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Displayed below are some selected recent viaLibri matches for books published in 1870

        John Wisden's Cricketers' Almanack for 1870 - 1870 Wisden : Rebound without Covers

      1870. Hi, This is a Wisden from the Adrian Ellis Collection. 1870 : Rebound without Covers This 1870 Wisden is bound in brown boards, it has one oddity to page 15 where a line is missing (please see the images), there are a few spots to the title page and a little bit of trimming to the top of the book but not close to the text.

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        Salt [bound collection of pamphlets]

      1870. (GARFIELD, James) HUNT, T. Sterry, et al. [Bound collection of 13 pamphlets relating to the production and taxation of salt]. Montreal, et al.: Dawson, et al., 1870-72. Thirteen pamphlets bound in one volume. Octavo, contemporary three-quarter brown morocco rebacked to match original, raised bands, marbled boards and endpapers. $2500.Interesting, annotated collection of pamphlets relating to the mining, manufacture and imposition of duties on salt, compiled and bound together for then-Congressman James A. Garfield, with his bookplate.“Although in 1868 Garfield supported the impeachment of President Andrew Johnson, he felt increasingly uncomfortable in the role of firebrand. His interests shifted to matters of financial policy. He advocated lower tariffs (except for items produced in his district) and was an avid crusader for hard money. He worked tenaciously for these policies on the House Ways and Means Committee and as chairman of the Appropriations Committee during the Forty-second and Forty-third Congresses” (ANB). These pamphlets were all printed during this time, 1870-72, and many present positions for or against the abolition of the salt duty being considered at that time.This volume includes:1. HUNT, T. Sterry. Report on the Goderich Salt Region. Montreal: Dawson, 1870.2. Reasons Why the Salt Duty Should be Abolished. Boston: 1872.3. Annual Statement of the Business of Saginaw ValleyÂ… East Saginaw: 1872.4. Salt. Another Letter to the New York World. Syracuse: 1871.5. Annual Report of the Superintendent of the Onondaga Salt SpringsÂ… (with map). Albany: 1871.6. Annual Report of the Superintendent of the Onondaga Salt SpringsÂ… Albany: 1872.7. GOESSMANN, C.A. Report on the Salt Resources of Goderich Province of Ontario. [Syracuse?: 1868].8. HUNT, T. Sterry. Report of Analysis of Goderich SaltÂ… [Montreal: 1871?]. Broadside.9. COMSTOCK, George. The Tariff on Salt. Washington: 1872.10. HAWLEY, R. RemarksÂ… Washington: 1872.11. Salt at Saginaw and Goderich. Bay City: 1871.12. Facts Relating to the Manufacture of Salt at Onondaga, New York and Saginaw, Michigan. [Syracuse: 1871?].13. ATKINSON, Edward. Revenue Reform. Boston: 1871. Penciled notation on first pamphlet “Bind mark ‘salt.”Extremely good condition. An interesting working collection of pamphlets from the library of Congressman and President James A. Garfield.

      [Bookseller: Bauman Rare Books]
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        Holy Bible

      1870. (BIBLE) JAMIESON, Robert, editor. The Holy Bible with a Devotional and Practical Commentary. London: James S. Virtue, [1861-65]. Two volumes. Thick folio (11-1/2 by 15 inches), contemporary full pebbled brown morocco, elaborately gilt-decorated spine and covers, raised bands, beveled edges, all edges gilt. $2500.Large illustrated Victorian family Bible, presenting the text of the King James version with editor Robert JamiesonÂ’s extensive commentary, and illustrated with vignette title pages, 37 steel-engraved plates after old masters—including four after the epic paintings of John Martin—and two maps, in two handsomely bound folio volumes.This impressive family Bible presents the text of the King James version (first published 1611) and 37 steel-engraved plates illustrating many of the most dramatic moments in Scripture. The four plates after John Martin include mezzotint-style engravings of some of his most famous paintings: ""Belshazzar's Feast,"" ""The Seventh Plague,"" ""The Burning Bush,"" ""The Destruction of Pharaoh's Host."" Also includes a number of plates after Thomas Allom's paintings of the ruins present on Biblical sites. Editor Robert Jamieson was a Church of Scotland minister, ""a learned and accurate preacherÂ… Jamieson devoted himself to the guidance of young men studying for the ministry and his students' classes were influential throughout the church"" (ODNB). Text does not include Apocrypha. Occasional foxing; minor discoloration to rear cover of Volume I, Volume II with expert repairs to joints. About-Fine condition, an impressive illustrated Bible.

      [Bookseller: Bauman Rare Books]
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        Trient. Italienische Landschaften.

      1870. Cromolitografia applicata su cartoncino di cm 33x26. Buono, ordinari segni d'uso e del tempo. Scheda bibliografica tratta da Wikipedia. Rottmann was born in Handschuhsheim (today a part of Heidelberg) on 11 January 1797. There he received his first drawing lessons from his father, Friedrich Rottmann, who taught drawing at the university in Heidelberg. He formed himself chiefly through the study of nature and of great masterworks. In his first artistic period, he painted atmospheric phenomena. After gaining prominence with Heidelberg at Sunset (a water color), and Castle Eltz, he settled in Munich in 1822 and devoted himself to Bavarian scenery. Here his second period began, and in 1824 he married Friedericke, the daughter of his uncle, Friedrich Ludwig von Sckell, who served as an attendant at court.\rThrough this connection, he made the acquaintance of King Ludwig I of Bavaria, who in 1826/27 sponsored his travels in Italy in order to widen his repertoire, which up to that point consisted solely of domestic, German, landscapes. In Italy, Rottmann made sketches for the 28 Italian landscapes in fresco which he was commissioned to paint in the arcades of the Hofgarten at Munich. The cycle, completed in 1833, gave visual expression to Ludwig's alliance with Italy, and raised the genre of landscape painting to the height of history painting, the preferred mode of the King's other great commissions for monumental painting. The frescos unfortunately deteriorated under climatic influences. The cartoons for them are in the Darmstadt Gallery.\rIn 1834 Rottmann traveled to Greece to prepare for a commission from Ludwig for a second cycle; one might mark here the beginning of his third period. At first also intended for the Hofgarten arcade, the 23 great landscapes were eventually installed in the newly-built Neue Pinakothek where they were given their own hall.\rOf his easel pictures, Ammer Lake and Marathon are in the National Gallery, Berlin; The Acropolis of Sikyon and Corfu in the Pinakothek, Munich; others in the Schack Gallery, Munich, and in Karlsruhe; and seven in the Leipzig Museum.\rCarl Rottmann died on 7 July 1850 in Munich, aged 53 of undisclosed causes. He is buried in the Alter Südfriedhof in Munich.

      [Bookseller: Studio Bibliografico Adige]
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        Original study for The Sirens

      , 1870. 1870. BURNE-JONES, Edward. Large original study for The Sirens. No place, circa 1870. Colored chalks on brown paper, handsomely matted and framed. Image measures 14 by 18 inches; entire framed piece measures 19 by 25 inches. $16,500.Splendid original chiaroscuro colored chalk drawing, a large preliminary compositional study for The Sirens.Burne-Jones, leading painter and designer of Victorian England and among the most important of the Pre-Raphaelite artists, is best known for his collaborations with William Morris, for whom he designed stained glass and tapestries and illustrated some of the Kelmscott Press publications, including the magnificent 1896 Kelmscott Chaucer. Of his own haunting work he stated,

      [Bookseller: Bauman Rare Books ]
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      Les champignons de la France. Histoire - Description - Culture - Usages des espèces comstibles vénéneuses, suspectes, employées dans les arts, l'industrie, l'économie domestique et la médecine. Orné de vignettes et de 60 chromolithographies. Paris, J. Rothschild, 1870. Large 8vo. XII,+ 231,+ (blank),+ 1-274 pp.+ 60 chromolith. plates. Stains on pp. 55-59, 103-07, 161-69 and 217-18. Some pencil notations. Contemporary slightly worn green morocco, gilt spine and raised bands, sprinkled edges. First gathering partly loose. With the owner's label of "M. de Coincy", library notations on the fly leaf, and with the bookplate of Nils Fries and his purchase notation in pencil on the last page. Volbracht 427. Stafleu 1229. Uellner 284. Nissen 404. The book is actually a very much expanded, later edition of the author's "Guide de l'amateur de champignons" from 34 years earlier. The illustrations are drawn from nature by A. D. Cordier. François Simon Cordier (1797-1874) was a French physician and botanist, a founding member and later president of the Société botanique de France.

      [Bookseller: Centralantikvariatet]
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        HISTORY OF DON QUIXOTE. The Text Edited by J. W. Clark and A Biographical Notice of Cervantes, by T. Teignmouth Shore

      London: Cassell, Petter, and Galpin, [c. 1870]. A very early issue of this wonderfully illustrated Cervantes. With 118 spectacular illustrations by by Gustave Doré. Royal 4to (12.25 x 9.75 inches approx.), in deluxe three-quarter dark-brown polished calf over black textured boards, the spine with gilt tooled wide bands separating compartments featuring large central gilt tooled devices, one compartment gilt lettered, all edges gilt. xxviii ,737. A tight and clean copy, the binding with a bit of age wear, the back sometime skillfully restored to style with the original spinal panel laid down. A HANDSOMELY BOUND COPY. Gustave Doré was one of the greatest illustrators of his day. He was born in Strassburg in 1832. In 1848, he moved to Paris where “his facility as a draughtsman was extraordinary.” He was a prolific worker and his subjects were usually religious or historical. He died in January of 1883. His grand and magnificent style is a perfect complement for Cervantes heroic tale. This massive tome is one of our favorite printings of the Spanish classic and, because of the weight of the text block, is usually found broken and loose. This copy is as sturdy as one could hope for and is very handsome too. A great compliment to any fine library and a must for the collector of 19th century illustrated books.

      [Bookseller: Buddenbrooks, Inc.]
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        Holocaust Art: 5 Drawings

      1870. Very good condition.. Five compositions by Hungarian painter Alfréd Lakos (1870-1961). His works were shown at the OMIKE exhibitions (Országos Magyar Izraelita Közmüvelödési Egyesület/Hungarian Jewish Educational Association) founded in 1910. OMIKE played a major role in the Jewish cultural, educational and social life in Hungary until 1944. During the Holocaust Lakos served in the Force Labor Service. The five sketches were drawn after the end of the war from 1945-1947.1. Ink Drawing, on cream colored, handmade paper (4 1/2 6 3/4"), depicting people hanged from trees with three Nazis in uniform looking on. Contains a handwritten caption: "Német náci banditák az orosz népet irtják" / German Nazi bandits murdering the Russians. The back side features a pencil drawing of a crowd of elderly and middle-age adults, and two children lead by a Hungarian gendarme in uniform with shouldered bayonet. The elderly man walking on crutches and and elderly woman with Stars of David on their clothing. Signed LAKOS in pencil.2. Ink Drawing, on cream colored, handmade paper (4 1/2 6 3/4"), of father with Star of David on his clothing with his arms around his two young girls. Another figure with Star of David behind the small group, and various other figures on the other side of a barbed wire fence. Captioned in handwriting: "Apa két kis lányával" / Father with two little girls. On the verso a pencil drawing of a Jewish crowd of all ages with Stars of David on their clothes with a officer in uniform and shouldered bayonet in their midst. Signed LAKOS in pencil.3. B/w Chalk Drawing, on brown handmade paper (10 1/4 x 8 1/4"), depicting a Jewish ditch digger with shouldered spade in the Forced Labor Service. Signed Lakos A in chalk.4. Ink Drawing, on gray handmade paper (7 x 6"), depicting a deportation with men carrying their belongings, all with hats, and the head of a Hungarian gendarme above the crowd, with shouldered bayonet and the background of small hills. Thousands were sent on foot from Budapest to the Austrian border. Monographer L.C. Verso with few lines and letters.5. Ink Drawing, on cream handmade paper (9 1/2 x 13"), depicting Joseph, on a chariot, speaking to the crowd with a pyramid as a backdrop. With caption in handwriting: "Folytatása az 1947 febr. megkezdett József vázlatoknak az éhinség idejéböl L.C. 947. okt. 29." / one of the Joseph-sketches of the time of the famine., numbered 2 in the upper right corner. This series was started in February of 1947. Signed LAKOS 947okt.The verso with three separate sections of text in Hungarian. At the top details about the drawing and the owner of the work, Nándor Pollacsek, a representative of the Synagogue on Aréna Street, Budapest (today Dózsa György Street), who kept it at his private apartment. Underneath in the second section elaborating on the theme, claiming that it was Joseph who saved the people of the world, including the Arabs, during the famine in Egypt. It goes on to say that the Arab leaders, especially the Grand Mufti of Jerusalem (Mohammed Amin al-Husseini?), an ally of Hitler, are threatening the Jewish refugees in Palestine and nobody should be surprised if during this "contemporary famine" the world would stay passive just as they did when Jewish people were mass murdered. The third section written vertically along the left edge two quotes from the Bible: "and the famine was over all the face of the Earth." Gen. 41:56, and "And the famine was sore in the land." Gen. 43:56. Signed Lakos Alfred 30/X. 947 under section two. This paper folded vertically in the middle.

      [Bookseller: Eric Chaim Kline - Bookseller ]
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        Tre Nye Eventyr.

      Copenhagen, C. A. Reitzel, 1870. - 8vo. 64 pp. Bound with both original wrappers in later half cloth. First edition. - Front wrapper inscribed in Danish to Marie Henriques. Andersen had been a frequent visitor to the home of Therese Henriques (1833-83) during the last fifteen years of his life. The house was full of life and happy days as a large circle of both Danish and foreign musicians and artists visited the salons and parties held there. The friendship with Henriques was established in August Bournonville's home, where the poet first heard the young, talented Therese playing the piano. Immediately, a warm friendship between the two was kindled, and it would last a lifetime. - Provenance: descendants of Henriques family. [Attributes: First Edition; Soft Cover]

      [Bookseller: Antiquariat INLIBRIS Gilhofer Nfg. GmbH]
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        Autograph calling card.

      No place, [c. 1870s]. - Calling card format. 1 page. To the unnamed Count Andrea Zorzi, an eccentric Venetian nobleman from an ancient family and a supporter of Verdi (he is said to have owned a silver cane upon which the titles of each Verdi opera were engraved as he heard them): "ringrazio e contraccambio gli auguri". - Mild toning.

      [Bookseller: Antiquariat INLIBRIS Gilhofer Nfg. GmbH]
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        Autograph letter signed.

      Down, Beckenham, Kent, 11 Nov. [1870]. - 8vo. 3 pp on bifolium. On Darwin's embossed letterhead (Down, Bromley, Kent, S.E.) with "Bromley" crossed out and changed to "Beckenham" in Darwin's hand. To Philip Lutley Sclater, who has been reading the proofs of Darwin's "Descent of Man", describing the ornithologist William Henry Hudson (1841-1922) as "a hater of evolution": "I will most gladly accept your kindness. I look at the delay caused as nothing comparatively to the great benefit. I never expected or hoped for many criticisms, but I still hope you will point out any serious error, whatever trouble this may cause to my Printers. I suppose I shall soon receive Revises, but Messrs Clowes [the printers of The Descent of Man] sometimes delay the 2d proofs till 23 of a whole vol. is corrected in first proof. - Mr Hudson's paper is very interesting & it pleases me to see so staunch a hater of evolution a little staggered at the end of his paper [.] I will not now waste quite so much time in trying to find every name quoted in some book; so you will doubly help me". - One of the earliest known examples of the use of the term "evolution" in the Darwinian sense, pre-dating its first appearance in print in "The Descent of Man". Although the term had long been in use in embryology, having been introduced with a specific meaning in 1762 by Charles Bonnet in his "Considerations sur les corps organis

      [Bookseller: Antiquariat INLIBRIS Gilhofer Nfg. GmbH]
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        Autograph inscription signed in:) Lykke Peer.

      Copenhagen, C. A. Reitzel, 1870. - 8vo. 1 blank f., (6), 183, (1) pp. Contemporary half calf with giltstamped spine and green marbled covers. Publisher's original printed front wrapper bound within. First edition of Andersen's sixth and final novel, "Lucky Peer". With a fine inscription to the daughter of his benefactor and friend, the great Danish physicist Hans Christian Oersted: "Kaere Froeken Mathilde

      [Bookseller: Antiquariat INLIBRIS Gilhofer Nfg. GmbH]
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        Ansicht von Herrsching am Ammersee 1870

      - Technik: Monochromes Aquarell auf Papier. Beschriftung: Links unten in Bleistift bezeichnet, signiert und datiert mit "Hersching Mx 70", verso befindet sich der Sammlungsstempel "G + W D" des Prof. Wilhelm Denzel. Provenienz: Gesammelte Graphik von Dr. F.W. Denzel, M

      [Bookseller: H. W. Fichter Kunsthandel e.K.]
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        Note handwritten and signed by Thomas Sully (1783-1872).

      Not published, no place 1870 - A note, written and signed by Thomas Sully. Addressed to Henry S. Randall Esq., it reads "Dear Sir. It will give me great pleasure to recieve (sic) the "History of New York" published by the Legislature of the State, which you have kindly proffered me. Please send by Adams' Express, to my address -- No. 11 South 5th St. or to W. Pennington, Book seller No. 10 South 5th. Very Respectfully, Your Obedient Servany, [signed] Tho Sully." The folded (into approximate sixths) note measures 5 and 3/8 inches tall by 8 inches wide. Three small old archival mount remnants on the reverse of the document. In very good plus condition, without any stains or smudging. Thomas Sully lived 1783 to 1872. He was born in England, and moved to the United States as a boy. Studied with his brother Lawrence (died 1803), opened a studio in New York (1806) and Philadelphia (1808). Known to have painted more than 2600 works. Among his best known are "Washington Crossing the Delaware," "Marquis de Lafayette," and "Jefferson, Madison, Jackson.". No date listed; circa 1870. Size: Octavo (8vo) [Attributes: First Edition; Signed Copy; Soft Cover]

      [Bookseller: Kurt Gippert Bookseller ABAA]
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        Original study for The Sirens

      1870. BURNE-JONES, Edward. Large original study for The Sirens. No place, circa 1870. Colored chalks on brown paper, handsomely matted and framed. Image measures 14 by 18 inches; entire framed piece measures 19 by 25 inches. $16,500.Splendid original chiaroscuro colored chalk drawing, a large preliminary compositional study for The Sirens.Burne-Jones, leading painter and designer of Victorian England and among the most important of the Pre-Raphaelite artists, is best known for his collaborations with William Morris, for whom he designed stained glass and tapestries and illustrated some of the Kelmscott Press publications, including the magnificent 1896 Kelmscott Chaucer. Of his own haunting work he stated, “I mean by a picture a beautiful romantic dream, of something that never was, never will be— in a light better than any that ever shone— in a land no-one can define or remember, only desire— and the forms divinely beautiful” (Chilvers, 79-80). This beautiful work is a preliminary compositional study for The Sirens, which Burne-Jones began to paint in 1870 but, despite many attempts over two decades, was never able to finish. The allegory of shipwreck does, nonetheless, appear in other of his works, including The Voyage to Vineland (stained glass window) and The Holy Grail (tapestry). A pastel [circa 1875] in a Spanish private collection and a watercolor [circa 1875] in the South African National Gallery are both reminiscent of this drawing. Exhibited: Mass Gallery (1967); Piccadilly Gallery (1971); Grolier Club (1971). Provenance: Virginia Surtees; Hartnoll and Eure; Kenneth A. Loft; Frederick R. Koch; Sotheby’s.A lovely original work, wonderfully framed.

      [Bookseller: Bauman Rare Books]
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        Paris 1870-1871 (title from spine)

      Bound album containing eight portfolios of 12 etchings each, for a total of 96 original etchings, half of the images by Martial-Potémont, the other half by his contemporaries, all pertaining to the upheavals in Paris in 1870-1871, with most of the images printed on full-page sheets of Japanese paper (sheet size approx. 12" x 17", image sizes varying), and with some smalller images mounted on sheets. Some of the portfolio title pages with creases and small tears. Scattered foxing and soiling throughout, mostly minor, but several images more severely affected. Folio. 3/4 leather and boards, raised spine. Rubbing to extremities, some minor leather loss along spine, soiling and areas of fabric loss to back cover. Paris 1870-1871. A spectacular album comprised of numerous complete portfolios of etchings by Martial-Potémont, Maxime Lalanne, Edmond Yon, F. Pierdon, and Léopold Desbrosses, all important French graphic artists from the late 19th century. Martial-Potémont is perhaps the most well-known of the group: a prolific etcher, his work was primarily published and distributed by Alfred Cadart, a leading print publisher in Paris in the second half of the 19th century. He was also a friend of the Barbizon artist Charles-François Daubigny, and exhibited at the Salon de Paris from 1846 to 1882. His comprehensive work, L'Ancien Paris, comprises 300 etched views of the city. The etchings included in this album depict specifc aspects of the turmoils in Paris along with related incidents and themes, and provide a comprehensive and detailed overview of the events of 1870-1871 and their effects on the city and its inhabitants. Many of the images also contain significant textual context and information. A significant archive, rare to find assembled in one collection. The portfolios included in the present album are as follows: Souvenirs Artistiques du Siège de Paris 1870-1871 by Maxime Lalanne; Paris Pendant la Siège, Paris Incendié, Paris Sous la Commune, and Les Prussiens Chez Nous, all by Martial-Potémont; St. Cloud Brulé! by F. Pierdon; Paris et Ses Avant-Postes by Léopold Desbrosses; and Aujour de Paris Aprés la Guerre by Edmond Yon.

      [Bookseller: F.A. Bernett Books]
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        Corsaire Triplex.

      Paris: Ancienne Libraire Furne, c. 1870. Quarto, engraved title in red and black, extensively illustrated; a bright fine copy in the original lavishly decorated pictorial cloth with bevelled boards, all edges gilt. A fine copy of this beautifully illustrated deluxe edition of Corsaire Triplex, in which the daring heroes Armand and Robert Lavarède travel to Australia and the Pacific on the "Karrovarka", an electric floating fortressThis delightful story, with its uncommon Australasian theme, is by the French adventure writer Paul d'Ivoi, and is part of a series of works published as the Voyages Excentriques. The series was intended to capitalise on the tremendous fascination with the works of Jules Verne, and certainly makes a striking visual comparison with the glorious editions of Verne published around the turn of the twentieth century. This work was written by "Paul d'Ivoi", actually the writer Paul Deleutre (1856-1915). Deleutre came from three generations of writers, beginning as a journalist writing for Le Journal Des Voyages and the newspaper Le Matin. In time he become one of the most successful writers of juvenile adventure novels, and ultimately published some 21 volumes for this series.Deleutre's work is famous for its adventurous plots and fast pace, even when compared with the novels of Jules Verne. Cosaire Triplex follows the story of Robert Lavarède who flees to Australia and meets the "Corsaire Triplex", although many of the plot devices are now considered variations on Verne's Twenty Thousand Leagues under the Sea. In his novels, Deleutre's heroes often circumnavigate the globe and dive under the sea on fantastic futuristic machines and use modern technology including cinematography, the telephone and submarines.The work is lavishly illustrated with many engravings, some full page, and a further 8 full paged tinted lithographs all by Louis Tinayre (1861-1941).

      [Bookseller: Hordern House]
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        Lenin umer, no sozdannaya im kommunisticheskaja partiya sstalas - cplotim tesnee vokrug nee nashi ryady. (In russischer Sprache) Regierungsmitteilung, herausgegeben von der "Arbeiterzeitung", zum Tode Lenins samt seiner Krankheitsgeschichte.

      Doppelblatt, gefaltet in der Mitte, mit zwei lithographierten ornamentalen Trauerr

      [Bookseller: Antiquariat am Moritzberg]
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        A collection of 17 broadsides, 2-page publications, and pamphlets.

      Guatemala: Various publishers/presses, 1870–79. All items folio. For Guatemala the 1870s were years of a Liberal government and 19th-century Liberal reforms: confiscation of Church property and the concomitant excloistering of nuns and monks, improved sanitation, improved supervision of food handling, economic reforms, securing a free press, bringing telegraphy and the railroad to the nation, and improving the police force and public education.    The decade began with the 1871 overthrow of Vicente Cerna Sandoval's Conservative regime and then saw other military actions including the putting down of the 1872 attempted coup d'etat by the recently ousted Conservatives; and because that failed plot was supported by the government of Honduras, Guatemala went to war with its neighbor.    The collection touches on war, politics, reform, public health, and reaction to reform. The 1870s saw changes in the printing industry in Guatemala; printing could be done on thinner paper and this collection bears witness to that, with some chipping at edges, some brittleness over all, and some items damp-damaged with loss of blank areas (only). Over all, good to very good condition, with a very few exceptions.

      [Bookseller: Philadelphia Rare Books & Manuscripts Co]
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        THE LUCK OF ROARING CAMP and Other Sketches

      1870. [the handsome "Blairhame" copy] Boston: Fields, Osgood, & Co., 1870. Original terra cotta cloth. First Edition. This is Harte's third and best-known book, one which he spent the rest of his life unsuccessfully trying to equal. These tales had originally appeared in the Overland Monthly, of which he was the first editor; the title story had appeared in 1868 in its second issue ("under publisher's protest... The religious press called it 'immoral,' California papers thought it 'singular,' but Eastern critics went headlong into eulogies" [K&H]). The volume also includes such Harte throbs as "The Outcasts of Poker Flat," "Miggles" and "Mliss"; an additional tale, "Brown of Calaveras," would be added to the (later in 1870) second and subsequent editions.~This copy is in terra cotta "FL" cloth (with a texture similar to laid paper); Blanck cites copies in fine-pebbled "C" cloth in green, purple and terra cotta, but had seen "FL" copies only in green and purple. It is in close-to-fine condition (scarcely any wear, but the spine gilt is not quite as bright as it could be). This is an American classic, increasingly difficult to find in collectible condition. Blanck 7246; a Johnson High Spot ("The first stories written by a westerner about the westerners in the western vernacular, the earlier western writers being so afraid of being called 'unliterary' that they ignored the crude but powerful material at hand"). Housed in a handsome morocco-backed slipcase, this copy bears the small leather "Blairhame" bookplate of the noted collector Mrs. J. Insley Blair.

      [Bookseller: Sumner & Stillman]
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        L'Éducation Sentimentale: Historie d'un Jeune Homme.

      Paris: Michel Lévy, 1870. 2 vols, 8vo, modern green quarter morocco, decorated boards, gilt lettering. Original printed front wrapper bound in each volume before the half-title. 32-page publisher's catalogue dated November, 1869, at the end of volume two. Flaubert's famous realistic novel about the young man Frédéric Moreau and his love for an older woman. Some slight foxing; fine copy.

      [Bookseller: Brick Row Book Shop]
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        La révolte

      - Alphonse Lemerre , Paris 1870, 12,5x18,5cm, relié. - Edizione su carta attuale, sarebbe stato sparato cinque rara carta di grandi dimensioni della Cina. Associazione a bradel metà marocco cioccolato, spina dorsale liscio, data la coda, piatti marmorizzati copertine di carta (con restauri abili marginali) e della colonna vertebrale conservati, testa dorata, vincolante firmato T. BOICHOT. Autografo firmato Villiers de l'Isle-Adam Victor Wilder, traduttore poetico delle opere di Richard Wagner. L'invio raffigura l'amicizia di due uomini, che continua soprattutto durante la loro collaborazione nella copia di revisione wagneriano fino al 1888. Bel piacevolmente stabilito. - [FRENCH VERSION FOLLOWS] Edition originale sur papier courant, il n'aurait été tiré que cinq rarissimes Chine en grands papiers. Reliure à la bradel en demi maroquin chocolat, dos lisse, date en queue, plats de papier marbré, couvertures (comportant d'habiles restaurations marginales) et dos conservés, tête dorée, reliure signée de T. Boichot. Envoi autographe signé de Villiers de l'Isle-Adam à Victor Wilder, traducteur poétique de l'oeuvre de Richard Wagner. L'envoi dépeint l'amitié des deux hommes, qui se poursuit notamment lors de leur collaboration dans la revue wagnérienne jusqu'en 1888. Bel exemplaire agréablement établi.

      [Bookseller: Librairie Le Feu Follet]
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        Ondonga kielen ABD. Ensim

      - WorldCat (2 copies); not in Mendelssohn. A rare primer of the Bantu dialect Ndonga or OshiNdonga, spoken by the Ovambo people in the kingdom of Ondonga in what is now northern Namibia and southern Angola, still spoken today by some 1 million people. It was published by the printing office of the Finnish Literature Society in Helsinki and many of the texts are Christian. Finnish Lutherans set up a mission in Ondangwa, seat of the kings of Ondonga, in 1870, and the present primer was probably intended both to help Finnish missionaries preparing for life in Africa learn Ndonga and for them to use in Ondonga to teach the natives to read and write their own language and to promote Christian ideas.In very good condition, with only very slight browning. Lower corner of the front board chipped.

      [Bookseller: ASHER Rare Books]
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      1870 - Folio. (45 x 30 cm). pp.(4)+title+271+(62 blanks). 271 pages in neat french manuscript, ruled in grey, printed table on p. 2. Quarter dark green calf over mid-green cloth boards. Gilt title "Cours de Th

      [Bookseller: Robert Frew Ltd. ABA ILAB]
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        The Parables of Our Lord. Being: The Prodigal Son, The Sower, The Tares, The Two Debtors, The Good Samaritan, The Rich Fool, The Barren Fig Tree, The Rich Man and Lazarus, The Pharisee and the Publican, The Parable of the Vineyard, The Marriage Feast and The Ten Virgins.

      London: Longman and others n.d. (circa 1870). Superb black papier-mache boards intricately detailed in compartments with floral designs, animal figures within wreaths to corners, a centre figure also within a wreath framed by a garland. Containing an illuminated title page and 31 chromolithographic illuminated thick pages. Leather spine with title in relief; all edges gilt, marbled endpapers. A sound and generally fine example.

      [Bookseller: Adrian Harrington]
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        Introduction à la mécanique industrielle, physique ou expérimentale. Troisième édition.

      Paris, Gauthier-Villars, 1870. ____ Poncelet a cherché ici à développer pour ses élèves une conception concrète de la mécanique, à mi-chemin entre la théorie abstraite et les applications industrielles. Troisième édition publiée par X. Kretz, qui l'a corrigée d'après des notes manuscrites de Poncelet et a ajouté des notes sur les nouveaux travaux faits depuis la mort de Poncelet. La première édition, en 1829, avait pour titre: "Première partie du Cours de mécanique industrielle, fait aux ouvriers messins", dont plusieurs versions lithographiées ont paru sans l'autorisation de Poncelet. D.S.B. 11, 78. Inscription dorée sur le premier plat : "Chemins de fer de l'Est. Ateliers d'Epernay. Cours des apprentis." En dessous a été doré un train sortant d'un tunnel. Exemplaire superbe.*****. In-8. [212 x 129 mm] Collation : XIII, (1), 757, (1) pp. et 3 planches dépliantes. Demi-chagrin vert, plats de percaline avec supra-libris doré, dos à nerfs orné, tranches marbrées. (Reliure de l'époque.).

      [Bookseller: Hugues de Latude]
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        Le Petit Naturaliste [Le Jeune Naturaliste]. Texte part Jules Rostaing. Lithographies par Lehnert.

      Paris: Librairie Ducrocq, circa, 1870. Small oblong quarto, with decorated and letterpress title-pages and 24 full-page coloured lithographs by Lehnert; original gilt blocked red papered boards boards. Charming children's book, with 24 oblong lithographic plates and a decorated title page. The book illustrates a somewhat portly kangaroo, with accompanying descriptive text, as well as other antipodean species such as the emu, cassowary and crocodile. The author, Jules Rostaing (born 1824) was a well-known writer on all manner of books for children, including a similar publication on the Jardin des Plantes in Paris.The book includes a lithographic decorated title reading "Le Jeune Naturaliste" followed by a letterpress title-page bearing the variant title "Le Petit Naturaliste". To further complicate matters, it was issued in both illustrated and plain lettered boards (this copy being an example of the former, with a handsome gilt-blocked deer and giraffe). Nonetheless, this book is not listed in the Gumuchian catalogue under either variant of the title, although some 12 titles by Jules Rostaing are included. It is uncommon, only appearing once on the market in the past two decades, and is not retained in Australian institutional collections. Boards rubbed, spine ends frayed, internally very good.

      [Bookseller: Hordern House]
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        [Works of Sammy Twitcher]. Owd Sammy Twitcher's Crismas bowk for the year 1870.

      Derby: Printed by the author, [1870]. 8vo (21.3 cm, 8.4"). 26 pp.; 4 plts. [with] Owd Sammy Twitcher's visit tu't Gret Exibishun e Darby. Derby: Pr. by the author, [1870]. 8vo. [24] pp. [and] Owd Sammy Twitcher's second visit tu't Gret Exibishun e Darby, wi' Jim. Pr. by the author, [1870]. 8vo. [24] pp. [and] Owd Sammy Twitcher's visit tu't watter cure establishment, at Matlock-Bonk. Darby: Pr. by the author, [1872]. 8vo. 54, [14 (adv.)], 22 (adv.) pp.; 4 plts.    Attractively bound collection of the first editions of these four humorous works written in thick Derbyshire dialect (the first sentence here reads "Frend, ah gey thee my hond, ah dunna mene tow fingers, bur a gud grip, az tha'll feel tinglin e aw thy veins"). => Three of the pieces include glossaries of some of the more opaque terms. Two of the essays recount visits to the extensive and interesting => Midland Counties Fine Arts and Industrial Exhibition of 1870, and the final entry features a lengthy appendix offering a more serious look at => Matlock-Bank, its hydropathic establishments, and its other landmarks, this in standard English. Mr. Smedley's Hydropathic Establishment, referenced in the text, is the first business appearing in the subsequent advertisement section, which is extensive, evocative, and contains => many ads embellished with little recommendations (by "Twitcher"?) in Darbyshire doggerel.    The author, who spent most of his life in Derby, was a sculptor as well as a Derbyshire historian, and he appears to have supplied the => original illustrations here himself. The two pairs of plates (one lithographed, one steel-engraved) are done in notably different styles ? we suspect that two different engravers worked from Robinson's sketches. Robinson wrote one additional Twitcher piece in 1881, describing a visit to the Royal Agricultural Show, not included in this gathering.    All the Twitcher books are now scarce: WorldCat finds very few U.K. holdings of these titles and virtually no U.S.    Provenance: First text page with early pencilled ownership inscription of Mr. H. Mills in upper outer corner.         Crismas: NSTC 2R14138; Visit: NSTC 2R14139; Second Visit: NSTC 2R14140; Watter Cure: NSTC 0643751. Later quarter green calf and fine combed marbled paper?covered sides, spine with gilt-stamped title; minor shelfwear. Pencilled ownership note as above. Light age-toning; first two works with mild foxing and last leaves with avery light, old waterstain across a lower corner. => A highly personal production in text *and* illustration; an entertaining and very uncommon gathering.

      [Bookseller: Philadelphia Rare Books & Manuscripts Co]
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      1870. Bella e rara veduta prospettica, di formato ovale, litografata da Sabatier da un dipinto di Rouargue, e pubblicata da Lemercier. Litografia a colori, con ritocchi coevi ad acquarello, in ottimo stato di conservazione. Dimensioni dell'ovale 570x385 mm. Opera molto rara. Litograph, printed in colour, with original colouring, very god condition. Litographed by Sabatier after a painting by Rouargue. A very rare work. Parigi Paris 570 385

      [Bookseller: Libreria Antiquarius]
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        The Divine Comedy

      Boston - Fields, Osgood and Co., 1870 Book. Very Good. Hardcover. The complete three volumes of Dante Alighieri's Divine Comedy. Translated from the original Italian into English by famous poet Henry Wadsworth Longfellow. This translation took Longfellow several years and he invited friends to weekly meetings to aid him with the perfect translation. Dante's Divine Comedy is a long narrative poem completed in 1320. It is considered to be the preeminent work of Italian Literature and seen as one of the greatest works of world literature. The poem describes Dante's travels through Hell, Purgatory and Paradise (or Heaven). Allegorically it represents the soul's journey to God. Condition: In half morocco binding with cloth covered boards. Externally, smart with small patches of minor rubbing to the joints and to extremities. Small patches of rubbing to the raised bands. Long gift inscriptions to the recto of front endpapers to all volumes. Internally, firmly bound. Pages are bright with the odd spots throughout. Overall: VERY GOOD..

      [Bookseller: Rooke Books]
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        Humorous Watercolour Illustration

      c. 1870. Watercolour and pencil on coloured paper. Measuring 10 inches x 8 inches. Signed bottom right. Mounted, framed and glazed. A wonderful humorous illustration of people being surprised by a Jack in the Box. Further details and images for any of the items listed are available on request. Lucius Books welcomes direct contact with our customers.

      [Bookseller: Lucius Books]
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        Recess Studies, Ed. by Sir Alexander Grant, Bart

      Edinburgh, Edmonston And Douglas 1870 - Very good copy in the original gilt-blocked cloth. Slightest suggestion only of dust-dulling to the spine bands and panel edges. Remains particularly well-preserved overall; tight, bright, clean and strong. ; 409 pages; Physical desc. : [8], 409, [ 1], 20, [4]p. Subjects: Social sciences. Great Britain - Politics and government - 1837-1901. Ireland - Rural conditions - 19th century. Referenced by: NSTC 2G17433. 1 Kg. 409 pp. [Attributes: First Edition; Hard Cover]

      [Bookseller: MW Books Ltd.]
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        Unsigned original photo (1819-1901, Queen of Great Britain) with John BROWN (1826-1883, Queen Victoria's Highland servant) and ALBERT VICTOR(Christian Edward, Duke of Clarence, 1864-1892, Eldest Son of Edward VII)]

      1870 - showing the Queen in her carriage with her grandson which is being driven by her gilly, 6½" x 3½", Balmoral, no date, c. laid down on card

      [Bookseller: Sophie Dupre ABA ILAB PADA]
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        Autograph instruction signed (Phineas T., 1810-1891, American Showman, Founder of the Barnum and Bailey Circus)

      1870 - addressed to the "American Museum Admit Mr Tupper & friends at all times", 4" x 4", no place, 3rd October no year, The flamboyant showman was the discoverer of the midget Tom Thumb, Jenny Lind (the Swedish Nightingale) and the counterfeit Feejee Mermaid. He founded the famous Barnum and Bailey Circus. Probably to Martin Farquhar Tupper (1810 1889 English Poet).

      [Bookseller: Sophie Dupre ABA ILAB PADA]
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        Histoire naturelle illustrée. Végétaux.

      53 double page colored boards in chromolithography containing over 600 drawings. Translation from German and introduction by J. Greenland. All boards are carefully captions at the bottom of page handwriting in black pen, thus facilitating the appointment and avoiding systematically refer to the description of each board at the beginning of the volume.Publisher's binding half black with shagreen as gold horizontal and golden title on the front cover. Friction caps and bits. Pale scattered spots. --- Please note that the translation in english is done automatically, we apologize if the formulas are inaccurate. Contact us for any information! R. Schultz Paris S.d. Pet. in Folio (22x33cm) relié

      [Bookseller: Librairie Le Feu Follet]
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        Superb cabinet photo by J. Petersen & Company, boldly signed under the image, (Queen, 1817-1898, Wife of Christian IX of Denmark, 1818-1906, and Mother of Queen Alexandra of England and Maria Feodorovna of Russia)

      1870 - showing her head and shoulders in an oval, 6½" x 4¼", no place, Copenhagen, no date, c.

      [Bookseller: Sophie Dupre ABA ILAB PADA]
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        Superb unsigned cabinet photo by George E. Hansen, (1843-1912, King of Denmark) with his sisters ALEXANDRA (1844-1925, Queen of Edward VII of England), DAGMAR (Maria Feodorovna, 1847-1928, wife of Tsar Alexander III of Russia), THYRA (1853-1933, Duchess of Cumberland, wife of Ernst August, Duke of Brunswick and Lüneburg, Crown Prince of Hanover) and his wife LOUISE (1851-1926, daughter of Carl XV of Sweden)

      1870 - showing the women grouped around their brother/husband, with Thyra seated on the floor holding a small dog, 5¼" x 4¼", Copenhagen, no date, c. trimmed at top and bottom not affecting the image Frederik and Louise married on 28th July 1869 in Stockholm.

      [Bookseller: Sophie Dupre ABA ILAB PADA]
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        Classic Confederate General E Lee cabinet card photo

      n.p., ca. 1870. 3.75" x 5.5". "Cabinet Card of Robert E. Lee in his classic portrait image. 3.75"" x 5.5"" set on a card to a dimension of 4"" x 6.5""Produced by Kottman portraits, Altoona, Pa. with full photographer description covering the verso. Slightly grubby with a few very faded stains. Signed in plate. (Not Robert E. Lee's original signature on photo).Owing to the larger image size, the cabinet card steadily increased in popularity during the second half of the 1860s and into the 1870s, replacing the carte de visite as the most popular form of portraiture. The cabinet card was large enough to be easily viewed from across the room when typically displayed on a cabinet, which is probably why they became known as such in the vernacular. However, when the renowned Civil War photographer Mathew Brady first started offering them to his clientele towards the end of 1865, he used the trademark ""Imperial Carte-de-Visite."" Whatever the name, the popular print format joined the photograph album as a fixture in the late 19th-century Victorian parlor.A wonderful example of this important historical Confederate General during the U.S. Civil War who led southern forces against the Union Army. His battles climaxed with the three-day stand-off, known as the Battle of Gettysburg, which almost destroyed his army, ending Lee's invasion of the North and helping to turn the war around for the Union. This beginning of the end continued when by the summer of 1864 Ulysses S. Grant gained the upper hand, decimating much of Richmond, the Confederate's capital, and Petersburg. By early 1865 the fate of the war was clear, a fact driven home on April 2 when Lee was forced to abandon Richmond. A week later, a reluctant and despondent Lee surrendered to Grant at a private home in Appomattox, Virginia.Lee has been quoted as having said, ""I suppose there is nothing for me to do but go and see General Grant,"" he told an aide. ""And I would rather die a thousand deaths."" By the end of the war, Lee was saved from being hanged as a traitor by a forgiving Lincoln and Grant, and returned home to his family in April 1865"

      [Bookseller: University Archives]
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        Fine early cabinet photo by W. & D.Downey, signed "Victoria Mary of Teck" (of Teck, 1867-1953, Queen of George V)

      1870 - showing her as a young girl, dressed in a fur trimmed coat and hat, with her hair long and flowing, on her hand she has a small bird which she is holding up close to her face, 6½"x 4", no place, no date, c. slight damage to the bottom left hand corner just touching the signature

      [Bookseller: Sophie Dupre ABA ILAB PADA]
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        The Quadrupeds of North America.

      New York: George R. Lockwood, 1870 - 3 volumes, octavo. Publisher's deluxe binding of brown full morocco, blind stamped decoration to spines, titles to spines gilt, blind stamped rules and decoration to boards, inner dentelles gilt, marbled endpapers, all edges gilt. Some rubbing to binding, with minor wear to extremities. An excellent, clean set. Illustrated with 155 hand-finished lithographic plates. Final edition. Having made his reputation with "The Birds of America", Audubon began an equally imposing project "The Quadrupeds of North America". Audubon travelled the entirety of North America, including British and Russian territories, the USA and parts of Mexico collecting specimens to use as models for his paintings, his ambition being to paint every North American species. From the perspective of the Quadrupeds his career unfolds with new fascination, leaving a fresh impression of his genius. John Bachman, Audubon's long-time collaborator, said of the Quadrupeds: "They are the most beautiful and perfect specimens of the art. I doubt whether there is anything in the world of natural history like them, I do not believe that there is any man living that can equal them" (Ford 1951). Audubon's Quadrupeds "is a breathtaking accomplishment . the most naturalistic depiction of American mammals ever done" (Legacies of Genius 128). The work first appeared in three folio volumes from 1845-8. In order to reach a wider audience, the Audubons then prepared this edition in octavo, which was issued in 31 parts and then bound volumes between 1849 and 1854. They referred to it as a "miniature" of the grand folio edition. Sabin 2368.

      [Bookseller: Peter Harrington. ABA member]
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        Leçons sur la physiologie comparée de la respiration professées au Muséum d'histoire naturelle.

      Paris, Londres, Madrid, J.B. Baillière, 1870. ____ Première édition. Ce sont les premiers travaux de Paul Bert sur la respiration. Il y montre que la quantité d'oxygène dissoue dans le sang varie en fonction de la pression de l'air extérieur. Illustré par 150 figures dans le texte. Une coupe usée. Bon exemplaire par ailleurs. DSB 2, 61. *****. In-8. Collation : XXXV, (1), 588 pp. Demi-chagrin bleu marine, dos à nerfs, tranches mouchetées. (Reliure de l'époque.).

      [Bookseller: Hugues de Latude]
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        The Quadrupeds of North America.

      New York: George R. Lockwood,, 1870. 3 volumes, octavo. Publisher's deluxe binding of brown full morocco, blind stamped decoration to spines, titles to spines gilt, blind stamped rules and decoration to boards, inner dentelles gilt, marbled endpapers, all edges gilt. Illustrated with 155 hand-finished lithographic plates. Some rubbing to binding, with minor wear to extremities. An excellent, clean set. Final edition. Having made his reputation with "The Birds of America", Audubon began an equally imposing project "The Quadrupeds of North America". Audubon travelled the entirety of North America, including British and Russian territories, the USA and parts of Mexico collecting specimens to use as models for his paintings, his ambition being to paint every North American species. From the perspective of the Quadrupeds his career unfolds with new fascination, leaving a fresh impression of his genius. John Bachman, Audubon's long-time collaborator, said of the Quadrupeds: "They are the most beautiful and perfect specimens of the art. I doubt whether there is anything in the world of natural history like them, I do not believe that there is any man living that can equal them" (Ford 1951). Audubon's Quadrupeds "is a breathtaking accomplishment ... the most naturalistic depiction of American mammals ever done" (Legacies of Genius 128). The work first appeared in three folio volumes from 1845-8. In order to reach a wider audience, the Audubons then prepared this edition in octavo, which was issued in 31 parts and then bound volumes between 1849 and 1854. They referred to it as a "miniature" of the grand folio edition.

      [Bookseller: Peter Harrington]
 42.   Check availability:     Biblio     Link/Print  

        Jiangxi Province is more County (Set of 5)(Chinese Edition)(Old-Used) JIANG XI SHENG DA GENG XIAN ZHI ( TAO ZHUANG GONG 5 CE )

      hardcover. New. Ship out in 2 business day, And Fast shipping, Free Tracking number will be provided after the shipment.Hardcover Pages Number: 1870 Language: Chinese Jiangxi Province more County (Set of 5) can make us a more nuanced understanding of all aspects of Jiangxi Province County local society. the Social History of the important information to help in prosperity in History! Satisfaction guaranteed,or money back.

      [Bookseller: cninternationalseller]
 43.   Check availability:     Biblio     Link/Print  


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