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Displayed below are some selected recent viaLibri matches for books published in 1867

        TEORÍA GENERAL DE LA URBANIZACIÓN, y aplicación de sus principios y doctrinas a la REFORMA Y ENSANCHE DE BARCELONA.

      Imp. Española. Madrid, 1867 - . 27 c m. 2 tomos: 831-700 pág. Enc. en dos vols. en media piel. Primera edición. Dedicatoria de la hija del autor a Fossas y Pi. obras publicas, urbanismo [Attributes: First Edition]

      [Bookseller: Libreria anticuaria Farré]
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      London, Chapman and Hall ,1867.. FIRST EDITION 1867. Small 8vo, approximately 185 x 125 mm, 7¼ x 4¾ inches, black and white frontispiece, pages: xii, 1-368, bound in full school prize calf, maroon gilt lettered label to spine, extra gilt decoration to spine, gilt coat of arms with motto underneath to upper cover, marbled endpapers and edges. Covers have pale uneven darkening, upper cover has a diagonal crease, lower cover has a scuff mark, slight shelf wear to edges, long old ink prize presentation inscription on first free endpaper, age-browning to edges of frontispiece, page 256 wrongly misnumbered 212, printer's error, light turning crease to several pages, otherwise a very good copy. MORE IMAGES ATTACHED TO THIS LISTING, ALL ZOOMABLE, FURTHER IMAGES ON REQUEST. POSTAGE AT COST.

      [Bookseller: Roger Middleton]
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        Albumen Photograph with Title Philippa

      1867 - Titled, Signed, and Inscribed on the mount by Cameron. The title is "Philippa, " Signed and dated 1867, and inscribed "From Life Registered Photograph copyright." Julia Margaret Cameron (1815-1879) is considered one of the most important female photographers and one of the great portraitists in the history of photography. She came late to photography, not starting until 1863 when she was 48 years old. Because of her close connections in Victorian England she was able to photgraph many of the luminaries of her time, often in costume. This lovely profile photograph of a woman unfortunately is a wreck - damaged and defective, with the top several inches of the photograph and mount torn away. This affects the top of the woman's head but the remainder of the photograph is intact. Despite its condition, this photograph is still of considerable interest as this is the onlh known example of the image to bear a title, "Philippa." Intact portion of image is 10.5 x 11 inches. Mounted on brown stiff paper with browning, evidence of glue on back, and a water stain along bottom and top edges. PHOTO/072915. [Attributes: Signed Copy]

      [Bookseller: The Kelmscott Bookshop, ABAA]
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        Exposition Universelle de 1867, Paris

      Paris: Lemercier, 1867. Faisandier, A.. Four panel, accordion-folding peepshow of the 1867 Exposition Universelle, held on the Champ-de-Mars in Paris. The front-face shows a bird's-eye view of the exposition complex as seen from the north bank of the Seine. Beneath the image, the title is written in five languages, along with the maker information. Three small, circular peep holes cross the center. The cut-out panels inside the peepshow depict the crowded interior of the circular Vestibule and Palace. The visitors, of all shapes and sizes and wearing all manner of dress, wander between the booths in the glass-ceilinged exhibition area. The booths themselves, colored in rich warm tones, represent a range of Eastern cultures, lending the entire spectacle an air of the exotic. The back-scene shows the open garden at the center of the Palace. Curtained entrances ring the green, labeled with the names and flags of the participating nations. These wonderfully detailed crowd scenes offer something new each time the viewer returns to them. The front and back boards are covered in a patterned purple cloth, with a gold border along the edges of the front-face. Some wear to covers, two small segments of gold border missing, and one bumped corner. Otherwise, this rare peepshow is in fine working order.

      [Bookseller: Bromer Booksellers]
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        24, meist kleinformatige Original-Skizzen u. -Zeichnungen in Feder und Blei des gebürtigen Wildpoldsrieder Malers und Restaurators.

      - Keck, Emil, Maler u. Restaurator, geb. 1867 in Wildpoldsried (bei Kempten i. Allgäu), gest. 1935 München (Literatur: Benezit, Bötticher, Saur; Thieme-Becker, Vollmer): 24, meist kleinformatige (kleinste Zeichnung: 4 x 9 cm; größte Zeichnung: 22 x 18,5 cm) Original-Skizzen u. -Zeichnungen in Feder und Blei des gebürtigen Wildpoldsrieder Malers und Restaurators. Davon 9 Tierstudien, meist Katzen, aber auch heimatkundliche Skizzen aus Kempten, Naturstudien, sowie geschichtliche Personendarstellungen. Die Zeichnungen sind meist im Blatt signiert und datiert; sie befinden sich in - wohl später angefertigten - meist provisorischen Passepartouts; auf der Rückseite der meisten Passepartouts befinden sich aufmontierte, vom Künstler handgeschriebene Schildchen mit Signaturen, Bezeichnungen, Datierungen und meist Ordnungsnummern. Die Zeichnungen sind oft unegal beschnitten, tls. wohl aus größerformatigen Skizzenblättern ausgeschnitten. Näher Angaben befinden sich auf meiner website. [Attributes: Signed Copy]

      [Bookseller: Antiquariat Harald Holder]
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        A Comprehensive History of India

      London: Blackie & Son, 1867. First . Hardcover. VG+. 8vo - over 7¾" - 9¾" tall. from the first landing of the English to the suppression of the Sepy Revolt including an outline of the early history of Hindoostan. Three volumes: 707, 852 & 743 pp. Over 500 text ill. An in depth history. A beautiful set in elaborate blind stamped and heavilt gilt stamped/decorated blue cloth. Showing only minor wear at corners and spines. Cloth is very bright as is all gilt on front covers/spines. Vol 3 partially uncut. Large, heavy books and all hinges are firm. One under one inch tear in cloth lower front vol 2 and very small chip in cloth lower spine vol 1. Really a set for even a fussy collector. Special Postage: US $20.00; foreign surface: $50.00

      [Bookseller: Trophy Room Books]
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      Providence, Rhode Island: Knowles, Anthony & Co, 1867. Frontispiece portrait of Colonel Christopher Greene, map at p. xvii , portait of John Lamb at p. 60. xxiv, 104 pp. 2 errata slips. 1 vols. 8vo. Contemporary red cloth spine and paper boards, paper label. Wear to edges of boards. Bookplate on front pastedown; ownership inscription on front flyleaf. Minor foxing and a few light dampstains. Good. In a red half morocco and cloth slipcase, spine gilt. Frontispiece portrait of Colonel Christopher Greene, map at p. xvii , portait of John Lamb at p. 60. xxiv, 104 pp. 2 errata slips. 1 vols. 8vo. The appendix prints biographical sketches of a number of the more notable military personnel involved in the invasion.  A version,  on super large paper of the work published by the Rhode Island Historical Collections. Howes S 1031

      [Bookseller: James Cummins Bookseller]
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        La connaissance générale du mouton étude de zootechnie pratique sur les ra EDITION ORIGINALE

      Paris: Firmin Didot frères, fils & Cie, 1867. Fine. Firmin Didot frères, fils & Cie, Paris 1867, 14,5x23,5cm pour le premier volume & 15,5x23,5cm pour le second, 2 volumes reliés. - Originale.binding Edition caramel sheepskin half back with four nerves decorated with gilt fillets and dotted with small traces of friction minor part of title and volume number of red and olive morocco, reinforced corners, marbled paper plates, guards and contreplats of handmade paper, bound volume of époque.Notre text is full of his illustrated atlas 97 planches.Quelques small foxing without gravité.Rare together. --- Please note that the translation in english is done automatically, we apologize if the formulas are inaccurate. Contact us for any information! - [FRENCH VERSION FOLLOWS] Edition originale. Reliure en demi basane caramel, dos à quatre nerfs orné de pointillés et de filets dorés comportant de petites traces de frottements sans gravité, pièce de titre et de tomaison de maroquin rouge et olive, coins renforcés, plats de papier marbré, gardes et contreplats de papier à la cuve, reliure de l'époque. Notre volume de texte est bien complet de son atlas illustré de 97 planches. Quelques petites rousseurs sans gravité. Rare ensemble.

      [Bookseller: Librairie Le Feu Follet]
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        De l'idéal dans l'art - Philosophie de l'art - Philosophie de l'art en Gr EDITION ORIGINALE ENVOI AUTOGRAPHE

      Paris: Germer Baillière, 1867. Fine. Germer Baillière, Paris 1867-1872, 11,5x19,5cm, 5 volumes reliés en 2. - For each of the original volumes with the exception of the second edition to which it is a second edition. Binders bradel the way "cartonnage" vellum, back smooth and burnished with clear spots, gilt on spine, spare shagreen as cherry, spare volume number of marine shagreen, preserved covers, binders of the time. Autograph signed by the author Paul Gallimard top of the half-title page of the first volume. Ex-donos pen dedicatee headers first cover boards. --- Please note that the translation in english is done automatically, we apologize if the formulas are inaccurate. Contact us for any information! - [FRENCH VERSION FOLLOWS] Edition originale pour chacun des volumes à l'exception du second pour lequel il s'agit d'une deuxième édition. Reliures à la bradel en plein cartonnage façon vélin, dos lisses brunis et comportant des taches claires, filets dorés sur les dos, pièces de titre de chagrin cerise, pièces de tomaison de chagrin marine, couvertures conservées, reliures de l'époque. Envoi autographe signé de Hippolyte Taine à Paul Gallimard en tête de la page de faux-titre du premier volume. Ex-donos à la plume du dédicataire en têtes des premiers plats de couverture.

      [Bookseller: Librairie Le Feu Follet]
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        Sunny Memories of Ireland's Scenic Beauties. Killarney. Photographically Illustrated by F.H. Mares

      Dublin: Browne & Nolan, 1867. First edition. Small 4to. (8 x 6.25 inches). Unpaginated. 12 original richly-toned albumen photographs, each with one page of description. Original green cloth, gilt decorated to upper board and blind-stamped to rear board. A.e.g. Contemporary gift inscription in ink to front free endpaper. A few fingermarks to some plate margins. Otherwise an exceptionally firm and bright copy. Gernsheim 381, but the title page is plainly printed and not the decorated title illustrated by Gernsheim (on p.57) for his reference 381. The photographs in this edition are different from the 15 images in another publication of the same year - see Gernsheim 382. We reduce the default shipping charge for lighter books or use it for a tracked service if books are expensive or uncommon. We pack books securely in boxes, or corrugated card or cardboard, and protect corners with bubble-wrap.

      [Bookseller: John Taylor Books P.B.F.A.]
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        Reisen in Siam im Jahre 1863.

      Jena Verlag Hermann Costenoble ; 1867 - EA; ca 21x14 cm; XVIII (statt XX - Schmutztitel nicht mit eingebunden), 540 Seiten mit 1 mehrfach gefalteten Karte; neuer dekorativer Halbledereinband mit Rckentitel im Stil d. Zt. (die Karte mit kleiner Unterlegung im Faltungsknick und kleinem Einriá, sonst gutes, fleckenfreies Exemplar) Die "Bemerkungen zur Karte" von H. Kiepert (Seiten 533-540) doppelt eingebunden. 0,000 gr. [Attributes: First Edition]

      [Bookseller: Antiquariat Hilbert Kadgien]
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      Edinburgh: Edmonston and Douglas, 1867. FIRST EDITION IN ENGLISH n. Hardcover. Probably Done by a Douglas Cockerell Student. 184 x 121 mm (7 1/4 x 4 3/4"). Two volumes. FIRST EDITION IN ENGLISH. ATTRACTIVE ARTS AND CRAFTS-STYLE DARK GREEN MOROCCO, ELABORATELY GILT, each cover with 40 gilt lotus flowers (in five vertical rows of eight), the flowers all flanked by a gilt dot in each of the four corners, raised bands, spine panels with similar floral decoration, gilt titling and turn-ins, all edges gilt. Green spines inevitably sunned to an olive brown, joints and corners a little rubbed, very isolated minor foxing, otherwise fine--clean and fresh internally, and the appealing binding lustrous and without significant wear. This bildungsroman was the first work published by Danish writer Herman Frederik Ewald (1821-1908), who was in his day one of the most widely read authors in Denmark. Originally issued in 1861, it is the story of a rather vain young poet, Waldemar Krone, his rejection of the good provincial girl who loves him, and his ill-fated infatuation with a flighty countess. When the countess throws him over for a French marquis, Krone comes to recognize the worth of Ida, who still loves him. They are happily married, while the unfortunate countess discovers her husband is a fraud before she dies in childbirth. While this and the two works that followed had contemporaneous settings, Ewald later became known for his meticulously researched historical novels. "Waldemar" is a surprisingly uncommon work: OCLC locates just six copies, three in the United States. The binding appears to have been executed by an amateur who could well have been a pupil of Douglas Cockerell, as a pencilled note on the front flyleaf of volume I asserts. The stamped titling on the spines is too uneven to have been Cockerell's own work, though the intricate floral tooling on the boards is well done; in any case, the lotus flower stamp used on these covers seems identical with the tooling used for item #282 in Maggs Catalogue 1212, a book bound by Cockerell ca. 1902. Cockerell (1870-1945) was generally considered to be the leading and most respected binder of his day, and through his work, his teaching, and his publications, he probably exerted "more influence on bookbinding practice and design than any one man has had before." (DNB) An apprentice for Cobden-Sanderson when the latter began his Doves Bindery in 1894, Cockerell set up his own workshop in 1897. During these early years, he was appointed teacher of bookbinding at the London County Council Central School of Arts & Crafts, where he taught Francis Sangorski and George Sutcliffe.

      [Bookseller: Phillip J. Pirages Fine Books and Mediev]
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        The Textile Manufactures and the Costumes of the People of India Prepared under the Authority of the Secretary of State for India in Council

      London: India Museum, 1867. First edition, folio, xxi, [1], 173, [1]pp., ex-library, 9 hand-coloured albumen prints, 3 lithographed plates (one chromolithographed) showing examples of carpets, head ware and clothing, plates lightly foxed, blind-stamp on the title, contents leaf and all the plates, small oval damp-stain to upper blank margin of plates, recent buckram, library call number at foot of spine. John Forbes Watson (1827?-1892), reporter for the Products of India at the India Office, London included explanatory text and illustrations of how the fabrics were worn as clothing in India. The textile samples were intended to inspire students and textile manufacturers in Britain and also to alert them to the opportunities of the vast Indian market. Forbes Watson often included notes on cost, who might wear the complete piece and how. Gernsheim, 348.

      [Bookseller: Forest Books]
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        Voyages et aventures du Capitaine Hattéras. Les Anglais au Pôle Nord. Le Désert de Glace

      Paris, J. Hetzel et Cie., s.a. (1867) [«Bibliothèque d'Education et de Récréation»]. Folio; frontispicio, portada, II pp. [«Avertissement de l' Éditeur»] 467 pp. Con 150 ilustraciones de Edouard Riou (1833-1900) entre el texto. Primera edición ilustrada. Encuadernación de época, en media piel, con lomera ornada.

      [Bookseller: Hesperia Libros]
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        Advertencia, piezas y apuntes que sirven de complemento al folleto publicado, a lo que parece, por el Capitan Mr. Eduardo M. Collier, y que contiene los documentos que se refieren a la captura y juicio de apresamiento del Vapor «Tornado». [Seguido de:] Nuevos Documentos que se refieren al Vapor «Tornado». Apéndice a los publicados anteriormente en Cádiz por el Capitán Mr. Edward M. Collier. Contiene la contestación al folleto de Don Manuel del Bustillo y Pery

      Madrid, Imprenta de «La Política», a cargo de Don José C. Conde, (e) Imprenta de «El Clamor Público», 1867. 4to.; VIII-81 pp., 1 h. + 62 pp. Cubiertas originales. El Almirante Don Manuel Blanco Encalada (1790-1876) Comandante General de la Escuadra Chileno-Peruana, desde 1866 en guerra con España, mandó comprar dos nuevos y poderosos barcos en Inglaterra que se dirigían hacia el Puerto de Cádiz, con la intención de atacarlo. Para prevenir tal acción España envió al Atlántico a la fragata «Gerona» que cerca de Madeira capturó a un crucero con bandera chilena, construido en Inglaterra, que navegaba en secreto con el nombre de «Canton» y que los españoles renombrarían como «Tornado».

      [Bookseller: Hesperia Libros]
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        Prag u.seine Umgebungen, 2 Bde., 1812/13

      Schießler S.W., 1790-1867 - "Prag und seine Umgebungen dargestellt von S. W. Schießler. Mit Kupfern und dem richtigen Grundrisse der Stadt. Prag und Töplitz bei C.W. Enders 1812" Seltener Reiseführer Prags, kl. 8°, 145 x 93 mm., im orig. Einband, dieser berieben und bestossen. Band I: 8 Bll., 165 Seiten, 2 Bll. Ansicht des Hradschin über die Karlsbrücke, im Titel/Vignettenform der Veitsdom. Band II: 10 Bll, 188 Seiten sowie der Grundriss der Stadt/Stadtplan, mehrfach gefaltet, 32x44 cm. Bd I wurde 1812 und Bd. II 1813 verlegt. Beschrieben werden die Geschichte der Stadt, Lage Grösse, Häuser, Tore, Plätze, Gassen, die Brücke, Kirchen, Klöster, Paläste, Einwohner, Religion, Erziehung, Sitten, das Schloß, Veitsdom, Hradschin, Damenstift, Reichstift, altstädter Rathaus, neustädter Rathaus, jüd. Rathaus, usw. (in Bd. I). Vom Hofe, Ämter und Behörden, Sicherheitsanstalten, Wolfahrt, Gesundheitsanstalten, Erziehung, Wissenschaft, Kunst, Gelehrsamkeit, Handel, Fabriken, Gewerbe, Anstalten der Veredelung usw., Gärten, Geselligkeit sowie die Umgebung von Prag in Bd. II. [Attributes: Hard Cover]

      [Bookseller: Hammelburger Antiquariat]
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        Notes on Chinese Literature: With Introductory Remarks on the Progressive Advancement of the Art; and a List of Translations from the Chinese, into Various European Languages. [FIRST EDITION]

      Shanghae, American Presbyterian Mission Press; London, Trübner & Co., 1867.. Crown quarto. Pp. viii, xxviii, 260. Table. Indices. Hardcover, bound in full blue grey cloth, gilt lettering to spine, spine slightly discoloured. In about fine condition. Overall an excellent copy. ~ First edition. Alexander Wylie (1815-1887).

      [Bookseller: Librarium of The Hague]
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        Li Monumenti Più Celebri di Roma Antica e Moderna, Disegnati dal Vero ed Incisi dai Migliori Artisti

      Pietro Datri, Rome 1867 - Original pictorial wraps; oblong 4to (275x420 mm); with copper-engraved title-page and 54 views of Rome, printed on the recto only. Backstrip perished; minor creasing; title-page a bit toned; last leaves dog-eared. Wide margins leave the engravings bright and clean, suitable for display. Uncommon -- OCLC locates just 5 copies of the 1867 edition. [Attributes: Soft Cover]

      [Bookseller: Sanctuary Books, A.B.A.A.]
 18.   Check availability:     IberLibro     Link/Print  

        Don Carlos Grand Opéra en Cinq Actes Représenté sur le Théatre Impérial de l'Opéra. Poeme de M.M. Méry & C. du Locle... Partition, in-8o, Piano et Chant, net: 20f... Accomt. de Piano par E. Vauthrot Chef du Chant à l'Opéra

      Paris: Léon Escudier [PN L.E. 2765., L.E. 2765 et 2767.]. [April 1867]. Large octavo. Quarter dark brown morocco with textured brown cloth boards, previous owner's initials ("M.G.") gilt to upper, spine in compartments with rules and titling gilt, marbled endpapers. 1f. (lithographic title illustration by Trinocq after Cravzat including names of Verdi operas entwined around a set of arched columns), 1f. (named cast list for the premiere performance at the Paris Opéra, on March 11, 1867 and index), 359 pp. Text in French. Lithographed. Binding slightly worn, rubbed, bumped and stained; hinges tender. Slightly foxed; first signature slightly split; occasional small tears; impression occasionally weak; publisher's handstamp to lower right corner of title. . First edition. Hopkinson 61A considers this to be the earliest printing. Collector William Crawford, however, identified what he believed to be an earlier issue, distinguished by typographical differences to the title page (Verdi's name in a smaller typeface and the absence of the lithographer's name to the lower right corner) and the absence of the printer's imprint to the foot of the first page of music. "Don Carlos has of late become one of the best-loved and most respected of VerdiÂ’s operas... Verdi dedicated to the work some of his greatest dramatic music. One need think only of the magnificent series of confrontational duets that form such a great part of the drama... several of these break decisively with traditional models, forging for themselves a vital new relationship between musical and dramatic progress. It is for such moments that Don Carlos will be remembered and treasured." Roger Parker in Grove online

      [Bookseller: J & J Lubrano Music Antiquarians LLC]
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      O. O. u. D.. Ein blondes Haarbüschel, mit rosafarbenem Faden kreisförmig zur Locke gebunden, montiert auf Echtheitszertifikat von 1867. 8vo. Unter Passepartout kaschiert.. Die Provenienz der Locke lässt sich über die beimontierten Echtheits- bzw. Verkaufsbestätigungen für das erste Jahrhundert lückenlos nachvollziehen: Ursprünglich im Besitz des Weimarer Bibliothekars und Großherzoglichen Rats Theodor Kräuter (1790-1856), seit 1805 Schreiber in der Herzoglichen Bibliothek und ab 1811 Goethes Privatsekretär; aus dessen Besitz übergegangen an seinen Neffen, den Weimarer Juristen und Schriftsteller Robert Keil (1826-96), der auf seinem blindgeprägten Briefpapier eigenhändig bestätigt und besiegelt: "Die inliegenden Haare sind Haare Schiller's und gehörten zum Nachlaß des verstorbenen Bibliothekars Raths Dr. Theodor Kräuter hier, des ehemaligen Privatsekretärs Goethe's. Dies bezeugt / der Neffe Kräuter's / Rechtsanwalt Dt. Robert Keil. / Weimar 20. Apr. 1867". Anlass für die Ausstellung dieses Zertifikats war wohl die Überlassung der Reliquie an das Weimarer Schillerhaus, dessen Kustos ein entfernter Verwandter Keils war, der Weimarer Kunsthändler Eduard Lobe. Dieser verkaufte die Locke gerade neun Monate später an den geschichtsinteressierten Chicagoer Juristen und Unternehmer Thomas Barbour Bryan (1828-1906): "Die Haarlocke von Schiller habe ich heute Herrn T. B. Bryan käuflich überlassen, und bezeuge hiermit, daß sie echt ist. Weimar den 23. Januar 1868 / Eduard Lobe / Custos des Schillerhauses". Bryan, der sich insbesondere als Förderer der Chicagoer Weltausstellung 1893 bleibende Verdienste erwarb, war bereits früher als Freund der historischen Devotionalie hervorgetreten: 1860 stellte er in seiner Galerie "Bryan Hall" das von G. P. A. Healy angefertigte Portrait Abraham Lincolns aus; 1864 ließ er ein lithographisches Faksimile von Lincolns Emanzipations-Proklamation anfertigen, das er dem Präsidenten auch zur Prüfung übersandte. - Erworben aus österreichischem Adelsbesitz.

      [Bookseller: Antiquariat Inlibris, Gilhofer Nfg. GmbH]
 20.   Check availability:     ZVAB     Link/Print  

        The Works

      Boston: Ticknor and Fields,, 1867. 26 volumes, octavo (190 × 116 mm). Contemporary tan half calf, titles and elaborate decoration to spines in compartments separated by raised bands, marbled boards, endpapers and edges. Illustrated throughout by amongst others Robert Seymour, George Cruikshank, Hablot Knight Browne (Phiz), George Cattermole, John Leech. The occasional minor blemish and some browning to pages, spines and boards slightly rubbed and marked, an excellent set. The Library edition. A handsome set of Dickens's works, complete as published without Edwin Drood which was left unfinished when Dickens died in 1870.

      [Bookseller: Peter Harrington]
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        L'exposition universelle de 1867 illustrée

      Paris: Dentu et Petit, 1867. Fine. Dentu et Petit, Paris 1867, 2 Vol. in quarto (27x37,5cm), relié. - Published in 60 deliveries 16 percent. each richly illustrated with woodcuts. Half black chagrin. Back tooled raised florets 4. Slot in the upper joint of Volume 1, along the first box. 2 corners émoussés.Très rare spots. Nice copy. The World Expo 1867, also known as Universal Exhibition of Art and Industry, is chronologically the seventh World Expo and the second taking place in Paris after the 1855. It was held from April 1 to November 3, 1867 the Champ de Mars in Paris. 41 countries were represented at the exhibition. This exhibition will be mostly a demonstration and exhibition of pomp and power of the Second Empire. Desired by Napoleon III, it shall appoint the head of the exposure of key men in economic and political life. The Champ de Mars was chosen for location. It received 15 million visitors. --- Please note that the translation in english is done automatically, we apologize if the formulas are inaccurate. Contact us for any information! - [FRENCH VERSION FOLLOWS] Publication en 60 livraisons de 16 p. chacune, abondamment illustrée de gravures sur bois. Demi chagrin noir. Dos à nerfs orné de 4 fleurons. Fente au mors supérieur du tome 1, le long du premier caisson. 2 coins émoussés.Très rares rousseurs. Bel exemplaire. L'exposition universelle de 1867, également appelée Exposition universelle d'Art et d'industrie, est chronologiquement la septième exposition universelle et la seconde se déroulant à Paris après celle de 1855. Elle s'est tenue du 1er avril au 3 novembre 1867 sur le Champ-de-Mars, à Paris. 41 pays étaient représentés à l'exposition. Cette exposition sera surtout une démonstration et un exposition des fastes et du pouvoir du Second Empire. Voulue par Napoléon III, celui-ci nommera à la tête de l'exposition des hommes clefs de la vie économique et politique. Le Champ de Mars fut choisi pour emplacement. Elle reçue 15 millions de visiteurs.

      [Bookseller: Librairie Le Feu Follet]
 22.   Check availability:     Biblio     Link/Print  

        Drawings of Parquetry Flooring [WITH 50 PARQUETRY PATTERN SAMPLES]

      Manchester: Ludwig Oppenheimer, 1867. First edition. Softcover. g to vg. Quarto. Unpaginated. [37] leaves. Original stiff wrappers. Preliminary text leaf pasted on inside of front cover. This rare and striking trade catalog from Ludwig Oppenheimer, a manufacturer of mosaic tiles and parquet flooring in Manchester, contains 17 mounted 4 7/8 x 6" (image 2 6/8 x 2 6/8") parquetry pattern samples reproduced in chromolithography, and 20 bound in leaves (9 6/8 x 7 6/8") featuring 33 parquetry pattern samples in various sizes (also reproduced in chromolithography). The catalog was designed as a self mailer, and the hand-written address of James Russell*, an architect living in Glasgow to whom it had been sent, and three cancelled stamps are still on the back cover. Moderate shelf wear and minor and sporadic closed tears along edges of wrappers. Previous owner's stamp (Architect James Russell) on upper margin of text leaf, and at verso of each plate. Wrappers in overall good, interior in good+ to very good, samples in near fine to fine condition. *James Russell was a pupil of Robert Scott's Glasgow Architectural Academy and invented the mortsafe in 1815 at what must have been an early age. He was, at least for a time, architect and surveyor to Sir John Maxwell's Pollok estate, laying out 'the landscape garden feuing plan' of Kinninghouse in 1833. Russell practised from Three Mile House, Paisley Road, Govan. In 1845 letters for him were to be left at 19 New Bridge Street, Glasgow but by 1850 he had taken an office at 51 Miller Street, Glasgow. This was soon given up, Russell practising thereafter solely from Three Mile House (as indicated by the address written on the back cover of the trade catalog). In the 'Architects Engineers and Building Trades Directory' 1868, he is described as having compiled a work on 'Ancient Ecclesiastical Architecture, embracing Glasgow Cathedral and Paisley Abbey'.

      [Bookseller: Eric Chaim Kline - Bookseller ]
 23.   Check availability:     ABAA     Link/Print  

        Notes on Chinese Literature: With Introductory Remarks on the Progressive Advancement of the Art; and a List of Translations from the Chinese, into Various European Languages. [FIRST EDITION].

      Shanghae, American Presbyterian Mission Press; London, Trübner & Co. 1867 - Crown quarto. Pp. viii, xxviii, 260. Table. Indices. Hardcover, bound in full blue grey cloth, gilt lettering to spine, spine slightly discoloured. In about fine condition. Overall an excellent copy. ~ First edition. Alexander Wylie (1815-1887).

      [Bookseller: Librarium of The Hague]
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        Brief mit eigenh. U.

      Berlin, 26. II. 1867.. 1 S. Qu.-8vo.. An den namentlich nicht genannten Schriftsteller Julius Lang (geb. 1833): "Euer Wohlgeboren haben mir ein Exemplar Ihrer Broschüre 'Armee Reorganisation und Desorganisation' gesandt, wofür ich verbindlichst danke. Ich habe die Arbeit mit vielem Interesse gelesen und ersuche Sie 6 Exemplare davon unter Beifügung einer bezüglichen Rechnung gefälligst hierher senden zu wollen [ ]". - Moltke war bis 1888 Chef des Generalstabes und wurde am Ende seines Lebens zum Verfechter einer Politik der kriegsvermeidenden Abschreckung. Moltke war ein bedeutender Militärschriftsteller und Briefschreiber.

      [Bookseller: Antiquariat Inlibris, Gilhofer Nfg. GmbH]
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        Theologische Ethik komplett fünf Bände Theologische Ethik. 3 Bde. Wittenberg 1845-1848 (2. Aufl., 5. Bde. 1867-71; Reprint, neu hrsg. und eingel. von Jürgen Albert: Waltrop 1991) , hier angeboten ist die vollständige zweite Auflage, in fünf Bänden :

      Wittenberg : Zimmermann'sche Buchhandlung : 1867.. zweite, völlig neu ausgearbeitete Auflage : 5 Bände 8 Octav, Halbleder mit Kartonage der Zeit, Frakturschrift :. Richard Rothe (geb. 28. Januar 1799 in Posen; gest. 20. August 1867 in Heidelberg) war ein evangelischer Theologe. Richard Rothe wollte den Bereichen Religion und Kirche die Zuständigkeit für die Sittlichkeit entziehen und diese sollte in einem sittlichen Kulturstaat zum Tragen kommen. So wäre die Institution der Kirche in einem christlichen Kulturstaat aufgegangen. Dieser Kulturstaat stellte sich nach Rothe als "absolute Theokratie" dar, aus der das "vollendete Reich Gottes" entstehen würde. Dieser Gedankengang ging aus Rothes spekulativer Theologie hervor, die an kein Dogma gebunden und die von der herrschenden Kirchenlehre abgewichen war. Nach dem Beispiel Friedrich Schleiermachers unterteilte Rothe die Theologie in die spekulative, historische und praktische Theologie. Die von Rothe entfaltete spekulative Theologie ließ sich von dem Inhalt der Bibel und einem frommen Gottesgefühl leiten. Da dieses fromme Gottesgefühl aber in den christlichen Kirchen unterschiedlich stark ausgeprägt war, konnte diese spekulative Theologie nach der inhaltlich protestantisch bestimmten Frömmigkeit nur in einem protestantischen Kulturstaat Anwendung finden. Die Bedeutung der Theologie Rothes besteht heute darin, dass das "Gottesgefühl der Frömmigkeit" in den Gottesgedanken der gesamten spekulativen Theologie überführt wurde. Richard Rothe war im 19. Jahrhundert eine wichtige Person des liberalen Protestantismus. Die Auffassung Rothes, die Kirche solle in einem sittlichen Kulturstaat aufgehen, wurde damals von vielen Protestanten vehement vertreten. Diese Überzeugung passt heute nicht mehr in das "Grundprinzip der Moderne", das u. a. von einer Autonomie des Individuums ausgeht, sie ist daher nicht mehr schulbildend. - Einige Theologen der Neuzeit schließen sich dem Gedanken Rothes noch einmal an, das Christentum solle außerhalb der Kirche bestehen, da sich das moderne Christentum von einer dogmatisch-kirchlichen zu einer ethischen Ausrichtung geändert habe. (quelle:wikipedia) : Lederrücken teilweise an den Gelenken gerissen, Lager- und Gebrauchsspuren, gelegentliche Anstreichungen mit Blei, Papier nachgedunkelt, gerne senden wir Ihnen weitere Fotos und Informationen : der Gesamteindruck dieses Buches ist GEBRAUCHT : GUT -

      [Bookseller: Büchersuchdienst Theologica]
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        The Holy Bible, containing the Old and New Testaments, in Sgau Karen. Translated by Francis Mason. Second edition

      Rangoon: American Mission Press. Published by the American and Foreign Bible Society, the Burmah Bible and Tract Society, and by the American Baptist Missionary Union. 1867. Large 8vo, pp. [810], [269]; text in double column throughout and printed in Karen characters throughout; title page in English with a Karen subtitle; separate title in English with a Karen subtitle for the N.T. (dated 1867 - sixth edition); full contemporary calf, neatly but not aesthetically rebacked in brown cloth, computer-generated paper labels on spine. The second leaf of both parts have been excised. A good, sound copy. Cordier, Indosinica, 156; Darlow & Moule 5917: "In 1863 the B.F.B.S., in response to an application for aid in publishing another edition of the Bible, granted the sum of 500£ to the Burma Bible and Tract Society, to be used for this purpose, provided that in so doing the rules of the B.F.B.S. were not contravened." The B.F.B.S. copy is imperfect, wanting all of the N.T.

      [Bookseller: Rulon-Miller Books]
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        Oeuvres de Lagrange [Fourteen Volumes]

      Gauthier-Villars, Paris 1867 - 14 volumes. First edition. 4to. 1867-1892. Quarto, paper covered boards. A scarce complete set of the great mathemetician's collected words in their original bindings. Spines chipped and discolored, rear boards of first and fifth volume detached, seventh volume lacking spine, some hinges weak. Mild foxing to first volume, otherwise leaves very clean. Library stamps to some title pages. Remains usable despte the flaws. A large set that will require additional shipping charges for international or priority shipping. From the library of Martin Gutzwiller, physicist and noted collector of books relating to the history of science. Please contact us for additional pictures or information. [Attributes: First Edition; Hard Cover]

      [Bookseller: Auger Down Books]
 28.   Check availability:     IberLibro     Link/Print  

        Gazette des Beaux-arts 1867 - Tomes I & II # Deux gravures originales de GOYA

      Paris 1867 - - TITRE : Gazette des Beaux-arts, Courrier Européen de l'Art et de la Curiosité, neuvième année. - PRESENTATION : 2 volumes in-8 reliés demi-cuir rouges, dos 4 nerfs, regroupant les 12 livraisons de l'année 1867 (complet). - ILLUSTRATIONS : gravures (eaux-fortes) pleine page d'après Meissonier, De Latour, Géricault (x2), Rubens, Ingres (x3), Brandon, Sévin, Bartholdi, Léonard de Vinci & gravures originales de Gaucherel, Valerio, Goya ("Un prisonnier" & "Aveugle enlevé sur les cornes d'un taureau", tirage postérieur à partir du cuivre original), Chauvel, Servin, Lambert, Leighton, Leys, Henriette Browne, Paul Huet & très nombreuses illustrations in et hors textes notamment par Guillaume, Rapahel, Géricault. - TEXTES de Edmond & Jules de Goncourt, Charles Blanc, Charles Clément, Léon Lagrange, Paul Lefort, Albert Jacquemart, Philippe Burty et de nombreux autres. - INFORMATION : Toutes les gravures hors textes sont tirées sur vélin ou vergé. - ETAT : Très bon état général & complet, rares reports de quelques gravures sur le feuillets opposé, menus défauts, mouillure dans le coin supérieur droit du volume, de la page 400 environ à la fin. Les deux gravures de GOYA en très bon état. AUTRES PHOTOS SUR DEMANDE [Attributes: First Edition; Hard Cover]

      [Bookseller: Artfever]
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        Partisan Life with Col John S Mosby

      Harper & Brothers, New York 1867 - Bound in tan cloth with red and black morocco spine labels in a manner that looks like a period law book, 492 pp. An unusually nice copy but with the following flaws: light finger soil; one sig comprising two leaves reattached with archival glue with the two leaves-the last page of the index and the fold out map reinforced on the edges with clear but now yellowed tape with the index on the fore edge and a small spot on bottom edge and the map on the bottom edge. The red spine label with a scuff mark and the black label with a small tear at the bottom edge. Also five specks of roller spray from paint on the front cover. Still a handsome, outstanding copy. [Attributes: First Edition; Hard Cover]

      [Bookseller: Kerkhoff Books DIV KSI]
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        Storia dei dogi di Venezia. Bände 1 - 2. Corredata di una serie numismatica.

      Venedig: Grimaldo 1867. 3. Aufl. - Halbledereinband d. Zt. m. Rückenprägung 4°, Mit 120 Kupferstich-Porträts, von Antonio Nani., 2 Bände in 1, Wichtiges Werk über die Geschichte der Venezianischen Republik, ebenso die Biographien seiner Dogen, die in 120 Porträts abgebildet sind, auch die Münzen auf denen diese Dogen erscheinen. - Durchaus sauberes und sehr gut erhaltenes Exemplar. Nur wenige Seiten minimal altersfleckig.

      [Bookseller: Antiquariat Gallus]
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      [MITCHELL,S. WEIR]. THE WONDERFUL ADVENTURES OF FUZ-BUZ THE FLY AND MOTHER GRABEM. Philadelphia: Lippikncott 1867 (1866). 12mo, green cloth, gilt cover, beveled edges 79p., some foxing VG++. 1st edition. BAL 14065 intermediate, binding c (no priority). This copy is inscribed Dec. 25th 1866. BAL describes it as having been listed as "just published Dec. 15, 1866". This is a marvelous fairy fantasy written by a famous physician-author. Fuz Buz must tell a different story each night to Mother Grabem's children in order to be safe. Illustrated with 9 plates plus 1 black & white by Henry C. Bispham. This state of the book is quite rare, having all of the illustrations found in the large paper edition. Most smaller paper formats have only 2 plates.

      [Bookseller: Aleph-Bet Books, Inc.]
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        LA LUNE / L?ECLIPSE. Semaine comique illustrée / Journal hebdomadaire politique, satirique et illustré - Directeur F. Polo.

      Imprim. de G. Town 1867-1870 In folio (mm. 472 x 330), mz. pelle coeva con ang., pp. 4 cad. fascicolo con - in prima di copertina - una grande e bella caricatura a colori di soggetti e personalità dell?epoca (scrittori, attori, uomini di governo, e anche fatti storico - politici, di cronaca, etc.) eseguita da Andre? Gill. Celebre rivista satirica settimanale illustrata, nata nell?ottobre 1865, le cui pubblicazioni avranno termine il 17 gennaio 1868 con il n. 98; si fonderà quindi con ?L?ECLIPSE. Journal hebdomadaire politique, satirique et illustré?, a partire dal 26 gennaio 1868. Offriamo: 13 nn. complessivi del 1867 e 1868 de LA LUNE + 114 numeri de ?L?ECLIPSE?, dal n. 2, Anno I (2 febb. 1868) al 132bis (1 ago. 1870). Cfr. Benezit,VI, p. 115: ?André Gill ou Gosset de Guines (1840 - 1885), peintre et dessinateur. Il fut surtout célèbre par ses caricatures qu?il publia dans la "Lune", l?"Eclipse", etc.?. Con tracce d?uso ma certamente un buon esemplare.

      [Bookseller: Libreria Antiquaria Malavasi]
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        River View of Cathedral Rock, Yosemite, California. Original photograph

      c. 1867 -1871. sepia photograph mounted on cream cardboard; original mount matted with new backboard, all acid free. Light fading in background of photograph, mount a bit chipped and torn at edges, not affecting image. Mounting board brittle. Approximately 8.25 x 12 inches (205 x 304 mm) image area, overall approximately18 x 23.25 inches. Location written in black ink lower left of mounting plate Carleton E Watkins   (Nov 11, 1829 ?" Jun 23, 1916;  Active approx. 1853 ?" 1896) .

      [Bookseller: Randall House Rare Books]
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        Sämmtliche Werke. In chronologischer Reihenfolge herausgegeben von G. Hartenstein. 8 Bände.

      Leipzig, Leopold Voß, 1867-1868.. 8°. Mit 3 lithogr. Tafeln. HLdr.-Bde. d. Zt. m. etw. Rückenverg., goldgepr. Rückentiteln u. dreiseitig marmor. Schnitt.. Ehem. Bibl.-Exemplar mit entsprechenden Merkmalen (Bibl.-Schildchen bzw. -Signaturen u. gestempelt). Einbände etw. berieben u. bestoßen. Etw. gebräunt. - Goedeke V, 2, 1, 3; Adickes 3.

      [Bookseller: Antiquariat Wolfgang Friebes]
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        Portrait of historian Edward J. Lowell, reading

      Harvard University, [Cambridge 1867 - Oval albumen bust portrait (4-1/2 x 6 in.) SIGNED ('Edward J. Lowell') beneath image, docketed on different hand below signature. Folio. A distinctive portrait of the young Lowell reading, possibly from his Harvard 1867 photographic yearbook. Lowell wrote a history of the French Revolution and practiced law. Oval albumen bust portrait (4-1/2 x 6 in.) SIGNED ('Edward J. Lowell') beneath image, docketed on different hand below signature. Folio [Attributes: Signed Copy]

      [Bookseller: James Cummins Bookseller, ABAA]
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      [San Francisco?]: Regimental Press, 9th U.S. Infantry, [ca. 1867?]. 37pp. Original printed wrappers with paper backstrip. Textblock sewn, but not attached to wrappers, likely as issued. Small chip, minor toning to wrappers. With a couple small emendations, likely authorial. Very good. An exceptionally rare personal memoir of Lieut. Morris Foote's experiences in the Civil War, printed on the regimental press of his unit, probably while the 9th Infantry was stationed in San Francisco. Foote was promoted to lieutenant in 1867, and since he is noted as such on the front wrapper, the publication must date between then and 1883, when he was promoted. Since Foote served in Alaska from 1867 to 1871, and the regiment was serving under much more rugged conditions in the Dakotas from 1872, the most likely point of publication in circa 1867 in San Francisco. The handsome production and superior typography would also argue for garrison and not field printing. Supposedly twelve copies were printed, but only two copies are located in OCLC, at New-York Historical and the New York State Historical Association. The original manuscript for the work resides at the Huntington Library. The first copy we've ever seen for sale, this was found with other Foote material and is likely his personal copy. In a well-written narrative, Foote describes his experiences as a member of a New York volunteer regiment during the Civil War. With other units, his regiment occupied the town of Plymouth, North Carolina, at the mouth of the Roanoke River, in the winter of 1863-64. In April 1864, Confederate forces stormed the position, and Foote and others were made prisoner and taken briefly to Libby Prison in Richmond, but were quickly transfered southward, eventually to Charleston, South Carolina and then Columbia, South Carolina. Foote escaped with another officer from the poorly guarded prison there in late November 1864. He describes their journey to the Carolina coast in vivid detail. The two fugitives were aided at every turn by slaves, and after many adventures and hardships, reached the coast several weeks later and were picked up by the U.S. Navy. A remarkable and very rare narrative. OCLC 58768061.

      [Bookseller: William Reese Company - Americana]
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        Autograph letter signed "J. Belval" to unidentified correspondent

      3 pp. of a bifolium. 12mo. Dated Neuilly, Sunday, March 3 [1867?]. In black ink on personal stationery with embossed monogram printed in green at head. In French (with translation). An interesting letter in which Belval mentions no fewer than three important composers (Giuseppe Verdi, Félicien David, Hector Berlioz), three singers associated with the Paris Opéra (Louis-Henri Obin, Armand Castelmary, and Pauline Guéymard-Lauters), and the premiere of a new Verdi opera. Because Belval had the flu, he was unable to sing Bertram in a recent performance of Meyerbeer's Robert le Diable; Castelmary, a bass "of the third rank," had to replace him. Belval will sing Meyerbeer's Les Huguenots the following day. He has also asked Guéymard-Lauters to secure two seats for his correspondent for the first performance of Verdi's opera, because he has heard, via Obin, that the composer does not want a public dress rehearsal. Finally, he wishes to enlist the expertise of David and Berlioz regarding some musical matter. "My friend Obin told me in effect that Verdi did not wish to hear talk of a dress rehearsal before the public, even a chosen one. But it has been twelve years that I have heard the same alarms with regard to every new opera. Therefore do not despair yet... I have asked Madame Gueymard to get herself signed up for two numbered seats at the theatre for the first performance. They are intended for you, in case the public is not admitted to the dress rehearsal... In principal, the choice of two composers as experts would only reassure me by half, if I had not myself influenced Mr. Félicien David to decide to accept the task, and if in time Mr. Berlioz, to whom I recounted the affair, did not agree with me. Obin went to speak to them both; he could enlighten them much better than I about the disproportion of the two roles... " Slightly worn; creased at folds. . Belval, a French bass, "studied at the Paris Conservatoire and made his début in 1846 at Antwerp. After singing in Toulouse, Lyons, the Hague, Ghent and Brussels, he was engaged at the Paris Opéra, making his début in 1855 as Marcel in Les Huguenots. His roles included Bertram (Robert le diable), Balthazar (La favorite), Walter Furst (Guillaume Tell) and Zaccharie (Le prophéte). He took part in many premiéres and created Gargantua in Labarre?'s Pantagruel (1855), the Count of Poitou in Halévy?'s La magicienne (1858), Soloman in Gounod?'s La reine de Saba (1862), Archbishop Turpin in Mermet?'s Roland à Roncevaux (1864), Don Pédro in L?'Africaine (1865) and King Claudius in Thomas?' Hamlet (1868)... he made his last appearance at the Opéra in 1875 as Cardinal Brogni in La Juive, at the public inauguration of the Palais Garnier... His voice was a deep bass, ample in size and dark in tone." Elizabeth Forbes in Grove online. The Verdi opera to which Belval refers is probably Don Carlos, which premiered at the Paris Opéra on March 11, 1867. Louis-Henri Obin, Pauline Guéymard-Lauters, and Armand Castelmary created, respectively, the roles of Philip II, Eboli, and the monk (Charles V) for the first performance.

      [Bookseller: J & J Lubrano Music Antiquarians LLC]
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        Autograph letter signed.

      Bruxelles, 5. IX. 1867. - 8vo. 1 p. To the music publishers Liepmannssohn & Dufour in Paris: "[ ] Je suis contrarié de ne pas avoir Frizzi (4173) que je cherche de puis longtemps et dont j'ai besoin pour les additions de ma Biographie des musiciens. Si vous pouviez obtenir de la personne à qui vous l'avez vendu de me la céder, vous me rendriez grand service [ ]". - On headed paper "Conservatoire royal de musique - Cabinet du Directeur".

      [Bookseller: Antiquariat INLIBRIS Gilhofer Nfg. GmbH]
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        Eigenh. Brief mit U.

      Brüssel, 5. IX. 1867.. 1 S. 8vo.. An die Verleger Liepmannssohn und Dufour in Paris: "[ ] Je suis contrarie de ne pas avoir Frizzi (4173) que je cherche de puis longtemps et dont j'ai besoin pour les additions de ma Biographie des musiciens. Si vous pouviez obtenir de la personne a qui vous l'avez vendu de me la ceder, vous me rendriez grand service [ ]". - Auf Briefpapier mit gedr. Briefkopf "Conservatoire royal de musique - Cabinet du Directeur".

      [Bookseller: Antiquariat Inlibris, Gilhofer Nfg. GmbH]
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        Faune entomologique française : Papillons (lépidoptères) Description de t EDITION ORIGINALE

      Paris: Deyrolle, 1867. Fine. Deyrolle, Paris 1867-1878, 12x19cm, 6 volumes reliés. - Originale.bindings Edition half calico blue sky, back smooth decorated with golden floral and central motif in gilt double tails, parts securities shagreen navy marbled paper boards, some corners slightly émoussés.Ouvrage illustrated 74 boards inset with 67 colored by main.Notre series (incomplete the seventh and final volume, "methodical Catalogue") consists of: Volume 1: Rhopalocères fine with in-board 18 black and colored by main.Volume 2 : Heterocera fine with in-board 15 black and colored by main.Volume 3: Heterocera noctuae first part with a board in black and colored by 5 main.Volume 4: Heterocera noctuae last part with in-fine 8 boards colored by main.Volume 5: Heterocera Geometridae with a fine in-board 14 black and colored by main.Volume 6: Heterocera deltoids, pyralites fine with in-board black and colored by 9 main.Rares foxing, otherwise nice together. --- Please note that the translation in english is done automatically, we apologize if the formulas are inaccurate. Contact us for any information! - [FRENCH VERSION FOLLOWS] Edition originale. Reliures en demi percaline bleu ciel, dos lisses ornés d'un motif floral et central doré, doubles filets dorés en queues, pièces de titres de chagrin marine, plats de papier marbré, quelques coins légèrement émoussés. Ouvrage illustré de 74 planches hors-texte dont 67 coloriées à la main. Notre série (incomplète du septième et dernier volume : "Catalogue méthodique") se compose ainsi : Volume 1 : Rhopalocères avec in-fine une planche en noir et 18 coloriées à la main. Volume 2 : Hétérocères avec in-fine une planche en noir et 15 coloriées à la main. Volume 3 : Hétérocères noctuae, première partie avec une planche en noir et 5 coloriées à la main. Volume 4 : Hétérocères noctuae dernière partie avec in-fine 8 planches coloriées à la main. Volume 5 : Hétérocères geometridae avec in-fine une planche en noir et 14 coloriées à la main. Volume 6 : Hétérocères deltoïdes, pyralites avec in-fine une planche en noir et 9 coloriées à la main. Rares rousseurs, sinon agréable ensemble.

      [Bookseller: Librairie Le Feu Follet]
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