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Displayed below are some selected recent viaLibri matches for books published in 1859

        21 SOUTHERN ALMANACS. 1840 -1860 [21 Almanacs]

      Richmond, 1859. Quite a good collection of Soutthern almanac, all published in Richmond from 1839 to 1859, and all calculated by David Richardson of Louisa County. The Virginia and North Carolina Almanack for 1846 has loss to the title page; Warrock';s Virginia and North Carolina Almanack for 1851 has 1/2 of one page excised; and Warrock';s Virginia and North Carolina Almanack for 1858 has several pages excised. (Drake 14104; 14106; 14109; 14110; 14114; 14119; 14125; 14128; 14134; 14140; 14146; Swem 6239d; 6239e; 6239f; 6239g; 6239h.).

      [Bookseller: Black Swan Books, Inc.]
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        Architectura Numismatica; or, ARCHITECTURAL MEDALS of Classical Antiquity : Illustrated and Explained By Comparison with the Monuments and the Descriptions of Ancient Authors, and Copious Text

      Day and Son, Lithographers to the Queen, London, 1859. First Edition. Binding: Hard Cover. Book Condition: Very Good. Dust Jacket Condition: No Dustjacket. [55] leaves of plates not included in pagination, text ills. Reset in original publishers blind stamped boards with gilt medallion and title on front board. New spine with gilt title and new binders end papers. Sporadic light foxing throughout but no other defects. Donaldson was Professor of Architecture at UCL from 1841-1865. Size: Quarto (approx A4). xxxxi, 349, [55]. .. Quantity Available: 1. Category: Architecture; 19th century; Inventory No: 10360.

      [Bookseller: Bygone Books]
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        Ueber die Natur der constitutionellsyphilitischen

      Berlin: Reimer, 1859. Virchow, Rudofl. Ueber die Natur der constitutionellsyphilitischen. 8vo.[2], 120pp.Folding lithographed plate. 228 x 136mm. Half antique morocco, original front wrapper bound in, uncut. Foxing but a very good copy. Signature on title & bookplate. FIRST SEPARATE EDITION of Garrison-Morton 2385.

      [Bookseller: Jeremy Norman's ]
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      1859. Paperback. Good. [ENTOMOLOGY] ANNALES DE LA SOCIETE ENTOMOLOGIQUE DE FRANCE, INTERRUPTED RUN 1859 - 1920, BOUND VOLUMES AND ORIGINAL WRAPPERS. Societe Entomologique de France. Over 150 color plates, hundreds morte monochrome/tinted plates. Offered as a lot. 24 bound volumes, the rest in parts in original wrappers. Condition good to excellent. A few covers are detached or spines split in the paper issues, and spines of a few of the bound volumes are chipped (and backstrip is detached, 1859 volume). Very few plates are flawed: a few may have partial dampstaining. Overall the color plates are delicate and vivid, in excellent condition. As follows: Series 3, 1859-60, 2 volumes Series 4, 1861-67, 1869-70, 9 volumes Series 5, 1872-1879, 8 volumes Series 6, 1883-1890, 8 volumes 1891-1895, 1897- 1899, 1902-1903, 1906, 1909, 1913-1920 (LX - LXXXIX), 20 volumes (1895 vol LXIV lacks part 3). Complete list available upon request.

      [Bookseller: Boston Book Company ]
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        Autograph Letter Signed, 8vo, 3pp, Hartford, Conn., April 27, 1857

      This is a beautifully handwritten letter to Mr. Austin. In this letter he refers to a forthcoming trip to South America. Two years after this letter, he produced his painting "Heart of the Andes" (1859), now in the Metropolitan Museum, New York City. He explains how he "attended to" his correspondent's "curiosities". "I had to pack them myself, as nobody else would have done it properly. I found most of the Alcohol evaporated from the jars which I replaced. I secured the stoppers and packed all in a box. I have my doubts about the Eel...I will find some place to store all of your trays safely...Shumway...has taken a new studio...and is doing very well...I am nearly dead with the great amount of work which I have had to do lately...Please tell Judge Skinner that I intend to undertake his pictures simultaneously after my return from South America...." Signed, "F.E. Church."

      [Bookseller: David Schulson Autographs ]
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        Skandinaviens Coleoptera. I-X. Synoptiskt bearbetade.

      Lund, 1859-1868. Komplett i 10 delar bundna i 5 volymer, (6) + 290 + (2) + 304; 278 + 269; 340 + 385; 409 + 394 + LXXV; 407 + 420 s. Senare halvklotband med marmorerade pärmar. (Hedbergband). 21 X 13 cm. Exlibris (Oscar Sjöberg, Per Persson). Delvis lagerfläckade.. svaf m-09 xö

      [Bookseller: Antikvariat Röda Rummet AB]
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        Humbug: a look at some popular impositions. FIRST EDITION.

      New York: S.F. French & Co. 1859 Illus. Orig. illus. printed paper wrappers; some sl. creasing to back wrapper, otherwise fine.No copies on Copac;one copy on OCLC in Library of Congress. A book of humbug and the art of swindling. Including: Getting rich by lotteries, Petty swindling advertisements, The subscription dodge, How to fail and make money, The Love-Powder business, Modern astrology, &c.

      [Bookseller: Jarndyce Rare Books]
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        A HANDBOOK FOR INDIA. Being an account of the three Presidencies, and of the overland route.

      Murray In-16 (mm. 175x115), 2 voll., tela edit., pp. (6),CXX,240; (4),591 (numeraz. continua) + 64 di pubblicita? dei Manuali Murray. L?opera e? corredata da 3 carte geografiche f.t., di cui 2 più volte ripieg.: ?Madras and the environs - Environs of Bombay - Town and fort of Bombay?. "Manca" la carta inserita nella tasca al risg. del vol. su Bombay. ?Murray's Guide to Madras and Bombay Presidencies for 1859 is in many ways the first modern guide book to India. The work encompasses a vast and fascinating range of topics, including meticulous descriptions of acceptable dress codes for European males and females and an exposition on ?the Manners of the Natives!? Today, the chief scholarly value of the book lies in its construction of Indian history, politics and culture from a 19th century European frame of reference?. "Rarissima edizione originale" di questa guida dedicata all?India e di cui furono pubblicate, sotto questo titolo, solo due parti: Madras e Bombay (cosi? precisa la British Library). Solo il piatto anteriore di un vol. un po? ammaccato, altrim. esempl. ben conservato.

      [Bookseller: Libreria Antiquaria Malavasi]
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        Studies on Pascal by the late Alexander Vinet. Translated from the French with an Appendix of Notes, partly taken from the Writings of Lord Bacon and Dr. Chalmers by the Rev. Thomas Smith. FIRST APPEARANCE OF VINET'S PASCAL IN ENGLISH

      T&T Clark, Edinburgh, 1859. 8vo., First Edition [Sole Edition], some light age-marking to title, small neat signature on front free endpaper; original brown pebble-grain cloth, boards elaborately framed and blocked in blind, gilt back, yellow endpapers, uncut, backstrip lightly pulled at extreme headband else a remarkably bright, clean copy. First and only edition in English of Vinet's classic study, written whilst Professor of Theology at Lausanne. The work comprises: I. Part of a course of popular lectures on the French moralists, delivered at Basle in 1832-33; II-VII. From a course of lectures on the literature of the seventeenth century, delivered to the Academy of Lausanne in 1844 and 1845; VIII: a review of two works on the Life and Writings of Jacqueline Pascal; IX: a fragment dictated by Vinet on his deathbed; X: a reprint of three articles published in the Semeur in 1843.Extremely scarce, especially in this condition.

      [Bookseller: Island Books]
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        (Ed.) Itinerarium Thomæ Carve, Tipperariensis, sacellani majoris.

      Anglorum, Scotorum et Hibernorum sub exercitu Cæsareæ majestatis militantium, cum historia facti Butleri, Gordon, Lesly et aliorum. Nova editio, tres partes in uno volumine complectens, ad eidem optimorum exemplarium accurata, imagineque auctoris adornata; cui accedunt paucula quædam de vita itinerantis, necnon index generalis. London, Bernard Quaritch, 1859. 8vo. Engr. portrait,+ xxiv,+ 432 pp. Occasional light foxing. Some underlinings with red pencil in preface and bibliography. Small brown stain pp. 216-21. Somewhat worn contemporary half calf with sparsely gilt spine, top edge gilt. Thore Virgin's exlibris, signature and note: "RRR". Stamp from Bibliotheca Qvarnforsiana. Cox I, p. 101. Setterwall 1872. Edition limited to 102 copies, of which 2 on vellum. Original editions of the different parts were printed between 1639 and 1646. This is however the first complete edition. Thomas Carve -or Carew- (c. 1590-1672), Irish priest from the county of Tipperary. He began to serve as an Army Chaplain with the Imperial German army sometimes before 1626 and left that service in 1643, in other words, he was an eye witness to the better part of the Thirty Years War. His books contain a mix of travels, history and curiosities

      [Bookseller: Centralantikvariatet]
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        Norske Huldre-Eventyr og Folkesagn, fortalt. I. Anden forøgede Udgave. + Anden Samling (originaludgaven). [Komplet].

      Christiania, Steenballes Forlag, 1859 + Christiania, C.A. Dybwad, 1848. Orig. komp. blåt helshirtbd. m. særdeles rig forgyldning på forperm og ryg. En anelse slitage v. kapitæler og meget nænsom reparation v. bageste fals. Ryggen en anelse nusset, ellers et usædvanligt friskt ekspl. af originalbindet. Indvendig kun indimellem lettere brunplettet. Anden Samling med de 10 siders Glossarium samt errata-bladet.. Den yderst sjældne originaludgave af anden samling, indbundet sammen med den anden forøgede udgave af første samling i det sjældne, rigt udstyrede originalbind. Originaludgaven af første samling kom i 1845, og anden udgave af af anden samling kom i 1866. Dette banebrydende værk indeholder Asbjørnsens genfortællinger af sagn og folkeminder, som Asbjørnsen samlede på sine rejser til norske landsbygder, der netop havde denne indsamling til formål. Det var den første udgave, som indeholdt både sagn og eventyr, og den har sat sig tydelige spor i den norske litteratur.Betegnelsen "Huldreeventyr" er Asbjørnsens egen og betegner en helt nyfunden genre i litteraturen. Eventyrgenren havde i århundreder overlevet ved at eventyrene blev fortalt fra mund til mund, men litterært havde de aldrig vakt nogen seriøs interesse, førend nationalromantikken slog igennem. Asbjørnsen befinder sig midt i denne periode, og han besluttede sig for at forsøge at indsamle så mange af de folkekære sagn og eventyr som muligt og få dem udgivet i bogform. Da Peter Christen Asbjørnsen (1812 - 1885) med Jørgen Moe (1813 - 1882) begyndte at indsamle og udgive samlingerne med norske folkeeventyr i begyndelsen af 1840'erne, var det en stor begivenhed i norsk åndsliv. Den internationale anerkendelse strømmede til, og de norske eventyr blev pludselig regnet blandt de bedste i verden. Princippet for genfortællingerne var "fortæl som folket", og dette gjorde Moe fremragende, til gengæld var Asbjørnsen et ypperligt episk talent, og dette kommer mest frodigt til udtryk i hans "Norske Huldreventyr og Folkesagn", som tillige tydeligt var udtryk for tidens litterære stil og som derfor blev anerkendt som et større litterært værk med en utrolig gennemslagskraft. Den primære påvirkning udøvede eventyrerne, folkesagnene og folkeminderne ved deres norske sprogtone, og både sprogmæssigt og indholdsmæssigt har de været af afgørende betydning for nogle af de største norske forfattere (eksempelvis Ibsen og Bjørnson). Med udgangspunkt i skriftsproget, som dengang var dansk, fornorskedes skrivestilen ved bl.a. benyttelse af udpræget norske vendinger og ord til erstatning for de danske. Således påvirkede disse fortællinger udviklingen af det norske skiftsprog afgørende og lagde grundstenene til den norske opblødning af det danske sprog.Værket udkom senere i adskillige udgaver, alle reviderede og omarbejdede, både i Asbjørnsens levetid og efter hans død. I de reviderede udgaver foretog Asbjørnsen selv til stadighed fornorskninger, og denne fornorskning fortsatte i de utallige udgaver, der er udkommet efter hans død

      [Bookseller: Lynge & Søn A/S]
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        Englische Geschichte, vornehmlich im sechszehnten und siebzehnten Jahrhundert, von Leopold Ranke. Band I-VII.

      Berlin; Verlag von Duncker und Humblot, 1859-1868. First edition. (1, 1 blank), 606 + (5, 1 blank), 569 (1 blank) + (3, 1 blank), 584 + (5, 1 blank), 496 + (6, 2 blank), 604 + [vi], 582 + [vi], 153 (1 blank) & 199 (1 blank) & 193 (1 blank) pp. 7 volumes in contemporary full calf, spines in 6 gilt compartments, 2 labels in green and brown leather with gilt titles. Marbled edges and endpapers. Boards and boards´ edges ruled in gilt. Blind stamped owner signature on front free endpapers (Th. E. Petersen). Light foxing in margins of appr. 1/4 of the pages. Rubbed at extremities. The textblock in volume II is very slightly waved and a bit stiff, this caused by damp. A fine, attractive set of this scarce work. ''Ranke [...] envisaged three distinct levels of historical concern. The first, 'the investigation of the particular, even of the single point,' evokes what historians today call micro-history. The second, which shows how the particular its part of a 'larger context', is also visible in present-day historiography. The third level, concerned with 'the great totality' - with 'comprehending the whole' - is hidden, but the idea of it is familiar to us: it is the idea of grand narrative; of a unified history of humankind.'' (Allen Megill in: Frank Ankersmit/Hans Kellner (Eds.): A new Philosophy of History, London 1995, pp. 157-158)

      [Bookseller: Patrik Andersson Antikvariat]
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        Manuel De Conchyliologie et de Paleontologie Conchyliologique. Vols. I & II in I (complete): [In French];

      Paris, Librairie Victor Masson, 1859, 1862.. HARDBACK, blue half-calf with blue calf-covered boards, raised bands and gilt lettering on spine, vignette title-page, pages: vii, 508, [i], 327, all edges speckled, text-figs. 1236 (some hand-coloured), 173mm x 262mm (6.75" x 10.25"), ex-academic library with usual plates and stamps, blind embossed stamps on covers, gilt embossed no. and ink letter on spine, covers very lightly used, some light pencilled marks, some light occasional spotting, small repair to one page fore-edge off set to others (not affecting text), otherwise a very fine copy.

      [Bookseller: Baldwin's Scientific Books]
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        Habiti antichi e moderni di tutto il mondo... paris, firmin-didot, 1859-60.

      Due volumi di cm. 22, pp. 9 + 513 tavole incise raffiguranti personaggi in costume + pp. 18 e 20 d'indici. Ogni tavola racchiusa da elegante cornice ed accompagnata da una pagina di testo con la spiegazione del soggetto. Solida ed elegante legatura di coeva in mezza pelle, dorsi a nervi con titoli e fregi in oro. Piatti e sguardie marmorizzati. Rade fioriture, ma ottima conservazione. Manca (come quasi sempre accade) l'allegato opuscolo sull'origine dell'incisione xilografica annunciato dal frontespizio. Bell'edizione ottocentesca di questa classica opera che illustra e descrive i costumi e gli abiti di tutti i popoli del mondo. Cfr. Colas II, 2980.

      [Bookseller: Studio Bibliografico Benacense]
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        Autograph letter

      1859. Very good. To an unknown recipient, complaining of poor workmanship preventing the engines from attaining maximum speed. Ericsson invented numerous mechanical devices, including the screw propeller, a locomotive engine, and an armored ship with a revolving gun turret. The Monitor, built on this plan, involved the Merrimack in the first naval engagement between ironclad warships (1862). Framed and glazed, together with a contemporary engraved protrait of Ericsson as the Inventor of the Monitor.

      [Bookseller: Thorn Books]
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        IL POLIZIANO, studi di letteratura (1859) fondata e diretta da GIOSUE' CARDUCCI - TUTTO IL PUBBLICATO - , Firenze, Co' tipi di M. Cellini e C., 1859

      Questa prestigiosa rivista fiorentina è strettamente legata alla crescita culturale ed all'affermazione nel mondo letterario di GIOSUE' CARDUCCI (Valdicastello-Versilia 1835-Bologna 1907) che qui pubblicò alcuni importanti lavori critici che lo misero rapidamente in luce ed ai quali si deve l'offerta da parte del Ministero della Pubblica Istruzione (Terenzio Mamiani) della nomina alla cattedra di eloquenza presso la università di Bologna. Su questa rivista comparvero poi alcuni suoi scritti interessanti (in particolare vanno citati i sonetti sulla guerra di Indipendenza- sul fascIcolo di aprile - che lo schierarono sull'ideologia repubblicana) Nello stesso 1859 Carducci si sposò con Elvira Menicucci ed ebbe inizio la grande collaborazione con l'editore Barbera. Tutti fascicoli sciolti (15 x 23,5) in buone condizioni (qualche macchiolina) VOLUME PRIMO - gennaio - pp.1-64 Con scritti di Carducci, G. Chiarini, Antonio Gussalli. VOLUME SECONDO - febbraio - pp. 65-128 Con scritti di Carducci, Antonio Gussalli, G, Chiarini (lettere tra P. Giordani e Gussalli), Targioni Tozzetti. VOLUME TERZO - marzo - pp., 129-192 Con scritti di Alessandro Tassoni "Sonetto sopra aI parenti), Carteggio P. Giordani-Fornaciari, Lezione di R. Fornaciari. VOLUME QUARTO - aprile - pp. 193-256 Scritti di F. Pelosini, R. Fornaciari, G. Carducci, Montanari, Felice Tribolati, Targioni Tozzetti. VOLUME QUINTO - maggio - pp. 257-320 Scritti di Pelosini, F. Tribolati, Eugenio Branchi, G. Puccianti, G, CARDUCCI "Sonetti sulla guerra di indipendenza italiana", G. Procacci, L. Biamonti, F.C.Buonamici, Targioni Tozzetti- MANCA IL VOLUME SESTO (giugno) con il quale cessa la raccolta (Bibliografia Righini vol. primo-. periodici Fiorentini n. 2114 pag. 406) La collezione viene offerta a

      [Bookseller: Libreria e Rivisteria Ferraguti]
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      1859. Very Good. [PRINTS - BOSTON] SOUTH BOSTON, 1859 (HANDCOLORED LITHOGRAPH BY JOSEPH FOXCROFT COLE). Boston: J. F. A. Cole (ca. 1859). Image matted to 22 x 29 1/2 inches. Three spots of browning to the sky area, faint arc of foxing, a few more to the scenes below the main image. Main image features a main intersection of roads (one signposted "G Street, Ward 12"). Great perspective. Very good overall. Below the title is printed: "To the citizens of South Boston this picture is most respectfully dedicated by the Artist."

      [Bookseller: Boston Book Company ]
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        Catalogue of Fruit & Ornamental Trees, Shrubbery, Vines, Roses, & C. , cultivated and for sale at the Morris Nurseries, West Chester, Pa

      West Chester Pa: Printed for the Proprietors 1859 West Chester, Pa: Printed for the Proprietors, 1859. (DARLINGTON, J.L. & CO) 8vo. [title page 1, [2, blank, 7-36 pp. Blue printed wrappers; pencil marks to title page, foxing throughout. Romaine p. 325, (Phi). OCLC [1], (EHF, lacking front printed wrapper.) . The tenth edition of Morris Nurseries' catalogue. In the second half of the 19th-century West Chester, Pennsylvania became known for its nurseries. With easy access from a branch line to the Pennsylvania Main Line, nurseries in the area could service much of the east coast and Canada.Morris Nurseries was founded in 1849, and as of the printing of this catalogue had "70 acres devoted to tree culture". J.L. and Jasper Darlington, proprietors of the Morris Nurseries, were from the distinguished West Chester Darlington family that included famed horticulurist William Darlington An interesting record of the unprecedented abundance and choice of gardening and farming products that railways made available to consumers in the 19th-century

      [Bookseller: James Cummins Bookseller ]
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        La vie et les mysteres de la bienheureuse vierge marie, mere de dieu. paris, charpentier, 1859.

      Cm. 41 x 29, pp. (6) vi + (130) compreso frontespizio, ritratto a piena pagina della Vergine. Il testo è interamente illustrato in cromolitografia. Sontuosa legatura editoriale in piena percallina rossa interamente decorata in oro. Tagli dorati. Entro custodia originale in piena pelle decorata in oro ed a secco con interni in seta e chiusure dorate (una mancante). Solo il primo fascicolo di testo introduttivo un po' brunito, peraltro esemplare fresco ed in eccellente stato di conservazione. Splendido esempio dell'arte cromolitografia praticata in Francia nella metà dell'800.

      [Bookseller: Studio Bibliografico Benacense]
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        On Double Refraction in Matter moving through the AetherLondon: Taylor & Francis, 1904. First edition.

      Rare offprint issue of the Brace experiment - the first optical experiment measuring the relative motion of Earth and the luminiferous aether which was sufficiently precise to detect magnitudes of second order to <i>v/c</i>. The Brace experiment was of great importance for the development of the Lorentz transformation and consequently of the theory of relativity. <br/><br/> "De Witt Bristol Brace [1859-1905], professor of physics and specialist in optics at the University of Nebraska, is best remembered for his experimental test of the Lorentz-Fitzgerald contraction hypothesis in 1904 ... In 1904 the opportunity arose for Brace to apply the extremely sensitive optical techniques he had developed to one of the crucial problems of his day. Two years earlier, Lord Rayleigh had proposed that the Lorentz-Fitzgerald contraction, if it existed, might produce an observable double refraction in a moving transparent medium. Rayleigh made experiments in which he failed to find the predicted effect, but his work was not quite accurate enough to be conclusive. Brace pointed this out and reconducted the investigation in his own laboratory, establishing beyond a doubt the absence of double refraction caused by movement of the refracting medium through the ether." (DSB).. Offprint from: Philosophical Magazine, series 7.volume 40 pp 317-329, original pink wrappers, pp [317] 318329 [3:blank], dine and clean - an excellent copy

      [Bookseller: Sophia Rare Books]
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        Photographic Pleasures Popularly Portrayed with Pen & Pencil,

      second edition, 84pp tall octavo (218 x 145mm) with 24 lithographic caricature plates including the additional pictorial title and frontispiece (these additionally printed with sepia), some trivial spotting and foxing (as always with this book), but a very good copy in original blue cloth which repeats the title-page image in gilt (a photographer groaning under the weight of a land camera and tripod beneath a smiling full sun), cloth slight rubbed, all early editions are rare, London: John Camden Hotten, 1859. PHOTOGRAPHS OF THIS BOOK CAN BE SENT ON REQUEST * Rev. Edward Bradley, 1827-1890, comic writer and illustrator, wrote under the pseudonym of "Cuthbert Bede", was educated at Durham University; ordained 1850. He contributed regularly to Punch and other periodicals. His most popular book was The Adventures of Mr. Verdant Green, An Oxford Freshman, illustrated by the author, London, 1853. The present work, Photographic Pleasures, first appeared in book form in 1854 (published by Day & Son), and was re-published the following year by Thomas McLean. Parts of the work first appeared in "Punch". Cuthbert Bede's manuscript reminiscences about the work are quoted in M.H. Spielmann's "History of "Punch" (1895): "Photography being a novelty in 1853, Mark Lemon readily accepted my proposal to introduce it into "Punch," and accordingly, the first four caricature illustrations of photography that appeared were in "Punch" between May and August 1853. One of these [the frontispiece] represented "The Portrait of an Eminent Photographer who has just succeeded in focusing a view to his Complete Satisfaction." He was depicted with his head under the hood, while a bull was charging him in the rear..." THE FIRST SATIRICAL BOOK ON PHOTOGRAPHY.

      [Bookseller: Jeffrey Stern Antiquarian Bookseller]
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      1859. Fine. LESLEY, J. P. THE IRON MANUFACTURER&#39;S GUIDE TO THE FURNACES, FORGES AND ROLLING MILLS OF THE UNITED STATES. With discussions of iron as a commercial element, an American ore, and a manufactured article, in commerce and in history. With maps and plates. New York: John Wiley, London: Trubner & Co., 1859. First edition. Illustrated with 5 folding maps, including two with color outlines, 1 plate, and text figures. Octavo. 23 cm. [1] publisher&#39;s adv. + [2],xxxiv,772 pp. Original publisher&#39;s brown cloth binding, with gilt-stamped spine title, and sides blocked in blind. Contemporary ink ownership, dated 5 June 1859, of John Simmons of Deepfield, Staffordshire, England, who managed the Ulster Iron Works at Saugerties, NY, where he developed double-puddling, hoop-making, and cold-rolling processes. Except for some very minor wear at heel and crown, and a bit of edgewear to the fore-edge of one folding map which extends a bit beyond the bookblock, this is a truly fine copy, being exceptionally clean and crisp. (Sabin 40187). This is one of J. Peter Lesley&#39;s major works, containing information and statistics on ironworks as well as a detailed geological discussion of iron deposits in Pennsylvania and elsewhere. The preface is notable for Lesley&#39;s attack on Henry Darwin Rogers, who directed the first state survey of Pennsylvania, and for whom Lesley worked on the survey during the years 1838-1841. Lesley accuses Rogers of scientific theft for not acknowledging the work of the young apprentices, like himself, who had assisted him in the survey. In 1873, Lesle became the director of the second state survey of Pennsylvania. (D.S.B.)

      [Bookseller: Boston Book Company]
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        Holsteen & Lauenborg. Kopenhagen, Baerentzen, 1859. Mit kolor. lithogr. Titel und 30 kolor. lithogr. Tafeln. Qu.-4°. Hldr. d. Zt.

      Prachtvolle Ansichten von Ahrensburg, Aumühle, Büsum, Itzehoe, Kiel, Lauenburg, Plön, Ratzeburg, Segeberg u.v.a. in sorgfältigem, feinem Kolorit . Im Handel sind nur unkolorierte Exemplare bekannt.- Der kolorierte lithographierte Titel mit einer Ansicht von Preetz.- Leicht stockfleckig.

      [Bookseller: Antiquariat Schramm]
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        The Nature-Printed British Sea-Weeds: A History, Accompagnied by Figures and Dissections, of the Algae of the British Isles. 4 Bde. London, Bradbury and Evans, 1859/60. Mit 219 (statt 221) Tafeln mit farbigen Pflanzenselbstdrucken von Henry Bradbury, 4 Stahlstich-Titeln m. kl. Naturselbstdruck u. zahlr. Textholzstichen. Lex.-8°. Grüne OLwd.-Bde. mit Gold- u. Blindpräg. (Rücken etw. gebräunt; berieben).

      Nissen ZBI 1002; Pritzel 4460.- Einzige Ausgabe dieses wunderschönen Beispiels für die Qualitäten des Naturselbstdruckes; Bradbury hatte dieses 1851 von Auer erfundene Kupfertiefdruckverfahren bei Auer selbst in Wien gelernt.- Das gesamte Werk lose im Einband; Ränder leicht angestaubt, tlw. leicht stockfleckig. 2 Tafeln stark verschmutzt. Es fehlen die Tafeln 74 u. 75 sowie die Textseiten 23-28 in Bd. II.

      [Bookseller: Antiquariat Schramm]
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        China Illustrated: Its Scenery, Architecture, Social Habits, &C.

      Selected Engravings by Thomas Allom, Esq.With historical and descriptive notices by the Rev. G.N. Wright, M.A.Published By Fisher, Son & Co., Caxton Press, London, 1859.Four Volumes bound in Two.Bookplate of the Third Earl of RycroftSir Richard Henry Charles Rycroft was born on 21 December 1793.1 He was the son of Sir Nelson Rycroft and Charlotte Read.2 He married Charlotte Anne Josephine Tennant, daughter of William Tennant, on 18 May 1830.1 He died on 21 October 1864 at age 70. He was also known as 3rd Baronet [U.K. Life Peer].1Cover is ¼ bound in Moroccan leather with marbled boards, end papers and edges. Spine has gilt text with five gilt raised bands.Volume 1 with 184 pages, Volume 2 with 140 pages,With more than 124 steel-engraved plates.11? by 8.75?The binding is detached from the block of volume one requiring a minor repair.Page nine of Volume One is detached but present.Some foxing throughout, as usual.Thomas Allom (1804 ?1872) was an English architect, artist, and topographical illustrator. He was a founding member of what became the Royal Institute of British Architects. He designed many buildings in London, including the Church of St Peter's and parts of the elegant Ladbroke Estate in Notting Hill. However, Allom is chiefly known for his numerous topographical works, which were used to illustrate books on travel. From the 1820s onwards, he travelled extensively through the UK and mainland Europe. In 1834 he arrived in Istanbul, Turkey, and produced hundreds of drawings during journeys through Anatolia, Syria and Palestine. The results of this expedition were published in 1838 in Constantinople and the Scenery of the Seven Churches of Asia Minor published in two volumes with text by Robert Walsh. Emily Reeve's Character and Costume in Turkey and Italy, published in London in 1840, was also illustrated with engravings by Allom. He is also remembered for numerous illustrations of China, published in China Illustrated in 1845.

      [Bookseller: S. Bernstein & Co. ]
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      Paris: Librairie nouvelle, 1859. relié. 12x19cm. Première édition in-12 avec le premier plat de couverture à la date de 1858. Reliure en demi maroquin vert sapin, dos à cinq nerfs orné de filets estampés à froid, filets estampés à froid sur les plats, doublures et gardes de papier à la cuve, couvertures conservées, tête dorée, reliure signée Goy & Vilaine. Signature autographe de l&#39;auteur sur la page de faux-titre. Pâle et importante auréole sur l&#39;ensemble des feuillets en marge inférieure. - Librairie nouvelle, Paris _1859, 12x19cm, relié. - relié

      [Bookseller: Librairie Le Feu Follet]
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        Egypt and Palestine Photographs and Described

      London: James S. Virtue. Hard Cover. [1859]. 2 folio volumes. 17 ½ x 12 ¾ inches (binding dimensions) Vol 1: [6], followed by 37 images, each of which is a mounted albumen photograph, preceded by a tissue, and followed by a leaf explaining the image. Vol 2: [6], [notice sheet tipped in], followed by 39 images, each of which is a mounted albumen photograph, preceded by a tissue, and followed by a leaf explaining the image. A total of 76 images, complete as issued. Most mounts have some foxing at the extremes (to the outside of the plate mark, about an inch into the mount). Beyond that, the mounts have light to moderate foxing on average. Only 6 of 76 plates have any indication of damage to the photographs themselves, and those are very minor. Tonality averages between 6 and 7 of 10 - some stronger, some weaker as is normal with this large a grouping of images. Spine and corners in leather over marbled boards. One small and one large piece of marbled paper missing from front cover of Volume 1. Volume 2&#39;s marbling shows minor signs of moisture exposure. Bindings are both quite sound but the joints show the beginnings of cracking (mostly at top and bottom inch or so) and have some minor retouching. Corners worn, endpapers creased. Originally published in 25 monthly parts, these images were also issued in a 2 volume set in 1859 (as here), with Vol 1 containing 37 images, and Vol 2 containing 39 photographs. Frith was among the best known European photographers of the 1850s. His three trips to Egypt, Palestine and surrounding areas throughout 1856-58 were conducted on the model of the European Grand Tour. An amateur photographer at the beginning, Frith&#39;s work eventually became so popular that he built one of the largest photography businesses in England - eventually purchasing entire negative inventories from other photographers and marketing them under the Frith house name. The images in these 2 volumes are the first that Frith made in that area, and are pivotal to his eventual success as a businessman, as well as being an excellent representation of the places visited at the time. The technical challenges of taking and developing photographs in that period, and in those conditions were formidable. For a detailed analysis of his trips, Frith&#39;s evolution as a photographer during these trips, as well as the Victorian age of photography, see &#39;Francis Frith in Egypt and Palestine, A Victorian Photographer Abroad&#39; by Douglas R. Nickel. A detailed image by image estimation of foxing and tonality is available to serious customers. Additional reference: Gernsheim, Incunabula of British Photographic Literature 1839-1875 #88. Very Good.

      [Bookseller: Kuenzig Books, ABAA/ILAB]
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      Philadelphia: ...D. Rice & A.N. Hart, 1859.. Five volumes. 257 colored plates: the Michaux volumes contain 156 handcolored engravings and the Nuttall volumes contain 121 handcolored lithographs. Uniform publisher&#39;s tooled morocco, spine gilt. Bindings scuffed, mostly at the corners, edges, and hinges, but also on the spine of the first volume. Uniform light tanning, an occasional fox mark, but the plates brightly colored. About very good. This publication is the most important work on American trees prior to the 20th century. It is the product of the efforts of two of the greatest naturalists to work in 19th- century America, François André Michaux and Thomas Nuttall. The beautifully executed plates illustrate leaves and nuts or berries of American trees across the entire continent. Sabin says of the work: "It is no exaggeration to remark that it is the most complete work of its kind, and is a production of unrivalled interest and beauty." This is a reissue of the combined edition of the two works, issued by the Philadelphia publishers, Rice and Hart. Michaux&#39;s work was based on his extensive travels in the eastern half of America, and those of his father, from the 1790s on. Both men were friendly with Jefferson and other leading figures, who aided them in their work and travels. His book was first published with a Philadelphia imprint in 1817-19, although actually printed in Paris, where the plates were engraved as well. These plates were executed by the great French flower painters, Redouté, and his associate, Bessa. The sheets of the first effort at reprinting the work were destroyed by fire, but the copper plates were separately stored and survived to be employed in this edition, where the work of Michaux fills the first three volumes. Thomas Nuttall was one of the most intrepid American naturalists of his day, travelling extensively in the Mississippi Valley and the Far West in the 1820s and &#39;30s to gather botanical specimens. His work, designed to supplement that of Michaux, covers eastern species missed by the Frenchman and new species Nuttall had gathered in the Midwest and West. His work first appeared in Philadelphia in 1842-49. The publishers, Rice and Hart, then issued it as a combined set with Michaux&#39;s work in the uniform configuration found here, originally in 1857, then again in 1859 as in the present set. The more up-to-date method of using colored lithographs for the plates was employed in the Nuttall volumes, since the publisher did not have engraved plates in stock, as was the case with the Michaux work. A nice set, in the publisher&#39;s original binding, of a classic of American natural history. BENNETT, p.76. MEISEL III, p.436 (ref). SABIN 48695. OAK SPRING SYLVA 20 (ref). Graustein, THOMAS NUTTALL (Cambridge, 1967). TAXONOMIC LITERATURE 5966, 6930. Savage, ANDRÉ AND FRANÇOIS ANDRÉ MICHAUX (Charlottesville, 1986). REESE, STAMPED WITH A NATIONAL CHARACTER 21.

      [Bookseller: William Reese Company - Americana]
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        The QUEEN Of HEARTS. In Three Volumes

      London:: Hurst and Blackett, Publishers.. 1859.. 8vo. 7-1/2" x 4-7/8". 1st book edition (Bleiler, p. 47; NCBEL III, 924; Parrish, pp. 33 - 35; Queen&#39;s Quorum 3; Glover & Greene 80; Sadleir 603; Wolff 1373). iii, [1 (blank)], 314; [2], 359, [1 (blank)]; [2], 307, [1 (blank)] pp.. Riviere & Son full brown calf bindings, with elaborate gilt decorated spine, maroon & brown spine labels in 2nd & 3rd compartments, gilt edge tooling, gilt dentelles & marbled paper eps. TEG. Vol II with later reddish-maroon leather title label to spine. Original green cloth covers bound-in at rear.. Minor rubbing to binding extremities. A VG+ set.. Second title in Sadleir&#39;s Comparative Scarcities list for Collins. Per G & G, Vol II "contains The Biter Bit, a classic among detective stories." Scarce in the trade.

      [Bookseller: Tavistock Books, ABAA]
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        The Nature-Printed British Sea-Weeds: a history, accompanied by figures and dissections, of the algæ of the British Isles

      London: Bradbury & Evans, 1859-1860. 4 volumes, 8vo. (9 1/2 x 6 1/4 inches). 4 engraved additional titles each with a nature-printed vignette in a colour, 222 plates (220 plates nature-printed in colour by Henry Bradbury, 1 hand-coloured aquatint, 1 uncoloured engraving), wood-engraved illustrations. Original pebble-grained green cloth, elaborately blocked to a design by John Leighton: the upper cover in gilt and blind, the lower cover in blind and the spines in gilt, cream glazed endpapers, edges uncut. "The most crystalline water could scarcely more delicately float these lace-like trophies of the Garden of the Sea than do [the] ... pages [of this work]" (preface to vol.IV). A very fine copy of this masterpiece of nature-printing. "It will be seen that ... a full, and ... accurate history of each species has been given; and where the species has not been such as to allow of its being Nature-Printed, engraved magnified dissections have been introduced into the text. The work will be continued on the same plan" (Advertisement, in vol.I). The final tally of 222 plates includes 220 that are nature-printed. They are printed in two or more colours, most plates include a single nature-printed specimen with engraved magnified dissections, but there are occasional plates which include more than one specimen and no engraved dissections. The process that Henry Bradbury employed to print the present plates was first developed in 1853 by Alois Auer, Director of the Government Printing Office of Vienna. Bradbury learnt details of the process in Vienna and subsequently brought the knowledge and equipment to England. The plates were produced by passing the object to be reproduced between a steel plate and a lead plate, through two rollers. The high pressure exerted imbeds the object (in the present case examples of sea-weed) into the lead plate. Coloured inks are subsequently applied to this stamped lead plate, and a printed copy can be produced. If more than one colour is needed then several were applied individually, by hand, to appropriate areas of the plate but all the colours would then be printed together from one pull of the press. Very few books were printed using this process, and two of the best were produced by Henry Bradbury: the first was published in 1857 (The Ferns of Great Britain and Ireland) and the present work is the second. Ferns and seaweeds proved to be ideal subjects for nature- printing: the process was particularly successful with the thin two- dimensional fronds of ferns and seaweed. BM (NH) II, p.939; Fischer Naturselbstdruck 88; Nissen BBI 1002; Stafleu & Cowan 3383

      [Bookseller: Donald Heald Rare Books]
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        THE NATURE-PRINTED BRITISH SEA-WEEDS, 4 Volumes, complete

      London: Bradbury and Evans, (1859-1860).. There is some occasional light foxing, mostly confined to the front and end matter and to the page fore-edges, there is some faint rubbing to the outer joints; overall, this is a tight, clean, near fine copy in a very attractive binding.. Pp. xv, 188 ; ix, 203; xi, 200; xiv, [1], 324 + 221 nature-printed color plates, 1 plain plate and 4 engraved title pages each with a small natured-printed algae specimen. Original half red morocco, with five raised bands, elaborate patterned gilt panel decorations and black leather spine labels, over richly marbled boards, with matching marbled endpapers, top edge gilt, lg 8vo. Many of the fine color plates, made from actual algae specimens, are printed in a single color; some plates are printed in two or three colors. The colors used in the nature-printed plates are brown, green gray, pink and purple. From the library of Hanbury Barclay with his armorial bookplate in each volume, in memoriam bookplate of Arthur Kerr Barclay and finally a modern bookplate (in one volume only) of Marshall Laird.

      [Bookseller: Natural History Books]
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        Collection of autographs, letters, drafts, notes, pamphlets, and ephemera relating to the assassination of President James Garfield and the trial of Charles Guiteau

      Washington D.C., New York, and elsewhere, 1859-1883. (GARFIELD ASSASSINATION) In all, 18 autograph letters, mostly signed, various sizes (8vo to folio), ca. 50 pages written, 18 secretarial copies of reports on the President&#39;s condition, news-clippings and broadside extras, an autograph album with 39 signatures, 1 engraved portrait of Garfield. Condition noted on individual items below. All laid into a three quarters black morocco drop-box . This remarkable collection contains manuscripts and printed material relating to the death of President James Garfield and the life and trial of his assassin, Charles Guiteau. &#128;Highlights include five autograph letters and manuscripts by Guiteau, including one of the earliest known letters and a chilling jailhouse manuscript written shortly before his execution; extensive autograph material by the lead prosecutor James K. Porter, including one of his trial notebooks and a draft of his counter to Guiteau&#39;s "Unsound Mind" defense; the autograph draft of the bulletin announcing Garfield&#39;s death by head surgeon Dr. D.W. Bliss; a letter from defense counsel George Scoville to Porter; an extraordinary correspondence between Porter and trial observer Frederick Douglass; an autograph album with the signatures of Guiteau, attorneys, jurors, and other notables attending the trail; letters by Postmaster General Thomas L. James and Speaker of the House J. Warren Keifer conveying their first-hand accounts of Garfield&#39;s condition on the day of the shooting; one of Garfield&#39;s final signatures, made on the morning of the shooting; and a moving letter by Lucretia Garfield, still in mourning several years after her husband&#39;s death. James Garfield (1831-81), twentieth president of the United States, was born into poverty in northern Ohio. &#128;Through perseverance and natural ability he escaped the hardships of his youth, eventually attending Williams College in Massachusetts, where he received his A.B. in 1856. &#128;He returned to Ohio to take up a professorship of ancient languages at Hiram College and was later named president of the school. &#128;Garfield entered politics on an anti-slavery platform, winning a seat to the Ohio legislature in 1859. &#128;His exemplary service during the Civil War boosted his political stock and he won the first of nine consecutive victories to Congress from 1862. &#128;Garfield emerged from the highly factious 1880 Republican convention as his party&#39;s compromise nominee for president, a position he was not even actively seeking. &#128;Garfield&#39;s brief presidency was largely consumed with the political infighting of the "Stalwart" faction of his party lead by rival Roscoe Conkling. On July 2, 1881, Garfield entered the Baltimore & Potomac railroad station with the intention of traveling to his alma mater, Williams College, and then on to a much-needed vacation. &#128;On the platform he was ambushed by Charles Guiteau, a disturbed man with fanciful notions of his own abilities and importance, who unloaded two bullets into the President&#39;s back. Garfield would linger for months, stoically enduring the unsterile exploratory surgeries of his doctors, who tried in vain to locate one of the assassin&#39;s bullets. Daily bulletins on the President&#39;s health were sent out to an anxious nation which, for the first time since before the Civil War, felt united in a shared grief. &#128;Garfield finally succumbed on September 19, the victim of an infection undoubtedly introduced by his doctors. Guiteau (1841-82) was a disappointed and delusional office-seeker who believed his work on behalf of the Republican Party had earned him, through the spoils system, the right to a top diplomatic position. &#128;He came to politics after failing in law, publishing, evangelism, bill collecting, and public lecturing. &#128;Other than six years spent at the utopian Oneida Community, he was almost always on the move, frequently skipping town without paying his room and board. &#128;Roundly disliked and mistrusted, he supported himself by fraud, thievery, and deceit, yet was possessed of a maniacal belief that God had some great purpose for his life. &#128;He was eventually convinced that God wished him to assassinate Garfield in order to unite a feuding Republican Party and save the Union. &#128;His trial was one of the most sensational in the nation&#39;s history and one of the first and most notorious uses of the insanity defense. &#128;Guiteau continuously interrupted the proceedings with his wild outbursts, despite which, the jury rejected his insanity defense and convicted him after only an hour and a half of deliberation. &#128;He was hanged on June 30, 1882. An unprecedented collection in terms of the scope and significance of its content, with deep autograph and manuscript material covering all aspects of Garfield&#39;s death and the following trial. This is certainly the greatest single offering concerning Garfield&#39;s assassination to be offered on the market, and it rivals or surpasses all of the major institutional collections devoted to the subject. A detailed inventory follows: I. CHARLES GUITEAU, assassin. &#128;Three of the following letters are to his sister Frances Scoville. She and her husband George (who would act as Guiteau&#39;s defense council) for a time provided Guiteau with shelter and money. In one notable example of his violent outbursts, Guiteau threatened Frances with an axe. 1) Autograph letter, signed ("Chas J. Guiteau"), to his sister Frances. Ann Arbor. Nov. 6 1859. 4pp., pen and ink. Formerly folded, signs of mounting at top edge. &#128;Eighteen-year-old Guiteau describes life at college, urges his sister to embrace the Christian faith, and declares his sympathies with the Oneida Community. &#128;A very early letter - earliest letters at auction are from the 1870s. 2) Autograph letter, signed ("C.J. Guiteau"), to his sister Frances. Oneida Community. Aug. 9, 1861. 2pp. pen and ink. Formerly folded, small tear at top edge, signs of mounting at top edge. &#128;Writing from the Oneida Community, Guiteau offers some of his religious views and shares his concern for his sister&#39;s soul ("I pray that God may open your mind and heart to the great and glorious truths of &#39;Bible Communism&#39;..."). 3) Autograph letter fragment, unsigned, to his sister Frances. New York. May 20, 1867. 2pp. pen and ink on paper. Signs of mounting at upper edge. Guiteau describes his life as a bachelor in New York City ("on the whole it is a rather *cold* way [to live]"), mentioning a room at 29th & 4th and a trip uptown to Harlem. Includes some religious ramblings and theodicy ("If we receive not afflictions than [sic] are we *bastards* indeed and not Sons of God"). 4) Autograph draft petition to the Court of Common Pleas, City and County of New York, signed ("Charles J. Guiteau") and docketed "Guiteau&#39;s copy." New York. Jan. 5, 1874. 11&#141;2 pp. pen and ink on paper. Formerly folded, a few edge tears. A n earlier example of Guiteau acting in his own defense in a case brought by Stephen English. &#128;In 1874, Guiteau spent a month in the Tombs for not paying rent on his law office space. 5) Autograph manuscript, signed ("Charles Guiteau"). United States Jail, Washington, D.C. April 13, 1882. 3pp. pen and ink on paper, written on rectos only. Formerly folded, edges frayed, mended tears. &#128;On dealings with his brother-in-law and defense council, George Scoville, whom he accuses, in his paranoid way, of mishandling his case ("the most important criminal case of the century"). Guiteau dismisses Scoville and appoints Charles H. Reed in his stead. &#128;Also mentions his father (who "ran me into that stinking Oneida Community when a boy") and his ex-wife ("a poor, uneducated girl without position or friends"). II. JOHN K. PORTER, prosecutor (some of the following letters are retained copies or drafts). &#128;Porter (1819-92) was a prominent trial lawyer and judge involved in three of the most sensational criminal trials of the 19th century: as defense attorney for John Brown after Harper&#39;s Ferry; Tilton vs. Beecher (defending Henry Ward Beecher against charges of adultery); and the United States v. Guiteau. &#128;Porter successfully argued against Guiteau&#39;s "insanity defense," winning a conviction for the prosecution. &#128;Insanity was poorly understood at the time, and Guiteau&#39;s conviction exposed flaws in the prevailing method of determining legal insanity (the M&#39;Naughten Rule). &#128;This collection contains notes on Porter&#39;s counter to the insanity defense as well as other examples of his trial notes. &#128;Most interesting in this collection is his correspondence with Frederick Douglass. &#128;Porter writes a withering letter to Douglass, wrongly accusing the abolitionist and Garfield supporter of being in sympathy with the defense. &#128;Douglass responds to the obviously false charge and acquits himself, supposing Porter has been told "a hell black lie." The correspondence is as follows: 6) Autograph letter, signed ("John K. Porter"), to Frederick Douglass, the original letter, returned to Porter. Washington, D.C. Dec. 28, 1881. 3pp., with accompanying envelope addressed to Douglass. Expressing his dismay at Douglass&#39; sympathy with the assassin as reported in the media. &#128;"[I was] brought to the conclusion that every slave should be a freeman, by our eloquent speech at the City Hall in Albany, it has sadly disappointed me to learn through the public press, I am sure unjustly, that your sympathy is with the murderer. &#128;I do not personally believe it; but your prominent position, as the pre-eminent representation of the colored race, leads me to suffer the question, whether you can afford to go down to posterity as the defender of such a diabolical murder....You will pardon me for saying that your reported utterances, have not been in keeping and harmony with your utterances in the case of my old client John Brown, who has made his name immortal by utterances which will ring through all succeeding centuries...." 7) Frederick Douglass: Autograph letter, signed ("Fredk Douglass"), to John K. Porter, with a postscript initialed "F.D." Washington, D.C. Dec. 29, 1881. 2pp. &#128;Denies any sympathy with the assassin. &#128;"I am in doubt as to whether I ought to answer your note of this morning. If I did not know something of your high and honorable character, I should treat it with silent contempt. I am surprised and astonished - Judge Porter, you have been grossly imposed upon by somebody. &#128;Any one who has told you that I have done anything or that I will do anything, or that I wish to do anything to avert a conviction has to ld you a *hell-black* lie." I am utterly at a loss to know upon what grounds of assurance you could make such a statement to me -" Douglass adds a postscript, "I shall be glad to converse with you at any time as to my views and feelings as to the case of the assassin. I have made no statements to the newspapers, and have seen none ascribed to me, such as you describe. I have no fear of going &#39;down to posterity as a defender of such a diabolical murder&#39; and there is no ground for such fears -" 8) Autograph notes on the Guiteau trial. 11pp. pen and ink and pencil on a stapled graph-paper notebook. 12mo. A few ink stains. &#128;Possibly notes for the opening or closing statement by the prosecution. &#128;"Expected pardon....Had studied Wilkes booth....Is cowardice peculiar to insanity....His hands are bloody, & he asks you to bring yourself to the same hue...." 9) Autograph notes on the "Unsound Mind" defense. 2pp. pen and ink on paper. Formerly folded, a few stains. &#128;Draft of the prosecution&#39;s handling of Guiteau&#39;s insanity defense: "No man of sound mind, in popular sense, ever committed a murder. &#128;No man of perfectly Sound Mind ever ravished a defenseless girl...." 10) Autograph letter, signed ("John K. Porter"), to Colonel F.S. Waldron. New York. Nov. 2, 1881. 11&#141;2pp. &#128;Asking for suggestions in prosecuting the case. 11) Autograph letter, signed ("John K. Porter"), to Chauncey B. Ripley. Washington, D.C. Nov. 29, 1881. [1]p. Formerly folded. &#128;"It would be monstrous, if in the 19th. Century, a deliberate and foreplanned murder could be justified by a pretense of the assassin [sic], that he had the Power of Attorney from the Deity to commit it." 12) Autograph letter, signed ("John K. Porter"), to Austin Abbot. Washington, D.C. Dec. 15, 1881. 2pp. Formerly folded. &#128;Comments on the medical evidence given at the trial with Abbot&#39;s help. 13) Autograph letter, signed ("John K. Porter"), to George B. Corkhill. Washington, D.C. Jan. 26, 1882. 2pp. Formerly folded, lightly soiled. Congratulations on a well-handled trial. 14) Autograph letter, signed ("John K. Porter"), to Lucien Brock Proctor. New York. Feb. 15, 1882. 2 1&#141;2pp. Formerly folded. &#128;Congratulations on trial, commendation of Proctor&#39;s Bench and Bar of New York. 15) Autograph letter, signed ("John K. Porter"), to Edwin A. Merritt. &#128;New York. Feb. 20, 1882. 2pp. Formerly folded, stained and wormed in upper portion affecting a few letters. &#128;On the feeling in England about the assassination. 16) GUITEAU TRIAL. CLOSING SPEECH TO THE JURY OF JOHN K. PORTER. [Washington, D.C. 1882]. Self-wrappers. Some foxing on first few leaves, edges frayed. &#128;Printed pamphlet. Inscribed by Porter to his nephew, John Porter Leland, Jr. 17) Autograph letter draft (ends mid-sentence), unsigned, to George Scoville. New York. Feb. 1, 1883. [1]p. &#128;"The trial was somewhat memorable, and though we happened to be professionally opposed, I cannot forbear to express my sense of the marked ability with which you conducted the defense, though, with my fixed conviction I am unable to think any living lawyer could have rendered it more effective." III. MISCELLANEOUS LETTERS 18) John Wells: Autograph letter, signed ("John Wells"), to "Judge" John K. Porter. Providence, R.I. [1]p. Formerly folded. &#128;Offers some assistance to Porter on how to formulate his arguments. 19) George Scoville: Autograph letter, signed ("Geo. Scoville"), to John K. Porter. Chicago. Feb. 15, 1883. 2pp. on his law office stationery. Formerly folded. &#128;Exchange of photographs and documents for a publication on the trial. 20) Lucretia R. Garfield: Autograph letter, signed ("Lucretia R. Garfield"), to Miss Larcom. Cleveland, Oh. Dec. 2, 1887. 21&#141;2pp. on mourning stationery. Formerly folded, mended at central fold. &#128;"I cannot yet understand why the great life that made my world so beautiful - so filled it with a sunshine that seemed from Heaven [-] should have been snatched away: but it may be I shall yet know - if not here, then hereafter." IV. PRESIDENT GARFIELD&#39;S FIGHT FOR LIFE 21) Thomas L. James: Autograph letter, signed ("Thos. L. James"), on the President&#39;s condition, written on the day of the shooting. Washington, D.C. [July 2, 1881]. [1]p. pen and ink on Executive Mansion stationery. &#128;"At six o&#39;clock Dr. Bliss attending surgeon says the condition of the President to be very critical." &#128;James was Postmaster General under Garfield Joseph Warren Keifer. 22) Autograph letter, signed ("J. Warren Keifer"), to Carrie E. Howland. Springfield, Oh. July 9, 1881. 2pp. (8 x 5 inches). In a tan half morocco folding case. &#128;"You ask about the Prest. When I saw him and his dreadful wound on the 2nd - the day he was shot - I thought in common with Genl Sherman & others then about him that the President could live but a few hours at farthest. &#128;Now I think he may recover. &#128;The wound seemed necessarily mortal, but the prayers of a nation of 50,000000 of people for the Presidents [sic] recovery are about to be answered by a never deserting Providence...." Keifer was a prominent Ohio Republican, and at the time of the shooting was Speaker of the House. 23) Reports on the condition of the president, consisting of secretarial copies of twelve telegrams by James Gillespie Blaine as Secretary of State to James Russell Lowell, the American Minister in London, July - Aug. 24, 1881; six telegrams by Robert R. Hitt, Assistant Secretary of State, to Lowell, Aug. 11-16, 1881; and nineteen news clippings from the same period. 24) Fair copy of the Sept. 1, 1881 bulletin on Garfield&#39;s health, signed by the attending physicians, including head doctor D.W. Bliss. [Elberon, N.J.]. 12:30 p.m., Sept. 1, [1881]. [1]p. pencil on paper. &#128;"The state of the wound remains the same...." 25) Dr. D.W. Bliss: Autograph draft of "The Last Bulletin" describing Garfield&#39;s death. [Elberon, N.J.]. 11:30 p.m. Sept 19, 1881. [1]p. pencil on paper, with corrections and deletions, small dark smudge at lower left margin. &#128;"The President died at 10:35 p.m....." V. SIGNATURES 26) Guiteau trial autograph album. [Washington, D.C. January 1882]. With thirty-nine autograph signatures of notable participants. Also includes a second-generation photograph of the jury laid-in. Original gold-stamped sheep, a.e.g., worn, a few leaves loose. &#128;Autographs include those of Charles Guiteau ("In God We Trust. / Charles Guiteau / January 10 - 1882 / In Court / Washington D.C."); presiding judge Walter S. Cox; defense councils George Scoville and Charles H. Reed; prosecutor John K. Porter; the 12 jurors; the warden and various guards; the newspaper artist, et al. 27) James A. Garfield. Clipped signature on a printed document, dated 2 July 1881 (the day of the shooting), with an autograph note by O.H. Smith, Clerk in the Bureau of Engraving and Printing, attesting that this signature was used to make a facsimile for government use, with clipped signature of&#128;Charles Guiteau attached, and a broadside reminiscence of the president&#39;s life. VI. EPHEMERA 28) JACKSONVILLE DAILY JOURNAL. Three broadside extras reporting the assassination. July 2, 1881. 29) Three broadside announcements of the assassination, and death of Garfield, plus a memorial card, includes two copies of "The Last Bulletin." Elberon, N.J. Sept. 19, [1881]. 30) Two bank drafts, one made out to Guiteau (a joke, made out for $25,000), the other to George Scoville ($1, "after the execution of G.J. Guiteau"). Jan. 19 and 31, 1882. 31) THE LIFE AND ASSASSINATION OF PRESIDENT GARFIELD, TOGETHER WITH THE LIFE OF THE COWARDLY ASSASSIN, GUITEAU. Philadelphia: Barclay & Co., [1883]. Green printed wrappers with portrait of Garfield. Edges of wrappers frayed, corners bumped. 32) Engraved portrait of Garfield. 5 x 4 inches, mounted on a card

      [Bookseller: James Cummins Bookseller]
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      1859. hardcover. <center><b>George Meredith&#39;s first and best-known novel - <u>signed</u></b></center> <center><b>the copy of Alice [Brandreth] Gordon, and later of Michael Sadleir</b></center> Meredith, George. THE ORDEAL OF RICHARD FEVEREL. A History of Father and Son. In Three Volumes. London: Chapman and Hall, 1859. Original blind-stamped greenish-brown cloth. 3 vols. <p>First Edition of Meredith&#39;s first full-length novel (preceded only by a volume of verse and two single-volume burlesques). FEVEREL is the tough tale of a father&#39;s "system" of raising his son, developed not so much out of concern for his son as out of revenge for the wife who had left him. Meredith wrote FEVEREL during the stressful years of the disintegration of his own marriage to Mary Ellen Peacock (daughter of Thomas Love Peacock). In 1858, in fact, she had left him for another man, whose child she bore while still Meredith&#39;s legal wife (she died of renal dropsy in 1861).</p> <p>FEVEREL was a complete failure upon publication. Periodical reviewers made such comments as "This &#39;Ordeal&#39; is about as painful a book as any reader ever felt himself compelled to read through...", and suggested that proper matrons would be well-advised to avoid it. Complaints about the novel&#39;s "low ethical tone" prompted Mudie&#39;s Library to refuse to circulate the 300 copies it had bought, guaranteeing the book&#39;s demise (though FEVEREL&#39;s reception was much better in other countries); a second edition, revised, was not published until 1878.</p> <p>This is a very good set. Most of the delicate (original pale yellow) endpapers are cracked, but the volumes remain tight; other than the endpapers, there is little wear other than minor wear at the extremities (one corner bears a discreet repair). We find FEVEREL to be quite scarce today, especially in original cloth: for an author&#39;s failed first novel that subsequently became his best-known work, one cannot expect much better condition than this. Housed in an open-backed cloth slipcase. Collie IIIa (citing primrose endpapers -- but every set we have had has had pale yellow endpapers); Sadleir 1701 (including Vol III ads dated July 1859, whereas this copy has no ads), and pp 380-381 (listing FEVEREL as fourth in Meredith scarcity and saying "Few Victorian fictions are more seldom seen than those numbered 1 to 4"); Carter BV pp 138-9 (binding "A", the primary one). Provenance (in addition to below): Michael Sadleir (bookplate in each volume); also, loosely inserted is the 1948 shipping label from B. H. Blackwell to the current owner of this set. Housed in an open-backed cloth case.</p> <p>The front free endpaper of Vol I is <u>signed in full by George Meredith</u>; just above his name is the additional name Alice Mary Gordon (this appears to be in his hand as well, but it is possible that name is in her own hand). Alice Brandreth first met Meredith in 1867, when she was thirteen -- visiting his home at Box Hill with her three-years-older cousin Jim Gordon, who was part of the Box Hill Gordon family (which later would introduce Robert Louis Stevenson to Meredith). She would marry Gordon ten years later, but by then she had come to know Meredith well -- so much so that she was the model for Cecilia Halkett in his novel BEAUCHAMP&#39;S CAREER (1876), where Meredith describes her as</p> <p><?ms_indent>the handsomest girl, English style, of her time... One can&#39;t call her a girl, and it won&#39;t do to say Goddess, and queen and charmer are out of the question, though she&#39;s both, and angel into the bargain."</?ms_indent></p> <p>In 1919, as Lady Butcher, Alice would write MEMORIES OF GEORGE MEREDITH, which still today is highly regarded as a source book on Meredith&#39;s life.</p> "THREE-DECKER" NOVELS, SIGNED / INSCRIBED / ASSOCIATION COPIES, AUTHORS&#39; FIRST BOOKS (Sumner & Stillman Code:11317)

      [Bookseller: Sumner & Stillman]
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        Adam Bede

      Edinburgh & London: William Blackwood And Sons, 1859. First Edition of Eliot?s first novel. Sadleir 812. Parrish p. 12. NCBEL III 900. 3 Volumes. 8vo. pp. 4 p.l., 325; 3 p.l., 374; 3 p.l., 333 + [12]ads. complete with half-titles. Untrimmed in original cloth, recased with new endpapers (extremities trifle frayed)

      [Bookseller: D & E Lake Ltd. (ABAC, ILAB)]
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        On the Origin of Species By Means of Natural Selection, or the Preservation of Favoured Races in the Struggle for Life

      London; 1859: John Murray The First Edition, first issue or possibly one of the very rare issues of the Second Edition which is identical with the first edition except for the quotations on the verso of the half title and the ads which often vary in no known priority order. This copy lacks the half title and ads. However, in all the cases of the Wedgwood family bindings we have examined, D. Dilworth the longtime family binder consistently omitted the half titles and ads. Darwin himself refused to have the copies of his works bound for his personal library and since this was his preference it is possible he distributed unbound issues to family and fellow scholars in this fashion. It would be up to the recipient as to how and whether the books should be bound. There was only one printing of the first edition in spite of the fact variations in ads are found with some copies. The second edition was not identified as such on the title page, but retained the 1859 date and the same misspellings as the first. According to Freeman, (pg. 77) there are two copies known which are dated 1859 on the title page. The existence of such copies has long been known to the trade, although from their extreme rarity, few booksellers have ever seen one. 502p., illustrated; 1 folding plan. This copy comes from the fourth generation of the Wedgwood-Darwin family with three of their bookplates, handsomely bound by the family&#39;s favorite binder, D. Dilworth, New-Castle with their small white binder&#39;s label, in full diced calf, raised bands, red morocco spine labels gilt, other compartments fully gilt decorated, all edges marbled with matching endpapers. A superb, clean, fresh copy of the most influential scientific works of the 19th century and with an outstanding provenance. [Freeman, p. 77; Printing and the Mind of Man, 344]. First Edition. Octavo.

      [Bookseller: Alcuin Books, ABAA-ILAB]
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        On the Origin of Species by Means of Natural Selection,

      London: John Murray,, 1859. or the Preservation of Favoured Races in the Struggle for Life. Octavo (187 × 110 mm). Contemporary green half calf, spine elaborately gilt in compartments, red morocco label, patterned sides, marbled endpapers and edges. In a green half morocco solander case. Folding diagram. Half-title present, this copy bound without ads as often. Lightly rubbed, spine tanned, contents lightly toned, short tear at crease of folding diagram. An excellent copy. First edition of "the most influential scientific work of the 19th century" (Horblit) and "the most important biological book ever written" (Freeman), one of 1,250 copies. "The publication of the Origin of species ushered in a new era in our thinking about the nature of man. The intellectual revolution it caused and the impact it had on man&#39;s concept of himself and the world were greater than those caused by the works of Copernicus, Newton, and the great physicists of more recent times&#133; Every modern discussion of man&#39;s future, the population explosion, the struggle for existence, the purpose of man and the universe, and man&#39;s place in nature rests on Darwin" (Ernst Mayr). This copy contains the engraved bookplate of zoologist Brundson Yapp (1909&#150;1990).

      [Bookseller: Peter Harrington]
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        A Tale of Two Cities

      London: Chapman and Hall, 1859 In modern red half leather with red cloth boards. Spine has raised bands, decorative gilt tooling, title in gilt on a black leather label. Internally, new endpapers, small water mark to top joint of frontispiece and the engraved title page, (viii), [2], 254 pp, 16 pls, printed by C Whiting, Beaufort House, Strand, first edition, first issue with page 213 miss-numbered 113, and the engraved tp difficult to read, the first 2 plates have some water stains to their top corners, plate-The Mail, has a tear professionally repaired at some stage, also fine repair to small margin tear. A nice copy of a very desirable classic! Ranks 3rd on the popularity list and marked the termination of Phiz&#39;s connection to Dickens. (Eckel 97. Allibone 486)Dickens, Charles John Huffam, novelist. See ODNB for a full Bio.

      [Bookseller: Madoc Books]
 37.   Check availability:     IOBABooks     Link/Print  

        Tale of Two Cities, A

      1859. first edition. A Spectacular Copy in the Original Green Cloth with the 1859 Title-PageDICKENS, Charles. A Tale of Two Cities. With Illustrations by H.K. Browne. London: Chapman and Hall, 1859.First edition, second state with title-page still dated 1859 but with corrected pagination on page 213 and no signature "b" on the list of plates. Octavo. [i-vii]viii[ix-x], [1]2-254 pp. Sixteen inserted plates, including frontispiece and vignette title, by Browne [&#39;Phiz&#39;].Publisher&#146;s secondary binding of moderate olive green fine-diaper cloth, covers stamped in blind, spine lettered in gilt, original pale yellow coated endpapers. Boards remarkably fresh. Text and plates very clean and bright with just a minimal scattering of unobtrusive foxing. Just a tiny amount of wear to the top and bottom of the spine, inner hinges very expertly and almost invisibly strengthened. Armorial bookplate of Sir James Martin on front pastedown. A wonderful copy of this late novel, now extremely scarce in either of the original cloth bindings. This is by far the finest copy in original &#145;green&#146; cloth of A Tale of Two Cities that we have ever seen, and although it is the &#145;secondary binding&#146;, it&#146;s superlative condition really does justify it&#146;s addition to any fine Dickens collection. Chemised in a full green morocco slip case.This is a true first edition, second state in the original olive-green cloth. The red cloth issue is usually regarded as the primary binding, but copies in the olive-green cloth with the title-page dated 1859 are considered very scarce. Copies in the green-cloth binding were thereafter issued with a title-page dated 1860. These are referred to as the &#39;third&#39; issue."In the very earliest state there are two pages numbered 113, page 213 furnishing the error. This was not corrected until some copies had been printed. The absence of this error does not necessarily invalidate a first edition, though the error is much preferred because it indicates a prior or earlier printing." Eckel pp. 86/87.A Tale of Two Cities was first serialized in Dickens&#146;s periodical All the Year Round, from April 30-November 26, 1859. Its appearance in monthly parts (July-December 1859) and book form marks Dickens&#146;s return to his old publishers Chapman and Hall, after a long stay with Bradbury and Evans. The extremely large audience for the novel in All the Year Round, however, left less than the usual demand for the parts issue and, at first, for the book, both of which are quite rare. This title also marks the author&#146;s final collaboration with Phiz, Dickens&#146;s most evocative and most sympathetic illustrator. Smith I, 13.

      [Bookseller: David Brass Rare Books, Inc.]
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        A Tale of Two Cities

      London: Chapman & Hall,, 1859. Octavo. Original red cloth, covers blindstamped, spine gilt-lettered, pale yellow endpapers. Red morocco-backed folding case, spine lettered in gilt, by the Lakeside Press, Chicago. 32-page publisher&#39;s advertisement at end dated November 1859. Etched frontispiece, title and 14 plates by Hablot K. Browne ("Phiz"). Contemporary ownership inscription of G. Musgrave, Eden Hall (near Penrith), on front free endpaper and title; engraved bookseller&#39;s ticket of Charles Thurnam & Sons, Carlisle, on front pastedown. Spine very lightly rubbed, inner hinges skilfully repaired, etched title detached, else a very good copy. First edition in book form, first issue, the list of contents with signature "b" and with page 213 misnumbered 113. The novel was published in book form on 21 November 1859.

      [Bookseller: Peter Harrington]
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      Chapman and Hall 1859 First edition,2nd issue state. Recent half dark blue calf. Banded spine with gilt decoration in compartment. Red title labels Marbled boards & end papers. pp.254. Plates by Browne. . Occasionalt plate foxing and slight margin stains, occasional light page marking All internal flaws as Smith bar page 213 correctly numbered and no "b" sigbnature to list of plates. Atractive copy.

      [Bookseller: Boz Books]
 40.   Check availability:     Biblio     Link/Print  

        A Tale of Two Cities

      London: Chapman and Hall, 1859 In modern red half leather with red cloth boards. Spine has raised bands, decorative gilt tooling, title in gilt on a black leather label. Internally, new endpapers, small water mark to top joint of frontispiece and the engraved title page, (viii), [2], 254 pp, 16 pls, printed by C Whiting, Beaufort House, Strand, first edition, first issue with page 213 miss-numbered 113, and the engraved tp difficult to read, the first 2 plates have some water stains to their top corners, plate-The Mail, has a tear professionally repaired at some stage, also fine repair to small margin tear. A nice copy of a very desirable classic! Ranks 3rd on the popularity list and marked the termination of Phiz&#39;s connection to Dickens. (Eckel 97. Allibone 486)Dickens, Charles John Huffam, novelist. See ODNB for a full Bio.

      [Bookseller: Madoc Books]
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        The New Testament of our Lord and Savior Jesus Christ, A fac-simile reprint of The Celebrated Genevan Testament M.D.LVII, With the Marginal Annotations and References, The Initial and Other Wood-Cuts, Prefaces and Index [Leather Bound]

      A handsome binding. Full burgundy leather. Gilt tooling to all sides. Gilt and gauffered edges with cross-hatch and diamond pattern over marbled fore-edge (not fore-edge painted). Marbled endpapers with gilt dentelle to inside covers. First section of Title Page, Advertisement and Epistle (Calvin) is chipped and partially detached. Interior text clean and text block very sound and fresh after the introductory Epistle. Early pon from London, 1859. Wear to leather at extremities. Hinges cracked. Title page with 2/3 detached from straight edge to edge closed tear. Edges to scattered pages with shallow chips. Top corner of 25 pages with turn down to corner tips. Very little spotting; one page noted at gutter. No foxing. Five raised bands to spine and Bagster, 1842 to bottom of spine

      [Bookseller: Bremerton]
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        HENRY JENKINS: Evidences of the Great Age of, With Notices Respecting Longevity & Long Lived Persons etc. Together with his Manuscript Epitah...

      Richmond John Bell 1859.. Henry Jenkins "The Modern Methuselah" died in 1670 at, it is claimed, the amazing age of 169. He was a native of Ellerton-upon-Swale near Richmond in Yorkshire & subsisted as a labourer and fisherman. He claimed to have been born around 1501 and to have been involved as a boy in the Battle of Flodden Field and to have been butler to Lord Conyers of which there is some evidence.The facts are laid out in this scarce 32pp the Vicar of Bolton church where he is buried.The framed orig manuscript is of the inscription to be found in the church yard at Bolton on Swale and is the work of William Farmerie Lincoln. October 2. Anno Domini 1755. A fuller account can be found in volume one of Horsefall Turner's " Yorkshire Folkore Journal 1888 " [ also available ] Together with the rare etched broadside of 1752 by Thomas Worlidge which contains Anne Saville's biographical account of 1696 and the epitaph referred to above.Printed for J.Bowles in St Pauls Churchyard & John Bowles & Son at the Black Horse in Cornhill. Mounted on a canvas stretcher in a fine old oak frame with gilt slip. The three items for...

      [Bookseller: John L Capes]
 43.   Check availability:     UKBookworld     Link/Print  

        Frygt og Bæven. Dialektisk Lyrik af Johannes de Silentio. K., 1843. VIII+135pp. + Synspunktet for min Forfatter=virksomhed. En ligefrem Meddelelse, Rapport til Historien. K., 1859. (4)+114pp.

      Indb. i ét pænt samt. helshirtbd. m. rig rygforgyldn. De første og sidste blade af "Frygt og Bæven" brunplettede, ellers ganske pæn. "Synspunktet..." så ren, at den må være blevet vasket.. 2 originaludgaver. Himmelstrup 48, 292

      [Bookseller: Lynge & Søn A/S]
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        A Tale of Two Cities. [bound with] The Adventures of Oliver Twist; or, the Parish Boy's Progress.

      London: Chapman and Hall, 1859, [c. 1865].. Two volumes in one. Tale of Two Cities first edition, slightly later issue, Oliver Twist "New Edition, Corrected and Revised". 8vo. viii, (2), 254; viii, 311, (1) pp. Contemporary tan half calf over purple buckram boards, spine with raised bands, red gilt lettered label, all edges and endpapers marbled, the latter with the ticket of the stationers C. Cooper & Co. of Birmingham to the front pastedown. Frontispiece, engraved title vignette and 14 plates by Phiz in "A Tale..." and 24 plates by George Cruikshank in "Oliver Twist". Contents generally clean and free of spotting, a very good copy of both works together. Smith, I, 13; this copy presenting the first 5 issue points of the 8 called for. A later, undated edition of Oliver Twist, also bearing the Chapman and Hall imprint, published contemporaneously with the other work.

      [Bookseller: Bow Windows Bookshop, ABA, ILAB]
 45.   Check availability:     UKBookworld     Link/Print  


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