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Displayed below are some selected recent viaLibri matches for books published in 1848

        The Great Hoggarty Diamond. [Bound after:] Vanity Fair. A Novel without a Hero.

      New York: Harper and Brothers 1848 - FIRST EDITION IN BOOK FORM of the ‘Great Hoggarty Diamond’, final ads discarded, 32 plates in ‘Vanity Fair’, foxed throughout (mostly lightly), plates toned, the upper blank corner of the illustrated title to vol. i torn away, some edges creased, pp. viii, [9]-332, [4], 67, 78-84 (as called for), 8vo., bound together in slightly later half dark red roan, marbled boards and endpapers, backstrip with four raised bands, second compartment gilt lettered direct, rubbed, a little chipping to backstrip, cornertips worn, morocco booklabel of Estelle Doheny, sound The scarce first book-form edition of Thackeray’s ‘The Great Hoggarty Diamond’, originally published serially in ‘Fraser’s Magazine’ in 1841. This printing is based on the serial and hence is slightly different from the first English edition, which would be published in London the following year as ‘The History of Samuel Titmarsh and the Great Hoggarty Diamond’. This version is much scarcer than the first English edition: according to Van Duzer, Dickson could locate only one copy, in the Boston Athenaeum, and there are no copies now listed in COPAC. ABPC records only four appearances at auction, all in America, and none after 1989.Bound before it is a later printing of the first American edition of Vanity Fair, with no date on the title but with publisher’s ads including works issued in the early 1850s. (Van Duzer 88)

      [Bookseller: Blackwell's Rare Books ABA ILAB BA]
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        SEVEN YEARS OF MY LIFE, OR A NARRATIVE OF A PATRIOT EXILE. WHO TOGETHER WITH EIGHTY-TWO AMERICAN CITIZENS WERE ILLEGALLY TRIED FOR REBELLION IN UPPER CANADA IN 1838, AND TRANSPORTED TO VAN DIEMAN'S LAND

      Buffalo: Faxon & Stevens, 1848.. 207pp. including one full-page illustration. Original black cloth, stamped in gilt and blind. Neatly rebacked with original spine laid down. Very faint tideline throughout, minor foxing. Very good. In a cloth case, leather label. An exceptionally rare firsthand account of the Canada Rebellion of 1837-1838, and the experiences of an American participant who was imprisoned and sent to Tasmania. Marsh was one of eighty-two Americans convicted of aiding the Canadian rebels. Captured after the Battle of Prescott, he was detained at Toronto and Kingston before being sent to Van Diemen's Land. Sent aboard the British prison ship, Buffalo, he reached Hobart Town in February, 1840. Marsh was pardoned in 1845 and returned to Buffalo the next year. He describes in detail his imprisonment in Canada, the voyage to Tasmania, and the "cruel and unmerciful treatment during five years of unmitigated suffering on that detestable prison island." Also of interest is Marsh's description of Tasmania, its inhabitants and products. The illustration is a woodcut of the burning of the steamship Caroline. "The most detailed, most graphic, and most valuable of the narratives of exiles to Van Diemen's Land" - Severance. "Rarest of the Canadian Prisoner Narratives" - Ferguson. Ferguson notes one known copy, that formerly in the collection of Dr. C. Craig of Launceston, Tasmania, bearing a 1847 publication date. That copy sold at auction in 1975 for $3871. The copy of the 1848 edition of this title described by Ferguson is stamped in gold on the front board "New Book of Martyrs." Our copy is stamped in gold on the front board "Patriot Exile." Not in Lande, Sabin, or TPL. Quite rare and desirable. HOWES M307, "aa." FERGUSON 4822. SEVERANCE, UPPER CANADA REBELLION, p.471. SEVERANCE, BUFFALO IMPRINTS, p.601.

      [Bookseller: William Reese Company - Americana]
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        Flowers and Their Kindred Thoughts

      Longman & Co., London 1848 - A beautiful volume that has the double benefit of an Owen Jones Relievo binding and 15 full page chromolithographic plates (including decorated Colophon page), also by Owen. To start with the binding: Designed by Owen Jones and bound by Remnant Edmonds & Remnants. There are bevelled boards where the bevels are blocked with a curling stem and leaf decoration and the boards (front and rear) are thick with ivy leaves, berries and twigs blocked in blind and relief. The title to the front board is in gothic lettering based upon twigs. Gilt inside dentilles. Gilt edges. The front and rear end papers are on thick textured paper and have a gilt ivy / leaf / berry pattern. printed on upper endpaper verso, at the tail is: ' Bound by Remnant Edmonds & Remnants'. The interior presents 14 superb full page chromolithographic flowers, each associated with an attribute which is described in gilt gothic lettering on the opposite page (e.g. Snowdrop for hope, Primrose for innocence, Rose for love). The lithography is by E. L. Bateman. The overall condition of this volume is very good. Specific condition: There is some slight staining and scuffing to the outer boards (see photo). The front and rear hinges have been reinforced with a neat brown tape strip. There are one or two minor brown spots. This book has a gutta percha binding and quite thick heavy pages - this combination means that some of the pages are loose and pulling away. There is a contents page but no title page present. Some additional background information that you may find of interest: Owen Jones worked for Thomas De La Rue on playing card design, and many of the chromolithograph flower illustrations in this book are to me reminiscent of his work on playing cards for De La Rue. Jones is best known as an interior and pattern designer although he was also an architect. He was superintendent of works at the Great Exhibition of 1851 and designer of the Greek, Roman, Egyptian and Alhambra Courts at Crystal Palace after its move to Sydenham in 1854. Together with Sir Matthew Digby Wyatt, Jones produced the vastly influential Grammar of Ornament in 1856. Leake's patented "Relievo" bindings, made of heavily molded and embossed leather left to its natural color, are usually associated with the English designer Owen Jones. Like papier-mâché bindings, "Relievo" bindings recall both medieval bindings and wood carvings and often occur on ecclesiastical books. The English trade binders Remnant & Edmonds were responsible for many known examples of "Relievo" work, winning a prize for them at the Great Exhibition of 1851. 4to - over 9¾" - 12" tall. [Attributes: Hard Cover]

      [Bookseller: The Little Book Store]
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        New Zealand Government Gazette. (Province of New Munster) Vol. I, Nos. 10-22, 24-26 (Near complete run of 16 issues). May 1848 - December 1848.

      New Zealand Government, Wellington 1848 - Chips missing to upper left margins of leaves on several gazettes, without loss of text. ; Volume I, Numbers 10-22, 24-26 + 6 pages of the index leaves for the years 1847-1848. Dimensions: 13 1/4" by 8 1/4". Pagination (53) -88, [2], (93)-118, 127-139 + 6 pages of index. From 1846 until 1853 the whole of the South Island and the part of the North Island south of the Patea River, including Wellington, formed the Province of New Munster. This is a run of 16 issues of the offical government gazette for this province, and a fairly early example of indigenous New Zealand printing. On page 139 the area previously known as Otakou is given its new official name of Otago. The gazettes contain a wealth of contributions from notables such as Alfred Domett, Colonial Secretary; Sir George Grey; Donald McLean; J. Fitzgerald & others. ; Folio 13" - 23" tall [Attributes: Hard Cover]

      [Bookseller: Renaissance Books]
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        Specimens of the Geometrical Mosaic of the Middle Ages. With a brief historical notice of the art founded on papers read before the Royal Institute of British Architects, the Royal Society of Arts and the Archaeological Institute of Great Britain and Ireland.

      For the Proprietor, 17 Gate St., London 1848 - 1848 Tall folio, 19 x 13 inches (48.25 x 33 cm). 26 p, plus 21 color plates (including title page). Original boards rebacked with recent dark brown leather, with gilt rule and title on spine. With a sheaf of 12 original contemporary hand-drawn watercolor mosaic designs and notation, each protected with tissue guard and likely executed by the original owner whose note is mounted on the front pastedown. The note reads, "Please take great care of this book and of the loose copies of mosaic designs. J. M. Ivery", dated 1899. The volume has gone through repair, with Japanese paper reinforcements to many of the foredges of the text pages, likely accomplished by the binder who rebacked the volume, with evidence of earlier taping still evident in places. The plates are primarily untouched, having been printed on sturdier stock. There appears to be old waterstaing to the boards, though the contents remain unmarked. Crease to the lower corner of the front board. Despite its wear, the copy remains in good+ condition, with the exquisite color lithograph plates still bright and clean, text legible and intact. A very scarce document of medieval ornament and decoration. [Attributes: First Edition; Hard Cover]

      [Bookseller: Caliban Books Pittsburgh PA, ABAA]
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        Road in the Redwoods, Santa Cruz Mtns. Calif.

      - Raymond Dabb Yelland (1848-1900) “Road in the Redwoods, Santa Cruz Mtns. Calif.” Signed “R.D. Yelland” lower left Inscribed with title reverse (before restoration) 1890 Oil on canvas 21 ¼” x 13 ¼”; 32” x 24” framed Provenance: Artist's estate to Mrs. E.D.V. Gould; to Mrs. Taylor; to her grandson, private collection, Longview, Washington. During the 1880s, a number of well-trained and widely traveled landscape painters settled permanently in the San Francisco Bay area. These artists adopted a loose and expressive brushwork style in their views of California landscapes, influenced by the Impressionistic style that was gaining popularity in Europe. Raymond Dabb Yelland, known as a distinguished artist and dedicated art instructor, was one of the stalwarts of the San Francisco art world. Born in England, his family brought him to America at age three. He studied at the country’s leading art institute, the prestigious National Academy of Design in New York City. In 1874, at the age of 25, he moved to Oakland, California as a professor of drawing and painting at Mills College. He quickly gained a fine reputation as a teacher, and later assumed additional academic positions in the Bay area, including assistant directorship of the San Francisco Art Association, founded in 1871, and the directorship of the California School of Design. A beloved teacher, he was a decisive influence on a younger generation of California artists. Among the many who worked with him directly were Gottardo Piazzoni, Grace Carpenter Hudson and James Everett Stuart. Yelland was trained as a technically adept painter of the academic tradition of realism. He excelled with paintings in the American “luminist” mode, portraying quiet stretches of water and sky bathed in the delicate light of early evening. Yelland’s works are the best west coast examples of this style developed in the east by Kensett, Gifford, Bricher and Silva. The meticulous realism captured in paintings of this mode was created through tiny brushstrokes that obliterate any sense of an artist’s hand at work. Yelland is best known for his coastal scenes at sunset, but often visited and painted views in the Monterey area. In 1886, Yelland went to Paris to exhibit in the Salon. It appears that both the French Impressionists, whom were having their eighth and final exhibition in Paris that year, and the French Barbizon painters, known for their impressionistically painted landscapes, influenced Yelland. This particular painting has a painterly style that is reminiscent of Pissaro and Monet. And, one of the Barbizon painters’ favorite subjects was the wood interior, portraying ancient trails through the oaks in the Forest of Fontainebleau near the village of Barbizon. Yelland’s painting takes this fashionable subject of the woodlands, and adapts it to California, capturing the majestic beauty of the redwood forests in Santa Cruz mountains south of San Francisco. Yelland has created a pleasing harmony of warm tones in matching the orange tints of the foreground earth to the bark of the giant trees. This painting was most likely completed in 1890, when other Yelland paintings of Santa Cruz subjects were exhibited at the San Francisco Art Association. Incidentally, Yelland’s work was also included in a special “California Artist” exhibition, which was part of the California Midwinter International Fair of 1894, held in San Francisco’s Golden Gate Park. [Attributes: Signed Copy]

      [Bookseller: Arader Galleries San Francisco]
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        Wiener Bürger Cavallerie. 1848.

      Wien, Leykum, 1848.. Lithografie mit Tonplatte von C. A. Pettenkofer nach C. Most, Bildausschnitt 32 x 48 cm, Blattgr. 43,5 x 56,5 cm.. Sehr seltenes und großformatiges Blatt der Wiener Bürgerkavallerie, zeigt von links nach rechts Officier u. Cavallerist in der Campagne Uniform, Trompeter in Galla, Wachtmeister und Estandart-Führer in Galla, Cavallerist in Galla, Officier in Galla; ein Einriß rechts bis in die Darstellung alt hinterlegt, in den Rändern etwas fleckig und angestaubt, sonst von guter Erhaltung.

      [Bookseller: Antiquariat Clemens Paulusch GmbH]
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        Expedition zur Entdeckung der Quellen des weissen Nil. (1840 - 1841).

      (Berlin), (Reimer), (1848) - Gr.8°, 543 S., 1 Bl. Korrigenda, 1 Faltkarte, 1 Falttaf., Priv.-Kart. d. Zt. m. Rückenschild., Unvollständiges Titelbl. a. fliegendes Vs. verso geklebt - es folgt der Schmutztitel (die VI S. Vorwort von Carl Ritter fehlen). Der Schmutztitel stockfleckig, die Vs. auch gebräunt (die Falttafeln stellenweise, der Buchblock nur sehr vereinzelt stockfl.). Einband v. a. an den Kanten berieben. Erstausgabe des seltenen frühen Berichts. Der deutsche Afrikaforscher Ferdinand Werne (1800-1874) nahm an der zweiten, vom ägyptischen Vizekönig Mehmed Ali ausgesandten Expedition zur Erforschung der Quellen des Weißen Nil teil. 1200 gr. [Attributes: First Edition; Soft Cover]

      [Bookseller: antiquariat peter petrej]
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        View from under the Portico of the Temple of Denera

      Moon, F.G., London 1848 - The Prints of David Roberts:Part 1 - The PrinterLouis Haghe (1806-1885) was one of the msot skillful exponents of the tinted lithograph who became a leading reproductive lithographer in England and on the Continent. Haghe's reputation as a lithographer was primarily based upon topographical views, of which Twyman notes "his most important work of this kind, the translation of Roberts' sketches of the Holy Land, represents the culmination of his art".Part 2 - The Publication of Roberts' Holy Land and EgyptRoberts first sketched in his journals "on the spot" the vaious subjects which, on returning to London, he transcribed into finished paintings and watercolors. These then formed the basis of the lithographs drawn and printed by Louis Haghe. It is interesting to note that in some instances Roberts' original drawings were twice or three times the size of the published print, which indicated the skill of Haghe and his assistants in transferring Roberts' designs onto lithographic stones.Part 3 - A Genesis of Roberts' PrintsDavid Roberts fulfilled a boyhood dream by visiting the East and recording what he saw there; by August 1838 he had resolved to "visit the Holy Land, and make drawings of the scenes of sacred history and the antiquities of Egypt". By this time Roberts had already established himself as a successful topographical artist and published his set of Spanish scenery as tinted lithographs, Picturesque Sketches in Spain, 1837. Eventually he would be elected to the prestigious Royal Academy on the strength of his topographical paintings.Part 4 - The PlatesRoberts' Holy Land and Egypt project has been called "the most ambitious work ever published in England with lithographic plates" (according to Micheal Twyman). Its production involved over 600 lithographic stones used over an eight to nine year period. It is generally agreed the lithographers Day & Haghe were the most efficient for such large scale work, while Louis Haghe himself was a master lithographer.The plate formats strongly influenced their presentation as prints: large full-page and small half-page vignettes representing what Roberts intended to be the difference between finished drawings and sketches. roberts was a good judge of accurate transposition of his watercolors and sketches into lithography.Today historians regard Roberts' Holy Land and Egypt as the last link between the established artist and topographical lithography. Since Roberts' prints were the most costly publishing venture in Britain at the time, undertaken by a publisher "on his own responsibility", Roberts sighed on its completion: " . thank God . that with being blessed with health and backed by my ever esteemed friend Louis Haghe I may also say the most satisfactory."References:Micheal Twyman, Lithography, 1800-1850, London, 1970Katherine Sim, David Roberts, London 1984J.R. Abbey, Travel in aquatint and lithograph 1770-1860, Nos. 272, 385James Ballantine, The Life of David Roberts, Edinburgh, 1866Helen Guiterman, David Roberts, London 1978Barbican Art Gallery (catalogue), David Roberts, London, 1986British Library (BS), Image Size : 505x350 (mm), 19.875x13.75 (Inches), Platemark Size : , Paper Size : 605x420 (mm), 23.75x16.5 (Inches), Original Hand Coloring, Lithograph

      [Bookseller: Alexandre Antique Prints, Maps & Books]
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        Mosque of Sultan Hassan, Cairo. December 1st, 1848.

      London. 1848 - Size: 425 × 610 mm. Very good condition. Unobtrusive blind stamp. Tinted lithograph with additional colour. Roberts was the first independent, professional British artist to travel so extensively in the Near East. His tour in 1838-9 produced 272 sketches, a panorama of Cairo and three full sketchbooks, enough material to "serve me for the rest of my life" (Roberts, eastern journal, 28 Jan 1839). Over the next decade he made "a series of intire new drawings" for the large coloured lithographs executed by Louis Haghe for The Holy Land, Syria, Idumea, Arabia, Egypt & Nubia, which was originally published by subscription, 1842-9. No publication before this had presented so comprehensive a series of views of the monuments, landscape, and people of the Near East. "Robert's Holy Land was one of the most important and elaborate ventures of nineteenth-century publishing, and it was the apotheosis of the tinted lithograph" (Abbey, Travel). These lithographs were originally published in twenty parts, most parts containing six plates, the price for each part with coloured plates (the most expensive state) being 3 guineas. Sketches in Egypt and Nubia, from Drawings made on the Spot. 1846-9. Abbey, Travel, 272; Gay 2216; Ibrahim-Hilmy, II, p.176; Lipperheide 1591; Tooley (1954) 402.

      [Bookseller: Peter Harrington. ABA member]
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        Voyages dans les deux Océans Atlantique et Pacifique, 1844 à 1847: Brésil, Etats-Unis, Cap de Bonne-Espérance, Nouvelle-Hollande, Nouvelle-Zélande, Taiti, Philippines, Chine, Java, Indes Orientales, Egypte.

      Paris, A. Franck, 1848. - Large 8vo. (VII)+326+(1) pp. Complete with 4 maps (incl. 2 fold.), num. wood-engr. plts. & ills. Hardcover. Contemp. blind cloth-backed marbled boards. VG/--. (Spine a bit sunned, edges of binding rubbed; occas. sl. foxing, incl. to fold. maps and part of plates). [Attributes: Hard Cover]

      [Bookseller: Charbo's Antiquariaat]
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        Geschichte der Kölnischen, Jülichschen und Bergischen Geschlechter in Stammtafeln, Wappen, Siegeln und Urkunden: 2 Theile. Erster Theil: Stammfolge und Wappenbuch (A - Z). Zweiter Theil: Ergänzungen und Verbesserungen zum 1. Theil und Stammfolge und Wappenbuch der clevischen, geldrischen und moersschen Geschlechter, so weit sie in dem Herzogthume Jülich Cleve Berg ansässig waren (A - Z) - 2 Bände (komplett)

      Köln und Bonn, Verlag J. W. Herberle, 1848 und 1853.., 1848.. Originalausgabe Bildnis (Anton Fahne) Titel und 5 Tafeln, 468 Seiten 2 Bl. Register mit mehr als 1000 in Holz geschnittenen Wappen, 200 lithographischen Siegelabbildungen, Häuseransichten u.s.w.., Titel der Lieferungsausgabe, doppelseitige Tafel, XVI, 238 Seiten mit 600 neuen Familien, mehr als 600 in Holz geschinittenen Wappen und des von Reinald von Dassel erbauten erzbischöflichen Pallastes zu Cöln. (vollständig) 38 cm, nachgebundene Ausgabe der Lieferungen (Broschur), Halbleinen, manche Seiten mit Seitenpapier hinterlegt oder verstärkt, sonst Exemplar in guten Erhaltungszustand. Wappen-Exlibris-Stempel auf Vorsätze Norddt 1 +++++ 20 Jahre Antiquariat Christmann in Wiesbaden +++++

      [Bookseller: Wiesbadener Antiquariat Christmann]
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        GALERIE ARMORICAINE. COSTUMES ET VUES PITTORESQUE DE LA BRETAGNE.

      Nantes (1848) - Small folio 39x28 cm, 2 volumes HANDSOMELY LEATHER BOUND IN ONE - in recent half morocco gilt. 5 lithograph titles, and 125 LITHOGRAPH PLATES (100 costume plates and 25 views). The text and plates occasional do not follow numerically but the plates appear complete. Scattered spotting and a crescent mark to the outer margin of a some plates. [Attributes: Hard Cover]

      [Bookseller: Charles Russell, ABA, ILAB, est 1978]
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        Chants et Chansons Populaires de la France. Nouvelle edition. Notices par Dumersan. Accompagnement de Piano par H. Colet. Illustrations par MM. E. de Beaumont, Boilly, Daubigny, Dubouloz, E. Giraud, Meissonnier, Pascal, Staal, Steinheil, Trimolet. Three Vol. withChansons Populaires des Provinces de France. Notices par Champfleury. Accompagnement de Piano par J.B. Wekerlin. Illustrations par MM. Bida, Bracquemont, Courbet, Ch. Jacque, Ed. Morin, et al. One Vol

      Paris: Garnier Freres& Bourdilliat et Cie.. [1848] and 1860. New Edition of the first three volumes with the first edition of the 4th volume all four volumes bound in 2. Lg. 8vo; handsomely bound in contemporary 1/2 red morocco and marbled boards, spine paneled, gilt decorated, title gilt, some rubbing to extremities, hinges of Vol. II starting, generally very good. Each volume illustrated with engraved frontispiece (etching). Each song with 2 pp. explanatory text plus 4 pp. of engraved lyrics surrounded by engraved vignettes plus 2 pp. engraved musical score. Vol. I - Chants Guerriers et Patriotiques Chansons Bachiques Vol. II - Chansons et Chansonnettes Chansons Burlesques et Satiriques Vol. III - Chansons Choisies Romanies, Rondes et Complaintes Vol. IV - Chansons Populaires des Provinces de France Noels, Chansons de Mai, Ballades, Chansons de Metiers, Chansons de Mariees. Volume IV with Notice par Champfleury, Accompagnement de Piano de J. B. Wekerlin. Illustrations par MM. Bida, Bracquemond, Catennacci, Courbet, Faivre, Flameng, Francais, Fath, Hanoteu, Ch. Jacque, Ed. Morin, M. Sand, Stall, Villevielle. The first edition of the first three volumes of this work was published by H. -L. Delloye/Garnier Freres, 1843. This 1848 edition was a reprint with changes and substitutions, notably substituting La Marseillaise by Rouget de Lisle for the opening song in Volume I. Page size: 27.5 x 20 cm. Vicaire II, 246-247. Brivois, pp. 94-96. Ray, Art of the French Illustrated Book, 232. <br>See an <A HREF= http://www.bookrouter.com/im/juvelisbks/67.jpg >Image.</A><br>

      [Bookseller: Priscilla Juvelis, Inc.]
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        Loss and Gain

      London: James Burns, 17 Portman Street, Portman Square, 1848. First edition. 12mo. 386 pp. Bound without terminal leaf of publisher's ads. Modern half cloth and green marbled boards, retaining an earlier morocco spine label; marbled edges. Name cut from top margin of title page, another removed from title with ink eradicator. Very good copy of a rare book. Sadleir 1825; Wolff 5096 "a very rare book"; Wolff, Gains and Losses, pp. 43-60 . The first work of prose fiction by the noted theologian, John Henry Newman (1801-1890), whose conversion to Catholicism in 1845 shook the Anglican church. A thinly disguised account of his conversion, Loss and Gain is the most important English religious novel of the nineteenth century and a key document in the history of the Oxford movement. It was widely reprinted and a subtitle was added in the later editions. Newman was made a Cardinal by Pope Leo XIII in 1879 "Newman himself was in the process of publishing (anonymously) his first novel, Loss and Gain: the Story of a Convert. The book is partly autobiographical ... The inconsistencies of the comprehensiveness of the Church of England and of Anglo-Catholicism are amusingly satirized in what are probably the most memorable parts of a novel of which the chief claim to originality lies in the introduction of a new kind of introspective self-questioning into English fiction (see K. Tillotson, Novels of the Eighteen-Forties, 1954). ... the most significant Roman Catholic theologian of the nineteenth century, [Newman] has also come to be seen as the most seminal of modern Catholic thinkers" (ONDB). Wolff writes, "it remains extraordinarily significant ... Newman's novels ... delighted his peers. But unquestionably they were too subtle, too intellectual, too profound, then as now." "By common consent, and in the considered opinion of Gerard Manley Hopkins and James Joyce, Newman was the greatest Victorian master of English prose," writes Anthony Kenny in this week's TLS (30 July 2010), where he reviews a recent biography, Newman's Unquiet Grave by John Cornwell, and considers the projected visit to England by Pope Benedict XVI for "the beatification (a last staging post on the path to sainthood) of John Henry Newman in September". The issues includes a second extensive article by Bernard Manzo, "The test of literature, John Henry Newman's holy imaginings", discussing Cardinal Newman's poems, two novels and essays. Rare

      [Bookseller: James Cummins Bookseller]
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        A History of the Late Province of Lower Canada, Parliamentary and Political, from the Commencement to the Close of Its Existence as a Separate Province VOLS. II, III, IV, V, VI.

      T. Cary & Co., Thomas Cary, and Richard Worthington, Montreal, Quebec, Canada 1848 - Set does not include Volume One. Half-Leather, marbled boards. Vol. 2: 1848, 396pp., Vol. 3: 1850, xi, 564pp., Vol. 4: 1866, iv, 548pp., Vol. 5: 1866, vii, 442pp., 1 ad, Vol. 6: 1866, xi, 468pp. Originally appeared in instalments between 1848 and 1855. Endpapers have heavy spotting/foxing, lighter spotting throughout text. Pages are firm in bindings. Boards and leather have edge/rub wear, light chipping/grazing to the marbled paper, leather worn at the corners and the spine top/bottom, light scarring, and creasing to the spine and hinges. Actual set for sale pictured. 12 x 18.8 x 13.2 cm, wt 2.1Kg Please note the set is oversized and it may require extra postage depending on the service and destination. [Attributes: Hard Cover]

      [Bookseller: Alex Simpson]
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        Conversations- Lexikon. Neunte Originalauflage. In fünfzehn Bänden. Allgemeine deutsche Real-Encyklopädie für die gebildeten Stände.

      Leipzig. F.A. Brockhaus Verlag, ff. 18431843-1848. - 9. Auflage, 15, gr.8°. 22,4 x 14,9 cm. 11470 Seiten, In gutem Zustand. ohne Atlasband, der in Lieferung erschienen ist. Einbände berieben und bestoßen, Rückenschilder teils mit Fehlstücken, ein Rücken stärker beschädigt, Papier teils gebräunt, alle Einbände mit grünem Buntpapier der Zeit bezogen, Buchblöcke gut erhalten, mit Rückenschild, Hardcover in Pappband, [Attributes: Hard Cover]

      [Bookseller: Leipziger Antiquariat e.K.]
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        Leatherstocking Tales (Volume 1. The Deerslayer: or, The First War-Path; Volume 2. The Pathfinder: or, The Inland Sea; Volume 3. The Last of the Mohicans; Volume 4. The Pioneers, or The Sources of the Susquehanna; Volume 5. The Prairie)

      Philadelphia: Lea & Blanchard. 1848, 1848, 1849, 1848, 1849 (but maybe all 1848?). Early reprint of the first collected edition. Five volumes. Publisher&#39;s uniform brown cloth stamped in blind and titled in gilt. Each title is two volumes in one. Three volumes have the ownership signature of Thos. Sackett dated in 1848 (including one of the 1849 volumes), corners bumped and worn, some erosion to the cloth on the spine with minor loss at the spine ends, considerable foxing, but a handsome, about very good set, and very uncommon. OCLC locates three different printings of sets of The Leatherstocking Tales published before 1850, all by this publisher, and each set in five volumes: 1843, 1846, 1849. Each set is held in only one location (all three at the American Antiquarian Society). At any rate a scarce early collected set. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        Aid to Ireland : report of the General Relief Committee of the City of New York, organized February 10th, 1847 : with schedules of their receipts in money, provisions and clothing

      New York : The Committee 1848 - Physical desc.: 186 p ; 23 cm. Notes: "Prepared by the committee appointed for the purpose and completed to the 1st of February, 1848". Committee members: John Jay, James C. King and Stewart Brown.--P. [3]. Subject: General Irish Relief Committee of the City of New York. International relief.Poor - Ireland. Charities - New York (State) - New York. Ireland - Economic conditions. Other names: Jay, John, 1817-1894. King, James G. (James Gore), 1791-1853. Brown, Stewart, 19th cent. Referenced by: OCLC 20064663. Finely bound in modern aniline calf over marble boards. Gilt cross-bands with the title blocked direct in gilt. An exceptional copy - scans and additional bibliographic detail on request. 1 Kg. 186 pp. [Attributes: First Edition; Hard Cover]

      [Bookseller: MW Books Ltd]
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        Contemporay Hand-colored lithograph: "Thebes" from "Egypt & Nubia"

      London, 1848 - . Framed and glazed. Very handsome cream painted wooden frame

      [Bookseller: James Cummins Bookseller, ABAA]
 20.   Check availability:     IberLibro     Link/Print  


        Dealings With The Firm of Dombey and Son Wholesale, Retail and for Exportation

      Bradbury and Evans,, London: 1848 - Very near fine in in a late 19th century binding of 3/4 pebbled, black leather covered boards over marbled paper with five raised bands on the spine with gilt text and decorations in the compartments, marbled end pages and the top edge of the text block is gilt. There is a minor area of 1/2" by 1/8" at the upper edge of the spine area where the leather is rubbed and the paper edge at the lower edges of the boards is rubbed through in one small area. The hinges are tight and strong. An octavo measuring 8 9/16" tall by 5 1/2" deep containing 624 pages. Tipped-in at the second free end page (and before the fly title page) is the front wrapper from #3 of the original part. Illustrated with 38 engraved plates and a frontispiece by H. K. Browne ("Phiz"). An eight line errata page follows the list of illustrations. The word "CaptainÓ is spelled correctly on the last line of page 324. (Eckel, p74) [Attributes: Hard Cover]

      [Bookseller: Town's End Books, ABAA]
 21.   Check availability:     AbeBooks     Link/Print  


        Dombey and Son

      London, Eng.: Bradbury and Evans, 1848. First Edition in Book Form. Near Fine. Browne, H.K.. xvi, [2], 624 p.: frontispiece, added engraved title page, and 38 additional leaves of plates; 22 cm. The First Edition in book form, with the Bradbury & Evans imprint dated 1848 on the added engraved title page. A lovely Bickers & Son full polished calf binding with six spine compartments between raised bands. Red morocco label in the second compartment reading: Dombey and Son. Black morocco label in the third compartment reading: Charles Dickens. Small red morocco label at tail of spine bearing publication date: 1848. Gilt-tooled ornamentation in the other four compartments. Gilt-ruled borders and corner rosettes on both boards. Gilt-rolled ornamentation on edges of both boards, with gilt-tooled ornamentation continuing on the turn-ins. All page edges gilt. Grey endpapers, with small binder&#39;s stamp on verso of front free endpaper. No half title. First edition points include: in the added engraved title page vignette, Capt. Cuttle&#39;s hook is on his left arm; on p. xv there is no page entry for the frontispiece and vignette, nor are there quotation marks around "the Party" in the second entry; on p. 14, ten lines up, "aint" has no apostrophe; on p. 26, line 11 has "fidgetty"; on p. 40, "shewed" and "shew" are found for "showed" and "show"; and on p. 582, the last line has no period. An early issue with a two-line errata listing following the list of plates, and with the word "Captain" spelled "Capatin" on the last line of page 324. Smith I:8. In Near Fine condition: joints, ends of spine, and raised bands are lightly rubbed. All 38 internal plates are present. A beautiful copy.

      [Bookseller: Classic Books and Ephemera]
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        DOMBEY AND SON. Extra Illustrated

      Bradbury and Evans.London,1848. FIRST EDITION,Bound from the parts.8vo.Extra illustrated with the two sets,of 4 and 8,seperately published engravings by Hablot K.Browne,featuring portraits of Edith, Little Paul, Florence and Alice.The second series shows full length portraits of the other leading characters, Dombey, Miss Tox, Mrs. Skewton, Mrs. Pipchin, Old Sol & Cap'n Cuttle, Old Joe, Sir!, Polly, and Miss Nipper.Without Errata leaf.1st state text points,including"Shewed" and "shew" on p.40, "capatin" on p.324,and "if" missing from p.426,among others.Also illustrated with 40 engraved plates by Browne (including Frontis and extra,illustrated title page showing Captain Cuttle's hook incorrectly on his left arm).Very good copy with the usual browning to the edges of plates but still generally a nice copy.Small amount of fraying to the fore edges of two gatherings that had sprung and have at some time been re-inserted.Light offsetting to the reverse of the half title from title page.Finely bound in attractive early half red calf.Spine with raised bands,fully tooled in gilt.Tan label,gilt.Compartments ruled and decorated in gilt.Marbled paper on boards and endpapers.Previous owners bookplate on front paste down endpaper.Edges of binding rubbed and bumped and boards a bit worn but still overall a very good attractive copy.:

      [Bookseller: Paul Foster Books]
 23.   Check availability:     Biblio     Link/Print  


        Dombey and Son

      London: Bradbury and Evans. 1848. First. First edition. First printing. "Captain" misspelled on page 324 as "Capatin." Three quarter red leather with marbled boards, endpapers and page edges, gilt decoration. Illustrated by H.K. Browne. Very good with owner&#39;s bookplate on the front pastedown (also a bookplate removed from the front fly verso leaving a glue stain), owner name on preliminary pages, pages foxed, a very light water line on title page edges, cover modestly edgeworn. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        DEALINGS With The FIRM Of DOMBEY And SON, Wholesale, Retail and for Exportation

      London:: Bradbury & Evans,. 1848.. 8vo. 1st one-volume edition (BFTP). xvi, 624 pp.. Modern brown half-leather binding executed in a period style, with elaborate gilt decorated spine, red morocco title label in the second spine compartment & marbled paper boards. AEG.. Binding - Fine. Textblock - VG (usual foxing to plates).. 40 steel engraved plates by Phiz [Hablot K. Browne].

      [Bookseller: Tavistock Books, ABAA]
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        Dombey and Son (Dealings with the Firm of Dombey and Son, Wholesale, Retail and for Exportation)

      London: Bradbury and Evans, 1848, London - Half Calf. Thick Octavo. First Edition in book form (scarce early issue). Contemporary half-calf with marbled boards, black morocco label, gilt title. 624 pp., extra illustrated with 40 steel-plate engravings including frontis and engraved title page. Points include: 2-line errata leaf bound after preliminaries, uncorrected "capatin" page 324 last line, lines 5 and 6 from bottom of page 284 have "delight" instead of "joy." The title is also significant as the plate "On the dark road" is the first published example of the "dark plate" mechanical printing process. A very good copy showing the typical age-toning to page edges, some light foxing and minor rubbing. [Attributes: First Edition; Hard Cover]

      [Bookseller: Books & Bidders, Antiquarian Booksellers]
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        Dombey and Son

      London Bradbury and Evans 1848. G : in Good condition. Sm. section of leather missing from title panel on spine. Minor wear and scuffing to leather along corners and extremities First Edition Half-leather cover 220mm x 160mm (9" x 6"). xvi, 624pp. 40 plates including engraved frontispiece, title page and vignette. First edition, later issue. Eight line errata page following on from the contents page. In the title-page vignette, Capt. Cuttle's hook is on his left arm; p. 14, ten lines up, "aint" has no apostrophe; p. 26, line 11 has "fidgetty"; on p. 40, "shewed" and "shew" instead of "showed" and "show"; p. 284, fifth and sixth lines from the bottom, "Delight" instead of "Joy"; "Capatin" instead of "Captain" last line p. 324. Part XIV is of a mixed issue: "if" is missing from line 9; p.582, the last line has no full stop. The first example of a 'dark plate' is to be seen on p. 547.

      [Bookseller: Barter Books]
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        DOMBEY AND SON.

      Bradbury and Evans, London 1848 - Marbled boards. Brown leather spine labels with gilt borders. New brown endpaper. Bound without half-title. Forty illustrations by H.K. Browne (Phiz) including frontispiece and vignette title-page. Eight-line errata page bound behind the list of plates. Plates are generally clean, some peripheral foxing, vignette title-page slightly more than others. Contains most first issue points as noted in Smith 8; including Captain Cuttle's hook on his left hand in vignette title-page and plate facing p.238. This copy was bound from the original parts with stab holes easily identified. This Dickens title also contains the first example of a so-called dark plate and is found on p.547. This is also the first time that Browne created some horizontal illustrations for a Dickens work (five appear in Dombey and Son). Originally appeared in twenty numbers, bound in nineteen monthly parts, from October 1846-April 1848. The book form was first published on April 12, 1848. 624pp. Octavo [Attributes: First Edition; Hard Cover]

      [Bookseller: Glenn Books, ABAA, ILAB]
 28.   Check availability:     AbeBooks     Link/Print  


        Dombey and Son

      London: Bradbury and Evans. 1848. First. First edition, later issue. Lacks half-title (as usual), with 8-line errata page, and the following issue points: in the title-page vignette, Capt. Cuttle"s hook is on his left arm; p. xv, no page entry for the frontispiece and vignette, and no quotation marks around "the Party" line 2; p. 14, ten lines up, "aint" has no apostrophe; p. 26, line 11 has "fidgetty"; on p. 40, "shewed" and "shew" instead of "showed" and "show"; p. 284, fifth and sixth lines from the bottom, "Delight" instead of "Joy"; "Capatin" instead of "Captain" last line p. 324; p. 582, the last line has no end period. Thick octavo. Forty illustrations (including frontispiece and title-page vignette) by Browne ("Phiz"). three-quarter calf and marbled papercovered boards. Bookplate of Henry Lomax Gaskell, some light foxing, spine rebacked with some mild restoration to covers, a sound, very good copy. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        Dombey and Son,

      Bradbury & Evans, London 1848 - Frontispiece, engraved title and 38 full page plates by H. K. Browne ('Phiz'). 12-line errata slip tipped to list of plates. Contemporary half polished calf, marbled paper boards, endpapers and edges. Spine ornately gilt in an intricate design of leaves, flowers and ornaments, enclosing a red leather lettering piece, gilt. Engraved tp and frontispiece show faint foxing, but all other plates crisp and bright, including the 'dark' plate at p. 547. A fine copy in nice binding. [Attributes: First Edition; Hard Cover]

      [Bookseller: Thorn Books, ABAA]
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        Dombey and Son

      Bradbury and Evans, London 1848 - First edition, later issue. Lacks half-title (as usual), with 8-line errata page, and the following issue points: in the title-page vignette, Capt. Cuttle"s hook is on his left arm; p. xv, no page entry for the frontispiece and vignette, and no quotation marks around "the Party" line 2; p. 14, ten lines up, "aint" has no apostrophe; p. 26, line 11 has "fidgetty"; on p. 40, "shewed" and "shew" instead of "showed" and "show"; p. 284, fifth and sixth lines from the bottom, "Delight" instead of "Joy"; "Capatin" instead of "Captain" last line p. 324; p. 582, the last line has no end period. Thick octavo. Forty illustrations (including frontispiece and title-page vignette) by Browne ("Phiz"). three-quarter calf and marbled papercovered boards. Bookplate of Henry Lomax Gaskell, some light foxing, spine rebacked with some mild restoration to covers, a sound, very good copy. [Attributes: First Edition; Hard Cover]

      [Bookseller: Between the Covers-Rare Books, Inc. ABAA]
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        Pseudostoma Borealis (The Camas Rat) [Plate 142]

      Philadelphia: J.T. Bowen, 1848. unbound. very good. Folio quadruped print. Lithograph with original hand coloring. Page measures 21" x 26.75". From First Imperial Folio edition of J.J. Audubon&#39;s "Viviparous Quadrupeds of North America". Minor overall wear and some chipping to edges. John James Audubon (1785-1851) was an American naturalist, painter and ornithologist who did extensive field work studying birds before painting them. By the late 1830&#39;s, he was planning a new book on the viviparous quadrupeds of North America. Audubon was assisted by many family members in this enterprise including his two sons. Please visit our gallery for more Audubon prints.

      [Bookseller: Argosy Book Store]
 32.   Check availability:     Biblio     Link/Print  


        A Tribute for the Negro: being a Vindication of the Moral Intellectual, and Religious Capabilities of the Coloured Portion of Mankind

      Manchester: William Irwin, 1848. First Edition. Leather. Very Good. 8vo - over 7¾" - 9¾" tall. Deluxe edition with two extra (twelve total) full-page engravings with tissue-guards. xxv, 564 pp plus 2 pages of advertisements. Black morocco with gilt decorations and lettering. All edges gilt. Text printed within an engraved border. Expertly rebacked with original spine laid down. Corners strengthened. Refreshed endpapers. Edges of first and last two leaves archivally repaired. Occasional light marginal dampstain. An important anti-slavery work that argues for the intellectual capabilities of blacks. Includes excerpts from works by people of African descent combined with a collection of short biographical sketches and portraits.

      [Bookseller: Read 'Em Again Books, ABAA]
 33.   Check availability:     Biblio     Link/Print  


        Evangeline, a Tale of Acadie. Sixth Edition.

      Boston: William D. Ticknor & Company, 1848 - Duodecimo. Original dun cloth, title gilt to spine, large gilt floral wreath to the centre of both boards contained within blind panelling, cream surface paper endpapers. A little rubbed, head and tail of the spine chipped, short split at the head of the upper joint, hinges a little cracked, light toning, but overall very good. Sixth edition, one year after the first. This copy inscribed on the front free endpaper, "Sarah Butler from her friend, Fanny [Kemble,] December 25th/'45," and with the Butler Place bookplate to the front pastedown. Sarah was Fanny Kemble's elder daughter, named for her aunt, the great tragedienne Sarah Siddons. When Kemble's abolitionism forced her separation from her plantation-owning husband Pierce Butler, her daughters remained in his custody. In 1848 she was touring England, in an attempt to rehabilitate her career, when she was " summoned to America, where her husband filed divorce proceedings on the grounds of desertion; batteries of expensive lawyers were hired on both sides, but Butler finally agreed to a settlement without the formality of a trial, to prevent revelation of evidence extremely embarrassing to him. It was a long and bitter divorce, but it was settled with surface amicability; Fanny was to have $2500 a year and access to the children, who were to live with their father. Butler tried every stratagem to keep from fulfilling the conditions, to the extreme pain of Fanny, who resumed her maiden name." (ODNB) An extremely emotive piece; a Christmas gift, inscribed in the midst of a highly-contested divorce, by a mother to her 13 year-old daughter, "her friend." A number of passages have been marked in the margins in pencil, including these lines; "Talk not of wasted affection, affection was never wasted;/ If it enrich not the heart of another, its waters, returning/ Back to their springs, like the rain, shall fill them full of refreshment " [Attributes: First Edition]

      [Bookseller: Peter Harrington. ABA member]
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        MITCHELL'S NATIONAL MAP OF THE AMERICAN REPUBLIC OR UNITED STATES OF NORTH AMERICA. TOGETHER WITH MAPS OF THE VICINITIES OF THIRTY-TWO OF THE PRINCIPAL CITIES AND TOWNS IN THE UNION.

      Philadelphia: S. Augustus Mitchell, . 1848 - Wall map, 39 x 49 inches, full period color. Surrounded by thirty-two small maps of individual American cities. Expertly repaired, backed with modern linen, trimmed in maroon cloth, on contemporary rollers. Some creasing, toning, and staining, but overall in very good condition. The fifth edition of an important wall map of the United States, following editions of 1843, 1844, 1845, and 1846. Along with thirty-two small maps of individual American cities, there are two important additional inset maps, which appeared first in the 1846 version: "Map of Oregon Territory" (shown encompassing Oregon and Washington) and "Map of the State of Texas." The change in the Oregon Territory inset is significant, in that the inset on the 1846 edition showed Oregon going north into Canada, while the present inset shows Oregon Territory constrained by the boundaries of the Treaty of 1846. Texas includes virtually all of present-day New Mexico. Another two additional inset maps ("Map of the North- Eastern boundary of the United States According to the Treaty of 1842" showing the Maine-Canada boundary, and "Map of the Southern part of Florida") are carried over from earlier versions of the map. There are also two population tables. As with all of Mitchell's early maps of the United States, the main map extends no further west than the 95th meridian (eastern Texas). Due to the tremendous territorial growth west of the 95th meridian brought about by the Mexican War (1846-48), the map was discontinued after 1850. The map, engraved by J.H. Brightly, also appeared at least once (1843) in a pocket map format, with the thirty-two town plans on a separate sheet. Not in Phillips' MAPS, which lists the 1843 edition. The present map is significantly different in size than the 1848 Mitchell wall map described in Rumsey 2300. An important map showing territorial gains made in the Mexican War.

      [Bookseller: William Reese Company - Americana]
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        Discursos políticos sobre la legislación y la historia del antiguo reino de Aragón

      Imp. S. Vicente, Madrid 1848 - 4º, 512 p, 1 hoj. Impreso en buen papel, con grandes márgenes. Plena piel, lomo y planos decorados en oro. Cortes dorados. Ruedas doradas en cejas. Guardas de seda. Demostración de la falsedad de la fórmula atribuida al juramento político de los reyes de la Corona de Aragón, citada por Francisco Hotman, historia crítica de la legislación aragonesa y de su codificación, y examen de los diferentes códices y diversas clases de juramentos reales. Historia. Corona de Aragón. Legislación. Cortes catalanas. History. Crown of Aragon. Legislation. Catalan Corts.

      [Bookseller: Libreria Anticuaria Studio]
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        The PERPETUAL ALMANACK; or, Gentleman Soldier&#39;s Prayer Book: Showing how one Richard Middleton was taken before the Mayor of the City he was in, for using Cards in Church during Divine Service

      [London]:: Catnach, Printer, 2, & 3, Monmouth-Court, 7 Dials.. (n. d.).. 14-7/8" x 9-9/16". Ca 1820s. Single sheet, printed recto only.. Some edgewear & soiling, with some rash to upper right. Old paper. backing to sheet. A VG copy of a rare item.. Chatto, in his "Facts and Speculations on the Origin and History of Playing Cards" [1848], states that the pack of cards has served as Ã’moral monitor, and help to devotion. The most popular, and best known, of such devotions, or rather applications, is the entitled Ã’The Perpetual Almanack; or, Gentleman-Soldier&#39;s Prayer BookÓ É. noting its first publication believed to be Brussels, 1778, with many subsequent editions, usually in chapbook format. Chatto goes on to quote the entire text of the piece, stating his source as this very Catnach broadside. &#11;&#11;OCLC records 2 institutional holdings, neither in the United States. . Illustrated with 2 woodcuts under the mast-head title, each 2-1/4" x 3-1/8". Illustrative border of playing cards [45 cards total, plus an emblem in each of the lower corners].

      [Bookseller: Tavistock Books, ABAA]
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        Album romantico con 35 grabados ingleses del siglo XIX. Diversos autores y titulos. ( Coqueteria española,Alrededores de Almeria,Daphnis y Cloe,Valldemora Mallorca, etc )

      L artiste - piel algo rozada, buena conservación en general algunas manchas del tiempo. Siglo XIX, hacia 1848. 0 págs.

      [Bookseller: LIBRERIA ANTICUARIA EPOPEYA]
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        Historia Universal y Moderna, Escrita En Frances Por El Conde De Segur y Traducida al Español Por Don Alberto Lista. Tomo 8

      Mariano Galvan, México 1848 - Con correciones, notas y adciones. Segunda edición. Con nuevos aumentos en la historia de varios paises, y muy considerables en la de la República Mexicana y adornada con láminas finas litográficas. Imprenta de Santiago Pérez. 11 tomos y 1 suplemento [Attributes: Soft Cover]

      [Bookseller: Alberto López Pasquali]
 39.   Check availability:     IberLibro     Link/Print  

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