. Beautifully printed plates in multiple colors, including gold and silver, of architectural plans and Temple buildings; bowls, rosaries, brushes, and other vessels used by Buddhist priests; and numerous other antiquities, including knives, girdles, mirrors, bronze and stone vessels, and various wooden staffs with bronze metal work. Tipped-in on the pastedown of the rear cover is a printed label in English identifying the objects depicted on 12 plates issued in the series [Shosoin gyobutsu]: "The Book containing copies of antiques, stored as treasures in Shosowin, the imperial treasure-house at Nara." The remaining 27 double-page plates includes all or most of the plates issued in the second series: [Ise naigai shinpobu], and additional plates from the third series: [Kosho no bu]. We cannot determine the exact total number of plates originally issued in the last two series, as this copy lacks any additional contents labels in English. Ex-library copy with a small bookplate on the rear free endpaper, else no other markings. One plate is neatly split in half along the center fold, the concertina fold is separated in a few sections along the edges of the plates, darkening to the boards, light scattered soiling, very good. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        LES VOYAGEURS DU XIXe SIÈCLE. 51 dessins par Léon Benett. 57 fac-similés (d'après les documents anciens) et cartes par Matthis et Morieu.

      1880 - Paris, Jules Hetzel, sans date [1880]. Grand in-8 (188 X 283) percaline havane de l'éditeur ornée de fers spéciaux, premier plat orné d'un décor «à la sphère armillaire ptolémaïque », second plat de type «Engel b », dos à cinq caissons, tranches dorées, gardes marrons (Engel, signé en queue du dos, d'après une plaque d'A. Souze, signature sur le premier plat) ; VI pages, (1) f., 428 pages, (8) pages de catalogue "AI". Rousseurs. PREMIÈRE ÉDITION grand in-8 illustrée du troisième et dernier volume de la trilogie des «grands voyages », après "La découverte de la Terre" (1878) et "Les Grands Navigateurs du XVIIIe siècle" (1879). Ces trois volumes ont été revêtus d'un splendide cartonnage «à la sphère armillaire ptolémaïque », d'un grand raffinement graphique, qui existe en rouge (le plus commun), en havane, vert, bleu et violet. (Jauzac, pp. 337 et suivantes). MAGNIFIQUE EXEMPLAIRE de couleur HAVANE, au cartonnage d'une éclatante fraîcheur, aux tranches bien lisses, au corps d'ouvrage comportant des rousseurs mais sans ressaut de pages. NICE COPY. PICTURES AND MORE DETAILS ON REQUEST. [Attributes: Signed Copy; Hard Cover]

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        The power of movement in plants.

      London: John Murray 8vo (19.5 cm, 7.65"). x, 592, 32 (adv.) pp.; illus.. 1880 First edition of Darwin's examination of the mechanisms of motion in flowering plants, a follow-up to his work on climbing plants — based on experiments conducted with the assistance of his son Francis Darwin, and mentioning natural selection as a possible explanation for plants' ability to bend towards or away from environmental stimuli (pp. 569/70). The volume is illustrated with => numerous in-text engravings of circumnutation patterns, plant structures, diurnal and nocturnal leaf positions, tropisms, etc. This is the first issue of the first edition, with two lines of errata on p. x and publisher's advertisements at the back dated 1878. Publisher's textured green cloth, covers framed in blind, spine with gilt-stamped title; faint discoloration to outer edge of front cover and lower outer corner of back cover, tiny spots of insect damage near joints (one carrying through about 60 pp., not touching text). Hinges (inside) tender, as is often seen with this book, with pastedowns and free endpapers showing evidence of past dampness in lower portions, not affecting interior; two leaves with corners lost away from text. Title-page with early inked ownership inscription in upper portion, first text page (only) with pencilled marks of emphasis; pages clean. British bookseller's invoice from 1983 laid in. A pleasing copy.

      [Bookseller: Philadelphia Rare Books & Manuscripts Co]
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        Rimas / Cuentos De Invierno

      Tip. Literaria De Filomeno Mata, México 1880 - Tres obras encuadernadas en un solo volumen: Rimas, Cuentos De Invierno y Clemencia. 161p+441p. Tapa dura marmoleada con lomo en piel, con ligero desgaste. Faltan las últimas 2 hojas del índice. [Attributes: Hard Cover]

      [Bookseller: Libreria Urbe]
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        „Vues de / Views of Constantinople“ [Deckeltitel].

      Istanbul, Christian Roth, o. J. (um 1880). Qu.-Kl.-8°. Mit einem 12-teiligen Leporello in getönter Chromolithographie sowie einem lithogr. Plan u. einer lithogr. Karte (zus. auf einer mehrf. gefalt. Tafel). Roter OLwd.-Bd. m. gold- u. blindgepr. Deckelbordüren u. goldgepr. Deckeltitel. Das Leporello zeigt auf 10 Tafeln ein zusammenhängendes Panorama von Istanbul (ges. ca. 9,5 x 145 cm), die beiden letzten Tafeln die Ansichten „Le Sultan à la Mosquée d‘Ortakeuy, le vendredi / The Sultan in the Mosque of Ortakeuy, on Friday“ u. „Kiosque Impérial à Flamour / Imperial Kiosk at Flamour“. - Das schöne Panorama ober- und unterhalb der Darstellung mit Bezeichnungen der wichtigsten Sehenswürdigkeiten, Gebäude, Brücken, Stadtteile usw. Der „Plan von Constantinopel mit den Vorstädten, dem Hafen und einem Theil des Bosporus“ sowie die Karte „Constantinopel und der Bosporus. Reduction nach der Aufnahme des Freiherrn v. Moltke auf 1/4 der Grösse des Originals. Maasstab 1:100.000“ jeweils im Format 37 x 28,5 cm. - Einband schwach berieben. Die Tafel m. winzigem Einriß u. kl. Braunfleck. - Versand D: 12,00 EUR Istanbul, „Vues de / Views of Constantinople“, Konstantinopel, Türkei, Turcica, Leporello, Leporellos, Panorama, Panoramen, Lithographie, Chromolithographie

      [Bookseller: Antiquariat Wolfgang Friebes]
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        Vues de / Views of Constantinople" [Deckeltitel].

      Istanbul, Christian Roth, o. J. (um 1880). - Das Leporello zeigt auf 10 Tafeln ein zusammenhängendes Panorama von Istanbul (ges. ca. 9,5 x 145 cm), die beiden letzten Tafeln die Ansichten „Le Sultan à la Mosquée d‘Ortakeuy, le vendredi / The Sultan in the Mosque of Ortakeuy, on Friday" u. „Kiosque Impérial à Flamour / Imperial Kiosk at Flamour". - Das schöne Panorama ober- und unterhalb der Darstellung mit Bezeichnungen der wichtigsten Sehenswürdigkeiten, Gebäude, Brücken, Stadtteile usw. Der „Plan von Constantinopel mit den Vorstädten, dem Hafen und einem Theil des Bosporus" sowie die Karte „Constantinopel und der Bosporus. Reduction nach der Aufnahme des Freiherrn v. Moltke auf 1/4 der Grösse des Originals. Maasstab 1:100.000" jeweils im Format 37 x 28,5 cm. - Einband schwach berieben. Die Tafel m. winzigem Einriß u. kl. Braunfleck. - ge Gewicht in Gramm: 350 Qu.-Kl.-8°. Mit einem 12-teiligen Leporello in getönter Chromolithographie sowie einem lithogr. Plan u. einer lithogr. Karte (zus. auf einer mehrf. gefalt. Tafel). Roter OLwd.-Bd. m. gold- u. blindgepr. Deckelbordüren u. goldgepr. Deckeltitel. [Attributes: First Edition]

      [Bookseller: Antiquariat Wolfgang Friebes]
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        La Oficina de Farmacia Española. Dorvault. . 8 Volúmenes. Completa.

      1880 - La Oficina de Farmacia Española según Dorvault. Anuario Farmaceutico medico redactado en presencia de los periodicos, formularios y obras mas modernas publicadas en España y el extranjero. Suplementos Números 1 al 40. 8 Volúmenes Dorvault, Gomez Pamo, Espina y Capo, Martinez Vargas, Pontes Rosales y Olmedilla Puig Editorial: Bailly Balliere, Madrid, 1880 - 1917 El volumen 4 tiene las ultimas paginas deterioradas. [Attributes: Hard Cover]

      [Bookseller: MILLAMAR]
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      Estudio Fotografico de Chute & Brooks nd (ca.1880's), NP (Montevideo, Uruguay?) - Oblong photo album, 4 1/2 x 7 1/4 in., bound in burgundy pebbled cloth (spine slightly faded), gilt title on front cover. Twelve original photos, mounted on stubs, each with a white lettered caption along the lower margin of the photo. All are clear and in very good condition. Verso of each bears the stamp of the Chute & Brooks studio, either in Montevideo, or with both the Montevideo and Buenos Aires addresses, plus a note of their silver medal award for photography at the Paris International Exhibition, 1878. Each photograph measures 4 x 6 1/4 in. The images include: Mercado Nuevo, La Fuente, Calle Zabala, Mercado del Puerto, Quinta de D. Pancho Gomez, Calle Sarandi, Calle de 25 de Mayo (a sign partially visible on one of buildings shows "Estudi-- Chute y--"), Vista General, Teatro Solis, Casa de Gobierno, Calle 18 de Julio, and La Matriz. Charles Wallace Chute (1846-1923) and Thomas Brooks were American photographers who began their photography business in Montevideo in 1868. They operated studios both in Uruguay and in Buenos Aires, Argentina, and according to John Hannavy's "Encyclopedia of 19th Century Photography," [Routledge: 2013] were famous for the quality of their portraits. They also published views of various cities in Latin America, and branched out to establish studios in Rio de Janeiro, Havana and New York by the turn of the century.No listings found on OCLC. [Attributes: Hard Cover]

      [Bookseller: Bartleby's Books, ABAA]
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        Sulla circolazione del sangue nel cervello dell'uomo

      Salviucci, Roma 1880 - In 4, pp. 127 + (1b) con ill. n.t.Âdell'idrosfigmografo e dei tracciati, 7 tavv.Âf.t.Âa doppia pagina infine. Si tratta di proiezioni diÂtracciati dell'attivita' del polso del cervello e dell'antibraccio durante l'attivita' del pensiero e le emozioni; delÂmovimento della repirazione; delÂpolso del cervello dell'antibraccio; delle modificazioni del polso nell'antibraccio durante il sonno; del polso del cervello durante il sonno; del polso del cervello durante il sonno e la veglia; del polso del cervelloÂsotto l'influenza del nitrito di amilo. DueÂtavv. in lit. f.t. con ritratti di Caterina X e di M. Bertino, due dei 3 soggetti studiati da Mosso.ÂFondamentale studio del grande fisiologo piemontese Angelo Mosso (1846-1910) che indago' a lungo il rapporto fra psiche e fisico e tra fenomeni motori, sistema nervoso e circolazione sanguigna grazie anche alla messaÂa punto di ingegnosi sistemi fra i quali l'idrosfigmografo. In questo studio Mosso riferisce delle ossevazioni effettuate su tre casi clinici, tre persone che avevano un'apertura accidentale nel cranio. Br. ed. lievemente polverosa con dedica autogr. dell'A. al p. ant. a Ferri. ITA

      [Bookseller: coenobium libreria antiquaria]
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        Recollections and Opinions of an Old Pioneer

      N.Y: D. Appleton and Company, 1880. 1st Edition. Hard Cover. Fine condition. xiii, 448 pp., plus (6) ads; (8vo), original brown cloth decorated and lettered in gilt and black. Title page very slightly darkened, appears a little blanched along the gutter about one inch. Otherwise an almost pristine copy.

      [Bookseller: G. F. Wilkinson Books]
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        2 Autograph manuscripts unsigned.

      - 8vo. 2 pp. Une au dos d’un feuillet à son adresse. COPEAUX POETIQUES, ou brouillons de premier jet pour des poèmes, biffés après avoir été copiés. Le premier, d’une dizaine de vers, a été intégré, avec variantes, dans Religions et religion (IV, Des voix), publié en 1880 : « Connais-tu les deux nuits, la mort et la vivante, La vivante engendrant le monstre, l’épouvante, L’hydre, les dévorant sans fin et les créant, La morte, c’est-à-dire un vide, le néant ». Le second, de 7 vers, a été repris avec variantes dans Dieu (II L’océan d’en haut, VI ; posthume, 1891) : « Ô Dieu ! roi ! maître ! asile ! espoir ducriminel ! Éternel laboureur ! Moissonneur éternel ! Père à la première heure et juge à la dernière ! ». En marge figurent quelques notes, et cet alexandrin : « Comme il est l’invisible, il est l’éblouissant ».

      [Bookseller: Kotte Autographs GmbH]
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      New York: Dick & Fitzgerald, 1880. Publisher's printed wrappers. Minor shelf wear, upper spine repaired with tape, rear wrapper similarly repaired. Internally very clean. Very good. Jonathan H. Green, "the reformed gambler," is the most important figure in the early literature of American gambling. A famed gambler in his youth, he was known for his talents from Texas to Boston and all points in between. He abandoned gambling just shy of age thirty, and became an advocate against it, seeking to expose the tricks of the trade. Here he offers the inside scoop on games such as Dog Loo (played on the Red River), Whist, Thimbles (or cups), Poker, and Euchre, and on techniques such as palming, lapping, forcing cards, shuffling, cutting, dealing, stocking the pack, and cogging dice. Many other interesting subjects are also discussed, including horse racing, and nailing a card to a wall by a pistol shot. Green adds numerous tales of personal experience, and the illustrations offer the reader the ability to recognize common sleights of hand. Of course, by offering detailed information on how to recognize gamblers' tricks, Green is also providing an advanced tutorial for the aspiring gambler or cheat. The copyright date on the verso of the titlepage appears to read 1850 (the first year of publication), but the worn type throughout, as well as the other titles advertised as available by Dick and Fitzgerald, indicates that this edition was likely produced around 1880. In any edition, a rare and significant work. TOOLE-STOTT 324.

      [Bookseller: William Reese Company - Americana]
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        A Tramp Abroad

      New York: American Publishing Company, 1880. Hardcover. Illustrations by W. Fr. Brown, True Williams, B. Day. 8vo. Original blind-ruled brown cloth with gilt lettering and gilt pictorial stamping. xvi, 631pp, (1p ad). Frontispiece, 328 illustrations. Good plus to very good. Binding a bit edgeworn, with spine faintly sunned and spine gilt rather rubbed; front inner joint starting but expertly, archivally strengthened, thus tight; internally very good, with all pages bright and handsome. A tight and nice first state, first edition, with expected frontispiece caption. This copy bears an unusual presidential connection, hailing from the library of President Ulysses S. Grant's granddaughter, Nellie Grant Cronan (1881-1972), who in turn got it from her father, President Grant's youngest son Jesse R. Grant (1858-1934). Front front flyleaf bears a tiny "Mrs. Jesse R Grant" in black ink at top in what we believe is the handwriting of Elizabeth Chapman Grant (1860-1945) and at top of title page is a large "Mrs J.R. Grant" in blue pencil in what we believe is Jesse R. Grant's handwriting. This remarkable copy comes with a typed letter signed by a direct Grant descendant tipped in outlining this provenance. Unsubstantiated rumors have long circulated that Twain gave one of Grant's children shares in the Webster company to provide financial incentive for a Grant family member to urge the president to choose Webster to publish his autobiography. And while this copy of "A Tramp Abroad" is hardly a smoking gun and doesn't prove this rumor true, it's intriguing to see a Twain title from the library of one of the president's children.

      [Bookseller: Main Street Fine Books & Manuscripts, AB]
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      c. 1880 - Five hand-coloured albumen prints. In good condition, pasted on original card, title in manuscript. Dimensions: 200 by 265mm. (8 by 10.5 inches). Views include Birds-eye view of the town, Theatre house, Ikuta temple, Main street and the Bund.

      [Bookseller: Shapero Rare Books]
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        The Book of Household Management... also Sanitary, Medical, & Legal Memoranda; with a History of the Origin, Properties, and Uses of all Things connected with Home Life and Comfort... Entirely new edition, revised and corrected. Three hundred and twenty-fifth thousand

      London: S.O. Beeton, 1880. Thick, small octavo, xlviii, [3], 1296, [22] pages, with 12 color plates and numerous woodcuts in the text. Ads. Later printing of the revised edition of 1869, of perhaps the most famous of all English cookery books. Originally published in a single volume in 1861 (and issued in 24 monthly parts 1859-61), it was not only exhaustive, with thousands of recipes, formulas, and instructions for all aspects of household management, but it also was one of the earliest cookbooks to use color illustration, and an early example of the standard recipe format we expect now, with ingredients first, and then step-by-step instructions. Attractively re-backed half-calf, with original decorated spine laid-down. rubbing and edgewear to marbled boards. A bit of edgewear to the color frontispiece, otherwise internally very good, bright and clean. [Bitting, page 32; Cagle 391 (1st edition);.

      [Bookseller: Rabelais - Fine Books on Food & Drink]
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        Jungle Life in India, or the Journeys and Journals of an Indian Geologist.

      London, Thos. de la Rue & Co., 1880, - in-8vo, 720 p., richly illustrated, with 1 folding map, some light foxing, small legacy-stamp ?Dr. Guggisberg?, original half-leather with corners, spine gilt. Very good copy. Please notify before visiting to see a book. Prices are excl. VAT/TVA (only Switzerland) & postage. [Attributes: Hard Cover]

      [Bookseller: Harteveld Rare Books Ltd.]
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        Autograph Letter Signed ("Iv. Tourguéneff"),

      Bougival. Les Frenes, July 22, 1880 - In French to Madame [Caroline] Comanville. Turgenev writes to Flaubert’s niece: „I am entirely at your disposal for anything that concerns Flaubert" [in translation] and on philosophy in Russia. - Turgenev and Flaubert first became friends in the 1860s when both had already attained fame as novelists. Flaubert died in May of 1880 and his niece Caroline was in charge of his affairs. In this capacity, she had asked Turgenev to serve on a committee for erecting a monument to Flaubert. Turgenev's main purport in this letter is to express his willingness to serve. He continued by commenting somewhat pessimistically about intellectual life in Russia, in translation: "I am surprised by your question about philosophy in Russia. I must say that I am terribly little concerned with it. Quite recently two young writers wrote books on the subject, it has been some time since anything similar had been written. And so, one of those writers has become mad—and the other is on the point of becoming so. The religious questions which disturb Russia, these have nothing in common with philosophy or with literature." Published in "Lettres d'Ivan Tourgueneff a Mme Viardot, a Flaubert et a Mme Commanville" in Cosmopolis vol 4, p 163, 1896. See also Flaubert and Turgenev, a Friendship in Letters, 1985.

      [Bookseller: Kotte Autographs GmbH]
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        A California Lake with a Cabin and Mountains

      San Francisco: circa 1880. Oil on canvas. 27 x 22 inches. Signed W. Voegtlin lower left. From the Civil War to the turn of the twentieth century a dozen painters won fame as scenic artists in the United States. A number were born and trained in Europe. William Voegtlin, born in Basel, Switzerland, came to New York before the Civil War, won fame as the creator of the fantastic stage world of the first extravaganza, "The Back Crook." He traversed the country supplying sets for theaters in San Francisco, Chicago, St. Louis, and New Orleans, before settling in as scenic artist at the Union Square Theater and later, the Globe Theater in New York. Among the most versatile of artists, he impressed critics with cityscapes ("Pavements of Paris"), natural scenes (the seashore in "Dennison"), high and low style interiors ("Pique"), and historicist scenes (The Salvini-Mary Anderson production of "Romeo and Juliet" painted to Alfred Thompson designs). Upon his death in 1892, Voegtlin's legacy was continued by his son, Arthur, artist at the Madison Square Theater, Born in Germany [actually Switzerland] in 1850. During the 1870s and 1880s Voegtlin was in San Francisco where he painted scenery at the Third Street Opera House. By 1888 he was working in NYC and in 1900 he was in Newark, NJ. Member: Bohemian Club. Exh: SFAA, 1879. Source: Edan Hughes, "Artists in California, 1786-1940"

      [Bookseller: Alan Wofsy Fine Arts]
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        Russisches Zarenhaus: 10 Original-Photographien von Mitgliedern der russ. Kaiser-Familie in großem Collagen-Karton einmontiert, um mittig plazierte Lithographie mit Bildnis eines russischen Offiziers im Chevalier-Garde-Regiment zu Pferde.

      - Einzelphotographien zwischen ca. 1880 bis 1900, alle ca. 12 (H) x 9 cm oder etwas größer; Collagen-Karton ca. 80 (H) x 86 cm. Großformatige Photocollage mit lithographiertem Bildnis eines russischen Offiziers im Chevalier-Garde-Regiment zu Pferde, dieses umkränzt von 10 einmontierten Original-Photographien von Mitgliedern des Russ. Zaren-Hauses. - Collagen-Karton ist mit dunkelbraunem Filzstoff überzogen, mittig ist das lithographierte Reiterbildnis mit Messingrahmen und Messingapplikationen plaziert, kreisförmig wird dieses Bild von eingelassenen, mit Messingrahmen umgebenen Medaillons umkränzt, in denen sich die 10 Original-Photographien befinden. Die drei sich über dem Bildnis befindlichen und das mittig unter dem Bildnis platzierte Medaillons sind größer als die anderen: ca. 15 (H) x 12 cm, und beinhalten alle ein handgeschnittenes weißes Passepartout, das sich an die ovalen Messing-Rahmen anpaßt; sie zeigen oben mittig Zar Alexander II. in fortgeschrittenem Alter, links davon sein Sohn Zar Alexander III., rechts davon dessen Frau Maria Fjodorwna (Dagmar von Dänemark), die Zarin, unten mittig schließlich deren Sohn, den Zarewitsch Alexandrowitsch Romanow (späterer Zar Nikolaus II.). - Die weiteren Photographien weisen alle ein erhöhtes Oval aus, die die Abbildungen umschließen, die sie umgebenden Messingrahmen sind kleiner (ca. 12 (H) x 9 cm). Zweifelsfrei identifizieren konnte ich nur des 2. Bild von oben an der rechten Seite (5.), Alexei Alexandrowitsch Romanow, den Bruder des Zaren Alexander III, in einer Navy-Uniform, ihm gegenüber auf der linken Seite könnte sich ein weiterer Bruder, nämlich Vladimir Alexandrovich Romanov befinden, über diesen beiden zuletzt genannten könnten sich Brüder des Zaren Alexander II. befinden (4. und 10.), die beiden Photos neben dem Zarewitsch (6. u. 8.) könnten evtl. denselben in einem höheren Lebensalter darstellen. - Die Collage war ursprünglich gerahmt, die Photos sind deshalb auch relativ gut erhalten. Das Offiziers-Litho weist leichte Kratzspuren auf, die Messingeinrahmung der Litho ist etwas oxidiert; die Ovalrahmen sind Teil leicht angemackt. - Die photographischen Bildnisse befinden sich in ihrem ursprünglichen Zustand und wurden nicht etwa geöffnet. Die Betrachtung von der Rückseite der Collage zeigt, daß die mit Montage-Papier überzogenen Photo-Träger-Kartons Formate zwischen 16 und 17 cm in der Höhe und 10,5 bis 11,5 cm in der Breite besitzen, daß es sich hierbei also um Cartes Cabinet-Photographien handelt. - 2 verbliebene Aufkleber, die ursprünglich von der verkleideten Rückseite des Rahmens stammen, weisen die Namen zweier namhaften Betriebe in Riga auf, nämlich des "Vergoldungs-, Bilder- und Spiegel-Magazin / von Johann Hützschke", sowie der Fa. "C. F. Goertchen / . / Portefeuilles und Galanterie-Arbeiten". - Da Collage überformatig, bitte Portokosten ins Ausland erfragen! [Attributes: Soft Cover]

      [Bookseller: Antiquariat Harald Holder]
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        Album mit 56 Original-Fotografien mit Ansichten von Florenz und aus dortigen Museen. Einseitig auf Karton montiert.

      Ohne Ort, (Brogi/Alinari), um 1880. Goldgeprägter Original Ganzleder mit Goldschnitt. 20,5 x 25,7 cm (Bildgröße), 35 x 44 cm (Albumgröße). Die meisten Fotografien von BROGI, einzelne auch von ALINARI. Mit 54 Original-Fotografien auf Karton aufgezogen. Darunter:Gesamtdarstellung von Ponte Vecchio, Facciata della Chiesa di Santa Maria Novella, Palazzo Strozzi, Panorama dal Viale de Colli, Piazza dell`Annunziata und weitere, sowie Fotografien von Skulpturen. Karton lichtrandig (jeweils ca. 1 cm) und etwas stockfleckig, die letzten Fotografien ein wenig wellig aufgeklebt. 60 Tafeln, davon 54 x. mit Fotografien und sechs sind leer. -------- Der vordere feste Vorsatz war eingerissen, aber insgesamt ein schönes Exemplar, der Rücken wurde sehr einfühlsam fachgerecht unterlegt. Versand D: 5,90 EUR

      [Bookseller: BerlinAntiquariat]
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        Zwei Figurenstudien auf einem Blatt: Der Heilige Georg und die Heilige Dorothea mit dem Rosenzweig. Aquarell über Bleistift und schwarzer Kreide bzw. Bleistift mit Teillavierung.

      Um 1880. - Links unten bezeichnet "Herm. Schaper". Auf Zeichenpapier. Die rechte Blatthälfte wird von der Figur des Heiligen Georg mit Kreuzstab und Schild mit dem Georgskreuz eingenommen. Die in groben Umrissen flink skizzierte Figur ist mit Aquarell und Tusch laviert und modelliert. Die Weißhöhung verleiht der Figur zusätzlich Plastizität. Die Heilige Dorothea ist in Bleistift skizziert und mit Schraffen und Teillavierung durchgearbeitet. - Professor Hermann Schaper übernahm die Innenausstattung zahlreicher Kirchen und Rathäuser in Deutschland. - Rückseitig Fingerstudie. - Rechter Rand etwas unregelmäßig geschnitten. Von sehr guter Erhaltung. Sprache: Deutsch Gewicht in Gramm: 2100

      [Bookseller: Kunstantiquariat Joachim Lührs]
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