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Displayed below are some selected recent viaLibri matches for books published in 1860

        Ansicht von Schloss "Bodendorf".

      . Farblithographie v. Loeillot n. Schroeder b. Loeillot, Berlin, um 1860, 26,3 x 37,6. Besitzer: von der Schulenburg

      [Bookseller: Antiquariat Nikolaus Struck]
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        Ansicht von Gut "Priemern".

      . Farblithographie v. Loeillot n. Schroeder, um 1860, 26,4 x 38. Besitzer: von der Schulenburg

      [Bookseller: Antiquariat Nikolaus Struck]
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        Ansicht des Gutshauses "Jahnsfelde".

      . Farblithographie v. Loeillot n. Schroeder, um 1860, 26,3 x 37,4. Besitzer: von der Schulenburg

      [Bookseller: Antiquariat Nikolaus Struck]
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        Blick auf das Rittgergut "Emden".

      . Farblithographie v. Loeillot n. Schroeder b. Loeillot, Berlin, um 1860, 26,5 x 37,8. Besitzer: von der Schulenburg

      [Bookseller: Antiquariat Nikolaus Struck]
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        Schloss "Altenhausen".

      . Farblithographie v. Loeillot n. Schroeder, um 1860, 26,3 x 37,8. Ehem. Besitzer von Lüneburg, von Steinfurt, von Querfurt, von der Schulenburg.

      [Bookseller: Antiquariat Nikolaus Struck]
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        SELECTED LIBRARY OF MODERN SCIENCE [17 VOLS]: MONEY AND EXCHANGE +++RESPONSIBILITY IN MENTAL DISEASE [COVER SPOTTED]+++LIFE AND LETTERS [VOL I & II] +++THE FEMALE OFFENDER+++A HISTORY OF THE WARFARE OF SCIENCE WITH THEOLOGY [VOL I & II] +++RECENT. [Bx]

      D. Appleton, New York/ London/ 1860 - B&W Illustrations; 8vo 8" - 9" tall; Westminster Authorized edition, Limited 508/1000 . Publisher's brown cloth, top edge gilt. Illustrated with various b/w plates. Contents clean and unmarked, 300 pp per volume. Indexes. Complete in 15 volumes along with two additional Huxley Volumes: W. Stanley Jevons-Money and Exchange +++Henry Maudsley-Responsibility in Mental Disease [cover spotted]+++Thomas H Huxley-Life and Letters [Vol I&II] +++Cesare Lombroso/ Guglielmo Ferrero- The Female Offender+++Andrew Dickson White-A History of the Warfare of Science with Theology [Vol I & II] +++David A Wells- Recent Economic Changes+++William Dwight Whitney- Life and Growth of Language+++Edward B Tylor-Anthopology++Joseph LeConte-Evolution, It's Nature, It's Evidences.+++John William Draper-History of the Conflict between religion and Science+++Enrico Ferri-Criminal Sociology+++C A Young-The Sun+++Oscar Schmidt-The Doctrine of Descent and Darwinism+++F V N Painter-A History of Education+++John Trowbridge-What is Electricity+++. Life and Letters of Huxley are volumes associated with this set but not a part of it. ; 70 [Attributes: Hard Cover]

      [Bookseller: poor man's books (mrbooks)]
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        TALE OF TWO CITIES

      London Chapman and Hall 1860 - First edition, RARE issue with 1860 title and 213 numbered correctly. With 16 illustrations by H. K. Browne, including a frontispiece and vignette title page. 8vo, publisher’s original green cloth. viii, 254 A very nice copy, very well preserved and with only light wear. VERY RARE AND ONE OF THE MOST ELUSIVE STATES OF THE FIRST EDITION. A handsome first edition in original cloth of Dickens’ great work about the terrors and turmoil of the French revolution. According to Jarndyce the 3rd issue has the date of 1860 on the title-page instead of 1859 and page 213 is numbered correctly. The green cloth binding is identical to the cloth of the 1859 issues. [Attributes: First Edition; Hard Cover]

      [Bookseller: Buddenbrooks, Inc. ABAA]
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        Doctor Thorne

      Chapman and Hall, London, United Kingdom 1860 - Appears to be original binding (?-see photos). Tight and square. Corners lightly knocked. Owners name and address in pencil on inside of front board and further penciled notes on f.f.e.p (probably easily erased). Small damp patch on inside of rear cover/end paper, extends to a few pages inside. A few foxing spots on inside of boards, but generally clean and tight. 480pp. No ads. Early edition. Scarce. [Attributes: Hard Cover]

      [Bookseller: Jack Payne (Books)]
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        Husking

      Currier and Ives, New York 1860 - Currier and Ives “Husking” Eastman Johnson, New York: 1860 Hand-colored lithograph 37” x 44” framed The publishing firm of Currier & Ives created the most popular and highly regarded lithographs of quintessentially American scenes ever produced. The quality, vast scope and engagingly populist style of their works have made their names synonymous with an idealistic vision of 19th-century American promise and optimism. Nathaniel Currier began his lithographic career as an apprentice in 1828. By the mid-1830’s he had established his own firm on Spruce Street in New York City. In 1857 James Ives became a partner in the flourishing business, which went on to produce over 7,000 lithographs by 1907. Currier & Ives was undoubtedly the most prolific firm of lithographers in America, its output greater than that of all the other firms combined. The remarkable scope of this production was matched by the company’s ability to anticipate popular themes and subject matter. Among their many works are lithographs depicting sporting, railroad and rural scenes, marine, and western views, as well as foreign and domestic city views, historical tableaux, and a wide range of sentimental, morally instructive and advertising images. Currier & Ives’ broad productivity was accompanied by consistently high standards of printing and hand-coloring, and their ability to draw on original works by many of the finest American genre painters of the times, including (among many others) Fanny Palmer, Louis Maurer, Arthur Fitzwilliam Tait, Charles H. Parsons and George Durrie.

      [Bookseller: Arader Galleries San Francisco]
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        Studii teorici e pratici di architettura e di ornato per la frezione delle fabriche principalmente in Terra Cotta.. Etudes theoriques et pratiques de architecture et de decorations pour l'erection des constructions principalement en Terre Cuite.

      Venezia, presso l'autore 1860.. Mit 28 gestochenen Tafeln, teils in Sepia gedruckt. 16 Blatt. Text (inkl. Titelbl.), zweispaltig gedruckt in Französisch und Italienisch. Kassettierter brauner Maroquinband der Zeit. Deckel von mehrfach gestuft im Rahmen eingefasst. Vorderdeckel mittig mit vier erhaben gearbeiteten Rechtecken die ein ovales Medaillon mit goldfarbenen Messingrahmen einfassen. Das Medaillon mit Samtgrund und einer aus goldfarbenem Messing gearbeiteten, reich ziselierten Initiale R mit einer Herzogkrone bekrönt (Rudolf, Kronprinz von Österreich-Ungarn). Rücken auf fünf falschen Bünden. Die Felder von schwarzen Blindfiletten gerahmt. Doublüre. Spiegel mit gewässertem Seidenbezug, eingefasst von braunem Lederrahmen mit vierfachen Blindfiletten. Freie fliegende Vorsätze mit gewässertem Seidenbezug. Goldschnitt. Gr.-Folio (56 x 41 cm).. UCBA III, 117. Vgl. SMPK (Hg.). Ornamentale Vorlagenwerke d. 19. Jahrhunderts 1498.(abweichender Titel. Nur 15 Bll. Text in deutsch und italienisch). Erste Ausgabe. - Vereinzelt gering braunfleckig. Schönes Exemplar aus der Bibliothek des Kronprinzen Rudolf, (1858-1889) der am 30. Januar 1889 auf Schloss Mayerling Selbstmord beging. - Seiten teils etwas braunfleckig. - Imposanter Einband von seltener Provenienz. With 26 engraved plates partly in sepia. Engraved title with ornate architectural border, 16 unnumb. Leaves of text (incl. Title) printed in two columns in French and Italian. Austrian brown panelled morocco. Front cover with centre brass medallion with velvet background and gilt initial R headed by a crown (Rudolph Prince Imperial of Austria). Doublure. Paste-downs and flyleaves covered with watered silk. All edges gilt. Folio. First edition. Slightly browned throughout. A nice copy in a sumptuous Austrian binding for the Prince Imperial Rudolf of Austria, (1858-1889), who commited suicide on the 30. January 1889 at the castle Mayerling in Austria. - Impressive Binding with a rare provenance.

      [Bookseller: Antiquariat Mertens & Pomplun GbR (Versa]
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        Oeuvres de Paul de Kock. Romans illustrés & Romans Populaires illustrés.

      A La Librairie Théâtrale, Ancienne Maison Marchant. Paris. Gustave Barba, Editeur. Paris. Charlieu, Editeur. Paris. Charlieu et Huillery. Paris. Barbré, Editeur. Paris. Sans Date. Vers. 1840 - 1860 - Six volumes en demi chagrin marron à coins (légèrement émoussés), plats noirs, dos à 4 nerfs ornés de motifs dorés (légères épidermures), caissons à froid, titres & tomaisons dorés, tranches rouges, in 4, 30x21, illustrations en noir & blanc dans le texte par Bertall, Louis Duveau, Belin, F. Barrias, etc., gravures de Deghouy, rousseurs (fortes par endroits, absentes par ailleurs, mouillure angulaire ancienne au dernier volume, sans gravité), ex-libris gravés, texte sur deux colonnes, belle série bien reliée.PLUS D'UNE CENTAINE OEUVRES DE PAUL DE KOCK. Premier Volume : I. L'Amant de la Lune. II. L'Amour qui passe et l'Amour qui vient. III. Petit-Trick le Breton ou Ce qui ne se perd jamais. IV. L'Amoureux transi. V. Un Bal de Loups. VI. André le Savoyard. VII. Une Journée de Bonheur. VIII. Petits Tableaux de Moeurs. IX. Le Barbier de Paris. X. Une Maison où l'on a peur, Esquisse champêtre en quatre journées. XI. Un Bon Enfant. XII. La Bouquetière du Château-d'Eau. Deuxième Volume : I. Carotin. II. Cerisette. III. Monsieur Cherami. IV. M. Choublanc à la recherche de sa femme. V. Le Cocu. VI. Contes et Chansons. VII. Madame de Valnoir. VIII. La Demoiselle du Cinquième. IX. M. Dupont. Troisième Volume : I. L'Enfant de ma femme. II. Le Voyage de Beaugency. & Le Retour de Beaugency par Ch. Paul de Kock. III. Les Enfants Terribles par Clairville & Lambert Thiboust. IV. Une Maitresse bien agréable par Paul de Kock et Lambert Thiboust (Michel Lévy Frères, Editeur, Paris. Théâtre Contemporain Illustré). V. Les Etuvistes. VI. La Femme, le Mari et l'Amant. VII. Un Parisien dans l'Andalousie par Ch. Paul de Kock. VIII. Une Femme à trois visages. IX. Une Fête aux environs de Paris. X. Une Gaillarde. XI. Georgette. XII. Un Voyage Pittoresque. XIII. La Famille Gogo. XIV. Chipolata. XV. Monsieur Gogo par Paul de Kock et Frédérick Lemaitre Fils (Barbré, Editeur, Paris. Magasin Théâtral Illustré). XVI. Gustave. XVII. Edmond et sa cousine. Quatrième Volume : I. Un Homme à marier. II. Un Mari perdu. III. Un Jeune Homme Charmant. IV. La Bataille de Veillane. V. L'Homme de la Nature et l'Homme policé. VI. Une Soirée Bourgeoise. VII. Patits Tableaux de Moeurs. VIII. L'Homme aux Trois Culottes. IX. Le Petit Isidore ou Le Millionnaire. X. Frère Jacques. XI. Une Nuit au Château. XII. Jean. XIII. Une Partie de Plaisir. XIV. Petits Tableaux de Moeurs. XV. La Jolie Fille du Faubourg. XVI. La Vrai manière de s'amuser, Esquisse de Moeurs. XVII. Madame n'y est pas. XVIII. Parterre d'un Théâtre, Esquisse de Moeurs Dramatiques. XIX. Les Loges et les Galeries. XX. La Laitière de Montfermeil. XXI. Petits Tableaux de Moeurs. XXII. Le Muletier. Cinquième Volume : I. Madame de Monflanquin. II. Madeleine. III. La Maison Blanche. IV. Le Vieillard de la Rue Mouffetard. V. Petit Tableau de Moeurs. VI. La Mare d'Auteuil. VII. Ce Monsieur. VIII. Un Monsieur Très-Tourmenté. IX. Un Monsieur qui veut être Maire. X. La Journée d'un Monsieur qui n'a pas le Temps, M. Flananville. XI. Moustache. XII. M. Mouton ou La Jounée Mystérieuse. XIII. Ni Jamais ni Toujours. XIV. Nouvelles : Un Tour de Grisettes. Les Grisettes. Le Lutin. La Journée d'un Homme de Lettres. Tyler le Couvreur. Les Bords du Canal. Deux Maris. Recette pour faire un mariage. Les Parisiens au Chemin de Fer. Les Infidèles. Petits Tableaux de Moeurs. Sixième Volume : I. Paul et son Chien. II. Mon Ami Piffard. III. Jenny ou Les Trois Marchés aux Fleurs de Paris. IV. La Pucelle de Belleville. V. Les Mésaventures d'un Anglais. VI. Petits Tableaux de Moeurs. VII. Sanscravate ou Les Commissionnaires. VIII. Le Pensionnat en voiture. IX. Soeur Anne. X. Les Concerts d'Amateurs. XI. Une Fin d'Année. XII. Petits Tableaux de Moeurs. XIII. Taquinet le Bossu. XIV. Un Tourlourou. XV. Une Soirée chez un Médecin. XVI. L'Amour Médecin. XVII. Petits Tableaux de Moeurs. XVIII. Mon Voisin Raymond. XIX. Le Maître d'Ecole de Couberon. XX. Les Enfants de Marie. XXI. Zizine. XXII. Les Enfants de Maître Pierre. [Attributes: Hard Cover]

      [Bookseller: Bookinerie]
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        Oeuvres complètes de Buffon avec des Extraits de Daubenton et la classification de Cuvier ornées de Cinq cents sujets coloriés [ 9 Tomes - Complet ] [ Avec : ] Histoire naturelle de Lacépède comprenant les Cétacés, les Quadrupèdes ovipares, les Serpents et les Poissons [ 2 Tomes - Complet ]

      Dion-Lambert 1860 - Oeuvres complètes de Buffon avec des Extraits de Daubenton et la classification de Cuvier ornées de Cinq cents sujets coloriés [ 9 Tomes - Complet ] [ Avec : ] Histoire naturelle de Lacépède comprenant les Cétacés, les Quadrupèdes ovipares, les Serpents et les Poissons [ 2 Tomes - Complet ] soit ensemble 11 vol. grand in-8 reliure de l'époque demi-basane bordeaux, dos à 5 nerfs ornés, Dion-Lambert, Paris, 1860, Tome 1 : Matières Générales - Théorie de la Terre, 2 ff., 585 pp. avec portrait de Buffon en frontispice et 2 cartes rehaussées en couleurs ; Tome 2 : Epoques de la nature - Introduction à l'histoire des Minéraux, 2 ff., 665 pp. avec 3 cartes dont 2 cartes rehaussées en couleurs ; Tome 3 : Histoire naturelle des Minéraux, 2 ff., 692 pp. ; Tome 4 : Histoire naturelle des Minéraux, 2 ff., 495 pp. ; Tome 5 : Histoire naturelle de l'Homme, 2 ff., 495 pp. avec 1 planche partiellement rehaussée en couleurs ; Tome 6 : Arithmétique morale - Histoire naturelle des animaux, 2 ff., 804 pp. avec 22 planches en couleurs ; Tome 7 : Histoire naturelle des animaux, 2 ff., 744 pp. avec 25 planches en couleurs ; Tome 8 : Histoire naturelle des animaux, 2 ff., 746 pp. avec 32 planches en couleurs ; Tome 9 : Histoire naturelle des animaux, 2 ff., 752 pp.et 1 f. (avis au relieur) avec 29 planches en couleurs ; et Histoire naturelle de Lacépède comprenant les Cétacés, les Quadrupèdes ovipares, les Serpents et les Poissons, Nouvelle édition précédée de l'Eloge de Lacépède par Cuvier avec des notes et la Nouvelle classification de M. A.-G. Desmarest : Tome 1 : 654 pp. avec 19 planches en couleurs ; Tome 2 : 574 pp. et 1 f. n. ch. (avis au relieur) avec 13 planches en couleurs Agréable exemplaire de cette édition peu courante, réunissant les 9 Tomes du Buffon aux 2 Tomes du Lacépède, l'ensemble établi dans une élégante reliure uniforme. Bon ensemble (mouill. aux deux premiers ff. des tome 2 et 9 et 2 du Lacépède, 1 f. un peu faible au tome 4, accroc avec restauration ancienne aux deux ff. de table du tome 7, petite griffure à un mors au tome 8, dos lég. passés, belle fraîcheur intérieure par ailleurs) pour cet exemplaire bien complet des belles planches coloriées - dont 3 planches supplémentaires, non indiquées dans l'avis au relieur du Lacépède - chacune d'elle bien protégée sous ses serpentes d'origine. Langue: Français [Attributes: Hard Cover]

      [Bookseller: Librairie du Cardinal]
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        Chess Monthly

      William C Miller and Trubner & Co, New York and London 1860 - v+402 pages with diagrams. Octavo (9" x6 1/4") bound in full leather with gilt lettering to spine with black labels and original wrappers bound in. Volume IV. (Bibliotheca van der Linde-Niemeijeriana:6389) (Hagedorn: 36) First edition. This periodical was edited by Daniel Willard Fiske and Paul Morphy. The Problem Department by E B Cook. This was one of the first magazines published in America. It was started in 1857 and lasted until 1861. It was published at the height of Morphy's popularity and presence. Condition: Original wrappers bound in, lacks wrapper to number one, heal corner of title stained, some pages with old institutional embossed stamp, some occasional pencil notations else about very good. [Attributes: First Edition; Hard Cover]

      [Bookseller: The Book Collector, Inc.]
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        Fontana di Sta. Luci. Napoli.

      Napoli, ca. 1860 - 1865, albumen print, 24 x 17,5 cm, on original mount, photograph no. 1107. Sommer's early large blindstamp in lower right corner of the mount. KEYWORDS:italy / napoli

      [Bookseller: Krul Antiquarian Books]
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        Collection de Vues de Paris, prises au Daguerreotype [alternate title]: Collection de 28 Vues de PARIS prises au Daguerreotype gravures en taille douce sur acier

      Chamouin, Paris 1860 - First edition. Oblong quarto. Red cloth stamped in gilt and blind. Engraved title page, plus twenty-eight engravings (complete) of Paris locations. Edgewear, hinges tender, some foxing, mostly to the tissue guards (where present) and margins, but a little on the images, a sound, very good copy. [Attributes: First Edition; Hard Cover]

      [Bookseller: Between the Covers-Rare Books, Inc. ABAA]
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        RECUEIL DE PROBLEMES DEDIE AUX AMATEURS D';ECHECS. CONCOURS DU JOURNAL LA REGENCE

      Au Cafe De La Regence, Paris 1860 - Journoud was one of the leading French chess masters in the 1850's & '60's. A member of the famed Cafe de la Regence in Paris, he was on the great players there, but never reached the highest level. He is perhaps best known as editor of several of the French chess journals: The Regency, The New Regency, The Palamedes, and the Sphinx. Rather scarce; we locate five copies in OCLC. A nice copy in red embossed cloth . There is a previous owner bookplate on the front pastedown. Very Good binding. [Attributes: First Edition; Hard Cover]

      [Bookseller: BLACK SWAN BOOKS, INC., ABAA, ILAB]
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        Plate 22 - Cheval Emporte

      Paris 1860 - After Alfred de Dreux (1810-1860) Horse portrait from Chevaux de Selle et d'Attelage Paris: 1860 Lithograph prepared by Emile Lassale Hand-colored lithograph 34 1/2" x 40 1/2" framed

      [Bookseller: Arader Galleries San Francisco]
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        THE MILL ON THE FLOSS

      1860 - In Three Volumes. Edinburgh and London: William Blackwood and Sons, 1860. 16 pp Vol III undated ads. Original blind-stamped cinnamon-brown cloth. First Edition. This is the sad tale of Maggie Tulliver, from the Dorlcote Mill on the Floss River -- a novel noteworthy more for its accurate depiction of rural characters than for its rather drastic solution to an intricate plot. The novel also helped to break new ground in what was "acceptable" fare for reading: on a boating trip Maggie is "innocently but irremediably compromised" by her cousin's fiancé -- a fate to be shared by Thomas Hardy's TESS over thirty years later. ~This copy does not have the preliminary ad leaf in Vol I; according to Carter this is the first state, as the leaf was inserted in later copies to be issued. The volumes are in Carter's binding 'B', with the Edmonds & Remnants binder's ticket (the 'A' binding, identical except for the spine gilt, typically was by "Burn & Co."); Carter "hypothesizes" that 'B' might have followed 'A', but leaves it open to question. Also, this copy's Vol III ads cite the "Seventh Edition" of ADAM BEDE, while some copies have ads citing the "Eighth Edition."~This is a near-fine set, bright and attractive, with scarcely any external wear or soil (the slightest of wear at the foot of two spines, one small rub in the centerof one spine). The inner hinges (endpapers) are expertly and almost-invisibly strengthened with the addition of matching yellow-coated paper in the gutters; the endpapers themselves are the originals. The volumes are tight, there is no foxing on the leaves, and the gilt on the spines remains unusually bright. The first edition of THE MILL ON THE FLOSS is not all that scarce, but it is becoming quite difficult to obtain in this condition. Baker & Ross A5.1.a(1); Sadleir 816a; Wolff 2060; Carter BV pp 110-1 (& plate VIII). [Attributes: First Edition; Hard Cover]

      [Bookseller: Sumner & Stillman [ABAA]]
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        The Mill on the Floss in Three Volumes

      Edinburgh & London: William Blackwood & Sons 1860 - 1st set of 3 matching HB volumes in excellent publisher light orange/tan cloth boards with gilt title to spines and original pale yellow endpapers. Vol. I. has small binding label of 'Edmonds & Remnants, London on base of FFEP and Vol. III. has 16pp. publisher catalogue to rear incl. 4 titles 'in press'. No ad leaf in Vol. I. and very minor repair work to FEP. Otherwise this is a fine set with only minor usage. Each vol. has ink name of 'H. Wheeler, 1874'. (14 x 21cm)

      [Bookseller: Berwyn Books]
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        The Works of Charles Dickens [Illustrated Library Edition] complete in 26 volumes(1860-1870), including: Pickwick Papers, Nicholas Nickleby, Oliver Twist, Tale of Two Cities, Great Expectations

      Chapman & Hall, London 1860's-1870's - VGC.Chapman & Hall, London ,1860's-1870's.Illustrated Library Edition of the Works of Charles Dickens in complete 26 octavo volumes(I to XXVI).This set was reissued between 1861 and 1874 with illustrations and was called the Illustrated Library Edition.Hardbacks(marbled front and back covers, gilt lettering to the spine) bound in mainly contemporary half leather(four volumes are in more recent half leather, small nicks and dents on the edges of the covers and spines) in VGC. Illustrated with many b/w plates.Nice and clean pages with small ink marks,creases and nicks on the edges of the pages,small foxing marks inside some of the pages, pages 49-50 in volume I are slightly loose, previous owner's name written on a sticker inside the front cover of each book except for 4 volumes, marbled endpapers and edges of the pages. The front cover of volume XII has come loose but is repairable. Illustrations by George Cruikshank, H. K. Browne.The collection is in VGC for its age with light shelf wear. A collectable and scarce early edition of The Works of Charles Dickens. Please note: This is heavy set(approx 22 Kg). Books sizes: 7.9 x 4.9 inches. This is another paragraph The books are as follows: The Posthumous Papers of the Pickwick Club ( 2 volumes, no date given but probably 1867), Nicholas Nickleby(2 volumes, dated 1869), Martin Chuzzlewit(2 volumes, dated 1969), Old Curiosity Shop & Reprinted Pieces(2 volumes), Barnaby Rudge(2 volumes including Hard Times), Sketches by Boz,Oliver Twist(dated 1868), David Copperfield(2 volumes,dated 1870), Pictures from Italy, Bleak House( 2 volumes,dated 1867), Little Dorrit( 2 volumes, dated 1862 & 1867), Christmas Books(dated 1868), Tale of Two Cities, Great Expectations( dated 1866), Our Mutual Friend(2 volumes, dated 1869), Dombey and Son(2 volumes, dated 1868).The Posthumous Papers of the Pickwick Club includes Charles Dicken's preface("in his preface to the 1867 edition, Dickens strenuously denied any specific input, writing that "Mr Seymour never originated or suggested an incident, a phrase, or a word, to be found in the book."). Also, on the second page of the The Posthumous Papers of the Pickwick Club volume I, it is printed: The Best Edition of my Books Is, Of Right, Inscribed to my Dear Friend John Forster, Biographer of Oliver Goldsmith. Many Patient Hours he has Devoted to the Correction of the Proof Sheets of the Original Editions; And in Affectionate Acknowledgement of His Councel, Sympathy, And Faithful Friendship During My Whole Literary Life. This is another paragraph Later Editions: Upon completion of serialization the works were issued as complete novels in one to three volumes with original, and in some instances, additional illustrations. Starting in 1847 the older novels were reissued in what was called the Cheap Edition, these were published in weekly and monthly parts, and then as complete novels. Eventually all of Dickens' novels were reissued in the Cheap Edition. The concept of the Cheap Edition was similar to today's practice of reissuing hardback novels as more affordable paperbacks. Other editions published during Dickens lifetime include the Library Edition: a high quality set published without illustrations in 1858/59. This set was reissued between 1861 and 1874 with illustrations and was called the Illustrated Library Edition. In 1867 the Charles Dickens Edition was released. This edition featured new prefaces, written by Dickens, who also made minor corrections to the text. Chapman and Hall produced the Peoples Edition in 1865-1867, these were inexpensive monthly installments of the novels aimed at travelers in the very popular bookstalls popping up in railway stations all over Britain. Dickens' works were also published in America, sometimes simultaneously with the British edition and often with little or no compensation to the author or his publishers due to the lack of an international copyright law. Dickens campaigned unsuccessfully for international copyright [Attributes: Soft Cover]

      [Bookseller: Alpha 2 Omega Books BA]
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        The Flowering Plants and Ferns of Great Britain. And the Grasses, Sedges, and Ferns of Great Britain.

      Society for Promoting Christian Knowledge, London - 1860, 1871. () Near fine. x,256; xviii,247; xxv,251; x,140pp. Bound in an attractive 19th century half green calf and floral cloth binding. Matching floral endpapers. Binding signed J. Larkins. Bookplates of Elizabeth Rogers dated 1923. Spines a little bit faded otherwise a very attractive clean crisp copy of the book. Flowering Plants contains a total 242 coloured plates and one black and white. The Grasses contains a total of 76 plates in colour. This very popular set of Victorian Botanicals was originally published in 1850-57. This early edition has excellent clean impressions of the plates. [Attributes: Signed Copy; Hard Cover]

      [Bookseller: Aquila Books(Cameron Treleaven) ABAC]
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        MORAL EMBLEMS WITH APHORISMS, ADAGES, AND PROVERBS, OF ALL AGES AND NATIONS

      Longman, Green, Longman, and Roberts, London 1860 - 276 x 197 mm (10 7/8 x 7 3/4"). xvi, 239, [1] pp. Translated and edited, with additions, by Richard Pigot. First Edition with these Illustrations. FINE CONTEMPORARY GREEN STRAIGHT-GRAIN MOROCCO, HANDSOMELY GILT, covers framed by multiple rules and wide, ornate dentelle, the whole enclosing a detailed Greek urn centerpiece, raised bands, spine densely gilt in compartments featuring many small botanical and floral tools, gilt turn-ins, all edges gilt. With allegorical frontispiece featuring a portrait of Cats, 60 large tondo emblems, and 60 tailpieces by John Leighton and others after Adriaen van de Venne. Front flyleaf with ink presentation inscription, "Wilhelmina Colquhoun Jones / 1863 / with Charlotte Harriet Jones' / Love and best wishes" (see below). Spine darkened to an olive brown (as almost always with green morocco), just the faintest hint of wear to joints, occasional minor foxing or stains, but AN EXTREMELY ATTRACTIVE COPY, the very decorative contemporary binding bright and scarcely worn, and the text very fresh and showing no signs of use. This is a beautifully bound, attractively illustrated, and very well-preserved copy of an uncommon Victorian book featuring emblems produced by the Dutchman Jacob Cats and the Scotsman Robert Farley in the 17th century. Each entry, devoted to a particular virtue, opens with a Cats emblem and closes with one by Farley, with numerous quote from philosophers and poets of all eras appearing between the two. A statesman of considerable importance, Cats (1577-1660) has long been considered Holland's household poet, having written a large quantity of insightful and charming philosophical verse, including some of the most important works of emblematic literature produced in the Netherlands. Farley (or Farlie) is an obscure figure known best for his "Lychnocausia," published with 58 full-page emblems in London in 1638. Leighton's interpretations of the illustrations by van der Venne (1589-1662) retain the charm of the originals, which include engravings with allegorical pictures and epigrams, sometimes freighted with mystical profundity, but also winning scenes of life, full of the fascinating detail of costume, architecture, furnishings, recreations, social intercourse of several kinds, and all the other varied physical and interpersonal dimensions of living. Former owner Wilhelmina Colquhoun Jones (1841-1910) likely received this as a wedding gift for her 1863 marriage to Edward Talbot Day Jones, apparently from a relative--perhaps a sister--of her new husband. Whoever Charlotte Jones may have been, she was important enough to the couple that they named their first daughter, who grew up to be the historian Helen Charlotte Foxcroft, for her. The especially handsome binding here is unsigned but is exactly the kind of thing Hayday was producing during its best days. For more on Leighton (1822-1912), see next entry. [Attributes: Hard Cover]

      [Bookseller: Phillip J. Pirages Rare Books (ABAA)]
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        Mitchell's New General Atlas, Containing Maps of the Various Countries of the World, Plans of Cities, etc., Embraced in Forty-Seven Quarto Maps, Forming a Series of Seventy-Six Maps and Plans, Together with Valuable Statistical Tables

      Philadelphia.: S. Augustus Mitchell, Jr.. First Edition.. 1860.. Total of 39 single and 4 double handcolored maps (complete as issued), folio (16 x 13 inches), cloth covered boards with leather corners and spine (hardbound). Covers are very worn and detached, spine has deteriorated, text block/maps largely loose, chipping to preliminary pages and fore edge. The majority of the maps are in very good condition. The first map in the atlas has suffered the most damage: The World (No. 1)is chipped at edges of sheet with very tight side margins, light toning and soiling to lower margin. Split to lower half of centrefold of double page map of New York, New Hampshire etc. Light soiling/toning to margins throughout. Very rich impression and coloring to the maps in this, the first edition of are This is the first edition of Mitchell's New General Atlas, replacing the New Universal Atlas. "The first edition, first state, with no page numbers outside the borders, no New Orleans map between 28 and 29, and with the larger "Map of the World on a Globular Projection" by W. Williams" (David Rumsey). The atlas was issued as the population of the Western United States began to soar, with new states and territories requiring frequent updates of maps of the West. A fascinating collection of maps documenting the rapidly changing face of the United States. .

      [Bookseller: oldimprints.com]
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        Nestroy - Album. Leporello mit einem Porträtfoto und 12 Rollenfotos von Hermann Klee.

      L. T. Neumann,, Wien, 1860 - Wien, L. T. Neumann, um 1860. OLwd. [11 x 7 cm.] Insgesamt mit der Porträtfotografie von Nestroy und seiner faksimilierten Unterschrift 13 Orig. Fotos, alle in bester Erhaltung und kontrastreichen Abzügen. - Nur in kleiner Auflage erschienen. - Leinenalbum etwas ausgebleicht, ohne der Schließe. - Komplett selten! Deutsch [Attributes: Hard Cover]

      [Bookseller: Antiquariat Weinek]
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        Portrait of Dominic Charles Colnaghi and his wife Catherine Pontet.

      London, ca. 1860. original photograph, carte de visite, albumen print, 10 x 6 cm. - P & D Colnaghi. - Colnaghi's impending retirement to Italy was postponed when his son Martin sued both his father and his brother Dominic (1790 - 1879) in 1824. The settlement of the lawsuit left Martin with the old shop. Martin became bankrupt in 1832 and 1843, and died in 1851, but his son (also Martin) continued the separate business in Pall Mall. Paul and Dominic Colnaghi moved to Pall Mall East - near the nascent National Gallery - and Paul Colnaghi continued to work in the business until he died in 1833. Caroline Scott's son, John Anthony Scott, joined Dominic Colnaghi in the business in 1839. Scott commissioned William Simpson to go to the Crimea in 1854 to make watercolour sketches of scenes from the Crimean War, published as a series of 81 lithographs in The Seat of War in the East. The gallery also sold photographs by Roger Fenton. After this early experience with photography, the gallery commissioned Leonida Caldesi and Mattia Montecchi to take photographs at the Art Treasures Exhibition in 1857, published in Gems of the Manchester Art Treasures Exhibition in 1858, and Colnaghi published artistic photographs by Julia Margaret Cameron from 1864. The firm was associated with John Constable, assisting him to exhibit The Hay Wain at the Paris Salon in 1824, where it won a gold medal. The art dealership organised exhibitions for the British Institution, and of paintings by Eugène Delacroix in 1829. After Scott died in 1864, and Dominic Colnaghi retired in 1865 and died in 1879, Scott's cousin Andrew McKay became sole proprietor. He was joined by his son William KcKay in 1879. - - - - Dominic Colnaghi married Catherine Pontet (d. 1881) on 15 October 1831, and they had two sons, neither of whom entered the firm, but the elder, Sir Dominic Ellis Colnaghi (1834 - 1908), became a consular official; posted to Florence in 1865, he served as consul - general for northern Italy from 1881 to 1896, and wrote A Dictionary of Florentine Painters from the Thirteenth to the Seventeenth Centuries, which was edited by P. G. Konody and Selwyn Brinton and published posthumously in 1928 (reprinted 1986). Leonida Caldesi (1823 - 1891). Leonida Caldesi was born in Florence, Italy in 1823 and arrived in England as a political refugee around 1850, though whether he was a photographer at this time is not clear. His brother Vincenzo (1817 - 1870) served as a major on the staff of the Italian patriot and revolutionary Giuseppe Garibaldi (1807 - 1882). - Comparatively little is known about Caldesi's career though he was one of the leading London photographers during the 1850s and was acknowledged by contem­poraries as one of the foremost photographers of fine art from the 1850s to the 1870s. He had a number of short - term professional partners including Mattia Mon - tecchi (1858 - 59), Blandford (1861 - 62) and Lombardi, though throughout his career he maintained a business relationship with the print publisher and art dealer Paul and Dominic Colnaghi. Caldesi had important dealings with the Royal Family as well as three major public art collections in London; The National Gallery, the British Museum and the South Kensington Museum. He also carried out society portraiture and worked for learned societies and private collectors. - In August 1854, probably as part of a project lead by Paul and Dominic Colnaghi, Caldesi had requested per­mission to photograph the Raphael Cartoons at Hampton Court though he did not carry out his campaign until 1858 when he photographed in tandem with the South Kensington Museum's photographer Charles Thurston Thompson [qv]. - 1857 was probably the most important year in Caldesi's photographic career. In May Caldesi and his professional partner Mattia Montecchi, a compatriot who travelled to England with him, were summoned to Osborne on the Isle of Wight to take a series of photo­graphs of the Royal children. His growing reputation was sufficient for him to be established in April on the premises of P&D Colnaghi by John Scott, one of the firms' partners, and by June 1857 this establishment was noted in the columns of the Art - Journal. Colnaghi was to remain the primary publisher of Caldesi's reproduc­tions of works of art. - Although Caldesi specialised in the photographic re­production of works of art, his core business was centred on society portraiture and he exhibited several of these at that year's Art Treasures exhibition in Manchester. Caldesi and Montecchi also were engaged to photograph many of the paintings exhibited at this seminal exhibition. Along­side Robert Howlett [qv], they produced the majority of the 200 photographs for the two - volume 'Ancient' and 'Modern' series of Photographs of the Gems of the Art Treasures Exhibition, Manchester. Caldesi found difficulty in photographing some of the paintings in Manchester and successfully negotiated with the Royal Collection for some of its works to be subsequently moved outdoors to be photographed. - In the summer of 1857 Caldesi and Montecchi photo­graphed a smaller exhibition of portraits of Mary, Queen of Scots held at the Archaeological Institute, London. Theseat were published in 1858. - In 1859 The Gallery of the Most Noble The Marquess of Hertford, K. G., a selection of Caldesi's photographs from the Manchester exhibition, was published. At that year's exhibition of the Societe francaise de Photogra­phie Caldesi and Montecchi exhibited twenty - one pho­tographs of paintings displayed at the 1857 Manchester Art Treasures. Caldesi advertised a studio at Porchester Terrace in London's Bayswater and he began carrying out photo­graphic work for Prince Albert's Raphael Collection project. Perhaps as a result of this commission, Caldesi recorded the paintings in Buckingham Palace and was given permission to remove them to his studio. These photographs were published by P&D Colnaghi as the Royal Collection of Pictures at Buckingham Palace, and comprised forty small Albumen prints mounted on cards with printed captions that credit Caldesi, Bland - ford & Co. as the photographers, Montecchi having disappeared from the scene. This publication may bear the hand of the Prince Consort. Caldesi received further royal patronage that year when he was commissioned by Grand Duchess Marie of Russia to photograph the Elgin Marbles in the British Museum and he exhibited some of these views the following year at the Photographic Society's exhibition in London. - Caldesi advertised in the influential Athenaeum in the early 1860s stating that he personally took carte de visite portraits at 13 Pall Mall East, the Colnaghi premises, while 'portraits, Carriages, Horses, &c.' were taken at the branch studio at 6 Victoria Grove, Kensington. He photographed a number of prominent people including Sir Charles Eastlake, director of the National Gallery. In 1864 Caldesi published carte de viste portraits Giuseppe Garibaldi and his fellow patriot Giuseppe Mazzini (1805 - 1872) during their visits to London. - During the 1860s Caldesi also produced cartes de visites of paintings though it appears that he did not use the stereoscopic or Cabinet formats to any significant degree. - In 1860 Caldesi carried out a photographic campaign in the National Gallery in London, exhibiting some these photographs of paintings at the 1861 exhibition of the Societe francaise de Photographie. Between 1868 and 1873 The Pictures by the Old Masters in The National Gallery, a series of photographs of 360 paintings, was published by Virtue & Company. At this time Caldesi photographed a number of paintings in the Gallery on behalf of the director Sir William Boxall (1800 - 1879). - During the 1860s Caldesi was to carry out photo­graphic campaigns to record important private art col­lections such as the Farnley Hall collection of drawings by J. M.W. Turner These photographs, published by Colnaghi in 1864, seem to have had little impact and were not reviewed by the contemporary press. Another Colnaghi publication of 1864 was the Photographic Historical Portrait Gallery, which required Caldesi to photograph just under 200 Albumen prints of Tudor portrait miniatures. - An account of the latter years of Caldesi's life has yet to be assembled. Photographs by Cave. Leonida Caldesi, of Ancient Marbles, Bronzes, Terracottas, & C, & C. in the British Museum was jointly published with Colnaghi's between 1873 - 1874 but the photographs may have been taken some years before. Caldesi ap­pears to have returned to Bologna in around 1870 and died there in 1891. (Anthony Hamber). - Gernsheim 220: (...) Although it is marked Vol. I, no more were published. KEYWORDS:united kingdom

      [Bookseller: Krul Antiquarian Books]
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        Panoramaansicht, "Mayence".

      . Farblithographie v. Müller u. Gluck n. Mercereau b. Lemercier in Paris, um 1860, 13 x 55. Seltenes Rheinpanorama. Blick von Kastel aus, links die Alte Schiffbrücke über den Rhein. Auf dem Rhein zahlreiche Schiffe.

      [Bookseller: Antiquariat Nikolaus Struck]
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        Die königl. preussische Armee in ihrer neuesten Uniformierung. 48 Abbildungen in Aquarell-Manier.

      Berlin, Mitscher & Röstell, ca. 1860.. Titelblatt und 48 montierte Farblithographien, je 12,6 cm x 8,9 cm, auf Trägerkarton, je 19,8 cm x 15,4 cm. Lose in Original-Leinenkassette mit goldgeprägtem Preußenadler.. Komplettes Set, mit farbfrischen Lithographien. Eine Schuberkante eingerissen. Titel und wenige Kartons am Rand minimal stockfleckig. Die kräftigen Abbildungen in ausgezeichetem Zustand.

      [Bookseller: Antiquariat Mertens & Pomplun GbR (Versa]
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        Manuel du Librarie et de l'Amateur de Livres, Contenant: 1. Un Noueveau Dictionnaire Bibliographie... 2. Une Table en forme de Catalogue Raisonné... 5eme édition originale entièrement refondue et augmentée d'un tiers par l'auteur

      Paris,: Borbon-Ainé,, (1860-1880).. 8 volumes: [iv], xlvi, 1902 (columns), [v]; [iv], 1848 (columns), [iv]; [iv], 1984 (columns), [iv]; [iv], 1476 (columns), [vi]; [iv], 1800 (columns), [iv]; [iv], 1778 (columns), [v]; xv, [i], 1138 (columns), [vii]; [iv], 1226 (colums), [vii] pp. (thus a total of 6,708 pages). Uniformly bound in contemporary half red chagrin (shagreen), spine with raised bands, in compartments gilt lettered. Illustrated with many wood-engraved facsimiles in the text. ¶ Last and best edition of this legendary work. Although obsolete from bibliographical point of vue, and not always accurate, still useful for its collations, learned annotations and the many very rare items described. From sentimental point of vue, a desirable item for every bookcollector and antiquarian bookseller.

      [Bookseller: Sylco bvba livres anciens - antiquarian ]
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        THE ISLAND OF ANTIGUA. Revised by J.W. Norie, 1827.

      Antigua [but actually Philadelphia]: R.B. Eldridge & Co., [ca. 1860]. - Lithographic sheet map, 20 1/2 x 26 1/2 inches. Backed with contemporary blue paper. Light foxing and toning. A few small tears in margins. Very good. An unusual lithographic edition of Norie's 1827 revision of this handsome chart, lithographed by Wagner & McGuigan in Philadelphia. A statement in the cartouche reads, "Presented by R.B. Eldridge, Antigua, to Captain Andrew Tyler." The captain's name is accomplished in manuscript. R.B. Eldridge is not listed in Tooley's Dictionary of Mapmakers and appears to be unrelated to known chart publisher George Eldridge. It seems most likely that he was rather an Antigua merchant who commissioned a re- print of the chart for complimentary distribution to sea captains. A handsome piece.

      [Bookseller: William Reese Company - Americana]
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        A Midnight Race on the Mississippi

      New York: Currier & Ives, 1860. AN ICONIC IMAGE OF A STEAMBOAT RACE ON THE MISSISSIPPI RIVER Paper size: 23 3/4" x 33" The Mississippi riverboat was second only to the cowboy as the quintessential American product. Indeed, Gulf Coast steamboats achieved such international popularity that wagers were placed as far away as Berlin and Vienna on the outcomes of the famous steamboat races down the Mississippi. Besides their profound economic and technological importance, steamboats also figured as important thematic elements in nineteenth-century European and American art, literature, speech and song. For example, within the works of Joseph Conrad, Charles Dickens, Edna Ferber, Jack London, Herman Melville, Eugene O'Neill, Robert Louis Stevenson and, of course, Mark Twain, steamers served variously as symbols for the contemporary pride and progress in technology, as metaphors for the conflict between man and nature, and as elements of plot and setting.This work wonderfully encapsulates the period of the steamboat's transportational and cultural dominance in the United States, a position soon to be usurped by the mighty railroads. . Book.

      [Bookseller: Arader Galleries]
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        The Autocrat of the Breakfast-Table

      Boston: Ticknor & Fields, 1860. PRESENTATION COPY - ARTHUR SWANN'S COPY WITH HIS BOOKPLATE. 1 volume, illustrated, inscribed on the half-title by Holmes which reads "Ms David,/ old friend "Lucy Stimson"/ from Oliver Wendell Holmes/ Sept. 15th 1860." Bound in the publishers pebble grained brown cloth, covers stamped in blind, mild overall handling, housed in a 1/2 brown morocco slipcase, ribbed gilt decorated spine. This work was first published in 1858 and is one of the elder Holmes' more popular literary works. The work is a series of essays. A heterogeneous collection of boarders gather around a table, providing an audience for the wit and philosophy of the Autocrat. The essays take the form of conversations that generally develop into monologues. Cleverly and epigram-matically, the seemingly disconnected, is unified by the recurring themes and personalities.

      [Bookseller: D&D Galleries - ABAA]
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        Sveriges ätliga och giftiga svampar, tecknade efter naturen.

      . Utgifna af Kongl. Vetenskaps-Akademien. Stockholm: Norstedt 1860. Med 94 (en dobbelt) plancher, nogle foldede. Folio. 53 s. + plancher. Samtidigt, let slidt halvlaeder med guldtryk pa ryggen; nogle blade svagt bruneret, forsatsblad löst..

      [Bookseller: Peter Grosell, Antiquarian Bookseller]
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        Musée cosmopolite. (Costumes de) Algérie No. 1-24.

      Ancienne Maison Aubert,, Paris, 1860 - Paris, Ancienne Maison Aubert, (ca. 1860). 26,8x21 cm. 24 handkolor. Stahlstiche. Neuerer HPg.-Bd. Mit dem heraldischen Exlibris von Gustav von Schulthess Rechberg. - (Die ersten und letzten 4 Tafeln stockfleckig, die übrigen stellenweise im Rand leicht fleckig).

      [Bookseller: Biblion Antiquariat]
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        Musee cosmopolite. (Costumes de) Algerie No. 1-24.

      Paris, Ancienne Maison Aubert, (ca. 1860).. 26,8x21 cm. 24 handkolor. Stahlstiche. Neuerer HPg.-Bd.. Mit dem heraldischen Exlibris von Gustav von Schulthess Rechberg. - (Die ersten und letzten 4 Tafeln stockfleckig, die übrigen stellenweise im Rand leicht fleckig).

      [Bookseller: Biblion Antiquariat Leonidas Sakellaridi]
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        Souvenirblatt, Gesamtans. v. Brauhausberg, umgeben v. 20 Teilansichten.

      . altkol. Lithographie n. u. v. G. Frank, um 1860, 32,5 x 46. Nicht bei Drescher/Kroll: "Potsdam, Ansichten aus 3 Jahrh.". - Die Randansichten zeigen: Nicolaikirche, Charlottenhof, das neue Palais, Communs, königl. Schloß, Rathaus, Schützenhaus, Kirche inSacrow, das Casino, Babelsberg, heil. Geist Kirche, Mamorpalais, Sanssouci von der Rückseite, Sanssouci, das Schauspielhaus, dieGarnison- und Hofkirche, Schloß Glienicke, die Garde-Husaren Kaserne, die Pfaueninsel vom Blockhaus aus und den Bahnhof.

      [Bookseller: Antiquariat Nikolaus Struck]
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        Panoramaartige Gesamtansicht mit den umliegenden Bergen, im Vordergrund ländliche Staffage.

      . Lithographie mit Tonplatte von Gustav Frank, gedruckt im königl. lith. Institut, Berlin, um 1860, 33,5 x 51,5 cm.. Einriß im unteren Rand sorgfältig restauriert, sonst breitrandig und wohl erhalten!

      [Bookseller: Peter Bierl Buch- & Kunstantiquariat]
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        Schwerin. Große Gesamtansicht von der Nord-Seite, umgeben von 20 Veduten verschiedener Gebäude und Plätze der Stadt.

      Schwerin ca 1860.. Kreidelithographie mit gelblichem Tondruck und feinem zeitgenössischen Kolorit von Gustav Frank. 33,5 x 48,5 cm.. Abgebildet bei Jesse, Bd II Taf. XXXV. Mit den Ansichten: Schloß, Grünhaus, Marktplatz mit Rathaus, Marktplatz von der Nordseite, Tempelberg, Dom, Arsenal, Sachsenberg, Schauspielhaus, Regierungsgebäude, Katholische Kirche, Gasthaus in Zippendorf, Post-Amt, Amtsgebäude, Friedrichsthal, Schelfkirche, Großherzogl. Palais, Bahnhof, Marstall, Statue des Großherzogs Paul Friedrich. - Gerahmt. Die Abbildung ist aus Jesse entnommen und zeigt nicht das angebotene Originalexemplar. :Graphiken 5.80

      [Bookseller: Schweriner Antiquariat]
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        Peterskirche, Vatikan und Engelsburg Rom.

      Stuttgart, Gebr. Mäntler, um 1860.. Farblithografie von R. Zimmermann nach Hermann Herdtle bei A. Bonz, Bildausschnitt 27 x 39 cm, Blattgr. 46 x55,5 cm.. Großformatige und seltene Ansicht, der württembergische Maler Hermann Herdtle (wohl senior, 1819-89) nahm für diese dekorative Ansicht des Petersdoms und der Engelsburg mit Sicherheit die berühmte Vedute von Piranesi "Veduta del Ponte e Castello Sant' Angelo" zum Vorbild; Blatt etwas gebräunt, leicht fleckig, verso Montagereste.

      [Bookseller: Antiquariat Clemens Paulusch GmbH]
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        Batavia in 1858 of schetsen en beelden uit de hoofdstad van Neêrlandsch Indië.

      Gorinchem, J. Noorduijn & Zoon, 1860.Modern marbled boards. With lithographed title with nice vignette depicting the roadstead of Batavia and frontispiece with plan of Batavia. 208 pp.* Original edition. - Lively description of the old and new town and the people of Batavia, including a survey of the scientific institutions in town. Written by general Weitzel who lived there from 1853-1858.Tiele 1203; Cat. KITLV p.11; Ebing and De Jager, Batavia - Jakarta, 1481; Catalogues 300-jarig bestaan van Batavia 400.

      [Bookseller: Gert Jan BESTEBREURTJE]
 39.   Check availability:     NVvA     Link/Print  


        Overland Mail Company

      San Francisco: Britton & Rey, 1860. A SUPERB IMAGE OF THE OVERLAND ROUTE BY PREMIER WESTERN LITHOGRAPHY FIRM, BRITTON & REY Chromolithograph Framed size: 34 5/8" x 41 3/8" Sheet size: 20 ¾" x 27 3/8" ca. 1860 Literature: The American West, Vol. V, No. 4, July 1868 This spectacular chromolithograph is an excellent example of the work produced by Britton & Rey, and served as the cover image of the July 1968 issue of The American West: The Magazine of the Western History Association. The work depicts the quintessential symbol of the American West: the stagecoach. The particular vehicle shown in this print was operated by Barlow & Sanderson, a big-time stagecoach operation that worked the Kansas City-Santa Fe lines, the California & Oregon line, and in the Colorado Mining region. Passengers on this journey included a woman with a parasol, a number of gentlemen, Chinese workers, and a child, merely a sampling of the diverse faces who populated and visited the American West. The travelers are seen traversing in front of a stunning mountain, likely Mount Shasta in California, and across a beautifully verdant and wooded landscape. The scene rendered in this lithograph was originally produced by Aaron Stein, an executive of Wells Fargo. . Book.

      [Bookseller: Arader Galleries]
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        View of Michigan Avenue &c

      Chicago: Charles Shober, 1860. SPECTACULAR CIVIL WAR ERA VIEW OF CHICAGO BY EDWIN WHITEFIELD Hand-colored lithographs From: Whitefield's Views of Chicago 1860-1863 Paper size: 16" x 21 1/2"; framed size: 25 1/2" x 31" Edwin Whitefield was born in 1816 in East Lulworth, Dorset, England. His father was a schoolmaster, and it is believed he was taught at home and had no formal education. In 1837 Whitefield immigrated to the United States. During his first years he was an agent for Godey's Magazine, traveling to Troy, NY and Baltimore, MD. He also taught school and added to his income by sketching and painting watercolor views of Hudson Valley estates. Whitefield began to experiment with lithography in 1842, and became most well known for his views of urban cities. He published two large prints of Albany and Troy, NY in 1845. From 1847 to 1852 he traveled through Canada and across the northern states collection views which he published in Original Views. This lithograph View of Michigan Avenue &c. was done when the artist was living in Chicago from 1860 to 1863. During these years he published a series of seven scenes of the city in Views of Chicago. Whitefield exhibited at the National Academy of Design from 1852 to 1854. His works are now preserved at the Boston Athenaeum, the Boston Museum of Fine Art, the Minnesota Historical Society, and the Shelburne (VT) Museum.. Book.

      [Bookseller: Arader Galleries]
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        GALLERIE DER SCHÖNHEITEN

      in der K. Residenz zu München. (Title on frontboard). München: Piloty & Loehle c. 1860. 38 original albumenprinted photoes depicting female portraits after lithographs tipped on boards. Each photo ca. 9,5x5,5 cm. In contemporary full leather decorated on boards and all edges gilt. Binding a little marked of use.. No titlepage or text, photographs only

      [Bookseller: Peter Grosells Antikvariat]
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        Original-Fotografie von E. Pfeiffer, Linz [ohne Jahr (ca. 1860)] mit rückseitiger eigenhändiger Signatur Stifters. Carte de visite, ca. 10,5 x 6,2 cm (Kartonaußenmaß).

      . . Signatur Stifters mit brauner Sepia-Tinte. Fotografie leicht verblasst. Selten!

      [Bookseller: Antiquariat Rainer Schlicht]
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        Souvenirblatt. Rose von Bristol und Clifton.

      . Stahlstich b. Adler in Hamburg, 1860, Durchmesser 25 cm.. Stuhla, H. in "Lüneburger Beiträge zur Vedutenforschung", S. 133 ff.; - Rose von Bristol und Clifton. Zusammenfaltbar, bestehend aus 8 Segmenten, jeweils ( bis auf die Deckelsegmente = farb. lithogr. Rosendarstellung m. Blättern ) von beiden Seiten m. je 2 Ansichtenreihen in Stahlstich von Bristol and Clifton ( Insgesamt 28 Ansichten ). - Ohne den Umschlag.

      [Bookseller: Antiquariat Nikolaus Struck]
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        Der Kehlkopfspiegel und seine Verwerthung für Physiologie und Medizin : Eine Monographie

      Leipzig, Verlag Wilhelm Engelmann, 1860. - (1. Aufl.), 8° (21x14), VI, 104 S.,mit 4 Tafeln und 26 Holzschnitten, Hldr d.Zt., Ecken/Kanten bestossen, RSchild, Stempel auf Innenspiegel/verso Titelblatt, handschriftl Gesamtverzeichnis des Sammelbandes auf Vorsatz, anfangs wenige Eckknicke, gutes Exemplar, [Hirsch I, 164].-- ANGEBUNDEN: Ziegler, Adolf: Die Uroscopie am Krankenbette : Zum Gebrauch für Aerzte. (1. Aufl.), Erlangen, Ferd. Enke, 1861. VII, 71 S., NaT.-- ANGEBUNDEN: Bardeleben, [Heinrich Adolf]: Über die conservative Richtung der neueren Chirurgie : Fest-Rede . im Auftrage der Universität Greifswald. 2., unveränderter Abdruck, Berlin, Verlag von Georg Reimer, 1861. 23 S., NaT.-- ANGEBUNDEN: Langenbeck, [Bernhard]: Beiträge zur Osteoplastik : Vorläufige Mittheilung. (SA Göschen's Deutsche Klinik 1859, No.48). (Berlin, Reimer, 1859).-- ANGEBUNDEN: Schreiber, C.A. : Über die wahre und alleinige Ursache des Eintritts der Geburtswehen im schwangeren Uterus. Königsberg, C.Th. Nürmberger, 1861. 16 S., NaT.-- ANGEBUNDEN: Laehr, [ Heinrich]: Die Seelenheilkunde in der Gegenwart : Vortrag gehalten im wissenschaftlichen Verein zu Berlin am 16. Februard 1861. Berlin Verlag von August Hirschwald, 1861. 42 S., naT.- [Attributes: Hard Cover]

      [Bookseller: Antiquariat an der Stiftskirche]
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