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Displayed below are some selected recent viaLibri matches for books published in 1845

        An original design for a porcelain urn

      [Paris: 1845 or later]. Pen, ink, and watercolour. Good condition apart from some light soiling, minor foxing, and two small losses in the lower right side of the image. A few small brown stains scattered in the margins. 11 3/8 x 19 1/2 inches. A rare example of an original watercolour design for porcelain, by the Samson factory of Paris. This finished design was intended as a reference source from which the porcelain painters could work, using the design as a guide for the colours and image to be transformed from paper into fine porcelain. The French porcelain manufactory of Samson & Cie. was established by "Edmé Samson (b. Paris, 1810; d. Paris, 1891) at 7, Rue Vendôme (later Rue Béranger) in Paris. The intention of the firm was to reproduce ceramics from museums and private collections, and it claimed that all such reproductions would be distinctly marked to avoid confusion with the originals. In 1864, the factory was moved to Montreuil by Samson's son, Emile Samson (1837-1913). The range of wares included copies of 18th-century porcelain from such factories as Sèvres, Chelsea, Meissen and Derby, Chinese export-wares, especially armorial wares decorated with famille rose colours and mugs decorated with the Fitzhugh pattern, Delftware, Iznikware, maiolica and faience." (Grove Dictionary of Art)

      [Bookseller: Donald Heald Rare Books]
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        An original design for a porcelain plate

      [Paris: 1845 or later]. Pen, ink, and watercolour. Very good condition apart from some overall light soiling and mild foxing. 8 ¾ x 11 ½ inches. A rare example of an original watercolour design for porcelain, by the Samson factory of Paris This finished design was intended as a reference source from which the porcelain painters could work, using the design as a guide for the colours and image to be transformed from paper into fine porcelain. The French porcelain manufactory of Samson & Cie. was established by "Edmé Samson (b. Paris, 1810; d. Paris, 1891) at 7, Rue Vendôme (later Rue Béranger) in Paris. The intention of the firm was to reproduce ceramics from museums and private collections, and it claimed that all such reproductions would be distinctly marked to avoid confusion with the originals. In 1864, the factory was moved to Montreuil by Samson's son, Emile Samson (1837-1913). The range of wares included copies of 18th-century porcelain from such factories as Sèvres, Chelsea, Meissen and Derby, Chinese export-wares, especially armorial wares decorated with famille rose colours and mugs decorated with the Fitzhugh pattern, Delftware, Iznikware, maiolica and faience." (Grove Dictionary of Art)

      [Bookseller: Donald Heald Rare Books ]
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        An original design for porcelain

      [Paris: 1845 or later]. Pen, ink, and watercolour. Good condition apart from some overall light soiling and minor foxig. 13 1/2 x 10 3/4 inches. A rare example of an original watercolour design for porcelain, by the Samson factory of Paris. This finished design was intended as a reference source from which the porcelain painters could work, using the design as a guide for the colours and image to be transformed from paper into fine porcelain. The French porcelain manufactory of Samson & Cie. was established by "Edmé Samson (b. Paris, 1810; d. Paris, 1891) at 7, Rue Vendôme (later Rue Béranger) in Paris. The intention of the firm was to reproduce ceramics from museums and private collections, and it claimed that all such reproductions would be distinctly marked to avoid confusion with the originals. In 1864, the factory was moved to Montreuil by Samson's son, Emile Samson (1837-1913). The range of wares included copies of 18th-century porcelain from such factories as Sèvres, Chelsea, Meissen and Derby, Chinese export-wares, especially armorial wares decorated with famille rose colours and mugs decorated with the Fitzhugh pattern, Delftware, Iznikware, maiolica and faience." (Grove Dictionary of Art)

      [Bookseller: Donald Heald Rare Books ]
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        An original design for a porcelain plate

      [Paris: 1845 or later]. Pen, ink, and watercolour. Very good condition apart from some overall light soiling and mild foxing. There is an area of very light water staining on the right side. 9 ½ x 10 inches. A rare example of an original watercolour design for porcelain, by the Samson factory of Paris. This finished design was intended as a reference source from which the porcelain painters could work, using the design as a guide for the colours and image to be transformed from paper into fine porcelain. The French porcelain manufactory of Samson & Cie. was established by "Edmé Samson (b. Paris, 1810; d. Paris, 1891) at 7, Rue Vendôme (later Rue Béranger) in Paris. The intention of the firm was to reproduce ceramics from museums and private collections, and it claimed that all such reproductions would be distinctly marked to avoid confusion with the originals. In 1864, the factory was moved to Montreuil by Samson's son, Emile Samson (1837-1913). The range of wares included copies of 18th-century porcelain from such factories as Sèvres, Chelsea, Meissen and Derby, Chinese export-wares, especially armorial wares decorated with famille rose colours and mugs decorated with the Fitzhugh pattern, Delftware, Iznikware, maiolica and faience." (Grove Dictionary of Art)

      [Bookseller: Donald Heald Rare Books ]
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        An original design for porcelain

      [Paris: 1845 or later]. Pen, ink, and watercolour. Very good condition apart from some light soiling and mild creasing. 8 1/4 x 20 3/4 inches. A rare example of an original watercolour design for porcelain, by the Samson factory of Paris. This finished design was intended as a reference source from which the porcelain painters could work, using the design as a guide for the colours and image to be transformed from paper into fine porcelain. The French porcelain manufactory of Samson & Cie. was established by "Edmé Samson (b. Paris, 1810; d. Paris, 1891) at 7, Rue Vendôme (later Rue Béranger) in Paris. The intention of the firm was to reproduce ceramics from museums and private collections, and it claimed that all such reproductions would be distinctly marked to avoid confusion with the originals. In 1864, the factory was moved to Montreuil by Samson's son, Emile Samson (1837-1913). The range of wares included copies of 18th-century porcelain from such factories as Sèvres, Chelsea, Meissen and Derby, Chinese export-wares, especially armorial wares decorated with famille rose colours and mugs decorated with the Fitzhugh pattern, Delftware, Iznikware, maiolica and faience." (Grove Dictionary of Art)

      [Bookseller: Donald Heald Rare Books ]
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        THE HISTORY OF OREGON, GEOGRAPHICAL AND POLITICAL...EMBRACING AN ANALYSIS OF THE OLD SPANISH CLAIMS, THE BRITISH PRETENSIONS, THE UNITED STATES TITLE; AN ACCOUNT OF THE PRESENT CONDITION AND CHARACTER OF THE COUNTRY, AND A THOROUGH EXAMINATION OF THE PROJECT OF A NATIONAL RAIL ROAD, FROM THE ATLANTIC TO THE PACIFIC OCEAN

      New York: William H. Colyer, 1845.. 127,[1]pp. plus folding map. Modern half calf and cloth, spine gilt. Very clean and fresh. Near fine. The very rare first edition of this important overland narrative and first proposal for a transcontinental railroad. A landmark in the history of westward expansion and Manifest Destiny: "The Railroad is the GREAT NEGOTIATOR, which alone can settle our title more conclusively than all the diplomatists in the world...Arouse then, America, and obey the mandate which Destiny has imposed upon you for the redemption of a world!" Wilkes includes here the complete account by Peter H. Burnett of the celebrated overland emigration of 1843. "This and the Overton Johnson narrative published a year later, in 1846, are the only known contemporaneous accounts of the 1843 emigration published within a few years of the event. Burnett, whose narrative Wilkes publishes in full, was afterwards the first civil governor of California" - Streeter. The folding map shows the Oregon country and parts of British Columbia. This book is very rare, with Wagner-Camp locating only four copies. An article in the QUARTERLY of the Washington Historical Society for October 1906 describes this work as "one of the rarest and least known books." HOWES W418, "c." SABIN 103997. WAGNER-CAMP 119:1. WHEAT TRANSMISSISSIPPI 501. STREETER SALE 3143. GRAFF 4657.

      [Bookseller: William Reese Company - Americana]
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        Karta öfver Fahlu eller Stora Kopparbergs Grufwor. sammandragen och utgifven år 1845 af J. J. Tjäder löjtnant vid Kongl. Dahl Regementet.

      First edition. Falun and Stockholm. J. F. Åkerbloms boktryckeri and Hörbergsche buchdrückerei. 1845. Folio. Title + 37 numbered maps + 2 unnumbered maps + 4 pages swedish text in double columns + 4 pages german text in double columns. Cloth spine, marbeled paper boards. Some loss of cloth at the spine ends. Scratch on front cover. Map no 6 with small marginal stain. Inside near mint.. A mining atlas of one of the oldest mines in Sweden - Fahlu Copper Mine. At one time the entire nation depended on the copper exports from the mine. Its importance for Swedens economic development can not be overstated. A copy in the best possible condition. Unread. It contains the german translation of the text, which is not always the case. Rare

      [Bookseller: Hammarlunds Antikvariat]
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        JOURNAL OF A VOYAGE ACROSS THE ATLANTIC: WITH NOTES ON CANADA & THE UNITED STATES; AND RETURN TO GREAT BRITAIN, IN 1844

      London: Printed for private circulation, 1845.. [8],96pp. Half title. Original green cloth, stamped in blind. Corners bumped, extremities rubbed. Presentation inscription on front flyleaf. Inner hinges cracked. Lightly foxed. About very good. Scarce, privately printed account of an Englishman's trip to the Eastern United States and Canada. He gives bills of fare on shipboard, scenes in New York, Philadelphia, and Baltimore, then going south to Washington, then to Niagara and Canada. This copy inscribed by the author to his friend, Thomas Adams. HOWES M768, "aa." SABIN 50377.

      [Bookseller: William Reese Company - Americana]
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        The Mysteries of London

      - London - G. Vickers, 1845 Book. Very Good. Hardcover. A scarce set of The Mysteries of London byGeorge William MacArthur Reynolds (1814 - 1879) a British author and journalist and a prolific writer of popular fiction. Illustrated with numerous woodcuts. Four volumes bound in two from the parts. The first series to volume one and the second series to volume two. The Mysteries of London is a penny dreadful or city mysteries novel begun by George W. M. Reynolds in 1844. Reynolds wrote the first two series of this long-running narrative of life in the seedy underbelly of mid-nineteenth-century London. Thomas Miller wrote the third series and Edward L. Blanchard wrote the fourth series of this immensely popular title. Reynolds had read Eugene Sue while in Paris and was particularly impressed by his novel Les Mystres de Paris. It inspired Reynolds to write and publish a penny part serial The Mysteries of London (1845), in which he parallelled Sue's tale of vice, depravity, and squalor in the Parisian slums with a sociological story contrasting the vice and degradation of London working-class life with the luxury and debaucheries of the hedonistic upper crust. An early socialist and a Chartist sympathiser, Reynolds had a genuine social conscience, and he contrived to stitch into the pages of his books diatribes against social evils and class inequities. Instalments were published weekly and contained a single illustration and eight pages of text printed in double columns. The weekly numbers were later bound in cloth covers with a fresh title page and table of contents and offered as complete works of fiction. After Reynolds quit The Mysteries of London, he began a new title: The Mysteries of the Court of London, which ran from 1848 until 1856. Previous owner's bookplates to front pastedowns. Condition: In a half morocco binding with marbled paper covered boards. Externally, smart but with slight wear to extremities, the odd mark, rubbingand stain to boards. Previous cloth reinforcement to hinges. Internally, generally firmly bound although slightly strained in places. Bright but with occasional spotting and handling marks, odd slight closed tears to gutter from with binding holes from parts. Overall: VERY GOOD.

      [Bookseller: Rooke Books]
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        Modern Cookery in All Its Branches

      Longman, Brown, Green and Longmans Small 8vo. Original brown cloth with blind stamped decorative borders to the covers, plus gilt (dusted) lettering and vignettes to the spine. 607 pages, plus 32 pp catalogue of adverts dated July 1845. Illustrated with numerous woodcuts. Apart from bumping to the corners and foxed edges to the text block, this book is in exceptional condition. The hinges are sound and the contents and cloth are clean. This is one of the most practical, orderly and concise of cookery books. Elizabeth David says that Acton " was the first English writer to go into the minutest detail in her recipes and who first used the concise and uniform system of setting them out which was later adapted by Mrs Beeton.

      [Bookseller: Innoworking Associates]
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        The Practice of Angling, Particularly as Regards Ireland. (Two Volumes}.

      - Dublin. William Curry, Jun. and Company. 1845. First Edition. 8vo. (7 ¾ x 5). Two Volumes. Vol. I: xxiv, 320 pp. Vol. II: vi, 260 pp. Illustrated frontispiece showing Mr. O'Gorman seated in a chair, and he seems to be pondering his lot in life, or perhaps thinking about a favorite salmon river, with tissue guard. The half-title and full title page of volume II is present. The two volumes are bound together in nineteenth century half brown calf with gilt titles on red and black morocco titling labels, elaborate gilt decorations and raised bands on the spine. Marbled boards. All edges marbled. Light edge wear and rubbing to the binding, armorial bookplate to front paste down, small amount of foxing here and there in the text. Scarce. A very good book.

      [Bookseller: Bruce Cave Fine Books, IOBA.]
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        An original design for a porcelain Delft vase

      [Paris: 1845 or later]. Pen, ink, and watercolour. Very good condition apart from some overall light soiling and minor foxing. 12 3/4 x 15 1/8 inches. A rare example of an original watercolour design based on an 18th- century Delft vase in the Musée des Arts Décoratif, by the Samson factory of Paris. This finished design was intended as a reference source from which the porcelain painters could work, using the design as a guide for the colours and image to be transformed from paper into fine porcelain. The French porcelain manufactory of Samson & Cie. was established by "Edmé Samson (b. Paris, 1810; d. Paris, 1891) at 7, Rue Vendôme (later Rue Béranger) in Paris. The intention of the firm was to reproduce ceramics from museums and private collections, and it claimed that all such reproductions would be distinctly marked to avoid confusion with the originals. In 1864, the factory was moved to Montreuil by Samson's son, Emile Samson (1837-1913). The range of wares included copies of 18th- century porcelain from such factories as Sèvres, Chelsea, Meissen and Derby, Chinese export-wares, especially armorial wares decorated with famille rose colours and mugs decorated with the Fitzhugh pattern, Delftware, Iznikware, maiolica and faience." (Grove Dictionary of Art)

      [Bookseller: Donald Heald Rare Books]
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        HISTORIA DE LA CIUDAD DE CADIZ

      - Cádiz, 1845. Imprenta de Don Manuel Bosch. 1ª Edición. Holandesa piel moderna con hierros y nervios. VIII + 311pp + 15pp + 5 láminas grabadas y plegadas., 24x15cm. Papel con puntos de óxido. Firma de anterior propietario. Buen estado. ( Vitrina San José ) CADIZ

      [Bookseller: Librería Anticuaria Raimundo]
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        LES INDIENS IOWAYS DES MONTAGNES ROCHEUSES

      Epinal, France: Fabrique de Pellerin, [circa 1845].. Hand-colored engraving, 15 3/4 x 12 3/4 inches. Fine. Matted and framed. A rare French engraving of Ioway Indians brought to Paris in 1845 by George Catlin. Catlin, a showman as well as an artist, brought groups of Indians to Europe several times. In the summer of 1845 he led a group of Ioways to Paris along with his Indian Gallery, an adventure recounted in CATLIN'S NOTES OF EIGHT YEARS' TRAVELS AND RESIDENCE IN EUROPE.... The top panel of this print shows the twelve Ioways meeting with King Louis Philippe and the royal family. The Ioway delegation was led by Chief Miou-Hu-Shi- Kaou, and included men, women, and children (the youngest aged only two). Most of the nine lower panels are adapted from Catlin lithographs (re-engraved by Jean-Baptiste Vanson) and show Indian dances and celebrations, scenes of buffalo and bear hunts, an Indian funeral, and the visit of a medicine man. No copies are listed on OCLC, and we are unaware of any other copies appearing on the market. A rare and interesting print of Ioway Indians in France, showing the continued European fascination with Native Americans.

      [Bookseller: William Reese Company - Americana]
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