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Displayed below are some selected recent viaLibri matches for books published in 1848

        [Reihe: "Die Revolutionen der Gegenwart"]. Sammelband mit 6 Publikationen zur Revolution 1848.

      Berlin, Gustav Hempel, 1848.. 16,5 x 12 cm. Halblederband der Zeit mit Rckentitel (Rücken etwas beschabt).. *Enthält (in der Reihenfolge der Bindung): 1. Frankreichs Revolution von 1848. Vollständige Geschichte derselben. 208 Seiten und 2 Porträts. - 2. Amtliche Berichte und Mittheilungen über die Berliner Barrikadenkämpfe am 18. und 19. März. (= Die deutschen Bewegungen im Jahre 1848, I. Preußen - Supplementheft), 64 Seiten. - 3. Schleswig-Holstein. Uebersichtliche und getreue Darstellung der jetzigen Ereignisse daselbst, nebst Geschichte und Beschreibung des Landes. 125 S., 1 Karte. - 4. Die deutsche Revolution im März 1848. 199 (1) Seiten. - 5+6. Die Berliner März-Revolution. Nebst allen darauf bezüglichen Actenstücken, Proclamationen, Documenten, Verhandlungen etc. Herausgegeben von Mitkämpfern und Augenzeugen. 2 Hefte. 102 S. + S. 103-178, Mit 2 lithogr. Tafeln. - Papierbedingt teils stärker gebräunt, sonst ordentlich erhalten.

      [Bookseller: Antiquariat Braun]
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        Map of Oregon and Upper California from the Surveys of John Charles Fremont and Other Authorities?

      Washington City: Senate of the United States, 1848. Rare. offwhite paper printed in black. Very, very faint browning at upper margin and lower left, left margin with minimal nicks. Old, archival tape repairs from backside in folds and corners of folds. An attractive map with no loss of paper. Approximately 71 x 90 cm. Lithographed by E. Weber & Company, Balt[imore]. The Mexican, Oregon Territory and British Possession borders hand coloured in green, the Pacific and some lakes in blue, and most rivers in red, all within a yellow border, much more colour on this map than is usual Scale 1:3,000,000. The northern and southers borders are outlined in green, as is the border between Oregon and California and the eastern boundary of the Rocky Mountains, the South Pass and Sierra Madre. At the top of the map is an elevation profile of the route from the South Pass to San Francisco. Both the Plumas and American Rivers show areas marked ? ?El Dorado? or Gold Region?. A landmark map deemed one of the most important in American history. Schwartz calls it an ?epochal? map and states, as do other authorities, that it is the ?Most accurate general map of the Far West for its time?. Underscoring its importance, Wheat devotes seven text pages and two illustrations to this fascinating map. Wheat notes that Fremont?s journals were burned after the expedition and the notes he did from 1845-46 were the most detailed ones he ever made. The Preuss map was the first to show the Mormon Zion settlement. It does place it at the northern shore of Utah Lake, which is wrong, however. It is also the first map to use the name ?Golden Gate? referring to San Francisco Bay. Furthermore, the map detailed much of the Great Basin and further west that had hitherto been a vast ?unknown? [Koepp, p. 20, #29. Ladd, Maps Showing Explorers Routes...U.S.. Wheat, Ill: #559 and p. 265+].

      [Bookseller: Randall House Rare Books]
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        Mémoires d'un page de la cour impériale (1804-1815)

      Boule, Paris, 1848. Hardcover. Good/No Dust Jacket. Size: 8vo - over 7¾" - 9¾" tall. Text is in French. Text clean. Small number written lightly on front free endpage. Spine cocked. Pages tanned. Boards bumped and worn at corners, edges and spine ends. Marbled boards sunned and rubbed. Paper title on spine tanned and chipped with writing. Closed tears and fraying to edges of boards. Quantity Available: 1. Inventory No: 128445..

      [Bookseller: The Dusty Bookshelf]
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        The miracles of our Lord

      London: Longman & Co.. 1848. "8vo, 15 leaves, chromolithographed throughout by Humphreys, plus 2 leaves of text (illuminator's remarks and a descriptive index of the miracles); extraordinarily well-preserved papier-mâché fancy strapwork boards incorporating the title and 6 oval portraits within a central panel, and made from a mold and adhered to paper card, sheep spine elaborately blindstamped to match and sandwiched between card and cover marbled endpapers, a.e.g.; a few very small cracks at extremities, else a fine example of this Victorian style of binding, and scarce thus as these bindings are susceptible to damage. This style of binding was first done by Humphreys in 1847 on his Parables of Our Lord, and was ""contrived to look like carved ebony … the result was splendidly gothic and impressive … the biggest triumph among all the ingenuities of Victorian commercial bookbinding … Noel Humphreys' illuminated books are rich and consistent examples of Victorian gothic design, and are among the best examples of chromolithography of the century. No lithographer is mentioned in any of them: but most of them were probably printed under the supervision of Owen Jones … About eight [Levin says 12] different titles seem to have been bound in this style, of which three appeared in later editions"" (McLean, Victorian Book Design, see chapts. 10 and 17). The Art of Publishers' Bookbindings, 160-162."

      [Bookseller: Rulon-Miller Books]
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      Quebec. -1855. 1848 - Six volumes. [2],xiv,360; [2],396; xi,[1],564; [2],540; vi,425; 468pp. Modern paper boards, printed paper labels. Some light scattered foxing, scattered staining in third volume, else very good. An important publication compiling an in- depth picture of events from 1791 to 1841 in Lower Canada and printing a number of significant documents no longer extant. Christie published many narratives concerning the governors of Lower Canada and their administrations, from Sir James Henry Craig to the Earl of Dalhousie. The present publication includes a number of those accounts. TPL 2450. DIONNE III:540. SABIN 12936. LANDE 138. GAGNON 1:895.

      [Bookseller: William Reese Company - Americana]
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        Travels in Siberia: Including Excursions Northwards, Down the Obi, to the Polar Circle, and Southwards, to the Chinese Frontier.

      Longman, Brown, Green, and Longmans, London - 1848, 1st U.K. edition. () Near fine. xi,495; ix,536 pp. Octavo. Bound in full contemporary polished calf. Heavily gilt decorated spines. Marbled endpapers with edges to match. Early interesting bookplate and nearly contemporary gift inscription. Mild foxing only to the blank endpapers. Large folding map in volume one. A very attractive clean set. Arctic Bibl. 4662, Sabin 22771. This is the first edition in English of Erman's extensive Siberian travels. An American edition appeared in 1850 but did not include the map of Siberia. See colour image. [Attributes: First Edition; Hard Cover]

      [Bookseller: Aquila Books(Cameron Treleaven) ABAC]
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        Mouvements et Camps de l'Armée du Roi et de celles des alliés , pendant la Campagne de 1705 - 1706 - 1708 - 1709 - 1710 - 1711 - 1712 -1713 [ tiré de l'Atlas des Mémoires Militaires relatifs à la Succession d'Espagne sous Louis XIV. Extraits de la Correspondance de la Cour et des Généraux ]

      Imprimerie Nationale 1848 - 70 feuilles au format in-folio 560 x 755 mm, à savoir, 1705 : XIV feuilles ; 1706 : XI feuilles ; 1708 : XI feuilles ; 1709 : VII feuilles ; 1710 : VII feuilles ; 1711 : VII feuilles ; 1712 : VII feuilles : 1713 : IV feuilles et 2 ff. de tables [ Imprimerie Nationale, circa 1848 ] Rare série proposant sous forme de grands tableaux l'ensemble des mouvements des Armées françaises et de leurs alliés lors des campagnes de 1705, 1706, et de 1708 à 1713. Etat satisfaisant (avec les tableaux mais sans les cartes, qq. accrocs et frott. en marge) Langue: Français [Attributes: Soft Cover]

      [Bookseller: Librairie du Cardinal]
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      1848 - IMPRESOR: 1. Paris, 1858, Maisonneuve et Cie.; 2. Paris 1853, Hachette et cie. 3. Paris 1848, Hachette et cie. DESCRIPCIÓN: Grammaire arabe vulgaire, 4ª edición. XV, 157 p + 10p Aventure de hakem., 6 h.; Exercices pour la lecture des Manuscrits Arabes , 80p (Exercices), 78p (figuration et la traduction en français); Clef de la Prononciation, VIII, 88p. 210 mm. ENCUADERNACIÓN: Bella y artística encuadernación en plena piel, color ocre, lomo redondeado con 5 nervios, filetes y gobrado y título abreviado con tejuelo y letras en dorado. En los planos tiene una plancha rematada con círculo y rueda con forma triangulo. Cantos y contracantos dorados con motivos vegetales, en el interior los mismos motivos vegetales sin dorar. COMENTARIOS: Volumen compuesta por tres obras relativas a la gramática árabe, realizadas por los destacados traductores y orientalistas franceses del siglo XIX. NOTAS: Caussin de Perceval considerado como uno de los grandes conocedores de la cultura árabe, y de la obra de Ibn Khaldoun. al que tradujo ofreciendo una fuente para el conocimiento de las costumbres árabes. CONSERVACIÓN: Muy buena, Texto limpio. [Attributes: Hard Cover]

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        Lives of the Queens of England, from the Norman Conquest; with Anecdotes of their Courts (Set of 6 books containing 12 volumes)

      Lea and Blanchard, Philadelphia 1848 - Quarter red leather, gilt spine, marbleized boards. Set of six attractive leather bound books containing twelve volumes providing biographical accounts of the Queens of England from Matilda, wife of William the Conqueror, to Queen Anne, who reigned at the beginning of the 18th century. The books make extensive use of official records and other public documents and include numerous extracts from them, as well as providing interesting information about manners and customs. Agnes Strickland (1806-1874) was an English historical writer, specializing in biographical studies of British royalty. She began her literary career writing historical romances in verse, published while she was in her 20s. She then turned to authoring prose histories for young people. Then, with her sister¿s assistance, she undertook the ambitious project of producing The Lives of the Queens of England, which appeared over a period of several years beginning in 1840. In the meantime, she also edited the letters of Mary, Queen of Scots for publication in 1843. In addition to an abridged version of her Queens of England she also authored The Lives of the Queens of Scotland (eight volumes 1850-59), The Bachelor Kings of England (1861), The Lives of the Seven Bishops (1866) and Lives of the Last Four Stuart Princesses (1872). In 1871, she obtained a civil-list pension in recognition of her achievements. Condition: Generally very good, the interior contents having usual light overall toning and scattered foxing. Title pages with handwritten inscriptions. Covers very good with usual scattered wear and soiling. Some weakening of spines where attached to covers, though intact. [Attributes: Hard Cover]

      [Bookseller: George Glazer Gallery]
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        EL BUSCAPIE. Opúsculo inédito que en defensa de la primera parte DEL QUIJOTE escribió Miguel de Cervantes Saavedra. Publicado con notas históricas, críticas i bibliográficas por.

      Imp. Revista Médica, Cádiz 1848 - 8ºm, XIXp (incl. port. semidesprendida), 64p, 194p. Hol. rozada. - Segunda edición. Palau 48544. 1848

      [Bookseller: Escalinata, librería]
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        A Few Remarks on a Pamphlet Entitled "A Few Words on the Hudson's Bay Company," in a Letter to Alexander Christie, Esq., Governor of Assiniboia.

      Printed by E. Couchman, London - 1848, 1st thus. () Fine. 21pp. Octavo in original tan printed wrappers. Fine. Peel 3 - 259. Not in TPL, Casey, Gagnon, Lande, Sabin, Amtmann, Eberstadt, Soliday or Streeter. Rare! Having emigrated in 1832 to Montreal, Thom was known for his anti-French Canadian views which he continued to publish after becoming the Montreal Herald's editor in 1835. He traveled to Red River in 1838 after being offered the job of recorder in Rupert's land where he was unpopular with the Metis population due to his francophobia and repressive fur trade measures suggested to the governor Assiniboia. Several petitions by the Metis, including Louis Riel Sr., were made for his resignation and in 1851 he was relieved of his duties. Series: Great Britain Colonial Office. [Attributes: Hard Cover]

      [Bookseller: Aquila Books(Cameron Treleaven) ABAC]
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      [Bookseller: Librería Tormos]
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        Views Of The Interior And Exterior Of Windsor Castle

      Thomas M'Lean, London 1848 - Royal Folio, 70 x 52 cm. 25 chromolithographed plates finished by hand, mounted and outlined in gold. Title printed in blue with hand-coloured vignette, dedication to Queen Victoria printed in blue. Nash was elected a full member of the Old Watercolour Society in 1842. He notes that this work is "illustrative of the state and ceremony which distinguish the Royal hospitality." ABBEY SCENERY. "An early example of three-colour printing. The figures and smaller details are hand-finished, probably by the artist, this being one of the few `Royal Copies." TOOLEY 339. Some light spotting not affecting plates, brief offsetting, corner rubbing. Contemporary three quarter brown morocco and brown aubergine cloth rebacked. Very good. [Attributes: First Edition; Hard Cover]

      [Bookseller: Royoung Bookseller, Inc. ABAA]
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        Berlin und Postdam. Ihre Vergangenheit, Gegenwart und Zukunft.

      München Poppel u. Kurz, 1848(1846).. 84 SS., 1 Bl. und 24 Stst.- Tafeln mit Ansichten, 8°, Or.- Glwd. mit goldgeprägtem Deckeltitel. ( etwas fleckig ).. So nicht in der Berlin - Bibliothek. Vergl. aber Berl.- B., C21, S. 53, dort als Galerie europäischer Städte, Lieferung 17 - 21, 1846 ) angegeben. - Schönes Berlin Album mit Ansichten der wichtigsten Gebäude, Straßen und Plätze aus Berlin ( 16) und Postdam (8). Alle Ansichten leicht stockfleckig, umgeben von einer gestochenen Bordüre und nach Vorlagen von Poppel.

      [Bookseller: Antiquariat Nikolaus Struck]
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        St. George's Hall. The Garter Banquet in 1844. The guests seated, Windsor Castle

      Thomas McLean, London 1848 - A fine image of the interior of Windsor Castle, recording the banquet given on the occasion when Louis Philippe, King of France, was awarded the Order of the Garter by Queen Victoria. This high quality plate, mounted in imitation of a watercolour, is from Joseph Nash's Views of the Interior and Exterior of Windsor Castle , published in London in 1848. Abbey, Scenery, 360, plate 10. Chromolithograph, finished by hand and mounted on card mount with ink-ruled border. Signed by artist in ink under lower left corner of image. Very good condition apart from some mild rippling and overall light soiling on mount. [Attributes: Signed Copy]

      [Bookseller: Donald A. Heald Rare Books (ABAA)]
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        Mittheilungen über die in Oberschlesien herrschende Typhus-Epidemie.

      R. Reimer,, Berlin, 1848 - Berlin, R. Reimer, 1848. 8°. 182, (2) S. Orig.-Broschur. Rather 39. - Seltene Schrift über den Typhus. - Aus dem Archiv für "path. Anatomie und Physiologie und für klinische Medicin", Band II, Heft 1. - Mit zwei Besitzerstempeln. Papier durchgehend stockfleckig. Broschur angestaubt und knitterfaltig. [Attributes: Soft Cover]

      [Bookseller: EOS Buchantiquariat Benz]
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      Amyot, 1848. - 1st edn. Tall 8vo. Contemporary half brown morocco on marbled paper-laid boards, all edges gilt (bright VG). Pp. 375 (with engraved bookplate on front paste-down; no inscriptions), illus with 32 b&w plates and coloured map. [Attributes: First Edition; Hard Cover]

      [Bookseller: Rothwell & Dunworth (ABA, ILAB)]
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        Histoire et costumes des Ordres Religieux, Civils et Militaires, deuxième édition considérablement augmentée.

      Librairie Ethnographique, Paris 1848 - grand in-8°, 2 volumes, IV-303-221 pages, reliures plein carton noir décoré d'éditeur (quelques petits défauts sans gravité), 117 planches gravées coloriées à la main et gommées [Attributes: Hard Cover]

      [Bookseller: Librairie Philippe Moraux]
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        MILLER'S PLANTERS' & MERCHANTS' ALMANAC For the Year of Our LORD 1849: ... Calculated by David Young, for the States of Carolina and Georgia

      Charleston, S. C.:: Published and Sold, Wholesale and Retail, by A. E. Miller. Printed by Miller & Browne, Broad-street.. [1848].. 8vo. 8-1/8" x 5". 1st printing (Drake 13364). No copies found on OCLC. Unpaginated, though 48 pp. Untrimmed. Unopened.. Printed self-wrappers, sewn.. Age toning & foxing to paper. Still, a VG - VG+ copy.. Contents: Eclipses; Mason and Dixon's Line; Calendar of Feasts, Festivals, and other days; Ephemeris of the Planets Geocentric Places; Officers of the Federal Government of the U.S.; Ministers, Com. Agents & Consuls of the U.S.; Federal Courts; InspectorsÊof Steamboats; Commissioners of Deeds in South Carolina; Foreign Ministers and Consuls in the U.S.; Free Schools in South Carolina; Free Schools in Charleston; Members to Congress from South Carolina; Civil and Military Officers of South Carolina; Courts of Law and Equity of South Carolina; Civil Officers of South Carolina; Members of the Legislature of South Carolina; Officers of the Government of Charleston Neck; Civil Officers of the District of Charleston; Charleston Savings Institution; Notaries in Charleston District; Police of the City of Charleston; The Banks [of South Carolina]; Charleston Post Office; Custom House in Charleston; Charleston Chamber of Commerce; Charleston Insurance, South Carolina Railroads; South Carolina Military Schools; Trustees of the South Carolina College; LunaticÊAsylum at Columbia, S.C.; Medical College of the State of South Carolina; High School of Charleston; Charleston Cotton Factory; etc.Ê . T.p. with typographical border.

      [Bookseller: Tavistock Books, ABAA]
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        The British Angler's Manual, or, the Art of Angling in England, Scotland, Wales, and Ireland. With Some Account of the Principal Rivers, Lakes and Trout Streams, in the United Kingdom; with Instructions in Fly-Fishing, Trolling, and Angling at the Bottom,

      H.G. Bohn, London 1848 - Rebound by Bayntun Riviere in green leather with blind-stamped border. Raised bands to spine with gilt titles to leather label and spine. Marbled epps with floral gilt border. All edges gilt. 448pp. New edition, revised and enlarged by E. Jesse, Esq. Illustrated with numerous engravings on steel and wood, chiefly from original pictures and drawings by the author. A very good book in a handsome binding. . [Attributes: Hard Cover]

      [Bookseller: Scrivener's Books and Bookbinding]
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        The Great Hoggarty Diamond. [Bound after:] Vanity Fair. A Novel without a Hero.

      New York: Harper and Brothers 1848 - FIRST EDITION IN BOOK FORM of the ‘Great Hoggarty Diamond’, final ads discarded, 32 plates in ‘Vanity Fair’, foxed throughout (mostly lightly), plates toned, the upper blank corner of the illustrated title to vol. i torn away, some edges creased, pp. viii, [9]-332, [4], 67, 78-84 (as called for), 8vo., bound together in slightly later half dark red roan, marbled boards and endpapers, backstrip with four raised bands, second compartment gilt lettered direct, rubbed, a little chipping to backstrip, cornertips worn, morocco booklabel of Estelle Doheny, sound The scarce first book-form edition of Thackeray’s ‘The Great Hoggarty Diamond’, originally published serially in ‘Fraser’s Magazine’ in 1841. This printing is based on the serial and hence is slightly different from the first English edition, which would be published in London the following year as ‘The History of Samuel Titmarsh and the Great Hoggarty Diamond’. This version is much scarcer than the first English edition: according to Van Duzer, Dickson could locate only one copy, in the Boston Athenaeum, and there are no copies now listed in COPAC. ABPC records only four appearances at auction, all in America, and none after 1989.Bound before it is a later printing of the first American edition of Vanity Fair, with no date on the title but with publisher’s ads including works issued in the early 1850s. (Van Duzer 88)

      [Bookseller: Blackwell's Rare Books ABA ILAB BA]
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      Buffalo: Faxon & Stevens, 1848.. 207pp. including one full-page illustration. Original black cloth, stamped in gilt and blind. Neatly rebacked with original spine laid down. Very faint tideline throughout, minor foxing. Very good. In a cloth case, leather label. An exceptionally rare firsthand account of the Canada Rebellion of 1837-1838, and the experiences of an American participant who was imprisoned and sent to Tasmania. Marsh was one of eighty-two Americans convicted of aiding the Canadian rebels. Captured after the Battle of Prescott, he was detained at Toronto and Kingston before being sent to Van Diemen's Land. Sent aboard the British prison ship, Buffalo, he reached Hobart Town in February, 1840. Marsh was pardoned in 1845 and returned to Buffalo the next year. He describes in detail his imprisonment in Canada, the voyage to Tasmania, and the "cruel and unmerciful treatment during five years of unmitigated suffering on that detestable prison island." Also of interest is Marsh's description of Tasmania, its inhabitants and products. The illustration is a woodcut of the burning of the steamship Caroline. "The most detailed, most graphic, and most valuable of the narratives of exiles to Van Diemen's Land" - Severance. "Rarest of the Canadian Prisoner Narratives" - Ferguson. Ferguson notes one known copy, that formerly in the collection of Dr. C. Craig of Launceston, Tasmania, bearing a 1847 publication date. That copy sold at auction in 1975 for $3871. The copy of the 1848 edition of this title described by Ferguson is stamped in gold on the front board "New Book of Martyrs." Our copy is stamped in gold on the front board "Patriot Exile." Not in Lande, Sabin, or TPL. Quite rare and desirable. HOWES M307, "aa." FERGUSON 4822. SEVERANCE, UPPER CANADA REBELLION, p.471. SEVERANCE, BUFFALO IMPRINTS, p.601.

      [Bookseller: William Reese Company - Americana]
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        Flowers and Their Kindred Thoughts

      Longman & Co., London 1848 - A beautiful volume that has the double benefit of an Owen Jones Relievo binding and 15 full page chromolithographic plates (including decorated Colophon page), also by Owen. To start with the binding: Designed by Owen Jones and bound by Remnant Edmonds & Remnants. There are bevelled boards where the bevels are blocked with a curling stem and leaf decoration and the boards (front and rear) are thick with ivy leaves, berries and twigs blocked in blind and relief. The title to the front board is in gothic lettering based upon twigs. Gilt inside dentilles. Gilt edges. The front and rear end papers are on thick textured paper and have a gilt ivy / leaf / berry pattern. printed on upper endpaper verso, at the tail is: ' Bound by Remnant Edmonds & Remnants'. The interior presents 14 superb full page chromolithographic flowers, each associated with an attribute which is described in gilt gothic lettering on the opposite page (e.g. Snowdrop for hope, Primrose for innocence, Rose for love). The lithography is by E. L. Bateman. The overall condition of this volume is very good. Specific condition: There is some slight staining and scuffing to the outer boards (see photo). The front and rear hinges have been reinforced with a neat brown tape strip. There are one or two minor brown spots. This book has a gutta percha binding and quite thick heavy pages - this combination means that some of the pages are loose and pulling away. There is a contents page but no title page present. Some additional background information that you may find of interest: Owen Jones worked for Thomas De La Rue on playing card design, and many of the chromolithograph flower illustrations in this book are to me reminiscent of his work on playing cards for De La Rue. Jones is best known as an interior and pattern designer although he was also an architect. He was superintendent of works at the Great Exhibition of 1851 and designer of the Greek, Roman, Egyptian and Alhambra Courts at Crystal Palace after its move to Sydenham in 1854. Together with Sir Matthew Digby Wyatt, Jones produced the vastly influential Grammar of Ornament in 1856. Leake's patented "Relievo" bindings, made of heavily molded and embossed leather left to its natural color, are usually associated with the English designer Owen Jones. Like papier-mâché bindings, "Relievo" bindings recall both medieval bindings and wood carvings and often occur on ecclesiastical books. The English trade binders Remnant & Edmonds were responsible for many known examples of "Relievo" work, winning a prize for them at the Great Exhibition of 1851. 4to - over 9¾" - 12" tall. [Attributes: Hard Cover]

      [Bookseller: The Little Book Store]
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        New Zealand Government Gazette. (Province of New Munster) Vol. I, Nos. 10-22, 24-26 (Near complete run of 16 issues). May 1848 - December 1848.

      New Zealand Government, Wellington 1848 - Chips missing to upper left margins of leaves on several gazettes, without loss of text. ; Volume I, Numbers 10-22, 24-26 + 6 pages of the index leaves for the years 1847-1848. Dimensions: 13 1/4" by 8 1/4". Pagination (53) -88, [2], (93)-118, 127-139 + 6 pages of index. From 1846 until 1853 the whole of the South Island and the part of the North Island south of the Patea River, including Wellington, formed the Province of New Munster. This is a run of 16 issues of the offical government gazette for this province, and a fairly early example of indigenous New Zealand printing. On page 139 the area previously known as Otakou is given its new official name of Otago. The gazettes contain a wealth of contributions from notables such as Alfred Domett, Colonial Secretary; Sir George Grey; Donald McLean; J. Fitzgerald & others. ; Folio 13" - 23" tall [Attributes: Hard Cover]

      [Bookseller: Renaissance Books]
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        Specimens of the Geometrical Mosaic of the Middle Ages. With a brief historical notice of the art founded on papers read before the Royal Institute of British Architects, the Royal Society of Arts and the Archaeological Institute of Great Britain and Ireland.

      For the Proprietor, 17 Gate St., London 1848 - 1848 Tall folio, 19 x 13 inches (48.25 x 33 cm). 26 p, plus 21 color plates (including title page). Original boards rebacked with recent dark brown leather, with gilt rule and title on spine. With a sheaf of 12 original contemporary hand-drawn watercolor mosaic designs and notation, each protected with tissue guard and likely executed by the original owner whose note is mounted on the front pastedown. The note reads, "Please take great care of this book and of the loose copies of mosaic designs. J. M. Ivery", dated 1899. The volume has gone through repair, with Japanese paper reinforcements to many of the foredges of the text pages, likely accomplished by the binder who rebacked the volume, with evidence of earlier taping still evident in places. The plates are primarily untouched, having been printed on sturdier stock. There appears to be old waterstaing to the boards, though the contents remain unmarked. Crease to the lower corner of the front board. Despite its wear, the copy remains in good+ condition, with the exquisite color lithograph plates still bright and clean, text legible and intact. A very scarce document of medieval ornament and decoration. [Attributes: First Edition; Hard Cover]

      [Bookseller: Caliban Books Pittsburgh PA, ABAA]
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        Road in the Redwoods, Santa Cruz Mtns. Calif.

      - Raymond Dabb Yelland (1848-1900) “Road in the Redwoods, Santa Cruz Mtns. Calif.” Signed “R.D. Yelland” lower left Inscribed with title reverse (before restoration) 1890 Oil on canvas 21 ¼” x 13 ¼”; 32” x 24” framed Provenance: Artist's estate to Mrs. E.D.V. Gould; to Mrs. Taylor; to her grandson, private collection, Longview, Washington. During the 1880s, a number of well-trained and widely traveled landscape painters settled permanently in the San Francisco Bay area. These artists adopted a loose and expressive brushwork style in their views of California landscapes, influenced by the Impressionistic style that was gaining popularity in Europe. Raymond Dabb Yelland, known as a distinguished artist and dedicated art instructor, was one of the stalwarts of the San Francisco art world. Born in England, his family brought him to America at age three. He studied at the country’s leading art institute, the prestigious National Academy of Design in New York City. In 1874, at the age of 25, he moved to Oakland, California as a professor of drawing and painting at Mills College. He quickly gained a fine reputation as a teacher, and later assumed additional academic positions in the Bay area, including assistant directorship of the San Francisco Art Association, founded in 1871, and the directorship of the California School of Design. A beloved teacher, he was a decisive influence on a younger generation of California artists. Among the many who worked with him directly were Gottardo Piazzoni, Grace Carpenter Hudson and James Everett Stuart. Yelland was trained as a technically adept painter of the academic tradition of realism. He excelled with paintings in the American “luminist” mode, portraying quiet stretches of water and sky bathed in the delicate light of early evening. Yelland’s works are the best west coast examples of this style developed in the east by Kensett, Gifford, Bricher and Silva. The meticulous realism captured in paintings of this mode was created through tiny brushstrokes that obliterate any sense of an artist’s hand at work. Yelland is best known for his coastal scenes at sunset, but often visited and painted views in the Monterey area. In 1886, Yelland went to Paris to exhibit in the Salon. It appears that both the French Impressionists, whom were having their eighth and final exhibition in Paris that year, and the French Barbizon painters, known for their impressionistically painted landscapes, influenced Yelland. This particular painting has a painterly style that is reminiscent of Pissaro and Monet. And, one of the Barbizon painters’ favorite subjects was the wood interior, portraying ancient trails through the oaks in the Forest of Fontainebleau near the village of Barbizon. Yelland’s painting takes this fashionable subject of the woodlands, and adapts it to California, capturing the majestic beauty of the redwood forests in Santa Cruz mountains south of San Francisco. Yelland has created a pleasing harmony of warm tones in matching the orange tints of the foreground earth to the bark of the giant trees. This painting was most likely completed in 1890, when other Yelland paintings of Santa Cruz subjects were exhibited at the San Francisco Art Association. Incidentally, Yelland’s work was also included in a special “California Artist” exhibition, which was part of the California Midwinter International Fair of 1894, held in San Francisco’s Golden Gate Park. [Attributes: Signed Copy]

      [Bookseller: Arader Galleries San Francisco]
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        Wiener Bürger Cavallerie. 1848.

      Wien, Leykum, 1848.. Lithografie mit Tonplatte von C. A. Pettenkofer nach C. Most, Bildausschnitt 32 x 48 cm, Blattgr. 43,5 x 56,5 cm.. Sehr seltenes und großformatiges Blatt der Wiener Bürgerkavallerie, zeigt von links nach rechts Officier u. Cavallerist in der Campagne Uniform, Trompeter in Galla, Wachtmeister und Estandart-Führer in Galla, Cavallerist in Galla, Officier in Galla; ein Einriß rechts bis in die Darstellung alt hinterlegt, in den Rändern etwas fleckig und angestaubt, sonst von guter Erhaltung.

      [Bookseller: Antiquariat Clemens Paulusch GmbH]
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        Expedition zur Entdeckung der Quellen des weissen Nil. (1840 - 1841).

      (Berlin), (Reimer), (1848) - Gr.8°, 543 S., 1 Bl. Korrigenda, 1 Faltkarte, 1 Falttaf., Priv.-Kart. d. Zt. m. Rückenschild., Unvollständiges Titelbl. a. fliegendes Vs. verso geklebt - es folgt der Schmutztitel (die VI S. Vorwort von Carl Ritter fehlen). Der Schmutztitel stockfleckig, die Vs. auch gebräunt (die Falttafeln stellenweise, der Buchblock nur sehr vereinzelt stockfl.). Einband v. a. an den Kanten berieben. Erstausgabe des seltenen frühen Berichts. Der deutsche Afrikaforscher Ferdinand Werne (1800-1874) nahm an der zweiten, vom ägyptischen Vizekönig Mehmed Ali ausgesandten Expedition zur Erforschung der Quellen des Weißen Nil teil. 1200 gr. [Attributes: First Edition; Soft Cover]

      [Bookseller: antiquariat peter petrej]
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        View from under the Portico of the Temple of Denera

      Moon, F.G., London 1848 - The Prints of David Roberts:Part 1 - The PrinterLouis Haghe (1806-1885) was one of the msot skillful exponents of the tinted lithograph who became a leading reproductive lithographer in England and on the Continent. Haghe's reputation as a lithographer was primarily based upon topographical views, of which Twyman notes "his most important work of this kind, the translation of Roberts' sketches of the Holy Land, represents the culmination of his art".Part 2 - The Publication of Roberts' Holy Land and EgyptRoberts first sketched in his journals "on the spot" the vaious subjects which, on returning to London, he transcribed into finished paintings and watercolors. These then formed the basis of the lithographs drawn and printed by Louis Haghe. It is interesting to note that in some instances Roberts' original drawings were twice or three times the size of the published print, which indicated the skill of Haghe and his assistants in transferring Roberts' designs onto lithographic stones.Part 3 - A Genesis of Roberts' PrintsDavid Roberts fulfilled a boyhood dream by visiting the East and recording what he saw there; by August 1838 he had resolved to "visit the Holy Land, and make drawings of the scenes of sacred history and the antiquities of Egypt". By this time Roberts had already established himself as a successful topographical artist and published his set of Spanish scenery as tinted lithographs, Picturesque Sketches in Spain, 1837. Eventually he would be elected to the prestigious Royal Academy on the strength of his topographical paintings.Part 4 - The PlatesRoberts' Holy Land and Egypt project has been called "the most ambitious work ever published in England with lithographic plates" (according to Micheal Twyman). Its production involved over 600 lithographic stones used over an eight to nine year period. It is generally agreed the lithographers Day & Haghe were the most efficient for such large scale work, while Louis Haghe himself was a master lithographer.The plate formats strongly influenced their presentation as prints: large full-page and small half-page vignettes representing what Roberts intended to be the difference between finished drawings and sketches. roberts was a good judge of accurate transposition of his watercolors and sketches into lithography.Today historians regard Roberts' Holy Land and Egypt as the last link between the established artist and topographical lithography. Since Roberts' prints were the most costly publishing venture in Britain at the time, undertaken by a publisher "on his own responsibility", Roberts sighed on its completion: " . thank God . that with being blessed with health and backed by my ever esteemed friend Louis Haghe I may also say the most satisfactory."References:Micheal Twyman, Lithography, 1800-1850, London, 1970Katherine Sim, David Roberts, London 1984J.R. Abbey, Travel in aquatint and lithograph 1770-1860, Nos. 272, 385James Ballantine, The Life of David Roberts, Edinburgh, 1866Helen Guiterman, David Roberts, London 1978Barbican Art Gallery (catalogue), David Roberts, London, 1986British Library (BS), Image Size : 505x350 (mm), 19.875x13.75 (Inches), Platemark Size : , Paper Size : 605x420 (mm), 23.75x16.5 (Inches), Original Hand Coloring, Lithograph

      [Bookseller: Alexandre Antique Prints, Maps & Books]
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        Mosque of Sultan Hassan, Cairo. December 1st, 1848.

      London. 1848 - Size: 425 × 610 mm. Very good condition. Unobtrusive blind stamp. Tinted lithograph with additional colour. Roberts was the first independent, professional British artist to travel so extensively in the Near East. His tour in 1838-9 produced 272 sketches, a panorama of Cairo and three full sketchbooks, enough material to "serve me for the rest of my life" (Roberts, eastern journal, 28 Jan 1839). Over the next decade he made "a series of intire new drawings" for the large coloured lithographs executed by Louis Haghe for The Holy Land, Syria, Idumea, Arabia, Egypt & Nubia, which was originally published by subscription, 1842-9. No publication before this had presented so comprehensive a series of views of the monuments, landscape, and people of the Near East. "Robert's Holy Land was one of the most important and elaborate ventures of nineteenth-century publishing, and it was the apotheosis of the tinted lithograph" (Abbey, Travel). These lithographs were originally published in twenty parts, most parts containing six plates, the price for each part with coloured plates (the most expensive state) being 3 guineas. Sketches in Egypt and Nubia, from Drawings made on the Spot. 1846-9. Abbey, Travel, 272; Gay 2216; Ibrahim-Hilmy, II, p.176; Lipperheide 1591; Tooley (1954) 402.

      [Bookseller: Peter Harrington. ABA member]
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        Voyages dans les deux Océans Atlantique et Pacifique, 1844 à 1847: Brésil, Etats-Unis, Cap de Bonne-Espérance, Nouvelle-Hollande, Nouvelle-Zélande, Taiti, Philippines, Chine, Java, Indes Orientales, Egypte.

      Paris, A. Franck, 1848. - Large 8vo. (VII)+326+(1) pp. Complete with 4 maps (incl. 2 fold.), num. wood-engr. plts. & ills. Hardcover. Contemp. blind cloth-backed marbled boards. VG/--. (Spine a bit sunned, edges of binding rubbed; occas. sl. foxing, incl. to fold. maps and part of plates). [Attributes: Hard Cover]

      [Bookseller: Charbo's Antiquariaat]
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        Geschichte der Kölnischen, Jülichschen und Bergischen Geschlechter in Stammtafeln, Wappen, Siegeln und Urkunden: 2 Theile. Erster Theil: Stammfolge und Wappenbuch (A - Z). Zweiter Theil: Ergänzungen und Verbesserungen zum 1. Theil und Stammfolge und Wappenbuch der clevischen, geldrischen und moersschen Geschlechter, so weit sie in dem Herzogthume Jülich Cleve Berg ansässig waren (A - Z) - 2 Bände (komplett)

      Köln und Bonn, Verlag J. W. Herberle, 1848 und 1853.., 1848.. Originalausgabe Bildnis (Anton Fahne) Titel und 5 Tafeln, 468 Seiten 2 Bl. Register mit mehr als 1000 in Holz geschnittenen Wappen, 200 lithographischen Siegelabbildungen, Häuseransichten u.s.w.., Titel der Lieferungsausgabe, doppelseitige Tafel, XVI, 238 Seiten mit 600 neuen Familien, mehr als 600 in Holz geschinittenen Wappen und des von Reinald von Dassel erbauten erzbischöflichen Pallastes zu Cöln. (vollständig) 38 cm, nachgebundene Ausgabe der Lieferungen (Broschur), Halbleinen, manche Seiten mit Seitenpapier hinterlegt oder verstärkt, sonst Exemplar in guten Erhaltungszustand. Wappen-Exlibris-Stempel auf Vorsätze Norddt 1 +++++ 20 Jahre Antiquariat Christmann in Wiesbaden +++++

      [Bookseller: Wiesbadener Antiquariat Christmann]
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      Nantes (1848) - Small folio 39x28 cm, 2 volumes HANDSOMELY LEATHER BOUND IN ONE - in recent half morocco gilt. 5 lithograph titles, and 125 LITHOGRAPH PLATES (100 costume plates and 25 views). The text and plates occasional do not follow numerically but the plates appear complete. Scattered spotting and a crescent mark to the outer margin of a some plates. [Attributes: Hard Cover]

      [Bookseller: Charles Russell, ABA, ILAB, est 1978]
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        Opp. 4, 13, 15, 29, 30 45]. Collection of 12 string quartets in parts in first and early editions, [Subtitle]: as follows:

      - "The largest portion of Spohr's chamber music was for strings alone, ranging from 19 unsurpassed duos for two violins to four masterly, and largely unemulated, double string quartets. These, together with the 36 string quartets (and several other works for the same combination), seven string quintets and the String Sextet of 1848, display a number of common features. Spohr's own mastery of the violin is evident in all of them, and their technical difficulties, together with the particular style of performance necessary to secure their full effect, may partly explain their infrequent performance. The quartets, especially, fall into two distinct categories: solo quartets in the tradition of Rode (often entitled "Quatuor brillant"), which are essentially violin concertos with string trio accompaniment, and true quartets where the interest is more evenly divided between the instruments. At its most baneful, Spohr's virtuosity induced him to slip into predictable passage-work in the linking sections between the main tonal centres of his sonata form movement. There are, however, many examples of brilliance without vapidity in these works and his imagination seems particularly to have been stimulated by less usual combinations." Clive Brown in Grove online - Deux Quatuors. composés et dediés A Son Altesse Serénissime Monseigneur le Duc regnant de Saxe-Gotha et altenbourg. Oeuv. IV. Leipzig: chez A. Kühnel )Bureau de Musique) [PN 455] [1806]. [1] (title), 2-14; [1] (title), 2-9; [1] (title), 2-9; [1] (title), 2-9 pp. Engraved. Tears to edges of title to first violin part. First Edition. Göthel p. 13. With manuscript note to foot of title: "Den 19. Juni 1806." - Deux Quatuors. composés et dediés A Monsieur Keller Conseiller de So Altesse le Margrave de Bade. Op. 15. Leipzig: chez C.F. Peters (Bureau de Musique) [PN 720] [1818]. [1] (title), [2-3] (blank), 4-15; [1] (blank), 2- 9; [1] (blank), 2-9; [1] (blank), 2-9 pp. Engraved. First Edition, later issue. Göthel p. 27. - Xtes Quartett. 30tes Werk. Wien: S.A. Steiner und Comp. [PN S:u:C: 3017 [1819]. 13; [1] (blank), 2-9; [1] (blank), 2-9; [1] (blank), 2-9 pp. Engraved. First Edition. Göthel p. 51. Weinmann: Senefelder, Steiner & Haslinger, p. 167. - Quatuor Brillant. Oeuv. 13 [corrected in manuscript to 43]. Leipzig: C.F. Peters [PN 1361] [1818]. 11; [1] (blank), 208; [1] (blank), 2-8; [1] (blank), 2-7 pp. Engraved. First Edition. Göthel p. 77. - Trois Quatuors. Oe. 45. No. I [II-III]. Leipzig: C.F. Peters [PN 1487, 1489, 1490] [1818]. Violin I: 12; 13; 13 pp.Violin II: [1] (blank), 2-9; [1] (blank), 2-11; [1] (blank), 2-10 pp.Viola: [1] (blank), 2-9; [1] (blank), 2-11; [1] (blank), 2-10 pp.Violoncello: [1] (blank), 2-9; 8; [1] (blank), 2-10 pp. Engraved. First Edition. Göthel p. 82. - Trois Quatuors. composés et dediés À Son Ami Andreas Romberg. Oeuvre 29. Vienne: Pierre Mechetti [PN] 381 [1815]. 23; [1] (title), 2-19; [1] (title), 2-19; [1] (title), 2-17 pp. Engraved. First Edition. Göthel p. 50. Weinmann Mechetti p. 11. Four volumes. 19th century marbled paper over flexible boards with large labels titled in manuscript to uppers. Occasional annotations. Bindings slightly worn. Minor browning, foxing and staining. In very good condition overall. [Attributes: First Edition; Hard Cover]

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        Chants et Chansons Populaires de la France. Nouvelle edition. Notices par Dumersan. Accompagnement de Piano par H. Colet. Illustrations par MM. E. de Beaumont, Boilly, Daubigny, Dubouloz, E. Giraud, Meissonnier, Pascal, Staal, Steinheil, Trimolet. Three Vol. withChansons Populaires des Provinces de France. Notices par Champfleury. Accompagnement de Piano par J.B. Wekerlin. Illustrations par MM. Bida, Bracquemont, Courbet, Ch. Jacque, Ed. Morin, et al. One Vol

      Paris: Garnier Freres& Bourdilliat et Cie.. [1848] and 1860. New Edition of the first three volumes with the first edition of the 4th volume all four volumes bound in 2. Lg. 8vo; handsomely bound in contemporary 1/2 red morocco and marbled boards, spine paneled, gilt decorated, title gilt, some rubbing to extremities, hinges of Vol. II starting, generally very good. Each volume illustrated with engraved frontispiece (etching). Each song with 2 pp. explanatory text plus 4 pp. of engraved lyrics surrounded by engraved vignettes plus 2 pp. engraved musical score. Vol. I - Chants Guerriers et Patriotiques Chansons Bachiques Vol. II - Chansons et Chansonnettes Chansons Burlesques et Satiriques Vol. III - Chansons Choisies Romanies, Rondes et Complaintes Vol. IV - Chansons Populaires des Provinces de France Noels, Chansons de Mai, Ballades, Chansons de Metiers, Chansons de Mariees. Volume IV with Notice par Champfleury, Accompagnement de Piano de J. B. Wekerlin. Illustrations par MM. Bida, Bracquemond, Catennacci, Courbet, Faivre, Flameng, Francais, Fath, Hanoteu, Ch. Jacque, Ed. Morin, M. Sand, Stall, Villevielle. The first edition of the first three volumes of this work was published by H. -L. Delloye/Garnier Freres, 1843. This 1848 edition was a reprint with changes and substitutions, notably substituting La Marseillaise by Rouget de Lisle for the opening song in Volume I. Page size: 27.5 x 20 cm. Vicaire II, 246-247. Brivois, pp. 94-96. Ray, Art of the French Illustrated Book, 232. <br>See an <A HREF= >Image.</A><br>

      [Bookseller: Priscilla Juvelis, Inc.]
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        Loss and Gain

      London: James Burns, 17 Portman Street, Portman Square, 1848. First edition. 12mo. 386 pp. Bound without terminal leaf of publisher's ads. Modern half cloth and green marbled boards, retaining an earlier morocco spine label; marbled edges. Name cut from top margin of title page, another removed from title with ink eradicator. Very good copy of a rare book. Sadleir 1825; Wolff 5096 "a very rare book"; Wolff, Gains and Losses, pp. 43-60 . The first work of prose fiction by the noted theologian, John Henry Newman (1801-1890), whose conversion to Catholicism in 1845 shook the Anglican church. A thinly disguised account of his conversion, Loss and Gain is the most important English religious novel of the nineteenth century and a key document in the history of the Oxford movement. It was widely reprinted and a subtitle was added in the later editions. Newman was made a Cardinal by Pope Leo XIII in 1879 "Newman himself was in the process of publishing (anonymously) his first novel, Loss and Gain: the Story of a Convert. The book is partly autobiographical ... The inconsistencies of the comprehensiveness of the Church of England and of Anglo-Catholicism are amusingly satirized in what are probably the most memorable parts of a novel of which the chief claim to originality lies in the introduction of a new kind of introspective self-questioning into English fiction (see K. Tillotson, Novels of the Eighteen-Forties, 1954). ... the most significant Roman Catholic theologian of the nineteenth century, [Newman] has also come to be seen as the most seminal of modern Catholic thinkers" (ONDB). Wolff writes, "it remains extraordinarily significant ... Newman's novels ... delighted his peers. But unquestionably they were too subtle, too intellectual, too profound, then as now." "By common consent, and in the considered opinion of Gerard Manley Hopkins and James Joyce, Newman was the greatest Victorian master of English prose," writes Anthony Kenny in this week's TLS (30 July 2010), where he reviews a recent biography, Newman's Unquiet Grave by John Cornwell, and considers the projected visit to England by Pope Benedict XVI for "the beatification (a last staging post on the path to sainthood) of John Henry Newman in September". The issues includes a second extensive article by Bernard Manzo, "The test of literature, John Henry Newman's holy imaginings", discussing Cardinal Newman's poems, two novels and essays. Rare

      [Bookseller: James Cummins Bookseller]
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        A History of the Late Province of Lower Canada, Parliamentary and Political, from the Commencement to the Close of Its Existence as a Separate Province VOLS. II, III, IV, V, VI.

      T. Cary & Co., Thomas Cary, and Richard Worthington, Montreal, Quebec, Canada 1848 - Set does not include Volume One. Half-Leather, marbled boards. Vol. 2: 1848, 396pp., Vol. 3: 1850, xi, 564pp., Vol. 4: 1866, iv, 548pp., Vol. 5: 1866, vii, 442pp., 1 ad, Vol. 6: 1866, xi, 468pp. Originally appeared in instalments between 1848 and 1855. Endpapers have heavy spotting/foxing, lighter spotting throughout text. Pages are firm in bindings. Boards and leather have edge/rub wear, light chipping/grazing to the marbled paper, leather worn at the corners and the spine top/bottom, light scarring, and creasing to the spine and hinges. Actual set for sale pictured. 12 x 18.8 x 13.2 cm, wt 2.1Kg Please note the set is oversized and it may require extra postage depending on the service and destination. [Attributes: Hard Cover]

      [Bookseller: Alex Simpson]
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        Conversations- Lexikon. Neunte Originalauflage. In fünfzehn Bänden. Allgemeine deutsche Real-Encyklopädie für die gebildeten Stände.

      Leipzig. F.A. Brockhaus Verlag, ff. 18431843-1848. - 9. Auflage, 15, gr.8°. 22,4 x 14,9 cm. 11470 Seiten, In gutem Zustand. ohne Atlasband, der in Lieferung erschienen ist. Einbände berieben und bestoßen, Rückenschilder teils mit Fehlstücken, ein Rücken stärker beschädigt, Papier teils gebräunt, alle Einbände mit grünem Buntpapier der Zeit bezogen, Buchblöcke gut erhalten, mit Rückenschild, Hardcover in Pappband, [Attributes: Hard Cover]

      [Bookseller: Leipziger Antiquariat e.K.]
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        Leatherstocking Tales (Volume 1. The Deerslayer: or, The First War-Path; Volume 2. The Pathfinder: or, The Inland Sea; Volume 3. The Last of the Mohicans; Volume 4. The Pioneers, or The Sources of the Susquehanna; Volume 5. The Prairie)

      Philadelphia: Lea & Blanchard. 1848, 1848, 1849, 1848, 1849 (but maybe all 1848?). Early reprint of the first collected edition. Five volumes. Publisher&#39;s uniform brown cloth stamped in blind and titled in gilt. Each title is two volumes in one. Three volumes have the ownership signature of Thos. Sackett dated in 1848 (including one of the 1849 volumes), corners bumped and worn, some erosion to the cloth on the spine with minor loss at the spine ends, considerable foxing, but a handsome, about very good set, and very uncommon. OCLC locates three different printings of sets of The Leatherstocking Tales published before 1850, all by this publisher, and each set in five volumes: 1843, 1846, 1849. Each set is held in only one location (all three at the American Antiquarian Society). At any rate a scarce early collected set. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        Aid to Ireland : report of the General Relief Committee of the City of New York, organized February 10th, 1847 : with schedules of their receipts in money, provisions and clothing

      New York : The Committee 1848 - Physical desc.: 186 p ; 23 cm. Notes: "Prepared by the committee appointed for the purpose and completed to the 1st of February, 1848". Committee members: John Jay, James C. King and Stewart Brown.--P. [3]. Subject: General Irish Relief Committee of the City of New York. International relief.Poor - Ireland. Charities - New York (State) - New York. Ireland - Economic conditions. Other names: Jay, John, 1817-1894. King, James G. (James Gore), 1791-1853. Brown, Stewart, 19th cent. Referenced by: OCLC 20064663. Finely bound in modern aniline calf over marble boards. Gilt cross-bands with the title blocked direct in gilt. An exceptional copy - scans and additional bibliographic detail on request. 1 Kg. 186 pp. [Attributes: First Edition; Hard Cover]

      [Bookseller: MW Books Ltd]
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        Contemporay Hand-colored lithograph: "Thebes" from "Egypt & Nubia"

      London, 1848 - . Framed and glazed. Very handsome cream painted wooden frame

      [Bookseller: James Cummins Bookseller, ABAA]
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        Dealings With The Firm of Dombey and Son Wholesale, Retail and for Exportation

      Bradbury and Evans,, London: 1848 - Very near fine in in a late 19th century binding of 3/4 pebbled, black leather covered boards over marbled paper with five raised bands on the spine with gilt text and decorations in the compartments, marbled end pages and the top edge of the text block is gilt. There is a minor area of 1/2" by 1/8" at the upper edge of the spine area where the leather is rubbed and the paper edge at the lower edges of the boards is rubbed through in one small area. The hinges are tight and strong. An octavo measuring 8 9/16" tall by 5 1/2" deep containing 624 pages. Tipped-in at the second free end page (and before the fly title page) is the front wrapper from #3 of the original part. Illustrated with 38 engraved plates and a frontispiece by H. K. Browne ("Phiz"). An eight line errata page follows the list of illustrations. The word "CaptainÓ is spelled correctly on the last line of page 324. (Eckel, p74) [Attributes: Hard Cover]

      [Bookseller: Town's End Books, ABAA]
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        Dombey and Son

      London, Eng.: Bradbury and Evans, 1848. First Edition in Book Form. Near Fine. Browne, H.K.. xvi, [2], 624 p.: frontispiece, added engraved title page, and 38 additional leaves of plates; 22 cm. The First Edition in book form, with the Bradbury & Evans imprint dated 1848 on the added engraved title page. A lovely Bickers & Son full polished calf binding with six spine compartments between raised bands. Red morocco label in the second compartment reading: Dombey and Son. Black morocco label in the third compartment reading: Charles Dickens. Small red morocco label at tail of spine bearing publication date: 1848. Gilt-tooled ornamentation in the other four compartments. Gilt-ruled borders and corner rosettes on both boards. Gilt-rolled ornamentation on edges of both boards, with gilt-tooled ornamentation continuing on the turn-ins. All page edges gilt. Grey endpapers, with small binder&#39;s stamp on verso of front free endpaper. No half title. First edition points include: in the added engraved title page vignette, Capt. Cuttle&#39;s hook is on his left arm; on p. xv there is no page entry for the frontispiece and vignette, nor are there quotation marks around "the Party" in the second entry; on p. 14, ten lines up, "aint" has no apostrophe; on p. 26, line 11 has "fidgetty"; on p. 40, "shewed" and "shew" are found for "showed" and "show"; and on p. 582, the last line has no period. An early issue with a two-line errata listing following the list of plates, and with the word "Captain" spelled "Capatin" on the last line of page 324. Smith I:8. In Near Fine condition: joints, ends of spine, and raised bands are lightly rubbed. All 38 internal plates are present. A beautiful copy.

      [Bookseller: Classic Books and Ephemera]
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        DOMBEY AND SON. Extra Illustrated

      Bradbury and Evans.London,1848. FIRST EDITION,Bound from the parts.8vo.Extra illustrated with the two sets,of 4 and 8,seperately published engravings by Hablot K.Browne,featuring portraits of Edith, Little Paul, Florence and Alice.The second series shows full length portraits of the other leading characters, Dombey, Miss Tox, Mrs. Skewton, Mrs. Pipchin, Old Sol & Cap'n Cuttle, Old Joe, Sir!, Polly, and Miss Nipper.Without Errata leaf.1st state text points,including"Shewed" and "shew" on p.40, "capatin" on p.324,and "if" missing from p.426,among others.Also illustrated with 40 engraved plates by Browne (including Frontis and extra,illustrated title page showing Captain Cuttle's hook incorrectly on his left arm).Very good copy with the usual browning to the edges of plates but still generally a nice copy.Small amount of fraying to the fore edges of two gatherings that had sprung and have at some time been re-inserted.Light offsetting to the reverse of the half title from title page.Finely bound in attractive early half red calf.Spine with raised bands,fully tooled in gilt.Tan label,gilt.Compartments ruled and decorated in gilt.Marbled paper on boards and endpapers.Previous owners bookplate on front paste down endpaper.Edges of binding rubbed and bumped and boards a bit worn but still overall a very good attractive copy.:

      [Bookseller: Paul Foster Books]
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