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Displayed below are some selected recent viaLibri matches for books published in 1845

        Nye Eventyr. Første Bind (af 2), 3 Samlinger (af 5). (Første Samling i Andet Oplag). Kbh., 1844 - 45.

      Et nydeligt samt. lille helshirtbd. m. blindtrykte dekorationer på ryg. Ryg lidt falmet, brugsspor. Indimellem lidt brune pletter. M. titelbl. til hver af de tre samlinger, det fælles titelbl. m. året "1845", den fælles indholdsfortegnelse, dedikationsbladene samt alle deltitelbladene til de enkelte eventyr.. Af denne 2. eventyrsamling, efter hvilken H.C. Andersen for alvor blev berømt, udkom 2 bind. Det første bind indeholdt 3 samlinger, det andet bind 2 samlinger. Dette er således en komplet samling af det første bind i originaludgaven, dog med Første Samling i Andet Oplag. Første Samling indeholder bl.a. "Nattergalen", "Kærestefolkene" og "Den grimme Ælling". Samling 2 og 3 indeholder bl.a. "Grantræet", "Sneedronningen", "Elverhøj" og "Hyrdinden og Skorstensfejeren". BFN 428.First edition of the first volume of H. C. Andersen's second collection of fairy tales bound in a very nice cont. full cloth w. blindstamped decorations on boards, traces of use. Of this collection of fairy tales, after which Andersen became internationally successful, two volumes were issued. First volume contains three collections, second volume contains two collections. This is thus a complete collection of the first volume in the first edition, but with the "First Collection" in second issue. First collection contains "The Ugly Duckling", "The Nightingale" etc. Second and third collections contain "The Snow Queen", "The Sweethearts" and others. Complete w. shared t-p, shared contents-leaf and all title-pages

      [Bookseller: Lynge & Søn A/S]
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        Florae Japonicae familiae naturales, adjectis generum et specierum exemplis selectis. Sectio prima. Plantae dicotyledoneae polypetalae. Sectio altera. Plantae dicotyledoneae (gamopetalae, monochlamydeae) et monocotyledoneae

      No place, no year [1845-46?] Two parts bound in one volume, (2) + 95 + (1) p. + 2 engraved folded plates (the first is loose); (2) +116 p. 1 engraved folded plate. The volume is interfoliated, some of the leaves with old annotations in ink. Contemporary worn paper binding. 25 X 20 cm. Some minor foxing

      [Bookseller: Antikvariat Röda Rummet AB]
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        Fortpflanzungsgeschichte der gesammten Vögel nach dem gegenwärtigen Standpunkte der Wissenschaft. Mit 100 colorirten Tafeln. (Umschlagstitel). (Textbd. + Tafeltheil).

      Leipzig, Brockhaus, (1845-56). 4to. Text in solid full fabrikoid with the orig. printed frontwrapper to "Neuntes Heft" pasted on frontboard. Gilt lettering to spine. The text pp. 1-432 is without titlepage and Foreword (XVII) pp. The first part of the text somehat brownspotted. Plates loose in matching full fabrikoid portfolio with gilt lettering to spine, having 100 fine lithographed plates, of which 95 are handcoloured. (the first 30 a bit smaller in papersize), some faint scattered brownspots. Bookplate of Lorenz Ferdinand.. The text of this work is unfinished, the author having been prevented by illness from completing it. The work was issued in ten parts, and the plates (coloured by hand) contain about 1800 figures of the eggs of nearly 900 species of birds from Thienemann's collection.(Anker No 507). - Nissen "Illustrierten Vögelbücher" Nr. 935

      [Bookseller: Lynge & Søn A/S]
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        La PoupEe bien ElevEe suivi de la Lanterne maqique des petits enfants

      Paris: Lehuby c. 1845 Paris: Lehuby, [c. 1845]. (DOLLS) Edition illustrE. 8vo. With 12 lithographic plates on tinted background by Ch. de Saillet and Ch. Lemercier (Imp. Bertauts), numerous woodcut vignettes in text. Original cloth, spine titled in gilt, boards stamped in gilt and in blind, a.e.g. Rebacked preserving spine. Some wear at extremities, endpapers browned, still an attractive copy of this scarce book. Gumuchian, Les Livres de l'Enfance (1930) 4609 ("trËs rare") . The text is printed in large type; the plates are notable for the considerable detail of the children's clothing depicted in them. Described by Gumuchian as "very rare" in 1930

      [Bookseller: James Cummins Bookseller ]
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        CENNI SULLA NAVIGAZIONE AEREA DALL'EPOCA DELLA SUA SCOPERTA SINO AI NOSTRI GIORNI. Corredati dai nomi di tutti i piu' celebri aeronauti e particolarmente di quelli che perirono in simili viaggi. $1Memoria$2.

      In-8 (mm. 240x166), bross. orig. con un pallone silografato (al piatto e al frontesp.), pp. 24, arricchito da una grande ?carta aereo-grafica da servire per la nuova ascensione aerostatica di F. Arban?, più volte ripieg. ed inc. in rame. La "Memoria" contiene anche la: ?Relazione di un viaggio aerostatico eseguito da Francesco Arban, pirotecnico ed aeronauta della città di Lione, e Descrizione del pallone di seta di m. 25 di circonferenza col quale eseguirà una nuova ascensione in agosto corrente anno, partendo dall?Anfiteatro dell?Arena in Milano, la di cui relazione farà quindi seguito alla presente?. Rara "edizione originale". Cfr. Tissandier ?Bibl. Aéronautique?, p. 61 - Darmon ?Dictionn. livres illustrés sur les ballons & machines volantes?, p. 110 e p. 26 (di Arban precisa): ?Aéronaute plein de courage, exécuta plusieurs ascensions tant en France qu?à l?étranger, et il passe pour avoir évolué au-dessus des Alpes en ballon? - Cat. Hoepli,978. Con lievi fiorit. ma complessivam. esempl. ben conservato.

      [Bookseller: Libreria Antiquaria Malavasi]
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        Journals of Expeditions of Discovery into Central Australia and Overland from Adelaide to King Georges Sound in the Years 1840-1; sent by the Colonists of South Australia, with the Sanction and Support of the Government: including an Account of the Manners and Customs of the Aborigines and the State of Their Relations with Europeans

      T.W. Boone London:: T.W. Boone,. 1845.. First edition. Orig. green ribbed & embossed cloth, spines lettered & decorated in bright gilt. The Arrowsmith maps of Australia are crisp. Expertly recased with the original cloth. Portrait of Eyre loosely inserted in front. With an early sketch portrait of Eyre by P. Thomas, and a cut signature as Governor of Jamaica. Drawing upon his experiences overlanding sheep in the 1830's, Eyre applied for the job of establishing an overland route to the west. He was accepted & convinced the committee to open up the land to the north first. In June 1840 the expedition started out but failed. Sending back all but Baxter & Wylie, Eyre set out from Fowlers Bay to cross the Bight. After much hardship & losing Baxter, Eyre & Wylie were saved by a French whaler which gave them supplies to continue. They arrived in Albany July 7, 1841. Ferguson 4031 states "This account of Eyre's explorations contains also much valuable information about the aborigines." Wantrup 133A. Ferguson 4031. There was a secondary remainder edition of Eyre published without any maps that seems to turn up more frequently than this issue with the maps. 2 vols., royal 8vo. Pp (ixx) & (1 pp ad), 448pp, frontis & 10 litho plates (&) (iv) ads, vi, 512pp, frontis & 10 litho plates, 8pp ads (undated).Orig. green ribbed & embossed cloth, spines lettered & decorated in bright gilt. The Arrowsmith maps of Australia are crisp. Expertly recased with the original cloth. Portrait of Eyre loosely inserted in front. Volume 1 contains one page of advertisements, for Hodgkinsons' "Reminiscences of Australia" 1846, but not the 8pp of adverts called for in Wantrup 133A (4pp in the prelims, 4pp at the end).

      [Bookseller: Antipodean Books, Maps & Prints ]
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        The Proceedings of the Court Convened under the Third Canon of 1844, in the City of New York . . . for the Trial of the Right Rev. Benjamin T. Onderdonk, D.D. Bishop of New York [bound with twenty other works pertaining to the trial]

      An extensive collection of works on the scandalous trial for "immorality and impurity" (including drunkeness and familiarity with women), destroying Onderdonk's career, with the church law penalty agreed to proving impossible to revoke once imposed. Contemporary 3/4 calf over marbled boards, marbled endpapers, somewhat rubbed and scraped, occasional browning, but a very good, crisp copy. D. Appleton and Company [imprint varies], New York [and elsewhere], 1845-47.

      [Bookseller: Meyer Boswell Books, Inc.]
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        Commentaries on the Law of Promissory Notes, and Guaranties of Notes, and Checks and Banks and Bankers. With Occasional Illustrations from the Commercial Law of the Nations of Continental Europe. Cohen 2561

      First edition of Story's last Commentary, appearing two months before his death and completing his "grand effort to create an American commercial common law suitable both to the needs of the new capitalism and to the values of the old republicanism". Original polished sheep, lightly rubbed, a very good clean copy; with the contemporaneous ownership signature of N. Butler, Junior, dated August 1847. Charles C. Little & James Brown [and] A. Maxwell and Son [etc.], Boston [and] London, 1845.

      [Bookseller:  Meyer Boswell Books, Inc.]
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        The Improvisatore: or, Life in Italy. From the Danish translated by Mary Howitt. 2 vols.

      London: Richard Netley 1845. 316 + 331 p. Nice contp. halfleather with golddec. on spine, weakly marked of use; internally nice and clean except from light pencil-lines in margin. Pasted portraits (cut from some magazine of the time) of Mary Howitt and William Howitt on reverse of first free endpaper in each volume. Bookplate of Antoinette Brett.. First English edition. With annotatin in both vols.: "Caroline ... S Norton Her Book. Any one stealing it will be punished with unrelenting vengeance. 1845". And in vol. II is added: "My dear dead lady, I bought it: spare me. Mauri Hewlett (?) 1894"

      [Bookseller: Peter Grosell's Antikvariat]
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        An original design for porcelain

      [Paris: 1845 or later]. Pen, ink, and watercolour. Very good condition apart from some light foxing. 11 3/4 x 11 3/4 inches. A rare example of an original watercolour design for porcelain, by the Samson factory of Paris. This finished design was intended as a reference source from which the porcelain painters could work, using the design as a guide for the colours and image to be transformed from paper into fine porcelain. The French porcelain manufactory of Samson & Cie. was established by "Edmé Samson (b. Paris, 1810; d. Paris, 1891) at 7, Rue Vendôme (later Rue Béranger) in Paris. The intention of the firm was to reproduce ceramics from museums and private collections, and it claimed that all such reproductions would be distinctly marked to avoid confusion with the originals. In 1864, the factory was moved to Montreuil by Samson's son, Emile Samson (1837-1913). The range of wares included copies of 18th- century porcelain from such factories as Sèvres, Chelsea, Meissen and Derby, Chinese export-wares, especially armorial wares decorated with famille rose colours and mugs decorated with the Fitzhugh pattern, Delftware, Iznikware, maiolica and faience." (Grove Dictionary of Art)

      [Bookseller: Donald Heald Rare Books ]
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        An original design for three porcelain vases

      [Paris: 1845 or later]. Pen, ink, and watercolour. Good condition apart from some overall light soiling and minor foxing, mild creasing, and a few brownish stains in the top margin and right side of the image. 21 1/8 x 18 inches. A rare example of an original watercolour design for porcelain, by the Samson factory of Paris. This finished design was intended as a reference source from which the porcelain painters could work, using the design as a guide for the colours and image to be transformed from paper into fine porcelain. The French porcelain manufactory of Samson & Cie. was established by "Edmé Samson (b. Paris, 1810; d. Paris, 1891) at 7, Rue Vendôme (later Rue Béranger) in Paris. The intention of the firm was to reproduce ceramics from museums and private collections, and it claimed that all such reproductions would be distinctly marked to avoid confusion with the originals. In 1864, the factory was moved to Montreuil by Samson's son, Emile Samson (1837-1913). The range of wares included copies of 18th-century porcelain from such factories as Sèvres, Chelsea, Meissen and Derby, Chinese export-wares, especially armorial wares decorated with famille rose colours and mugs decorated with the Fitzhugh pattern, Delftware, Iznikware, maiolica and faience." (Grove Dictionary of Art)

      [Bookseller: Donald Heald Rare Books ]
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        An original design for a porcelain vase

      [Paris: 1845 or later]. Pen, ink, and watercolour. Very good condition apart from some overall light soiling, and mild staining. The sheet has an original central crease. 10 ¾ x 18 ½ inches. A rare example of an original watercolour design for porcelain, by the Samson factory of Paris. This finished design was intended as a reference source from which the porcelain painters could work, using the design as a guide for the colours and image to be transformed from paper into fine porcelain. The French porcelain manufactory of Samson & Cie. was established by "Edmé Samson (b. Paris, 1810; d. Paris, 1891) at 7, Rue Vendôme (later Rue Béranger) in Paris. The intention of the firm was to reproduce ceramics from museums and private collections, and it claimed that all such reproductions would be distinctly marked to avoid confusion with the originals. In 1864, the factory was moved to Montreuil by Samson's son, Emile Samson (1837-1913). The range of wares included copies of 18th-century porcelain from such factories as Sèvres, Chelsea, Meissen and Derby, Chinese export-wares, especially armorial wares decorated with famille rose colours and mugs decorated with the Fitzhugh pattern, Delftware, Iznikware, maiolica and faience." (Grove Dictionary of Art)

      [Bookseller: Donald Heald Rare Books ]
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        An original design for a porcelain plate

      [Paris: 1845 or later]. Pen, ink, and watercolour. Very good condition apart from some overall light soiling and mild creasing. There is an original central crease. 12 ¾ x 12 ¾ inches. A rare example of an original watercolour design for porcelain, by the Samson factory of Paris. This finished design was intended as a reference source from which the porcelain painters could work, using the design as a guide for the colours and image to be transformed from paper into fine porcelain. The French porcelain manufactory of Samson & Cie. was established by "Edmé Samson (b. Paris, 1810; d. Paris, 1891) at 7, Rue Vendôme (later Rue Béranger) in Paris. The intention of the firm was to reproduce ceramics from museums and private collections, and it claimed that all such reproductions would be distinctly marked to avoid confusion with the originals. In 1864, the factory was moved to Montreuil by Samson's son, Emile Samson (1837-1913). The range of wares included copies of 18th-century porcelain from such factories as Sèvres, Chelsea, Meissen and Derby, Chinese export-wares, especially armorial wares decorated with famille rose colours and mugs decorated with the Fitzhugh pattern, Delftware, Iznikware, maiolica and faience." (Grove Dictionary of Art)

      [Bookseller: Donald Heald Rare Books ]
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