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Displayed below are some selected recent viaLibri matches for books published in 1861

        SHINKAN YOCHI ZENZU: WORLD CHART ON MERCATOR'S PROJECTION WITH NUMEROUS OCEAN ROUTES. AHEAD OF TITLE: KANKYO SHINKAI YOCHI ZENZU.

      A GIANT SIZED COPPER-ETCHED COLOR WORLD MAP Edo 1861, - Satoh. Green stained cloth covers, color woodblockprinted, copper etched outline, sheet 1 meter 35.5 x 1 meter36 cm., light margin & small center stain, a few old mendedworm holes, else solid, grand size wall map. R A R E Color scans available for this book on request. Description content 2015Copyright Rare Oriental Books Co.

      [Bookseller: RARE ORIENTAL BOOK CO., ABAA, ILAB]
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        The Chinese Classics: with a Translation, Critical and Exegetical Notes, Prolegomena and Copious Indexes. By James Legge, D. D. Vol. 1. Containing Confucian Analects, The Great Learning and The Doctrine of the Mean

      Hongkong: At the Author's/London: Trubner & Co., 1861 - First edition, first printing. Octavo, 25.4*17*4.8cm, wt:1.3kg, xiv+136p+376p. Ex-library with usual markings, otherwise a clean copy with firm binding. Volume I only. [Attributes: First Edition; Hard Cover]

      [Bookseller: Chinese Art Books]
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        The Theory of Foreign Exchanges

      London: Effingham Wilson , 1861 Contemporary quarter calf and marbled boards, spine lettered gilt, label of Bibliothek der Wiener Handelsakademie on the upper cover and inside, leaf edges marbled, printers woodcut on title of a grasshopper, pp.xii + 139 pages, discreet library stamp on title, a fine copy.Provenance: Bibliothek der Wiener Handelsakademie, founded in 1857, the second Handelsakamie of the Austrian Empire after Prague.Not in Einaudi or Sraffa. Not in the Amex Library. See Chi-Yuen Wu: An outline of international price theories. (2007), pp.204-206. Schumpeter, p.736.FIRST EDITION of this classic treatise in which Goschen declared that the primary clause which determined the fluctuations in the exchange rates was the balances of international indebtedness. He found that the state of credit in the money market played an important role. Chi-Yuen Wu writes that Goschen produced the first systematic exposition of the effects of the bank rate.Goschen [1831-1907], Chancellor of the Exchequer in Salisbury?s second administration 1886-1892] was 30 years of age when this work was first published. "His book describes extremely well what a highly educated and intelligent dealer in foreign exchange would know about foreign exchanges. As a piece of analysis, the performance, which nowhere goes below a well-observed surface, does not rank highly. But it explained things about which politicians and academic economists are likely to know little and hence was a boon to both. The success of the book was sweeping and it is still worth reading". SchumpeterRarely found in first edition.

      [Bookseller: Hamish Riley-Smith Rare Books]
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        MAP OF THE STATE OF MAINE.

      Portland, Me.: J. Chace Jr., & Co., 1861. - Wall map, 62 1/2 x 61 inches, with full period hand-coloring. Mounted on canvas with wooden roller at top of map (bottom roller lacking). Some tearing and wear at bottom edge. Coated uniformly with a yellow shellac. Good. [with:] A BUSINESS DIRECTORY OF THE SUBSCRIBERS TO THE NEW MAP OF MAINE. Portland. [1861]. 344pp. Original publisher's cloth. Lightly worn and faded at extremities. Very minor foxing. About very good. An impressive and immensely detailed map of the state of Maine, incorporating the work of the British and American Boundary Commissioners Survey, the U.S. Coast Survey, the State Land Surveys, and the New Brunswick Provincial Surveys. Drawn on a scale of five miles to an inch, the chart shows all the counties and cities in the state, and minutely delineates the coastline. Several cities are shown in inset maps: Portland, Calais, Presque Isle, Houlton, Ellsworth, Bangor, Eastport, Machias, Bath, Farmington, Dover and Foxcroft, Paris Hill, Skowhegan, Waterville, Hallowell, Wiscasset, Gardiner, Augusta, Waldboro, Brunswick, Thomaston, Rockland, Auburn and Lewiston, and Saco and Biddeford. Also included is a table of distances and an engraving showing the mountains of Maine with their height in feet. A rather large inset map shows the United States, and a smaller one shows the world. Phillips' MAPS and Rumsey list an 1862 edition, but not the present one. This is Walling's first map of Maine, and so misses by a year inclusion in Thompson's bibliography of Maine maps. RUMSEY 1153. PHILLIPS MAPS, p.385 (both for 1862 ed).

      [Bookseller: William Reese Company - Americana]
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        The Book of Household Management; Comprising information for the Mistress, Housekeeper, Cook, Kitchen Maid, Butler etc Also, sanitary, medical, and legal memoranda; With a history of the origin, properties, and uses of all things conected

      London: S.O. Beeton 1861. First Edition, Second Issue, small 8vo., colour title page, xxxix., 1112 pp, 12 colour plates. The 2nd issue with the Strand address, and bound without the pastoral colour frontispiece. This copy has a modern respine, but the boards are still the original purple diaper cloth, with 'Household Management' stamped in gilt on the front board. Surely one of the best known cookery books ever. Very Good overall. . Very Good. Cloth. First Edition, Second Issue. 1861. Small 8vo..

      [Bookseller: Fosters' Bookshop]
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        Der Katzen-Raphael. Zwölf Blätter Katzengruppen. Nebst einer kurzen Lebensskizze Minds und der Nevelette: Der Katzen-Raphael von Franz Freiherrn Gaudy.

      Berlin, Schroeder 1861.. Mit 12 radierten Tafeln nach Gottfried Mind. 4 (1 w.) Bl., 28 S. Bedruckter Orig.-Broschur. 28,5 x 23 cm. In einer Halblederkassette mit Rückenschild und aufgezogener faksimilierter Original-Broschur.. Rümann 1394; Lonchamp 2087; Brun II, 410. - Die Radierungen von L. Bellon, E. Eichens, F. Hegi, A. Hüsener, R. Reyher und A. Schröter. - Der Berner Tier- und Figurenmaler Gottfried Mind (1768-1814), seit 1780 als Kolorist im Atelier von Samuel Freudenberger in Bern in Stellung, konnte erst nach Freudenbergers Tod 1802 seiner Vorliebe für Tierdarstellungen nachkommen. - Der Umschlag mit einigen Einrisse und Fehlstellen im Randbereich und am Rücken. Etwas gebräunt und stockfleckig, die erste Tafel stärker.

      [Bookseller: Antiquariat Uwe Turszynski]
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        HISTORY of GREECE. 12 VOLUME COMPLETE SET. Quarter Leather & Marbelled Boards.

      HARPER & BROTHERS, N.Y. 1861 - A BEAUTIFUL COMPLETE 12 VOLUME SET OF THIS SOUGHT AFTER HISTORY OF GREECE BY GEORGE GROTE. ALL OF THE BOOKS ARE VERY SOLID AND CLEAN. THERE IS A PRIVATE BOOK LABEL ON ALL FRONT PASTEDOWNS, AND A TINY BOOK BINDER'S LABEL ON SAME: "John Lovel l book binder Montreal". At the bottom of each spine there is a very small imprint of a society in Quebec.MARBELLED PAGE EDGES ALL AROUND. . NO FOXING. A SPLENDID SET. GIFT GIVING QUALITY. OVERSIZE FOR SHIPPING,PLEASE CONTACT SELLER BEFORE PLACING THE ORDER IN ORDER TO GET AN ACCURATE COST OF POSTAGE. FURTHER SCANS ON DEMAND, THANKS. Size: 12mo - over 6¾" - 7¾" tall [Attributes: Hard Cover]

      [Bookseller: Come See Books Livres]
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        Tratado Pratico e Compendiario das Aguas dos Rios Publicos.

      1861 - Rare Portuguese Treatise on Water Law Almeida e Sousa de Lobao, Manuel de. Tratado Pratico e Compendiario das Aguas dos Rios Publicos, Fontes Publicas, Ribeiros e Nascentes d'Ellas: Obra Apurada, Em que se Adopta o Mais Racionavel da Legislacao Romana, Cortado o que Hoje e Reprovado Pelo uso Moderno das Nacoes. Com Dois Indices, Um dos Capitulos, Outro das Conclusoes mais Notaveis e com Duas Dissertacoes Analogas Primeira Sobre as Aguas Pluviaes Segunda Sobre as Aguas Subterraneas. Lisbon: Imprensa Nacional, 1861. xxiv, 195 pp. Octavo (8" x 5-1/2"). Contemporary sheep treated to look like tree calf, lettering pieces and gilt ornaments to spine, marbled endpapers. A few shallow scuffs to boards, some rubbing to extremities with wear to spine ends and corners, front joint starting at ends, boards somewhat bowed, rear hinge cracked but secure, small worm hole to front free endpaper and title page. Some toning to text, light foxing to a few leaves. Early owner name to fore-edge of text block, internally clean. Ex-library. Fragment of shelf label to spine, fragment of bookplate to front free endpaper. A solid copy of a rare title. * This appears to have been a respected work. It was cited by jurists in Portugal and Brazil and reprinted in 1911. It is quite rare today, however. KVK locates a handful of both editions worldwide, none in North America. OCLC locates one copy in North America (at Yale Law School). Other copies located at UC-Berkeley Law School and Harvard Law School, which has the 1911 edition. Not in the British Museum Catalogue. [Attributes: Hard Cover]

      [Bookseller: The Lawbook Exchange, Ltd., ABAA ILAB]
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        Explorations & Adventures in Equatorial Africa;

      London: John Murray,, 1861. With Accounts of the Manners and Customs of the People, and of the Chace of the Gorilla, Crocodile, Leopard, Elephant, Hippopotamus, and Other Animals. Octavo. Original black fine-combed cloth, title gilt to the spine, large gilt block of a gorilla to the front board, blind panelling to the spine and boards, terracotta endpapers. Folding wood-engraved frontispiece of the gorilla and 26 other wood-engraved plates, numerous wood-engraved illustrations to the text, lithographed folding map. Slightly rubbed, hinges a touch loose, light browning and a scatter of foxing throughout, closed tear to the map neatly repaired, overall a well-preserved copy in the original cloth. Second UK edition with corrections and a short "Notice" added to the Preface, published in the same year as the first. Du Chaillu (1835-1903) was one of the most intrepid of 19th century explorers in Africa. The journey described in Equatorial Africa, "lasted nearly four years, and in that time he travelled about 8,000 miles through tropical Africa. He collected many specimens of rare birds and animals and brought back to America the first gorillas ever seen here. He also determined that the Muni, Munda, and tributaries of the estuary of the Gaboon were mere coast rivers but that the St. Nazareth, Mexias, and Fernando Vaz were deltaic arms of the Ogowe, a vast river rising in the interior. Another important contribution was the discovery of the Fan tribe of cannibals. In 1861, two years after his return, he published Explorations and Adventures in Equatorial Africa. This was at first received with ridicule and distrust and led to many a bitter controversy among scientists. One by one, however, Du Chaillu's discoveries were confirmed by later travellers, and his reputation was established" (DAB).

      [Bookseller: Peter Harrington]
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        Report from the Select Committee on Poor Relief ( Ireland ); together with the Proceedings of the Committee, Minutes of Evidence, and Appendix.

      Ordered, by The House of Commons, to be printed - 1861. Hardcover. 742pp including Appendix and Index. .Folio.From the Library of the Public Record Office.Irish Fishing Industry. . . . . Over 350,000 customers served online! [Attributes: Hard Cover]

      [Bookseller: Kennys Bookshop and Art Galleries Ltd.]
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        Print]. Presidents of the United States

      Published by F. Bouclet, [Philadelphia] 1861 - Reilly, American Political Prints: 1861-13. A large, patriotic, and symbolic print issued around the time of Abraham Lincoln's first inauguration containing a central allegorical scene surrounded by oval portraits of the first sixteen presidents of the United States, with George Washington at the top and a beardless Abraham Lincoln at the bottom which may explain why, though now a considered one of the most beautiful prints of the images of American Presidents, it did not sell, as the new president was sporting a beard, and not clean-shaven as he was when Matthew Brady took this image on February 27, 1860, the day of his speech at Cooper Union in New York. The print "both commemorates Lincoln's election and recognizes the challenges and opportunities facing the 16th president. The 16 presidential portraits encircle symbols of the republic at a time when a divided nation faced secession and civil war. In the center, Columbia holds a shield and liberty cap, the latter being a symbol both of revolution and of freed slaves. A bald eagle grasps arrows and an olive branch and carries a ribbon with the motto 'E Pluribus Unum.' The Capitol dome (shown completed at a time when it was still unfinished) symbolizes the founding of the democratic republic while a steamship symbolizes development and progress. The allegorical images relate to concepts that Lincoln expressed in his first inaugural address; that seceding and breaking the Constitution, would be a step backward, not forward, and violates the very principles of the Union, a Union which is 'older than the Constitution.' By commemorating Lincoln's election and illustrating the troubled and complex scene he faced, this chromolithograph encapsulates the spirit of Lincoln's presidency," Erin Mast, Curator ("My Abraham Lincoln" Exhibition at President Lincoln's Cottage Museum, 2009). OCLC locates only two copies, a Minn. Library and the Library of Congress. A very good copy, small, faint stain on left margin, minor edge wear with a few tiny tears, colors vibrant. [Attributes: First Edition]

      [Bookseller: Kaaterskill Books]
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        Report Upon the Colorado River of the West

      Government Printing Office, Washington, D.C. 1861 - This first book to deal with the Colorado River predates Powell's exploration by 10 years. The Ives report is also one of the first descriptions of the Grand Canyon and of the area's native inhabitants. Many of the sketches have exaggerated views of dark and narrow canyons, reflecting how strange the landscape must have looked to these early explorers. Twelve full-page engravings, one profile, seven color plates, and 41 woodcuts. Missing the two scarce shaded geologic maps, as is common. Rebacked using original spine and boards. Some surface staining to boards, gilt rubbed. Edges rubbed, corners bumped. Farquhar 21, Howes I-94, Wagner-Camp 375.; Book; 4to - over 9¾ - 12" tall [Attributes: Hard Cover]

      [Bookseller: Back of Beyond Books, ABAA]
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        [Op. 14]. Tarentelle. Autograph musical manuscript for piano, two hands

      [1861]. Oblong folio (325 x 255 mm). Disbound. 8 pp. on two bifolia. Notated in black ink on 10-stave music paper. First leaf extended at lower margin with a ca. 23 mm. strip of paper laid down carrying an additional system (eight measures) of music; verso of extension blank. With numerous annotations in different hands, in pencil, blue pencil, red crayon, and purple ink. Autograph caption to upper right corner of first page: "Tarentelle comp. par N. Rubinstein." Tempo to upper left corner: "Presto." Heading "Tarantella" to beginning of fifth system (m. 33). Unsigned. Literals in pencil, in all likelihood in the hand of the editor or engraver: "Tarentelle" to head of first page; "Nicolas Rubinstein, Op. 14." "Stich Wie [illegible] to left margin; "Verlag und Eigenthum von Bartholf Senff" to lower margin in pencil, barely legible. Literals in blue pencil: "herunterst..."[continuation illegible] to p. 2; in red crayon: one illegible word to first system (?"Richtmaß"). Engraver's markup for layout of plates in pencil, apparently in two layers. Notational corrections in blue pencil and red crayon. [?]Shelfmark in purple ink to upper left corner of first page: "Fol: 6286." Somewhat worn, soiled and browned; creased at folds; repairs to extension of first leaf. . The is the only known autograph of Nikolay Rubinstein's Tarentelle (or Tarantella) op. 14, his most popular work, and the only one to have been published in multiple modern editions. Unlike his older brother Anton, Nikolay Rubinstein composed relatively little music. Pazdírek, vol. xxvi, p. 662, lists about 20 works, all for piano. The annotation to the foot of page 1 identifies the manuscript as the engraver's copy for the first edition, published by Bartholf Senff in Leipzig (PN 287; [1861]). The annotation is barely legible, but obviously identical (same words, same hand) with the annotation to the foot of the first page of the autograph of Nikolay Rubinstein's Polka, op. 15, at the Morgan Library, New York (accession number: Cary 578). The paper would appear to be the same as that of the first leaf of op. 15 (the further leaves of op. 15 are different). Senff's first edition has 13 pages of music, while the engraver's markup to the present manuscript indicates a total of 19 pages. Presently, the only known editions with 19 pages are those of the four-hands arrangement. It is possible that the numbers refer to Senff's later four-hand edition; the present manuscript, however, does not contain any hint of the massive additions to the musical text (such as octave doublings) characteristic of the four-hand version. The Jurgenson edition for four hands (PN 6112, from the 1890s, accessible via IMSLP) does not include the notational corrections to the present copy but does include the eight extra measures found on the extension of the first leaf. "Russian pianist, conductor, teacher, and arts administrator, [Nikolay Rubinstein, brother of Anton Rubinstein] studied piano with Theodor Kullak and Alexandre Villoing in Moscow and theory with Siegfried Dehn in Berlin... One of the greatest pianists of the second half of the nineteenth century, he mostly performed in Moscow. He championed Russian music and premiered many works by Tchaikovsky, who dedicated his First Symphony and Second Piano Concerto... to Rubinstein; on Rubinstein's death, he composed his Piano Trio 'to the memory of a great artist.' Balakirev dedicated his Islamey to Nikolay Rubinstein [who premiered it in St. Petersburg in 1869]. Rubinstein also contributed to the emergence of a Russian school of conducting. He premiered Tchaikovsky's first four symphonies, Romeo and Juliet... and Eugene Onegin. He was one of the founders of the Moscow branch of the Russian Musical Society, whose concerts he conducted from 1860, and of the Moscow Conservatory (1866). His most famous students were Sergey Taneyev and Alexander Siloti." Muzykal'nyi entsiklopedicheskii slovar', 1990. "It is difficult to say which [of the Rubinstein brothers] was the better pianist. In every way as different as the brothers were in personal appearance—the one dark, almost to blackness; the other vary fair—so different was their playing. The playing of Nicholas [Nikolay] was more like that of Tausig, only warmer and more impulsive. Perhaps Anton Rubinstein was the more inspired player of the two, but he was unequal. Nicholas never varied; his playing both in private and in public was always the same, and he kept up the same standard of excellence." Emil von Sauer, quoted in Harold Schonberg, The Great Pianists, p. 279. Rubinstein's most notable appearance abroad was at the Exposition Universelle in Paris on 1878, where he conducted several concerts and played Tchaikovsky's First Piano Concerto. The only holding of Nikolay Rubinstein manuscripts within North America is that of his op. 15 at the Morgan Library cited above. His autograph manuscripts are exceedingly rare to the market.

      [Bookseller: J & J Lubrano Music Antiquarians LLC]
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        ON THE ORIGIN OF SPECIES BY MEANS OF NATURAL SELECTION, Or the Preservation of Favoured Races in the Struggle for Life

      London, John Murray, 1861.. THIRD EDITION 1861, with additions and corrections, (seventh thousand), 8vo, approximately 205 x 130 mm, 8 x 5 inches, folding plate at page 123, pages: xix, 1-538 plus 1 leaf of adverts, original publisher's green blind stamped cloth, gilt lettering and decoration to spine. Binding slightly rubbed, a small tear to middle of spine, repaired with tiny loss of cloth, crease to top of spine, spine darkened, vertical crease to spine, corners bumped and soft with slight wear, slight shelf wear to edges, front inner paper hinge cracked, a few gatherings just begining to weaken, original binder's ticket pasted to last pastedown (Bound by Edmonds & Remnants, London), bookseller's ticket to first pastedown, foxing to prelims, title page and index, occasional light foxing to text, pencil note on last pastedown, otherwise a very good copy. "The third edition appeared in April 1861. The case is the same as that of the two previous editions but again differing in small details. It was extensively altered, and is of interest for the addition of a table of differences between it and the second edition, a table which occurs in each subsequent edition, and also for the addition of the historical sketch. This sketch, which was written to satisfy complaints that Darwin had not sufficiently considered his predecessors in the general theory of evolution, had already appeared in a shorter form in the first German edition, as well as in the fourth American printing where it is called a preface; both of these appeared in 1860. There is also a postscript on page xii. This concerns a review of the earlier editions by Asa Gray which has appeared in the Atlantic Monthly in 1860 and as a pamphlet paid for by Darwin, in 1861". See: R. B. Freeman, The Works of Charles Darwin, page 78 and page 85, No. 381. MORE IMAGES ATTACHED TO THIS LISTING, ALL ZOOMABLE. FURTHER IMAGES ON REQUEST. POSTAGE AT COST.

      [Bookseller: Roger Middleton]
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        Tom Brown at Oxford

      Cambridge: Macmillan and Co., 1861., 1861. First Edition. 3 volumes; 8vo. Surprisingly unsigned, fine later binding of navy blue crushed morocco with gilt titles and gilt tooling to spines, gilt rule, blue cloth boards and end papers, top edges gilt. Browning to edges; some occasional foxing. The sequel to 'Tom Brown's Schooldays'.

      [Bookseller: Adrian Harrington Rare Books]
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        Storia della chiesa di Napoli provata con monumenti. Libri cinque.

      Naples, Stabilimento tipografico strada Banchi-Nuovi, 1861.. Large 4to. 621, (7) pp. With 8 lithogr. plates. Near-contemporary blue marbled half calf with giltstamped crest of the Ducs de Luynes to spine. Marbled endpapers.. First edition of this study of the church history of Naples, from antiquity to the 18th century. The plates show ancient murals. - Occasional slight browning; a good copy. From the library of the Ducs de Luynes at the Chateau de Dampierre: their bookplate reproducing the arms of Charles Marie d'Albert de Luynes (1783-1839), 7th Duc de Luynes, on pastedown. - ICCU SBL\0406783. OCLC 5969921.

      [Bookseller: Antiquariat Inlibris, Gilhofer Nfg. GmbH]
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        Very Rare Letter Signed by SEBASTIAN DE YRADIER, the Basque Composer of LA PALOMA, One of the Most Popular Songs Ever Written

      1861 - YRADIER, SEBASTIAN DE. (1809-1865). Basque composer known for La Paloma, one of the most popular songs ever written. LS. ("Sebastian de Yradier"). 1p. 8vo. Madrid, November, 1861. To French music publisher L[EOPOLD] HEUGEL (d.1883). In French with translation. "I just received your much appreciated note of the 7th, and am pleased to inform you that I am hereby happy to authorize you to publish my song, Las amonestaciones, in French and Spanish with all the modifications that you deem fitting, provided that my name is listed and that I retain ownership of this song. With my highest regard. You can send me the 150 frc when it suits you; that is the price that Editions de Paris has paid me for other songs and for the same conditions." After visiting Cuba around 1860, Yradier composed La Paloma, a habanera, or Cuban dance number, whose popularity extended around the world and became a favorite melody of Maximilian of Mexico. Yradier's "popular Spanish songs were immensely successful in both Europe and the Americas, and were performed by Viardot, Patti and other famous singers," (The New Grove Dictionary). Another of Yradier's habaneras, El Arreglito, was mistaken for a folk song by Georges Bizet who had used it in his opera Carmen in 1875. It became the work's most famous aria and Bizet was obliged to credit Yradier who had died ten years earlier. Jacques Léopold Heugel first published music in 1839 and his catalogue included works by Massenet, Delibes and Offenbach. Heugel was absorbed by Éditions Alphonse Leduc in 1980 and is still well respected for its critical editions. A very rare letter signed by the composer of one of the most popular songs ever written. Folded and in very good condition. * All our items are sent via Federal Express. Additional postage may be requested. [Attributes: Signed Copy]

      [Bookseller: Lion Heart Autographs]
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        Die Hausfrau. Praktische Anleitung zur selbständigen und sparsamen Führung des Haushalts, eine Mitgabe für junge Frauen zur Förderung des häuslichen Wohlstandes und Familienglücks.

      Seemann, Essen 1861 - ( Erste Ausgabe ) Mit XIV ( Vorwort - Einleitung - Inhaltsverzeichnis ), 1 Blatt, 531 Seiten, schlichter Halbleinenband der Zeit, 8° ( 18 x 12 cm ). Inhalt mit Kapiteln u.a. Die Stiefmutter - Der Morgen der Hausfrau - Das Sparsystem der Hausfrau - Kennzeichen guter Qualität der im Haushalt vorkommenden Lebensmittel und deren Verfälschung - Vom Reinhalten - Vom Reinigen und Putzen der Zimmer und Möbel - Behandlung der Dienstboten - Der Dienstbotentisch - Angabe der Portionen für Gesellschaftsessen, sowie auch für den täglichen Tisch - Der Viehstand - Das Einschlachten - Das Wurstmachen - Die Wäsche - Das Anfertigen und Behandeln des Bettwerks - Häusliche Arbeiten - Verschiedenes für Küche und Vorrathskammer - Kurze Bemerkungen für die Küche - Putzen von Juwelen, Gold, Silber, Messing und anderen Metallen - Gemeinnützige Rezepte. Einband berieben und etwas fleckig, Ecken und Kanten bestoßen. Der schmale Einbandrücken stark verfleckt und mit altem handgeschriebenem Rückenschildchen. Innen fehlt der unbedruckte Vorsatz vorn, Seiten etwas fleckig, teils stock- oder leicht braunfleckig, erste Seiten mit kleinem Wasserrand außen. - sehr selten - ( Gewicht 450 Gramm ) ( Pic erhältlich // webimage available ) [Attributes: First Edition]

      [Bookseller: Antiquariat Friederichsen]
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        A PILGRIMAGE TO MY MOTHERLAND. [First Edition in the original binding]

      New York / Philadelphia:: Thomas Hamilton / The Author,, 1861. First Edition. Very Good. Very Good First Edition First Printing in the original blind stamped brown cloth binding with soil to front cover. Gilt lettering spine dulled but legible. Spine tips archivally renewed. Complete with the tinted lithographic image of the author which is edge worn, not affecting image. Original tissue guard present. Original lithographed map tipped to recto third endpaper as issued with some offsetting. Sm. 8vo. 145, [1 blank] [note 3 blank front & rear endpapers as issued].

      [Bookseller: By The Book, LC ABAA-ILAB]
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        [OUTSTANDING GROUP OF TWENTY-FIVE DOCUMENTS RELATING TO CHINESE INDENTURED SERVANTS IN CUBA, 1861 - 1878]

      [Various places in Cuba, 1861-1878].. Twenty-five partially-printed documents completed in manuscript, one to three pages each. Some edge wear and chipping, minor spotting, some toning. Overall, very good. A remarkable collection of documents relating to indentured servitude in 19th-century Cuba. Formal slavery persisted in Cuba until 1886, but from the mid- 19th century it was accompanied by a significant population working in indentured servitude. Cuba's massive sugar industry had consumed huge imports of African slaves in the 18th century. The abolition of the slave trade in 1808, vigorously enforced by the British Navy, meant that a new source of labor was necessary. Indentured servitude filled this gap. Unlike the earlier waves of European immigrants who travelled to the New World as indentured servants, Asia was now the primary source. ^Between 1848 and 1874, 125,000 Chinese indentured servants arrived in Cuba alone - a figure outstripped only by the number who indentured themselves in California. "Some contemporaries and later historians...have condemned the servitude of the Asians as a thinly disguised revival of slavery. These critics have pointed to a variety of abuses to which the Asians were subjected, both legally - with severe laws governing absenteeism, vagrancy, and insufficient work - and illegally, in the form of harassment by vicious masters. Yet other observers have defended the system as a boon to the Asian workers. Voluntary reindenture at the end of their terms was common among the migrants, suggesting that many Asians judged the system to be beneficial to them" - Drescher. ^The documents in this collection are all partially- printed government documents, all completed in manuscript, with thirteen counter-signed in Chinese characters. The territories involved range across northern Cuba, from Guanajay to Sagua La Grande, and some places in-between, such as Havana, Cardenas, Matanzas, and Colon. Collectively they document the forms and details of Asian indentured servitude in Cuba, an area deserving of detailed study by students of slavery and servitude in the New World. ^An interesting collection of documents, providing a glimpse into the culture of slavery and indentured servitude in Cuba during the late 19th century. Seymour Drescher & Stanley L. Engerman, eds., A HISTORICAL GUIDE TO WORLD SLAVERY (New York, 1998), pp.140-42, 239-42.

      [Bookseller: William Reese Company - Americana]
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        Beadle's American 6d Library/Beadle's Dime Library. 10 volume set

      London: Beadle & Co, 1861. Book. Very Good. Hardcover. First English Edition. 10 volumes (not a complete run) of Beadle's Dime/American Library. Undated first British issues, c1861 - 1865. Volume 3 contains Edward S. Ellis: Bill Biddon, Trapper; or Life in the Northwest & Edward S. Ellis: Nathan Todd; or, The Fate of the Sioux' Captive & Mrs Metta V. Victor: Uncle Ezekiel and His Exploits on Two Continents & A. J. H. Duganne: Massasoit's Daughter; or The French Captive. Volume 8 contains Mrs Frances Fuller Barritt: Alicia Newcome: or, The Land Claim. A Tale of the Upper Missouri & Edward S. Ellis The Hunter's Cabin. An Episode of the Early Settlements of Southern Ohio & Henry J. Thomas: The Block House; or, The Wrong Man. A Tale of the Early Settlements & Henry J. Thomas: The Aliens. A Tale of the Great Kanawha Valley. Volume 9 contains Mrs Ann S. Stephens: Esther: A Story of the Oregon Trail & Mrs M. A. Denison: Ruth Margerie. A Romance of the Revolt of 1689 & Edward S.Ellis: Oonomoo the Huron & Mrs Metta V. Victor: The Gold Hunters: A Picture of Western Character and Pike's Peak Life. Volume 10 contains Mrs Mary A. Denison: Florida; or, The Iron Will. A Tale of Today & Ned Buntline: The White Wizard; or, The Great Prophet of the Seminoles & Mrs Ann S. Stephens: Mary Derwent; A Tale of the Early American Settlers. Volume 11 contains Mrs Ann S. Stephens: Ahmo's Plot; or, The Governor's Indian Child & AUTHOR OF MADGE WYLDE: Mabel Meredith: or, Hates and Loves & Warren St John: Single Eye: A Story of King Phillip's War & N. C. Iron: The Two Guards. Volume 12 contains A. J. H. Duganne: The Peon Prince A Tale of Mexico & Edward S. Ellis: Kent, the Ranger; or, The Fugitives of the Border & A. J. H. Duganne: The King's Man: A Tale of South Carolina in Revolutionary Times & Warren St John: The Scout. Volume 13 contains: Wm Jared Hall: The Slave Sculptor: A Tale of the Aztecs & Mrs Ann S. Stephens: Mahaska, the Indian Princess: A Tale of the Six Nations & Henry J. Thomas: Laughing Eyes: A Tale of the Natchez & Edward S. Ellis: Irona; or, Life on the South-west Border. Volume 14 contains Decatur Paulding: The Brigantine; or Admiral Lowe's Last Cruise. A Tale of 1873 & Henry J. Thomas: The Wrecker's Prize & Edward S. Ellis: Indian Jim: A Tale of the Minnesota Massacre & Mrs Metta V. Victor: Myrtle; or, The Child of the Prairie. Volume 16 contains John S. Warner: The Wreck of the Albion: A Tale of the Sea & Mrs Metta V. Victor: Joe Daviess' Client; or, Courting in Kentucky & Mary A. Denison: The Cuban Heiress; or, Prisoner of La Vintresse & Edward S. Ellis: The Hunter's Escape: A Tale of the North-West in 1862. Volume 17 contains M. Hopewell: Legends of the Missouri and Mississippi. Part One & Part Two & Ned Buntline: Thayendanegea, the Scourge; or, The War-Eagle of the Mohawks & O. J. Victor: The Life of Garibaldi. 10 volumes uniformly bound mid-C19th brown leather over cloth covered boards Cloth varies slightly on later volumes); raised bands, gilt decorations and dark red leather title labels on spine; all edges marbled. Each individual title has a frontispiece and is 120 - 130 pages long. Lightly scuffed on corners, a few pencilled notes, a very good set. 10 volumes from the extensive series of dime novels originally published by Beadle in New York, here issued from the publisher's London office at 44 Paternoster Row. A heavy 10 volume set. Postage as indicated (ie no additional charge for heavy weight). delivery will be by courier only to destinations outside UK (not possible to PO Box addresses).

      [Bookseller: Richard Beaton]
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        Report Upon the Colorado River of the West

      Washington, D.C.: Government Printing Office. Very Good. 1861. Hardcover. This first book to deal with the Colorado River predates Powell's exploration by 10 years. The Ives report is also one of the first descriptions of the Grand Canyon and of the area's native inhabitants. Many of the sketches have exaggerated views of dark and narrow canyons, reflecting how strange the landscape must have looked to these early explorers. Twelve full-page engravings, one profile, seven color plates, and 41 woodcuts. Missing the two scarce shaded geologic maps, as is common. Rebacked using original spine and boards. Some surface staining to boards, gilt rubbed. Edges rubbed, corners bumped. Farquhar 21, Howes I-94, Wagner-Camp 375.; Book; 4to - over 9¾ - 12" tall .

      [Bookseller: Back of Beyond Books, ABAA]
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        The American Civil War as illustrated in The Illustrated London News, in the year 1861.

      Illustrated London News,, London: 1861 - Two half yearly volumes for the year 1861 of this influential and popular illustrated newspaper, with important content and many engravings, the beginning of the US Civil War from the British perspective.Content includes an engraving of Jefferson Davis, "President of the Southern Confederacy of America" with article on p248; Other articles, illustrations include: Disunion in the United States; The Secession Movement in America; Map of Charleston Harbour; A Slave Auction in Virginia; John Anderson Fugitive Slave in Canada; The Hon. Jefferson Davis, President of the Southern Confederacy of America; General Winfield Scott, Commander in Chief of the United States' Forces; The Crowd at Baltimore Waiting for Mr. Lincoln, President of the United States; President Lincoln Delivering his Inaugural Address in front of the Capitol at Washington; Slaves for Sale: A Scene in New Orleans, The Dandy Slave; Interior of an American Railway-Car; The Secession of Virginia, and the American Civil War; Mass Meeting in Union Square, New York; The Future of Cotton. Unionist Scouting Party in the Virginia Woods; Attack on the Pickets of the Garibaldi Guard on the East Branch of the Potomac; Capture of a U.S. Dragoon; 'Contraband' of War; Battle of Bull's Run; Texas Rangers; Bringing in the federal wounded after the skirmish at Lewinsville, VA; Fort Ochacoke; General McClelland, Commander in Chief of the Federal Forces.4to. Vol. I 622pp; Vol. II 676pp, (with Christmas supplement). Three quarter black calf with green cloth boards, gilt title on spine. Edges worn, a bit rubbed at spine. Internally clean, binding tight. [Attributes: Hard Cover]

      [Bookseller: Antipodean Books, Maps & Prints, ABAA]
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        La bouillie (The Porridge)

      - Paris, Gazette des Beaux-Arts (impr. A. Delâtre), 1861. 21,5 x 16 cm. Eau-forte originale / Original etching. * Voir photographie(s) / See picture(s). * Membre du SLAM et de la LILA / ILAB Member. La librairie est ouverte du mardi au samedi de 14h à 19h. * Si vous souhaitez passer à la librairie pour un livre, merci de nous prévenir au préalable, l'ensemble du stock visible en ligne n'étant pas immédiatement consultable. * Langue : Français

      [Bookseller: Chez les libraires associés]
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        [Op. 14]. Tarentelle. Autograph musical manuscript for piano, two hands

      [1861]. Oblong folio (325 x 255 mm). Disbound. 8 pp. on two bifolia. Notated in black ink on 10-stave music paper. First leaf extended at lower margin with a ca. 23 mm. strip of paper laid down carrying an additional system (eight measures) of music; verso of extension blank. With numerous annotations in different hands, in pencil, blue pencil, red crayon, and purple ink.Autograph caption to upper right corner of first page: "Tarentelle comp. par N. Rubinstein." Tempo to upper left corner: "Presto." Heading "Tarantella" to beginning of fifth system (m. 33). Unsigned.Literals in pencil, in all likelihood in the hand of the editor or engraver: "Tarentelle" to head of first page; "Nicolas Rubinstein, Op. 14." "Stich Wie [illegible] to left margin; "Verlag und Eigenthum von Bartholf Senff" to lower margin in pencil, barely legible. Literals in blue pencil: "herunterst..."[continuation illegible] to p. 2; in red crayon: one illegible word to first system (?"Richtma?"). Engraver's markup for layout of plates in pencil, apparently in two layers. Notational corrections in blue pencil and red crayon. [?]Shelfmark in purple ink to upper left corner of first page: "Fol: 6286."Somewhat worn, soiled and browned; creased at folds; repairs to extension of first leaf. . The is the only known autograph of Nikolay Rubinstein's Tarentelle (or Tarantella) op. 14, his most popular work, and the only one to have been published in multiple modern editions. Unlike his older brother Anton, Nikolay Rubinstein composed relatively little music. Pazd?rek, vol. xxvi, p. 662, lists about 20 works, all for piano.The annotation to the foot of page 1 identifies the manuscript as the engraver's copy for the first edition, published by Bartholf Senff in Leipzig (PN 287; [1861]). The annotation is barely legible, but obviously identical (same words, same hand) with the annotation to the foot of the first page of the autograph of Nikolay Rubinstein's Polka, op. 15, at the Morgan Library, New York (accession number: Cary 578). The paper would appear to be the same as that of the first leaf of op. 15 (the further leaves of op. 15 are different).Senff's first edition has 13 pages of music, while the engraver's markup to the present manuscript indicates a total of 19 pages. Presently, the only known editions with 19 pages are those of the four-hands arrangement. It is possible that the numbers refer to Senff's later four-hand edition; the present manuscript, however, does not contain any hint of the massive additions to the musical text (such as octave doublings) characteristic of the four-hand version. The Jurgenson edition for four hands (PN 6112, from the 1890s, accessible via IMSLP) does not include the notational corrections to the present copy but does include the eight extra measures found on the extension of the first leaf. "Russian pianist, conductor, teacher, and arts administrator, [Nikolay Rubinstein, brother of Anton Rubinstein] studied piano with Theodor Kullak and Alexandre Villoing in Moscow and theory with Siegfried Dehn in Berlin... One of the greatest pianists of the second half of the nineteenth century, he mostly performed in Moscow. He championed Russian music and premiered many works by Tchaikovsky, who dedicated his First Symphony and Second Piano Concerto... to Rubinstein; on Rubinstein's death, he composed his Piano Trio 'to the memory of a great artist.' Balakirev dedicated his Islamey to Nikolay Rubinstein [who premiered it in St. Petersburg in 1869]. Rubinstein also contributed to the emergence of a Russian school of conducting. He premiered Tchaikovsky's first four symphonies, Romeo and Juliet... and Eugene Onegin. He was one of the founders of the Moscow branch of the Russian Musical Society, whose concerts he conducted from 1860, and of the Moscow Conservatory (1866). His most famous students were Sergey Taneyev and Alexander Siloti." Muzykal'nyi entsiklopedicheskii slovar', 1990."It is difficult to say which [of the Rubinstein brothers] was the better pianist. In every way as different as the brothers were in personal appearance—the one dark, almost to blackness; the other vary fair—so different was their playing. The playing of Nicholas [Nikolay] was more like that of Tausig, only warmer and more impulsive. Perhaps Anton Rubinstein was the more inspired player of the two, but he was unequal. Nicholas never varied; his playing both in private and in public was always the same, and he kept up the same standard of excellence." Emil von Sauer, quoted in Harold Schonberg, The Great Pianists, p. 279.Rubinstein's most notable appearance abroad was at the Exposition Universelle in Paris on 1878, where he conducted several concerts and played Tchaikovsky's First Piano Concerto. The only holding of Nikolay Rubinstein manuscripts within North America is that of his op. 15 at the Morgan Library cited above. His autograph manuscripts are exceedingly rare to the market.

      [Bookseller: J & J Lubrano Music Antiquarians LLC ]
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        Die Gestüte und Meiereien Seiner Majestät des Königs Wilhelm von Württemberg.

      Stuttgart, Ebner & Seubert, [1861].. Large 8vo. (4), XVI, 220, 8 pp. With 7 colour plates (some folding) and numerous text illustrations. Publisher's blind- and giltstamped orange cloth.. Rare first edition of this study of the famous stud of Wilhelm, King of Württemberg. W. R. Brown states that the Royal stud was run from 1852 to 1871 by Baron Julius von Hügel, who purchased valuable stock from the Egyptian stud of Abbas Pasha, "thus raising it to the highest standard of excellence" (The Horse of the Desert, p. 161/166). Al Khamsa researchers relied upon this text as a source for the Al Khamsa Arabians II Europa Foundation Stock information. While a reprint was produced in 1973, the book has not been published in an English translation; Judith Forbis (The Classic Arabian Horse, p. 137) explains that her summary statements about von Hügel's book are based upon a private translation by author Erika Schiele. - Old ownership "Pabst" to flyleaf. Some foxing throughout, still a good copy. - Not in Huth.

      [Bookseller: Antiquariat Inlibris, Gilhofer Nfg. GmbH]
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        HISTORIA GENERAL DE ESPAÑA Y DE SUS INDIAS

      Libreria Española - España. 1861. Primera edición. Pasta española. 28X22. Vol. I 426Pág. Vol. II 587Pág. Vol. III 658Pág. Vol. IV (765Pág. Vol. V 782Pág Vol. VI 684Pág. Vol. VII Pág 685-1399Pág. Profusamente ilustrada de bellas láminas grabadas y mapas. Espectacular edición. Ref A 8. [Attributes: First Edition; Hard Cover]

      [Bookseller: Libreria Anticuaria Marc & Antiques]
 27.   Check availability:     IberLibro     Link/Print  


        An amazing Civil War collection of thirteen large salt-print photographs of Union soldiers, housed in a period ledger with excellent examples of patriotic ephemera including song sheets, broadsides, stationery and more!

      [Philadelphia], 1861 - 1865. 10" x 11.5". "A Civil War period ledger book filled with period photographs and ephemera including patriotic song sheets, stationery, flyers, a manuscript muster roll, as well as thirteen large-format salt-print photographs, most of which depict Union soldiers early in the conflict. Based on the contents, the material was collected by a resident of Philadelphia. Most of the photographs and papers have been mounted to the album pages with some expected wear, one of the photographs has been hand-painted and another bears some uneven toning, else very good condition overall. The album itself is chipped along the boards with portions of the spine missing, and front board detached. Of particular interest in this volume are the thirteen large-format salt-print photographs, most of which measure 6"" x 8.25"" and appear to have been taken in the early part of the war. Particularly stirring is a full-length portrait of a member of the Anderson Cavalry staring directly at the camera and holding his sword. Another photograph depicts E.W.C. Greene, a correspondent for the Philadelphia Evening Transcript posing with Captain Thomas Hawksworth of the 20th Pennsylvania (""Scott's Legion."") Another compelling image is that of Major General B. F. Kelly seated, posing with his family in 1859. Also of interest is a muster roll recording members of Graham's Missouri Cavalry Company, recording the names of 67 members and their dispositions between August 20 and August 31, 1861. The album also contains some excellent examples of patriotic letterheads and envelopes, prints by Charles Magnus, patriotic song sheets, as well as cartoons cut from newspapers. Particularly compelling is a October 1861 broadside promoting a ""GRAND EXHIBITION IN AID OF THE COOPER SHOP VOLUNTEER REFRESHMENT SALOON,"" which featured ""Mammoth Stereoscopic Views of the Southern Rebellion, Each Displayed on 400 square feet of Canvass, at the Mechanic's Institute ..."" As a whole, the material presents an optimistic view of the future from early in the war, when most people in the north anticipated a rapid and easy victory. "

      [Bookseller: University Archives]
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        UNCLE SAM PROTECTING HIS PROPERTY AGAINST THE ENCROACHMENTS OF HIS COUSIN JOHN.

      [Philadelphia?]: E. Stauch, 1861. - Uncolored lithograph, 12x 15 1/2 inches. Small marginal tears repaired by tape, not affecting image; uniformly tanned. About very good. Matted. A cutting political print, criticizing British assistance to the Confederate cause in the early days of the Civil War. The importance of southern cotton to the British economy caused many to fear that England would recognize the independence of the Confederacy, or offer material support to the rebels. Issued a year before United States-British relations would become strained over the controversy surrounding the British construction of rebel war ships, this print displays the northern anxiety over any material advantage that the British might give the Confederacy. The print shows "Uncle Sam," in the guise of Abraham Lincoln in a Union uniform, grabbing "John Bull" (Great Britain) by the scruff of the neck as he tries to escape over a fence. John Bull holds a handful of cotton plants in his hand, and other plants are seen in the right side of the image. The artist has camouflaged several black faces in his renderings of cotton plants. The Englishman's lower legs are made of "Armstrong's patent" cannons, referring to a type of English-made gun used by the Confederates. Uncle Sam tells him, "John, you lost your non-interfering principle, I'll lay it on your back again." In his right hand the American holds a large stick reading: "Principle of Non-Enterference." A rooster with the head of the French leader, Napoleon III, straddles the fence (French neutrality seeming tentatively secured). A scarecrow is seen in the background bearing a sign reading: "All persons trespassing these premises, will be punished according to Law." Hanging from the arms of the scarecrow are the lifeless bodies of Confederate president Jefferson Davis, and Gen. P.G.T. Beauregard. OCLC locates only two copies, at the Library of Congress and the American Antiquarian Society. A rare and powerful print illustrating a crucial aspect of Civil War diplomacy. REILLY, AMERICAN POLITICAL PRINTS, 1861-39. WEITENKAMPF, p.132. OCLC 299946808, 191120248.

      [Bookseller: William Reese Company - Americana]
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        [Op. 14]. Tarentelle. Autograph musical manuscript for piano, two hands

      [1861]. Oblong folio (325 x 255 mm). Disbound. 8 pp. on two bifolia. Notated in black ink on 10-stave music paper. First leaf extended at lower margin with a ca. 23 mm. strip of paper laid down carrying an additional system (eight measures) of music; verso of extension blank. With numerous annotations in different hands, in pencil, blue pencil, red crayon, and purple ink. Autograph caption to upper right corner of first page: "Tarentelle comp. par N. Rubinstein." Tempo to upper left corner: "Presto." Heading "Tarantella" to beginning of fifth system (m. 33). Unsigned. Literals in pencil, in all likelihood in the hand of the editor or engraver: "Tarentelle" to head of first page; "Nicolas Rubinstein, Op. 14." "Stich Wie [illegible] to left margin; "Verlag und Eigenthum von Bartholf Senff" to lower margin in pencil, barely legible. Literals in blue pencil: "herunterst..."[continuation illegible] to p. 2; in red crayon: one illegible word to first system (?"Richtmaß"). Engraver's markup for layout of plates in pencil, apparently in two layers. Notational corrections in blue pencil and red crayon. [?]Shelfmark in purple ink to upper left corner of first page: "Fol: 6286." Somewhat worn, soiled and browned; creased at folds; repairs to extension of first leaf.. The is the only known autograph of Nikolay Rubinstein's Tarentelle (or Tarantella) op. 14, his most popular work, and the only one to have been published in multiple modern editions. Unlike his older brother Anton, Nikolay Rubinstein composed relatively little music. Pazdirek, vol. xxvi, p. 662, lists about 20 works, all for piano. The annotation to the foot of page 1 identifies the manuscript as the engraver's copy for the first edition, published by Bartholf Senff in Leipzig (PN 287; [1861]). The annotation is barely legible, but obviously identical (same words, same hand) with the annotation to the foot of the first page of the autograph of Nikolay Rubinstein's Polka, op. 15, at the Morgan Library, New York (accession number: Cary 578). The paper would appear to be the same as that of the first leaf of op. 15 (the further leaves of op. 15 are different). Senff's first edition has 13 pages of music, while the engraver's markup to the present manuscript indicates a total of 19 pages. Presently, the only known editions with 19 pages are those of the four- hands arrangement. It is possible that the numbers refer to Senff's later four-hand edition; the present manuscript, however, does not contain any hint of the massive additions to the musical text (such as octave doublings) characteristic of the four-hand version. The Jurgenson edition for four hands (PN 6112, from the 1890s, accessible via IMSLP) does not include the notational corrections to the present copy but does include the eight extra measures found on the extension of the first leaf. "Russian pianist, conductor, teacher, and arts administrator, [Nikolay Rubinstein, brother of Anton Rubinstein] studied piano with Theodor Kullak and Alexandre Villoing in Moscow and theory with Siegfried Dehn in Berlin... One of the greatest pianists of the second half of the nineteenth century, he mostly performed in Moscow. He championed Russian music and premiered many works by Tchaikovsky, who dedicated his First Symphony and Second Piano Concerto... to Rubinstein; on Rubinstein's death, he composed his Piano Trio 'to the memory of a great artist.' Balakirev dedicated his Islamey to Nikolay Rubinstein [who premiered it in St. Petersburg in 1869]. Rubinstein also contributed to the emergence of a Russian school of conducting. He premiered Tchaikovsky's first four symphonies, Romeo and Juliet... and Eugene Onegin. He was one of the founders of the Moscow branch of the Russian Musical Society, whose concerts he conducted from 1860, and of the Moscow Conservatory (1866). His most famous students were Sergey Taneyev and Alexander Siloti." Muzykal'nyi entsiklopedicheskii slovar', 1990. "It is difficult to say which [of the Rubinstein brothers] was the better pianist. In every way as different as the brothers were in personal appearance-the one dark, almost to blackness; the other vary fair-so different was their playing. The playing of Nicholas [Nikolay] was more like that of Tausig, only warmer and more impulsive. Perhaps Anton Rubinstein was the more inspired player of the two, but he was unequal. Nicholas never varied; his playing both in private and in public was always the same, and he kept up the same standard of excellence." Emil von Sauer, quoted in Harold Schonberg, The Great Pianists, p. 279. Rubinstein's most notable appearance abroad was at the Exposition Universelle in Paris on 1878, where he conducted several concerts and played Tchaikovsky's First Piano Concerto. The only holding of Nikolay Rubinstein manuscripts within North America is that of his op. 15 at the Morgan Library cited above. His autograph manuscripts are exceedingly rare to the market.

      [Bookseller: J & J Lubrano Music Antiquarians LLC]
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        The American Civil War as illustrated in The Illustrated London News, in the year 1861

      London:: Illustrated London News,. 1861.. Hardcover. Very good condition. Two half yearly volumes for the year 1861 of this influential and popular illustrated newspaper, with important content and many engravings, the beginning of the US Civil War from the British perspective.Content includes an engraving of Jefferson Davis, "President of the Southern Confederacy of America" with article on p248; Other articles, illustrations include: Disunion in the United States; The Secession Movement in America; Map of Charleston Harbour; A Slave Auction in Virginia; John Anderson Fugitive Slave in Canada; The Hon. Jefferson Davis, President of the Southern Confederacy of America; General Winfield Scott, Commander in Chief of the United States' Forces; The Crowd at Baltimore Waiting for Mr. Lincoln, President of the United States; President Lincoln Delivering his Inaugural Address in front of the Capitol at Washington; Slaves for Sale: A Scene in New Orleans, The Dandy Slave; Interior of an American Railway-Car; The Secession of Virginia, and the American Civil War; Mass Meeting in Union Square, New York; The Future of Cotton. Unionist Scouting Party in the Virginia Woods; Attack on the Pickets of the Garibaldi Guard on the East Branch of the Potomac; Capture of a U.S. Dragoon; 'Contraband' of War; Battle of Bull's Run; Texas Rangers; Bringing in the federal wounded after the skirmish at Lewinsville, VA; Fort Ochacoke; General McClelland, Commander in Chief of the Federal Forces.4to. Vol. I 622pp; Vol. II 676pp, (with Christmas supplement). Three quarter black calf with green cloth boards, gilt title on spine. Edges worn, a bit rubbed at spine. Internally clean, binding tight.

      [Bookseller: Antipodean Books, Maps & Prints ]
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        [LETTER ARCHIVE FOR 6th CONNECTICUT INFANTRY SOLDIER HALSEY BARTLETT, KILLED IN ACTION BY A CONFEDERATE SHARPSHOOTER AT BERMUDA HUNDRED]

      Various places, New Haven, but mainly Beaufort and Port Royal, S.C. 1861-1864.. Fifty-seven autograph letters, signed, most with printed transcriptions. Typical age toning and foxing, else very good condition. A wonderful Civil War archive consisting of fifty-seven letters spanning the years 1861 through 1864. Forty-nine letters of the letters are written by Halsey Bartlett, with eight letters by Bartlett's fellow soldiers or contemporaries after Bartlett's death on the battlefield. Halsey Bartlett was from Killingly, Connecticut. enlisted in the Union Army as a private on Aug. 21, 1861. On September 3, he mustered into Co. "A," 6th Connecticut Infantry, and went to training camp in New Haven. Finding himself in an army camp four days after mustering in, he wrote a letter to his mother and sister (the majority of the letters contained within are addressed to them) and describes life in camp, including the singing of hymns, the rations for the day, and the name of the regiment's commander, Col. John Chatfield, who was "in the Bull Run Battle." By mid-October, Bartlett and the men of the 6th Connecticut find themselves heading south to join Gen. Thomas W. Sherman's Port Royal Expedition in South Carolina. While aboard the Steamer Marion on Oct. 27, 1861, he wrote to his mother, echoing the sentiment found in so many early Civil War letters, that he does not believe "this war will last more than six months. Fremont has a large force under him. He is coming down the Missippi [sic] River and this Division under Gen. Sherman of 75000 is to meet him and one Great Battle is to be fought which will end the war." That "Great Battle" was never realized and on Jan. 16, 1862, he writes that his regiment has "not been in any Battle yet," but that would all change three months later, with their participation in the Siege of Fort Pulaski, "April 7, 1862…While I am writing I can hear Heavy Cannons firing from some place. It sounds up in the direction of Fort Pulaski. There is a battle somewhere." The regiment was engaged in the Battles of Secessionville and Pocotaligo before taking part in the second assault on Fort Wagner (Morris Island, South Carolina, July 18, 1863), where their commander, Col. Chatfield, was wounded and later died. Seven weeks after the failed assault, the Union Army was still laying siege to the fort. In a letter dated Sept. 6, 1863, Bartlett, writing from Hilton Head, states that he was "on Guard last night and I could hear the Guns from our Batteries on Morris Island and it seemed that they had opened every Gun for such a noise I have never heard in the shooting line…no cessation whatever from Eight o'clock last night until daylight this morning." Later that night, the Confederate garrison abandoned the fort. Eight days later he writes that "Morris Island is all ours now and hope other strongholds about Charleston will ere long will be ours." The following spring, the 6th Connecticut moved north into Virginia where they participated in the Bermuda Hundred Campaign. Writing again to his sister on May 29, 1864, Bartlett thanks He that "ruleth the whole Nation above and below that I am still alive for I have been in some very hard battles since I came here…Many who came here with us who were in the best of health are no more. Oh this cruel war when will it be over? I feel now is the time to prepare for the great change before it is too late and by all that I can do with Gods help I will try to live alright so that if we do not meet again on Earth we can meet on the other shore where all is love and sin is no more." Sadly for Private Bartlett, his war would end less than three weeks later, in the bloody Wilderness Campaign. In a letter from Sergeant Earl W. Fisher to his uncle (likely Bartlett's father), dated June 18, 1864, less than three weeks after Bartlett's last letter, Fisher relays the sad news: "It has become my very sad duty to inform that cousin Halsey was Killed yesterday while on Picket-duty in front of our Battry. He was instantly Killed by a Rebel sharp shooter while in the Rifle pits. The ball entering in the right side and passing up through the heart. He only spoke and asked the boys to carry him off quick and died…. I thought you could break the very sad news to Aunt much better than I could so I write to you the facts as they are to me." In addition to the preceding letter, there are several more letters concerning the death of Bartlett, one of which is written by the lieutenant commanding the company, Hiram L. Grant, regarding the pay that was owed to him when he died and the fate of his effects. Civil War correspondence archives from soldiers killed in battle are rare, especially an archive consisting of almost fifty letters from the fallen soldier. The letters are stored in plastic sleeves and neatly arranged chronologically in two binders, making it easy to follow Bartlett's journey through the war, and to his untimely demise on a Virginia battlefield.

      [Bookseller: William Reese Company - Americana]
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        The Illustrated Natural History. [Including: Mammalia, Birds, and Reptiles, Fishes, etc., as well as 2 volumes of the Natural History of Man]. With New Designs by Zwecker, Wolf, Weir, Coleman, Harvey, etc. Engraved by the Brothers Dalziel

      London: Routledge, Warne and Routledge, 1861-1870., 1861. 5 volumes. Large 8vo. Contemporary black half morocco with gilt titles and gilt to spines, green cloth boards with gilt rule, marbled end papers and edges. Profusely illustrated. Foxing, mostly to first and last few leaves. A handsome set. Bookplates of Harold John Tennant and of Gathorne-Hârdy, Earl of Cranbrook to paste down and f.f.e.p. of each volume. Harold John "Jack" Tennant PC (18 November 1865 – 9 November 1935) was a Scottish Liberal politician. He served as Secretary for Scotland under his brother-in-law H. H. Asquith between July and December 1916.

      [Bookseller: Adrian Harrington Rare Books]
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        THE PSALMS OF DAVID Illuminated by Owen Jones. THE VICTORIA PSALTER [embossed on front cover]

      [London] but not given here: [Day & Son] but not given here, 1861 but not dated here. Hardcover. Good. Illuminated pages (104) by Owen Jones with much use of gold and full colours to each page. Folio (417 x 310mm) in embossed tooled leather (relievio with sunken central panels and bevelled edges in 3-dimensional foliate design and raised lettering (corners worn/spine split but held by cords & cloth inner hinges, spine leather lacking 1/2" at head & max 2" at foot) All Edges Gilt. Frontis + titlepage + [2]pp dedication to Queen Victoria ALL marvelously illuminated over whole page + 100pp of similiarly illuminated text pages usually in matching wide borders on facing pages with illuminated initials of different sizes, penwork and some musical staves with black psalm printing on a cream ground. Each set of pages differs in decoration but all make use of gold, blue in many shades and red through shades of pink. The pages are printed on thin card, each is stubbed onto a cloth hinge. Some of glue is loosening with age but all pages well attached. This is however an ex library copy, recto of each leaf stamped in top corner with small purple oval stamp. The back of titlepage has shelf numbers & accession notices, and 2 leaves are stamped on back (p50 & p100) at foot in a tiny font Wolverhampton Reference Library. One page number is misprinted XLIXX and someone has tried to erase the last X. The binding is a bit wobbly at hinges but still holds the book together. This work is considered to be Owen Jones chef d'oeuvre and the fine binding is much more complicated either than relievio leather bindings which were stamped or papier mache which were cast in moulds. From a small worn corner it seems that the covers were thick dense card with a black layer on the top surface which may have been moulded papier mache onto which the leather was then stamped giving a much greater variation of depth to the relievio design than could otherwise be achieved. It is also noticable that the spine,where no underlayer could be used is much less embossed and has with useage retained less of its pattern (referenced by R. McLean, Victorian book design p129 & D. Ball, Victorian publishers' bindings p154).

      [Bookseller: Abbey Antiquarian Books]
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        Silas Marner

      1861. first edition. First Edition, In the Original Cloth BindingELIOT, George. Silas Marner: The Weaver of Raveloe. Edinburgh: William Blackwood and Sons, 1861.First edition. Octavo (7 3/4 x 4 13/16 inches; 197 x 122 mm.). [6], 364 pp. plus 16 pp. publisher’s advertisements, [4,unnumbered ads for the third edition of “Autobiography of Dr Alexander Carlyle"] pp.Original cinnamon diagonal ripple-grain cloth (Carter A, no priority established) with covers decoratively paneled in blind and spine decoratively stamped and lettered in gilt. Top edge rough-trimmed, fore and bottom edges trimmed. Original cream-colored endpapers. Booksellers ticket "Gilbert Brothers, Gracechurch St, London" on front paste-down. Neat ink presentation dated 1861 on front free-endpaper. Minimal rubbing to corners and spine extremities. Rear inner hinge just starting, some light foxing. An excellent copy. Chemised in a quarter red morocco slip-case.The advertisements are in placing “b” (eight plus two leaves, at rear, with the advertisements for the third edition of Autobiography of Dr Alexander Carlyle following the publisher’s catalogue), and the “New Works” list is in the earlier form, with pp. [1] and [2] listing three and four titles respectively (p. [1]: John Petherick’s Egypt, Soudan, and Central Africa, Sir Archibald Alison’s Lives of Lord Castlereagh and Sir Charles Stewart (“In the press”), and the Count de Montalbert’s The Monks of the West; p. [2]: George Finlay’s History of the Greek Revolution (“In the press”), Rev. J. Cave-Browne’s The Punjab and Delhi in 1857, David Page's The Past and Present Life of the Globe (“In the press”), and Henry Stephens' The Book of Farm Buildings ("In the press").Baker & Ross A6.1.a. Carter, Binding Variants, pp. 111-112. Parrish, p. 15. Sadleir 819. Wolff 2063.Mary Ann Evans (1819-1880), known by her pen name George Eliot, was an English novelist, journalist, translator and one of the leading writers of the Victorian era. She is the author of seven novels, including Adam Bede (1859), The Mill on the Floss (1860), Silas Marner (1861), Middlemarch (1871–72), and Daniel Deronda (1876), most of them set in provincial England and known for their realism and psychological insight.She used a male pen name, she said, to ensure her works would be taken seriously. Female authors were published under their own names during Eliot's life, but she wanted to escape the stereotype of women only writing lighthearted romances. She also wished to have her fiction judged separately from her already extensive and widely known work as an editor and critic. An additional factor in her use of a pen name may have been a desire to shield her private life from public scrutiny and to prevent scandals attending her relationship with the married George Henry Lewes, with whom she lived for over 20 years. Silas Marner: The Weaver of Raveloe is the third novel by George Eliot, published in 1861. An outwardly simple tale of a linen weaver, it is notable for its strong realism and its sophisticated treatment of a variety of issues ranging from religion to industrialisation to community.

      [Bookseller: David Brass Rare Books, Inc. ]
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        Holländische Flußlandschaft mit lagernder Kuhherde im Vordergrund links.

      - Aquarell, weiß gehöht, über Bleistift, auf cremefarbenem Velin. 15,5:25 cm. In den Rändern ungleich beschnitten. Die flott gemalte Landschaft stammt sicher aus einem Skizzenbuch und dürfte auf Geists Reise nach Antwerpen im Jahr 1861 entstanden sein. Eine freiere Handhabung in der Darstellung von Licht- und Luftphänomen nach französischen Vorbildern, von denen er sich nur bedingt anregen ließ, ist hier zu beobachten. Aus einer Künstlerfamilie stammend, nahm Geist zunächst Unterricht bei seinem Vater, dem Würzburger Maler A. Geist (1803-1860). 1848-1850 setzte er an der Städtischen Gewerbe-schule und 1850-1853 am Polytechnischen Zentralverein seine Ausbildung fort und beendete sie 1853 in München bei dem Landschaftsmaler F. Bamberger (1814-1873). 1854 unternahm er zum Landschaftsstudium eine Rhönreise, da er vom Würzburger Polytechnischen Verein den Auftrag erhalten hatte, Landschaftsveduten aus der Gegend anzufertigen. 1855 kehrte er nach München zurück. Es folgten Motive aus der Fränkischen Schweiz und vom Starnberger See. Starken Einfluß übte die Malerei J.W. Schirmers (1807-1863) auf ihn aus, dessen Werke er 1859 in Karlsruhe studierte. 1861 unternahm er eine Rheinreise. In dieser Zeit schloß er Freundschaft mit H. von Marées (1837-1887), den er 1861 auf dem Weg nach Köln und Antwerpen in Koblenz besuchte und mit dem er die Reise nach Köln fortsetzte. Eine schwere Erkrankung brachte 1864/1865 eine Reise nach Reichenhall. Obwohl der Aufenthalt keine wirkliche Besserung bewirkt hatte, ging er im darauffolgenden Jahr nach Rom. Dort unterhielt er gemeinsam mit F. Preller d.J. (1838-1901) ein Atelier. 1867 kehrte er nach München zurück. Geist zählt sicher zu den bedeutendsten Landschaftern Mainfrankens, wenn auch sein früher Tod im Alter von 33 Jahren als Folge einer wohl langjährigen Tuberkulose die vielversprechende Malerlaufbahn jäh beendete.

      [Bookseller: Galerie Joseph Fach GmbH]
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        Brief 1916

      0 - Hauptmann, Gerhart, 1861 - 1946. E. Br. m. U. Wiesenstein Agnetendorf i. R. 10.VI.1916. 2 S. 8°. Büttenpapier mit gedr. Briefkopf. Knickfalte, leicht stockfl. An Alexander Heinrich Rudolph von Kluck (1846 - 1934), preußischer Generaloberst und bedeutender Armeeführer im Ersten Weltkrieg. ". Ich bin sehr gerührt, dass Sie sich die Mühe genommen haben, mir eine eigenhändige Antwort zu geben . Mit grosser Genugtuung entnehme ich Ihren Zeilen, dass Sie unser Riesengebirge schätzen und lieben. Es ist ein in seiner Art wirklich recht grossartiges Stück Erde, zwar mit wetterwendischen Launen, aber gesund und kräftigend . Ich freue mich, dass Sie sich des problematischen Emanuel Quint so warm annehmen. Das Buch bildet mit vielem, was es enthält, den Aderlass einer zurückliegenden, eignen Entwicklungsepoche ." [Attributes: Soft Cover]

      [Bookseller: Antiquariat Hardner]
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        Report Upon the Colorado River of the West, Explored in 1857 and 1858 by Lieutenant Joseph C Ives

      Washington, D.C.: Government Printing Office.. Senate Edition.. 1861.. Cloth bound volume, 11.25 x 9 inches, in five parts: General Report (131 pp); Hydrographic Report (14 pp); Geological Report (154 pp.); Botany (30 pp); Zoology (6 pp); Appendices. Triangular water stain on plates running from the free edge to page bottom; 5.5 inches along the diagonal. Cover and first two dozen pages detached, as are the two maps and the plate entitled Profile of Route. Discoloration and tears to several of these pages; one very short tear to each map. Front cover and spine badly abraded. A pair of tinted geological maps called for not present in Part III. The damp stain to the plates is a conundrum, as the text pages adjacent appear virtually undamaged. It is almost as if the plates were damaged prior to binding--admittedly an unlikely scenario. Equally strange, the eight scenic panoramas and the frontispiece maps, the work of F. W. v. Egloffstein, are likewise undamaged. (Additional artwork by Heinrich Möllhausen.) There are seven color lithographic plates of indigenous Native Americans: the Cocopa, Yuma, Moqui, Navajo, etc. The volume is in poor condition, given the problems cited above. However, once past the first two dozen pages, the single remaining fault is the water stain that appears on plates throughout the volume. .

      [Bookseller: oldimprints.com]
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        Stanford's Railway & County Map of the United States and Territories

      London: Edward Stanford, 1861.. Map dimensions 85 x 74 cm, overall 90 x 78.5 cm. Large folding map of the eastern United States, extending as far west as Iowa and Missouri, bright original colour in block and outline highlighting the state boundaries, dissected into 35 sections and mounted on linen, folds between original cloth covers with the publisher's printed title label to the upper board and their printed yellow advertisements to the inner cover and the corresponding folded end section, old handwritten spine label. Excellent condition. A reduced version of Henry Darwin Rogers' map of the United States, Mexico and Central America of 1857. This edition focuses just on the eastern US territories and is complete in itself; a western section was also issued, sometimes appearing joined together with the east. Published in the year of the commencement of the Civil War.

      [Bookseller: Bow Windows Bookshop]
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        Select works of H.H. Wilson. Sketch on the religious sects of the Hindus. (2 volume set)

      Trubner 1861 - Publisher?s burgundy cloth. Gilt lettering, with gold vignette of Ganesha on front boards. Minor chipping to head of vol 2. Internally very good. Clean, unmarked pages. Early scholarship on Hindu religion and Sanskrit poetry. Includes: 1: Sketch on the religious sects of the Hindus. (1861.) -- 2: Miscellaneous essays and lectures. (1862.) III-V: Essays analytical, critical and philological on subjects connected with Sanskrit literature; collected and ed. by Reinhold Rost. -- [Attributes: First Edition; Hard Cover]

      [Bookseller: Sequitur Books]
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        Op. 112]. Der Rose Pilgerfahrt. Mährchen von Moritz Horn. Op. 112. [Full score]

      Fr. Kistner [PN 1900] [after 1861], Leipzig - First Edition, later issue, from the same plates as the first edition of 1852 (the first issue credited the lithographic illustration to Krätzschmer; did not reference the orchestral parts; and had the text printed on three pages only, followed by a blank page). McCorkle p. 478. Hofmann p. 243. CPM Vol. 51 p. 226. Hirsch IV, 918 (erroneously listed as first edition; rendition of text extends over four pages as in the present copy). Composed in April and May of 1851 and first performed with piano accompaniment at Schumann's home on July 5, 1851; orchestrated in November of that year and first performed publicly in Dusseldorf on February 5, 1852. Folio. Modern quarter black cloth with original publisher's printed upper wrapper laid down to upper board, titling gilt to spine. 1f. (pictorial title), [1]-4 (text), [i] (blank), 3-203, [i] (blank) pp. Title lithographed, text typeset, music engraved. Without price.With extended title and prices to upper wrapper: "8 Thlr. 30 Ngr." [full score], "4 Thlr. 10 Ngr." [piano-vocal score], "1thlr. 10 Ngr." [choral parts], "8 Thlr." [orchestral parts]. Printer's note to foot of last page of text: "Druck von Breitkopf und Härtel in Leipzig."Occasional foxing throughout, heavier to some leaves; edges somewhat browned with small stain to lower outer corner; upper wrapper slightly chipped and with small stain to lower outer corner; titling to spine incorrectly lettered. [Attributes: First Edition; Hard Cover]

      [Bookseller: J & J LUBRANO MUSIC ANTIQUARIANS LLC]
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        A History of the Spiders of Great Britain and Ireland

      Ray Society 1861-64, London - vi, 384, 29 hand-col plates. fo. HB. Cont. half morocco, raised bands, marbled end-papers, rear inner hinge cracked but firm. Some rubbing, light scuffing to corners; a few small ink spots to front cover. Occasional light, scattered foxing to plates. Rare. [Attributes: Hard Cover]

      [Bookseller: PEMBERLEY NATURAL HISTORY BOOKS BA]
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        Auf Granitsockel thronender Löwe. Bronzeskulptur mit gegossener Signatur.

      - Ein aussdrucksstarker, naturrealistischer Bronzelöwe ( schöne Patina ) auf einem grossen Granitsockel. Der Löwe mit gegossener Signatur .Gesamtmaß incl. Sockel 45 cm Höhe, 46 cm Länge, 18 cm Breite. Der Bronzelöwe misst ohne Sockel 25:37:10 cm. Gesamtgewicht 22000 Gramm. Mit gegossenem Giesserstempel ( "B" in Amphore ). Signiert mit Schriftzug N.Greb in der Bronze. Auf einem behauenen Granitsockel ist gekonnt ein Löwe, der durch Stifte an zwei Pfoten mit dem Sockel verbunden ist, wiedergegeben. Mit seinem langgestreckten Körper scheint er in naturrealistischer Form wie zum Absprung bereit. Der Bildhauer Nam Greb ( *1861 - 1936 ) folgt hier seiner Gabe zur realistischen Wiedergabe in einer gelungenen Komposition des Tieres. Bronzen von Nam Greb sind im Kunsthandel eher selten - so schöne, naturrealistische, sind von hoher Seltenheit. ( Pic erhältlich / webimage available ) ( Bitte beachten: Hier aufgrund des Gewichts kein Versand - hier bitte nur Selbstabholung in meinem Ladengeschäft ) ( Please notice. Cause of heavy weight no shipment possible - please only pickup in my store ) [Attributes: Signed Copy]

      [Bookseller: Antiquariat Friederichsen]
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