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Displayed below are some selected recent viaLibri matches for books published in 1861
2017-12-10 16:49:19
D'ETTORE Giuseppe
Stamperia del Fibreno, Napoli 1861 - In 8, pp. XXXI + (1b) + 519 + (1b) con tavv. sinottiche n.t. Sporadiche fioriture. Legatura in mz. pl. con fregi e caratteri oro al d. Interessante raccolta degli atti governativiÂdelle province napoletaneÂnel periodo che intercorre tra giugno e dicembre 1860, emanati da Vittorio Emanuele II. Compaiono anche gli atti promulgati dal 'ditattore delle due Sicilie', Garibaldi, fra i quali il suoÂ'Proclama alla cara popolazione di Napoli' in cui afferma che 'noi da questo momento' possiamo chiamare 'Vittorio Emmanuele il vero Padre della patria italiana. Vittorio Emmanuele, modello dei sovrani, inculchera' ai suoi discendenti il loro dovere per la prosperita' di un popolo che lo elesse a capitanarlo con frenetica devozione'. ITA
Bookseller: coenobium libreria antiquaria
2017-12-10 13:12:28
Ettling. T
London: The Illustrated London News, 1861. large folded map as issued,coloured,a very good clean copy.. First Edition. Paperback. Very Good/No Jacket. Elephant Folio - over 15" - 23" tall.
Bookseller: Carmarthenshire Rare Books [Carmarthen, United Kingdom]
2017-12-10 03:24:04
Schumann-Heink, Ernestine
Star German contralto (1861-1936), who had a very successful international career, as she performed with Gustav Mahler, was remarkable in her interpretations in Richard Wagner roles, performing several times at Bayreuth Festival, sang in many important opera theaters of the world. Signed cabinet photo, shown in Der Ring (probably as Erda) at Bayreuth Festival, dated in 1896. A photo by W. Hoffert. Size is 4.25 x 6.5 inches, in excellent condition.
Bookseller: Tamino Autographs [United States]
2017-12-09 02:19:40
Edward STANFORD (1827 - 1904).
London. Lithograph with original hand colour and railway lines heightened in manuscript, with supplementary manuscript additions of military events added circa 1863, dissected into 48 sections and mounted upon original linen, folding into original dark green cloth slipcase bearing printed title label (Very Good, map clean and bright with resplendent original colours; slipcase with light shelfwear and restoration to upper left corner), 126 x 105 cm (49.5 x 41.5 inches). Rare – a stellar example of one of the finest general maps showcasing the grand theatre of the U.S. Civil War; very large, exquisitely designed and originally hand coloured; with several key battle sites contemporarily underlined in manuscript; produced by the firm of Edward Stanford, then the rising star in global cartographic publishing. - This very large and beautifully rendered map was published in the opening months of the U.S. Civil War (1861-5), and showcases the grand theatre of the conflict, being one of the finest works of its kind. The present example is stellar, due not only to its lovely condition, but also the heightening of all railways in red ink (being vital corridors of military movement) and its contemporary manuscript underlining of key battle sites. The map embraces much of the Eastern United States, from New York City westwards to a point beyond the Mississippi River; and from Montreal, in the north, all the way down south past Tampa, Florida; thus taking in the vast majority of the theatre of the war. Each state is bathed in its own beautiful wash colour, while the coasts are outlines i … [Click Below for Full Description]
Bookseller: Antiquariat Dasa Pahor [München, Germany]
2017-12-08 16:03:59
Mann Mary Tyler Peabody
Boston: Ticknor & Fields, 1861. Third Edition. Hardcover (Original Cloth). Very Good/No Dust Jacket. Original brown cloth stamped in blind and gilt. Scattered mild foxing and age toning to interior, mild soiling and shelf wear to covers, wear at spine ends and some loss to cloth at the heel of the spine. 189pp plus 16pp of ads.Cagle/Stafford 514, Bitting 306 (the 1858 edition). An interesting little book that takes on both the adulterations of food question and abstinence in cookery. Originally published in 1857 and again in 1858. Size: 8vo. Quantity Available: 1. Shipped Weight: Under 1 kilo. Category: Antiquarian & Rare; Cooking, Wine & Dining. Inventory No: CAT000044.
Bookseller: Pazzo Books
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2017-12-08 16:03:59
Mann Mary Tyler Peabody
Ticknor & Fields, Boston 1861 - Original brown cloth stamped in blind and gilt. Scattered mild foxing and age toning to interior, mild soiling and shelf wear to covers, wear at spine ends and some loss to cloth at the heel of the spine. 189pp plus 16pp of ads.Cagle/Stafford 514, Bitting 306 (the 1858 edition). An interesting little book that takes on both the adulterations of food question and abstinence in cookery. Originally published in 1857 and again in 1858. Size: 8vo. Quantity Available: 1. Shipped Weight: Under 1 kilo. Category: Antiquarian & Rare; Cooking, Wine & Dining. Inventory No: CAT000044. [Attributes: Hard Cover]
Bookseller: Pazzo Books (ABAA-ILAB)
2017-12-08 10:37:52
Hermann Ernst Plaßmann
Soest, Nasse'sche 1861. Halbleder, 772 Seiten. Berieben, Rücken etwas beschädigt, vorderer fliegender Vorsatz ausgelöst (liegt bei), Papier etwas gebräunt/braunfleckig/leicht unfrisch, ansonsten in Ordnung.
Bookseller: Antiquariat Ralf Bader
2017-12-08 09:54:13
Eustace Clare Grenville Murray
Truber & Co, 1861. A good tight copy in original binding. 96pp+8pp adverts at rear. Spine still attached but paper showing signs of wear. " one shilling", and title, "The Oyster", are printed on spine.Title page illustration by George Cruickshank repeated on front board . Frontispiece by Edmund Evans.As the title implies the book tells one where, how, and when to find, breed, cook and eat the oyster.Ref. Cagle, Oxford and Bitting. Any digital image can be supplied on request. [Attributes: Hard Cover]
Bookseller: Books Written By (PBFA Member) [Northampton, NTH, United Kingdom]
2017-12-08 09:54:13
Eustace Clare, Grenville Murray
A good tight copy in original binding. 96pp+8pp adverts at rear. Spine still attached but paper showing signs of wear. " one shilling", and title, "The Oyster", are printed on spine.Title page illustration by George Cruickshank repeated on front board . Frontispiece by Edmund Evans.As the title implies the book tells one where, how, and when to find, breed, cook and eat the oyster.Ref. Cagle, Oxford and Bitting.
Bookseller: Books Written By [UK]
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2017-12-08 09:44:06
THOMAS, Ambroise 1811-1896
- 2 pp. of a bifolium. Octavo (ca. 207 x 134 mm). Dated February 1, 1861. On ivory paper. In French (with translation).As the executor of an unnamed woman's will, Thomas has asked his correspondent to receive a gift from the deceased on Madame Victor Hugo's behalf. "Having been named Executor of her will by Madame Mennechet, I think I should inform you that Madame Victor Hugo is among the persons to whom she has bequeathed a gift. Our dear departed friend has expressed the wish that her will should be read in front of a gathering of all these persons and that the objects she has left them should be given at the same time. In the absence of Madame Hugo, Mr. Mennechet thought that you might wish to represent her. "Slightly worn; creased at folds; slight showthrough to blank upper margin of first page, not affecting text; remnants of former mount to blank final page. "In the context of French opera of the late 19th century Thomas was a figure of considerable importance, an imaginative innovator and a master of musical characterization. Having considerably enhanced his reputation with the adjacent successes of Mignon and Hamlet in 1871 Thomas succeeded Auber as director of the Paris Conservatoire." Richard Langham Smith in Grove Music Online."Madame Victor Hugo" was most likely Adèle Foucher (1803-1868), wife of the renowned French writer Victor Hugo.
Bookseller: J & J LUBRANO MUSIC ANTIQUARIANS LLC
2017-12-08 09:00:55
Juárez, Benito
1861. Slip of paper, approximately 2.5" x 7", bearing the signature of Benito Juárez. Faint soiling to sheet. Adhesive residue to verso. Swooping ink marks to text of paper. Dated September 6, 1861. Paper appears to have been clipped from a larger document. Benito Pablo Juárez García served as president of Mexico for five terms. ---L.H. CONSIGNMENTShelve:L.H. Autographs. Dupont.
Bookseller: Second Story Books
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2017-12-08 09:00:55
Juárez, Benito
1861. Slip of paper, approximately 2.5" x 7", bearing the signature of Benito Juárez. Faint soiling to sheet. Adhesive residue to verso. Swooping ink marks to text of paper. Dated September 6, 1861. Paper appears to have been clipped from a larger document. Benito Pablo Juárez García served as president of Mexico for five terms. ---L.H. CONSIGNMENT Shelve: L.H. Autographs. Shelved Dupont Bookstore. [Attributes: Signed Copy]
Bookseller: Second Story Books, ABAA [Rockville, MD, U.S.A.]
2017-12-08 01:16:48
STAPLETON, Joseph Whitaker.
E. Marlborough & Co. 1861 Front. & plates. Orig. purple cloth, dec. embossed borders; largely faded to brown, sl. rubbing to head & tail of spine, corners a little bumped. Presentation inscription on leading f.e.p.: 'Henry Cook Esq.(?) with the Author's affectionate regards Nov. 14, 1883'. v.g.The Road Hill House murder was one of the most sensational crimes of the Victorian era. Late on June 29th or early on the 30th 1861, three year old Francis 'Saville' Kent was found brutally murdered in an outhouse at Road Hill House in the town of Rode (then spelled Road), Wiltshire. The crime was reported, sensationalised and discussed throughout the country and suspicions fell on the entire Kent household. When the case was investigated by Detective Inspector Jack Whicher of Scotland Yard, suspicions first centred on Francis' nursemaid Elizabeth Gough who was arrested for the crime. She was later released with evidence pointing towards Constance Kent, Francis' half sister as a possible suspect. Constance was also released, but in 1865, five years after the crime, she made a dramatic confession. Despite this, there was furious speculation and debate as to her guilt, some pointing the finger at her father Samuel Kent, others at her brother William. She was sentenced to death which was then commuted to life in prison. She served twenty years before emigrating to Australia. She died aged 100 in 1944. The crime was the subject of the 2008 book 'The Suspicions of Mr Whicher' by Kate Summerscale, which was made into a film of the … [Click Below for Full Description]
Bookseller: Jarndyce Rare Books [UK]
2017-12-07 21:29:06
Holmes, Oliver Wendell
Ticknor and Fields, Boston. (possible second issue) Two octavos; VG- condition hardcovers; Brown cloth spines with faded cloth text. Boards have general shelfwear along surfaces, wear along edges and corners, binding strong, slight cocking to volume two's spine; Textblocks age-toned, occasional stains, previous owner's name (dated 1861) written in ink on both front end papers, one signature in volume two (p195-214) is loose yet present. 288pp and 312 + 16 pages of advertisements at rear. Please see photos for additional details RD Consignment item [Multi-volume order. Additional postage may be necessary for expedited/international orders. Economy International shipping might be unavailable due to weight/size restrictions. For international/expedited customers, please inquire for rates] eb/nd. Rockville Non-Retail Listings. [Attributes: First Edition; Hard Cover]
Bookseller: Second Story Books, ABAA [Rockville, MD, U.S.A.]
2017-12-07 14:04:00
Photographie originale / Original photograph
Photographie,CDV vintage albumen. Alexandre Bida, né à Toulouse (Haute-Garonne) le 3 octobre 1813 et mort à Lautenbach (Haut-Rhin) le 2 janvier 1895, est un peintre et un graveur français. Peintre orientaliste, Alexandre Bida est l'élève d'Eugène Delacroix et le professeur de Jean-Paul Laurens. Il illustre une Aquitaine et Languedoc, ou, Histoire pittoresque de la Gaule méridionale de Justin Cénac-Moncaut. Il expose aux expositions universelles de 1855 et 1867, en 1867 il présente le dessin Le Massacre des mameluks, évocation du massacre du 1er mars 1811 au Caire, qui se trouve actuellement au musée du Louvre, département des Arts graphiques. // Circa 1861 // Tirage albuminé // Format (cm): 6,5x10,5
Bookseller: photovintagefrance [ARNAVILLE, France]
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2017-12-07 04:31:47
n/a
n/a 1861 - Please contact us for details on condition of available copies of the book. We have thousands of titles and often several copies of each title may be available. SKUALB2017112319cacc Language: Russian (unless indicated otherwise by the description) [Attributes: Hard Cover]
Bookseller: Land of Magazines
2017-12-07 01:37:05
HUTCHINSON, Thomas J[oseph].
Hurst and Blackett London 1861 - First edition. 8vo., xx, 329pp., lithographed frontispiece, vignette to title, later red polished half calf gilt, green morocco label, marbled boards, lightly rubbed. An account of time spent in West Africa; slavery, ju-ju, cannibalism, etc., by the British consul in the Bight of Biafra 1856-61. Hogg, 200. [Attributes: First Edition; Hard Cover]
Bookseller: Shapero Rare Books
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2017-12-06 19:34:14
Photographer unknown.
Two albumen print photographs, 145 x 195 mm and 115 x 195 mm, respectively, tipped-in recto of a nineteenth century gilt-edged album page of thick board, the verso of the larger print with contemporary inscription in pencil 'Malvern Downs / Peak Downs / Queensland'; both albumen prints with mild creasing and foxing; lower margin of page with contemporary inscription in pencil 'Malvern Downs, Queensland'; verso of album page with two albumen prints of what appear to be English mountain landscapes. Malvern Downs Station, located some 320 km inland from Rockhampton, was an outstation of the Gordon Downs pastoral run on the Peak Downs, one of a number of sheep runs in the region originally acquired by Gordon Sandeman in 1861, and managed for him by Oscar and Henri de Satge. When it was sold by Sandeman in 1867 the Malvern Downs run had 17,500 sheep. The two photographs of Malvern Downs Station we offer here show two different living quarters and several other buildings. In one of the photographs we see a man - almost certainly the station manager (William Walter King?) - and his wife, seated in a buggy. The woman's dress helps to approximately date the photographs to the mid 1870s, a dating that is supported by the fashion worn by the figures who appear in the English photographs on the reverse of the album page.
Bookseller: Douglas Stewart Fine Books [Melbourne, Australia]
2017-12-06 13:47:25
Galton, Francis, editor
Cambridge: Macmillan & Co., London, 1861. First edition, 8vo, pp. viii, 483, [1], 23, [1] ads; bottom of spine slightly cracked else very good and sound in orig. pictorial green cloth stamped in gilt on upper cover and spine. Galton, the cousin of Charles Darwin and the originator of eugenic studies, whose seminal work, Finger Prints (London, 1892), led to the adoption of a entirely new system of criminal identification, was interested in tourism and vacations. His earlier work, The Art of Travel; or, Shifts and Contrivances in Wild Countries (1859) dealt with how to travel efficiently and safely, went through at least five editions over the next twenty years. In the present book, Galton edits 13 travel accounts including "The Allelein-Horn, " by Leslie Stephen (Virginia Woolf's father), his own "Visit to North Spain, " and H. F. Tozer's account of his visit to Norway. Several others deal with mountaineering, Naples and Gibraltar, Croatia and Hungary, and Peru. In his Preface Galton hopes that this book becomes a series of annual volumes: in fact, two others were published in subsequent years. [Attributes: First Edition; Hard Cover]
Bookseller: Rulon-Miller Books (ABAA / ILAB) [St. Paul, MN, U.S.A.]
2017-12-06 09:06:59
ELIOT, George.
Edinburgh: William Blackwood and Sons, 1861 - Octavo. Original brown ripple-grain cloth, spine lettered in gilt, advertisements in rear leaves. Original bookseller's ticket to front pastedown, ownership signature to front free endpaper. This has been skilfully rebacked with original spine laid down. A very good copy. First edition. Published on 2 April 1861, the novel was a popular success and resulted in 8,000 copies in five separate printings in 1861. The publisher William Blackwood was initially worried about publishing another short fiction which might not be bought by libraries, and so deliberately made this single-volume copy "thicker and handsomer" than a volume of an ordinary three-volume novel. The novel contains a number of printer's errors which frustrated Eliot, and so a corrected edition was published in 1863 (Shattock, pp. 27-28). Parrish pp. 15-16; Sadleir 819; Wolff 2063. [Attributes: First Edition]
Bookseller: Peter Harrington. ABA member
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2017-12-06 08:31:11
COSTELLO Dudley
James S. Virtue, 1861. In-8 gr. (mm. 270x206), 2 voll. in 1, mz. tela mod., tit. oro al dorso, pp. (2),148; (2),146. Il primo vol. è così composto: un frontespizio inc. su acciaio con la veduta della "Ravine of the Tournanche", 66 tavole di vedute e 1 con il ritratto di Garibaldi (pure inc. su acciaio), con 2 carte geografiche a doppia pag. (Switzerland - The Kingdom of Sardinia). Manca il ritratto di Vittorio Emanuele II. // Il secondo vol.: ritratto di Napoleone II (in antiporta) e un frontespizio inc. su acciaio con la veduta di "Villar, Val Pelice", 56 (su 57) tavole di vedute, 3 ritratti (Francesco Giuseppe I, il principe Napoleone e il papa Pio IX) inc. su acciaio e 4 carte geografiche a doppia pag. (Italy - Venetia, or Austrian Italy - Naples and Sicily - Central Italy). Importante opera iconografica, ricca di belle incisioni. Le pregevoli vedute raffigurano il Monte Bianco, il Cervino, Torino, Lucerna, Bellinzona, Ginevra, il Moncenisio, il Monte Rosa, Pinerolo, Genova, Alessandria, il lago Maggiore, il lago di Lugano, Como, Milano, lago di Garda, Verona, Padova, Venezia, Bologna, Pisa, Firenze, Siena, Spoleto, Perugia, Roma, Losanna e tante altre. Cfr. Cremonini "L'Italia nelle vedute..",177. Le prime 9 carte con piccola mancanza all'angolo infer.; tavole con aloni solo marginali; lievi tracce d'uso ma certamente un buon esemplare.
Bookseller: Libreria Antiquaria Malavasi
2017-12-04 18:45:21
CANTU' CESARE
CORONA E CAIMI, MILANO, 1861. ANTIPORTA ALLEGORICA DI VENEZIA, MOLTISSIME BELLE SILOGRAFIE NEL TESTO E TAVOLE IN ACCIAIO F.T. RAFFIGURANTI MONUMENTI, LUOGHI, PERSONAGGI, SCENE ECC., MOLTI RITRATTI E 3 TAVOLE PIU' VOLTE RIPIEGATE F.T., TRA CUI UNA PIANTA DI VENEZIA E UNA VEDUTA DALL'ALTO. LIEVI ABRASIONI ALLA PELLE DEL DORSO, TAGLIO ALLE CERNIERE INTERNE, LIEVI FIORITURE NEL TESTO, OTTIMO NEL COMPLESSO. PAGG. 573 MEZZA PELLE CON TIT. AL DORSO MIS MM 250X165
Bookseller: Libreria Al Vecchio Libro
2017-12-04 18:45:21
CANTU' CESARE
CORONA E CAIMI, MILANO, 1861. ANTIPORTA ALLEGORICA DI VENEZIA, MOLTISSIME BELLE SILOGRAFIE NEL TESTO E TAVOLE IN ACCIAIO F.T. RAFFIGURANTI MONUMENTI, LUOGHI, PERSONAGGI, SCENE ECC., MOLTI RITRATTI E 3 TAVOLE PIU' VOLTE RIPIEGATE F.T., TRA CUI UNA PIANTA DI VENEZIA E UNA VEDUTA DALL'ALTO. LIEVI ABRASIONI ALLA PELLE DEL DORSO, TAGLIO ALLE CERNIERE INTERNE, LIEVI FIORITURE NEL TESTO, OTTIMO NEL COMPLESSO. PAGG. 573 MEZZA PELLE CON TIT. AL DORSO MIS MM 250X165
Bookseller: AL VECCHIO LIBRO [Bassano del Grappa, Italy]
2017-12-03 19:53:43
Bonn, 1861. ca. 600 S. (teils in gedruckter lithographierter Handschrift, teils in Handschrift / Tinte), Fol., Halbleder der Zeit, Bibliotheksexemplar mit Rückenschild und Stempeln (entwidmet), Einbände stärker berieben und bestoßen, Papier teils etwas fleckig / gebräunt, ansonsten ordentlich erhalten, Text in Latein, (Jesuiten, Jesuitenorden, Orden, Ordensgeschichte, Deutschland, Deutsches Reich, 19. Jahrhundert, Ordensregel, Visitationen, Briefe, Berichte, Jesuits, history, 19th century)
Bookseller: Antiquariat Hagena & Schulte GbR [Germany]
2017-12-03 10:58:35
LECONTE DE LISLE
- Paris, Poulet-Malassis et de Broise, 1861. In-12, (4)-274-(2) pp., reliure demi-maroquin rouge à coins (Mercier, sc. de Cuzin), dos orné, couverture et dos conservés (une infime épidermure en pied du mors inférieur). Ex-libris : P. Villeboeuf. Edition originale. Très bel exemplaire, couverture conservée, sous une riche reliure de Mercier. * Voir photographies / See pictures. *** Membre du SLAM et de la LILA / ILAB Member. La librairie est ouverte du mardi au samedi de 14h à 19h. Si vous souhaitez passer à la librairie pour un livre, merci de nous prévenir au préalable, l'ensemble du stock visible en ligne n'étant pas immédiatement consultable. *** Langue : Français
Bookseller: Chez les libraires associés
2017-12-02 08:53:42
Stuttgart, Carl Hoffmann 1861 - 4°. Lithograph. Vortitelbl., Titelbl., (2) S. Register, 380 S. Mit 48 (36 handkolor. meist lithogr.) Tafeln. Ln. der Zeit mit goldgepr. Deckeltitel- und Bild sowie reicher blindgepr. Deckelverzierung. Zoologische kolor. Tafeln: Vögel, Eichhörnchen, Echsen, Muscheln, Makis, Käfer, Schwertfisch, Panzertier, Schmetterlinge, javanischer Flederhund, Reptilien u.a. sowie nordamerikanische, indianische Jagdszene, Tiger- Büffelkampf in Indien, Kampf zwischen einem Rhinozeros und Elefanten. - Botanische kolor. Tafeln: Japanische Feldnelke, Apfel, Waldrebe, Diatomeen u.a. sowie Meersalzgewinnung in Frankreich, Trachten von Borneo, Abessinier, norwegische Trachten. - Stahlstich-Ansichten: Steyer, Chamonix, Konstantinopel, Nahun u.a. - Stahlstich-Porträts von Samuel Warren, Rubens. - (Einband mit Lichtrand. Text vereinzelt und Stahlstichtafeln etwas stockfleckig. Kolor. Tafeln sauber).
Bookseller: Biblion Antiquariat
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2017-12-02 08:53:42
Stuttgart, Carl Hoffmann 1861 - 4°. Lithograph. Vortitelbl., Titelbl., (2) S. Register, 380 S. Mit 48 (36 handkolor. meist lithogr.) Tafeln. Ln. der Zeit mit goldgepr. Deckeltitel- und Bild sowie reicher blindgepr. Deckelverzierung. Zoologische kolor. Tafeln: Vögel, Eichhörnchen, Echsen, Muscheln, Makis, Käfer, Schwertfisch, Panzertier, Schmetterlinge, javanischer Flederhund, Reptilien u.a. sowie nordamerikanische, indianische Jagdszene, Tiger- Büffelkampf in Indien, Kampf zwischen einem Rhinozeros und Elefanten. - Botanische kolor. Tafeln: Japanische Feldnelke, Apfel, Waldrebe, Diatomeen u.a. sowie Meersalzgewinnung in Frankreich, Trachten von Borneo, Abessinier, norwegische Trachten. - Stahlstich-Ansichten: Steyer, Chamonix, Konstantinopel, Nahun u.a. - Stahlstich-Porträts von Samuel Warren, Rubens. - (Einband mit Lichtrand. Text vereinzelt und Stahlstichtafeln etwas stockfleckig. Kolor. Tafeln sauber).
Bookseller: Biblion Antiquariat
2017-12-01 16:52:21
Horace
Parker, Son, and Bourn, London 1861 - 8vo, pp. xxxiii, [iii], 368. Early prize binding by Bickers & Son of mid-brown calf over thick wooden boards with slightly rounded edges, boards bordered with a double gilt rule and with central armorial prize stamps, spine divided by raised bands, green morocco label, other compartments with central decorative tools and corner circles all gilt, marbled edges and endpapers. Some light spotting. Leather lightly marked, spine slightly darkened, a few small surface scrapes. Prize label to front pastedown from Elizabeth College, Guernsey, awarding the boook as an extra prize to 'Clarke' for 'General Knowledge', signed by John Oates and dated 1872; ownership inscription of J.A. Clarke to second flyleaf. Attractively printed by Charles Whittingham at the Chiswick Press, this translation of Horace is by the Scottish poet and translator Theodore Martin (1816-1909) and 'like all Martin's versions of Latin poetry, is more fluent than scholarly' (ODNB). The binding, though produced in London, was done for Elizabeth College on Guernsey, an independent school founded 1563 which has assigned sequential numbers to its pupils since 1824. The recipient of the volume, James Alexander Clarke (b. 1860), was pupil 1855, going on to be an assistant paymaster in the Royal Navy. [Attributes: Hard Cover]
Bookseller: McNaughtan's Bookshop & Gallery ABA PBFA
2017-12-01 15:53:36
BERLEPSCH, H
Longman, Green, Longman, and Roberts, London, 1861. iv; (ii); 407; (i); iv pages. Frontispiece, 16 tinted plates. Presentation label. Contemporaryfull tan prize calf, extra gilt on the spine with contrasting black morocco label. attractive marbled endpapers and matching page edges Size: 8vo. [Attributes: First Edition; Hard Cover]
Bookseller: Roger Collicott Books [Widecombe in the Moor, DEVON, United Kingdom]
2017-12-01 15:27:45
Aimard, Gustav:
Leipzig: Kollmann 1861 - 185, 190, 176 S. Sprache: Deutsch Gewicht in Gramm: 900 Kl.-8°, Leinen der Zeit mit goldgeprägtem Rücken. Papier altershalber vergilbt. Hübsches Exemplar! [Attributes: Hard Cover]
Bookseller: Versandantiquariat Halina Krupka
2017-12-01 15:25:23
FIORELLI GIUSEPPE
Napoli, Tipografia Italiana nel Liceo V. Emanuele, 1873, 1861. In 4° (cm. 32,5 x 24,5); pagg. XIII, 172, 20; con 20 tavole e piante anche a colori f.t. e alcune incisioni n.t.; cartonatura originale con stemma. Qualche traccia d'umido al piatto poster., ma ottimo esemplare, a pieni margini. Stampato su carta uso mano. VG-.
Bookseller: Studio Bibliografico Piacere e Il Dovere
2017-12-01 08:20:01
Lpz., Oehme, 1861. Zweite Ausgabe. * Die erste Ausgabe war 1856 unter dem Titel Die Wüstenharfe erschienen. Im Anhang mit Erklärungen. Vorderer Innendeckel mit einem montierten Exlibris von Robert Saitschick, entworfen von Fidus. Sprache: Deutsch Gewicht in Gramm: 230 17,5/12,8 cm. XVIII,2,183,1 S. Späterer Pappband mit montiertem, goldgeprägtem Rückenschildchen.Gering berieben. Papier gebräunt und etwas stockfleckig. Eine Sammlung arabischer Volkslieder. Deutsch und mit einem Vorwort von Julius Altmann. Mit einem Titelbild. [Attributes: First Edition; Hard Cover]
Bookseller: Antiquariat Jürgen Fetzer [Wien, Austria]
2017-12-01 03:45:45
Paris, Adolphe Delahays, 1844, 2 tomos en 1 volumen de 18x12 cm., en holandesa (lomo deteriorado), LXXXVI+274 págs.+1 h. y 376 págs
Bookseller: Librería Jimenez-Bravo [ES]
2017-11-30 18:33:15
FORESTER Thomas
Longman Green etc., London, 1861 - xxiv + [1] + coloured frontispiece, 450pp with 8 tinted lithographs (one folding) and 39 wood engraved text illustrations. Large octavo, revised and enlarged 2nd ed., fine in full calf contemporary prize binding but with new spine. A handsome copy.
Bookseller: Pennymead Books PBFA [Knaresborough, United Kingdom]
2017-11-30 15:37:34
Joh.Heinr. Richartz ( Johann Heinrich 1795 - 1861 ) Hg.
Dumont-Schauberg, Köln 1861 Erstausgabe Fester Einband Sehr gut Vorwort Dr. Leonard Ennen. Professioneller, solider, Funktionseinband (aus neueren Zeiten) mit tadelloser Bindung (kaum sichtbarer Fleck auf vorderem Buchdeckel). Ge- u. entstempeltes Bibl. Exemplar mit materiell sehr gutem, weitestgehend fleckenfreiem, durchgehend sauberem Buchblock. Frontispiz mit Schutzseidenpapier Ferdinand Wallraf. (signiert Mengelberg / Steifensand), leider mit Randfleck, XXXVI, Einleitung Ennen, Inhaltsverzeichnis, Portraitstich J. Heinr. Richartz (signiert Steifensand), auch mit Randfleck), 416 Seiten. Aus dem Inhalt: Die ersten Thore der Stadt, Die Rheininsel, Umwandlung der Rheininsel bei den Ubiern Agrippinensern, Brücken und Zugänge der Rheininsel, Konstantin`s Brückenveste zu Deutz, Topographie des Inselmarktes, Vermischte Aufsätze, Poesie Deutsch-Lateinisch, Inschriften und Grabschriften. Insgesamt sehr gut erhalten. Versand als Paket, Inlandsporto Euro 5.50. 0.6 Kg. Versand D: 5,50 EUR RHEINLAND KUNST KUNSTGESCHICHTE EPIGRAPHIK PRÄHISTORIE ANTIKE ARCHÄOLOGIE RHEININSEL GENEALOGIE GRABINSCHRIFTEN COLONIENSIA KÖLN COLONIA POESIE URGESCHICHTE
Bookseller: Antiquariat Clement
2017-11-30 04:21:48
Adolphe, Marie-Alexandre.
Auguste Bry, Paris 1861. 33 x 24 cm (sheet size) Lithograph with full hand colour. Célestine Emarot was a soloist at the Paris Opera and the mother of the talented Emma Livry, the dancer who was tragically burned to death when her costume caught fire in 1860.
Bookseller: Garwood & Voigt [Sevenoaks, United Kingdom]
2017-11-30 04:21:48
Adolphe, Marie-Alexandre.
Auguste Bry, Paris 1861. 33 x 24 cm (sheet size) Lithograph with full hand colour. Eugénie Fiocre (b. Paris, 2 July 1845, d. 1908) was a principal dancer at the Paris Opéra 1864–75 where she often danced en travesti, creating Frantz in Coppélia in 1870, and, renowned for her beauty, was sculpted by Jean-Baptiste Carpeaux and painted by Degas in a scene from Saint-Léon's ballet La Source.
Bookseller: Garwood & Voigt [Sevenoaks, United Kingdom]
2017-11-30 04:21:48
Adolphe, Marie-Alexandre.
Auguste Bry, Paris 1861. 33 x 24 cm (sheet size) Lithograph with full hand colour. The print shows the dancer in the ballet Marco Spada, which was performed at the Paris Opera in 1857. It was a splendid piece of French Second Empire nonsense, featuring bandits, kidnapped heroines, lovers' misunderstandings, a rejected suitor who in a fit of pique agrees to marry someone he doesn't love, and a bandit chief's daughter, freed to marry her lover when it transpires she was adopted. The subject was chosen because it provided two strong female roles for the Paris Opera Ballet's current stars, Carolina Rosati and Amalia Ferraris.
Bookseller: Garwood & Voigt [Sevenoaks, United Kingdom]
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2017-11-30 04:21:48
Adolphe, Marie-Alexandre.
Auguste Bry, Paris 1861. 33 x 24 cm (sheet size) Lithograph with full hand colour. Marco Spada was performed at the Paris Opera in 1857, a splendid piece of French Second Empire nonsense, featuring bandits, kidnapped heroines, lovers' misunderstandings, a rejected suitor who in a fit of pique agrees to marry someone he doesn't love and a bandit chief's daughter, freed to marry her lover when it transpires she was adopted. The subject was chosen because it provided two strong female roles for the Paris Opera Ballet's current stars, Carolina Rosati and Amalia Ferraris.
Bookseller: Garwood & Voigt [Sevenoaks, United Kingdom]
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2017-11-29 21:45:29
COLLODI, Carlo).
Firenze, Tipografia Grazzini, Giannini e C., 1861. In 8vo, (cm. 22,5); br. orig. stampata verdina; pp. 24 + Un tavola incisa f. testo che rappresenta la Manifattura di Doccia del marchese Ginori Lisci. Copertina un po’ sporca con un leggero alone ma all’interno ottima copia. E’ una piccola guida turistico-industriale alla Manifattura Ginori, vicino a Sesto, dove il fratello di Carlo era direttore. Unica edizione introvabile. Parenti, Rarità bibliografiche dell’Ottocento, II p. 165.
Bookseller: LIBRERIA PAOLO BONGIORNO [Modena, MODEN, Italy]
2017-11-29 21:40:54
BOURBON, A.
1 vol. in-8 reliure bradel demi-toile verte, F. Bideaux, Imprimeur de Mgr l'Evêque et du Clergé, Luçon, 1861, 505-6 pp. avec une planche hors texte Edition originale. Bon état pour cet ouvrage rare (cachet d'ex-libris, qq. annotations). Français
Bookseller: Librairie Du Cardinal
2017-11-29 21:37:27
COSTELLO Dudley
James S. Virtue, 1861. In-8 gr. (mm. 270x206), 2 voll. in 1, mz. tela mod., tit. oro al dorso, pp. (2),148; (2),146. Il primo vol. è così composto: un frontespizio inc. su acciaio con la veduta della "Ravine of the Tournanche", 66 tavole di vedute e 1 con il ritratto di Garibaldi (pure inc. su acciaio), con 2 carte geografiche a doppia pag. (Switzerland - The Kingdom of Sardinia). Manca il ritratto di Vittorio Emanuele II. // Il secondo vol.: ritratto di Napoleone II (in antiporta) e un frontespizio inc. su acciaio con la veduta di "Villar, Val Pelice", 56 (su 57) tavole di vedute, 3 ritratti (Francesco Giuseppe I, il principe Napoleone e il papa Pio IX) inc. su acciaio e 4 carte geografiche a doppia pag. (Italy - Venetia, or Austrian Italy - Naples and Sicily - Central Italy). Importante opera iconografica, ricca di belle incisioni. Le pregevoli vedute raffigurano il Monte Bianco, il Cervino, Torino, Lucerna, Bellinzona, Ginevra, il Moncenisio, il Monte Rosa, Pinerolo, Genova, Alessandria, il lago Maggiore, il lago di Lugano, Como, Milano, lago di Garda, Verona, Padova, Venezia, Bologna, Pisa, Firenze, Siena, Spoleto, Perugia, Roma, Losanna e tante altre. Cfr. Cremonini "L'Italia nelle vedute..",177. Le prime 9 carte con piccola mancanza all'angolo infer.; tavole con aloni solo marginali; lievi tracce d'uso ma certamente un buon esemplare.
Bookseller: Libreria Antiquaria Malavasi [IT]
2017-11-29 20:59:16
Domov [pseudonym of Mikhail N. Pokrovskii, 1868-1932].
1861. 16 pp. Original stample-stitched printed red wrappers. 16mo (158:110 mm). This copy from the library of Lev Borisovich Bernstein (1877-1962), a Russian activist and historian who lived in Paris from the early 1900s and was in close contact with many revolutionary figures, including Maxim Gorky. - Small ex-libris stamp of the collector L. B. Bernstein to title page, as well as stamp of the Geneva "Vpered" group. - Front wrappers with old crease; else very good. Not in the Bernstein and Souvarine catalog (Dekker & Nordemann, 1980). KVK, OCLC show ten copies.
Bookseller: Antiquariat Inlibris [AT]
2017-11-28 13:51:54
BAUDELAIRE (Charles).
Paris, Poulet-Malassis et de Broise, 1861. In-12 ; 2 ff.bl -1 f.(faux-titre); portrait de Baudelaire (frontispice) 1 f. (titre rouge et noir, marque des éditeurs imprimée en rouge); 1 f. (dédicace à Théophile Gautier); et 319 p. Demi-maroquin prune foncée, dos à 5 nerfs, auteur, titre et date dorée, double filet à froid en carré entre les nerfs et de séparation sur les plats, tête dorée sur témoins (reliure signée DEVAUCHELLE). Papier parfaitement conservé. (couvertures non conservées). Edition en partie originale, sans les six Pièces condamnées mais augmentée de 35 poèmes nouveaux et ornée d'un portrait de l'auteur, en frontispice, dessiné et gravé à l'eau-forte par BRACQUEMOND. D'après MM. De la Fizelière et Georges Decaux la seconde édition des Fleurs du mal aurait été tirée à 1.500 ex. Cette édition ne contient pas les six pièces condamnées en 1857 mais remaniée par Baudelaire, avec notamment la nouvelle section des " Tableaux parisiens ", cette édition est la dernière parue de son vivant ; parmi les poèmes nouveaux se trouvent " L'Albatros ", " Hymne à la beauté ", " La Chevelure ", " Obsession ", " Alchimie de la douleur ", " A une passante ", " Rêve parisien ". (Réf. Clouzot- G. Vicaire). (réf Talvart et Place, I, P. 284 - Carteret, 1, pp123-124. -Vicaire, 1, col. 343-344. - Claude Pichois, Charles Baudelaire, Paris, 1996, p. 419). Après la condamnation en août 1857 de six de ses poèmes des Fleurs du Mal, Baudelaire songea à une nouvelle édition et rédigea directement de nouveaux poèmes qui lui étaient destinés. Cette seconde édition qui paraît en 1861 ne contient do … [Click Below for Full Description]
Bookseller: Livres de A à Z - Beatrice Bablon [FR]
2017-11-28 08:32:06
Antique print, titled: 'La Sainte Chapelle au Palais de Justice.' - A view of the Sainte-Chapel within the Palais de la Cite in Paris. Handcoloured crayon style lithograph on wove paper. Description: From the series 'Paris Dans sa Splendeur ', published by Henri Charpentier in Paris, 1861.Artists and Engravers: Made by 'Felix Benoist' after 'Michel Charles Fichot'. Felix Benoist (1818-1896) was a French painter and lithographer. Michel Charles Fichot (1817-1903) was a French painter, architect and lithographer from Troyes, active in Paris. He exhibited at the Salon from 1841-1875. Condition: Very good, given age. A few tiny stains in margin, not affecting image. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Storage location: E39-14 The overall size is ca. 13 x 19.1 inch. The image size is ca. 9.9 x 15.7 inch. The overall size is ca. 33 x 48.5 cm. The image size is ca. 25.1 x 40 cm.
Bookseller: ThePrintsCollector [Zeeland, Netherlands]
2017-11-28 05:14:27
ROTH Abraham (Testo di)
Berne,: Librairie J. Dalp, (1861 ca.). Berne, Librairie J. Dalp, (1861 ca.) Album oblungo (mm. 420x580), bella legatura in tela edit. (con aloni, risguardi rifatti), cornici a secco con grande stemma della Svizzera in ricca decorazione oro al piatto anteriore. Magnifica raccolta di 15 tavole (al vivo mm. 300x460) disegnate da Eugène Adam e litografate da Jules Adam, introdotte da un bellissimo frontespizio figurato, pure litografato; tutte sono precedute da una pagina di descrizione in tedesco e in francese. Dall'introduzione apprendiamo che l'artista svizzero ha concepito “l'idéé de consacrer ses pinceaux à l'illustration d'une campagne simplement simulée, exécutée au sein de la paix.. en faisant un heureux mélange de scènes guerrières avec les scènes majestueuses de la nature des Alpes.. En 1861 la Suisse se trouve attaquée sur toute sa frontière méridionale..”. Le operazioni di guerra disegnate e descritte sono le seguenti: “Embarquement des troupes à Lucerne, 14 aout - Départ d'Amsteg, 16 aout - Construction du pont au Pfaffensprung (Saut du Moine), 16 aout - Combat du pont de Meidschlingen, 16 aout - Levée du camp de Wasen, 17 aout - Position près de Goeschenen, 17 aout - La batterie n. 27 à la première galerie de la route du St. Gotthard, 17 aout - Service divin du bataillon bernois au camp d'Andermatt, 18 aout - Rapport du soir au camp de Réalp, 19 aout - Marche de la I brigade vers la Furka, 20 aout - La II brigade au col des Nufenen, 20 aout - Halte de la I brigade au glacier du Rhone, 20 aout - Scène de bivouac dans la cour du palai … [Click Below for Full Description]
Bookseller: Libreria Malavasi sas [Italy]
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2017-11-27 23:44:59
Dickens, Charles
Bookseller: Whitmore Rare Books [USA]
2017-11-27 23:44:59
Dickens, Charles
Bookseller: Whitmore Rare Books [USA]
2017-11-27 23:44:59
Dickens, Charles
Bookseller: Whitmore Rare Books [USA]
2017-11-27 23:44:59
Dickens, Charles
London: Chapman and Hall, 1861. First edition. Very Good. 3 volumes, octavo. Original violet wavy-grained cloth, the covers with floral decoration within linear border stamped in blind, spines lettered in gilt, yellow endpapers. Housed in a custom red quarter morocco and cloth solander box. With 32 pp. publisher's adverts at end of Vol. III dated May 1861. Spines expertly relined with original spines laid down, ends and tips refurbished, hinges skillfully repaired, some foxing and spotting to contents, withal a very good copy in bright cloth. First impression, published on 6 July 1861, one of 1,000 copies. The first edition was divided into five impressions, with distinct title pages labelling them as five editions, perhaps to imply rapid sales. The modern bibliographical authority is generally agreed to be the table given in Appendix D to the Clarendon edition, 1993, based on line-by-line collation of six 1861 copies, with additional spot checks from other copies, in which Margaret Cardwell agrees with the traditional conclusion that the same setting of type was used for all five impressions: "there is no warrant for treating the five impressions as distinct editions" (p. 491). However, she deduces that the impressions were sequential and that minor corrections and gradual deterioration of type can be shown across the five impressions. This copy has the great majority of Cardwell's points for the first impression, but with the following exceptions: Vol. II: 282.3 no ink between seemed and hardly; Vol. III: 39.5 no ink between you and feel; 193 foot middle I in III is no … [Click Below for Full Description]
Bookseller: Whitmore Rare Books [U.S.A.]
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