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Displayed below are some selected recent viaLibri matches for books published in 1860


      - Lithographie n. u. v. Frühsorge ( Druck v. H. Arnold Leipzig), um 1860, 30 x 60,5 Prachtvolles Panorama von Hameln. Der Betrachter steht auf einer Anhöhe und blickt auf Hameln. Mittig die Weser. - Im breiten, unteren Rand ein restaurierter Einriß ( außerhalb der Darstellung).

      [Bookseller: Antiquariat Nikolaus Struck]
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        Fragmenta Phytographiae Australiae, Vols. II, III, V, VI, VII, VIII, IX, X & XI [9 volumes only]

      Published by Joannis Ferres 1860-81, Melbourne - , 9 volumes, with 46 plates throughout, with an inscription in latin to the Duke of Buckingham on the front free endpaper of volume 5 First Edition , ex library copies with code on spines and labels on rear pastedowns, owner's bookplates on front endpapers, spines have some small chips and tears, one volume tanned at spine, light spots to some pages and plates, generally clean inside, books in good condition , green cloth with gilt titles on spines 23 x 14.5 cm Hardback ISBN: [Attributes: First Edition; Hard Cover]

      [Bookseller: Keoghs Books]
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        Souvenirblatt. Rose von Bristol und Clifton.

      - Stahlstich b. Adler in Hamburg, 1860, Durchmesser 25 cm. Stuhla, H. in "Lüneburger Beiträge zur Vedutenforschung", S. 133 ff.; - Rose von Bristol und Clifton. Zusammenfaltbar, bestehend aus 8 Segmenten, jeweils ( bis auf die Deckelsegmente = farb. lithogr. Rosendarstellung m. Blättern ) von beiden Seiten m. je 2 Ansichtenreihen in Stahlstich von Bristol and Clifton ( Insgesamt 28 Ansichten ). - Ohne den Umschlag. [Attributes: Hard Cover]

      [Bookseller: Antiquariat Nikolaus Struck]
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        The autograph album of violinist Metaura Torricelli-Pente (1867-1893) containing autograph quotations signed from 20 late 19th-early 20th century composers and musicians, mostly violinists, many with interesting association to some of the most important composers of the day

      Torricelli-Pente, a child prodigy, married Emilio Pente, a violinist, teacher, and composer born in Padua in 1860; he became a professor of violin at the Guild Hall School of Music in London in 1909 and was especially noted as an editor of the works of Tartini, some 40 of whose manuscripts missing from the library of the San Antonio Chapel for a century he rediscovered. International Who's Who in Music and Musical Gazetteer, pp. 483-984. Torricelli-Pente studied with Sarti, Bazzini and Rampazzini; she concertized to great acclaim in both the U.S., including in New York and Boston, and in Europe, including three performances in Russia as a soloist with the St. Petersburg Philharmonic.. Small oblong octavo (220 x 140 mm). Heavy dark green silk boards with "Autograpfi M.T.P." within an ivory silk shield mounted to upper, white moire-patterned endpapers. 31 ff. consisting of 20 autographs + 47 ff. (blank), as follows: fol. 1 blank fol. 2r: BOTTESINI, Giovanni 1821-1889 8 measures (?complete) notated in brown ink in piano score. Marked "Lento" and in G-flat major, 3/4 time. Inscribed "Alla Signora Mezzauretta[!] Torricelli Gio. Bottesini Napoli 10 Giugno 1885." Bottesini was an accomplished Italian double bassist, conductor and composer. "In 1853 [he] joined the immensely popular orchestra led by Louis-Antoine Jullien for its tour in the United States. He was a featured performer in the lavishly spectacular concerts throughout the season, which culminated with the Christmastime performances of William Henry Fry's "Santa Claus" Symphony. Early in 1854 Bottesini left Jullien's troupe to conduct opera in New Orleans and Mexico. He later returned to Europe, composing and conducting opera in Spain, Portugal, France, and England throughout the duration of his career." Laura Moore Pruett in Grove Music Online. fol. 2v: MARTUCCI, Giuseppe 1856-1909 13 measures notated in black ink in piano score. Marked "Allegro vivace" and in E major, 2/4 time. Inscribed "Alla gentile Signora Metaura Torricelli Napoli Luglio 1885 G. Martucci." Martucci, an Italian composer, pianist, and conductor, was regarded as "the most important non-operatic composer in late 19th-century Italy and played a versatile, highly influential part in the resurgence of Italian concert life after a period when it had been at a low ebb." John C.G. Waterhouse and Folco Perrino in Grove Music Online. fol. 3r: CONTIN, Giuseppe 1838-1900 10 measures notated in black ink for "Viol[in]o." Marked "Mosso" and in G major, 2/4 time. Inscribed "Alla gentilissima Sig.ra M. Torricelli Venezia Genn[aio] 1886. Giuseppe Contin." Count Giuseppe Contin di Castelseprio was a violin pupil of Mayseder, founder of the famous Benedetto Marcello Institute in Venice, and co-director of La Fenice. fol. 3v: HAUSER, Miska 1822-1887 The first 18 measures of the violin part of the Rhapsodie Hongroise [op. 43]. Marked "Adagio" and in D minor. Signed "Vienna 19/3 1886 M. Hauser." fols. 4 and 5 blank fol. 6r BAZZINI, Antonio 1818-1897 13 measures notated in purple ink "per Violino Solo." Marked "Allo. giusto" and in G major, 2/4 time. Signed "Milano 5/12 86 Dr. Bazzini." Bazzini was an Italian violinist, composer and teacher. "...encouraged by Paganini, he began his concert career at an early age and became one of the most highly regarded artists of his time. From 1841 to 1845 he lived in Germany, where he was much admired by Schumann both as a violinist and a composer, as well as by Mendelssohn (Bazzini gave the first private performance of his Violin Concerto)." Giovanni Carlo Ballola and Roberta Montemorra Marvin in Grove Music Online. fol. 6v RICORDI, Giulio 1840-1912 Serenata Moresca. 3 measures. Marked "And.te mosso" and in F major, 6/4 time); Serenata Veneziana. 4 measures. Marked "Andantino" and in F major, 6/8 time); Serenata Ungherese. 2 measures. In E minor, common time. Three incipits in total, notated in black ink in piano duet layout (four-stave systems). Inscribed "Alla eg. Sig.a Metaura Torricelli Ricordi di J. Burgmein [Ricordi's pseudonym]." Giulio Ricordi was the director (from 1888-1912) of the famous music publishing firm of Ricordi founded by his grandfather Giovanni Ricordi in 1808. fol. 7r: ROMANIELLO, Luigi 1860-1916 4 measures notated in black ink in piano score. Marked "And.te mesto" and in G major, common time. Inscribed "A Metaura Torricelli Venezia 10 agosto 1887 Luigi Romaniello." Romaniello was an Italian composer and pianist. fol. 7v: THOMSON, César 1857-1931 1 measure for violin. In A major. Signed "Venezia [?]14 Aprile 87 Césare Thomson." A Belgian violinist, Thomson studied with Jacques Dupuis and later with Léonard, Vieuxtemps, Wieniawski and Massart. fols. 8 and 9 blank fol. 10r: NACHÉZ, Tivadar 1859-1930 "Della Cadenza per il Concerto de Brahms." Notated in brown ink. Inscribed "Alla gentile Signora Metaura Torricelli Berlin 17. X. 88." Nachéz, a Hungarian violinist and composer, studied under Joachim in Berlin and Léonard in Paris; most of his career was in London. fol. 10v: [?GOMES] Pastorale [for two violins] [?complete]. 26 measures notated in brown ink on two-stave systems (both staves in G clef). Marked "All.tto" and in A minor, 6/8 time. Inscribed "Alla estima e gentile signora Metaura Torricelli Pietroburgo 1/12 88 Aless. [?]Gome[...]." fol. 11r: BEZEKIRSKY, Vasily 1835-1919 Allegro du Concerto. 10 measures notated in black ink for violin and piano (three-stave systems). In E major, common time. Inscribed "19/31 Decembre 1888 Moscou à Madame Metaura Torricelli en bon Souvenir de part de G[?uillaume]. Besekirsky." Bezekirsky sometimes used the first name "Wilhelm." Bezekirsky was a Russian violinist and composer. "A brilliant virtuoso, he was also an excellent performer on the viola d'amore and a distinguished teacher, his best pupils being Karol Gregorowicz and Aleksey Yan shinov. Bezekirsky composed numerous pieces for violin and several orchestral works, including a suite, a concert overture and a symphonic picture." I.M. Yampol'sky in Grove Music Online. fol. 11v: SIMON, Antonio 1851-? Berceuse [op. 17]. 8 measures (?complete). Notated in blue-black ink on single-stave systems. In G major, 6/8 time. Inscribed "Souvenir à la grande artiste Metaura Torricelli Moscou le 3 Janvier 89. A [?]Simon." Simon was a French composer who spent most of his career in Russia. Schmidl II, p. 513. fols. 12 and 13 blank fol. 14r: JOACHIM, Joseph 1831-1907 Cadenza [for the second movement of Beethoven's violin concerto]. 11 measures. In D major, common time. Inscribed "Berlin d. 18ten Novbr. 1888. Zu freundlicher Erinnerung an Joseph Joachim." The cadenza is an early variant of Joachim's second published cadenza for the movement (Berlin: Schlesinger [PN 8599], 1894, p. 10). The present autograph pre-dates the publication. Joachim was a highly distinguished Austro-Hungarian violinist, composer, conductor, and teacher, associated with many important contemporary composers and musicians. "[His] paramount importance as an interpreter in the second half of the 19th century stems partly from his direct contact with many leading composers of the day. Like Clara Schumann among pianists, he represented a new species of 'ascetic' violinist, subordinating himself to the composer rather than glorying in his virtuoso technique." fol. 14v: DAVÏDOV, Karl 1838-1889 Am Springbrunnen [op. 20 no. 2]. 5 measures for violoncello. Notated in brown ink on a single staff marked "Violoncello." Inscribed "À Madame Metaura Torricelli de la part d'un collègien [...] K Davidoff Moscou Janv. 1889." Davidov, a Russian cellist and composer, studied with Moritz Hauptmann; upon hearing him play his B minor Concerto, he was invited by Moscheles and Ferdinand David to perform the piece with the Gewandhaus Orchestra. fol. 15r: SHOSTAKOVSKY, Pyotr Adamovich 1851-1917 Polonaise. 2 measures notated in black ink in piano score. In G major, 3/4 time. Inscribed "Alla bellissima, carissima e simpaticissima Signora Metaura Torricelli, grande violinista, omaggia del suo ammiratore ed amico Pierre de Schostakoffsky Direttore della Societá Filarmonica Mosca 27 Febbraio 1889." fol. 15v: AUER, Leopold 1845-1930 Tarantela au Concert [!Tarentelle de Concert] [op. 2]. 9 measures of the beginning of the solo violin part notated in black ink. Inscribed "À Madame Metaura Toricelli[!] en souvenir de son brillant debut à St. Pétersbourg L. Auer 1. Décembre 1888." Auer was a noted Hungarian violinist and influential teacher. fols. 16 and 17 blank fol. 18r: POLLINI, Cesare 1858-1912 4 measures notated in black ink on a four-stave system (most likely for violin, violoncello, and piano). Marked "Presto" and in E major, common time. Inscribed "Alla distintissima, vera artista Siga Metaura Torricelli colla più sincera stima ed amicizia Padova 1/I 1890 Cesare Pollini." Pollini was an Italian composer, pianist, and noted music teacher. fol. 18v: SGAMBATI, Giovanni 1841-1914 [String Quartet in C-sharp minor, op. 17]. 7 measures from the coda of the third movement, beginning 2 measures after Più lento, notated in black ink in piano reduction (two-stave system) with instrumental cues. Inscribed "Roma 30 Marzo 1890 All Signora Metaura Torricelli ricordo d'un ammiratore (G Sgambati)." Sgambati, an Italian composer, pianist, and conductor, was a pupil and protégé of Liszt. He is considered "of unquestionable historical importance as a leading figure in the late 19th-century resurgence of non-operatic music in Italy." John C.G. Waterhouse in Grove Music Online. fol. 19r: MARCHETTI, Filippo 1831-1902 Romeo e Giulietta Atto I. Valtz. 5 measures notated in black ink in piano reduction (two-stave system). In G-flat major, 3/4 time. Inscribed "Alla Sigra Torricelli ricordo del [illegible] Roma 20 Marzo 90 F Marchetti." An Italian composer, Marchetti's "operas reflect an assimilation of the Verdian models (the subjects based on strong psychological and ethical oppositions, the complex structure of scenes and arias) but without Verdi's energetic sense of drama. In spite of his conservative style, his skill in creating atmosphere and local colour and his tendencies to the elegiac and melodic over-sweetness mark a point of transition on the line that was to lead to Catalani and the verismo." Andrea Lanza in Grove Music Online. fol. 19v: TUA, Teresina 1866-1956 [A musical joke: G clef on a staff, followed by a wavy line and a question mark.] Inscribed "Essere o non essere, ecco il problema! All'Amica Metaura Sua Teresina Franchi Verney della Valetta Tua. Roma 31/3 1890." Considered one of the most talented Italian violinists of her time, Tua had an extraordinary concert career and was acquainted with many of the most famous composers of the day including Verdi, Boito, Liszt, Brahms, Wagner, and Rachmaninoff. She was married to the music critic Giuseppe Ippolito Franchi-Verney della Valletta; in this inscription, she adds her husband's last name to her own. fols. 20 and 21 blank fol. 22r: RIDOLFI, Vico 1863-1920 Toccata G. Sgambati [op. 18]. 2-1-2 measures notated in black ink on one staff. Inscribed "Roma 31 Marzo 1890 Alla Sigra Metaura Torricellitenta perché non dimenti chi mai il suo più caldo ammiratore V. Ridolfi (l'esecutore)." Ridolfi was a pianist. fol. 22v blank staves fol. 23r: GULLI, Luigi 1859-1911 Gavotta. 4 meaures (incipit) notated in black ink in piano score. In A major, common time. Inscribed "Roma 1 Aprile 1890 all'Illustre signora Torricelli Luigi Gulli dolente de non aver potuto assistere ad uno de' tuoi tanti trionfi." Gulli, an Italian composer and pianist, founded the Gulli Quintet in 1897; he emigrated to the U.S. some time after 1900. fol. 23v: GOMES, A[ntônio] Carlos 1836-1896 Lo Schiavo Prima rappresentazione Rio Janeiro 27 sett.bre 1889 Atti Io e IIIo Pastorale. 5 measures (incipit) notated in black in in piano score (left-hand staff blank) with instrumental cues. Signed: "A. Carlos Gomes Milan 29-5-1890." A Brazilian composer, Gomes, a contemporary of both Verdi and Puccini, was "the first composer of non-European lineage to be accepted into the Classic tradition of music." Wikipedia fol. 24 blank fol. 25 blank, removed fol. 26r: CATALANI, Alfredo 1854-1893 [Loreley, opera]. Ballabile delle Ondine nell Loreley Andante voluttoso [from act 3; cf. p. 252 of vocal score, Ricordi, PN 54916]. 3 measures notated in black ink in piano score. Signed: "Milano 10 Giugn[o] 1890 A Catalani." An Italian composer, "[Catalani's] operas were among the most important of those in the period immediately preceding the rise of the verismo school." Michele Girardi in Grove Music Online. fol. 26 blank staves fol. 27 music paper, removed fols. 28 and 29 blank fol. 30r: SIVORI, Camillo 1815-1894 Estensione del Violino. 4 measures demonstrating the violin's range notated in purple ink on one staff. Inscribed "Alla distinta artista Signora Metaura Torricelli Camillo Sivori." Date added in pencil in a different hand (?Torricelli's): "Genova, Luglio 1890." An Italian composer and noted violinist, "Paganini regarded Sivori as the only pupil for whose formation he was responsible." Flavio Menardi Noguera in Grove Music Online. fol. 30v: ARDITI, Luigi 1822-1903 19 measures marked "Violino Solo," with"segue" at end. Marked "Brillante" and in A major, 2/4 time. Inscribed "Alla distintissima violinista Madama Metaura Torricelli Luigi Arditi. Londra 23. Giugno 1891." An Italian conductor and composer, Arditi's career took him to Cuba, the U.S., and London; he conducted the Havana Italian Opera Company both in Cuba and the U.S., Maretzek's company, Her Majesty's in London, and Mapleson's annual opera tours of the U.S., touring with such luminaries as Marietta Alboni and Adelina Patti over the years. fol. 31r: PIATTI, Alfredo "Estensione del Violoncello-Metri 1 1/4. Estensione del sottoscritto Violoncellista-presso a poco la stessa. Estensione del suo talento-zero via zero zero. Estensione della sua ammirazione per il talento artistico-fisico-morale della Signora Metaura Torricelli-immensurabile." 2 measures notated on 1 staff with instrumental cues. In D major, common time. Dated "Londra 26 Maggio 1891." An important Italian cellist and composer, Piatti was greatly encouraged by Liszt. "As a result of his distinguished playing and his teaching, Piatti had a profound influence on cello history, especially in England. Playing in the old style, without an endpin, he is said to have had a spectacularly agile technique, superb bow control, perfect intonation and a bright, singing, flexible tone, his interpretations being invariably free from the sentimentality into which so many of his contemporaries were lured." Lynda MacGregor in Grove Music Online. fol. 31v blank staves Binding quite worn, frayed, and soiled; spine lacking.

      [Bookseller: J & J Lubrano Music Antiquarians LLC]
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        Journal of the Progress of H.R.H. ThePrince of Wales, through British North America; and His Visit to theUnited States, 10th July to 15th November, 1860.

      [London. PrivatelyPrinted (at the Chiswick Press by Whittingham and Wilkins) 1860]. - 8vo.23cm, [1],110,[1]p. frontis and 21 text illustrations from engravings,2 folding partly coloured maps, 8 colour lithographs, (one being afolding panoramic view of Montreal), complete with half-title, in theoriginal pebbled blind decorated blue cloth, gilt titles on the uppercover, fine clean copy, rare. (cgc) T.P.L. 3979. Lande 209. Morgan p116.Sabin 22600. An attractive book, privately printed and quite scarce. Thecoloured plates, lithographed by Day & Son after sketches by Engleheart,include - Point Pleasant, Halifax Harbour - Perce Rock - St. Marguerite(First Landing of H.R.H. in Canada) - Cape Diamond (From Spencer Wood)- Montreal from the Prince's Balcony, (folding) - Kingston - NiagaraFalls, (From Goat Island) - Brock's Monument. The author, Sir JohnGardner Dillman Engleheart, was Private Secretary to the fifth Duke ofNewcastle, Secretary of State for the Colonies. The Prince of Wales wasthe first member on the Royal Family to visit America. While here heplaced the corner stone of the Parliament buildings, opened VictoriaBridge in Montreal and watched while Charles Blondin crossed the fallson a highwire. [Attributes: Hard Cover]

      [Bookseller: Patrick McGahern Books, Inc. (ABAC)]
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        GIORNALE DEL REGNO DELLE DUE SICILIE. Napoli, 1860 (Annata completa).

      (Due Sicilie - Periodici) GIORNALE DEL REGNO DELLE DUE SICILIE. Napoli, 1860 (Annata completa). (Tutti i numeri consecutivi dal 2 gennaio al 31 dicembre) (con errori tipografici di numeraz.). (Dal 26 giugno la testata cambia in ?Giornale Costituzionale del Regno delle Due Sicilie; Dal 7 settembre cambia ancora in ?Giornale Officiale di Napoli?. In - folio max., leg. m. pergamena con angoli e tit. in oro al d.; Pp. 804, 406. Antico rest. al primo fascicolo e nelle ultime due pagine dell'annata. Per il resto buon esemplare. Rarissimo. ¤ 800,00

      [Bookseller: Libreria e Casa Editrice Grimaldi & C.Ed]
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        The Holy Bible

      London: James S. Virtue,, [c. 1860]. with a Devotional and Practical Commentary by the Rev. R. Jamieson & the Rev. E. H. Bickersteth. 2 volumes, folio (360 × 253 mm). Contemporary dark blue morocco, two-line gilt border on sides enclosing blind roll-tool borders, decorative blind-tooled spines with gilt banding, all edges gilt, yellow endpapers. Steel engraved vignette titles, many plates (some after John Martin) and coloured maps. Bindings only lightly marked. Scattered foxing. A handsomely bound set of this imposing Victorian Bible, that includes the apocalyptic illustrations of John Martin.

      [Bookseller: Peter Harrington]
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        Weimar - Album. Blätter der Erinnerung an Carl August und seinen Musenhof. Eine geschichtliche Schilderung.

      Leipzig Voigt & Günther um 1860 - 1 Bl., VIII, 1 Bl., 125 SS. m. 1 Tit.- Vign., 4 Kopf- Vign. und 22 Stst.- Taf. ( z. Tl.auf appl. Chinapapier ), folio, Or.- GLwd. m. goldgepr. Deckel- u. Rtit. sowie Blindpr. u. Ganzgoldschnitt ( ber., besch. u. best. ). Erste Ausgabe. - Die Stahlstiche mit 18 Ansichten der Stadt und ihrer Umgebung sowie einigen Portraits.- Vorsätze und Titel leicht - die Seiten 72/73 und die folgende Tafel von Tiefurt stärker fleckig, sonst ein sauberes und durchgängig gut erhaltenes Exemplar. [Attributes: First Edition]

      [Bookseller: Antiquariat Nikolaus Struck]
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        Ein Kraftakrobat und der Kampf gegen zwei Pferde - Unbezeichnete Lithographie

      O. O., ca. 1860.. Blattgr.: 35 x 53 cm. Die Lithographie zeigt den Artisten bäuchlings auf einer Bank liegend, mit den Händen hält er sich oben fest, zwei Pferde zerren sind mit Riemen an seinen Füßen mit Seilen angebunden und werden von 4 Männern enthusiastisch mit Peitschen vorangetrieben. - Gefaltet. Etwas fleckig. Oberer Rand mit Verklebungen von rosa Papierresten.

      [Bookseller: Antiquariat Turszynski]
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        Abraham Lincoln

      Boston: Little, Brown & Co. FIRST EDITION. Original Wrappers. Fine. EXCEEDINGLY SCARCE: ONE OF ONLY 50 COPIES PRINTED of John Nicolay's separately published biography of Abraham Lincoln prepared for the Ninth Edition of the Encyclopedia Britannica. Precedes Nicolay and Hay's monumental biography of Lincoln by eight years. From the collection of Henry W. Poor, noted American financier and founder of what would become Standard and Poor's. "Nicolay became active in Republican party politics and soon became a political lieutenant for one of the capital's leading citizens, Abraham Lincoln. When Lincoln was nominated by the Republican party for the presidency in 1860, he named Nicolay his private secretary... Nicolay [along with John Hay] went to Washington with Lincoln in 1861. The two men shared a room at the White House and had an exceptionally close relationship with Lincoln... "They served Lincoln for four years, performing a wide variety of political and personal duties and remaining close friends throughout, a working friendship that became the foundation for an important literary collaboration in later years. After Lincoln won reelection in 1864, Nicolay served as American consul in Paris, remaining in that post until 1869. In 1872 Nicolay became marshal of the U.S. Supreme Court, a position he held until 1887. During much of his time as marshal, Nicolay worked with Hay on a ten-volume biography entitled Abraham Lincoln: A History, eventually published in 1890; it was this biography that brought them lasting fame" (American National Biography). The biography of Lincoln prepared by Nicolay for the Encyclopedia Britannica reflects the unprecedented access Nicolay had (through Lincoln's son) to the president's papers and preceded the completed 10-volume work by eight years. According to Lincoln's bibliographer Monaghan, it was printed as a separate publication in Boston in a scant edition of 50 copies "for copyright purposes." Monaghan 699. Provenance: From the collection of Henry W. Poor, with his morocco bookplate on the inside of the front wrapper. Boston: Little, Brown & Co., 1882. Thin octavo (21 text pages), original printed wrappers; custom morocco box. A few spots, split at top of front wrapper (everything holding secure), impression of Poor's bookplate evident on front cover and offset to title. RARE.

      [Bookseller: The Manhattan Rare Book Company]
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        Darwin, On the Origin of Species. The Quarterly Review. Volume 108. July - Oct 1860. Contains the key 40 page article On the Origin of Species by Charles Darwin, reviewed by Samuel Wilberforce

      John Murray, London, 1860. First Edition. Hardcover. Very Good Condition. Darwin himself was impressed by Wilberforce's review, describing it as "uncommonly clever", and it set off a significant debate within the British Association, between Wilberforce and T.H.Huxley, that was largely responsible for wider press coverage of Darwin's work and thus bringing it to greater public notice. In total this volume contains 16 articles. Title page, 4 pages contents, 614 pp including index. Bound in original half leather, with marbled boards. Spine with two contrasting gilt lettered labels, gilt rules to the raised bands. Marbled fore-edges. An extremely pleasant copy of this important work. Size: Octavo (standard book size). Quantity Available: 1. Category: Antiquarian Books; Inventory No: 197041. .

      [Bookseller: Cosmo Books]
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        HAMBURG. - Schiller-Gedenkfeier. "Bilder aus dem Schiller-Festzuge in Hamburg. Album zur Erinnerung an Fried. v. Schiller's 100-jährige Geburtstagsfeier am 13. November 1859". Folge von 13 Darstellungen des Festzugs und Titel.

      - 14 (davon 13 altkolor.) Lithographien mit Tonplatte von J. Puschkin bei Fuchs, 1860, je ca. 25,5 x 44,5 cm. Lipperheide Sm 34; Thieme-Becker Bd. XXVII, S. 468. - Diese Folge des 1827 geborenen Hamburger Zeichners und Lithographen ist bei Thieme-Becker erwähnt. Im Festzug sind hauptsächlich Berufsgruppen dargestellt: "Buchbinder", "Buchdrucker", "Buchhändler", "Abtheilung der Deputation des Bürger-Militair's", "Comité des Schiller Festzuges", "Der Allgemeine Alster-Club" (2 Blatt), "Gelehrten-Schule", "Künstler-Verein", "Lithographen und Steindrucker", "Maler", "Tapezierer" und "Die Hamburger Turnerschaft". Interessant auch die Darstellung der Straßen, Plätze und Häuser der Stadt. - Stockfleckig, die Ränder teils leicht brüchig. - Schöne Serie!

      [Bookseller: Peter Bierl Buch- & Kunstantiquariat]
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        Meyer's Universum. Oktav Ausgabe.

      Hildburgshausen Vlg d Bibliogr Instituts (um ) 1860 - Lwd. d. Zt. 6 Bde. gebunden in 3 Bdn. (1.,2.,3.,4., 9. u. 10 Band). Je ca. 180 S. Mit zusammen ca. 257 Stahlstichen. -Einbd. etw. ber., best. u. fl., Rckn. verblaßt, 1 vord. Falz geplatzt, mehrere Stempel, NaV., tls. gebräunt und stockfl. 4000 gr. [Attributes: Hard Cover]

      [Bookseller: Ottmar Mülller]
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        Emeritageparken ved Raadvad.

      1860 1860 - Maleri på lærred Ca. 1860. 48x73 cm. Sign. G. Emil Libert. I smuk forgyldt ramme.

      [Bookseller: Peter Grosell, Antiquarian Bookseller]
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        Panoramaansicht, "Saint Goar".

      - Farblithographie n. Mercereau b. Lemercier in Paris, um 1860, 13 x 55 Blick von Norden ( von der Rheinuferstraße ) nach St. Goar. Rechts der Eisenbahndamm, darüber Burgruine Rheinfels. Links blick über den Rhein nach St. Goarshausen.

      [Bookseller: Antiquariat Nikolaus Struck]
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        Panoramaansicht, "Mayence".

      - Farblithographie v. Müller u. Gluck n. Mercereau b. Lemercier in Paris, um 1860, 13 x 55 Seltenes Rheinpanorama. Blick von Kastel aus, links die Alte Schiffbrücke über den Rhein. Auf dem Rhein zahlreiche Schiffe.

      [Bookseller: Antiquariat Nikolaus Struck]
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        Panoramaansicht. Blick von Norden zur Stadt, links das Rheintal, rechts Weinberge.

      - Farblithographie n. Mercereau b. Lemercier in Paris, um 1860, 13 x 55

      [Bookseller: Antiquariat Nikolaus Struck]
 17.   Check availability:     IberLibro     Link/Print  

        Etat Général des Forces Militaires et Maritimes de la Chine - Solde, Armes, Equipements, etc., Précédé d'une Etude sur les Rapports Commerciaux à établir avec cet Empire

      Paris, Librairie Militaire, Maritime et Polytechnique J. Corréard, 1860. - 1 volume in-8, 534 pp., reliure demi-basane à coins, couvertures conservées mais défraîchies, bon état intérieur malgré quelques rousseurs, enrichi de tableaux, bon exemplaire de ce très rare ouvrage. Ouvrage composé d'après les textes officiels chinois, recueillis par T.-F. Wade et sur d'autres documents récents par Jules Picard, de la Bibliothèque Sainte-Genéviève. Etat précis des forces militaires chinoises, à la veille de la Campagne de Chine de 1860.

      [Bookseller: INDOSIAM RARE BOOKS]
 18.   Check availability:     AbeBooks     Link/Print  

        Photograph of Agnes Weld with a younger child

      1860 - We offer a fine old photograph, circa 1860 of Agnes Weld, niece of Mrs Alfred Tennyson who was photographed by Julia Margaret Cameron and Charles L. Dodgson. The image measures eleven and a quarter inches by nine inches and is mounted on stiff card. The photograph is not signed but has an inscription on the verso: 'Study of Miss Agnes Weld niece of Mrs Alfred Tennyson done by Mrs Cameron who prepared her own plates'. The card mount has a jagged, vertical tear half way along its top edge down to the edge of the photograph; the image is not torn but has a slight crease in that place, continuing a little way down. There is another tear on the right side of the mount which does not reach into the image. Otherwise the photograph itself is in nice clear condition for its age.

      [Bookseller: Canon Gate Books]
 19.   Check availability:     IberLibro     Link/Print  

        Recueil de planches d'échantillons d'époque Second Empire de tissus de soie pour la confection


      [Bookseller: LES TEMPS MODERNES]
 20.   Check availability:     Biblio     Link/Print  

        Almanach de Jean Raisin, joyeux et vinicole, pour 1860, 3e année. Publié sous la direction de Gustave Mathieu.

      Eugène Pick, Paris 1860 - In-12 broché de 192 pp. couverture illustrée. Troisième et dernière année de l'amanach fondé par Gustave Mathieu en 1854 interrompu en 1855. Titre de départ : 1860. Résurrection de Jean Raisin . Avis de l'éditeur. Enfin le voilà de retour, après cinq ans d'absence escorté d'un solide état-major de collaborateurs, debout dans l'éclat de l'aurore ! Titre-frontispice repris sur le premier plat de couverture dessiné par Nadar, vignettes et portraits (Monselet, Courbet et Champfleury) illustrés par Nadar, Staal, A. Gautier, Hanoteau, Régnier etc. Collaborateurs : P. Dupont, Gozlan, A. Dumas, Monselet, Toussenel, F. Maillard, Alfred Delvau, Philibert Audebrand, Gastineau, René Lordereau, A. Rolland, Champfleury, Charles Muller, A. Barthet, Joannis Guigard, Th. Gersant, Henry Murger, Pierre Bry, Karl, Coligny, Max Buchon, G. Boué, G. Bouclier, Morlan, Jullien, Eugène Muller, Courbet, Albert de la Fizelière, A. de Glatigny. Grand-Carteret, 2686. Rare. [Attributes: Soft Cover]

      [Bookseller: Bonnefoi Livres Anciens]
 21.   Check availability:     AbeBooks     Link/Print  

        The Mill on the Floss

      William Blackwood & Sons 1860 - First edition, Carter's first state of the first volume with no ad leaf inserted. No ads at rear of Volume III. 361, 319, 313 p. 19th-Century leather over marbled paper, black label and gilt lettering and ruling, blue endpapers. Very Good. Wear along edges. Some foxing. Chipping to head of Vol. I with pieces included inside. 1935 newspaper article about destruction of the chimney at the Old Mill in Lincolnshire pasted at front of Vol. I. Two names and Oxford bookseller (W.J. Richards) impression at front of all volumes. A very nice set. [Attributes: First Edition; Hard Cover]

      [Bookseller: Burnside Rare Books]
 22.   Check availability:     AbeBooks     Link/Print  

        Praktische Waarenkunde in Wort und Bild. für Kaufleute, Fabrikanten und Gewerbetreibende. 2. Auflage.

      Leipzig Schäfer (Ca ) 1860 - (25,5 x 17,5 cm). (2) 514 S. Mit 73 (66 kolorierten) lithographierten Tafeln. Halblederband der Zeit. Die kolorierten Tafeln zeigen u.a. Kaffee- und Teepflanzen, Reis, Zuckerrohr, Hopfen, Trauben, Kakteen, Pfeffer, Feigen, Dattelpalmen, diverse Fische, Schildkröten, Baumwolle, Kurkuma, Sandelholz, Tabak, Zitrusfrüchte, Safran, Anis, Kümmel, Zimt, Muskatnuss, Vanille, Sagopalmen, Büffel und eine Korkeiche; die schwarz-weißen Tafeln mit Abbildungen von Kaffeemühlen, Ölpressen, Maschinen für die Zuckersiederei und Bierbrauerei, die Papierfabrikation, die Branntweinbrennerei sowie von diversen Dampfmaschinen. - Vereinzelt leicht stockfleckig bzw. gebräunt. Einband etwas berieben und bestoßen. Oberes Kapital etwas eingerissen. [Attributes: Hard Cover]

      [Bookseller: Antiquariat Gerhard Gruber]
 23.   Check availability:     ZVAB     Link/Print  

        Souvenirblatt, "Erinnerung an Bremen", Gesamtansicht, umgeben von 16 Teilansichten.

      - Lithographie m. Tonplatte v. Tempeltey n. Nay b. Zawitz in Berlin, um 1860, 36,5 x 51,5 Dek. Blatt. Am rechten Rand der Trockenstempel der Fa. Zawitz in Berlin. Die Randansichten zeigen: Vegesack, Rathaus, Bremergafen, Stadthaus, Altmannshöhe, Ostertor, Museum, Liebfrauenkirche, Ansgarii-Kirche, Weserbrücke, Martini, Dom, Börse, Bischofstor, Schauspielhaus, Schütting.

      [Bookseller: Antiquariat Nikolaus Struck]
 24.   Check availability:     AbeBooks     Link/Print  

        The Variation of Animals and Plants under Domestication

      London: John Murray. FIRST EDITION. Original Cloth. Very Good. FIRST EDITION, FIRST ISSUE IN ORIGINAL CLOTH of Darwin's sequel to the Origin of Species, including his first use of the term "survival of the fittest". "The Variation was a full statement of the facts on which the theories of the Origin were based... "After the Origin's publication Darwin embarked on two broad lines of research: botanical experiments, and studies of variation, sexual selection, and emotional expressions in humans and mammals. In 1860 he began recycling the early, as yet unpublished, chapters of 'Natural selection' and studying the osteology of domestic pigeons, ducks, and geese for a book on how breeders and horticulturists modify species. This was The Variation of Animals and Plants under Domestication (1868)... Its two volumes were intended to provide overwhelming evidence for the ubiquity of variation, although they would also incidentally answer Lyell and Gray, who maintained that variations had not occurred purely by chance but were providentially directed. Darwin showed that breeders indeed selected from a vast array of minute random variations. He gave numerous instances of the causes of variability, including the direct effect of the conditions of life, reversion, the effects of use and disuse, saltation, prepotency, and correlated growth. "The Variation also addressed a key criticism of the Origin of Species: that it lacked an adequate understanding of inheritance. Darwin's 'provisional hypothesis of pangenesis' was constructed to explain how heritable traits were passed from parents to offspring. He supposed that each part of a parent organism throws off minute particles, or 'gemmules', which circulate in the body and collect in the sexual organs to be transmitted in reproduction. Because gemmules are received from two parents, the offspring develop to resemble them both more or less. 'The child, strictly speaking, does not grow into the man, but includes germs which slowly and successively become developed and form the man' (Darwin, Variation). "The term 'survival of the fittest' (borrowed at Wallace's insistence from Herbert Spencer's 1866 Principles of Biology) first appeared in the Variation... It was a partial substitute for Darwin's more anthropomorphic 'natural selection', which many critics took to imply the existence of a 'selector'. Mistaking Darwin's metaphor, they concluded that intelligence lay as much behind nature's selecting as behind a pigeon fancier's. Nevertheless Darwin defended his use of 'natural selection' while conceding that he had personified it too much" (Dictionary of National Biography). First issue: with 1-line publisher's imprint on cloth at base of spines, 4 errata in vol. I and 9 errata in vol. II. Provenance: Early owner signature and/or stamp of Welsh businessman and philanthropist J.W. Stokes, Pengwern, to front endpapers, title pages of both volumes and first page of chapter I (vol. I) and contents (vol. II). Blind stamp of the prestigious nineteenth-century Cambridge bookseller and publisher Rivingtons on front free endpaper and flyleaf of vol. I. Complete with 32 pages of ads dated April 1867 at rear of vol. I, 2 pages of ads dated February 1868 at rear of vol. II (as issued) and 43 in-text wood engravings. London: John Murray, 1868. Octavo, original cloth. Ownership signatures and stamps (see above). Cloth in outstanding condition with only a few spots of bubbling and spine gilt exceptionally bright. Occasional light foxing, but text generally extremely clean. Much of vol. II with text unopened. Rare with cloth in such good condition.

      [Bookseller: The Manhattan Rare Book Company]
 25.   Check availability:     Biblio     Link/Print  

        Popular Tales of the West Highlands - 4 volume set

      Edmonston and Douglas, Edinburgh 1860 - 1860, 1862. First editions. Complete in 4 volumes. "Orally collected with a translation by J.F. Campbell." A beautiful set of Campbell's West Highland Tales in Gaelic and English in contemporary half calf over decorated/marbled boards with similar endpapers and edges. 5 raised bands to spines with gilt decoration to top and bottom three panels. Red leather label with title in gilt and a tan leather label with Author's name and volume no. in gilt. Minor mark to 2nd title panel of vol. 1, otherwise the bindings are in excellent condition. Contents are also in excellent condition with a faint inscriptionto half title page of vol. 2. All half titles present. PP xiii, ii, 353; xiii, 478; xv, 422(17 b&w ills); viii, 480(26 b&w ills + fold out chart). Frontispiece portrait which is called for in Vol. 4 is not present and seems to have been omitted at binding. Size: 6.75" tall [Attributes: First Edition; Hard Cover]

      [Bookseller: Edinburgh Books]
 26.   Check availability:     AbeBooks     Link/Print  

        La vie de St. Bruno, fondateur de l'ordre des Chartreux

      first edition, rare, illustrated with a title frontispiece and 22 plates from the tables of Eustache Le Sueur and engraved by Francois Chauveau.Binding half shagreen iced chocolate ca 1860 with corners L. signed Fixon bottom of the last page. Back to jansenist nerves. Engraved title and the initials SD Slashed with gaps on the lower flat. Slash in a corner of the lower corner flat and dull. Some frictions. Beautiful copy, fresh. Chez René Cousinet A Paris 1660 S.d. In-folio (27,5x41cm) (4) 22pl. relié

      [Bookseller: Librairie Le Feu Follet]
 27.   Check availability:     Direct From Bookseller     Link/Print  

        Superb Tintype image of John Brown in 1857: How John Brown really looked!

      n.p., c. 1860. 1.25" x 1.5". "Tintype image of John Brown, approximately 1.25"" x 1.5"". In a 1.375"" x 1.625"" gilt frame under glass. In apparent fine condition.Jean Libby included this image in her book John Brown Photo Chronology (Palo Alto: Allies for Freedom, 2009). She notes that it originated as a daguerreotype made in January 1857 at the time Brown was moving among eastern antislavery people as an advocate of the Kansas Free State cause.Daguerreotypes present a reversed image. John Chester Buttre made a lithograph engraving of the January 1857 ""reversed image"" daguerreotype for inclusion in James Redpath's authorized 1860 biography of John Brown. Here offered is a tintype photograph of Buttre's ""reversed image"" engraving. Since the photograph reverses the reversed image of the daguerreotype and Buttre's engraving, the tintype photograph here offered, produced after 1860, shows how John Brown really looked in January 1857.At the November 23-24, 2013, Political & Americana Signature Auction held by Heritage Auctions in Dallas, this identical tintype image, except with a slight flaw in the blank left background, sold for $4,062.50. Heritage commented on its rarity thusly: ""we have never before seen this John Brown variety."""

      [Bookseller: University Archives]
 28.   Check availability:     Biblio     Link/Print  

        PLAN ITINERAIRE DE PARIS. Nouvelle division en 20 arrond.ts et 80 quartiers.


      [Bookseller: Libreria Malavasi sas]
 29.   Check availability:     Biblio     Link/Print  

        an Reichenhall und Berchtesgaden.

      Salzburg, G. Baldi, (1860). 19,5 x 24,5 cm. 2 Bl. Mit 16 Stahlstichen. Lwd. d. Zt. Die hübschen Ansichten zeigen u.a. Reichenhall, Bad Achselmannstein, St. Zeno, Bad Kirchberg, St. Pankraz und Karlstein, Großgmain, Schwarzenberg-Klamm, Staubbach-Fall, Bad Unken, Thumsee, Berchtesgaden, Königssee und Salzburg mit der Carolinenbrücke. - Einband leicht berieben. Bindung gelockert, die Tafeln wenig fleckig. Versand D: 6,00 EUR BAYERN, Kurorte, Oberbayern

      [Bookseller: Antiquariat Bierl]
 30.   Check availability:     Link/Print  

        Programm der großen Kappenfahrt zu Ehren des Prinzen Carneval bei seiner Anwesenheit in unserer alten freien Stadt Frankfurt a. M. von seinen getreuen Bittern ... veranstaltet wird.

      Frankfurt, C. Adelmann, 19. Februar 1860.Plakat auf 4 verschieden farbigen Teilen zusammengesetzt; oben mit 3 Holzschnitten. Blattgr.: 109 x 35 cm. Amüsant zu lesendes Programm der Frankfurter Narren; zuerst werden am Vorabend diverse Läden gestürmt um "Rasselchen, Pfeifchen, Trommelchen, Trompetchen, Ballon gefüllt mit Philisterseelen" zu erbeuten, um dann um 8 Uhr in der großen Narrhalla - Sitzung die Narrheit über Frankfurt ab Mitternacht auszurufen. Darauf "Jedermann geht zu Bette und verspricht sich Grosses". Der 19. Februar ist dann gefüllt mit einem umfangreichen Programm, mit verschiedenen Umzügen und Zusammenkünften. Natürlich endet das dann in einem großen Mal mit "Kaffee, Gesang, Chokolade, Scherz, Wein, Vorträgen und einem großen Ordens - Capitel". Danach sollen die Narren aber auch schlafen gehen. - Mit kleinen Gebrauchsspuren, insgesamt gut erhaltenes Plaket, das aufgrund seiner fragilen Eigenschaft nicht mehr in vielen Exemplaren vorhanden sein dürfte! Bücher de

      [Bookseller: Antiquariat Turszynski]
 31.   Check availability:     Link/Print  

        19th century view of Venice - Eugenio Testolini.

      SPLENDID 19TH CENTURY VIEW OF VENICE, SEEN FROM THE GRAND CANAL"Palazzo Ducale". Lithography with original hand colouring, made approx. 1860 by Eugenio Testolini in Venice. Size: (image) 37,5 x 55 cm (paper: 49 x 63 cm).The view depicts the city in those turbulent times, when in 1848?1849 a revolt had briefly re-established the Venetian Republic and in 1866, following the Third Italian War of Independence, Venice, along with the rest of the Veneto, became part of the newly created Kingdom of Italy.With from left to right the Palazzo della Zecca (which once housed the official government mint); the Bibliotheca Marciana (behind the library we see the Campanile di San Marco); the Piazetta di San Marco with the granite columns (between which death sentences were carried out) carrying St Theodore and the Lion of Venice (the city patrons) and in the back on St Mark"s Square the Clock Tower leading to Rialto and St Mark"s Basilica; along the Molo (the quay fronting the lagoon) we see the Doge"s Palace and across the bridge to the right the Palazzo delle Prigioni.In the lagoon there are two paddlewheel steamships, one pumping out a black funnel of smoke, as well as numerous gondolas rowing their customers across the water.Although tourism had been an important sector of Venetian industry since the 18th century, when it was a major centre for the Grand Tour, with its beautiful cityscape, uniqueness, and rich musical and artistic cultural heritage. In the 19th century, it had become a fashionable centre for the rich and famous, often staying or dining at luxury establishments such as the Danieli Hotel and the Caffè Florian. With this fine lithography Eugenio Testolini, who had a shop on Piazza di S. Marco, catered to those wealthy tourists.Venice today is still regarded as one of the world"s most beautiful cities and attracts an estimated 50.000 tourist per day.Price: € 1.250,- .

      [Bookseller: Inter-Antiquariaat MEFFERDT & DE JONGE]
 32.   Check availability:     NVvA     Link/Print  

        Außerordentliche Vorstellungen von E. Bosco aus Turin bestehend aus Chiromancie, Prestidigitation, Magie, Illusion, Physique, Megnétisme, Electricité, Mécanique, Escamaotage etc. etc.

      (Frankfurt), Druck von R. Baist, ca. 1860.. Einblattdruck mit typographischem Text. Blattgr.: 37 x 23 cm. Seltenes Plakat zu einem Auftritt des Eugene Bosco (1823/1830-1891), unehelicher Sohn des berühmten italienischen Zauberes Bartolomeo Bosco (1793-1863 in Dresden). Seine kurze Karriere erlitt bereits 1857 einen folgenschweren Einbruch: Bei einer Vorführung schoss er sich in die Hand, die seitdem verkrüppelt blieb und damit viele seiner Tricks unmöglich machte. Wie schon sein Vater verstarb er in Armut.

      [Bookseller: Antiquariat Turszynski]
 33.   Check availability:     Biblio     Link/Print  

        Außerordentliche Vorstellungen von E. Bosco aus Turin bestehend aus Chiromancie, Prestidigitation, Magie, Illusion, Physique, Megnétisme, Electricité, Mécanique, Escamaotage etc. etc.

      (Frankfurt), Druck von R. Baist, ca. 1860.Einblattdruck mit typographischem Text. Blattgr.: 37 x 23 cm. Seltenes Plakat zu einem Auftritt des Eugene Bosco (1823/1830 - 1891), unehelicher Sohn des berühmten italienischen Zauberes Bartolomeo Bosco (1793 - 1863 in Dresden). Seine kurze Karriere erlitt bereits 1857 einen folgenschweren Einbruch: Bei einer Vorführung schoss er sich in die Hand, die seitdem verkrüppelt blieb und damit viele seiner Tricks unmöglich machte. Wie schon sein Vater verstarb er in Armut. Bücher de

      [Bookseller: Antiquariat Turszynski]
 34.   Check availability:     Link/Print  

        Halbfigur nach halbrechts im Oval der Gemahlin des Königs Franz II. beider Sizilien und Schwester der Kaiserin Elisabeth von Österreich, im schulterfreien Kleid mit Spitzenärmeln, unten Inschrift.

       Lithographie auf China von J. Melcher nach Schrotzberg bei Stoufs, Wien, um 1860, 26,5 x 22,5 cm. Boetticher, Schrotzberg 18; Slg. Maillinger, Bd. I, Nr. 2107. - Die Tochter des Herzogs Maximilian von Bayern, des sog. \"Zithermaxl\", heiratete siebzehnjährig den letzten König beider Sizilien, Franz II. (1836-1894). Als tapfere Verteidigerin der Festung Gaeta wurde sie 1861 in ganz Europa berühmt. - Breitrandig. Versand D: 6,00 EUR Porträts, Frauen, Neapel, Sizilien, Wittelsbacher

      [Bookseller: Antiquariat Bierl]
 35.   Check availability:     Link/Print  

        Mémoires du Duc de Luynes sur la cour de Louis XV (1735 - 1758). Publiés sur la patronage de M. le Duc de Luynes. 17 Bände.

      Paris, Didot, 1860-65 - Erste Ausgabe. - Vicaire V, 434. Leinwand der Zeit mit dezenter Rückenvergoldung. – „En 1732, il épousa Marie Brûlart, veuve de Louis-Joseph de Béthune, marquis de Charost, qui devint dame d’honneur de la reine Marie LeszczyÅ„ska ; il fit ainsi son entrée dans cette société intime que la reine appelait ses « honnêtes gens » et entreprit de rédiger un journal des événements historiques et des faits de cour, ouvrage sans mérite ni préoccupation littéraire, mais précieux document pour l’étude de la société aristocratique du temps“. Vgl. Wikipedia. – Rücken mit kleinen handschriftlichen Signaturmärkchen, etwas berieben und bestoßen, gering gebräunt. [Attributes: Hard Cover]

      [Bookseller: A la Recherche]
 36.   Check availability:     AbeBooks     Link/Print  


      - aquarellierte Federzeichnung v. Adolf Burmester, um 1860, 33 x 47 Zu Burmester s. Klose/Martius: Ortsansichten und Stadt- pläne der Herzogthümer Schleswig, Holstein u. Lauenburg, Textband S. 129 und 287. - Dek. Blatt, das mittig eine Ansicht der Burg Eltz zeigt. Darum herum 12 kleinere, durch Weinlaubstäbe getrennte Ansichten: Ruine Arras, Marienburg, Kirche in Alken, Treis, Burg Eltz, Cochem, Marienburg, Beilstein, Haus in Karden, Enderbachtal mit der Winneburg, Enderbachtal b. Cochem und Bischofstein. - Breitrandig und wohlerhalten.

      [Bookseller: Antiquariat Nikolaus Struck]
 37.   Check availability:     AbeBooks     Link/Print  

        Reisealbum durch Mitteleuropa. Original Zusammenstellung von 100 Landschafts- und Städteaufnahmen aus Frankreich, Italien, Deutschland, der Schweiz und Österreich sowie einigen Kunstwerken.

      o.O., ca. 1860 - 1880. Ld. mit Messingbeschlägen. Ebd. leicht berieben, hds. Ortsnamen in Bleistift, ein Einschub m. Läsuren. - Fotografien u. a. von Observatoire Gay - Lyon, Villemejeanne - Arles, Muzet & Joquet - Lyon, Noack - Menton, Hodgend - Genua, Degoix - Genua, Van Lint, Frat. Alinari - Florenz, Sommer & Behles - Neapel u. Rom, Hase - Freiburg, Autenrieth - Stuttgart, Brandseph - Stuttgart, Steiger - München, Winter - Straßburg, König - Nürnberg, Meder - Heidelberg, Henner - Przemyslu. Folgende Orte sind bezeichnet Lyon, Lourde, Avignon, Arles, Marseille, Toulon, Nizza, Monaco, Montone, Genua, Pisa, Florenz, Mailand, Freiburg, Stuttgart, Baden-Baden (Reproduktion), München, Zürich, Friedrichshafen, Straßburg, Nürnberg, Heidelberg, Przemyslu, St. Anton, Langen und Marbach mit Maria Taferl. Versand D: 7,00 EUR Fotografie; Reise

      [Bookseller: Antiquariat Weinek]
 38.   Check availability:     Link/Print  

        COMER SEE. Blick von einer Anlegestelle mit fünf Last- und Passagierbooten über den See auf mehrere Ortschaften, dahinter die Gebirgskette.

      - Altkol. Lithographie, um 1860, 39 x 58 cm. Auf festem Malkarton. Malerische Ansicht mit sorgfältigem Altkolorit!

      [Bookseller: Peter Bierl Buch- & Kunstantiquariat]
 39.   Check availability:     ZVAB     Link/Print  

        On the Origin of Species

      John Murray, Albemarle Street, London, 1860 Second edition, second state. Fifth Thousand stated on title page, as well as 1860. Some wear to covers, paste-downs and end papers. Previous owner's name on half-title page. Small sticker by bindery attached to rear paste-down. Binder's tape attached to front and rear gutters. Housed in a custom-made slipcase.. 2nd Edition. Hardcover. Very Good.

      [Bookseller: Bookbid Rare Books]
 40.   Check availability:     Biblio     Link/Print  

        Richter, Adrian Ludwig attr. - "Die Begrüßung".

      - Historische Zeichnung. Bleistiftzeichnung, um 1860. Von Adrian Ludwig Richter. 14,0 x 11,0 cm (Darstellung ) / 18,8 x 16,3 cm (Blatt). Unsigniert. Unten undeutlich bezeichnet. Verso weitere Skizze. - Künstlerisch sehr ansprechende unikate Skizze in der typischen Formensprache des Meisters. Aus der Sammlung Peter Kersten, einem Nachkommen des Künstlers. Auf Bütten des 19. Jahrhunderts. - Unter Passepartout montiert. Insgesamt guter Zustand. Adrian Ludwig Richter (1803 Dresden - 1884 Dresden). Bedeutender Maler, Zeichner und Grafiker der deutschen Romantik und des Biedermeier. Sohn des Zeichners und Kupferstechers Carl August Richter. Nach der Schulzeit begann er 1815 als Lehrling seines Vaters, studierte daneben an der Kunstakademie in Dresden. 1820/21 begleitete er den russischen Fürst Narischkin als Zeichner auf einer Reise nach Paris. 1823-26 reiste er nach Italien, wo er unter anderen mit Joseph Anton Koch und Julius Schnorr von Carolsfeld zusammentraf. Dies prägte seine idealistisch-harmonische Landschaftsauffassung. 1828-35 lehrte er an der Zeichenschule der Porzellanmanufaktur in Meißen, wo Gottfried Pulian zu seinen Schülern zählte. 1826 wurde er als Lehrer für Landschaftsmalerei an die Dresdner Kunstakademie berufen. Für die Reihe ?Das malerische und romantische Deutschland? des Leipziger Verlegers Georg Wigand schuf er die Ansichten für die Bände zu Harz, Franken und Riesengebirge. In den späten 1830er Jahren begann er mit Holzschnitt-Illustrationen für Bücher, die ihn unter einem größeren Laienpublikum in Deutschland bekannt machten. Schließlich wurde er zum Professor für Landschaftsmalerei in Dresden ernannt. 1873 musste er aufgrund eines Augenleidens mit dem Malen aufhören und schied 1876 aus der Kunstakademie in Dresden aus.

      [Bookseller: Graphikantiquariat Koenitz]
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        Manuscript Journal - Timber Trade in Bosnia & Herzegovina

      Bosnia & Herzegovina, 1860. Bosnia and Herzegovina, 1860-1861. Unpublished manuscript fair journal of an expedition to Bosnia and Herzegovina in 1860, with a brief tour to Albania in January 1861, by Thomas Laslett, a leading timber purveyor for the Royal Navy's Admiralty, seeking a further supply of oak for building large frigates and wooden battleships. Penned in 1881 "in a readable form" after retiring from active service, and drawing from this original journal. 8vo. 179 pages in manuscript, plus 3 single page preface signed by the author. Volume measures 18 x 22 cm. Boards marked by other papers, otherwise volume in very good condition, internally bright, a fascinating account of the nineteenth century timber trade entering Turkey. This expedition was especially dangerous, taking place during the Herzegovina Uprising. Pressed for prolific supplies of timber for shipbuilding to maintain naval supremacy, and ultimately commercial advantage over competing nations, the Royal Navy dispatched their leading purveyor/inspector into an unsettled nation of civil turmoil - to Bosnia and Herzegovina during the Serbian insurrection which had been ongoing since 1852. With notable diplomatic contacts to assist and influence his mission, and surely with handsome recompense, Laslett agrees to undertake the task of locating, inspecting, and securing untapped sources of high quality timber, therefore venturing into the unsettled and remote wilds of the Balkan Peninsula, where thieves and anarchists thrived. The instability of the nation, coupled with the challenges of travelling where foreigners are scarcely seen, results in a riveting travellogue, far more so than a survey report. Most often sleeping in the rudimentary Turkish inn of sorts, known as khan or a caravanserai, Laslett and his party frequently sleep in intervals, each rotating as a watchman due to the high numbers of vandals lurking about. Upon landing on the eastern Adriatic Sea coast in Croatia, by way of Makarska and Metkovic, Laslett proceeds to Mostar in Bosnia and Herzegovina where he makes his arrangements. Here he receives warning of the precarious state of the country. Indeed he travelled in a dangerous time, during the Herzegovina Uprising, Luka Vukalovic and ethnic Serbs in the Herzegovina region waging a revolt against the Ottoman Empire which had declared that it would disarm the Serbs. From Mostar he ventures on horseback to cross the Dianric Alps, together with a guide and a party which included Turkish policemen for protection. Most prudently, always noting and assessing his surroundings and individuals in the vicinity, he makes his way as far as Banja Luka and Stari-Majdan. Turning back towards the coast, he visits Prijedor, Kozarac, Dirventa, Doboj, Tuzla, and Sarajevo, passing through innumerable modest rural villages along the way. Frequently these localities were harassed by bandits and errant transient sorts. Finally returning safely to Mostar, on the morning of his departure he learns of a public execution having just taken place. His return to England was via Metrovic and Croatia's walled city of Ragusa [now called Dubrovnik which means "oak grove"], then by steamer to Corfu, where he enquired about the possibility of inspecting oak timber in Albania. Here he also dined with Admiral Sir William Fanshawe Martin, Baronet, and Commander-in-Chief of the Mediterranean Fleet. On 29 December 1860, while at Corfu, Laslett receives correspondence which motivates him to quickly make way for Durrazo [Durrës] in Albania. Alas, winter conditions, coupled with sparse habitation in the alpine forest regions, prohibited travel and inspection until a more favourable season. Intent on searching every region within his reach, he proceeded however to Austria to inspect the forests in the historic wine growing state of Styria, and returned to Croatia with the same objective. At Kotoriba, he travelled by railcar to Kaniza, making then a short drive to a forest on the grounds of the "King of the Belgians." The King's inspector gave him a tour of the sawmill which was used for timber for the estate only, and then essentially ushered him out of the forest. The volume concludes with a summary of the expedition and a two-page data chart of his timber survey. Excerpts from the manuscript: "in 1860 the Storekeeper General of the Navy finding the pressure for the supply of timber to the Royal Dockyards very great and ever increasing, considered it important... that even further sources should if possible be opened without delay." "I therefore took an early opportunity to call upon the Honorable R. [Robert] Dundas Storekeeper General of the Navy to receive his commands... Further I called upon the Hydrographer of the Admiralty... then... upon Sir William Hooker, the Superintendent of the Royal Botanic Gardens at Kew to ascertain from him any late reports extant upon the forests of Bosnia..." [Metkovic in Croatia] "... a letter from Mr. Holmes and also one from Mr. Zohrab informing me that owing to the critical state of the province it would be necessary to proceed with great caution with our work..." [James Ernest Napoleon Zohrab 1830-1891 was British Vice-Consul of Bosnia, stationed at Sarajevo, and best known for his report from Sarajevo in 1860 on treatment of Christians in the Ottoman Empire.] "... my task would prove to be a delicate one, if not one of considerable difficulty..." "... a rumour was current in town on the 21st that 54 Christians had been massacred by some Musselmen Turks at a village upon the Montenegroan frontier, and immediately after news came that Prince Daniel of Montenegro had been assassinated while walking on the Quay of Cattaro..." "... the whole of the Herzegovina was in an unsettled state, the people being only kept from open revolt by the presence of 4 Battalions of Turkish troops, at Mostar, and other 8 Battalions scattered in various provinces..." "A letter came to me from the Admiralty to inspect some oak timber in the Austrian dominions, which had been offered by Mr. Balfour the then contractor for the supply of Italian oak timber to the Navy." "... we should start from Mostar for [Mount] Liubaska...owing to the entire absence of roads, and the rough rocky track we had to travel over, the animals often finding it difficult to get sure footing... the heat being very oppressive... four hours more... brought us to Liubaska, a small town with a castle perched high upon a rock rising abruptly out of the general level of the township..." "From information picked up by people we met we learned that the forest had been cut over many years since and the timber taken away for the most part to Dalmatia for building purposes..." "Mr. Giracovitch went out upon the plain below us with his gun for a little shooting, and got insulted by some Turks he met with there. As he called for help, some of our men went to his assistance, the cavass [Turkish armed police officer] being amongst them... reaching the scene of the conflict he fired both his pistols and drew his sword... I rushed into the fray, joined in the scuffle, and the strangers were soon subdued. The cavass got hold of the principal offender... secured his hands behind his back... the bound man we marched to our camp... threatening to take him with us to Drinovya [Drinovci]... We kept him until we were ready to leave the place. He was then set free with a caution not to give any further trouble... he cried lustily all the time we had him at our mercy." "... when in the vicinity of Stolatz [Stolac] met with a paved footway or Bridle path road which I understood ran from that town to Buna [Blagaj?]..." "Mostar... the Turks... followed me about... staring with apparent astonishment at my style and costume being unlike their own... The bazaar which was a very good one, and where a great business seemed always going on... had fewer of my visits than it would otherwise had done. The suburban part of the town of Mostar had a bad reputation, and I was advised that it would be hardly prudent to venture there... At the foot of the bridge upon the right bank is the prison... large barracks for the troops of the Sultan..." "From Mostar to Seraijevo... 13 September 1860... with me one Zaptic [Turkish police officer] and two other attendants to manage the horses, and look after the baggage &c. This small escort the Dragoman of the British Vice Consulate said he considered would be sufficient as the road or track was guarded by Armed Policemen... over the most dangerous ground if not the entire distance." "... to Porina at the foot of the mountain range which here forms part of the Dinaric Alps... the track very steep... 8 hours counting from the time we left Porina, we halted at the Khan of Boreka [a caravanserai or Turkish inn]..." "On the 17th... From Illeja [Ilijas] we found a fairly good road to Seraijeva [Sarajevo]... I went at once to the British Consulate to call upon Mr. Holmes... relating all incidents of the journey... all matters connected with the inspection of the forests in the Herzegovina... he felt sure they were very extensive." "... we left Travonik to resume our journey, travelling for about 3 hours only, and then stopping at Carola... At the Khan we got a room to ourselves, clean and tidy, but bare of furniture as usual... we discovered these and worse characters. We were advised to be watchful over our baggage and to take care of ourselves at night... we agree to sleep by turns..." "Jaicre [Jajce] was formerly a walled city and strongly fortified place, but at the time of my visit, it was in a sadly dilapitated condition, and almost in ruins." "... the town of Baniluka [Banja Luka], a place of considerable size, with many mosques, baths, khans, &c.... we had a wish to call upon the Kaimacan [a provincial Turkish governor] to acquaint him with the object of our visit to the place, and to seek for information about the forests in the district.... he received us with great politeness... shewed him the letter from the Pasha of Seraijevo, which he read with interest, and said he would help us as far as lay in his power, but... near Baniluka [Banja Luka]... he thought most of the fine oak trees had been cut down...he would find us a good Zaptic guide, who would take us through any part of Croatia..." "... we were getting into a wild piece of country... some 3 or 4 miserable looking huts which served for the people employed there in something of iron ore..." "... rode in to Stari-Majdan, a small town... where we rested well... in about an hour came to a forest of oaks, which occupied our attention for a considerable time, meeting with many good trees... it stretched towards the rivers Save and Sanna..." "Leaving the forest... saw in the distance some 3 or 4 or perhaps half a dozen huts that we took to be the homes of the shepherds... a very poor place... it was getting dark with no village near... we had to be content to share with a man and his wife, two tall girls and two small children a single room, while the cow occupied one side of it... All therefore we attempted to do, was to sit or lounge round the fire in the centre, not liking to undress, for fear our revolvers if laid aside, would not be safe..." "... proceed to Bihach [Bihac]... The Kaimacan ordered coffee and pipes as customary and entered quite freely and fully into our business, sent for several men... We also endeavoured to learn whether if any useful timber were found in the district, it could be taken from thence through Dalmatia to the Adriatic... they were very clear upon the point that it would be impracticable..." "Bihach [Bihac]... This place had also been formerly fortified, but at the time of my visit was almost in ruins... The Mudir having heard that strangers had arrived at the Khan, came to see us... he would find a guide to take us to Novi... to get to the forests." "We left Krupa [Bosanska Krupa] under direction of our new guide; and almost immediately after starting found that we had to cross the river Unna [Una] by a rickety and dilapitated bridge... " "... After about 3 hours we came to Priedor [Prijedor], a busy market town..." "We went at once to call upon the Bey... gave us a good dinner... the Mudir of Kozoratz [Kozarac]... they said the country thereabouts was infested with Brigands, and that some 12 or 15 in number were known to be lurking in the neighbourhood. These fellows had been hunted by the Police, and they had fired upon them, wounding some of the staff..." "We had consulted the Mudir about the journey, and he said the place had a very bad reputation, he advised 4 additional zaptics and said he would go a short distance with us..." "The weather was intensely cold, there was about 3 inches of snow upon the ground... before long as we got higher up beyond the range of the oaks, we came upon pine trees in considerable quantities, and saw that they covered all the most elevated ridges... magnificent dimensions, and being mature were fit for constructive purposes. There was no sign anywhere that any of these fine trees had been worked as articles of commerce... and for a long way up the slopes, oak trees were abundant." "Our guides now said that they knew of a ruined and dilapitated monastery where we might get shelter for the night... 15th October. The rooms of the old mastery were anything but comfortable, though fairly weather proof..." "At Gradiska we therefore hired a couple of waggons... to get a little relief from riding on horseback..." "... we arrived at Banaluka [Banja Luka]... a Frenchman had cut down some millions of trees for staves for casks at the place we mentioned..." "... we took an Easterly course for the mountains... in the direction of Perniavor [Prnjavor]... the guide said the forest was beyond... sure enough we were soon in a most luxuriant forest of oaks... We inspected this thoroughly... and saw everywhere an abundance of fine oak trees of the same description as those we saw in Turkish Croatia..." "... came to the village of Zorstella, and here our men wished to stay for breakfast... endeavoured to treat with the inhabitants for such food as they had to spare... all the men belonging to the place had gone to the fields, or were away upon the mountains looking after their flocks, consequently there were only the women and children remaining, and these not being Christians, but Mahomedans, were scared and hid themselves..." "... a rugged and difficult mountain to climb, fog came on, and soon some snow fell... a little apprehensive that we might lose our way... found a good sized Khan solitarily situated and placed there for the especial benefit of travellers, who like ourselves could not reach the next village before dark... the most motley race of Bosnians, Serbians, Austrians, and others... merchants, drovers and I know not what, gathering round a central fire... We were only too glad after riding for 9 hours to get in and share the floor with them." "5th November... near to Seraijevo, and back to our starting place, after an absence of 41 days... a long tedious and trying journey... much fatigue... hardships from occasional deficiency of food, bad lodging, ill health..." "This wintry weather setting in upset my plans and prevented me getting from Seraijevo into Macedonia and Albania... I therefore completely abandoned it, and arranged to take the alternative route... over the mountains back to Mostar." "23rd November... at about 7 pm we rode into Mostar... reached Mr. Zohrabs' H.B.M. Vice Consul... kindly offered a bed... Next morning at break of day and before I was up, there was an execution by decapitation of a man, for the murder of a peasant, this took place in the open street, not far from Mr. Zohrabs house. The wife and sister of the peasant were there to witness the execution in conformity with the law of the country which required them to be present... The man's head was taken away immediately by the officials, but the body was left exposed upon the road for some time after..." "The Herzegovina, in the opinion of Mr. Zohrab, was at this time in a very disturbed state and he considered that the people in many villages lying between Mostar and Montenegro were in little better than a state of revolt against the government. The quarrels between the Mahomedan and Christian villages were also common enough... government unable to keep order." "29th December... I thought I should move without further delay for Durrazo [Durrës] ... engaged Giovanni Casciotte as Dragoman... arrived at 3 pm on the last day of the year." "1st January 1861... As had been arranged yesterday the Austrian Consul and myself went to call upon the Mudir... to learn from him what assistance he could give me if I set out from Durazzo [Durrës] to visit the forests... men came in... they said the oak forests were at the source of the river Frande, a tributary of the river Mattai [Mat]... the forests belonged to a Greek Bishop who was living at Debrimisti, near Tomo in the Tirani [Tirana]..." "The Mudir's men said a Salvador Alessandria Fernandez of Malta had cut down some 7000-8000 oak trees there... said there were oak forests near the Lake of Okrina, but that it would be extremely difficult to get them down from there to the coast... walls of rock... abrupt precipices... " "As to getting to any of these forests at the present time the men considered it to be next to impracticable, the plains being covered with water, and the mountains with snow; further they said there was no shelter to be had, for the villages were few and far between, and anyone attempting the journey would be likely to perish from exposure... to defer the visit to a more favourable opportunity." "At this interview with the Mudir it was mentioned that in 1813 the French Govenment were taking oak timber from Albania for the construction of their fleet, but that for some reason they did not continue to draw long from that source. Also that Mehemet Ali a few years since had drawn supplies of oak timber from Albania, to build his ships at Alexandria." "6th January. Having regard to the advice given to me not to attempt to get into the Albania forests, and the weather being bad, I gave up the idea of travelling inland... " End Excerpts. Thomas Laslett (1811-1887), Timber Inspector for the Admiralty, began his career as a Purveyor of Timber at the age of 22, his first four expeditions seeing him to New Zealand to procure high-quality timber suitable for mast and spars for large Royal Navy ships, which required him to penetrate sometimes hostile tribal regions. Laslett was born at Poplar, Middlesex on 18 June 1811 and was baptised at the East India Dock Chapel there. He was the eldest child of Thomas Laslett, a shipwright, and as such had begun apprenticing as a shipwright before being presented with the opportunity to work abroad. Indeed having found his calling and impressed the Admiralty, he was sent on three further missions to remote places with important timber stocks. As Timber Inspector for the Admiralty, from 1847 to 1849 he was commissioned to inspect teak in Burma, mainly Moulmein (Mawlamyine) and environs. He was employed to survey and report upon some forests near Russia in Asia Minor, and in 1859 made an expedition to the Anatolian Highlands around Bursa in Turkey during the period of Ottoman reign. An expedition took him through Bosnia and Herzegovina in 1860 (then the Ottoman provinces of Bosnia Vilayet and Vilayet of Kosovo). These latter two expeditions, again to little-known remote regions, were undertaken in hopes of locating untapped sources of high-quality oak. Settling near home, he was Timber Inspector of Woolwich Dockyard until 1869 and for many years later Timber Inspector for the Admiralty. In 1875 Laslett published a book titled "Timber and Timber Trees: Native and Foreign". He retired from active service in April 1880 and was subsequently employed by the Admiralty to make special surveys of timber on various occasions at home and abroad. He was also commissioned by the Society of Arts to report on timber exhibited in the Colonial and Indian Exhibition at London in 1886. He suffered a heart attack and died the at Woolwich Dockyard Railway Station on 6 April 1887. Bosnia and Herzegovina has a long tradition in forestry and wood processing, going back to the second half of the 19th century. Over fifty percent of the country is covered in forests, which today that serve both the furniture and the construction industries. Beech, oak, ash, pine and fir, as well as more specialized woods such as walnut, apple and cherry, are exported as raw material, half fabricates and finished products. [With enhanced economic and military power, both France and Great Britain were increasing seaborne commerce, piracy, and political authority in Mediterannean regions. To remain effective however, naval supremacy was paramount. Until the 1860s, power rested on ample supplies of skilled seamen, suitable timber, iron, and sundry stores. Timber supply shortages had been a concern for a century by this time, and forests around the globe were being exhausted faster than they could recover. Large ships constructed for strength required 100 year old stout oak for framing, and oak grown in isolation for knee supports to the hull. The Mediterranean had good quality oak, suitable for the job. Both French and English agents scoured the region to secure their supply, and ultimately their naval and commercial power. While a sea-borne transportation revolution was imminent, steam power soon to replace wind navigation at the turn of the century, during the 1860s, sailing vessels still surpassed steam vessels by large numbers.] . Very Good.

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        The war in Nicaragua.

      Mobile & New York: S.H. Goetzel & Co. Small 8vo. Frontis. port., xii, 431 pp., fold. map.. 1860 Published the year he was executed, this is => Walker's own account of his filibustering expedition to take over Nicaragua, after having failed to wrest Baja and Sonora from Mexico. Walker was a man who wanted his own country and did not let initial failure deter him. His attempt to take Nicaragua was successful at first but a combination of local resistance, the Costa Rican army, and mercenaries in the employ of Cornelius Vanderbilt (who viewed Walker as a threat to his own interests in Central America) brought about Walker's downfall. After a brief respite back in the U.S., where he was welcomed as a hero, Walker, the quintessential filibusterer, returned to Central America wanting to capture Honduras. He died there trying. The map (14" x 16") is in four colors and is titled "Colton's Nicaragua, Guatemala, Honduras, San Salvador & Costa Rica. Publisher's brick colored textured cloth stamped in blind. Top and bottom of spine pulled and frayed. Some foxing at front and rear. Newspaper articles at front and rear of volume. Some added owner's notes about Walker on blanks. Clean.

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        Panorama des Neckars von Heilbronn bis Heidelberg. Nach der Natur gezeichnet und in Stahl gestochen (Deckeltitel).

      Heilbronn, Drechsler, ca. 1860. 3. Aufl. 19,5 x 13 cm. 32 S. 1 mehrf. gefalt. Stahlstich-Leporello, (ca. 114 x 18 cm) OHLwd. Nicht bei \"Der Neckar in alten Landkarten\". - Text in Deutsch und Französisch. Seltenes Panorama, in dem alle Städte, Ortschaften, Burgen und Schlösser als kleine Vogelschauansichten eingezeichnet sind. - Einband bestoßen, der Rücken etwas lädiert. Der Text leicht fleckig, das Panorama sauber und frisch. Versand D: 6,00 EUR Baden-Württemberg, Panoramen

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        Panorama, "Leer".

      - Aquatinta ( a.a. China ) v. Witthöft ( Druck Angerer in Berlin ) n. König b. König und Reiher, um 1860, 16,5 x 69 Sehr seltenes Panorama der Stadt Leer. Blick über die Leda zur Stadt.

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        The Works of John Bunyan

      Glasgow/Edinburgh: Blackie and Son Limited, 1860. Thick Quartos. With an introduction to each treatise, notes, and a sketch of his life, times, and contemporaries. In three volumes. Vol. I: xvi, 771, Vol. II: viii, 758. and Vol. III: viii, 790pp. engraved frontispieces, engraved title pages and regular title pages, illustrated with full page black & white engravings and textual illustrations. A lovely set with only occasional spots of foxing or of-setting from plates, beautifully bound in full black morocco, covers of a three dimensional box design framed in a decorative gilt design. raised bands with compartments fully gilt decorated, red and brown contrasting morocco spine labels gilt, marbled endpapers, all edges gilt. A fine set without chipping, names or plates.

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        Gesamtansicht aus der halben Vogelschau ('Valence - Drôme - Vue prise du Polygone').

      - getönte Lithographie v. A. Guesdon gedr. v. Lemercier in Paris aus Voyage Aérien en France b. A. Hauser in Paris, um 1860, 32,5 x 44 (hochauflösende Bilder auf meiner Homepage, oder bei Anfrage - high resolution pictures on my homepage or after request)

      [Bookseller: Antiquariat Norbert Haas]
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        Abblidungen der vorzüglichsten und hauptsächlichsten Traubensorten Württembergs. Im Auftrag der Königlich Württembergischen Centralstelle für die Landwirthschaft.

      Ravensburg Verlag von Eugen Ulmer 1860 - 4°, 96 Seiten, die Tafeln 9 (gefaltet), 18 und 19(gefaltet) fehlen, 13 Abbildungen im Text. Schlechter Zustand, restaurierungsbedürftig, Blätter teilweise lose, aber komplett. Namenszug auf der Rückseite des Titelblattes. Die vorhandenen Tafeln sind in gu Tafeln im Farbendruck größtentheils nach Originalzeichnungen. Die Tafeln zeigen: 1 Silvaner; 2 Elbling; 3 Klevner; 4 Burgunder; 5 Trollinger; 6 Rissling; 7 früher weisser Malvasier; 8 weissgelber Muscateller; 10 Gutedel; 11 Schwarzurban; 12 Portugieser; 1 543 gr.

      [Bookseller: Verlag Heyn]
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