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Displayed below are some selected recent viaLibri matches for books published in 1842

        The Miser's Daughter

      London - Cunningham and Mortimer, 1842 Book. Very Good. Hardcover. First edition. The Miser's Daughter is a novel by William Harrison Ainsworth. It is a historical romance that describes a young man pursuing the daughter of a miserly rich man during the 18th century. Illustrated by George Cruikshank with sixteen plates [counted,frontispiece to volume oneabsent, two others bound in different places]First edition. In three volumes complete. William Harrison Ainsworth (1805 - 1882) was an English historical novelist. Ainsworth briefly tried the publishing business, but soon gave it up and devoted himself to journalism and literature. His first success as a writer came with Rookwood in 1834, which features Dick Turpin as its leading character. A stream of thirty-nine novels followed, the last of which appeared in 1881. George Cruikshank (1792 - 1878) was a British caricaturist and book illustrator, praised as the modern Hogarth during his life. His book illustrations for his friend Charles Dickens, and many other authors, reached an international audience. Previous owner's ink inscriptions to titles. Condition: Rebacked in cloth bindings preserving original boards and backstrips. Externally, sound but with slight wear to extremities, rubbing and marks to boards. Internally, firmly bound but with one plateabsent. Bright but with occasional slight foxing and marks to pages, heaviest to plates with odd tidemarks. Overall: GOOD.

      [Bookseller: Rooke Books]
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        The travelers meeting with the Minatarre Indians. near Fort Clark [Vig. 26]

      Paris, Coblentz and London: 1842. Hand-coloured aquatint engraving by Alex Manceau after Bodmer, issue with date added to English imprint. 11 1/8 x 13 1/4 inches. 17 x 24 1/4 inches. This is one Bodmer's most famous images: the only depiction he made of both his sponsor, Prince Maximilian, and of himself. The travelers spent the winter of 1833-1834 at Fort Clark, between the Knife and Heart Rivers in the territory of the Mandan and Hidatsa Tribes. Bodmer here shows the first meeting with the Hidatsa outside the palisade of the fort; a carefully composed image ably portraying the wary curiosity with which the representatives of two very different ways of life greeted each other. Bodmer stands, top-hatted, to the far right, Prince Maximilian is next to him, Dreidoppel is visible behind the two of them. The individuals amongst the Hidatsa include Ahschüpsa Masihichsi (`Chief of the Pointed Horn') whom Bodmer had painted on 28 February 1834. Karl Bodmer's images show great versatility and technical virtuosity and give us a uniquely accomplished and detailed picture of a previously little understood (and soon to vanish) way of life. Swiss-born Bodmer was engaged by Prince Maximilian zu Wied-Neuwied (1782-1867) specifically to provide a record of his travels in North America, principally among the Plains Indians. In the company of David Dreidoppel (Prince Maximilian's servant and hunting companion), their travels in North America were to last from 1832 to 1834. Well-armed with information and advice, the party finally left St.Louis, on the most important stage of their travels, aboard the steamer Yellow Stone on April 10 1833. They proceeded up the treacherous Missouri River along the line of forts established by the American Fur Company. At Bellevue they encountered their first Indians, then went on to make contact with the Sioux tribe, learning of and recording their little known ceremonial dances and powerful pride and dignity. Transferring from the Yellow Stone to another steamer, the Assiniboin, they continued to Fort Clark, visiting there the Mandan, Mintari and Crow tribes, then the Assiniboins at Fort Union, the main base of the American Fur Company. On a necessarily much smaller vessel they journeyed through the extraordinary geological scenery of that section of the Missouri to Fort Mackenzie in Montana, establishing a cautious friendship with the fearsome Blackfeet. From this, the westernmost point reached, it was considered too dangerous to continue and the return journey downstream began. The winter brought its own difficulties and discomforts, but Bodmer was still able to execute numerous studies of villages, dances and especially the people, who were often both intrigued and delighted by his work. The portraits are particularly notable for their capturing of individual personalities, as well as forming a primary account of what were to become virtually lost cultures. Graff 4648; Howes M443a; Pilling 2521; Sabin 47014; Wagner-Camp 76:1.

      [Bookseller: Donald Heald Rare Books]
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        Edinburgh Geographical General Atlas, Lizars, 1842

      Lizars, W.H. : Lizar's Edinburgh Geographical General Atlas, containing Maps of Every Empire, State and Kingdom. Edinburgh. nd but 1842, folio (approx. 485mm x 320mm). Contemporary half morocco, rebacked with new end papers. Some marginal fraying, neat ink inscription on title page, index, 69 plates (51 hand coloured in outline maps on 69 double-page engraved map sheets), double-page engraved table of mountain chains, [2], 16pp index. Light offsetting to hemispheres, several splits at folds; some entering the engraved surface, map of Italy with large repaired tear. This volume includes the two important maps, one of the United States and one of Mexico, both showing the Republic of Texas. A very clean, good example of a relatively rare atlas. Reference Philips Atlases 782.

      [Bookseller: Roz Hulse Ltd]
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        Encampment of the Piekann Indians, near Fort McKenzie on the Muscleshell River

      Philadelphia: Daniel Rice & James G. Clark, 1842. Hand-coloured lithograph. Very good condition apart from some minor foxing, overall light soiling and rippling, and two skillfully repaired tears in the bottom margin spanning the length of the print. 13 3/4 x 17 1/4 inches. 14 x 19 7/8 inches. A fine image from McKenney and Hall's 'Indian Tribes of North America': `One of the most important [works] ever published on the American Indians' (Field),` a landmark in American culture' (Horan) and an invaluable contemporary record of a vanished way of life. A detailed print of the bustling military camp of the nomadic Piekann Indians near Fort McKenzie. A subgroup of the Blackfoot tribe, the Piekann or Piegan inhabited the Plains and Prairies of North America and were the quintessential Plains Indians. McKenney and Hall's 'Indian Tribes of North America' has long been renowned for its faithful portraits of Native Americans. The portraits are largely based on paintings by the artist Charles Bird King, who was employed by the War Department to paint the Indian delegates visiting Washington D.C., forming the basis of the War Department's Indian Gallery. Most of King's original paintings were subsequently destroyed in a fire at the Smithsonian, and their appearance in McKenney and Hall's magnificent work is thus our only record of the likenesses of many of the most prominent Indian leaders of the nineteenth century. Numbered among King's sitters were Sequoyah, Red Jacket, Major Ridge, Keokuk, and Black Hawk. After six years as Superintendent of Indian Trade, Thomas McKenney had become concerned for the survival of the Western tribes. He had observed unscrupulous individuals taking advantage of the Native Americans for profit, and his vocal warnings about their future prompted his appointment by President Monroe to the Office of Indian Affairs. As first director, McKenney was to improve the administration of Indian programs in various government offices. His first trip was during the summer of 1826 to the Lake Superior area for a treaty with the Chippewa, opening mineral rights on their land. In 1827, he journeyed west again for a treaty with the Chippewa, Menominee , and Winebago in the present state of Michigan. His journeys provided an unparalleled opportunity to become acquainted with Native American tribes. When President Jackson dismissed him from his government post in 1830, McKenney was able to turn more of his attention to his publishing project. Within a few years, he was joined by James Hall, a lawyer who had written extensively about the west. McKenney and Hall saw their work as a way of preserving an accurate visual record of a rapidly disappearing culture. (Gilreath). Cf. BAL 6934; cf. Bennett p.79; cf. Field 992; cf. Howes M129; cf. Lipperhiede Mc4; cf. Reese, Stamped With A National Character p. 24; Sabin 43410a

      [Bookseller: Donald Heald Rare Books]
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        Wie Einer immer daneben tritt!

      Lithographie um 1842. 26x22 cm. - Brückmann 47 - Otto, Vormärz S. 162 - Reiter, Sammlug Heil 536 vgl. - Wolf, Karikaturen 1.61.139 - Berühmte Karikatur aus der Zeit des Vormärz auf das nicht immer standesgemäße Verhalten des Königs Friedrich Wilhelm IV. von Preußen und sein vergebliches Bemühen, Friedrich dem Großen, seinem Urgroßonkel, zu gleichen. Friedrich Wilhelm IV. als gestiefelter Kater und Trinker, in der linken Hand die obligatorische Sektflasche, in der rechten ein überschäumendes Sektglas, versucht vergeblich, dem in Sanssouci spazierengehenden Friedrich dem Großen zu folgen, tritt aber immer tollpatschig neben dessen Fußstapfen. Die Sektflasche ist eine Anspielung auf seinen Spottnamen Champagnerfritze, der ihm für seine hochtönenden Phrasen und überschäumende Redseligkeit gegeben wurde. "Eduard Fuchs hat diese Karikatur folgendermaßen charakterisiert: "Von allen satirischen Angriffen gegen Friedrich Wilhelm IV. ist dies ohne Zweifel der kühnste, der furchtbarste Hieb, den er ob seines stets mißglückten Bemühens, Friedrich II. zu gleichen, erdulden mußte. In dessen Fußstapfen will er treten, aber regelmäßig tritt er daneben. Der Witz ist einfach, aber ebenso schlagend, ein Denkstein in der Geschichte der Karikatur." Wie einer immer daneben tritt" wurde zur direkten Ursache der Wiedereinführung der Bilderzensur. "Hier hörte die Romantik auf, Friedrich Wilhelm IV. fand, daß durch Verbote am einfachsten der Gegner in der Diskussion zu schlagen war. (Otto) "Auf diese Karikatur soll der empfindliche Friedrich Wilhelm IV. so verletzt reagiert haben, daß er ihretwegen 1843 die Bildzensur wieder einführte" (Brückmann). Wenn die Datierung durch Brückmann mit "um 1842" zutrifft, wäre es die erste Karikatur des Königs mit einer geöffneten Sektflasche, dem Symbol, das ihm seitdem anhängen sollte. Das Blatt kann dann nur außerhalb Preußens erschienen sein, da es dort bis zum März 1848 durch die Zensur verboten worden wäre.

      [Bookseller: Wenner Antiquariat]
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        Die plastische Chirurgie nach ihren bisherigen Leistungen kritisch dargestellt

      xxvi, 310 pp. 8vo, cont. patterned green cloth, spine nicely gilt in the Romantic style, a.e.g. Berlin: G. Reimer, 1842. First edition and a lovely copy of this notable work on plastic surgery, one of the most comprehensive works on the subject up to that time. Ammon (1799-1861), was also well known in the field of ophthalmology for his great atlas of eye pathology, the best summary of knowledge of eye diseases before the invention of the ophthalmoscope. In plastic surgery, Ammon exerted a tremendous influence through his critical reports and his publication of new methods, especially for the areas of the lips and eye lids. Ammon was Zeis's teacher. A very fine and pretty copy with the stamp of Doctor Monoyer, professor of the Paris Faculty of Medicine on title. With the added title page announcing this book was awarded the prize of the Medical Society of Ghent. ❧ Garrison-Morton 5744. Gnudi & Webster, p. 325. Zeis 463. .

      [Bookseller: Jonathan A. Hill, Bookseller, Inc.]
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        The Diary and Letters of Madame D'Arblay

      - London - Henry Colburn, 1842 Book. Very Good. Hardcover. An early collection of The Diary and Letters of Madame D'Arblayby Francis Burney andedited by her niece. Illustrated with portraits to frontispieces and facsimiles such as foldout letters. Together the diaries encompass the years 1778-1840. In seven volumes complete. Frances Burney (1752 - 1840), also known as Fanny Burney and, after her marriage, as Madame dArblay, was an English novelist, diarist and playwright. In 1793, aged forty-two, she married a French exile, General Alexandre D'Arblay. After a lengthy writing career, and travels that took her to France for more than ten years, she settled in Bath, England, where she died on 6 January 1840. In total, she wrote four novels, eight plays, one biography and twenty volumes of journals and letters. In addition to the critical respect she receives for her own writing, she is recognised as a literary precursor to prominent authors who came after her, including Jane Austen and William Makepeace Thackeray. Although her novels were hugely popular during her lifetime, following her death Burneys reputation as a writer suffered at the hands of biographers and critics who felt that the extensive diaries, published posthumously in 1841, offered a more interesting and accurate portrait of eighteenth-century life. Today, however, critics are returning to her novels and plays with a renewed interest in her perspective on the social lives and struggles of women in a predominantly male-oriented culture. Scholars continue to value Burneys diaries as well, for their candid depictions of eighteenth-century English society. Throughout her career as a writer, her wit and talent for satirical caricatures were widely acknowledged: literary figures such as Dr Samuel Johnson, Edmund Burke, Hester Thrale and David Garrick were among her admirers. Her early novels were read and enjoyed by Jane Austen, whose own title Pride and Prejudice derives from the final pages of Cecilia. William Makepeace Thackeray is reported to have drawn on the first-person account of the Battle of Waterloo, recorded in her diaries, while writing Vanity Fair. Previous owner's ink inscriptions to front. Condition: In cloth bindings. Externally, generally smart but with slight wear to extremities including splitting to cloth to one backstrip, lifting. With slight marks and stains to boards. Front hinge to volume VI is tender,held by cords onlyInternally, generally firmly bound although slightly strained in places with some pages starting. Bright but with the very odd spot and handling mark. Occaisonal slight marginal chipping. Overall: GOOD.

      [Bookseller: Rooke Books]
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      Montreal: Printed by John C. Becket, [1842].. Broadside, 22 1/2 x 17 3/4 inches. Printed in six columns. Small tears and creasing at all margins, affecting a few words of text; significant loss at upper corners, not affecting text. Good. A Canadian broadside advertising lands available in the Eastern Townships, printed at the beginning of the region's transformation into a French-speaking area. In the early 1800s the Eastern Townships were an almost exclusively Anglophone region of Quebec. The American Revolution precipitated the flight of over 40,000 Loyalists to Canada in the 1780s, including a small handful to the largely unsettled region of Quebec between the St. Lawrence River and the U.S. border, known as the Eastern Townships. The Loyalists cleared much of the rich land for farming, which attracted a large number of immigrants from New England in the first decades of the 19th century. In the 1840s a rapid shift occurred in the region as French- speaking Quebecois from poorer areas began pouring in and the English speakers began emigrating to the U.S. and other parts of Canada. Francophones became a majority in the 1870s and today constitute over 85% of the population. The present broadside, printed in English, lists hundreds of lots for sale by the British American Land Company and includes over a column's worth of detailed descriptions of lands open for purchase. The following towns and areas are represented: Ascot, Auckland, Brompton, Compton, Clifton, Clinton, Ditton, Dudswell, Eaton, Hereford, Melbourne, Newport, Orford, Shipton, Stoke, Weedon, Westbury, and Windsor, in the County of Sherbrooke; Barford, Barnston, Bolton, Hatley, Potton, and Stanstead, in the County of Stanstead; Brome, Ely, Farnham, Granby, Milton, Roxton, Shefford, and Stukeley, in the County of Shefford; Acton, Aston, Chester, Durhan, Grantham, Ham, Kingsley, Simpson, Tingwock, Warwick, Wendover, and Wickham, in the County of Drummond; Sutton, in the County of Missisquoi; Hemmingford, in the County of Beauharnois; and improved farms in the district of St. Francis Territory, Port St. Francis, and the town of Sherbrooke. Not listed on OCLC and apparently unrecorded. Very rare.

      [Bookseller: William Reese Company - Americana]
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        American Notes for General Circulation

      London: Chapman and Hall, 1842. First edition. Hardcover. Very Good. Original quarter black calf leather bindings with marbled boards. Two volume set. 8vo. 5" x 7 3/4". [v]/ 308 pages, vii/ 306 pages. Speckled page edges. Same owners name inscribed on front end pages. Volume 1 has a newspaper cutting stuck to back end page which is titled Mr Forresters life of Dickens and stuck to front end page is a small newspaper cutting which reads American notes for general circulation. Some light foxing to title pages otherwises a very clean. Some light rubbing to covers and some wear to edges. Slight crack to top of front hinge of Vol. II.

      [Bookseller: Golden Books Group]
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        THE IDEAL MAN; A Conversation Between Two Friends, upon the Beautiful, the Good, and the True, as Manifested in Actual Life by a Philokalist

      Boston: E.P. Peabody, 1842. First edition. Hardcover. Very Good. 5 7 1/4 inches high. Publisher's brown embossed cloth, gilt title on cover. 160 pages + errata. Signed by author on title page; "Mrs. Robt Hare with respects of the author". Condition of the book is Very Good; Small piece of cloth missing at bottom of spine, also at top of front joint (see photo), 3 light stains at top of front cover and 2 to rear cover, text is very clean, pages are not toned or foxed, there are a few small stains in the margins, not affecting text, pages 85 & 87 are missing about 1/2 inch at bottom margin (no loss of text), seems to have been printed on short paper, binding is tight. Published as by "A Philokalist" (lover of Beauty), credited to Wierzbicki (Dict. of Anonymous and Pseudonymous English Literature, 1928 Vol. 3 Page 128), also his name is on the copyright page. Felix Paul Wierzbicki (1815-1860) is best known as the author of "California As It Is and As It May Be" 1849. Mrs. Robt Hare (nee Harriett Clark) was the wife of Robert Hare (1781-1858) Philadelphia chemist and author. Philosophy Rare RGR

      [Bookseller: Andre Strong Bookseller]
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        Site of Petra

      London., 1842-9. March 9th. 1839. Size: 42 x 60.5 cm. Original tinted lithograph. Additional hand colouring. Very good condition. Unobtrusive blind stamp. Roberts was the first independent, professional British artist to travel so extensively in the Near East. His tour in 1838-9 produced 272 sketches, a panorama of Cairo and three full sketchbooks, enough material to "serve me for the rest of my life" (Roberts, eastern journal, 28 Jan 1839). Over the next decade he made "a series of intire new drawings" for the large coloured lithographs executed by Louis Haghe for The Holy Land, Syria, Idumea, Arabia, Egypt & Nubia, which was originally published by subscription, 1842-9. No publication before this had presented so comprehensive a series of views of the monuments, landscape, and people of the Near East. "Robert's Holy Land was one of the most important and elaborate ventures of nineteenth-century publishing, and it was the apotheosis of the tinted lithograph" (Abbey, Travel). These lithographs were originally published in twenty parts, most parts containing six plates, the price for each part with coloured plates (the most expensive state) being 3 guineas. The Holy Land, Syria..., from Drawings made on the Spot. London: F.G. Moon.

      [Bookseller: Peter Harrington]
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        Tsar, ancient Tyre from the Isthmus

      Egypt and Nubia; the Holy Land., 1842-1849. Lithograph. Hand coloured. Fine condition. Size: 52 x 37 cm. Mounted size: 75 x 62

      [Bookseller: Peter Harrington]
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      London: Edward Moxon, 1842. First Edition. Hardcover. Very Good. Original brown cloth with a leaf of ads at the end followed by an additional collective title page and half-title page, allowing the book to form the seventh and final volume of the 1836-7 edition of Wordsworth's POETICAL WORKS. Wordsworth's last collection of new work, and somewhat scarce. This is a Presentation copy INSCRIBED by the poet on the front pastedown: "Herbert Hill/from/the Author/April 1842." Herbert Hill married Robert Southey's daughter, Bertha, in 1839 and was a neighbor of Wordsworth's living with his wife in John Fleming's cottage in Rydal. Hill served as tutor for Matthew Arnold. Both Hill and Wordsworth attended Southey's funeral in March 1843 after which Wordsworth was selected to replace Southey as England's Poet Laureate. Rebacked some time ago with nearly all of the original spine but for the tips retained. An engraved portrait of the author is laid down on the verso of the front free endpaper.

      [Bookseller: Charles Agvent]
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        The scenery and antiquities of Ireland / Illustrated from drawings by W. H. Bartlett; the literary portion of the work by N. P. Willis, and J. Stirling Coyne, ... - [Complete in 2 volumes]

      London : George Virtue, [1842?], 1842. 1st Edition. Physical desc.: 2 v.(iv, [2], 170; [4], 186 p.) : 122 plates ; 4º. Notes: Variant imprint to volume 2: The literary portion of the work by J. Stirling Coyne. - Each volume has an additional titlepage, engraved. Other names: Coyne, J. Stirling (Joseph Stirling), 1803-1868. Referenced by: NSTC 2W24037 2C41485 2B10638. Subject: Antiquities. Engraving. Ireland - Pictorial works. Ireland - Antiquities. Ireland - Description and travel - Views. Ireland - Description and travel - Pictorial works. Genre: Illustrated works. Viewbooks. Scattered foxing. Very good copies both in the original, full diced calf. Professionally and period sympathetically re-backed with raised bands, ruled and gilt cross-bands and the titles blocked direct in gilt. Minor generalized wear; remains an uncommonly good example; tight, bright, clean and strong.

      [Bookseller: MW Books Ltd.]
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        Storia d'Italia continuata da quella del Guicciardini sino al 1814 : con annotazioni - [Complete in 6 volumes]

      Milano : Tipi Borroni e Scotti (1842-44), 1842. 1st Edition. Physical description 6 v : port ; 21 cm. Notes "Vita di Carlo Botta, scritta da Michele Sartorio": v. 6, p. i-xxii at end. Subject Italy - History - 1559-1789. Italy - History - 1789-1815. Near fine copies all in the original gilt-blocked, elaborately blind-tooled cloth. Slightest suggestion only of dust-dulling to the spine bands and panel edges. Remains a particularly well-preserved set overall; tight, bright, clean and strong.

      [Bookseller: MW Books Ltd.]
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        The Race Horse. Stallion, Vestris, 11 Years old, the Property of Mr. Hutchins of Cregane Castle, by Whalebone, out of Verennes, dam of Albert

      London: 1842. Lithograph, coloured by hand, by Fairland, from a drawing by W.Nicholson after a painting by Shiels. 13 1/8 x 17 inches. A stunning image of a thoroughbred from David Low's famous pioneering work on the forerunners of all of today's most important breeds of horses, cows, sheep and pigs. This high quality hand-coloured lithograph is from David Low's 'The Breeds of the Domestic Animals of the British Islands', published in London in 1842. The work as a whole forms a beautiful series of very carefully observed portraits of the most perfect examples available of these historically important breeds: a highly valuable record of the state of animal husbandry at the start of the period when agriculture came to be considered a science. The artist, William Shiels of the Royal Scottish Academy, was commissioned to produce a series of paintings of all the significant breeds then of economic significance in Great Britain. These paintings were then used as the basis for the present work with the addition of Low's important and informative text. David Low, professor of Agriculture at Edinburgh University, produced this work as a reference for those interested in the infant science of selective breeding. His worry was that the relatively simple basic concepts of matching a breed to its environment whilst improving its productivity were not understood by the majority of farmers or breeders. With the help of a government grant from Earl Spencer, Low set up the agricultural museum in Edinburgh. Cf. BM(NH) III, p.1184; cf. Mellon Books on the Horse and Horsemanship 168; cf. Nissen ZBI 2564; cf. Wood p.442.

      [Bookseller: Donald Heald Rare Books]
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        Encyclopädie Der Deutschen Nationalliteratur, Oder, Biographisch-Kritisches Lexikon Der Deutschen Dichter Und Prosaisten Seit Den Frühesten Zeiten : Nebst Proben Aus Ihren Werken / Bearbeitet Und Herausgegeben Von O. L. B. Wolff 7 Volumes and 2 (Scarce) Supplementary Volumes

      Leipzig : Otto Wigand, 1842. 1st Edition. A complete set of 9 volumes, includes the two scarce supplementary volumes. Subjects: German literature--History and criticism. German literature--Bio-bibliography. Nine good to very good volumes. Original bindings worn, all backed in brown paper. All volumes internally fine. Remains a particularly well-preserved set overall; tight, bright, clean and strong. Scans available on request.

      [Bookseller: MW Books Ltd.]
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        A Complete View Of The Dress And Habits Of The People Of England, From The Establishment Of The Saxons In Britain To The Present Time: Illustrated By Engravings Taken From the Most Authentic Remains Of Antiquity. To Which Is Prefixed An Introduction, Containing A General Description Of The Ancient Habits In Use Among Mankind, From The Earliest Period Of Time To The Conclusion Of The Seventh Century A New And Improved Edition, With Critical And Explanatory Notes, by J.R. Planche, Esq. F.S.A,

      London: Henry G. Bohn, 1842. Hardcover. Three quarter brown calf and marbled boards, matching endpapers. Teg. 2 vols. Very good./No Dust Jacket. 114 & 275 pages. 33 x 27 cm. First published 1796 with 143 plates. New edition with 153 hand-colored engravings. Strutt was an English engraver, and writer on art. BRUNET Vol. 5, p.566, noting earlier edition. BRYAN Vol.5, p.138. DNB notes, "Although the amount of Strutt's work as an engraver is is of exceptional merit and is still highly esteemed." Index of sources from which the illuminations were taken . Interior contents -- text and plates -- bright, clean and fresh. Ex-library with no external marking, ownership signature verso of title pages, and three initials at top corner verso of plates, minor extremity wear.

      [Bookseller: Royoung bookseller, Inc.]
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        Parian Bust

      19th C. Parian Bust of Shakespeare. 9" tall nineteenth-century Parian bust of William Shakespeare. Occasional light scattered flyspots and minimal areas of slight discoloration, as expected on English Parian busts of this age. A short linear fissure in the lower neck area which is not a crack, but which occurred in the making. A fine example.Parian, a "highly vitrified version of soft paste porcelain, was invented in the Staffordshire potteries and first advertised for sale by Copeland and Garrett in 1842. Their claim to have originated this substance was disputed by other firms, particularly by John Mountford of the Minton factory who claimed that he had been working on perfecting a similar material for many years and had released it at the same time…"…The main desire had been to find a ceramic that would imitate the Paros marble used for classical sculpture in the Greek and Roman cultures. Parian was ideally suited for this and from the very first piece made, a copy of the Duke of Sunderland’s marble ‘Apollo as the shepherd boy of Admetus’, this was to be its major use. It was known as 'Statuary Porcelain'…"…Parian was eagerly accepted into the public taste and quickly became very popular both here and in our tradition markets of the USA, Canada, and Australia.. Similar high quality classical and domestic designs were being produce by John Rose at Coalport, Mountford, Meigh and Sons and Alcock in the potteries and numerous other potteries throughout Britain. But so intense was the publics desire that they were also joined by many lesser factories who failed to get the same smoothness of body and fineness of intricate detail. Many of these ‘lesser’ factories left their work unmarked but, unfortunately for the collector, so was much of the quality work from the major factories."Statuary Parian was in constant production through until the 1870s and then declined rapidly in popularity as fashions changed. It continued in production in limited quantities by the larger factories and is still being used today but its heyday was definitely confined to the mid 1800s. It was a peculiarly Victorian phenomenon" (Antique British Ceramics, An Introduction to Parian).

      [Bookseller: David Brass Rare Books, Inc.]
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        Czarina, The

      1842. first edition. An Historical Romance of the Court of Russia at the Time of Catherine the GreatHOFLAND, Mrs. [Barbara]. The Czarina; An Historical Romance of the Court of Russia. By Mrs. Hofland…In Three Volumes. London: Henry Colburn, Publisher, 1842. First edition. Three twelvemo volumes (7 3/8 x 4 5/8 inches; 187 x 117 mm.). [2], 302; [2], 317, [1, blank]; [2], 325, [1, blank] pp. Possibly bound without the half-titles.Contemporary half maroon morocco, ruled in blind, over marbled boards. Spines ruled in blind and lettered in gilt with five raised bands. Marbled edges. Armorial bookplate of Viscount Chersley on front pastedown in each volume. A near fine copy. OCLC locates only four copies: UCLA, the University of Wisconsin, Madison, the University of Victoria, and Cambridge University. KVK locates an additional three copies: the British Library, the National Library of Scotland, and the Library of Congress.Mrs. Barbara Hofland (1770-1844) “was the daughter of Robert Wreaks, a Sheffield manufacturer, who died when she was an infant. She was brought up by an aunt and in 1796 married T. Bradshawe Hoole, a merchant, by whom she had a son. Hoole’s death from consumption two years later left her wealthy but the money was subsequently lost through a bad investment, and she turned to writing. A volume of Poems (1805) attracted 2,000 subscribers, mainly out of sympathy. She opened a boarding school at Harrogate on the proceeds, and when this failed she began to write fiction. The History of a Clergyman’s Widow (1812) sold 17,000 copies in various editions. In 1808 she married the landscape painter Thomas Cristopher Hofland (1777-1843). The precariousness of an artist’s life together with Hofland’s natural improvidence and subsequent illness meant that she had to work even harder at her fiction. By 1824 she had produced upwards of twenty titles, the most successful of which, and probably her best, was The Son of a Genius [1812], which drew on her experience of the artistic temperament and also on the emotional legacy of her son’s death from consumption. She followed it with The Daughter of a Genius (1823). She was a popular as well as prolific writer although her fiction, which extended to nearly seventy works, was remorselessly didactic in tone. Towards the end of her career she turned out conventional Victorian three-deckers, including The Czarina (1842), The King’s Son (1843), The Unloved One (1844), and Daniel Dennison (1846). She was also an energetic journalist, having begun as early as 1795 with ‘Characteristics of Some Leading Inhabitants of Sheffield’, which she published in the Sheffield Courant. She expanded this vein later by contributing gossipy letters about London literary life to provincial newspapers. Her children’s books include both history and travel and, despite their moralizing, are attractive and readable. Hofland was a friend of Mary Russell Mitford” (The Oxford to British Women Writers).“[Mrs. Hofland’s] work for children includes imaginative textbooks (she centres both histories and travels on invented young people). Some simplified moral judgements apart, it is intelligent and readable. Depth and variety is added in adult works like Iwanowa, or The Maid of Moscow, 1813 (Richardsonian letters; clash of armies and cultures), Katherine, 1828 (delicate psychological analysis of misunderstandings in love), The Captives in India, 1834 (effective use of Eliza Fay), and The King’s Son, 1843 (fictional vindication of Richard III)” (The Feminist Companion to Literature in English).Block, pp. 109-110. CBEL III, 734. CBEL (3) IV, 934. Not in Sadleir or in Wolff, who had only two of her works—The Captives in India, A Tale; and A Widow and a Will (1834) and A Season in Harrogate (1812).

      [Bookseller: David Brass Rare Books, Inc.]
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        The Convent of St Catherine. Mount Sinai

      London., 1842-9. Feb 21st 1839. Size: 425 x 605 mm Original tinted lithograph. Additional hand colouring. Very good condition. Unobtrusive blind stamp. Roberts was the first independent, professional British artist to travel so extensively in the Near East. His tour in 1838-9 produced 272 sketches, a panorama of Cairo and three full sketchbooks, enough material to "serve me for the rest of my life" (Roberts, eastern journal, 28 Jan 1839). Over the next decade he made "a series of intire new drawings" for the large coloured lithographs executed by Louis Haghe for The Holy Land, Syria, Idumea, Arabia, Egypt & Nubia, which was originally published by subscription, 1842-9. No publication before this had presented so comprehensive a series of views of the monuments, landscape, and people of the Near East. "Robert's Holy Land was one of the most important and elaborate ventures of nineteenth-century publishing, and it was the apotheosis of the tinted lithograph" (Abbey, Travel). These lithographs were originally published in twenty parts, most parts containing six plates, the price for each part with coloured plates (the most expensive state) being 3 guineas. The Holy Land, Syria..., from Drawings made on the Spot. London: F.G. Moon.

      [Bookseller: Peter Harrington]
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      1842. 1. (GRANDVILLE,J.J.)illus. SCENES DE LA VIE PRIVEE ET PUBLIQUE DES ANIMAUX par P.J. Stahl. Paris: J. Hetzel 1842. 2 volumes, 4to (7 1/2 x 10 1/2"), contemporary leather backed red cloth with elaborate gilt spine designs, 386, 390 numbered pages + tables of contents in each volume, slight bit of cover rubbing else clean and near Fine with no foxing at all. First edition. Featuring 323 illustrations consisting of 210 full page engraved plates plus numerous vignettes all depicting Grandville's unusual humanized animals and insects in exquisite detail. His animals in human dress present a superb satire of French manners, politics and customs. Ray (in The Art of the French Illustrated Book p.273-5) notes that P.J. Stahl was really a pseudonym for the publisher Hetzel "who was the moving force behind the book. ... Hetzel's primary objective was 'to give words to Grandville's marvelous animals.'" Ray adds " It should be noted that the engravings for this book are by Beviere, the one craftsman whose renderings of his work Grandville refused to criticize." Selected as one of Ray's 100 Outstanding French Illustrated Books (p.531). Carteret: Tresor du Bibliophile p.552-9, Gumuchian 280. Very scarece.

      [Bookseller: Aleph-Bet Books, Inc.]
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        Missionary Labours and Scenes in Southern Africa

      London - John Snow, 1842 Book. Very Good. Hardcover. First edition. A first edition of Robert Moffat's popular account of his work as a missionary in Africa from the mid-nineteenth century. In a full calf binding, with the fold-out map and colour frontis present. With a fold-out map of Africa. With twenty engravings, including a colour frontispiece, Mission Premises, printed in oil colours, by George Baxter. In 1842 his Missionary Labours and Scenes in Southern Africa appeared, to become a widely read Victorian missionary classic -DNB. Robert Moffat, 1795-1883, was a missionary in Africa and linguist. Condition: In a full calf binding. Externally, rubbed, with slight loss to the top of the spine. There is a tidemark to the rear board. The joints are starting. The hinges are strained. Internally, firmly bound, with light marginal browning and some foxing, prominent to the plates, and the first and last few pages. Overall: GOOD ONLY..

      [Bookseller: Rooke Books]
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        Fables de Florian suivies de Tobie et de Ruth.

      Paris, Dubochet et Cie. 1842 - Illustrées par J.-J. Grandville suivies de de Tobie et de Ruth, Poèmes tirés de l’écriture Sainte et précédées d'une Notice sur la vie et les ouvrages de Florian par P.-J. Stahl. EDITION ORIGINALE. Paris, Dubochet et Cie. 1842 - 292 pages. Reliure demi chagrin vert de l'époque. Dos lisse à faux nerfs filetés et fleurons dorés. Dos et bords légèrement frottés. Pas de rousseur. Très bon état. Format in-8°(24x16). 1ère Edition [Attributes: First Edition; Hard Cover]

      [Bookseller: livres et collections]
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        Anleitung zur Analyse organischer Körper

      Braunschweig: Verlag Friedrich Vieweg u. Sohn, 1842 Book. Very Good. Hardcover. 1st Edition. 8vo - over 7¾ - 9¾" tall. 8vo (20.8x13.0cm). [4], 72 pp., 2 folded copper engraved plates, 1 lithogr. plate and 2 folded charts. Contemp. three-quarter calf, label to spine (rubbing, chafing, spine-ends frayed), light brownstaining to plates and charts, backing to inner margin of 1 chart, 1 chart with tear to inner margin. ---- Horblit 67, Dibner 46, Paolini 237 - First edition of one of the first separately published treatises by Liebig. This copy with the rare additional folded table intended to be used as a wallchart backed by cardboard. "Important publication of the constitution of organic compounds, with description in detail of the modern method of chemical analysis" (Horblit). "His insistence that chemistry could be applied to agriculture marks the beginning of the practical applications of chemistry which dominated his life" (Dibner)..

      [Bookseller: Milestones of Science Books]
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        Praktikale zeevaartkunde en theoretische kennis, voor handel en scheepvaart.

      - Amsterdam, Wed. G. Hulst van Keulen, 1842. 2 volumes. 4to. Contemporary half calf, spines gilt. With 121 engraved plates after P. Le Comte by D.Veelwaard. VIII,313 pp.* First edition. - Standard work on Dutch sailing ships, with detailed plates. - Very fine clean copy.Cat. NHSM II, p.757. [Attributes: First Edition; Hard Cover]

      [Bookseller: Gert Jan Bestebreurtje]
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        BIBLIOMANIA; OR, BOOK=MADNESS; A BIBLIOGRAPHICAL ROMANCE. To Which Are Now Added Preliminary Observations, and a Supplement Including a Key to the Assumed Characters in the Drama

      London: Henry G. Bohn, 1842. New and Improved edition. Including the reprint of the 1809 edition and the supplementary matter of 1811. Illustrated throughout with fine, beautiful woodcut engravings, borders, headpieces and initials, printed in red and black, a number of the plates on India paper, mounted. Large, thick 8vo, in a beautiful Zaehnsdorf signed binding dated 1893 of full black morocco, the boards richly adorned in fine Edwardian style. The boards feature a wide frame of gilt vines, flowers and thistles at the corners of elaborate gilt ruled columns, further gilt ruling around this and then at the edges, the turn-ins likewise gilt tooled, the spine with tall gilt stippled raised bands creating compartments decorated much like the covers and with gilt lettering in three of them, fine marbled endpapers and t.e.g. xiv, 618, 62, xxxiv indexes, pp. A very appealing and attractive copy, internally fresh and clean with almost none of the commonly found foxing. The handsome Zaehnsdorf binding with some early expert restoration and minimal general age-evidence at the edges and tips. A GREAT BIBLIOPHILIC CORNERSTONE WORK, WITH MAJOR ADDITIONS. ONE OF THE CORE TEXTS OF BOOK COLLECTING. This new edition, written 30 years after the first, adds “Preliminary observations, and a supplement including a key to the assumed characters in the drama.” In his first edition, Dibdin presumed to more substantially treat a subject which had been addressed earlier in 1809 in verse form by Dr. Ferriar. He proposed to Heber, to whom the verse had been addressed, to accept another, but in prose. ‘It was accordingly settled that Dibdin’s performance should be addressed to the same individual, in a small octavo volume, of a moderate price. It was written “calamo currentissimo,” within a lunar month, and had the effect of producing much innocent mirth, and exciting a general curiosity after rare and precious volumes. The profits of the sale about covered the expenses of a week’s housekeeping.’ But the book has remained a favorite for two centuries and is now presumed to be a classic part of any collector’s library. A very pleasing copy of this work.

      [Bookseller: Buddenbrooks, Inc.]
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        Bibliomania; or Book-Madness; a Bibliographical Romance

      London: Henry G. Bohn, York Street, Covent-Garden, 1842. "New and improved edition, to which are now added preliminary observations, and a supplement including a key to the assumed characters in the drama". 8vo. Illustrated. xiv, 618, 63, [1], xxxiv pp. Bensley, Printer. Bound in full green pebbled morocco, a.e.g., by Hayday. About fine. Bookplates of F.T. Wilson and Stuart Schimmel. Jackson 20 ("This edition contains a reprint of the original, 1809, edition as well as that of 1811, with supplementary matter"); Windle & Pippin A11e . A nice copy of this classic work, now with a key as to who is who in the text

      [Bookseller: James Cummins Bookseller]
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        Reise igjennem Nordlandene og Vestfinmarken i Sommeren 1841.

      Chra., Guldberg & Dzwonkowski. 1842. 8vo. Samtidig marmorert kartonasjebind med skinnrygg. VI, 118 s.. Samtidig skrift på forsatsen, liten slitasje ved øvre kapitél, ellers et fint eksemplar av denne sjeldne boken

      [Bookseller: Damms Antikvariat]
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        The Ladies' Companion to the Flower Garden. Being an Alphabetical Arrangement of all the Ornamental Plants usually grown in Gardens & Shubberies: with full Directions for their Culture

      London: William Smith, 1842. Second edition A Near Fine Second Edition copy, with considerable additions and corrections. Foolscap Octavo (4.75 x 7 inches). Brown blind-embossed cloth with gilt lettering to cover and spine. AEG. Expert minor restoration to the foot of spine, otherwise a very nice copy. Engraved bookplate on front paste down: "Panshanger" under floating crown and entwined "C's". Pp. 350, with numerous wood-engraved illustrations, plus a 16 page publisher's catalogue bound in. hand-colored lithographed frontispiece of a bright bouquet of garden flowers, rendered in Mrs. Loudon's classic style. Produced upon the success of her landmark floricultural series; The Ladies" Flower Garden of Ornamental Annuals, Perennials and Bulbous Plants, (William Smith, London, 1840-45), Mrs. Loudon introduced this lovely Flora's Lexicon. In the words of the eminent Victorian botanical artist and writer, she has created for the edification of the possessor of small gardens, a single handy "dictionary of the English and botanical names of the most popular flowers, with directions for their culture", complete with instruction on the pronunciation. A scarce and timeless gardener's treasure, particularly in this fine condition. &

      [Bookseller: Lowry-James Rare Prints & Books, ABAA]
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        LE JARDIN DES PLANTES, description complète, historique et pittoresque ou MUSEUM D’HISTOIRE NATURELLE, de la ménagerie, des serres, des galeries de minéralogie et d’anatomie et de la vallée suisse. (Moeurs et instincts des animaux, botanique, anatomie comparée, minéralogie, géologie, zoologie).

      - Paris, L. Curmer, 1842-1843. 2 volumes in-4 plein veau fauve ancien, dos lisses ornés de filets et roulettes dorés, titres dorés, (ft+t+2ff+XXIX+446),(ft+t+2ff+664pp+1f). Ce célèbre ouvrage est illustré de très nombreuses vignettes et de belles ornementations en têtes de chapitres; mais il contient surtout les planches hors-texte suivantes:Plan topographique, panorama, labyrinthes du jardin des plantes en doubles pages; la fontaine, le café, l’amphithéâtre, la cabane des hérons, la fosse aux ours, les grandes serres, dauphins, sauriens, reptiles, chimpanzés, félins, éléphants, singes, rennes, bouquetins, etc. Egalement nombreux types humains; table alphabétique des arbres et arbustes, etc.En outre il est enrichi de NOMBREUSES PLANCHES DE FLEURS, D’OISEAUX, D’INSECTES, DE PAPILLONS GRAVEES EN COULEURS. Soit un total de 173 GRAVURES sur 185.Défauts normaux pour des ouvrages ayant été pratiqués: reliures un peu frottées avec une petite fente à une coiffe, cahiers parfois légèrement déreliés, papier inégal et un peu plus brun par endroits avec de petites fentes marginales, coins émoussés, rousseurs minimes surtout compte tenu de la période; malgré cela l’ensemble est très agréable, en pleine reliure, le papier est dans l’ensemble très blanc et les couleurs des gravures très fraîches.Brivois précise que cette édition est supérieure à celle de Dubochet, "les gravures sont tirées sur les bois originaux, au lieu de l’être sur les clichés, et le coloris est très soigné", (p. 216). [Attributes: Hard Cover]

      [Bookseller: LA BOUQUINERIE]
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        Diary and Letter of Madame D'Arblay, author of Evelina

      London: Henry Colburn, 1842. First edition. Seven Volumes. Attractively bound by Bumpus in half straight grain red morocco with marbled boards, gilt ruled covers and banding and matching endsheets. T.E.G. A very attractive set indeed with little or no wear, near fine.

      [Bookseller: Nudelman Rare Books]
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        Costumes Africaines. African costumes.

      Beautiful selection of hand colored plates of African costumes. 1842-1848. Paris. Aubert. In folio (510 mm x 350 mm). 13 lithographs hand colored and heightened with gum arabic. Later but 19th century quarter morocco and brown pebbled cloth, title stamped in gilt on upper cover, gently rubbed. Scattered foxing affecting images and margins; every plate hand colored. A selection of plates representing African costumes, taken from the virtually impossible-to-see complete Galerie Royale de Costumes, a monumental enterprise which included over 250 lithographs of the different nations of the World in local costumes. Normally, collectors would buy those that were of interest and have them bound together, to the extent that some collections of plates are considered complete as they are ?such the cases of the plates from Mexico, Peru, Argentina, etc. The artists employed or after whom the lithographs were taken included some of the best of the time. This selection of plates shows mostly African soldiers and civil servants and a few plates dedicated to women in splendid attires.

      [Bookseller: Hs Rare Books]
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        Objections to the project of His Excellency Sir George Gipps

      Sydney,: James Tegg, George Street, 1842.. Octavo, 20 pp.; a very good copy in plain brown wrappers. Scarce attack on Gipps: the final ten pages comprise a protest regarding the New South Wales Legislative Council signed by both John Jamison and John Blaxland. Having unsuccessfully sought English aid in cancelling immigration orders after the expensive rush of bounty immigrants, and after being severely censured for issuing orders in excess of land revenue, Gipps submitted a plan to the Local Legislature 'for raising by Debentures the sum of £200,000, to be secured on, and paid out of the Ordinary Revenue of the Colony, if not satisfied within three years, out of the Land Fund, and bearing interest not exceeding the rate of six per cent. per annum, payable out of the Ordinary Revenue of the Colony...'. This pamphlet sets out the objections to the plan, which was not accepted. Gipps was then forced to draw on the military chest, and when that was exhausted, withdrew government deposits from the banks to meet the deficits already incurred for bounty payments. When all these measures proved inadequate, he finally borrowed £50,000 in debentures, "a daring innovation" (ADB).Crittenden, 'James Tegg', p. 73.

      [Bookseller: Hordern House Rare Books]
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        Der neue Pitaval. Eine Sammlung der interessantesten Criminalgeschichten aller Länder aus älterer und neuerer Zeit 1-24

      First series vols. 1-12 (bound), 1842-1847 (minus vol. 9, not bound, 2nd impression 1859)Second series vols. 1-12 (continued as vols. 13-24), 2nd impression, 1860-61

      [Bookseller: Sherlock Holmes Museet]
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        Der neue Pitaval. Eine Sammlung der interessantesten Criminalgeschichten aller Länder aus älterer und neuerer Zeit.

      First series vols. 1-12 (bound), 1842-1847 (minus vol. 9, not bound, 2nd impression 1859)Second series vols. 1-12 (continued as vols. 13-24), 2nd impression, 1860-61

      [Bookseller: Sherlock Holmes Museet]
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      1842. Good. [PERIODICALS] ANNALES DES MINES, AN INTERRUPTED RUN 1842-1894, 23 VOLUMES. Paris: Dunod (& Vicq) editeurs, 1842-1894. var pp. 8vo., brown cloth or quarter leather with gilt spine lettering. Ex-library with usual markings. Memoires. Folding plates: mine equipment and machinery, excavation, plans. Occasional foxing to text edges and plate edges, else good condition with some brittle pages in older volumes. 23 volumes, as follows: 4th series, Volume 1 (1842) 7th series, Volumes 15-20 (1877, 1879-1881) 8th series, Volumes 1-9, 12-15 (1882-1886, 1887-1889).

      [Bookseller: Boston Book Company ]
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        A Descriptive Vocabulary

      London,: Wm. S. Orr, 1842.. Octavo; crude repair to title-page, some wear to extremities, else a good mostly unopened copy in original green cloth, with 4-pp. advertisements bound in. Moore, a lawyer, landed proprietor and diarist, arrived at the Swan River Settlement on the brig Cleopatra in 1830; over the following decades he became a large land-holder at his property Millendon and was appointed advocate-general.Less than a month after arriving in the settlement, Moore accompanied the colonial secretary on a search-party to find Aborigines implicated in a robbery. From this period on he would express sympathetic concern for the local tribes, and made a sustained effort to learn their language and understand their stories.This work is based on the preliminary studies of the explorer George Grey. Moore greatly expanded and enhanced the material, producing a genuinely descriptive vocabulary of the language in common use amongst the Aborigines of Western Australia. As with all good works of this sort, Moore's work makes fascinating reading, as it includes detailed observations regarding the habits, manners and customs of the natives and the natural history of the country.Throughout, Moore's work gives a real insight into the lives of the settlers themselves; thus 'Janjin... the native pear tree. It bears a thing which looks provokingly like a good fruit'.Ferguson, 3455.

      [Bookseller: Hordern House Rare Books]
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        One Hundred and Thirty-Seven Views on The Coasts of England, France, Spain, Portugal, Italy, &c. | From Drawings by J.T. Serres, Late Marine Painter to His Majesty, and Marine Draftsman to the Right Hon.ble The Board of Admiralty. | Third Edition. Price One Pound, Fifteen Shillings

      London: Published by Charles Wilson, (Late J.W. Norie & Wilson), Chartseller to the Admiralty, the Hon. East India Company, and Corporat, 1842. Hardcover. Third edition. Folio. [ii] pp text ("Contents") + 14 leaves (of 20), printed rectos only, each with multiple hand-colored views. In the original binding of quarter morocco and cloth over thin boards; binding very rough, nearly all of the printed paper title-label set on the upper cover perished; spine split, and largely missing; a Poor copy, missing 6 leaves, of a rare book. Image or additional images available upon request

      [Bookseller: Wessel & Lieberman Booksellers ABAA]
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        En skrift för fäderneslandets fornvänner.

      1842-45, 1847-49. Stockholm, P. A. Norstedt & söner/ Albert Bonniers/ J. L. Brudins förlag, 1842-49. Stor 8:o. (4),+ 52; 70; 59,+ (1); (2); 92,+ (2); (2); 128; (4),+ 113,+ (1),+ slip; (4),+ 42; (4),+ 48; (4),+ 50; 44 s.+ 41 litogr. planscher, varav 5 utvikbara och 1 handkolorerad,+ 3 musikbilagor (på åtta blad). Titeln till 1849 tryckt i rött och svart. Första serien häfte 1 med kraftiga brun-och lagerfläckar. Årgång 1844 med fuktrand inledningsvis och liksom 1845 med fläckar och tidningsbevillningstämplar. Något nötta senare röda hfrbd, guldornerade ryggar med upphöjda bind och svarta titeletiketter, röda snitt och med häftesomslag medbundna till 1842-43, det främre lagat, och till 1847-50 (Fr. Ljunggrens bokbinderi). Två volymer. Ur Gustaf Hallgrens bibliotek, med hans exlibrishäfte. Häfte 2-4 saknar deltitelblad. Titelbladet till årgång 1844 saknas som alltid (här ersatt med ett av deltitelbladen till första serien) liksom plansch 3 (Tjängvidestenen) i årgång 1845. Ytterligare sju planscher saknas. Lundstedt II, 213 för år 1844-45. Bring Itineraria, 653. 1846 blev aldrig utgiven. Den medbundna slipen informerar om att planschen med Tjängvidestenen ej finns tillgänglig vid tryckningen. Framförallt de senare årgångarna, 1847-50, är ovanliga, och helt komplett med samliga planscher är mycket ovanligt. Den började som "Runa. En skrift för fäderneslandets fornvänner" 1842-43 (häfte 1-4), följdes av "Runa. Antiqvarisk tidskrift" 1844-45 och därefter "Runa. Svenska fornsamlingar" 1847-48 och "Runa. Läsning för fäderneslandets fornwänner" 1849-50. År 1865 till 1875 utkom en ny serie i större format. Bring hänvisar till artikeln "Antikvariska utvandringar i Westmanland" som finns i 1842, häfte 1-4

      [Bookseller: Centralantikvariatet]
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        Cockatoo Island, Port Jackson

      Sydney,, 1842.. Watercolour, 185 x 295 mm, framed. John Skinner Prout (1805-1876) was a largely self trained artist who arrived in Sydney with his family in December 1840. He remained for several years producing many local views but his efforts to educate the population with a series of lectures on the principles of art was met with a lack of public enthusiasm which greatly disappointed him. He visited Van Diemen's Land in 1844 and was so impressed he returned to collect his family from Sydney and resettle there.On the reverse of this watercolour a contemporary hand has written in pencil 'Cockatoo Island, Port Jackson J.S.Prout 1842', But this work clearly shows Goat Island, similar in perspective to a watercolour held in the National Library Canberra. Carton Booth's Australia has steel engravings of both Goat and Cockatoo Island based on paintings by Prout and the Goat Island image looks the most similar to this view.

      [Bookseller: Hordern House Rare Books]
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        Coloured Illustrations Of British Birds, And Their Eggs

      (Vols. I-II:) London: G.W.Nickisson, 1842-44 & (Vols. III-VII:) London: Simpkin, Marshall & Co. 1846-47-48-49-50., 1846. 7 Volumes. 8vo. pp. iv, 230; iv, 233, [1]; iv, 240; iv, 215, [1]; iv, 192; iv, 185; viii, 206. 432 lithographed plates, comprising 322 hand-coloured plates of birds, 102 hand-coloured plates of eggs, & 8 outline plates. wood-engraved title vignettes. An attractive set, bound in 19th century calf, gilt backs (split in lower front joint of Vol. I). First Octavo Edition. Of the first folio edition (1835-50), Casey Wood remarked: "With the possible exception of Lord Lilford's Birds, this is the finest and most complete atlas of portraits of British avifauna (with their eggs) ever published." The number of egg plates in the set varies, there usually being only 102 as here. Anker p. 58. Casey Wood p. 462. Fine Bird Books 94. Freeman 2563. Mullens & Swann pp. 403-04. Nissen 628. Zimmer II p. 433.. F. Hardcover.

      [Bookseller: D & E Lake Ltd. (ABAC, ILAB)]
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        The Danube: its history, scenery, and topography

      New York, Virtue and Yorston,, 1842. Splendidly illustrated, from sketches taken on the spot, by Abresch, and drawn by W. H. Bartlett, Esq. Quarto. Original brown morocco heavily blocked in brown, spine and upper cover elaborately lettered in gilt, spine with gilt leaf motifs in compartments, gilt inner dentelles, marbled endpapers, gilt edges. Portrait frontispiece, engraved title, copiously illustrated with steel-engravings, maps, etc., woodcuts in the text. Extremities rubbed, a good firm copy.

      [Bookseller: Peter Harrington]
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