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Displayed below are some selected recent viaLibri matches for books published in 1857

        Istituzioni di Gajus commentarj quattro. Testo, versione e note. Con introduzione e appendici. Volume primo e secondo. Biblioteca giuridica teorico-pratica pubblicata per cura dell'avv. Giuseppe Tedeschi

      Verona, Libreria alla Minerva Editrice 1857 - In 8, pp. XXXVIII+200, VIII+205. Rilegatura coeva m. tela con impressioni in oro sul dorso. Testo latino a fronte. Rare fioriture sperse. Un alone all'angolo inf. delle prime 58 pagine e delle ultime 20 del vol. 2. Timbro di possesso sul frontesp. del vol. 1. La libreria offre per un periodo limitato uno sconto del 20% su tutti i suoi libri. Il prezzo originale dell'articolo era 1200 euro.

      [Bookseller: Nuovi Quaderni di Capestrano S.R.L.]
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        Virginians, a Tale of the Last Century

      1857. First Edition . THACKERAY, William Makepeace. The Virginians: A Tale of the Last Century. London: Bradbury and Evans, 185759. Octavo, 24 original parts in original yellow printed wrappers, uncut and occasionally unopened. Housed in custom clamshell box. $1500.First edition in original parts, first issues, complete with all plates and advertisements, of ThackerayÂ’s tale of brethren divided during the American Revolution, the last book the author himself illustrated.Like his contemporary (and rival) Charles Dickens, Thackeray visited the United States (first in 1852-53, again in 1855-56); unlike his fellow novelist, however, Thackeray “had on the whole a happy timeÂ… He was willing, as Dickens had not been, to see the greatness of the country and recognize that the promise of the future atoned for the shortcomings of the presentÂ… Impressions of the second tour were worked into The Virginians,” ThackerayÂ’s continuation of the family saga he began in The History of Henry Esmond (1852) (Baugh et al., 1358-59). Here, the author traces the fortunes of Henry EsmondÂ’s grandsons as the Revolutionary War divides them. With 48 engraved plates and several small in-text woodcuts by Thackeray—the last book he himself illustrated. First issue, with the first word on page 207, line 15 from the bottom (in No. 7) misprinted “actresses” (corrected in later editions to “ancestresses”); in part 12, chapters XLVII-XLVIII misnumbered XLVIII-XLIX. All ads present, including the tipped explanatory slip in part 20, regarding omitted plates; an additional advertising leaf present in No. 1. Anecdotal evidence suggests that the bibliographerÂ’s copy, which has a publisherÂ’s catalogue at rear, may be anomalous. Afterward published in book form (two clothbound volumes, dated 1858 and 1859). Van Duzer 232. No. 14 with previous ownerÂ’s initials to front wrapper, pencil notations to rear of advertising slip. Nos. 21 and 22 with previous ownerÂ’s signature to front wrapper.Closed tear to first plate in No. 6; modest foxing to the plates in Nos. 7, 8,16 and 17; minor loss to lower corners of plates in No. 23. Interiors with scattered light foxing and marginal soiling, light age-wear and soiling to wrappers; minor creasing to final few leaves of No. 13; small closed tear to front wrapper of No. 24, repaired. An excellent copy in near-fine condition.

      [Bookseller: Bauman Rare Books]
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        Poetical Works

      , 1857. 1857. CHURCHILL, Charles, SOUTHEY, Robert, and THOMSON, James. The Poetical Works. Boston: Little Brown, 1854-60. Fifteen volumes. Octavo, contemporary three-quarter brown calf, elaborately gilt-decorated spines, raised bands, black and tan morocco spine labels, marbled boards, endpapers, and edges. $1500.19th-century editions of the collected works of three well-known British poets, handsomely bound in contemporary calf-gilt.With frontispiece portraits of Churchill and Thomson. Pencil owner signature.Text generally clean and fine, light rubbing to bindings. A lovely set.

      [Bookseller: Bauman Rare Books ]
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        Substantial autograph Manuscript Fragment, unsigned, in French, with translation (Alexandre, 1824-1895, fils, French Novelist, Playwright and Writer on Morals and Society)

      1857 - and transcription, of an unused portion of his comedy 'L'Ami des Femmes', first produced in 1860, a dialogue between J[ane de Simerose] and de M[ontègre], with many corrections in the text, between the lines, or in the margin, made at the time of writing, Dumas explores as many as four versions of a sentence before continuing, Jane passionately asks Montègre whether, if her husband has broken his word, that is a reason to break hers, "So long as I am to keep his name, I must respect it", if a wife gave herself to another, "each of the two would have this right to despise her, for you would despise me in spite of yourself if I were to believe you . Who do you take me for ? To put me in a web of lies, terrors, insults, adulteries . to lower myself in the esteem of others and my own - Never", 2 sides folio on blue paper, old identification of the handwriting in French, no place, no date but watermark 'Towgood's Extra Super' dated very light mending of short side tears This passage may have been a trial for part of Act IV. In the published play, Act I introduces de Royes, the 'friend' of the title, who claims to be an expert on women, and de Montègre, who has briefly met Jane two or three times before. She loved but is separated from her husband, who was unfaithful after a month of marriage. Meeting Montègre again, she wistfully thinks he might be someone she could trust and writes a note asking him to meet her 'tomorrow - I love you'. However, her husband turns up near the end of Act III, with adoption papers for a young orphan, whom he hopes Jane will bring up with his support, and Jane is given pause. In Act IV she is trailed by Montègre to Paris, where she gives him the slip. On returning home she upbraids him for following her in secret rather than declaring himself openly, and refuses to trust him. At the end of Act V Montègre arranges for Jane's note of assignation to be put in the hands of the husband as if from Jane herself, Royes' 'expert' knowledge is counfounded, and Jane and her husband are reconciled. (See Dumas' Théâtre Complet, vol. 4). The present fragment suggests an alternative which Dumas could not use, possibly because it seemed too final at this stage of the play.

      [Bookseller: Sophie Dupre ABA ILAB PADA]
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        Donauübergang - Linz-Urfahr?].

      München, Wolf u. Sohn 1857 - Tonlithographie. ca. 28,5 x 41 cm. Leichte Gbrsp., Ränder etw. knapp beschnitten. - Eine Abbildung/ Ausschnitt finden Sie unter: www.antiquariat-weinek.at .

      [Bookseller: Antiquariat Weinek]
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        A Narrative of Dr. Livingston's Discoveries in South-Central Africa, from 1849 to 1856. Reprinted by arrangement from the "British Banner" Newspaper. With an accurate map.

      First edition. Small 8vo. pp. iv, 6-64; folding map frontispiece; very good in the original printed orange boards, worn on spine with slight loss, a very good copy.The publication of this short narrative - "the first authentic narrative of the important exploration of the Rev. Dr. Livingston" (Preface) - preceded the appearance of Livingstone's fuller account in Missionary Travels (1857). It had previously been issued as "detached portions" in the British Banner. Despite the claim in the pamphlet's Preface that the map had been "submitted to Dr. Livingston" prior to publication, "Kalahari" has been misspelt "Lahari". Moreover, Livingstone's name appears without the final '-e' both on the cover and throughout the text, a spelling that Livingstone himself dropped around this time.

      [Bookseller: Meridian Rare Books]
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        Album des Députés au Corps Législatif. Photographies d'après nature, par Mayer & Pierson, Photographes de S.M. l'Empereur.

      1 album in-4 (28,5 x 22,5 cm en reliure) reliure éditeur plein chagrin rouge, beaux fermoirs ciselés et dorés, toutes tranches dorées, Mayer et Pierson, s.d. [ 1857-1862 ], 1 f. blanc, 1 f. (titre), 50 feuillets sous serpente recueillant 197 photographies positives sur papier albuminé d'après des négatifs sur verre au collodion, au format carte de visite Magnifique album bien complet (avec une photographie supplémentaire) présentant les portraits en pied de l'ensemble des Députés au Corps législatif pour la Ire législature du Second Empire, de 1857 à 1862 (qq. taches noires sur le cuir, mais néanmoins un très bel album). Comme à l'habitude, les portraits d'Hérambault (Pas-de-Calais) et du Marquis de Verclos (Vaucluse) sont manquants, mais la photo du Baron de Ravinel (Vosges) a été rajoutée. On reconnaît Morny, et beaucoup d'héritiers tels Ouvrard, Murat, Suchet, Caulaincourt, etc... Français

      [Bookseller: Librairie Du Cardinal]
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        Constitution for the Government of the New-York Yacht Club. 1857.

      New York: John W. Amerman, 1857 - Duodecimo (148 × 93 mm). Original red linen over light card wraps, title gilt to upper panel. Ex-Connecticut State Library with their bookplate inside lower panel of the wraps, embossed stamp through the first few leaves, inked accession number to the upper wrap. Folding coloured plate of yacht flags. First edition. Uncommon, just a handful of copies of these early handbooks to the club have survived. The New York Yacht Club was founded in 1844, probably the third such club - after the Narrangansett Boat Club (1838) and the Detroit Boat Club (1839) - founded in the United States, the earliest date for a copy of the constitution that we have been able to trace is 1854. 1857 was a significant year in the history of the club, being the year that the One Hundred Sovereign Cup, won by the NYYC's yacht America at the Royal Yacht Squadron's annual regatta in 1851, was donated to the club to serve as a challenge cup for sportsmanlike competition between nations, the beginning of the famous America's Cup Races. [Attributes: First Edition]

      [Bookseller: Peter Harrington. ABA member]
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        Little Dorrit

      , 1857. 1857. First Edition . DICKENS, Charles. Little Dorrit. London: Bradbury and Evans, 1857. Thick octavo, contemporary three-quarter vellum, red morocco spine label, marbled boards and edges. $1750.First edition in book form, first issue, of one of Dickens

      [Bookseller: Bauman Rare Books ]
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        Poems of the Late Francis S. Key, Esq. [Star Spangled Banner]

      Robert Carter and Brothers. Hardcover. New York, 1857. 8vo, publisher's black cloth, xii, (13)-203 pp. First edition. The first edition of the Star Spangled Banner in book form. It had been printed only as a broadside in 1814. A BAL 11093 binding B, with no sequence noted. A good plus to very good minus copy with excellent contents. Lean to spine, chipping to cloth at head and heel of spine, contemporary ownership signature to title page, light normal shelfwear. Remains well preserved. "'The Star-Spangled Banner' has been in recent times censured for its awkward melodic line, but its lyrics are now so much a part of the popular patriotic imagination that any attempt at literary analysis would perhaps seem unusual. (The second and third stanzas of the original song are often omitted in public ceremonies as a gesture of courtesy to the British; the words "hireling and slave" of stanza three refer to the common British practice of using mercenary soldiers.) It is interesting that the critic Charles F. Richardson, writing in American Literature, mentions the "bald, rude rhymes" in the work. He goes on to say that the song, along with "Adams and Liberty" and "Hail Columbia," is "so closely enshrined in the patriotic heart . . . that no one stops to think of . . . [its] literary poverty" (vol. 2 [1889] p. 26). Richardson's comments seem a just assessment of a work that had not yet become a national symbol." - ANB. Please contact us for additional pictures or information. Sabin 37669. BAL 11093. . Good. 1857. First Edition.

      [Bookseller: Auger Down Books]
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        Rime

      San Miniato, Tipografia Ristori, 1857 - in-16, pp. (8), 93, (3), straordinario esemplare ad personam n. xxv per Atto Vannucci, in brossura color mattone chiaro: inquadrata, come quella usuale su carta verzolina, da bordura che contiene titolo, dati tipografici e prezzo e indirizzo alla copertina posteriore. Prima edizione dell'opera prima del Carducci, composta negli anni del suo insegnamento presso il Ginnasio di San Miniato al Tedesco. In questa fase il poeta si inser

      [Bookseller: Libreria Antiquaria Pregliasco]
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        Grammaire Arabe [Arabic Grammar]

      1857. (ARABIC GRAMMAR) GOLDENTHAL, Jacob. Grammaire Arabe. Écrite en Hébreu, à l’usage des Hébreux de l’Orient. Vienna: Imprimerie Impériale de la Cour et de lÉtat, 1857. Octavo, contemporary full green morocco gilt, wallet-style flap, all edges gilt. $9000.First edition of the first Arabic grammar in Hebrew, with lovely ornamental cartouche in red, blue and gold, beautifully bound.Goldenthal was a learned scholar; the title page designates him as a Doctor of Philosophy, Professor of Oriental Languages at the University of Vienna, member of the Academy of Sciences in Vienna, and member of numerous Asiatic societies in Germany, Paris, and London. He commends the study of Arabic to Talmudists. Title and preface in French; text in Hebrew and Arabic. Friedberg M-2669. Zenker II, 197 (erroneously dated). Durstmüller I, 274. Jüd. Lex. II, 1184. Fine condition, a superb, beautiful copy.

      [Bookseller: Bauman Rare Books]
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        Élémens de la grammaire chinoise ou principes généraux du Kou-Wen ou style antique, et du Kouan-Hoa, c'est-à-dire, de la langue commune généralement usitée dans l'empire chinois. Nouvelle édition... augmentée d'une table des principales phonétiques chinoises par L. Léon de Rosny.

      Paris, Maisonneuve, 1857, in 8°, de XXXII-240pp., ill. d'un front. lithographié sur papier jaune, de deux tableaux litho. se dépliant dont celui des 114 clefs, demi-basane marron époque, dos lisse orné, bon exemplaire. Rare seconde édition augmentée publiée après la mort d'Abel-Rémusat, et contenant en particulier la table "des principales phonétiques chinoises" par Léon de Rosny. La grammaire chinoise d'Abel-Rémusat, parue en 1822, fut la première grammaire utilisée en Europe. Son intérêt premier est de distinguer le chinois classique ou littéraire de la langue vernaculaire. "Cette grammaire ... était la première où la grammaire était exposée en tenant compte du génie propre de la langue chinoise.... le premier essai de synthèse logique et construction raisonnée de la langue chinoise..." (Henri Maspero, professeur au Collège de France) . ¶ Cordier BS.1662 - Brunet IV, 1216.

      [Bookseller: L'intersigne Livres anciens]
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        Report on the United States and Mexican Boundary Survey Made Under the Direction of the Secretary of the Interior, Vol. I, parts 1&2

      Cornelius Wendell, Washington 1857 - 4to; Very attractively rebound in 1/2 maroon leather over maroon bds; sp. with 5 raised bands , gilt sp. title and designs; tight; collates complete with all plates and maps; mild age toning and some offsetting from some of the plates; very scattered foxing; page with plate no. 41 shows 3/4 ' loss to r. upper corner, nowhere near plate; a very attractive volume; pp.xvi+errata, 258,174+plates. One of the classics of western exploration done under the auspices of the Congress. This publication was especially noted for the number and variety of plates of scenery, native americans, and flora and fauna as well as the fold-out maps. This volume contains plates of scenery, native americans, as well as all maps published in Vol.I. The second vol. was published separately, and complete sets in good condition are rare. 1st House ed; 34th Congress, 1st Session; ex.doc.135 [Attributes: First Edition; Hard Cover]

      [Bookseller: Gunstock Hill Books]
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        J

      - Technik: Federzeichnung in schwarzer Tusche auf Papier. Beschriftung: links unten ligiert monogrammiert mit "CL" und auf "57" datiert, verso von fremder Hand bezeichnet mit "K. Lossow". Provenienz: Gesammelte Graphik von Dr. F.W. Denzel, M

      [Bookseller: H. W. Fichter Kunsthandel e.K.]
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        Oeuvres illustrées... Dessins par Tony et Alfred Johanot, Staal, Pauquet, Etc.

      Paris: Vialat et Cie. 1854[-1857]. 12 volumes bound in 6. Large quarto. Quarter mid-tan leather with raised bands on spine in decorative compartments gilt, titling and numbering gilt. With steel engravings illustrating various scenes throughout. Vol. 1: Piquillo Alliaga. 395 pp. Vol. 2: Carlo Brosci; La Prix de la Vie; La Maitresse Anonyme; La Conversion; Le Jeune Docteur; Maurice; Judith; Un Ministre sous Louis XV; Le Tête-a-Tête; Le Roi de Carreau; Potemkin; Le Mariage d'Argent; Les Inconsolables; La Passion Secrète; La Grand'Mère; Rodolphe; Le Haine d'une Femme; Vatel. 320 pp. Vol. 3: Adrienne Lecouvreur; Les Contes de la Reine de Navarre; La Colomnie; L'Ambitieux; Le Café des Variétés; Bertrand et Raton; La Camaraderie; Le Verre d'Eau; Le Menteur Véridique; Les Grisettes; Le Valet de son Rival; Le Parrain; Dix Ans de la Vie d'une Femme; Valérie; Les Indépendents. 320 pp. Vol. 4: Avant, Pendant et Après; Le Charlatanisme; La Bohémienne; Les Adieux au Comptoir; Japhet; Le Bal Champêtre; La Jarretière de la Mariée; La Mansarde des Artistes; Les Premières Amours; Le Coiffeur et le Perruquier; Le Plus Beau Jour de la Vie; Le Charge a Payer; Le Baiser au Porteur; L'Héritiere; Le Chateau de la Poularde; Farinelli; La Lune de Miel; La Demoiselle a Marier; Le Diplomate; Le Mariage de Raison; Le Marraine; Coraly; Le Solliciteur; Malvina; Madame de Sainte-Agnès. 320 pp. Vol. 5: Le Vieux Mari; Yelva; La Chatte; Les Deux Precepteurs; Simple Histoire; Théobald; L'Oncle d'Amérique; Les Deux Maris; Les Moralistes; La Belle Mère; Le Médecin de Dames; Aventures et Voyages du Petit Jonas; Une Visite a Bedlam; Les Élèves du Conservatoire; La Volière de Frère Philippe; La Manie des Places; Le Mystificateur; La Quarantaine; Caroline; L'Ennui; Les Manteaux; Les Empiriques d'Autrefois; L'Ambassadeur; La Somnambule; Frontin Mari-Garçon; Le Secrétaire et le Cuisinier; Le Colonel. 319, [i] (blank) pp. Vol. 6: Une Chaine; La Protégée sans le Savoir; Le Confident; Oscar; Le Fou de Péronne; Une Nuit de la Garde Nationale; L'Auberge; Le Puff; La Petite Soeur; Le Mariage Enfantin; Le Ménage de Garçon; Partie et Revanche; Bataille de Dames; L'Artiste; Michel et Christine; Philibert Marié; Mémoires d'un Colonel de Hussards; Le Nouveau Pourceaugnac; La Demoiselle et la Dame; Le Combat des Montagnes; L'Intérieur de L'Étude; Geneviève. 319, [i] (blank) pp. Vol. 7 [almost exclusively opera libretti]: Les Huguenots; La Xacarilla; La Muette de Portici; Le Comte Ory; Guido et Ginevra; Le Lac des Fées; Le Philtre; Les Martyrs; Robert-Le-Diable; Le Serment; La Juive; Le Fils de Cromwell; Les Diamants de la Couronne; Ne Touchez Pas a la Reine; Giralda; Concert a la Cour; La Dame de Pique; La Chambre a Coucher. 320 pp. Vol. 8 [opera libretti]: Le Prophète; L'Enfant Prodigue; Ali-Baba; Gustave III; Le Dieu et la Bayadère; La Part du Diable; La Sirène; Le Domino Noir; Haÿdée; La Dame Blanche; Lestocq; Les Treize; La Reine d'un Jour; Le Chalet; Actéon. 320 pp. Vol. 9: Le Vieux Garçon et la Petite Fille; Jeanne et Jeanneton; Irène; Le Petit Dragon; O Amitié!... ; La Vengeance Italienne; Le Témoin; Les Eaux du Mont-Dor; Une Femme Qui Se Jette par la Fenêtre; L'Ours et le Pacha; La Grande Aventure; Héloise et Abailard; L'Écarté; Le Moulin de Javelle; Le Bon Papa; Camilla; Le Lorgnon; Les Malheurs d'un Amant Heureux; Le Gastronome sans Argent; Estelle; Les Trois Maitresses. 320 pp. Vol. 10: Salvoisy; La Chanoinesse; Toujours; Être Aimé ou Mourir; Le Gardien; Jeune et Vieille; L'Avare en Goguettes; Louise; Une Faute; La Loge du Portier; La Maitresse au Logis; Un Dernier Jour de Fortune; Zoé; Le Budget d'un Jeune Ménage; L'Intérieur d'un Bureau; La Pension Bourgeoise; La Famille du Baron; Le Quaker et la Danseuse; La Seconde Année; Le Savant; Philippe; Les Héritiers de Crac. 318, 1f. (blank) pp. Vol. 11 [including opera libretti]: Zanetta; La Marquise de Brinvilliers; La Vieille; L'Ambassadrice; Le Cheval de Bronze; Les Deux Nuits; Léocadie; La Médecine sans Médecin; Fra-Diavolo; la Fiancée; La Neige; Le Maçon; Fiorella; Leicester; La Favorite; Le Soprano; Le Chaperon; La Famille Riquebourg; Le Comte Ory. 320 pp. Vol. 12 [including opera libretti]: La Fée aux Roses; La Charbonnière; La Nuit de Noël; La Chanteuse Voilée; Le Puits d'Amour; Les Surprises; Didier L'Honnête Homme; Maitre Jean; Le Juif Errant; Dom Sébastien Roi de Portugal; La Barcarolle; Cagliostro; D'Aranda; L'Image; Le Guitarrero; Babiole et Joblot; Rebecca; Discours de Réception a l'Académie Française Prononcé dans la Séance du 28 Janvier 1836. 320 pp. Slightly worn, rubbed and bumped; head of spine slightly chipped; some hinges split. Minor foxing and browning throughout; occasional creasing; some signatures partially detached. Title to Vol. 1 only. Includes libretti for operas by Adam, Auber, Balfe, Berton, Blangini, Boieldieu, Carafa, Cherubini, Donizetti, Fétis, Halévy, Hérole, Marliani, Massé, Meyerbeer, Paer, Rebel and Rossini. Eugène Scribe (1791-1861) was one of the most important--and prolific--dramatists of his time. He provided libretti for over 30 composers, including Auber, Meyerbeer, Rossini, and Verdi. Meyerbeer described his libretti as "tailor-made for the music, full of dramatic, emotional and also merry situations" that contained "excellent parts" for the available singers. Herbert Schneider in Grove Music Online. Complete sets are very scarce.

      [Bookseller: J & J LUBRANO MUSIC ANTIQUARIANS]
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        UNCLE TOM'S CABIN; OR, LIFE AMONG THE LOWLY

      1857. STOWE, Harriet Beecher. UNCLE TOM'S CABIN; OR, LIFE AMONG THE LOWLY. Two Volumes. Boston: John P. Jewett, 1852. 8vos., bound in beautiful black, full-morocco leather bindings, top edges gilt, gilt-tooled spines. Leather bindings were one of the three formats (also bound in cloth or paper wraps) in which "Uncle Tom's Cabin" was originally issued: this is a beautiful rebound copy with wonderful tooled-leather pastedowns and satin endpapers. "With "Stereotyped by Hobart and Robbins" on the copyright page. Complies with all 18 first printing textual issue points as noted by Jacob Blanck in BAL 19343. With a small card autographed by Stowe laid in: "Very Truly Yours,H.B. Stowe, Saco, Maine. Aug. 1, 1887." The first printing of 5,000 copies sold out in just more than a week when it was first published on March 20, 1852- a second printing immediately followed. "Uncle Tom's Cabin" is one of the most reprinted books in the world and is considered the primary novel that helped lay the groundwork for the Civil War. One of the most famous Abraham Lincoln quotes is his comment to Stowe: "So this is the little lady who started this great war." A lovely copy! $3,500.00.

      [Bookseller: Antic Hay Books]
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        Briefe eines deutschen Auswanderers nach Nordamerika in der Zeit um 1860 --- Ein Briefwechsel eines Auswanderers, aus Hamm/Westf. über New York nach Arkansas in die Gegend von Fort Arbuckle, mit seinen Eltern. Sowie weiterer Schriftverkehr bezüglich der Person des Auswanderers.

      Friedrich Wilshaus wanderte im Januar 1857 über New York in die Vereinigten Staaten ein. Im Juni 1859 hat er bereits eine Arbeitsstelle in der Nähe von Fort Arbuckle, Arkansas aufgenommen. Etwa 60 Meilen entfernt, im Indianergebiet, ist er als Landvermesser beschäftigt. Im Januar 1860 wollte er eine Zeugenaussage gegen Alkoholschmuggler in Fort Smith zu Protokoll geben, wurde dort am 19. Januar auf offener Straße erschossen. Der dortige Coroner setzte eine Belohnung von 500 für die Ergreifung des Täters aus, dieser wurde aber nie ermittelt. Friedrichs Freund John Hubert von Sieburg benachrichtigt in zwei Briefen die Eltern über dessen Tod und die vorausgegangenen Geschehnisse und leitet die Formalitäten wegen des Nachlasses ein. --- Vorhanden sind, original und eigenhändig3 Briefe des Friedrich Wilshaus an seine Eltern und seinen Bruder, wobei er auch etwas ausführlicher auf seine Arbeit im Indianergebiet eingeht. 1 Brief von Wilhelm Wilsberg an seine Eltern 4 Briefe der Eltern von Friedrich Wilshaus 2 Briefe von John Hubert von Sieburg 1 Brief eines bis dahin unbekannten, der sich ebenfalls als Wilhelm Wilsbergausgibt, um in den Besitz des Nachlasses zu gelangen. 2 Briefe der Anwaltskanzlei Schüking, welche Büros in Deutschland und Amerika unterhielt. [in wesentlichen Teilen transscribiert] Weiterhin finden sich 3 Couverts (teilw. mit Fehlstellen) mit Originalstempeln. 2 Originalformulare. Sehr rare Dokumente aus dem Leben und Umfeld eines Auswanderers in Amerika.

      [Bookseller: deepgroove]
 18.   Check availability:     booklooker.de     Link/Print  


        Causeries du lundi

      Third edition in the original game.Binders half caramel calf corners, back with five bands set with ornate golden dotted with golden double boxes richly embellished with decorative golden pieces of cherry morocco title and volume number of rooms morocco fir, light scratches on some caps, cap restored Volume 4 of the top, some split and restored bits, gilt frames on flat marbled paper, guards and contreplats of handmade paper, some corners bumped, gilded heads, binders of the time.Precious autograph dedication signed by the author to Mrs. Paul Huet, wife of the famous Romantic painter and friend of Victor Hugo.Ex-Donos manuscripts breakfast son of Pierre Jean David d'Angers head of each volume.Some spots, sometimes strong, affecting some slips. --- Please note that the translation in english is done automatically, we apologize if the formulas are inaccurate. Contact us for any information! Garnier Frères Paris 1857 11,5x18,5cm 15 volumes reliés

      [Bookseller: Librairie Le Feu Follet]
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        Großer gedeckter Circus auf dem Fleischer-Platz. Jeden Tag zwei große Vorstellungen in der höhern Reitkunst, Gymnastik und Pferdedressur.

      Leipzig, Oskar Leiner (1857). Plakat mit typographischem Text und kl. Holzschnitt (6,5 x 9,5 cm). Blattgr.: 47 x 32 cm. Die Höhepunkte des Programms waren u. a.: Die 4 jährige Anna Hüttemann in ihren Exercitien zu Pferde; Das Schulpferd Preciosa in Freiheit vorgeführt von Herrn Clement; Die Spiele der Kirgisen, Heroen, Malabresen und Chinois ausgeführt von Herrn Suhr. Heinrich Gautier führt zwei Voltigier-Nummern vor, zum Schluss sind "5 vorkommende ganz neue Tableaux" zu sehen: Die Toilette der Juno; Die Ringer von Troja; Der Nymphen-Tanz; Artemise mit ihren Nympfen im Bade und Der Raub der Sabinerinnen. - Offensichtlich Lebende Bilder für das männliche Publikum, der Holzschnitt gibt einen Vorgeschmack! Bücher de

      [Bookseller: Antiquariat Turszynski]
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        Vollständiges Farben-Laboratorium oder ausführliche Anweisung zur Bereitung der in der Malerei Staffirmalerei, Illumination, Fabrication bunter Papiere und Tapeten gebräuchlichen Farben, und namentlich der Erd- und Metall- oder Oxydfarben, Lackfarben, Saftfarben, Honigfarben, Pastell- und Tuschfarben. Mit 20 Figuren auf einer Foliotafel.

      Weimar, Bernhard Friedrich Voigt 1857. Dritte sehr vermehrte und verbesserte Auflage. 18,4 x 12 cm. Reihentitel, Titel (= S. I-IV), IX-XXXII, 678 Seiten, 5 Bl. Verlagsanzeigen und eine gefaltete lithographierte Tafel. Halbleder der Zeit mit goldenem Rückentitel und etwas Rückenvergoldung. Kanten und Außengelenke berieben. Rückenleder etwas spröde und rissig. Innen durchgehend teils mäßig, überwiegend jedoch stark gebräunt und stockfleckig. Da Reihentitel und Titel vorhanden sind und kein Text fehlt (beginnt mit Vorwort zur dritten Auflage), scheint es sich beim Fehlen der römisch numerierten Seiten V-VIII um einen Fehler in der Paginierung zu handeln, oder es fehlen mitgezählte Leerblätter oder ein Schmutztitel am Anfang. Stempel auf Reihenitel verso (Rohrer Kunstmaler München). Wenige Seiten mit alten Bleistiftanstreichungen und -anmerkungen. (Neuer Schauplatz der Künste und Handwerke Band 117). Engelmann, Bibliotheca mechanico-technologica, S. 333 (erste Auflage 1841) und Supplement Seite 101 (zweite Auflage 1847). Schießl Nr. 1202. Angebunden: Christoph Heinrich Schmidt: Die neuesten, wichtigsten Fortschritte, Erfindungen und Verbesserungen in der Farbenfabrikation, sowohl in Bezug auf Erd- und Oxydfarben, als auch Lackfarben und Farbstoffe aus Harnsäure (Murexid), wie aus Steinkohlentheer (Anilinfarben) zum Färben und Drucken der Gewebe. Weimar, Bernhard Friedrich Voigt 1864. XII, 240 Seiten, 4 Bl. Verlagsanzeigen, V Seiten \"Verzeichnis des neuen Schauplatzes\" und 4 gefaltete lithographierte Tafeln. Durchgehend gebräunt und stockfleckig. (Neuer Schauplatz der Künste und Handwerke Band 264). Schießl Nr. 1221. Die Tafeln beider Bände zeigen Werkzeuge, Apparaturen und Brennöfen. 19. Jahrhundert, Chemie, Farben Färben Farbenherstellung, Kunsttechniken, Restaurierung (Kunst Architektur), Technik

      [Bookseller: Antiquariat Roland Gögler]
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        Géographie du moyen Age, étudiée par Joachim Lewelel.

      Bruxelles: Pilliet, 1852-1854-, 1857. Four parts text bound in one volume, with epilogue and atlas volumes, the latter oblong folio; 18 plates (some folding) in the text volumes, 50 plates (see note) in the atlas volume, excellent impressions of all the plates; the three volumes differently bound: recent quarter morocco with green boards (text); early crimson pebbled cloth, modern half green morocco over marbled boards (atlas). First edition, with the full suite of lithographic plates, depicting any number of famous and important early maps, by a 'pioneer writer on cartography' (Tooley). This is one of the most important - and eccentric - early studies of the geography of the Middle Ages and early Renaissance, and is only rarely seen complete with its folio atlas and the particularly uncommon epilogue volume of 1857.Lelewel's comprehensive intensive study of classical Greek, Latin and Arab sources, with each of the intricately engraved plates prepared by the author himself, includes the accounts of navigators, pilots and voyagers, and his scholarship makes it a significant source for cartography and the history of travel. The work is wide in scope, and whether Lelewel is discussing the foundations of modern Ptolemaic geography, the peregrinations of the Jewish scholar Benjamin of Tudele, or the great fourteenth-century Arab expeditions of Ibn Battuta, his synthesis of the field is magisterial.Lelewel was a Polish historian, educated at the Imperial University of Vilna. Although of Prussian descent, he became an ardent nationalist and his lectures on Polish history galvanised the country. One of the rebels of the November Uprising against the Russian authorities in 1830, he went into exile in Paris soon after the rebellion was suppressed, and was soon after forced to leave France for Brussels at the explicit request of the Russian Ambassador. A friend of Marx and Engels, he was a political agitator throughout his life.The plate count is complex, but the present example has the full complement. The folio atlas has 50 plates, as required: 49 are full page lithographs, while the remaining map (plate 47) is tipped on to the title-page, as instructed in the plate listing (this has caused some confusion among bibliographers; Howes, for example, lists "49" plates only). The question of the smaller plates for the text volumes has also been confused: Graesse calls for 12 plates, but the listing does not include the epilogue volume; Leclerc, who does notice the epilogue, calls for only 14 plates in total; Sabin does not list the smaller plates; and lastly, Howes lists 18 plates. This example with 18 & 50 plates, then, corresponds to the largest number of plates recorded by any of the bibliographers. A little frayed at spine epilogue.

      [Bookseller: Hordern House]
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        Nouvelles histoires extraordinaires

      First edition in French translated by Charles Baudelaire of which there were no large paper copies.Contemporary half brown sheep over marbled paper boards, decorated with gilt fillets, marbled endpapers and pastedowns, corners very slightly bumped, speckled edges.occasional spotting, not serious.  Michel Lévy frères Paris 1857 11x18cm relié

      [Bookseller: Librairie Le Feu Follet]
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        ILLUSTRATIONS, OF THE MANNERS, CUSTOMS, AND CONDITION OF THE NORTH AMERICAN INDIANS: In a Series of Letters and Notes Written During Eight Years of Travel and Adventure Among the Wildest and Most Remarkable Tribes Now Existing. Two volume set.

      London: Henry G. Bohn, 1857. Two volume set. Original red cloth binding is moderately worn, with minor rubbing, chipping and fraying; protected in archival mylar. Complete with 300 illustrations and figures. Contains three maps, including a fold-out titled "Outline Map of Indian Localities in 1833" which is printed on blue paper (with minor mis-folds). Minor foxing to the closed page edges; the text and plates are quite clean. Field 260; Howes C241; Sabin 11537; Streeter Sale 4277; Wagner-Camp 84. Stated: Ninth edition.. Ninth edition. Hardcover. Very good condition. Octavo (8vo).

      [Bookseller: Kurt Gippert Bookseller (ABAA)]
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        Histoire archeologique, descriptive et graphique de la Sainte-Chapelle du Palais.

      Paris: Felix Malteste et Cie, 1857. Folio, twenty chromolithograph plates and five engraved plates, sound copy in quarter morocco, cloth, gilt title and decoration. This volume illustrates the chapel as restored by the architect J.B.A. Lassus, the chromolithograph plates show decorative panels, borders, murals etc highlighted in gold. Rubbed.

      [Bookseller: Hordern House]
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        Cenni sul Museo Civico di Milano ed Indice sistematico dei Rettili ed Anfibi...

      Milano: Giacomo Pirola, 1857. Large octavo, large folding plan, 61 pp.; in neat modern green paper boards. Complete with the large folding plan, which gives a detailed overview of a collection of international significance, and one which included one of the most important early collections of Australian snakes and reptiles.A rare publication describing in detail the natural history collections of Milan, and particularly the collection of Reptiles and Amphibians.The Milan Natural History Museum was founded in 1838 by naturalists Giuseppe de Cristoforis and Giorgio Jan, who donated their private collections in order to make a new collection on the newest scientific principles. The Museum opened in 1844 with Jan, an important herpetologist, botanist and naturalist, as the first Director.An interesting and very modern feature of the museum, described at page 11, was the design of the labels of the specimens. The frame of every label of every species was coloured with a different colour according to the Continent to which each species belongs (Asia was yellow, for example, while Oceania was blue).Sadly the collection endured almost comprehensive losses during the Second World War when it was bombed in 1943, which does make such printed guides even more significant as a reflection on what has been lost.This guide, the first such published, includes a detailed description of the museum (pp. 1-25); an introduction to the scientific designation of reptiles and amphibians (pp. 27-33); and a detailed list of the specimens held in Milan (pp. 35-61). Of the actual specimens, the Museum had approximately 400 mammals, 1900 birds, a genuinely impressive 950 reptiles (which would have made it one of the preeminent collections in the world), and 900 fish. Included in this number are a great quantity of Australian and Pacific species: of reptiles, 39 from Australia, 1 from Tasmania, and 3 from New Zealand, together with 10 Australian amphibians. The museum also hosted any number of more familiar Australian birds and animals such as the Thylacine, platypus, echidna and many birds. Some spotting but a very good copy.

      [Bookseller: Hordern House]
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        D'Albert's Album 1857.

      Chappell & Co. London. 1857. - Gift book, 14 x 10 inches, 136 pp. featuring music by Charles D'Albert and chromolithographic plates by John Brandard. Covers detached; heavy wear to extremities. Leather spine peeling and abraded. Decorative embossed cover with gilt lettering and decorative embellishments (overall light soiling and wear). Volume contains music for eighteen musical compositions by D'Albert with four (of five) chromolithographic plates after Brandard (with possible additional hand coloring) plus title page and gift presentation page also by Brandard; all six of the exquisite plates were printed by M. & N. Hanhart. Contents in good clean condition. The four large color plates in this volume represent illustrations used for cover art when D'Albert's compositions were published and sold individually. Space at the top and bottom of the chromo illustrations, left blank as published in the Album, would have been utilized in the sheet music's solo edition for printing the composition's title at top and, at bottom, publisher details. As preserved in the Album, the four chromolithographic plates (plus title and presentation pages) are in near mint condition. D'Albert's music with Brandard's illustrations are quite scarce in Album format. The four plates illustrate The Queen's Valse (a young Queen Victoria); Estelle (plate not present); St. Petersburg Quadrille (spelled on the Contents page as Petersburgh); The Sybil Valse; the Savoyard Polka. An uncommon publication with condition issues noted. [Attributes: Hard Cover]

      [Bookseller: old imprints ABAA/ILAB]
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        Während der Dauer der Messe: Zauber-Theater auf dem Gutenbergsplatz in der Bude Nr. 1 von Georg Fritz aus Mainz mit ganz neuen Darstellungen. Geheimnissvolle Sitzung oder eine Stunde der weisen Magie.

      Mainz, Gottsleben (1857). Plakat mit typographischem Text. Auf rosa Papier. Blattgr.: 62 x 41 cm. Der Zauberer Fritz führt sein ganzes Repertoire auf, aus denen dann die Vorführungen gewählt werden, u. a. hatte er zu bieten: Das Füllhorn, aus welchen Bonbons, Blumen und komische Albums entspringen; Die cabalistische Wäscherin; Die Krystallbombe; Der Porzellantellereregen; Der elektrische Schlag u. v. m. - Zum Schluss wird bemerkt: "Der Ueberraschung wegen enthält er sich der Beschreibung der einzelnen Experimente, welche gewiß in jedem Zuseher das höchste Staunen über so viel in den Händen eines Sterblichen vereinigte Wunderkraft zurücklassen werden". Bücher de

      [Bookseller: Antiquariat Turszynski]
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        Élémens de la grammaire chinoise ou principes généraux du Kou-Wen ou style antique, et du Kouan-Hoa, c'est-à-dire, de la langue commune généralement usitée dans l'empire chinois. Nouvelle édition... augmentée d'une table des principales phonétiques chinoises par L. Léon de Rosny.

      Paris, Maisonneuve, 1857, in 8°, de XXXII-240pp., ill. d'un front. lithographié sur papier jaune, de deux tableaux litho. se dépliant dont celui des 114 clefs, demi-basane marron époque, dos lisse orné, bon exemplaire. Rare seconde édition augmentée publiée après la mort d'Abel-Rémusat, et contenant en particulier la table "des principales phonétiques chinoises" par Léon de Rosny. La grammaire chinoise d'Abel-Rémusat, parue en 1822, fut la première grammaire utilisée en Europe. Son intérêt premier est de distinguer le chinois classique ou littéraire de la langue vernaculaire. "Cette grammaire ... était la première où la grammaire était exposée en tenant compte du génie propre de la langue chinoise.... le premier essai de synthèse logique et construction raisonnée de la langue chinoise..." (Henri Maspero, professeur au Collège de France) . ¶ Cordier BS.1662 - Brunet IV, 1216.

      [Bookseller: L'intersigne Livres anciens]
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        Carteggio di pittori e scultori operanti tra la fine dell'800 e gli inizi del '900 con Enrico Emilio Ximenes (1857-1923), storico e letterato responsabile del Museo dei Mille di Bologna, già direttore del giornale demoratico palermitano «Il Vespro», fervente garibaldino. Sono 15 autografi di 9 artisti che presentiamo come lotto:

      1857. a) BAZZARO, Ernesto (1859-1937), scultore, autore di numerosi marmi nel Cimitero di Milano e di monumenti pubblici. L.a.f., 1 p. in-4, Milano, 9 luglio 1908. Spiacente «che il gesso del monumento a F. Nullo in Bergamo donato al Comitato, sfortunatamente nel trasportarlo colà andò tutto in frantumi, per modo che non esiste più». b) BOITO, Camillo (1836-1914), architetto e scrittore, fratello di Arrigo. Bigl. con linee a.f., Milano, 30 aprile 1909: «Ringrazio ma non mi lascio più mettere in Comitati onorari. Devo quindi rinunciare ad entrare in quello dell'Esposizione donatelliana». c) BUTTI, Enrico (1847-1932), scultore in una prima fase impressionista, influenzato dai modi di C. Grandi e T. Cremona, successivamente di impronta verista («Il minatore», 1887). Insegnò all'Accademia di Brera. L. datt. f., 1 p. in-8, Milano, 4 maggio 1909. «.. mi duole dichiarare (al Comitato donatelliano) che le mie occupazioni sono tali da non ptere assicurare per eventuali bisogni dell'opera mia.. ». d) CALZOLARI, Oreste. L.a.f., 1 p. in-4, 2 luglio 1906: «Il bozzetto del monumento inaugurato a Fiesole ..è molto piccolo (1/25 del vero) e dal monumento alquanto diverso. Se queste cose non sono di ostacolo, sarò lietissimo di donarlo per il Museo dei Mille.. ». (Unitamente a:) L.a.f., 1 p. in-8,13 settembre (1)908. «Anche per la mia qualità di garibaldino, gradirò intervenire all'inaugurazione del Museo (di Bologna)». e) CASCIARO, Giuseppe (1863-1949), pittore, partecipò a importanti esposizioni internazionali [Parigi, Bruxelles, Monaco (1905)]. Due lettere autografe che peccano di immodestia: L.a.f., 4 pp. in-8, Napoli Antignano 16 giugno 1910: «.. appunto perché sono maestro di pittura di S. M. la nostra Regina e di S. A. R. Vera di Montenegro» per accettare l'invito alla mostra collettiva all'Esposizione di Cettigne « vorrei sottoporle alcune condizioni: una sala riservata solo a me decentemente decorata; spese di trasporto delle opere a carico del Comitato; che mi siano conferiti i massimi premi : .. data la mia posizione che la nostra Corte stessa mi ha creato, non credo di essere troppo esigente». L.a.f., 3 pp. in-8, Ischia, 10 agosto 1910. Ancora a proposito della Esposizione a Cettigne: «.. raccomando l'addobbo decoroso della sala mia che dovrà raccogliere solo i miei pastelli .. Data la mia posizione di maestro di S. M. la nostra Regina e di S. A. R. la Principessa Vera, io dovrò emergere su tutti. So che voi siete magna pars». f) JERACE, Francesco (1854-1936), scultore di solida formazione, oscillò tra accademismo e realismo estremo. Noti i suoi busti femminili. 2 cart. ill.f. e 2 lett. a.f. (di cui una del 17 ottobre 1909) di saluti e auguri in riferimento ad opere del Museo dei Mille di Bologna. «Non mi sono dimenticato del gesso che vi promisi.. ». g) MATANIA, Fortunino (1881-1963), illustratore e pittore, collaborò a riviste italiane e straniere («L'Illustrazione Italiana», « The Graphic», « The Sphere»). L.a.f., 2 pp. in-8, list, lutto. 18 dicembre 1909. Sulla quarta schizzo a penna di (auto?)ritratto. «Mi giunge un biglietto firmato E. Ximenes, ora, tra gli E. Ximenes ve n 'è uno Eduardo, il quale ha mostrato di essere il peggiore dei nemici e dei denigratori miei e della mia famiglia. Stante la cosa a questo punto non si troverà strano che, almeno per salvare la forma, io desideri di sapere prima d'aver l'onore di un incontro chi è degli E. Ximenes che mi scrive e che cosa si possa desiderare da me». h) NOMELLINI, Plinio (1866-1943), pittore, allievo di G. Fattori, amico di G. Pascoli e di G. Puccini. Dopo un esordio macchiaiolo, si volse a esperienze simboliste e divisioniste. 2 cart. post, f. a) Viareggio, 21.12.09 «.. stringiamo dunque l'affare. Il quadro col bambino nudo dal titolo: Baci di sole L. mille. L'altro col titolo La siesta L. 800..»: b) Viareggio 27.1.X (1910) «Pregola farmi sapere perché la cassa mia di ritorno sia gravata di L. 24 da sborsare per ritirarla. La cifra mi sembra enorme». i) ZOCCHI, Arnaldo (1862-1940), scultore, autore di numerosi monumenti: Piero della France- sca, Garibaldi, lo Zar Alessandro II, Michelangelo. E' sua una delle Vittorie del monumento a Vittorio Emanuele II a Roma. L.a.f., 1 p. in-8, (Roma) «28 giugno 1906, relativa al bozzetto del monumento di Garibaldi a Bologna.

      [Bookseller: Libreria Antiquaria Pregliasco]
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        Narrative Of The Defence Of Kars, Historical And Military. From Authentic Documents, And From Notes Taken By The Several Officers Serving On The Staff Of Her Majesty's Commissioner With The Ottoman Army In Asia Minor. Illustrated in lithography.

      Richard Bentley, London 1857 - 8vo. The original purple pebbled cloth with gilt decoration is rather faded and a little worn at the foot of the spine. The hinges are a little tender but holding perfectly firm; traces of bookplate on front paste-down. Half-title present as are the original yellow endpapers. xx, 344pp., complete with 7 tinted lithographs by William Simpson. The two illustrations at the end are impressive folding plates. [Attributes: First Edition; Hard Cover]

      [Bookseller: McManmon, B.D. ABA, ILAB]
 31.   Check availability:     IberLibro     Link/Print  


        The Works

      London: Edward Moxon,, 1857. The Text Revised by the Reverend Alexander Dyce Octavo, 6 volumes (216 x 134 mm). Contemporary green pebbled morocco, titles to spines gilt, raised bands, twin rule to boards and turn-ins in blind, cream endpapers, gilt edges. Frontispiece portrait of Shakespeare. Bookplate to front pastedowns, spines a little darkened and corners slightly rubbed, an excellent set. First Dyce edition. A handsomely bound set.

      [Bookseller: Peter Harrington]
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        THE FAIRY FAMILY: A series of Ballads & Metrical Tales illustrating the Fairy Mythology of Europe.

      xv, [1], [3], 4-283, [1], 4 catalogue pages. Illustrated with an engraved frontispiece, separate pictorial title and one engraved roundel at the close by Edward Burne-Jones. Bound in recent half red calf, gilt with a black gilt label, over marbled boards. Octavo. First Edition. Embossed presentation stamp from the publishers on the title-page. Tissue guard a little browned and some light staining; else a very good and fresh copy in a handsome binding. This contains the first book illustrations by Burne-Jones.

      [Bookseller: David Miles]
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        Madame Bovary

      Michel Lévy 1857 - Paris , Michel Lévy , 1857 . Deux tomes en deux volumes . Reliure demi chagrin 19ème, postérieure. Les couvertures ne sont pas conservées. Edition originale sur papier d'édition, présentant toutes les caractéristiques recensées par Lambiotte (Senart au lieu de Senard etc). Non rogné; intérieur parfaitement conservé. [Attributes: First Edition; Hard Cover]

      [Bookseller: Issy livres anciens]
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        Reisen in Südwest-Afrika bis zum See Ngami in den Jahren 1850 bis 1854. Aus dem Schwedischen von Dr. Hermann Lotze. 2 Bde.

      Leipzig, Purfürst, o.J. (1857). Dt. Erstausgabe. - SELTEN ! - - XVI, 288 S.; IX, 293 S. Mit Frontispiz und 7 Stahlstichtafeln in Tondruck sowie 20 Holzschnitten im Text (Band 1) und 8 Stahlstichtafeln in Tondruck, 20 Holzschnitten im Text und 1 mehrf. gefalt. Karte (Band 2). Die Tafeln bis auf das Frontispiz von Bd. 1 jeweils am Schluß eingebunden. Einbände erneuert in Halbleder im Stil der Zeit mit reicher Rückengoldprägung, 5 unechten Bünden und Lederecken. Marmoriertes Bezugspapier und marmorierter Schnitt. Gr.-8°. - Band 2 durchgehend mit schwachem, halbrunden Wasserfleck im oberen weissen Rand und kleinem Braunfleck am unteren Rand der letzten beiden Tafeln und am Rand der Karte. Papier an den Rändern schwach gebräunt, sonst sehr gut erhaltene Exemplare der deutschen Erstausgabe in dekorativen Einbänden. 'Dieser vorliegende Bericht über die Forschungen und Entdeckungen während vierjähriger Wanderungen in den Wildnissen Südwest-Afrikas umfaßt zwei Expeditionen innerhalb der Jahre 1850 und 1854. Auf der ersten dieser Expeditionen wurden die Länder der Damaras und der Ovambos besucht, die beide bis jetzt in Europa fast als terrae incognitae zu betrachten waren; die zweite Expedition erreichte den vor kurzem entdeckten See Ngami auf einem Wege, den zu bereisen bisher als Unmöglichkeit angesehen wurde ' (a.d.Vorwort des Verfassers). - Henze I, 71 ff.; Embacher, 9; Kainbacher I,12; Dinse 598; 1400 Gramm. [Attributes: First Edition]

      [Bookseller: Antiquariat An der Rott Oswald Eigl]
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        PRINCESS BEATRICE 1857 1944 Fifth daughter and youngest child of Queen Victoria and Prince Albert later Princess Henry of Battenberg

      

      [Bookseller: Maggs Bros. Ltd.]
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        Prone and Postural Respiration in Drowning and Other Forms of Apnoea or Suspended Respiration... Edited by His Son, Marshall Hall

      London: John Churchill, 1857. 1st Edition. Hardcover. 8vo - over 7¾ - 9¾" tall. 8vo. (198 x 120 mm), xiii, 216 pp., wood-engraved vignette illustrations including one to half-title verso, library stamp to title (slightly offset), short tear to half title and title, pages untrimmed, minor marginal finger-soiling, modern cloth gilt, new endpapers. Provenance: Birmingham Medical Institute. First Edition. Very Good.

      [Bookseller: Milestones of Science Books]
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        Handbuch zur mittelalterlichen Keramik in Nordeuropa. 3 Bd.

      Band 1. Text. 698 S. : Ill., graph. Darst., Kt. Band 2. Kataloge. S. 699 - 1313 : Ill., graph. Darst., Kt. Band 3. Tafeln. S. 1315 - 1857 : Ill., graph. Darst. Orig.-Leinen. Archäologisches Landesmuseum (Schleswig, Stadt): Schriften des Archäologischen Landesmuseums Bd. 6. Literaturangaben.

      [Bookseller: Versandantiquariat Wolter www.2ndhandboo]
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        Heute und alle Tage während der Messe ist auf dem Fleischer-Platz an der Rosenthalbrücke in einer Bude zu sehen: Ein wilder Eber, genannt Porzel, schön, gross und zahm, derselbe hat 2 Jahr in den Waldungen des Herzogs von Anhalt als Hund gedient. (Unterzeichner:) Heinrich Kahle.

      Leipzig, Oskar Leiner (1857). Plakat mit typographischem Text. Blattgr.: 66 x 44,5 cm.Versand D: 5,00 EUR

      [Bookseller: Antiquariat Uwe Turszynski]
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        Grösste Naturseltenheit! Noch nie gesehen: Ein lebender Hund ohne Vorderfüße, ohne obere Schenkelbeine und ohne Schulterblätter, in Frankreich geboren, dieser Hund ist 11 Wochen alt und in Paris von Sr. Majestät dem Kaiser und den höchsten Herrschaften mit dem größten Interesse besehen worden, daher denke ich auch hier in Leipzig von geehrten Naturfreunden mir Beifall zu erwerben. Schauplatz auf dem Fleischerplatz neben der braunen Blech-Bude am Circus. (Unterzeichner:) A. Bührlen.

      Leipzig, Oskar Leiner (1857). Plakat mit typographischem Text. Auf gelbem Papier. Blattgr: 63 x 44 cm. Bührlen war Glas- und Landschaftsmaler in Ulm, dies scheint eine berufliche Neuorientierung darzustellen. - Am linken Rand unten und oben ca. 1 cm beschnitten. Versand D: 5,00 EUR

      [Bookseller: Antiquariat Uwe Turszynski]
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        Etudes d'histoire religieuse

      First edition.Bradel binding of olive cloth by A. Mertens, date and gilt fillet to foot of spine, dark brown shagreen title piece, covers preserved (covers with small, discreet repairs to versos with adhesive material), top edge gilt. Handsome autograph inscription signed by Ernest Renan to Sainte-Beuve at head of upper cover. A good copy with practically no foxing. Michel Lévy frères Paris 1857 14x23cm relié

      [Bookseller: Librairie Le Feu Follet]
 41.   Check availability:     Direct From Seller     Link/Print  


        Voyage a la Côte orientale dAfrique

      

      [Bookseller: Maggs Bros. Ltd.]
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        Les fleurs du mal. - Complément aux Fleurs du mal

      First edition printed on vélin d'Angoulême paper, first printing, complete with the six suppressed pieces and the fault "Feurs du Mal" on pp. 31 and 108, as well as the pagination error on p. 45 (marked 44).Bound in blak shagreen, spine in six compartments with double blindruled compartments and a gilt fleuron to centre, gilt date to foot of spine, gilt roulettes to head- and tailpieces, sextuple blindruled fillets and fleurons to the covers,  marbled endpapers and pastedowns, gilt dentelle frame to pastedowns, gilt fillet to edges, upper cover preserved for Les fleurs du mal, covers preserved for the Complément, all edges gilt ; slipcase edged in black shagreen, marbled paper boards, lined with grey suede, a very nicely bound copy by Semet & Plumelle.A very slight lack to foot of half title page and title page of Les Fleurs du mal.Included with the work is, with a same binding, the first edition of "Complément aux Fleurs du mal" published by Michel Lévy 1869.A very fine set nicely and elegantly bound by Semet & Plumelle. Poulet-Malassis & De Broise & Michel Lévy Paris 1857 & 1869 124x194mm & 117x178mm 2 volumes reliés sous un double-étui

      [Bookseller: Librairie Le Feu Follet]
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        Manuel entomologique : Genera des coléoptères d'Europe comprenant leur classification en familles naturelles, la description de tous les genres, des tableaux dichotomiques destinés à faciliter l'étude, le catalogue de toutes les espèces

      First edition. Black paper boards, spine with blindruled fillets, blindruled fillet frame to covers, marbled pastedowns and endpapers. Complete with 293 finely colored plates showing the 1,600 varieties of coleoptera, drawn and painted mostly by Jules Migneaux, whose painstaking work was finished off by Théophile Deyrolle. Similarly, the text was completed by Léon Fairmaire. Skillfully repaired tear to title page of first volume. Very occasional spots. A good and rare set complete in four volumes. % A. Deyrolle Paris 1857-1868 18x28cm 4 volumes reliés

      [Bookseller: Librairie Le Feu Follet]
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        Archives Entomologiques ou recueil contenant des illustrations d'Insectes nouveaux ou rares

      Paris: Societe Entomologique - France, 1857-1858. 2 vols: 514 [1]; 469 [3], 2 hand-col frontispieces + 35 engraved plates (28 hand-col.). Qtr. cloth. VG set. Rebacked with new cloth spines in the original style, with gilt/blind rules, original marbled boards; marbled edges; book-plates to endpapers. As usual with this work, there is some foxing to the text and marginal spotting to some plates; title-page/frontis. to vol. 1 have some damage due to adhesion of the pigment, with some loss of text to the author's name and slight damage to the plate figure Very rare. Horn-Schenkling 22015; ZBI 4120. Vol. 1 covers mainly Coleoptera, particularly Cerambycidae. Vol. 2 with second title: "Voyage au Gabon. Histoire Naturelle des Insectes et des Arachnides recueillis pendant un voyage fait au Gabon en 1856 et en 1857 par Henry C. Deyrolle..." The section on Arachnids is by H. Lucas.James Thompson (1828-1897) was an American who lived in Paris for many years.

      [Bookseller: Pemberley Natural History Books]
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        RUEVUE DE L'ART ANCIEN ET MODERNE (MONITEUR DES ARCHITECTES DEUXIÈME SÉRIE)

      Caudrilier, París 1857 - Materia: Libro antiguo del siglo XIX. Arquitectura. Grabados. Publicación: París, Publié par Caudriller Editeur, 1857 - 1863. Descripción física: Folio (35 cm.) 7 volúmenes. Volumen 1857: 128 columnas, láminas de 457 a 528. Volumen 1858: 129 - 232 columnas, láminas de 529 a la 600. Volumen 1859: 233 a 336 columnas, láminas 601 a 672. Tomo 1860: 337 - 424 columnas, láminas de 673 a 744. Tomo 1861: 425 - 520 columnas, láminas de 745 a 816. Tomo 1862: 521 - 616 columnas, láminas de 817 a 888. Tomo 1863: 617 - 712 columnas y páginas a partir de la 665, láminas de 889 a la 960. Encuadernación holandesa piel de época con dorados y nervios en el lomo. Conservación: Muy buen estado, pequeños desgastes en la encuadernación. Notas: Segunda serie de esta famosa revista de arquitectura que contiene alrededor de 500 planchas de arquitectura la mayoria grabadas con plancha de acero y algunas litografías en color. RBS1 [Attributes: Hard Cover]

      [Bookseller: LIBRERIA MARGARITA DE DIOS]
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        Little Dorrit. FIRST EDITION, bound from the parts into two volumes.

      Bradbury & Evans. 1857 Front., engr. & plates by H.K. Browne; a little spotted. Attractively bound in two vols in later full brown morocco, gilt spines, front boards blocked with floral borders in gilt, and further decorated with numerous small hearts and the letters 'C' and 'D' also in gilt. v.g.With the earlier reading of Rigaud for Blandois.

      [Bookseller: Jarndyce Rare Books]
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        D'Albert's Album 1857.

      London. Chappell & Co. 1857. Gift book, 14 x 10 inches, 136 pp. featuring music by Charles D'Albert and chromolithographic plates by John Brandard. Covers detached; heavy wear to extremities. Leather spine peeling and abraded. Decorative embossed cover with gilt lettering and decorative embellishments (overall light soiling and wear). Volume contains music for eighteen musical compositions by D'Albert with four (of five) chromolithographic plates after Brandard (with possible additional hand coloring) plus title page and gift presentation page also by Brandard; all six of the exquisite plates were printed by M. & N. Hanhart. Contents in good clean condition. The four large color plates in this volume represent illustrations used for cover art when D'Albert's compositions were published and sold individually. Space at the top and bottom of the chromo illustrations, left blank as published in the Album, would have been utilized in the sheet music's solo edition for printing the composition's title at top and, at bottom, publisher details. As preserved in the Album, the four chromolithographic plates (plus title and presentation pages) are in near mint condition. D'Albert's music with Brandard's illustrations are quite scarce in Album format. The four plates illustrate The Queen's Valse (a young Queen Victoria); Estelle (plate not present); St. Petersburg Quadrille (spelled on the Contents page as Petersburgh); The Sybil Valse; the Savoyard Polka. An uncommon publication with condition issues noted.

      [Bookseller: oldimprints.com]
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