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Displayed below are some selected recent viaLibri matches for books published in 1853

        HISTORIA GENERAL DE FRANCIA. I. Historia de los Franceses, desde el tiempo de los Galos hasta 1789, por. Traducida de la última edición por Gregorio Amado Larrosa. II. II. Historia del Consulado y del Imperio. Continuación de la Historia de la Revolución Francesa, por. Traducido al castellano por Joaquín Pérez Comoto. III. Historia de la Restauración, por. IV. Historia de Diez años ó sea de la Revolución de 1830, y de sus consecuencias en Francia y fuera de ella hasta fines de 1840. Con un resumen histórico que abraza los Cien Días y la Restauración, por. Traducida, anotada y continuada hasta 1846 por D. 1ª edición

      1853 - "Barcelona. Imprenta de Luis Tasso. Librería Española. 1853-1854 Cuatro volúmenes. O.C. Infolio menor, 998pp-1h-45 láminas, 1166pp-19 láminas, 741pp-22 láminas -de ellas una a doble página-, 746pp-29 láminas -de ellas 9 a doble página-. Profusamente ilustrada con 115 láminas calcográficas grabadas en acero, 10 a doble página incluyendo un mapa de Crimea "a vista pájaro" . Holandesa piel posterior posiblemente de principios del siglo xx, hierros dorados y cuatro nervios en lomera, guardas nuevas, cantoneras. Ligero óxido no uniforme y más pronunciado en las ilustraciones, un par de restauraciones de papel sin importancia en margen blanco de portada al vol. I. Muy buen ejemplar en general, sólido con texto a dos columnas y notas al texto a pie. Théophile Sebastien Lavalée, 1804-1866. Adolphe Thiers, 1797-1877. Alphonse de Lamartine, 1790-1869. Louis Blanc, 1811-1882. CCPB000100217-1." [Attributes: Hard Cover]

      [Bookseller: MIMO Libros]
 1.   Check availability:     IberLibro     Link/Print  

        Bleak House

      Bradbury & Evans, London 1853 - 624 [16] [16] [14] pages. 22 x 13.5 cm. First edition in the original 20 issues in 19 parts, with 40 inserted plates, including frontispiece and vignette title by Hablot K. Browne. With the Bleak House advertiser in each, back cover ad wrapper in first state, issues one to five, lacks the eight page "Grace Aguilar's Works," slip in part 16; however, all others are retained, and with the scarce "Village Pastor" booklet in part 15. Save for fore-edge chipping to part one, a sound, tight set, some neat backstrip repairs, scattered, mostly toning to plates at the margins. Dickens's assault on the abuses in the Courts of Chancery, "many of the characters in the book were identified as having for their prototypes several of Dickens's friends." (ECKEL pp.79-81). HATTON AND CLEAVER, pp.275-304. Orig. blue/green pictorial wrappers, 20 parts in 19. Very good in rubbed quarter green morocco (faded to brown) and green cloth pull-off case [Attributes: First Edition; Hard Cover]

      [Bookseller: Royoung Bookseller, Inc. ABAA]
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        Wiener allgemeine Theaterzeitung Centralblatt für Literatur, Kunst, Industrie, Geselligkeit, Conversation Musik und Modes Sieben und vierzigster Jahrgang

      Wien, 1853.. Mit 21 meist kolor. gest. Tafeln in Quart. 1268 S. Dekorativer marmorierter Pappband d. Zt. Folio. 40 x 28 cm. Komplett in 297 Nummern. Die Tafeln meist mit Modedarstellungen und Theaterkostümen, aber auch 2 Rebus-Bilder, eine Ballettszene, eine "Ansicht der öffentlichen Feuer-Probe" (3 Tresore auf einem heftig brennenden Scheiterhaufen, der Hersteller Wertheim & Wiese will so die Qualität der Produkte beweisen; in kolor. Lithographie). - Sehr schönes Exemplar!

      [Bookseller: Antiquariat Turszynski]
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         The world 1894-5. Journal, 8 November 1894 - 11 May 1895. 4to (ca. 24 x 18 cm). With illustrated title-page and 2 certified copies (1982) of the registration of the author's marriages, with Diana Caroline Walpole (1876) and Ellen Heburn (1894). Contemporary calf, with two clasps. .

      English manuscript journal of a trip around the world by James Boughey Lingard-Monk, who went on this journey with his new wife Ellen Heburn. Including extensive entry's when visiting Australia, New Zealand, Hawaii and North America. The entries contain personal and social information, general facts about the areas visited and also descriptions of the areas, customs etc. James Lingard-Monk (1853-1905) of Dunlewey (county Donegal, Ireland) was the son of the respectable magistrate Richard Boughey of Fullshaw Hall and appointed as High Sheriff of Donegal in 1901, as the British Crown's judicial representative. The journey starts in November 1894 when they depart on the SS Himalaya from London to Colombo (Sri Lanka). After that they visit Australia, New Zealand, Hawaii and North America (including Monterey, San Francisco, Chicago and New York). Whether or not he intended to publish it, he certainly intended it to be read by others as the author mentions in the preface: "Perhaps there may be some person... who this diary may amuse, and perhaps not, no one can tell".In very good condition, with later manuscript index on endleaf..

      [Bookseller: ASHER Rare Books (Since 1830)]
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        La Peche Aux Canards Sur Le Rhin - Duck Fishing On The Rhine - Entenfang Am Rhein.'.

      - altkolorierte Lithographie v. E. Guérard gedr. B. de Jacomme in Paris aus Les Touristes b. Goupil & Cie in Paris, London, Berlin & New York, dat. 1853, 43,5 x 45,5 Dekorative Darstellung einer Touristengruppe am Rheinufer an einem Bootssteg; im Vgr. Junge beim Entenfang mittels Faden mit Köder und zwei Frauen im Touristenboot am Ufer festmachend. - Im Hintergrund zwei feiernde Männer. (Bilder zum Artikel auf meiner Homepage, oder bei Anfrage - pictures on my homepage or after request)

      [Bookseller: Antiquariat Norbert Haas]
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      New York, 1853. Quarto. Original red morocco, covers elaborately blocked in gilt, with title in covers, the flat spines decorated in gilt; expertly rebacked and cornered with original spines laid down. Very good. A set of this rare American flora with charming plates, including the very rare fourth volume. The collation for this work varies, as Stafleu notes, "The copies listed in The National Union Catalog show a great variation," but it is clear from an internal examination that two more plates are required in the first edition of the first volume, than in the second edition as here. Stafleu mentions a second edition and records the pagination correctly, but gives the incorrect number of plates, and the dates vary as well: 1855-1856-1855-1855, as opposed to the present example: 1853-1851-1852-1850. This edition of the first volume includes more text, but two less plates. The number of plates in the remaining volumes is the same in both editions, but the third and fourth volumes of the second edition each include four pages less text. The present set includes an 1853 issue of the first volume, which is complete with an uncolored portrait frontispiece, lithographic additional title, and forty- eight plates. The second volume includes a handcolored frontispiece, additional title, and forty-four plates; the third is complete with a handcolored portrait of Linnaeus, additional title, and forty-six plates; the fourth also has a handcolored frontispiece, additional title, and forty-four plates. Bennett writes: "The publisher clearly did not count pages of color plates when listing the numbers on the title pages, but counted every separate item on each page.

      [Bookseller: William Reese Company - Americana]
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        De zieke reiziger; or, rambles in Java and the Straits. In 1852 by a Bengal civilian.

      London, Simpkin, Marshall and Co., 1853.8vo. Contemporary half brown morocco, spine gilt in compartments. With tinted lithographed title-page, map of Java and 23 tinted or handcoloured lithographed plates and views by W. Spreat after the author. XII,139 pp. First edition; with armorial bookplate of Henry Barrett Lennard. - Charles Kinloch visited Penang, Singapore and Java, in 1852, returning to Calcutta in October of that year. The views of Singapore include the West Side of Government Hill, and Penang Hill, several are of Boro Bodor and its temple. As well as architecture, plates also show natural history, plates of tea and coffee plants and a nutmeg on the tree, and also costume plates (Thomson, The Exotic an the Beatiful, 296). - A rare and interesting travel account, written by 'The invalid traveller'.Abbey, Travel, 556; Bastin-Brommer N406; Hünersdorff, Coffee, p.797;.

      [Bookseller: Gert Jan BESTEBREURTJE Rare Books]
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        Storia di Civitavecchia dalla sua origine fino all anno 1848.

      Tipografia Ferretti, Roma 1853 - Legatura coeva in piena tela con fili e titolo oro al dorso. Sporadiche, lievi fioriture, ma ottimo esemplare. Opera importante e rara. Lozzi I, n. 1268. 4to (cm. 27,3), XXVIII, 488, CXXII pp., 1 c.nn. con cinque tavole f.t. (di cui tre grandi litografie più volte ripiegate, compresa la Veduta generale della città e porto di Civitavecchia ). [Attributes: Hard Cover]

      [Bookseller: Libreria Ex Libris ALAI-ILAB/LILA member]
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        Die koeniglichen Gaerten und Parkanlagen bei Potsdam im Jahre 1853.

      - grenzkol. Stahlstich ( Druck Prêtre ) v. H. Herzberg ( Schrift) und E. Reyher ( Situation ) n. G. Meyer, dat. 1853, 73 x 98,5 Seltener Plan des Parks von Sanssouci. Nicht bei Drescher/Kroll: Giersberg/Schendel, Seite 69 ( mit Abbildung eines Ausschnittes ), Abbildung Nr. 104 und auf Seite 151 biographische Angaben zu Joh. Gustav Heinr. Meyer (1816-1877), der ab 1870 Stadtgartendirektor von Berlin war. - Der vorliegende Plan wurde von ihm gestaltet und zeigt den Park von Sanssouci nach der Umgestaltung durch Lenné ( Meyer war der Gartenkondukteur von Lenné). Unter dem Plan gibt es eine Legende zu den Farben, die den Verantwortungsbereich der Gärtner im Park Sanssouci zeigen. So zum Beispiel "hellblau" für den Bereich des Hofgärtners C. Fintelmann, "hellrot" für den Gartenverwalter Schencker, usw. - Dieser Plan ist im Jahr 1990 durch die Fürst-Pückler Gesellschaft reproduziert worden ( = Jahresgabe für die Mitglieder ).

      [Bookseller: Antiquariat Nikolaus Struck]
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        Broadside. Begins: "A los venezolanos.

      New-York Folio. [1] p.. 21 October 1853 In this address to his fellow Venezuelans, Paéz (1790?-1873), the exiled general and former president — who would serve as president yet again in the early 1860s— denies any part in revolutionary conspiracies against the regime of General José Gregorio Monagas (1798?-1858), then ruling Venezuela. Páez probably drew upon the pen of D. Antonio José de Irisarri (1786?-1868) for the composition of this publication. Handsomely printed on a single sheet, in two columns. Rare: We fail to trace this piece of exile writing via WorldCat, NUC Pre-1956, or Palau. In good/very good condition, save for short tears to margins. Good Venezuelan item.

      [Bookseller: SessaBks, A Division of the Philadelphia]
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        4 (dav. ein eigenh.?) Briefe m. eigenh. Unterschrift.

      Beirut, 1853-1858. Zus. 8 S., Gr.-8° bis 4°. Die ersten beiden Jahre im Libanon unterrichtete Billottet Französisch, während er sich selbst gleichzeitg seinem Arabisch-Studium widmete. 1850 wurde er zum Superior der gesamten libanesisch-syrischen Mission. 1853 gründete er eine arabische Druckerei, um die Verbreitung christlicher Literatur zu fördern. Er verbrachte insgesamt acht Jahre als Missionar, bevor er sich 1859 schließlich bei den Jesuiten in Zahle niederließ, wo es zu einem Steuerstreit um einen Weinberg (noch heute das größte Weingut im Libanon) mit den Drusen, einer Religionsgemeinschaft die als Abspaltung der ismailitischen Schia entstand, kam. Der Streit eskalierte und endete in einem Massaker. Innerhalb von drei Wochen wurden 28 Schulen, 42 Klöster und 560 Kirchen zerstört, 360 Dörfer in Brand gesetzt und 7750 Christen, darunter auch Billottet, ermordet. - Der Empfänger der auf Französisch abgefassten Briefe ist Jacques (Jacob) Mislin (1807-1878). Der aus ärmlichen Verhältnissen stammende Mislin konnte dank seines Onkels an der berühmten Lehranstalt von Porrentruy im Schweizer Kanton Bern studieren, wo er nicht viel später auch selbst unterrichten sollte. Der 1830 zum Priester geweihte kath. Theologe wurde 1836 auf Vermittlung des Grafen von Bombelle an den Wiener Hof berufen, wo er einer der Lehrer der Söhne von Erzherzog Franz Karl und Erzherzogin Sophie wurde und damit sowohl den zukünftigen Kaiser Franz Joseph wie auch Erzherzog Ferdinand Maximilian (später Kaiser Max von Mexiko) unterrichtete (u.a. auch in Erdkunde). Vor der Revolution von 1848 unternahm Mislin eine Pilgerreise von Wien über Budapest und Konstantinopel nach Jersusalem. Der danach erschienene Reisebericht wurde in mehrere Sprachen übersetzt und mehrfach nachgedruckt. In den folgenden Jahren leitete er die Bibliothek am Hof der Herzogin von Parma, Erzherzogin Marie Louise, wurde zum Abt von St. Maria von Deg (Ungarn), geheimer Kämmerer u. Hausprälat Papst Pius\' XI., Apostolischer Pronotar, Kanoniker der Kathedrale von Großwardein, Träger zahlr. Orden (u.a. von Spanien, Parma u. des Ritterordens vom Heiligen Grab zu Jerusalem) sowie Mitglied zahlr. Akademien. Der Verfasser zahlr. Publikationen und Vertraute des belgischen Königs und des Grafen von Chambord blieb nach der Rückkehr von seiner Pilgerreise in Wien, wo er weiterhin in persönlichem Kontakt mit dem Kaiserhaus stand. - In einem numerierten, von Mislin eigenh. beschrifteten Papierumschlag. - Beiliegend ein Bl. mit eigenh. Notizen Mislins zum Leben Billottets. - Versand D: 12,00 EUR Billottet, Mislin, Libanon, Arabien, Orient, Syrien, Mission, Missionen, Missionar, Märtyrer, Jesuiten, Brief, Letter, Lettre, Briefe, Autograph, Autographe, Autographen, Autograf, Autografe, Autografen, Signatur, Signiert, Signed, Signature, Unterschrift, Eigenhändig, Handschrift, Handschriften, Manuscript, Manuscrit, ALS, A.L.S., LAS, L.A.S.

      [Bookseller: Antiquariat Wolfgang Friebes]
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      New York: D. Appleton & Company, 200 Broadway,. 1853. original black cloth, front and rear panels stamped in blind, spine panel stamped in gold and blind, yellow endpapers.. Light wear to cloth at edges, some spotting to cloth on front and. rear covers, faint stain to upper right corners of front flyleaf and. several text pages, a very good copy overall. (#147331). First U.S. edition. Collins' second full-length novel and his first to be set in contemporary times. "With BASIL ..., his first characteristic novel, Collins began his search for a cosmic viewpoint that would encompass fate and chance, and the workings of human character with respect to both. He did not fulfill his objective until sixteen years later in THE MOONSTONE, but even in BASIL there is an oppressive feeling of foreordained events forever threatening, a feeling in which the weather is made to play a part. Although much of BASIL is weak, the symbolic thunderstorm during which Basil confronts Mannion and the visions seen by Basil in delirium have been praised. The text of BASIL usually read by modern readers is that of the 1862 revision, in which Collins dropped much of the quasi-supernatural background. This editing may simply have been an attempt to restore balance to the story by removing padding, but it is more likely to have been an early instance of Collins' uncertainty (evidenced again in the appendix to ARMADALE) of how far to go in attributing to Providence a series of coincidences otherwise inexplicable." - Bleiler (ed), Supernatural Fiction Writers: Fantasy and Horror, p. 234. Bleiler (1978), p. 47 Not in Reginald (1979; 1992). Hubin (1994), p. 180.

      [Bookseller: L. W. Currey, Inc.]
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        Elementar-Atlas der neuesten Erdkunde in 19 illuminirten Karten nebst dem Lehrbuche der Geographie für Volksschulen.

      Wolfenbüttel, Holle, 1853. 3. verbesserte Aufl. 20,5 x 26,5 cm. 59 Spalten, 1 Bl. Mit 19 grenzkol. lithogr. Karten (auf 18 Tafeln). HLdr. d. Zt. Espenhorst, PP, 63.5 (Karte Nr. 18 vgl. Abb S. 1249, Illustration Nr. 63.6): \"very few copies have been preserves\". - Die dekorativen, kleinen Landkarten (bis auf die Deutschlandkarte) umgeben von kleinen Teilansichten und Randverzierungen. - Einband beschabt und bestoßen, der Rücken brüchig, im Gelenk unten ein kleiner Einriss. Ohne die fliegenden Vorsätze vorne und hinten, leicht gebräunt und fingerfleckig. Der Titel im weißen Bereich mit kleinen Löchlein, die Innendeckel mit hs. Notizen. - Besonders durch seine hübschen Karten ein reizvoller und auch seltener Atlas! Versand D: 6,00 EUR Geographie, Atlanten

      [Bookseller: Antiquariat Bierl]
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        Bleak House

      London: Bradbury & Evans, 1853. First edition. Hardcover. Orig. blue/green pictorial wrappers, 20 parts in 19. Very good in rubbed quarter green morocco (faded to brown) and green cloth pull-off case. 624 [16] [16] [14] pages. 22 x 13.5 cm. First edition in the original 20 issues in 19 parts, with 40 inserted plates, including frontispiece and vignette title by Hablot K. Browne. With the Bleak House advertiser in each, back cover ad wrapper in first state, issues one to five, lacks the eight page "Grace Aguilar's Works," slip in part 16; however, all others are retained, and with the scarce "Village Pastor" booklet in part 15. Save for fore-edge chipping to part one, a sound, tight set, some neat backstrip repairs, scattered, mostly toning to plates at the margins. Dickens's assault on the abuses in the Courts of Chancery, "many of the characters in the book were identified as having for their prototypes several of Dickens's friends." (ECKEL pp.79-81). HATTON AND CLEAVER, pp.275-304.

      [Bookseller: Royoung bookseller, Inc.]
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        First Lady Jane Pierce writes her niece from her room in The White House, referencing the recent tragic death of her son that defined her entire period as First Lady, and its effect on the President "looking sad and oppressed with the sense of his own sorrow ?"

      Washington, DC, November 10, 1853. 4.5" x 7". "Black-bordered Autograph Letter Signed ""J M Pierce"" as First Lady, 4 pages, 4.5"" x 7"", front and verso on two conjoined sheets. Washington, November 10, 1853. To her niece, Anne, daughter of President Pierce's brother John (1796-1824). Fine condition. Their third son, Benjamin (1841-1853), was killed in a train accident in January 1853 near Andover, Massachusetts, as he and his parents were on their way to Washington for the presidential inauguration, hence this letter is black-bordered. In part, ""I know it must be with you - and then how true, as you say, that every hour and moment, every circumstance and place, is suggestive of the past in connection with the precious one we have loved and lost - stricken, afflicted, bereaved, desolate we are indeed dear Anne - and how utterly empty seems the satisfaction of earth without the beloved ones who made a part of every one of them - Your uncle came into my room a few minutes since, looking sad and oppressed with the sense of his own sorrow and the blank in all things where before there was an object to be interested in ... ""I hear good accounts from sister Mary and her family - William getting well and Alfred very comfortable and gaining - I hope you will see her - before you leave New England) to me Andover is bitterly sad, and thoughts connected with it agonizing..."" Their 11-year-old son Benjamin had been killed in a train accident near Andover 10 months earlier. A transcript of Mrs. Pierce's letter can be read in the images accompanying this description. Ex-Walter R. Benjamin Autographs."

      [Bookseller: University Archives]
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        Discoveries in the Ruins of Nineveh and Babylon;

      London: John Murray,, 1853. With Travels in Armenia, Kurdistan and the Desert: being the result of a second expedition undertaken for the British Museum. Octavo (213 × 136 mm). Contemporary blue half calf, blue pebble-grain cloth sides, gilt-tooled flat bands to spine forming compartments, gilt-lettered black morocco label to second, edges speckled red, green endpapers. Folding frontispiece, one other folding plate and a single plate of inscriptions, 8 tinted lithographic plates, 3 folding plans and 2 folding maps, over 200 wood-engraved illustrations to the text. Corners and joints rubbed, spine sunned, light spotting to frontispiece, short closed tear along fold of plan facing p. 67, internally crisp and fresh. An excellent copy. First edition. Layard's important second British Museum expedition, which "yielded further important trophies and discoveries, including the cuneiform library of Sennacherib's grandson Ashurbanipal, on which most modern knowledge of Assyrian culture is founded" (ODNB). "Apart from the archæological value of his work in identifying Kouyunjik as the site of Nineveh, and in providing a great mass of materials for scholars to work upon... Layard's [accounts] are among the best written books of travel in the language" (Encyclopaedia Britannica).

      [Bookseller: Peter Harrington]
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      Cincinnati, 1853. Contemporary three-quarter roan and marbled boards, gilt- stamped spine. Rubbed, crude tape repair at head and foot of spine. Contemporary ownership signature of a missionary on front pastedown. Overall, still about very good. This copy bears the ownership signature of Fr. Weikamp, a missionary who was stationed in the Traverse City (Arbre Croche) area of Michigan. He served as a priest under bishop Baraga. This is Baraga's important dictionary of the Chippewa language, with an English-to-Chippewa section.

      [Bookseller: William Reese Company - Americana]
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        Meyers Volksbibliothek für Länder-, Völker- und Naturkunde. Mit Kupfern und Karten. Sehr umfangreiche Reihe der als Doppelbände erschienenen Bände 1 - 94 ( von 102 erschienenen ) + 2 Jahrbüchern . Hier zusammen 46 Doppelbände.

      Bibliographisches Institut Hildburghausen, New York 1853 ( 1853 - 1856 erschienen ). Je Dopppelband ca. 500 - 600 Seiten mit meist einigen gestochenen Kupfern und grenzkolorierten Karten sowie teils weiteren kleinen Holzstichabbildungen im Text. Jeweils im goldgpeprägten Oln, Klein8°. Aus der schönen Sammlung mit den gestochenen Karten, Illustrationen und Abbildungen sind hier vorhanden: Band 1/2 ( mit der Profilkarte der Erdrinde in zwei Blättern, Ansicht von Pere la Chaise ) - Band 3/4 ( gefaltete Alpenansicht, Porträt Alexander von Humboldts, großer ausfaltbarer Plan von St. Petersburg ) - Band 5/6 ( Porträt Copernikus,ausfaltbare Karte von Schweden und Norwegen ) - Band 7/8 ( Porträt von Arago, zwei ausfaltb. Karten zur Pflanzengeographie ) - Band 9/10 ( Kohlengrube Newcaste - es fehlt die Ansicht von Alexandria -, Porträt von Cuvier ) - Band 11/12 ( Ansicht Manchester, Karte der Vulkangürtel ) - Band 13/14 ( Ansicht Odessa, ausfaltb. Karte des nördlichen Himmels, Porträt von Linne ) - Band 15/16 ( Porträt Newton - Ansicht Niagarafall fehlt ) - Band 17/18 ( Ansicht Athen, Theseustempel - fehlt Ansicht des Sundes und Schloß Kronenburgs ) - Band 19/20 ( Ansicht Lima, Neapel, Orang-Utan ) - Band 21/22 ( Ansicht Archangel, Catania, Goethes Gartenhaus ) - Band 23/24 ( Ansicht London, ausfaltb. Karte der Isothermen ) - Band 25/26 ( Porträt James Cook, Abbildungen der Arachniden ) - Band 27/28 ( Ansicht von Edinburgh, Abbildung Kamel - Ansicht Marseille fehlt ) - Band 29/30 ( Ansicht von Delphi - Ansicht der Jungfrau fehlt ) - Band 33/34 ( Tiger, Elefant, Fingar`s Höhle ) - Band 35/36 ( Porträt Liebig, Ansicht vom Broadway ) - Band 37/38 ( ausfaltbare Windkarte der Erde, Abbildung Gigantheum ) - Band 39/40 ( Löwe, Giraffe - Porträt von Lichtenberg fehlt ) - Band 41/42 ( Ansicht von Damaskus, ausfaltbarer Plan von London ) - Band 43/44 ( Regenkarte, Ansicht von Jerusalem ) - Band 45/46 ( Venedig, Hyäne ) - Band 47/48 ( Westminster, Ischia ) - Band 49/50 ( Karte des südlichen Himmels, Rathaus Brüssel ) - Band 51/52 ( Porträt Audubon, Ansicht Konstantinopel ) - Band 54/54 ( Wapiti, Moschusochse, Ansicht Rio de Janeiro ) - Band 55/56 ( ausfaltbarer Plan von Paris, Ansicht Saragossa ) - Band 57/58 ( Alpaca, Jaguar, Ansicht von Moskau ) - Band 59/60 ( Ansicht von Stockholm, St. Helena ) - Band 63/64 ( Ansicht von Sydney, Teheran ) - Band 65/66 ( Porträt Montgolfier, Ansicht Pyramiden ) - Band 67/68 ( ( Porträt Lussac, Ansicht Pantheon+Triumphbogen, Paris ) - Band 69/70 ( ausfaltbare Karte von Brasilien, Ansicht Ararat ) - Band 71/72 ( ausfaltbare Karte der Vereinigten Staaten von Nordamerika, ausfaltb. Karte von Ostindien ) - Band 73/74 ( Ansicht Notre Dame, Palais Luxemburg: Paris, Ansicht von Havanna ) - Band 75/76 ( gr.ausfaltbare Höhenkarte - es fehlen Ansichten Florenz u. Astrachan ) - Band 79/80 ( 3 Ansichten von Rom, ausfaltb. Italienkarte ) - Band 81/82 ( Porträt Kästner, ausfaltb. Schema \" Gehirn \" , ausfaltbare Karte Ägypten ) - Band 83/84 ( Porträt Buffon, Ansicht Stadthaus zu Paris, Ansicht von New Orleans ) - Band 85/86 ( 3 ausfaltb. Karten über den magnetischen Zustand der Erde, 2 Ansichten von Rom ) - Band 87/88 ( Porträts von Berzelius und Ternaux, ausfaltb. Karte von Spanien, Ansicht des Oberpostamtes zu London ) - Band 89/90 ( Porträt Franklin, Ansicht Himalaya - die Karte von Frankreich fehlt ) - Band 91/92 ( Porträt Jenner, Karte des asiatischen Rußlands ( beschädigt ) - Karte der Schweiz fehlt ) - Band 93/94 ( Porträt Schleiden, Ansicht von Madrid, Schemata \" Das Auge \" ). Beiliegend 2 Doppelbände der Jahrbücher ( 1856 erschienen ): Jahrbücher 1/2 ( Ansicht Befreiungshalle bei Kelheim, Donauansicht, ausfaltbare Karte von China ) - Jahrbücher 3/4 ( Ansichten Paros, Ithaka, Corfu ). - Es fehlen in der Reihe die Doppelbände 31/32 - 61/62 - 77/78 - 95/96 - 97/98 - 99/100 - 101/102. Die Einbände teils etwas fleckig, gering berieben, teils etwas bestoßen. Innen gelegentlich stärker stockfleckig, teils auch die Tafeln. Insgesamt aber gut erhaltene, umfangreiche Reihe dieser interessanten kleinen Bändchen mit Berichten aus allen Bereichen der Geographie, Naturkund Versandkostenfreie Lieferung Geographie, Landeskunde, Reisebeschreibungen, Natur, Naturgeschichte

      [Bookseller: Antiquariat Friederichsen]
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      New York, 1853. Original blindstamped brown cloth, spine gilt. Bookplate of James Torr Harmer on front pastedown. Spine ends lightly worn, head of spine lightly chipped. Mild scattered foxing. Very good. A scarce work, providing a very good picture of army life during the Mexican War, including accounts of some of the major battles of the war, including the Battle of Monterey, and with material on the Texas Rangers. The author's regiment returned home after the Battle of Buena Vista.

      [Bookseller: William Reese Company - Americana]
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        Selections from the Records of the Government of India. (Foreign Department.)

      Calcutta: Thos. Jones, "Calcutta Gazette" Office,, 1853. Published by Authority. No. III. Papers relating to the Resignation of His Excellency General Sir Chas. J. Napier, G.C.B., Commander-in-Chief in India. Octavo. Original grey limp cloth, paper label on front cover. Spine and periphery of covers sunned, bump at head of spine (with concomitant light creasing of leaves), otherwise clean and in remarkably good condition. First and sole edition, most uncommon: Copac locates only three copies in British and Irish institutional libraries (Oxford, LSE, SOAS), OCLC adds three more worldwide (University College Cork, Minnesota, Wisconsin). It was published at the request of Lord Dalhousie, whose "controversy with [Napier] regarding certain new regulations affecting the grant to the Sepoys of compensation for dearness of provisions, led to the latter's resignation" (Buckland, Dictionary of Indian Biography, p. 106). This copy has an Indian association as it is inscribed at the head of the title page: "Col[one]l Maclean - Ardgour House". This would seem to be George Maclean (d. 1862?), one of the sons of Alexander Maclean, 13th Laird of Ardgour (Lochaber); he was a colonel in the Royal Artillery, who served as ADC to Sir Colin Campbell when the latter was Governor of Ceylon and subsequently married one of his daughters. The Gentleman's Magazine for July 1847 describes him as "serving in India". During their service together in India Napier had accompanied a column of East India Company troops under Sir Colin Campbell on the north-west frontier. In 1852 Campbell resigned his post, angered by the attacks against him by Dalhousie and the press; Napier wrote "My friend Colin Campbell has been driven from India".

      [Bookseller: Peter Harrington]
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      1853. Paperback. Good. NEWCOMES. MEMOIRS OF A MOST RESPECTABLE FAMILY. Edited by Arthur Pendennis, Esq. London: Bradbury and Evans, October 1853-August 1855. First edition, in the original 23/24 monthly parts, as issued. A very good clean set, a few back strips skillfully mended. all the wrappers in first state, and all the advertisements except the prodigiously rare "Great Northern Railway" slip in part 10, which seems only to occur in a few copies--it was lacking in VanDuzer's. The advertisement insets in parts 4 and 9 are here of the single variety; some sets having, in part 4 for instance 2 slips instead of 1 relating to the Edinburgh Guardian. these slight variations from VanDuzen's collation (some of which he mentions) are of quite minor importance. (VanDuzer 147).

      [Bookseller: Boston Book Company]
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      New York: D. Appleton & Company, 200 Broadway,. 1853. original black cloth, front and rear panels stamped in blind, spine panel stamped in gold and blind, fore and bottom edges rough trimmed, cream endpapers.. Previous owner's name penciled on several pages. Very small chip from. lower spine end at front joint, lower front corner tip worn, a near. fine copy with tight, clean interior and clean binding with bight. gold stamping on spine panel. (#130251). First U.S. edition. Collins' second full-length novel and his first to be set in contemporary times. "With BASIL ..., his first characteristic novel, Collins began his search for a cosmic viewpoint that would encompass fate and chance, and the workings of human character with respect to both. He did not fulfill his objective until sixteen years later in THE MOONSTONE, but even in BASIL there is an oppressive feeling of foreordained events forever threatening, a feeling in which the weather is made to play a part. Although much of BASIL is weak, the symbolic thunderstorm during which Basil confronts Mannion and the visions seen by Basil in delirium have been praised. The text of BASIL usually read by modern readers is that of the 1862 revision, in which Collins dropped much of the quasi-supernatural background. This editing may simply have been an attempt to restore balance to the story by removing padding, but it is more likely to have been an early instance of Collins' uncertainty (evidenced again in the appendix to ARMADALE) of how far to go in attributing to Providence a series of coincidences otherwise inexplicable." - Bleiler (ed), Supernatural Fiction Writers: Fantasy and Horror, p. 234. Bleiler (1978), p. 47 Not in Reginald (1979; 1992). Hubin (1994), p. 180.

      [Bookseller: L. W. Currey, Inc.]
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      New York, 1853. Original roan binding (6 1/4 x 4 1/4 inches), the covers elaborately blocked in blind, the upper cover titled in gilt "Map of / the Western / States / J.H. Colton," rebacked in cloth; paper pastedowns, the pastedown on the upper cover printed with publisher's advertisement. Covers scuffed, else very good. A highly detailed, large-scale map of the midwestern states of Ohio, Indiana, Michigan, Kentucky, Illinois, Wisconsin, Missouri, Iowa, and Minnesota, with additional vignettes of St. Louis, Louisville, and Cincinnati. The eastern and southern parts are well developed, but northern Michigan and Wisconsin, western Iowa, and particularly Minnesota, are still in a primitive condition. Excellent information on early roads, railroads, canals, counties, towns, and townships.

      [Bookseller: William Reese Company - Americana]
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        BARGAINING FOR A HORSE Engraved from the original painting in possession of the New York Gallery of Fine Arts

      New York, 1853. Small crease at bottom edge, else fine. Engraving by Charles Burt, after William Sidney Mount's famous painting of New England horse trading. This work is typical of Mount's style, capturing a scene from everyday rural American life. Standing outside a rickety stable, two men whittle sticks as they negotiate the price of a saddled horse, standing near a fence behind and to their left. Charles Burt was a Scottish-born engraver who emigrated to New York City, where he gained both experience and renown. This is among his better- known works. Though the line beneath the title attributes the date as 1851, the very small print at the bottom notes a copyright date of 1853, after the American Art Union had been dissolved. A lovely copy of this iconic image.

      [Bookseller: William Reese Company - Americana]
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        The story of Mont Blanc. First flowers in the book,

      London, David Bogue, Fleet Street MDCCCLIII, 1853, - in-8°, 1 hand coloured engraved frontispiece (the ascension of de Saussure) + XII, title with vignette + 219 p. (+ 1), illustrated with 29 woodcut vignettes (including 5 initials and a halfpage portrait of de Saussure, ill. by William Beverly), p. 198-199 with brown stain from pressing flowers, and several other stains, flyleaves renewed, old library stamp from ?Adelaide? (Australia), recent h.-leather with corners, spine with 5 bands, title & author gilt. First edition, illustrated with in all 30 figures of which the handcoloured frontispiece, a halfpage portrait of de Saussure, a view of Genève, Martigny and Chamonix, and a series views showing mountaineers on their climbs on mountains and glaciers.«The story of Mont-Blanc» is an ample historical excursion on Chamonix and Mont-Blanc. It also contains Albert Smith's account of his own ascent in 1851, the 36th, which first appeared in «Blackwood's Magazine» for January 1852, followed the same year by its first appearance in bookform. ?Cet ouvrage constitue la première véritable monographie sur le Mont-Blanc. Il est une des dernières manifestations de la période des "glacières" et, par sa popularité, il a contribué à l'avènement d'une nouvelle génération d'alpinistes. L'édition la plus recherché reste l'édition originale anglaise de 1853? (Perret).Please notify before visiting to see a book. Prices are excl. VAT/TVA (only Switzerland) & postage. Classics in the literature of mountaineering 10; Neate 715 and S86; Farquhar 10; Lehner, die Eroberung der Alpen 340 and 621; Perret 4074 (but indicates 22 vignettes); Rean 117; Meckley -. [Attributes: First Edition; Hard Cover]

      [Bookseller: Harteveld Rare Books Ltd.]
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        PAUL ET VIRGINIE . Suivi de LA CHAUMIERE INDIENNE par BERNARDIN de SAINT PIERRE, précédé d'une Notice Historique sur Bernardin de SAINT PIERRE par M.C.A. SAINTE BEUVE.

      - Paris Furne Libraire Editeur 1853, In-4 relié plein maroquin marron, dos trés orné à cinq nerfs soulignés de pointillés dorés, lieu et date dorés en queue, plats richement décorés de larges fleurons d'angle et en bordures, large bande d'encadrement de filets dorés, filets dorés sur les coupes, large dentelle intérieure en encadrement des contreplats, gardes de tissu à petites fleurs, toutes tranches dorées, couverture et dos conservés. Superbe reliure en parfait état signée PAGNANT au bas du 1° contre plat. Rarissime exemplaire impirmé sur papier vert, non rogné. XL + 330 pages. Avec emboitage. Bien complet de la carte de l'ILE DE FRANCE (Ile MAURICE) dressée par H. DUFOUR, datée 1836 et gravée par DYONNET, en couleurs. 7 portraits hors texte gravés sur acier, sur papier blanc : BERNARDIN DE SAINT PIERRE par LAFITTE - MARGUERITE par JOHANNOT- MADAME DE LA TOUR par JOHANNOT - VIRGINIE par JOHANNOT - PAUL par JOHANNOT - LE DOCTEUR par MEISSONIER - LA JEUNE BRAMINE par JOHANNOT. Vignettes sur bois dans le texte et hors texte. Les pages 303 à 330 contiennent la FLORE qui compléte l'ouvrage. Superbe exemplaire dans une magnifique reliure de PAGNANT. [Attributes: Signed Copy; Hard Cover]

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        Oeuvres complètes

      Alexandre Houssiaux, 1853. Fine. Alexandre Houssiaux 1853, 13x21,5cm, 20 tomes en 20 volumes reliés. - First impression of the works in Houssiaux which bought the bottom of the library Furne, in which the works were originally published, he completed the three new volumes (Theater, comical tales ...) that appear for the first time in the works. The edition will be reprinted in 1855. As always with these editions of the complete works, ours has, one is tempted to say "naturally" some notable features. - [FRENCH VERSION FOLLOWS] Première impression des oeuvres chez Houssiaux qui avait racheté le fond de la librairie Furne, chez lequel les oeuvres étaient primitivement publiées, il les compléta par trois nouveaux volumes (Theâtre, Contes drolatiques...) qui paraissent pour la première fois dans les oeuvres en 1855 et non en 1853. L'édition sera réimprimée en 1855. Reliure en demi chagrin vert strictement d'époque. Dos à faux-nerfs orné de 3 fleurons à froid dans des caissons dorés, filets gras et maigres, à froid et dorés. Titres et tomaisons dorés. Quelques coiffes frottés, avec parfois de minuscules manques de cuir, mais très bel ensemble, dans un bonne reliure d'époque (ce qui est déjà rare) et qui plus est d'une fort belle fraîcheur (quelques très rares petites rousseurs éparses) d'un papier bien blanc (les gravures, imprimé sur un autre papier (fort) sont souvent plus jaunes. Le tome XII a été relié en chagrin marron et non vert, bien que dans un même cuir et utilisant les mêmes papiers, en outre les fers à froid sont très sensiblement différents. Ouvrage illustré de 137 planches hors-texte par les meilleurs artistes de l'époque dont Bertall, Daumier, Gavarni, Johannot, Nanteuil ainsi que de rares illustrations in-texte. Comme toujours avec ces éditions des oeuvres complètes, la nôtre présente, on serait tenté de dire "naturellement" quelques particularités notables. Tome I : 6 figures dont le portrait de Balzac. Tome II : 7 figures Tome III : 7 figures. Tome IV : 6 figures. 1855 Tome V : 7 figures Tome VI : 8 figures Tome VII : 8 figures Tome VIII : 4 figures Tome IX : 6 figures. Tome X : 8 figures Tome XI : 8 figures Tome XII : 6 figures. 1855. Couvertures présentes. Chagrin marron (proche de la teinte verte mais plus foncée), mais même reliure et même relieur. Tome XIII : Les 6 figures livrées à la fin du tome XX sont bien présentes, elles ne parurent qu'en 1855. Tome XIV : 10 figures Tome XV : 6 figures Tome XVI : 5 figures Tome XVII : 5 figures. 1852. Furne. Tome XVIII : 16 figures. 1855 Tome XIX : 4 figures. 1855 Tome XX : 4 figures. 1855. Frontispice général in fine avant la préface de George Sand (manque la plupart du temps) : oeuvres complète. La comédie humaine. Bel exemplaire dans une bonne reliure d'époque.  

      [Bookseller: Librairie Le Feu Follet]
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        Chart Of The Arabian Sea Shewing The Winds & Currents During The South-West Monsson with the probably best Track For Steamers From Bomby to Aden In That Season. Compiled from upwards of 100 logs of the Vessels of the Indian Navy. By Lieut. A.D. Taylor I.N.':.

      - Lithographie v. J. u. C. Walker n. A.D. Taylor b. John Walker to the India Company, dat. 1853 u. 1868, 63 x 99 Tooley's Dic. of Mapm. Rev. Ed. Q - Z, S. 345f. - Zeigt die Küsten der Länder von Oman, Jemen und der Somalia Halbinsel sowie die Westküste von Indien und Sri Lanka mit Einzeichnungen der Wind- und Strömungsgebiete im Indischen Ozean, des Golfes von Oman und Golf von Aden. - Oben links Titel und Erklärungen. (Bilder zum Artikel auf meiner Homepage, oder bei Anfrage - pictures on my homepage or after request)

      [Bookseller: Antiquariat Norbert Haas]
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        Franz Xaver SIMM (1853 Wien-München 1918), Nähendes Mädchen, 1914, Bleistift

      - Franz Xaver SIMM (1853 Wien-München 1918), Nähendes Mädchen, 1914, Bleistift -- Technik: -- Bleistift auf Karton, unten links signiert und datiert: "F Simm 12 VII 14". Auf altem Schild bezeichnet. -- Maße: -- 27,4 x 31,5 cm -- Zustand: -- Sehr guter Zustand, Darstellung mimimal gebräunt. Mit neuem Museumspassepartout mit passendem ovalem Ausschnitt. -- Beschreibung: -- Künstler wie Eugen Klimsch und Franz Xaver Simm werden heute allzu selten aus der Schublade der Kunstgeschichte ans Tageslicht gezogen. Sie gehören zu den Namen, die keine magische Anziehungskraft besitzen, um die Ausstellungsräume mit Publikum zu füllen. Zu Unrecht, wie man am Beispiel Simms sieht. Denn nur ein wenig Aufgeschlossenheit ist nötig, um die endlosen Reize dieser Kunst zu entdecken, einer Kunst, die sich zwar dem Begriff Moderne völlig entzieht, und trotzdem, oder gerade deswegen, dem heutigen Betrachter viel zu bieten hat. Simm war ein österreichischer Illustrator und Salonmaler, der seine Werke mit unbeschwerten Genreszenen, mit schönen Damen und engelhaften Kindern füllte. Er studierte an der Wiener Kunstakademie bei den Historienmalern Eduard von Engerth und Anselm Feuerbach. Nach einem Aufenthalt in Tiflis, wo er mit seiner Frau Marie Simm-Meyer, die ebenfalls Künstlerin war, die mytho-logischen Wandmalereien im Kaukasischen Museum fertigte, ließ er sich in München nieder. Es ist eine charmante Darstellung einer jungen Näherin in Gebirgstracht mit dunklem Mieder und weißer Bluse mit kurzen Puff-ärmeln. Sie geht gerade ihrer Arbeit nach, als sie von einem Besucher überrascht wird. Deshalb schaut sie von ihrem Tisch auf, auf dem ein kleines Nähkästchen steht, und hebt den Kopf hoch, um den Gast anzublicken. Ihr Gesichtsausdruck schwankt einen Moment lang zwischen Unsicherheit und Freude. Diesen Moment hat der Künstler in seiner Zeichnung virtuos festgehalten. Für die Darstellung genau solcher Augenblicke lohnt es sich, die Voreingenommenheit gegenüber der Salonkunst abzulegen. -- [Attributes: Signed Copy; Soft Cover]

      [Bookseller: H. W. Fichter Kunsthandel e.K.]
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      New York: Harper & Brothers, Publishers, 329 & 331 Pearl Street, Franklin Square,. 1853. nineteenth-century three-quarter black leather and marbled boards.. Contemporary ownership stamp of George L. Trendwell at the bottom. edge of each title page and his signature in pencil at the top edge. of the front free endpaper of each volume. Mild rubbing to binding. extremities, frontispiece tissue guard foxed, a remarkably clean,. very good copy. A nice copy of a scarce edition. (#148187). First U.S. book edition, preceded by Harper's issue in parts. "Dickens was a significant figure in the development of the mystery novel ... In BLEAK HOUSE (1853), Dickens introduced the intrepid Inspector Bucket, a sort of nineteenth-century Columbo, who was the first fiction English police detective." - Pronzini and Muller, 1001 Midnights, p. 207. "The ponderousness of the Court of Chancery works to evil and terrifying ends, as numerous persons involved are ruined, go mad, and die because of its effects. The physical horrors of London slums are concrete phenomena that enhance the psychic and social horrors so pointedly unfolded in the story." - Tymn (ed), Horror Literature 2-30. "The court serves here as the oppressive house (castle, monastery, etc.) of Gothic romance -- labyrinth and minotaur in one -- that confines and confuses, then devours its victims. Dickens' innovation is to render the Gothic mood via a contemporary setting and mundane subject matter (what could be more mundane than the law?). The daunting, positively Russian, size of his cast of characters moves away from the claustrophobically small cast found in earlier Gothics, and this also echoes the labyrinthine complexity of the law. As England dominated the world in the nineteenth century, London dominated England, and Dickens, more than any other British author, showed the literary potential for the fantastic in such an ostensibly mundane setting (as Sue did for Paris and Lippard for Philadelphia), revealing the city as the new fairy-tale forest of mystery and danger." - Robert Eldridge. Haycraft-Queen cornerstone. Clute and Grant (eds), The Encyclopedia of Fantasy (1997), p. 269. Tymn (ed), Horror Literature 2-30. Podeschi A133.

      [Bookseller: L. W. Currey, Inc.]
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      Sacramento, 1853. Modern three-quarter calf and marbled boards, gilt. Modern bookplate on front pastedown. Light foxing and thumb-soiling to text, light vertical crease throughout. Very good. An important and rare piece of illustrated Californiana, comprised of witty text by Alonzo Delano, (a.k.a. "Old Block"), and wonderful illustrations by the masterful Charles Nahl. Delano was born in Auburn, New York, and was living in Illinois in 1849. He travelled overland to California where he mined in the diggings and operated a shop selling provisions in San Francisco, before settling down in Grass Valley as a banker and agent for Wells Fargo. His writings provide a comic, but also realistic, view of life during the Gold Rush. The great illustrations by Nahl, the "Cruikshank of California," depict scenes in San Francisco and at the gold mines. "Delano...began publishing his witty and delightful observations of California for the PACIFIC NEWS and the CALIFORNIA DAILY COURIER. Well received, they were gathered with other Delano writings into book form in 1853...The publishers enriched the volume with full-page wood engravings by Thomas Armstrong based on drawings by Charles Nahl. The portrait of the long-nosed Old Block on San Francisco's Long Wharf is a classic" - Kurutz. A rare work, accorded a "b" by Howes, and a basic document of the Gold Rush.

      [Bookseller: William Reese Company - Americana]
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        Bleak House

      London: Bradbury & Evans 1853 - First edition, first issue. 8vo. 624 pp. Illustrated with 39 plates by H. K. Browne. Leather spine and corners, marbled paper over boards. The front cover is detached. Spine has four raised bands and gilt titling on a black background. Wear to the covers and tanning to most of the plates. Off-setting from the frontispiece to the title page. The three typographical errors, called for in the first issue, are present: on p. 19, at line 6: 'elgble'; on p. 209, at line 23: 'chair' instead of 'hair'; and on p. 275, at line 22: 'counsinship' instead of 'cousinship'' [Attributes: First Edition; Hard Cover]

      [Bookseller: Peter Keisogloff Rare Books, Inc.]
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        Beiträge zur Naturgeschichte von Chile.

      - Text- u. Tafelband. Braumüller, Wien 1853. Text: S. 73-142 (insgesamt 178 S.) in Denkschriften der Kaiserlichen Akad. der Wissenschaften. Math.-Naturw. Classe. Bd. 5, Lief. 2 mit 5 farb. lithogr. Tafeln als „Beilage zu den Denkschriften der Kaiserlichen Akad. der Wissenschaften. 4°. Brosch. Unbeschn. (Text) u. Quer-Folio (31 x 41cm) Brosch. (Atlas). Textband: Buchblock gebrochen, Leichte Gebrsp. Atlas: Nur vereinzelt stockfl. – Seltener wissenschaftlicher Bericht über Chile mit prächtigen großformatigen Farblithographien. Vier der Tafeln zeigen Landschaften, teils mit Ansichten der Anden, 1 Tafel zeigt geologische Profile. – Die Revolution von 1848 trieb den deutschen Naturforscher Bibra auf eine zweijährige Studienreise nach Südamerika. Er beschäftigt sich in vorliegendem Bericht vor allem mit der Naturgeschichte Chiles, der Geologie, Fauna und Flora. – Engelmann 201; NDB II, 216. [Attributes: Soft Cover]

      [Bookseller: Antiquariat Engel & Co GmbH]
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        La Suisse historique & pittoresque descriptions de ses vingt-deux cantons. Ornée de jolies vues gravées sur acier et d'une carte de la Suisse. 2 parties reliées en 1 vol.

      Paris, Didier, 1853, - gr. in-8°, frontispice gravé + faux-titre + titre avec vign. gravée + LVI + 208 p. ; 264 p., avec en tout 30 gravures et une carte en couleur dépl., ms. nom du propriétaire sur verso du titre ?M. Aulard?, reliure en d.-cuir originale, titre doré sur le dos, légèr. usé sur les bords et la coiffe. Bel exemplaire. Edition inconnue des bibliographies consultées. La première éd. date de 1851 (Lonchamp 1866), un deuxième de 1857 (Lonchamp (2827) une troisième de1858 (Lonchamp 2828). Bel ouvrage avec les gravures sur acier d'après les dessins de Girard. Le tour de la Suisse se termine avec le Tessin (par Franscini) suivi par ?La vallée de Chamouny?, et ?des voyages et des voyageurs en Suisse? Il existe une première édition ?La Suisse illustrée. Description et histoire de ses vingt-deux cantons? 2 vols. Paris 1851avec 86 gravures et deux cartes. (Waeber III/15).Please notify before visiting to see a book. Prices are excl. VAT/TVA (only Switzerland) & postage. cf. Lonchamp 1866, 2827 & 2828 (éd. de 1851 & 1857 & 1858); cf. Waeber III/15 (éd. 1851 seulement ). Perret - ; Barth 17363 (éd. 1858 seulement).

      [Bookseller: Harteveld Rare Books Ltd.]
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        Autographs for Freedom

      Boston: John P. Jewett and Company; Cleveland: Jewett, Proctor, and Wothington; London: Low and Company, 1853. 1st ed. Hardcover. Fair. viii, 263p. Original blindstamped green cloth. 19cm. Backstrip darkened. Small hole in front joint. Stain in lower right corner through first two-thirds of book. Lower right corner missing on title, Contents and Preface leaves (where stain is on other leaves). This copy does not have the frontis or the other two plates that are usually present. Includes "The Heroic Slave," by Frederick Douglass [pp. 174-239]. "The Heroic Slave" and "Clotel; or, the President's Daughter" (by William Wells Brown) both appeared in 1853 and appear to have been the first extended works of fiction by an African American.

      [Bookseller: McBlain Books ]
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        Il Trovatore: Dramma in quattro parti [vocal score]

      Tito de Gio. Ricordi, Milano 1853 - [1853]. Oblong 4to. 1st edition, early issue, with corner date on p. 39 of 18.7.53, and 8 more between 4.2.52 [1853 (sic)] and 9.6.53. Numbers 24842 to 25863 [24863 (sic)]. Contemporary quarter morocco over marbled paper boards. Some wear to spine aand covers. Front free endpaper excised. Contemporary ink note to title page ('Asa Spada'?) with some similar notations sporadically to score, including to the cast list where 'Sra Spada' has been added next to Leonora. Some foxing to leaves throughout, but generally a clean and tight copy. VG. [Attributes: First Edition; Hard Cover]

      [Bookseller: Strand Book Store, ABAA]
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        Die calorische Maschine. 2. vermehrte Auflage.

      Mannheim, Bassermann, 1853. - (24,5 x 16,5 cm). VII, 131 S. Mit 6 lithographierten Tafeln. Original-Broschur, unaufgeschnitten. Seltene Beschreibung einer Heißluftmaschine. Aus der Hofbibliothek Fürstenberg in Donaueschingen. - Redtenbacher (1809-1863), Professor am Polytechnikum in Karlsruhe, gilt als Begründer des wissenschaftlichen Maschinenbaus. "Unter den großen Hochschullehrern, die die Wissenschaft des Maschinenbaues begründet und auf selbständige Füße gestellt haben, steht Redtenbacher an erster Stelle. Ihm ist es zu danken, daß man sich endgültig von der französischen Schule. befreit und eine eigene Lehre geschaffen hat." (Matschoß). - Titel verso gestempelt. Einband etwas angestaubt, sonst gut erhalten. - Poggendorff III, 1098 [Attributes: Soft Cover]

      [Bookseller: Antiquariat Gerhard Gruber]
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      Philadelphia, 1853. [with:] Nuttall, Thomas: THE NORTH AMERICAN SYLVA.... Philadelphia: Robert P. Smith, Publisher..., 1853. Three volumes. 121 handcolored lithographs. Uniform contemporary green morocco stamped in gilt (with botanical design on front and rear covers), spines gilt, gilt inner dentelles, a.e.g. Front hinge of second volume of Michaux set cracked, extremities lightly rubbed. A few fox marks, mostly on text leaves, with the plates generally clean and brightly colored. Overall a very good set, in uniform contemporary bindings. In two cloth cases with separate chemises for each volume, leather labels. An early issue of Michaux and Nuttall's classic work of American natural history. Originally published as separate works, these titles merged into a regularly produced combined work of six volumes beginning in 1851. The Nuttall appears to have the same collation as the first edition of 1842-49. The Michaux has virtually the same collation as the 1850/51 and 1852 issues which precede it. The beautiful color plates were printed in Paris, many after Redouté. The Nuttall contains 121 plates, as in the first issue of 1842/46/49. The Michaux contains 156 color plates, as called for on the titlepage, six more plates than in previous issues. This publication is the most important work relating to American trees prior to the 20th century. It is the product of the efforts of two of the greatest naturalists to work in 19th-century America, François André Michaux and Thomas Nuttall. The beautifully executed plates illustrate leaves and nuts or berries of American trees across the entire continent. Sabin says of the work, "It is no exaggeration to remark that it is the most complete work of its kind, and is a production of unrivalled interest and beauty." Michaux's work is based on his extensive travels in the eastern half of America, and those of his father, from the 1790s on. Both men were friendly with Jefferson and other leading figures, who aided them in their work and travels. The plates were executed by the great French flower painter, Redouté, and his associate, Bessa. The sheets of the first effort at reprinting the work were destroyed by fire, but the copper plates were separately stored and thus survived to be employed in a later combined edition issued by Rice and Hart of Philadelphia Thomas Nuttall was one of the most intrepid American naturalists of his day, travelling extensively in the Mississippi Valley and the Far West in the 1820s and '30s to gather botanical specimens. His work, designed to supplement that of Michaux, covers eastern species overlooked by the Frenchman, and new species Nuttall had gathered in the Midwest and West. His work was first published in Philadelphia in 1842-49. The more up-to- date method of using colored lithographs for the plates was employed in the Nuttall volumes, since the publisher did not have engraved plates in stock, as was the case with the Michaux work. A handsome set, in the publisher's original binding, of a classic of American natural history.

      [Bookseller: William Reese Company - Americana]
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        Bleak House

      London: Bradbury and Evans, 1853., 1853. First Edition, first issue. Octavo. Bound by Bayntun in half blue morocco over blue cloth; raised bands and gilt titles to spine; marbled end papers, all edges gilt. Illustrations by Phiz. With binder's stamp and bookplate. Bound by Bayntun from the original paper parts. Binding shows well, with minor rubbing to joints and slight bumping to corners. The text is largely clean, with some foxing to prelims and to edges of the plates. Occasional faint marks to margins, where the text has been bracketed or annotated, typically in sections relating to Mr Tulkinghorne. Binder's stamp "Bayntun, Binder, Bath, Eng" to front free endpaper. Bookplate "Ex Libris Edward James Martin", showing a study window and a factory in Modernist style by Sidney Hunt, 1925. Dickens's terrible indictment of the British legal system, made memorable by the fascinating and bizarre array of characters that Dickens draws into the saga of Jarndyce v. Jarndyce.

      [Bookseller: Adrian Harrington Rare Books]
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        The Southern Orator; Being a Collection of Pieces in Prose, Poetry, and Dialogue; Designed for Exercises in Declamation, or for Occasional Reading in Schools and Families

      Montgomery (AL): Printed by Brittan and De Wolf, 1853. First edition. 8vo. 400 pp. Errata slip pasted to a rear endpaper. Includes Richard Henry Lee's funeral oration for George Washington, John Tyler's 1837 oration at Yorktown, two selections from William Lowndes Yancey, and other pieces, almost all of southern interest. Four selections were delivered at academies in Halifax County, NC, and a dialogue is set there. Contributors include one woman, Laura A. Oliver. The printers operated in Montgomery from 1849-1853 and were state printers for most of that time; other imprints recorded on OCLC are all devoted to either their state business or their newspaper. Original brown cloth, nicely rebacked in chocolate morocco, new label and gilt rules on spine. Some foxing, but a very good copy, with attractive binding restoration. RARE. Not in Owen. Ellison 868 (noting one copy, at the Library of Congress). OCLC locates three copies (Alabama, Denver Public, Texas Christian). No copy has appeared at auction for at least the past 30 years (ABPC 1976-2007). (1355)

      [Bookseller: Bartlebys Books]
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        Australia: Comprising New South Wales; Victoria or Port Philip; South Australia; and Western Australia: their History, Topography, Condition, Resources, Statistics, Gold Discoveries, Mines of Copper, Lead etc., etc.; General information for emigrants, merchants, manufacturers, and shipowners; with the latest official intelligence, published under the authority of Her Majesty's Government.

      London: John Tallis and Company 1853 - 8vo. (27 x 18 cm). pp. [17-]576. Contemporary half red morocco over marbled boards, gilt ruling, tooling and titles to the spine, red edges. Ownership inscriptions of 'W. O. Hubbard, Guernsey 1916' and 'Mary Collings Lainé 1858' in neat manuscript ink to front free endpaper. Binding rubbed at extremities with a few small losses. Water stains to first few leaves and intermittently to the inside corners of some plates throughout. Some very light spotting and toning to first and last few leaves, contents otherwise clean and fresh. Frontispiece portrait of Queen Victoria and a further 10 full page steel engraved plates. 8 double page maps with original hand colouring and vignette views by John Tallis.* The maps comprise: 1) The World on Mercator's Projection 2) Eastern Hemisphere 3) Australia 4) New South Wales 5) Van Diemen's Land 6) Victoria or Port Phillip 7) South Australia 8) Western Australia [Attributes: Hard Cover]

      [Bookseller: Robert Frew Ltd. ABA ILAB]
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        Bleak House.

      London: Bradbury and Evans,, 1853. Octavo (209 × 131 mm). Recent dark blue morocco, raised bands milled gilt to spine forming compartments, titles direct to second and third gilt, remaining compartments with floral cornerpieces gilt, double fillet border to covers with floral cornerpieces gilt, all edges gilt, inner dentelles gilt, marbled endpapers. Engraved frontispiece, vignette title-page, and 38 plates (including 10 "dark" plates) by H. K. Browne. Old restoration to upper inner corner of C8 to no loss of text, 5 plates transposed in contrast to order listed but all present, very occasional light offsetting from dark plates. An excellent copy, internally clean and fresh. First edition in book form, with the first issue textual points as listed by Smith.

      [Bookseller: Peter Harrington]
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        Wilhelm Carl August Zimmer (1853-1937). Landschaft im Hopfgarten bei Weimar. Öl

      - Wilhelm Carl August Zimmer (1853 Apolda-Reichenberg (Dresden) 1937). Landschaft im Hopfgarten bei Weimar. 1875 . Öl auf Papier auf Holz montiert. -- Beschreibung: -- Öl auf Papier auf Holz montiert. unten links signiert und datiert: "W. Zimmer 1875", verso auf der Holzplatte bezeichnet: "Wilh Zimmer No 35 Hopfgarten bei Weimar". -- Größe/Size: -- 25,7 x 19,2 cm. -- Zustand: -- Sehr guter, altersgerechter Zustand mit leichten Altersspuren. Leicht restauriert. -- Weitere Beschreibung: -- Wilhelm Zimmer war Mitglied der Weimarer Malerschule, die ab der zweiten Hälfte der 1870er Jahre vor allem auf dem Gebiet der Landschaftsmalerei bekannt geworden war. Neben München hatten die Weimarer intensiv und zugleich eigenständig die Einflüsse aus Frankreich, besonders Barbizon, aufgenommen. Eine Schlüsselrolle bei dieser Entwicklung kam dem 1871 nach Weimar berufenen Düsseldorfer Maler Theodor Hagen (1842-1919) zu, der seine Schüler zur Erprobung des neuen Stils ermutigte. Wilhelm Zimmer war Schüler bei Hagen und dem französischen Vorbild folgend praktizierte auch er eine hellere und leichtere Malerei, die sich vornehmlich an lokalen Motiven entfaltete. Dem entsprechend zeigt unser Ölbild von Zimmer den Hopfgarten bei Weimar. In den Park und gleichermaßen in das Bild führt ein wenig befestigter Weg, der gesäumt ist von Wiesen und Bäumen. Geprägt ist das dezente und dennoch subtile Bild von einer zurückhaltenden, grau-grünen Palette, in deren Farbtönen das fast symmetrische Kompositionsschema aus vier Dreiecken, deren Spitzen in der Bildmitte zusammenstoßen, eingefärbt ist. Der getragenen Farbigkeit tritt ein dynamischer, sich im Bild entwickelnder Pinselstrich an die Seite. Die Faktur steigert sich von gedeckter, erdenschwerer Materialhaftigkeit im unteren Bilddrittel über die Biegung des Wegs hin zu dem rechts im Bild stehenden Baum, der sich luftig gegen den grauen Himmel hin verästelt. Die Pinselführung ist hier duftig und filigran, mit tänzelnden Tupfern gibt Zimmer die von sanftem Wind bewegte Baumkrone wieder. Gerade der Gegensatz zwischen von Farbe gesättigtem Pinsel-strich und befreiter Pinselführung sind Teil der Qualität des Bildes, erscheinen doch die luftigeren Passagen im Bild dadurch noch frischer und freier. Auch wenn es eher ein rasch entstandenes Werk im OEuvre Zimmers ist, kann es als exemplarisch für die Weimarer Schule gelten, wurde doch schon 1873 von Bruno Meyer die "feine graue Tönung" als deren typisches Merkmal betont, sowie an anderer Stelle die ein-fachen, spröden Landschaftsmotive. Wie im Falle von Zimmers Bild sichtbar, dürfen diese stilistischen Merkmale jedoch in ihrer Wirkung nicht unterschätzt werden, da gerade die bescheidenen Motive im Zusammenspiel mit der kühlen Farbigkeit den Zeitgenossen für eine besondere Form von stimmungshafter Naturwahrnehmung standen. So ist anlässlich der Internationalen Kunstausstellung 1879 in München, die auch Zimmer beschickt hatte, über die Weimarer Landschaften zu lesen: "Jene feinfühlige Intimität mit der Natur, durch welche wir ihre leisen Pulsschläge empfinden und unser eigenes Fühlen von ihr verstanden, geteilt wähnen dürfen, hat in den verhältnismäßig zahlreichen Werken, mit denen die Weimaraner unsere Ausstellung beschickt haben, vielfach ihren vollendeten Ausdruck gefunden." Auch Zimmers Werk mag mit dem filigran belebten Baum und der gedämpften Licht- und Farbsituation dem zeitgenössischen Betrachter ein intimer, da durch Zurückhaltung geprägter Blick auf die Natur und deren ganz und gar verhaltenes, weil selbstverständliches Pulsieren gewesen sein. [Attributes: Signed Copy]

      [Bookseller: H. W. Fichter Kunsthandel e.K.]
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        Il Trovatore. Dramma in quattro Parti di Salvatore Cammarano.

      Milan: Tito di Gio. Ricordi,, 1853. Riduzione per pianoforte solo di Luigi Truzzi. Oblong folio (247 × 333 mm). Contemporary quarter grey cloth, navy blue boards, spine ruled in gilt, and stamped red leather name label affixed to front cover. Title with vignette by Ratti of a scene from the opera; 21 separate issues, with continuous pagination at bottom right and individual pagination at top right; 140 pp. Engraved throughout. A little rubbed, some foxing throughout, more strongly front and back, but overall very good. First edition. Piano score for one of Verdi's most enduringly popular operas. The libretto was based on the play El trovador (1836) by Antonio García Gutiérrez, his most successful play, and one which Verdi scholar Julian Budden describes as "a high flown, sprawling melodrama flamboyantly defiant of the Aristotelian unities, packed with all manner of fantastic and bizarre incident" (The Operas of Verdi, p.59), which perhaps goes some way to explaining its appeal. The première took place at the Teatro Apollo in Rome on 19 January 1853, where it "began a victorious march throughout the operatic world" (p.66). Ink stamp to the title page of Giuseppe Pugioli, "Neg. di Musica e Piano Forti, Nella Gran Piazza, Alessandra". Pugioli travelled to Egypt as a cornetist for the 1871 première of Aïda under the baton of Giovanni Bottesini, a great friend of Verdi's. He stayed and became instructor of the military band of the Citadel in Cairo, and also composed the Egyptian national anthem, which is often miscredited to Verdi.

      [Bookseller: Peter Harrington]
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      Boston: Ticknor, Reed and Fields 1853. - FIRST AMERICAN EDITION. Slim octavo, pp.160. text printed in two columns. Elegantly bound in period-style half speckled brown calf with red and green labels, gilt decoration to raised bands, marbled sides. Bound without ads or half-title, cheap paper suffers from ievitably browning and spotting; externally fine. Evidently a rather scarce first printing in an attractive recent leather binding. [Attributes: First Edition; Hard Cover]

      [Bookseller: Adrian Harrington Ltd, ABA, ILAB]
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        Kleinere Schriften. Geognostische und physikalische Erinnerungen. Mit dem Atlasband: Umrisse von Vulkanen aus den Cordilleren von Quito und Mexico. 2 Bde.

      Stuttgart u Tüb Cotta 1853 - VIII, 474 SS. m. 6 mehrf. gefalt. Tab.; gest. Tit., gest. Dedication, 12 gest. Taf. ( 1 kol. ), 1 Bl. ( Inhaltsverz. ), qu.- 4°, HLwd. d. Zt. m. marm. Deckelbez.; Atlas: Or.- HLwd. m. Deckeltit. ( l. fl., ber., bsch. u. best. ). Griep-Luber 646 u. 647; Sabin 33725; Löwenberg 218. - Der separate Atlasband der ersten Ausgabe: Die eindrucksvollen 9 Ansichten mit Darstellungen von Vulkanen von Poppel und Riegel nach Stock u. Hildebrandt ( A. v. Humboldt u. a. ) gestochen. - Das Vergleichsprofil der Gebirgsketten von Europa, Asien und Amerika ist koloriert. - Atlas aus dem Einband gelöst, aber im Block fest und mit braunem Leinenband einmomontiert. Alle Tafeln stärker fleckig. Der Textnband nur minimal fleckig und sehr gut erhalten. Beide Bände vielfach gestempelt (alle Tafeln verso) - Zu Beginn verschieden Bibliotheksstempel und der Stempel "Ausgeschieden aus der Bibliothek". - Insgesamt ein vollständiges und durchaus gutes Exemplar. [Attributes: Hard Cover]

      [Bookseller: Antiquariat Nikolaus Struck]
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        COMPILED LAWS OF THE STATE OF CALIFORNIA: Containing All the Acts of the Legislature of a Public and General Nature, Now in Force, Passed at the Sessions of 1850-51-52-53. To Which Are Prefixed the Declaration of Independence, the Constitutions of the United States and of California, the Treaty of Queretaro, and the Naturlization Laws of the United States. By Authority

      Benicia: Published by S. Garfielde. Press of the Franklin Printing House, Boston, Mass., 1853. First edition. Hardcover. Covers scuffed and worn, old rebacking with original spine laid down, new endpapers, a few old notes in text, overall near very good and quite sturdy and presentable. xix, 1071 pp.; 8vo, full period calf (rebacked preserving original materials), morocco spine labels. The first compilation and publication of the laws of the State of California, just 3 years after statehood was granted in Sept., 1850. Published in the third State Capital in as many years; Benicia was home to the Legislature from Feb. 4, 1853 - Feb. 25, 1854. Not in Cowan or Howes. Sabin 10021.

      [Bookseller: Chanticleer Books]
 47.   Check availability:     Biblio     Link/Print  


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