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Displayed below are some selected recent viaLibri matches for books published in 1870

        Beautifying Country Homes. A Handbook of Landscape Gardening. Illustrated by Plans of Places already Improved.

      Orange Judd & Company 1870 - A marvelous landscape architecture and landscape gardening book with Part I of 40 pages of text replete with illustrations devoted to Landscape Architecture: General Suggestions, Lawns, Seeding, Top-dressing lawns, drainage, walks, grading, hedges, trees and shrubs, transplanting trees and shrubs, ornaments, rock-work, tools, calculation of cost, hints on burial lots. Part II focuses on the plans of improved places and presents amazing color plates, many double folding plates, printed in green, red, brown, yellow, pink, and black. There are 24 splendid plates. The plates are crisp,strikingly in register, and bright. Many are double folding plates, including a Newport residence on Bellevue Avenue belonging to F.L. Barieda, Esq. "Grand and imposing in its location the costly building stands in the midst of a beautiful park, raised to a level about 14 feet above the sea,the grounds including an area of five acres." Plate XIII's striking design features a soft green for the park and tree-lined areas in contrast to the red building areas. There are also designs of gardens in Peekskill, Westchester Co., NY; the Alexander Van Rensselaer and Hamilton Hoppin seats at Newport, R.I.; Washington Park in Brooklyn, NY.; Retreat Park in Hartford, Conn.; an approach and division map of property situated near Hastings Westchester Co., NY, designed by Olmsted & Vaux. ; the Cedars at Newport, R.I.; Residence of Morris K. Jesup on the Hudson River, near Irvington, N.Y.; and the flower garden at Mount St. Vncent, Central Park New York, designed and executed by Ignatz A. Pilat. This volume is autographed by the author: "With Compliments to Geo. M. Diveu Esq. the Author" written in brown ink at the top of the dedication page. A truly delightful and wonderful book, especially for the landscape gardening enthusiast. Heavy green pebbled cloth with bright gilt on the front boards; heavy wear to the corners and to the top and bottom of the spine ends; the hinges weak with some separation; chocolate-colored endpapers and paste-downs [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Brainerd Phillipson Rare Books]
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        University of Edinburgh Matriculation Card

      18701871, [Edinburgh 1870 - Approximately 4-3/4 x 3-3/4 inches. . Written at the top "Robertus L. Stevenson" in cursive handwriting in brown ink. The card has the number 150 stamped in red print at the top, then reads "Civis Academia Edinensis a Novembre MDCCCLXX ad Novembrem MDCCCLXXI". This was in fact, Stevenson's matriculation card in the Faculty of Arts, and "150" was his matriculation number for 1870-1871. Very lightly dust soiled, a few very faint and small brown spots, else fine printed in blue ink on cream cardboard [Attributes: Hard Cover]

      [Bookseller: Randall House (ABAA)]
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      F.S.Ellis, London 1870 - Hardcover. 8vo. A fine association copy inscribed to Arthur Hughes from Rossetti. The inscription reads: "To Arthur Hughes, from his friend, Dante Gabriel Rossetti, April 1870." These men were two of the most important artists of the Pre-Raphaelite movement. This is one of only a few copies personally inscribed to Rossetti's close friends (see D.G.R. Letters to Publishers). Dark green cloth boards with gilt title to spine. Attractive gilt floral decoration to spine and boards. Minor wear to edges and slight discoloration to boards. Clean, bright interior with decorative end pages and a tight binding. Housed in a black cloth covered clamshell box with gilt label to spine. 282 pages plus 4 pages of ads. PRERAPH/102006. [Attributes: Signed Copy; Hard Cover]

      [Bookseller: The Kelmscott Bookshop, ABAA]
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        Les couleurs en photographie et en particulier l'héliochromie au charbon. Traité contenant, dans leur état le plus récent, les formules et la mise en pratique du système de photographie des couleurs publié par l'auteur au mois de mars 1869.

      Paris, Marion, janvier 1870 - In-8, 82, (1) pp., broché, couverture jaune imprimée, petite étiquette de l'époque sur la page de garde au nom de "Marion Fils & Géry - Paris" (fabricants de papiers photographiques), ex-libris manuscrit au faux-titre, manque minime en tête du dos, bel exemplaire d'une grande fraîcheur. Édition originale, très rare et recherchée, surtout comme ici en bel état. Le premier procédé de photographie en couleurs fut inventé simultanément et indépendamment par Louis Ducos du Hauron (1837-1920) et par Charles Cros. Mais le mémoire de Cros était purement théorique, tandis que la communication de Ducos du Hauron était accompagnée de "plusieurs spécimens". "Louis Ducos du Hauron made the greatest contribution to the evolution of colour photography in the nineteenth century. He proposed the substractive method of colour photography in his book Les couleurs en photographie, solutions du problème (1869)." (Gernsheim). Dans cette brochure parue dix mois plus tard, Ducos du Hauron expose de façon complète son procédé, avec les derniers perfectionnements apportés. Albert Boni, Photographic Literature, p. 58. [Attributes: First Edition; Soft Cover]

      [Bookseller: Jean-Pierre AUBERT]
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        Trient.: Italienische Landschaften.

      1870 - Scheda bibliografica tratta da Wikipedia. Rottmann was born in Handschuhsheim (today a part of Heidelberg) on 11 January 1797. There he received his first drawing lessons from his father, Friedrich Rottmann, who taught drawing at the university in Heidelberg. He formed himself chiefly through the study of nature and of great masterworks. In his first artistic period, he painted atmospheric phenomena. After gaining prominence with Heidelberg at Sunset (a water color), and Castle Eltz, he settled in Munich in 1822 and devoted himself to Bavarian scenery. Here his second period began, and in 1824 he married Friedericke, the daughter of his uncle, Friedrich Ludwig von Sckell, who served as an attendant at court.\rThrough this connection, he made the acquaintance of King Ludwig I of Bavaria, who in 1826/27 sponsored his travels in Italy in order to widen his repertoire, which up to that point consisted solely of domestic, German, landscapes. In Italy, Rottmann made sketches for the 28 Italian landscapes in fresco which he was commissioned to paint in the arcades of the Hofgarten at Munich. The cycle, completed in 1833, gave visual expression to Ludwig’s alliance with Italy, and raised the genre of landscape painting to the height of history painting, the preferred mode of the King’s other great commissions for monumental painting. The frescos unfortunately deteriorated under climatic influences. The cartoons for them are in the Darmstadt Gallery.\rIn 1834 Rottmann traveled to Greece to prepare for a commission from Ludwig for a second cycle; one might mark here the beginning of his third period. At first also intended for the Hofgarten arcade, the 23 great landscapes were eventually installed in the newly-built Neue Pinakothek where they were given their own hall.\rOf his easel pictures, Ammer Lake and Marathon are in the National Gallery, Berlin; The Acropolis of Sikyon and Corfu in the Pinakothek, Munich; others in the Schack Gallery, Munich, and in Karlsruhe; and seven in the Leipzig Museum.\rCarl Rottmann died on 7 July 1850 in Munich, aged 53 of undisclosed causes. He is buried in the Alter Südfriedhof in Munich. Formato: Cromolitografia applicata su cartoncino di cm 33x26. Buono, ordinari segni d’uso e del tempo.

      [Bookseller: Studio Bibliografico Adige]
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        Konvolut aus drei Original-Porträtfoto - Carte des Vistes. [Fotogröße 9,3 x 5,7; ca. 9,2 x 5,7; 8,7 x 5,5 cm].

      Fritz Luckhardt,, Wien, 1870 - Wien, Fritz Luckhardt, o. J. [um 1870]. Eines mit leicht beschnittenen Kanten, eines m. hds. Titelei a. Rückseite sowie im Randbereich leicht fleckig. Beide mit Prägestempel des Fotografen. Eine Carte des Visits ohne Fotografenangabe, jedoch mit der Nr. 1230 (Masse des Letztgenannten): leichte Gbrsp. Deutsch

      [Bookseller: Antiquariat Weinek]
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        Trotting Cracks on the Road: Scene--Harlem Lane

      Thomas Kelly, New York 1870 - Lithograph with original hand-color. Mild browning, overall a good example. Sheet size: 24 x 31 3/4". Inventory#: p60pmat.

      [Bookseller: Arader Galleries of Philadelphia, PA]
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        Pathologie iconographique du fond de l'oeil. Traité d'ophtalmoscopie comprenant la théorie, la description et le mouvement des divers ophtalmoscopes.

      Paris, Lauwereyns, 1870. - Petit in-folio, (8), 48, (20) pp.,10 planches en couleurs et 15 figures sur bois dans le texte, toile noire moderne, titre en long, annotations manuscrites de l¿époque (légendes) dans la marge inférieure des planches ; sinon très bon exemplaire. Deuxième atlas français sur le sujet (après celui de Bouchut). Il comporte 10 planches gravées sur métal et coloriées à la main, représentant des fonds d¿¿il sur fond noir. Chaque planche est accompagnée d¿une page d¿explication. De Montmeja rend hommage à Liebreich mais rapporte les critiques de Zehender sur l¿ouvrage de Jaeger. A. de Montmeja, né en 1841, fut chef de clinique en ophtalmologie à Paris et dirigea le service photographique de l¿hôpital Saint-Louis. Il fonda en 1869 la première revue consacrée à la photographie médicale. Il soutint sa thèse de doctorat sur les cataractes, en 1871. W. Wallace. The beginnings of fundus illustration. Br. J. Ophthalmol., 1919, 3, 102-110 : ¿The drawings are by one Triollier, who contrived some strange devices.¿ [Attributes: Hard Cover]

      [Bookseller: Jean-Pierre AUBERT]
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        Autograph Letter Signed ("J.W. Powell")

      - Octavo. One page dated Dec. 28, 1870 from Normal, Illinois. Old folds from mailing, one fold has split, two small punch holes in left margin. A brief letter to a Mr. Mumford responding that he will be on hand to see him on January 10th in Brooklyn, N.Y. On the verso the letter has been docketed by the recipient: "Maj. J.W. Powell, Normal, Ill. . No Answer." Accompanied by an old auction description of the letter. Powell was a naturalist and explorer who, after losing an arm in the Civil War, in 1869 led the first known passage through the Grand Canyon. Two years later he and his team re-traced, mapped, and photographed the route. In 1881, Powell was appointed the second director of the U.S. Geological Survey. Powell's autograph is uncommon. [Attributes: Signed Copy]

      [Bookseller: Between the Covers-Rare Books, Inc. ABAA]
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        The Plays of William Shakespeare

      Cassell, Petter & Galpin c. 1870, London - 3 volumes. Original 1/2 brown leather with cloth. Volumes measure 12.5x10 inches. "Shakespeare" in gilt on front; "Shakespeare's Works" in gilt on the spines along with volume number, type of play in the volume, and devices. Excellent condition overall, with several very minor defects internally. The contents are bright, crisp and fresh. This edition was edited by Mary Cowden Clark, assisted by her husband Charles, making this the first edition of Shakespeare to have been wholly or largely edited by a woman. Large heavy volumes will require additional shipping charges. [Attributes: First Edition; Hard Cover]

      [Bookseller: High Ridge Books, Inc. - ABAA]
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        History of the Irish Brigades in the Service of France

      Cameron & Ferguson 1870 - Corners and some edges worn and frayed. Size: Quarto. Text body is clean, and free from previous owner annotation, underlining and highlighting. Binding is loose but fully intact. Moderately foxed throughout. Edges foxed and browned. Quantity Available: 1. Shipped Weight: 1-2 kilos. Category: Antiquarian & Rare; Ireland; 19th century; History. Pictures of this item not already displayed here available upon request. Inventory No: 13850. This book is extra heavy, and may involve extra shipping charges to some countries. [Attributes: First Edition; Hard Cover]

      [Bookseller: Mr Pickwick's Fine Old Books]
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        The High Mettled Racer The Foal / The Death / The Racer / In Training / The Hunter / The Post Horse

      S & J. Fuller, London 1870 - This is a set of 6 prints., Image Size : 275x380 (mm), 10.875x15 (Inches), Platemark Size : 340x450 (mm), 13.375x17.75 (Inches), Paper Size : 380x495 (mm), 15x19.5 (Inches), Hand Colored, Lithograph

      [Bookseller: Alexandre Antique Prints, Maps & Books]
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        Harvard Class of 1870 Photographic Yearbook

      [Cambridge: Harvard University, 1870] - Of particular interest is the portrait of Richard Theodore Greener, Harvard College's first black graduate and the first black graduate of a top-tier university (Slater, "The Blacks who First Entered the World of White Higher Education" p. 48-9). "Among the representative young men of color in the United States--and now, happily in the process of time, their name is legion--Richard Theodore Greener has undisputed standing" (George Washington Williams, HISTORY OF THE NEGRO RACE IN AMERICA FROM 1619 TO 1880, p. 438). Born in Philadelphia and raised in Boston, Greener (1844- 1922) was light complected, having several European ancestors, though he never attempted to "pass" as white. His early schooling was erratic--after his father left for California to prospect for gold, Greener was forced to take various clerk and hotel jobs to help support his family. Employers noted Greener's intellectual gifts and encouraged him in a self-directed course of study. Greener also began attending political and abolitionist lectures and was eventually able to resume his formal education when a benevolent employer sponsored his enrollment at Oberlin. He then studied two years at Phillips Academy, Andover, and was accepted to Harvard in 1865. "He lived alone in the dorm and struggled through his freshman year, which he had to repeat. [.] Although he did not report hostilities, he found his classmates continually curious and confused by him. Rumors spread that he was an escaped slave, that he had no prior education, or that he had served in the Civil War" (Ardizzone, AN ILLUMINATED LIFE, p. 19). Greener graduated with high honors, and his many awards include first prize in Boylston Declamation, First Bodwoin for a Dissertation, and the Boylston Prize for Oratory (Williams, p. 439). Greener went on to a distinguished career in education, law, and civil rights: "Greener was a reflection of the professional elite, the "Talented Tenth" of the Negro race, whose accomplishments the leader W.E.B. Du Bois believed would both persuade white America to endorse social and political equality and actively help other members of the race to improve their educational, cultural, economic, and political standing. [.] Du Bois had specifically identified Greener as a member of this special group [.]" (Ardizzone, p. 15). Upon graduating, he held teaching positions in Philadelphia and Washington, D.C. before accepting a professorship at the University of South Carolina during its brief Reconstruction-era experiment in integration. While there, Greener became the school's first African- American librarian, earned his law degree, and worked tirelessly to advance African-American rights and education. He later served as Dean of the Howard University law school and continued to practice law for much of his life--most notably defending West Point cadet Johnson C. Whittaker. Greener also wrote and lectured on African-American topics, debating Frederick Douglass on the issue of black migration (cf. Woodson, NEGRO ORATORS, pp. 453-487). Greener's daughter, Belle da Costa Greene, "passed" as white, and would go on to a brilliant career as J.P. Morgan's librarian. An immensely important and rare item, a document from the tragically brief period of Reconstruction-era gains in civil rights for blacks. The yearbook includes one portrait of Greener SIGNED by him beneath the image; additionally, Greener appears in the Thayer Club ("Commons") group photo and the Class of 1870 group photo. The photographer, George Kendall Warren (1824-1884), was a distinguished northeastern landscape photographer and the most highly-regarded collegiate yearbook photographer to elite northeastern institutions: Dartmouth, Williams, Brown, Wesleyan, Yale, Princeton, Rutgers, West Point, Union, and Harvard (HARVARD UNIVERSITY) Folio. 109 albumen prints (some second generation), includes: 23 bust portraits (5-1/2 x 4 in.) of faculty; 6 landscapes (approx. 6-1/2 x 9 in.) of Harvard buildings and environs ; 73 [Attributes: Hard Cover]

      [Bookseller: James Cummins Bookseller, ABAA]
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        Gad's Hill Place- Auction Catalogues] Higham, Near Rochester. Kent. A Very Valuable and Beautiful Freehold Property know as "Gadshill Place," for Many Years, the Favorite Abode of Charles Dickens.

      London T.W. Nicholson 1870 - Two Rare Auction Catalogues for the Sale of Gad's Hill Place [DICKENS, Charles]. Norton, Trist, Watney & Co. [Gad's Hill Place- Auction Catalogue]. Higham, Near Rochester. Kent. A Very Valuable and Beautiful Freehold Property know as "Gadshill Place," for Many Years, the Favorite Abode of Charles Dickens. London: T.W. Nicholson, August 5th, 1870. Pages self-bound together with stab-stitch. Lacking original wrappers. Folio (17 1/4 x 11 inches; 438 x 280 mm). With two colored lithographic views of the property (north view and south view), two folding colored lithographic plans and eight pages of text. Tissue guards. Some light soiling to pages. A light dampstaing to top margin of first lithograph, not affecting illustration. Both folding plans with some creasing. Overall very good. The text pages consist of the description of the property, the conditions of the sale and a blank "Memorandum" to be filled out in the event of purchase. This sale consisted of two lots, Lot 1: "'Gadshill Place,' A Choice Freehold Residential Property" and Lot 2: "An Enclosure of Fine and Arable Land." [Together with]: [Dickens, Charles]. Knight, Frank & Rutley. [Gad's Hill Place- Auction Catalogue]. Kent. The Singularly Interesting Freehold Property Know as Gadshill Place the home of Charles Dickens from 1857 to 1870. London. July 26th, 1923. Original tan printed wrappers. With three photographic plates and a folding plan. Eighteen pages of text. Octavo (9 3/4 x 6 1/8 inches; 245 x 155 mm). Wrappers a lightly soiled. A few light pencil notations on the first plate. Otherwise very good. These text pages consist of "Notes" on the property, "Summary of Particulars," Description of the property, Conditions of the Sale and the Agreement. Both pieces housed together in a red cloth chemise, lettered in gilt. "Well described very recently as 'doubly historic, first, as the Scene of one of Shakespeare's most celebrated pieces of humour, and Secondly, as the abode of the greatest English Humourist who has lived since Shakespeare's time" (from page 2 of the 1870 sale catalogue). "To own Gadshill Place was one of the earliest ambitions of Charles Dickens. As a very small boy he would come out here from his home in Ordnance Terrace, Chatham, and would sit for hours by the wayside conjuring up visions of Falstaff and his gallants and brooding over the house he loved so much.About 1855 Dickens heard unexpectedly that the darling of his boyhood was in the market. His assistant editor, Mr. W.H. Willis, negotiated for it, and it was finally acquired in March, 1856, the cheque for it being written on a Friday. As Dickens remarked about this time, all important events happened to him on a Friday." (From Page 2-3 of the 1923 sale catalogue). Gimbel. Hatton and Cleaver, Smith, Dickens, HBS 66340. $7,500 [Attributes: Soft Cover]

      [Bookseller: Heritage Book Shop, ABAA]
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        Polyplectron Thibetanum

      Daniel Giraud Elliot, New York - A fine selection from A Monograph of the Phasianidae (Family of the Pheasants). 1870-1872. Hand-colored lithograph. Sheet size: 23 1/4 x 18". Inventory#: p153pmat. 0

      [Bookseller: Arader Galleries of Philadelphia, PA]
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        Sketchbook of original pen-and-ink cartoons

      N.p., n.d. [ca. 1870] - Humorous sketches and cartoons by a talented amateur (most probably smitten by Miss Bixby), e.g., "Catching the Early Train" (a man's quick and dignified step becomes a run, then he flies, then he leaps and barely grabs on to the caboose), "Fitzdawdle's Search for Country Board" (a city slicker's vacation in the country ends in disillusionment), a humrous boxing sequence, "A Tale of a Big Watermelon", etc., etc. With a self- portrait by the author/artist on the first page, inscribed "Prof Henri d'Andrassé." In a most unusual presentation American binding and box. Miss Bixby is almost certainly related to the American book collector of Bolton Landing, N.Y., (where the book was acquired), William K. Bixby (1857-1931), President of the American Car and Foundry Company 4 7/8 x 7 inches. On rectos of 37 leaves. Bound in full olive-green morocco gilt, with black morocco label on upper cover, lettered in gilt: "To Miss. Lou. Bixby./From/'D'Andrassi'". Laid in a velvet lined hinged box composed of alternating lengthwise strips of light- and dark-stained oak, upper cover with four inlaid strips of contrasing light and dark oak forming the initial "L" [Attributes: Hard Cover]

      [Bookseller: James Cummins Bookseller, ABAA]
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        A Natural History of the Nests and Eggs of British Birds.

      2nd. Ed. Pub. Bell and Daldy. 1870 - 3 vols. Ex-lib. set with ‘Malyn Bequest 1886’ stamped on verso of plates. Quite handsomely rebound fairly recently in blue boards; a very similar colour to that of the original binding. The original gilt ‘nest’ decoration was saved from each volume and has been incorporated on the front board of each volume. Some foxing at the start and end of each volume, o/w. contents very bright and clean. A lovely set of this sought after work. [Attributes: Hard Cover]

      [Bookseller: C. Arden Bookseller]
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        The Scripture Gallery of Illustrations (with an essay, critical and historical, on sacred art by Edmund Ollier)

      London: Cassell Peter & Galpin - Superb very large undated HB, c.1870, in half deep red Morocco binding with red pebble effect cloth boards. Spine has 5 raised bands, gilt title and gilt embellishments. All page edges and endpapers are marbled and hinges are good. In bright tight clean cond. with no inscriptions and just a few faint fox spots. 144pp. plus 173 fine full-page b/w plates by Dore, all with tissue guards and captions. Size: 30 x 38cm. **Heavy - please contact bookseller direct for revised P&P costs**

      [Bookseller: Berwyn Books]
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        Le Livre de Cuisine.

      Paris: Hachette. 1870 - Deuxième édition. 24 of 25 chromolithogaph plates (lacing palte 25). Half-title torn and missing upper fifth. Rebound black cloth; original psien preserved. [Attributes: Hard Cover]

      [Bookseller: Wittenborn Art Books]
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        Pictorial of California. Landscape. Trees and Forest Scene. Grand Features of California Scenery, Life, Traffic and Customs.

      San Francisco Joseph Winterburn & Co. 1870 - A Special Copy With More Photos Than Any Other Known Copy VISCHER, [Edward]. Pictorial of California. Landscape. Trees and Forest Scene. Grand Features of California Scenery, Life, Traffic and Customs. San Francisco: Joseph Winterburn & Co., 1870-1872. [Album]: First edition, later and best issue with nearly double the amounts of plates of the first issue. Large quarto (13 7/16 x 12 inches; 343 x 305 mm). With 209 photographs on 202 plates. Printed in red, brown, purple and gold. First mounted photo is a map of California, followed by " Sixty Views of California" with sixty numbered plates. Followed by twenty-eight unnumbered plates titled "Trees and Forest Scenes," followed by eighteen unnumbered plates entitled "Supplement. Grand Features and Characteristic Ranges of California Scenery," followed by ninety-six unnumbered plates entitled "Review of California's Progress.Mining, Agriculture and Industry, Traffic, Commerce an Shipping." Photographs are from original pencil drawings, and some are reproductions of photographs. Publisher's beautiful deluxe binding by Bartling and Kimball of San Francisco, full black morocco, with raised center panels on both boards. Whole binding elaborately stamped in gilt on boards and spine. 'California" lettered in gilt on front board. Title lettered in gilt on spine. Thick heavily decorated gilt dentelles. All edges gilt. Marbled endpapers. Printed on heavy paper. Head and tail of the spine very slightly rubbed. Two previous owner's bookplates of front pastedown. Near fine. [Together with]: [Text]: Small quarto (11 5/8 x 9 1/8 inches; 295 x 232 mm). [10], [1]-8, [6], [9]-132, iii, [1, blank] pp. With title-page from "Album" printed on heavy paper in red ink. Verse from "California" printed in gold ink. Uniformly bound with album using black pebbled cloth over beveled boards. Same elaborate gilt stamping on boards. "Vischer's Pictorial Of California San Francisco 1870" printed in gilt on front board. Spine stamped in gilt. All edges gilt. Previous owner's bookplate on front pastedown. Some slight chipping to outer hinges. Near fine. [Together with]: [Mission Supplement]: VISCHER, Edward. Missions of Upper California, 1872. Notes on the California Missions, A Supplement To Vischer's Pictorial Of California, Dedicated To Its Patrons. San Francisco: Winterburn & Co., 1872. Octavo (9 1/8 x 5 15/16 inches; 231 x 151 mm). [2], 44, iv, [2] pp. In original peach printed wrappers. Preserved in a red cloth chemise and slipcase. Some very light foxing to wrappers, otherwise near fine. Together this set of three volumes is particularly interesting. It is complete with the scarce mission supplement, the verse "California" is printed in gold ink which was only done to "special copies" according to Farquhar, and the Album contains more photographs than any other known copy. Howes calls for copies to have between 100-120 mounted plates and Cowen notes that "Few copies contain precisely the same number of plates." According to a census done by John Howell Books, no other copy in public knowledge has as many as 202 plates such as this copy, making it safe to assume that this is the most complete and finest copy known. HBS 64760. $35,000 [Attributes: First Edition; Soft Cover]

      [Bookseller: Heritage Book Shop, ABAA]
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      San Francisco: Printed by Joseph Winterburn & Company, April, . 1870 - [4],4,[129]-131,[i.e. six leaves],[10]pp. of text plus 163 albumen photographs on captioned mounts (a few with two photographs per mount). Large quarto portfolio in original morocco, elaborately stamped in gilt, spine richly gilt, raised bands, gilt inner dentelles, a.e.g. Binder's ticket of Bartling & Kimball of San Francisco on front pastedown. Binding worn around edges, some mounts warped (as usual). Light dampstain in lower margin of first front endpapers and first two leaves, final six mounts a bit tanned, one mount (toward rear) tanned with stain in lower outer corner. Overall very clean inside, in near fine condition. [with:] Text volume of identical title. [4],132pp. Quarto. Original printed wrappers. Worn along spine, wrappers lightly soiled, stain on rear wrapper. Internally clean. Very good. [with:] Vischer, Edward: MISSIONS OF UPPER CALIFORNIA, 1872. NOTES ON THE CALIFORNIA MISSIONS, A SUPPLEMENT TO VISCHER'S PICTORIAL OF CALIFORNIA, DEDICATED TO ITS PATRONS. San Francisco: Winterburn & Co., 1872. [2],44,viii,iv,[2]pp. Original printed wrappers. Wrappers foxed and torn. Internally clean. Very good. Bibliographer Merrill J. Mattes' copy, with his pencil ownership signature on a front free endpaper. A singular work of California art and iconography, VISCHER'S PICTORIAL OF CALIFORNIA LANDSCAPE. stands alone in its depiction of the state in the second half of the 19th century. Called by Weber "preeminently the greatest artist in the early history of our state," Vischer created dozens of drawings of California scenes and scenery from on-the-spot observations, and reproduced them in albumen photographs, with accompanying text descriptions. "The drawings, executed in pencil and wash, cover a wide range of subjects, including the rare commemoration of the brief introduction of camels to California. Of special importance are the drawings of the missions which interested Vischer throughout his life" - Howell. Cowan notes that few copies of Vischer's work contain precisely the same number of plates, and that statement is born out by the present copy, which features 163 separate mounted albumen photographs, divided into five sections. This is among the largest number of photographs of any Vischer album. The first section, on landscape, is the largest, with sixty-one photographs including scenes in forests and mining camps, the Sierra Nevada, Lake Tahoe, Truckee, Santa Barbara, Santa Cruz, several California missions (a great interest of Vischer), Donner Lake, the San Bernardino mountains, and more. This is followed by a section of twenty-eight photographs of trees and forest scenes, including giant Sequoias and redwoods, the Mammoth tree grove, and Cypress trees. Next comes a section of fourteen photographs of "Grand Features," depicting the scenery of Yosemite, the Sierra Nevadas, Donner Lake, Mount Shasta, and coastal views. A large section follows of forty- six photographs of scenes depicting the life, traffic, and customs of California, with views of the Napa Valley, farming scenes, the mission at Santa Barbara, rodeos, cattle roundups, emigrant camps, mines, and whaleships and Navy vessels in San Francisco harbor. The final section consists of fourteen reproductions of Carleton Watkins prints of the Industrial Fair of 1864. Of Vischer's work, Miles and Reese say: "there are no contemporary publications quite comparable to them in their eccentric combination of media; the confusion is compounded by the bewildering array of formats, issues, and reissues the artist ultimately produced." Also included here is the accompanying text volume of VISCHER'S PICTORIAL., as well as his text on the missions of California, published in 1872. Edward Vischer (1809-78) migrated from Germany to Mexico at the age of nineteen, working for commercial houses, and acting as the supercargo on trading voyages to Pacific ports in the Americas and Asia. In the 1840s, Vischer was visiting California regularly and began producing paintings and sketche

      [Bookseller: William Reese Company - Americana]
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        The Georgia Governor Informs New York that His State has Ratified the 14th Amendment

      1870 - Printed Letter Signed, as Governor of Georgia, Executive Department, Atlanta, February 3, 1870, addressed to the Governor of New York. "I have the honor to transmit herewith Joint Resolution ratifying the proposed 'Fourteenth Constitutional Amendment' passed by the General Assembly of the State of Georgia, February 2d, A.D. 1870."The 14th Amendment to the Constitution guaranteed former slaves citizenship and equal protection under the law. It was adopted as part of the Constitution on July 28, 1868, after ratification by three quarters of the states. For the former Confederate states, the Amendment's ratification was a prerequisite for a state's readmission to the Union and the seating of its members in Congress. After Reconstruction, the Amendment was largely disregarded in the South, until the landmark Civil Rights cases of the twentieth century. Historical BackgroundFollowing Lincoln's assassination, President Andrew Johnson added ratification of the 13th Amendment, which had abolished slavery nationwide, to the conditions required for Confederate states to be readmitted to the Union. While unwilling to support civil and voting rights for African Americans, Johnson was quite willing to readmit the former Confederacy without any major reform of their governments. Fearing a return to de facto slavery, Congressional Republicans drafted and passed the 14th Amendment to extend legal protections to the freedmen and women. Some of the most substantial elements of this complicated and far-reaching amendment are its granting of full citizenship rights to "All persons born or naturalized in the United States," prohibitions against denying anyone "life, liberty, or property without due process of law," and guarantees that everyone enjoy "equal protection of the laws." The 14th Amendment further guaranteed that the census would count the "whole number" of males over 21 years of age to determine Congressional representation, eliminating the notorious "3/5 Clause" of the original Constitution. Other sections placed restrictions on former Confederates regarding office-holding, and provisions for debt.As in the case of the 13th Amendment, ratification of the 14th Amendment was required for the former Confederate states to be brought back into the Union with full representation. While granting immediate citizenship rights, the amendment did nothing to stop extralegal racial violence against African Americans during and after Reconstruction. Additionally, while supporters hoped that guarantees of citizenship rights, due process, and equal protection would lead to sustained increases in black voting, the federal government proved weak-willed when southern states denied blacks the right to vote-and even more so when those states ignored the 15th Amendment (1870), which explicitly gave the freed slaves voting rights. It would take nearly a century for the Reconstruction Amendments to be fully applied to all citizens.In its entirety, the 14th Amendment overturned historic injustices such as the 1857 Dred Scott case that said blacks could not be citizens, and opened new areas of law. The due process clause has extended most of the Bill of Rights to the states, and the equal protection clause has been the foundation for Brown v. Board of Education (1954), which ended racial segregation, and Reed v. Reed (1971), which ended sex discrimination in everything from employment to high school sports.Rufus Brown Bullock (1834-1907) was elected Governor of Georgia in 1868 by defeating former Confederate General (and future head of the Ku Klux Klan) John B. Gordon. Born in New York, he was the first Republican governor of Georgia, a supporter of the Reconstruction Amendments to the Constitution, and as a result, was vilified as a carpetbagger. He resigned and fled to New York after a "Lost Cause" campaign returned a Democratic majority to the Georgia legislature, but returned in 1876 to be acquitted of corruption cha. (See website for full description)

      [Bookseller: Seth Kaller Inc.]
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        Surveying Brig Rapid in Rapid Bay October 12th 1836. Watercolor after William Light.

      London: 1870 - This watercolor appears to be based on one executed by William Light, one of the founding fathers of Adelaide, and the person who single-handedly situated & designed the city. "Light's original watercolor of this painting was exhibited in Adelaide in 1848 'but has since disappeared. In fact at the Jubilee Exhibition in 1886 a copy of it was displayed. It may have been the one painted by Walter Stevenson in London in 1870.' (Elder, David. "The Art of William Light", 1987, p. 102). Elder concludes, "The original watercolor was perhaps the one he referred to in his diary on 20 March 1839, 'Finished the Rapid sailing up Gulf St Vincent'." There is a pencil sketch of the scene in one of Light's notebooks in the State Library of South Australia. This appears to be the painting by Walter Stevenson in London in 1870. We purchased it many years ago in London, and noted on the verso "W. Stevenson Kensington". The verso adds the note "Surveying Brig Rapid in Rapid Bay October 12th 1836" and "These notes copied from back of mount which was very soiled. S. Button 11/12/62" The stickers used to fix the picture to the mat appear to be the borders from stamp sheets, with some printing on them. Watercolor, on wove paper, 25 x 35 cm. Very good condition.

      [Bookseller: Antipodean Books, Maps & Prints, ABAA]
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        "Tiroler Zitherspielerin" originales Ölgemälde auf Leinwand ca.48x38cm; verso in Bleistift handschriftlich schwer lesbar bezeichnet, um 1870 [Maße im blattvergoldeten Holzrahmen 59x49cm.]

      . Qualitätvolle und stimmungsvolle Genreszene die den Bildern eines Raupp und Defregger in keiner Weise nachsteht. A Musi mei Freid!.

      [Bookseller: Antiquariat Niederbayern]
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        Lays of the Scottish Cavaliers and other Poems

      [by R. Clark for] William Blackwood and Sons, Edinburgh 1870 - Woodcut illustrations throughout by Adam, Dalziel, Thomas, Thompson, Linton, Evans, Adam, Whymper, Patterson, Cooper and Green. Small 4to. [252 x 183 x 30 mm]. [7]ff, 268pp. Bound in contemporary light tan goatskin over slightly bevelled boards, the covers tooled in gilt with a fillt and thin roll border and panel with a large floral and frond ornament at the corners. The spine divided into six panels, lettered in the second, the others tooled with a flower head within a geometrical compartment, the turn-ins tooled with gilt rolls, marbled endleaves, gilt edges. (Slight variations in the colour of the leather). The endleaves are a little spotted and there is the odd stray spot in the text, but it is a very good copy. The binding has survived remarkably well considering its light colour. First published in 1849 and frequently thereafter.

      [Bookseller: George Bayntun ABA ILAB]
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        Souvenir de Constantinople. Panorama in 10 parts.

      Constantinople, Photphes de la Cour Royale de Prussé, ca. 1870 - 1880. Original photograph, albumen print, 13 x 172 cm in 10 parts in original dark rouge cloth couvert with giltlettered title. KEYWORDS:turkey / constantinople

      [Bookseller: Krul Antiquarian Books]
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        An Editor's Tales

      London: Strahan and Co, 1870 - First edition. 8vo. [viii], 375, [1, ad] pp. Original rust cloth, blocked in black on upper cover with blind rule on rear, spine lettered in gilt, spine faded, hinges starting, bookseller's blindstamp to flyleaf. Very good. Sadleir, Trollope 34 [Attributes: First Edition; Hard Cover]

      [Bookseller: James Cummins Bookseller, ABAA]
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        Eigher (senza titolo)

      1870 ca., Oberland Bernese - Eigher - Svizzera 1870 - Veduta del Monte Eigher stampata a colori ed applicata su di un vecchio supporto cartaceo mm 506x360

      [Bookseller: Sergio Trippini]
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        Bewick's Woodcuts:Impressions of Upwards of Two Thousand Wood-Blocks

      L. Reeve & Co., London 1870 - Unpaginated, but a large book with heavy paper for the black and white plates, " engraved for the most part by Thomas and John Bewicik." Rev. Thomas Hugo collected these engravings and produced a descriptive catalogue included here. Hugo, at times was contributor, trustee, and Vice President of the London and Middlesex Archaeological Society. Condition: Maroon half-leather over boards worn around all edges so leather shows through. Marbled endpapers show hinge cracks, but interior seems fairly tight. No foxing. Good. [Attributes: First Edition; Hard Cover]

      [Bookseller: PAGE ONE TOO]
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        "Ludwig II. Koenig von Bayern etc.etc.etc." Brustbild nach halbrechts in Generalsuniform, mit der Kette des Hubertusordens und einem Ordensband.

      . Lithographie auf China von J. Schönig, gedruckt bei T. Fritzsche im Verlag C. Seebald, München, um 1870, 41,5 x 37 cm.. Kleinere Randläsuren. Prächtiges Porträt!

      [Bookseller: Peter Bierl Buch- & Kunstantiquariat]
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        La Sultane Rozréa ; Ballade Traduite De Lord Byron Par Eugène Pinemol , Élève Du Petit Séminaire De La Fère En Tardenois ( Aisne )

      Paris 1870 - Paris ; 1870 - sans mention d'éditeur - Cartonnage Demi-Toile Bleue récent trés prope - Page de faux titre tachée - 16 pages - tirage a trés petit nombre ( Gay III , 1158 ) Size: In8 [Attributes: Hard Cover]

      [Bookseller: L'ENCRIVORE]
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        Konvolut handschriftlicher "Weyhnacht Lieder" und Hirtenlieder. Beinhaltet die Texte mit folgenden ersten Zeilen "Als Kaiser Augustus der Weltherscher war", "Heut ist der Gnadentag an welchen kommen ist", "Auf ihr Hirten von den Schlaf auf heut", "Der Engel und der Hirt", "Heiligste Nacht", "Der Hirt und der Engel", "Hört ihr Hirten aller Hirten lasset alle", Draf ihr Hirten von den Schlaf", "Komt eiland ihr Hirten" u.a.

      o. O. (Oberösterreich?), 1870 - o. O. (Oberösterreich?), ca. 1870. o Pag. [ca. 120 Bll.] Ohne Einband. Stark fingerfleckig, stärkere Gbrsp., einige lose Blätter, mit der Nadel und Zwirn genäht nicht gebunden. - Handschriftliche Texte zu Weihnachts- und Hirtenlieder der 70ziger Jahre des 19. Jahrhunderts. Deutsch [Attributes: Hard Cover]

      [Bookseller: Antiquariat Weinek]
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        The Mystery of Edwin Drood

      London: Chapman and Hall. 1st Edition. Hardcover. Fine. FIRST EDITION in book form, exquisitely bound by Bayntun Riviere. In April 1870, "there appeared the first installment of Dickens's new novel, The Mystery of Edwin Drood, set mainly in Rochester ('Cloisterham') and planned for publication in eleven monthly instalments, the last one to be a double number. It was to be a murder story, 'the originality of which was to consist in the review of the murderer's career by himself at the close, when its temptations were to be dwelt upon as if, not he the culprit, but some other man were the tempted' (Forster, 808). It was the culmination of Dickens's lifelong fascination with the demeanour and psychology of murderers and he was, his daughter Katey remembered, 'quite as deeply fascinated and absorbed in the study of the criminal Jasper as in the dark and sinister crime that has given the book its title' ('"Edwin Drood" and the last days of Charles Dickens', Pall Mall Magazine, June 1906, 644). Drood was very favourably received, selling 10,000 more copies than Our Mutual Friend and showing in its descriptive passages, Forster believed, that Dickens's 'imaginative power was at its best' (Forster, 808). The story was to have been illustrated by Katey's husband, Charles Collins, but ill health compelled him to withdraw after designing the monthly-part cover and he was replaced by Luke Fildes. Dickens lived long enough to complete only six numbers of the novel, and soon a whole Drood 'industry' (which still flourishes today) grew up, concerned with providing a plausible solution to the mystery. Dickens was working on Drood in his little Swiss chalet (the gift of his actor friend Charles Fechter) in the garden at Gad's Hill on the morning of 8 June 1870, the day on which he later suffered a stroke from which he died the following day" (Dictionary of National Biography). With engraved frontispiece portrait, engraved title, and twelve illustrations by S. L. Fildes. London: Chapman & Hall, 1870. Octavo, recent full polished crushed morocco by Bayntun Riviere, with gilt-stamped portrait of Dickens on front board and gilt-stamped Dickens signature on rear board; gilt dentelles, marbled enepapers, all edges gilt. Tiny repair to corner of last leaf of text; text exceptionally clean. A beautiful copy.

      [Bookseller: The Manhattan Rare Book Company]
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        Album mit 40 Original-Photographien von St. Petersburg, Bauern, Handwerkern und Kindern etc.

      wohl St. Petersburg, o. J. (ev. von 1870-1878).. 40 Albuminabzüge auf 16 Kartonblättern. 4°, privater schmuckloser Pappband mit unbeschriftetem Leinenrücken.. Vgl. den Katalog von Felicity Ashbee, William Carrick (scottish masters). - Das Album enthält größere Ansichten aus der Vogelperspektive vom Hafen St. Petersburgs (ca. 15x23 cm), 3 kleinere Photos von Brücken und Kirchen (ca. 10x14 cm), 4 Stadtansichten (Gebäude, Statuen etc.) verschiedener Formate (10x14 cm und Kleinformate), 3 große Photos von Villen mit Brunnen mit großen Wasserfontänen (ca. 20x20 cm) 9 Photos (ca. 10x14 bzw. 14x10 cm) mit weiteren Stadtansichten, Basiliken und einer, mit einer großen teils auseinandergebrochenen Glocke und 5 Bauern-Portraits sowie 2 Kinderphotos. Außerdem 5 Kutschenphotos und weitere Aufnahmen! Alle Photos leicht gedunkelt, gebräunt und lichtgebleicht, die Trägerkartons etwas wellig, in einem schmucklosen zusammenhängendem Pappband mit schmucklosem, unbetitelten Rücken-Leinenband. - Ein Photo am unteren Rand mit schlecht lesbarer Studionumerierung. Ev. sind einige Photos beschnitten. Leider ohne sichtbaren Studionamen. Der oben zitierte Katalog von Ashbee läßt auf die Urheberschaft von Carrick vermuten. Dessen St.Petersburger Ansichten sowie seine Bauern-Portraits sind in der Art und Weise unseren mehr als ähnlich! - William Carrick ((31 December 1827 - 11 November 1878) war ein schottisch-russischer Photograph. Er gründete in St. Petersburg in der 19 Malaya Morskaya Straße ein Photostudio und unternahm mit seinem Kollegen MacGregor eine Photoexpedition durch das ländliche Rußland um Photos vom bäuerlichen Leben aufzunehmen. Nach seinem Tod wurde viele seiner Photos in einem Buch über Rußland und seine Bevölkerung aufgenommen. Ev. handelt es sich teilweise um Aufnahmen die kurz nach seinem Tod abgezogen wurden. Von Carrick sind in den letzten Jahren nur wenige, dafür aber sehr hochpreisig versteigerte Aufnahmen nachweisbar (siehe Bassenge, Christie's etc.). - Selten!

      [Bookseller: Versandantiquariat Riepenhausen]
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        Memoires de Hector Berlioz... comprenant ses voyages en Italie, en Allemagne, en Russie et en Angleterre 1803-1865 Avec un beau portrait de l'Auteur

      Paris Michel Levy Freres 1870. Large octavo. Original publisher's light tan printed wrappers. 1f. (half- title), 1f. (original half-length photographic portrait of Berlioz by Franck), 1f. (title), 1f. (textual quotation from Macbeth), 509, [i] (blank) pp. + 2ff. (additional textual quotation from Macbeth, errata). Preserved in a matching custom-made folding linen archival box with dark brown leather label titled in gilt to spine. Wrappers slightly worn and stained, professionally restored, endpapers slightly browned and creased from early gluing. "228" in contemporary manuscript to upper outer corner of half-title; edges slightly browned; first and last leaves slightly foxed; occasional light foxing; some light creasing. With the signature "Passalacqua" to upper wrapper. From the noted library of Count Gianbattisata Lucini Passalacqua, with his small 19th century bookplate to verso of front endpaper. A very good, wide-margined copy overall. Second Edition (first published edition). Scarce. Holoman A6. Hopkinson 87. Berlioz had 1,200 copies of the Memoires printed in 1865 and kept in his office at the Conservatoire. He gave several copies away during his lifetime; the remainder (the present copy being one), however, were not released for publication until 1870. The original frontispiece photograph of Berlioz includes a facsimile of a musical quotation from the Symphonie Fantastique. Bellini was a regular guest at the Villa Lucini Passalacqua in Moltrasio on the banks of Lake Como and is said to have composed parts of both Norma and Sonnambula there. A catalogue of Passalacqua's library was published in Rome in 1896.

      [Bookseller: J & J Lubrano Music Antiquarians LLC]
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        Musikalisches Conversations-Lexicon. Eine Enzyklopädie der gesammten musikalischen Wissenschaften. Für Gebildete aller Stände, unter Mitwirkung der literarischen Commission des Berliner Tonkünstlervereins, so wie der Herren Musikdirektor Billert, Concertmeister F. David, A. Dörffel, H. Dorn, G. Engel, M. Fürstenau, L. Hartmann, F. W. Jähns, W. Langhans, E. Mach, E. Naumann, O. Paul, A. Reissmann, E. F. Richter, W. H. Riehl, T. Rode, H. Ruff, W. Rust, Schlecht, O. Tiersch, O. Wangemann, H. Zopff etc. etc. bearbeitet und herausgegeben von Hermann Mendel, fortgesetzt (und beendet) von August Reissmann. Elf Bände und ein Ergänzungsband, zusammen zwölf Bände.

      Berlin: Verlag von L. Heimann und ab Band 2 Verlag von Robert Oppenheim, 1870 - 1883.. Erste Ausgabe, nur Band 6 in Zweiter Ausgabe, erste Stereotyp-Ausgabe. Zusammen ca 6.550 Seiten mit einigen Illustrationen und Notenbeispielen 24 x 17 cm, zeitgenössische Halblederbände mit goldgeprägten Rückentiteln.. Vollständiges Exemplar mit dem Ergänzungsband 12. Einbände berieben, einige Rücken beschädigt, gelockert, und anden Falzen gelöst, sonst noch ordentlich erhaltenes und gut brauchbares Exemplar.

      [Bookseller: Antiquariat Am Bayerischen Platz Matthia]
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      Quebec: Imprime Au Seminaire Par Geo. E. Desbarats, 1870. Second Edition. Hard Cover. Very Good binding. Quarto. 2 books have been discreetly and archivally rebacked with original backstrips present; contents clean and bindings sound; numerous plates, some color, many of which are fold out; there are 2 quite large fold-out maps--one is very nice, the other has been archivally reattached at a tear on the top corner--this one also shows wear at the folds with closed tears at the intersections of the horizontal and verticle folds; nevertheless, a nice copy of a quite uncommon set; digital images availabe upon request. Very Good binding.

      [Bookseller: Black Swan Books, Inc. ]
 37.   Check availability:     ABAA     Link/Print  

        Ornithologie du chasseur - Histoire naturelle, moeurs, habitudes, chasse des oiseaux de plaine, de bois et de marais

      - Paris, Rothschild éditeur, 1870. In/4 reliure demi-chagrin rouge, dos à nerfs à titre doré, doré trois tranches, 50 planches en chromo-typographie sous serpentes, 168 p. Rousseurs sur les feuillets de texte mais aux planches qui ont conservées toute leur fraîcheur. Thiebaud col. 191.

      [Bookseller: Philippe Lucas Livres Anciens]
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        The Great Mississippi Steamboat Race

      New York: Currier & Ives, 1870. AN ICONIC IMAGE OF A STEAMBOAT RACE ON THE MISSISSIPPI RIVER Paper size: 10" x 13" New York 1870 he Mississippi riverboat was second only to the cowboy as the quintessential American product. Indeed, Gulf Coast steamboats achieved such international popularity that wagers were placed as far away as Berlin and Vienna on the outcomes of the famous steamboat races down the Mississippi. Besides their profound economic and technological importance, steamboats also figured as important thematic elements in nineteenth-century European and American art, literature, speech and song. For example, within the works of Joseph Conrad, Charles Dickens, Edna Ferber, Jack London, Herman Melville, Eugene O'Neill, Robert Louis Stevenson and, of course, Mark Twain, steamers served variously as symbols for the contemporary pride and progress in technology, as metaphors for the conflict between man and nature, and as elements of plot and setting.This work wonderfully encapsulates the period of the steamboat's transportational and cultural dominance in the United States, a position soon to be usurped by the mighty railroads. . Book.

      [Bookseller: Arader Galleries]
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        The Monogram Album Of Minnie B. Roosevelt

      Matthews, New York 1870 - Oblong duodecimo, embossed brown cloth, gilt. Unpaginated. Professionally rebacked; Commercially produced album to be sold to individuals to house a collection. Minnie O'Shea Fortescue was the mistress of Robert B. Roosevelt, TR's notorious uncle. He later married her. Minnie has collected approx. 350 monograms from family members, government officials, other dignitaries and friends. TR is of course represented. Minnie's B. Roosevelt's ownership signature in ink is on the front free fly leaf. [Attributes: Hard Cover]

      [Bookseller: Austin's Antiquarian Books]
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        Deutsche Volkstrachten. Original-Zeichnungen mit erklärendem Text. Costumes Nationaux Allemands.

      Leipzig, Bach, 1870.. 4to. Lithogr. Titel mit Golddruck, 10 Bll. Einleitung, 88 farbig lithogr. Tafeln jeweils mit Textblatt. Orig.-Halblederband mit goldgeprägter Deckelillustration und reicher Vergoldung, Goldschnitt.. Erste Ausgabe. - Text auf Deutsch und Französisch. - Ecken bestossen. Sehr schönes und sauberes Exemplar.

      [Bookseller: Antiquariat Manfred Nosbüsch]
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      Imprimerie Nationale, Paris Francia 1870 - 31,5 cm + 4 h. 548 pág + LXVIII planchas de grabados. Encuadernación privada en buena y sobria holandesa con tejuelo dorado en el lomo. Gran ejemplar. Palau 112842. [Attributes: First Edition]

      [Bookseller: Librería Torres-Espinosa]
 42.   Check availability:     IberLibro     Link/Print  

        Panoramaansicht, "Jerusalem".

      . Aquatinta ( anonym ), dat. 1870, 20,3 x 78,5. Blick von einer Anhöhe zu der mit Mauern befestigten Stadt. Unter dem Panorama Erklärungen von 1 - 20.

      [Bookseller: Antiquariat Nikolaus Struck]
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