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Displayed below are some selected recent viaLibri matches for books published in 1842

        Trattato teorico pratico della allacciatura delle arterie [.]. Prima versione italiana del professore Ferdinando Carbonai e Memorie sul ristabilimento della circolazione nella legatura o anche recisione dei tronchi delle arterie di Alberto di Schoenberg.

      presso Carlo Batelli e Compagno,, Napoli, 1842 - In-folio (cm. 37,5), legatura recente in m. pelle e angoli con titolo in oro e decorazioni a secco al dorso, piatti marmorizzati (conservati i piatti della brossura editoriale); pp. [8], 58, [2] e 17 tavole illustrative f.t. a p. pagina incise in rame alla maniera punteggiata e acquerellate; lievi e rare fioriture, leggera gora, qualche segno d'uso. Prima edizione italiana. Buon esemplare.

      [Bookseller: Gabriele Maspero Libri Antichi]
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        Les Français peints par eux-mêmes. Encyclopédie morale du XIXe siècle

      Paris. L. Curmer 1840-1842 - 9 volumes grand in-8 en CARTONNAGE EDITEUR. L'illustration à fait appel à: Bellangé, Charlet, Daubigny, Daumier, Gavarni, Grandville, H. Vernet, Isabey, Tony Johannot, Eugène Lami, Meissonnier, Henri Monnier, Traviès, etc.L' ouvrage est complet de ses gravures hors texte figurant sur les tables,de sa carte, de ses frontispices et de ses 1621 figures dans le texte gravées sur boisQuelques menus défauts d' usage. Travail de vers sur deux cahiers en queue n' affectant pas le texte, petite déchirure à deux pages sans manque, deux gardes renouvellées. Ouvrage pratiquement exempt de rousseurs et particuliérement frais. Très bel exemplaire de l' EDITION ORIGINALE ET PREMIER TIRAGE Publié sous la forme de 422 livraisons l' ouvrage comporte cinq volumes pour Paris, trois pour La Province, et 1 volume pour Le Prisme, donné en prime aux souscripteurs. Présenté sous la forme de portraits l' ouvrage décrit des personnages les plus emblématiques du XIX°. Se croisent la femme comme il faut, la femme de province, le rentier, l'épicier et le notaire plus authentiques et contemporains que jamais.Cet ouvrage est une véritable et monumentale fresque de la France au XIX° siécle avec une illustration pour le moins riche et extraordinaire L' ouvrage est bien complet notament de sa carte et de ses deux serpentes imprimés sur les détenus Il est rare de trouver un exemplaire dans cet état de fraicheur et sous la forme du cartonnage éditeur tel que paru. (Carteret 245; et Vicaire, 794). [Attributes: First Edition; Hard Cover]

      [Bookseller: LA MORINIE]
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        Czarina, The

      London: Henry Colburn, 1842. - Romance At the Time of Catherine the GreatHOFLAND, Mrs. [Barbara]. The Czarina; An Historical Romance of the Court of Russia. By Mrs. Hofland In Three Volumes. London: Henry Colburn, Publisher, 1842. First edition. Three twelvemo volumes (7 3/8 x 4 5/8 inches; 187 x 117 mm.). [2], 302; [2], 317, [1, blank]; [2], 325, [1, blank] pp. Possibly bound without the half-titles.Contemporary half maroon morocco, ruled in blind, over marbled boards. Spines ruled in blind and lettered in gilt with five raised bands. Marbled edges. Armorial bookplate of Viscount Chersley on front pastedown in each volume. A near fine copy. OCLC locates only four copies: UCLA, the University of Wisconsin, Madison, the University of Victoria, and Cambridge University. KVK locates an additional three copies: the British Library, the National Library of Scotland, and the Library of Congress.Mrs. Barbara Hofland (1770-1844) "was the daughter of Robert Wreaks, a Sheffield manufacturer, who died when she was an infant. She was brought up by an aunt and in 1796 married T. Bradshawe Hoole, a merchant, by whom she had a son. Hoole’s death from consumption two years later left her wealthy but the money was subsequently lost through a bad investment, and she turned to writing. A volume of Poems (1805) attracted 2,000 subscribers, mainly out of sympathy. She opened a boarding school at Harrogate on the proceeds, and when this failed she began to write fiction. The History of a Clergyman’s Widow (1812) sold 17,000 copies in various editions. In 1808 she married the landscape painter Thomas Cristopher Hofland (1777-1843). The precariousness of an artist’s life together with Hofland’s natural improvidence and subsequent illness meant that she had to work even harder at her fiction. By 1824 she had produced upwards of twenty titles, the most successful of which, and probably her best, was The Son of a Genius [1812], which drew on her experience of the artistic temperament and also on the emotional legacy of her son’s death from consumption. She followed it with The Daughter of a Genius (1823). She was a popular as well as prolific writer although her fiction, which extended to nearly seventy works, was remorselessly didactic in tone. Towards the end of her career she turned out conventional Victorian three-deckers, including The Czarina (1842), The King’s Son (1843), The Unloved One (1844), and Daniel Dennison (1846). She was also an energetic journalist, having begun as early as 1795 with ‘Characteristics of Some Leading Inhabitants of Sheffield’, which she published in the Sheffield Courant. She expanded this vein later by contributing gossipy letters about London literary life to provincial newspapers. Her children’s books include both history and travel and, despite their moralizing, are attractive and readable. Hofland was a friend of Mary Russell Mitford" (The Oxford to British Women Writers)."[Mrs. Hofland’s] work for children includes imaginative textbooks (she centres both histories and travels on invented young people). Some simplified moral judgments apart, it is intelligent and readable. Depth and variety is added in adult works like Iwanowa, or The Maid of Moscow, 1813 (Richardsonian letters; clash of armies and cultures), Katherine, 1828 (delicate psychological analysis of misunderstandings in love), The Captives in India, 1834 (effective use of Eliza Fay), and The King’s Son, 1843 (fictional vindication of Richard III)" (The Feminist Companion to Literature in English).Block, pp. 109-110. CBEL III, 734. CBEL (3) IV, 934. Not in Sadleir or in Wolff, who had only two of her works—The Captives in India, A Tale; and A Widow and a Will (1834) and A Season in Harrogate (1812). [Attributes: First Edition]

      [Bookseller: David Brass Rare Books, Inc.]
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        The Scenery and Antiquities of Ireland

      London - George Virtue, 1842 Book. Very Good. Hardcover. The Scenery and Antiquities of Irelandillustratedfrom drawings by W. H. Bartlett; the literary portion of the workby J. Stirling Coyne. With an illustrated half title and numerous engraved plates throughout. Volume two only of two. William Henry Bartlett (1809 - 1854) was a British artist, best known for his numerous steel engravings. Bartlett made sepia wash drawings the exact size to be engraved. His engraved views were widely copied by artists, but no signed oil painting by his hand is known. Bartlett's primary concern was to render lively impressions of actual sights. Published byGeorge C. Virtue, Esq. (1794 - 1868), a 19th-century London publisher, well known for printing engravings. Previous owner's ink inscriptions dated 1842 and 1866 to front free endpaper. Condition: In a contemporary calf binding. Externally,sound but with some wear to extremities, backstrip lifting to head of spine and joints starting, rubbing and marks to boards. Internally, generally firmly bound although strained in places. Slight loss to front free endpaper where inscription has been removed. Bright but with foxing and tidemarks to plates, slight spotting and handling marks to pages of text. Overall: GOOD ONLY.

      [Bookseller: Rooke Books]
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        Dickinson's Embossed Cards. First Specimen Book

      Boston: Samuel N. Dickinson, 1842 - With a very interesting presentation note from a previous Philadelphia owner, Alfred Darrach, dated 1928, affixed to the front pastedown, identifying the original owner (his grandfather) as Christian Gobrecht (1785-1844), artist, engraver, embosser, inventor, engraver to the U.S. Mint, and, from 1840-1844, the 4th United States Engraver of the Mint, where he was responsible for the creation of several new models and designs, including the famous Seated Liberty design which appeared on a variety of American coins from 1836 through 1890. Gobrecht designed many notable medals, coins and dies during his career, but he also "invented a speaking doll, and later a camera lucida. He also produced engravings for calico printers, and dies for bookbinders. He engraved the brass dies for embossing the Morocco covers of the Boston Token, from 1831 - 1836, as well as the eagle cover of the Philadelphia Token. Among the medals he engraved were the Charles Willson Peale medal, the Franklin Institute medal, etc -" - DAB. A remarkable specimen album in and of itself, all the more so for having belonged to one of America's most important engravers. We cannot say for sure, but it is entirely likely that if Gobrecht himself did not design many of the dies for this embosser, he may have used the album for his own work and possibly removed the cards which are no longer present (TRADE CATALOGUE, EMBOSSING) Oblong 4to. Printed title in blue and red within an embossed gilt ornamental frame, one printed "Notice" from the publisher dated June, 1842, 49 specimens of embossed cards (many tinted, some printed), all mounted to stiff card stock; and 7 sheets of "Embossed Specimens of Printed Billets" sewn to a stiff printed card. Bound in an album of contemporary half calf and marbled paper boards with red leather label on upper cover stamped in gilt "Dickinson's Embossed Cards," calf shows much deterioration and corrosion, although the sewing is still intact, 28 specimen cards have been removed and are no longer present, some minor soiling and foxing, but generally vey clean and sound internally, custom morocco backed folding box [Attributes: Hard Cover]

      [Bookseller: James Cummins Bookseller, ABAA]
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        Junction of the Yellow Stone River with the Missouri

      Paris, Coblenz and London 1842 - This title was printed from two different plates, one engraved by Salathé with six pronghorn antelope in the foreground and the French title starting 'Réunion.', the second by L. Weber with nine antelope in the foreground, a further seven in the mid-ground and the French title starting 'Confluent.' A rare India proof of one of the greatest landscape images to result from the Bodmer and Prince Maximilian's expedition to America's "Interior Parts." The travelers, aboard the steamer Assiniboine arrived at Fort Union, just above the junction of the Yellowstone and Missouri Rivers, on June 24, 1833, after a journey of seventy-five days up the Missouri River from St.Louis. They stayed until July 6th, when they departed upriver by keelboat for Fort McKenzie. Fort Union was the uppermost point of steamer traffic at the time of Bodmer's visit and like most fur company posts on the Missouri at this time, was situated on a low open prairie sufficiently large to accommodate the large encampments of numerous Indians during the height of the trading season. Karl Bodmer's images show great versatility and technical virtuosity and give us a uniquely accomplished and detailed picture of a previously little understood (and soon to vanish) way of life. Swiss-born Bodmer was engaged by Prince Maximilian zu Wied-Neuwied (1782-1867) specifically to provide a record of his travels in North America, principally among the Plains Indians. David Dreidoppel (Prince Maximilian's servant and hunting companion) accompanied the men on their travels in North America, which lasted from 1832 to 1834. Well-armed with information and advice, the party finally left St. Louis, on the most important stage of their travels, aboard the steamer Yellow Stone on April 10, 1833. They proceeded up the treacherous Missouri River along the line of forts established by the American Fur Company. At Bellevue they encountered their first Indians, then went on to make contact with the Sioux tribe, learning of and recording their little known ceremonial dances and powerful pride and dignity. Transferring from the Yellow Stone to another steamer, the Assiniboin, they continued to Fort Clark, visiting there the Mandan, Mintari, and Crow tribes, then the Assiniboins at Fort Union, the main base of the American Fur Company. On a necessarily much smaller vessel they journeyed through the extraordinary geological scenery of that section of the Missouri to Fort Mackenzie in Montana, establishing a cautious friendship with the fearsome Blackfeet. From this, the westernmost point reached, it was considered too dangerous to continue and the return journey downstream began. The winter brought its own difficulties and discomforts, but Bodmer was still able to execute numerous studies of the villages, dances and especially the people, who were often both intrigued and delighted by his work. The portraits are particularly notable for their capturing of individual personalities, as well as for forming a primary account of what were to become virtually lost cultures. Graff 4648; Howes M443a; Pilling 2521; Sabin 47014; Wagner-Camp 76:1. Engraving by Salathé after Bodmer, proof on india paper mounted, blindstamp. Some minor foxing, a 1" loss in the top left corner of the sheet. [Attributes: Soft Cover]

      [Bookseller: Donald A. Heald Rare Books (ABAA)]
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        Description of an extinct lacertian reptile, Rhynchosaurus articeps (Owen). Inscribed by Owen to Henry Witham

      Cambridge 1842 - Owen, Richard (1804-92). Description of an extinct lacertian reptile, Rhynchosaurus articeps (Owen) . . . Offprint from Transactions of the Cambridge Philosophical Society 7 (1842). [2], 355-369pp. 2 lithographed plates. Cambridge: John W. Parker. 287 x 223 mm. Original plain wrappers, spine worn, some creasing, soiling and chipping. Edges frayed, a few marginal tears in plates not affecting the images, but good to very good overall. Presentation copy, inscribed by Owen to geologist Henry Witham (1779-1844) on the title: "H. T. M. Witham, Esqr. from the Author." Witham's signature on the front wrapper.First Edition, Offprint Issue. Owen, the foremost British paleontologist and comparative anatomist of the nineteenth century, gave in this paper the first description and classification of the fossil reptile Rhynchosaurus articeps, a species of herbivorous beaked lizard that lived during the Middle Triassic Period. Owen presented this copy to Henry Witham, a founder of the Royal Geological Society and the first English person to investigate the internal structure of fossil plants. [Attributes: First Edition; Signed Copy; Soft Cover]

      [Bookseller: Jeremy Norman's historyofscience]
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        Eigenh. Brief mit U. ("H Herz").

      O. O., 2. XII. 1842. - 2 1/3 SS. auf Doppelblatt. Kl.-4to. An einen Dr. Friedländer, wohl der Philologe, Bibliothekar und Archivar Gottlieb F. Friedländer (1805-1878): "Wenig nur [.] kann ich Ihnen über Leuchsenring sagen - was ich aber so einigermaßen weiß theile ich Ihnen gerne mit. Er lebte still u. war ein Erzieher oder auch nur Lehrer des verstorbenen Königs [i. e. Friedrich Wilhelm III.], er lebte als Litterat [!] u. zwar sehr unbemittelter; später versprach er sich der Tochter bemittelter Eltern, welche die Heirath aber nicht billigten, was das Mädchen sehr unglücklich machte. - Einige Jahre nachher verheirathete er sich mit der Hofdame Baronin von Bielefeld, ging mit ihr nach Paris u. gerieth [!] auch dort bald in so dürftigen [!] Umständen, daß seine zarte, gebildete, feine Frau die geringsten Magddienste selbst verrichten mußte. Der Mann brachte den größten Theil des Tages im Bette zu - seine Thätigkeit war nie bedeutend bei allem Verstand u. Wissen - was beides groß in ihm war. Er starb in Paris, in welchem Alter weiß ich nicht. Näheres können Sie bei Ihrer trefflichen Tante Lewy erfahren, die ihn mehr noch, ja viel mehr, als ich gesehen hat [.] Der andere von Ihnen genannte Namen ist mir völlig unbekannt [.]". - Franz Michael Leuchsenring (geb. 1746) - "(oder, wie er sich auch nannte: Monsieur Liserin), ein Litterat der Genieperiode des 18. Jahrh., insonderheit Typus der empfindsamen Wertherzeit" (Meyers Konversationslexikon, 4. A., Bd. X., S. 731) - war Unterhofmeister beim Erbprinzen von Darmstadt und mit Jacobi, Herder, Goethe - der sein Fastnachtsspiel vom "Pater Brey" auf ihn schrieb - und dem Merckschen Kreis in Darmstadt bekannt. Seit 1782 in Berlin lebend, war er zeitweilig als Lehrer der Philosophie für Kronprinz Friedrich Wilhelm tätig, stand mit Friedrich Nicolai, Johann Erich Biester und Moses Mendelssohn in Verbindung und besuchte die Berliner Mittwochsgesellschaft. Mit seiner Gattin Sophie lebte er zuletzt in Berlin als Jakobiner, wo er 1827 verstarb. Urs Viktor Kamber, dem Herausgeber der "Briefe von und an F. M. Leuchsenring", zufolge war er Mitglied des Illuminatenordens. - "Tante Lewy", d. i. Sarah Levy (geb. Itzig, 1761-1854), führte einen der bedeutendsten Berliner Salons ihrer Zeit.

      [Bookseller: Antiquariat INLIBRIS Gilhofer Nfg. GmbH]
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        Scènes De La Vie Privée Et Publique Des Animaux

      Paris: J.Hetzel Et Paulin, 1842. - 2 Volumes. large 8vo. pp. 4 p.l., 386, [6]; 2 p.l., 390, [6]. with half-titles. 201 wood-engraved plates (incl 2 additional titles), numerous head & tailpieces, initials, & vignettes by Brévière & others after designs by Grandville. contemporary half chagrin (bit rubbed, spines faded, occasional light foxing – first few leaves in each vol. more heavily affected). First Edition. "The moving force behind this book was its publisher P.-J. Hetzel, who himself contributed many chapters under the pseudonym of P.-J. Stahl Through Grandville’s animals, Hetzel and his colleagues offered a witty and telling commentary on contemporary politics and personalities. Bouchot described the result as the best satire on French manners during the middle of the century, recalling "the anger to which it gave rise, the outbursts of laughter it provoked and the lawsuits of which it ran the risk." These allusions pass largely unnoticed today, but Grandville’s animals remain as amusing as ever, thanks to the wit and verve of his compositions. The types and situations he depicts are indeed "of every period and every country." "The final plate shows the artist at the zoo of the Jardin des Plantes. He is sketching the visiting creatures who in turn are peering at cages containing Hetzel, Balzac, Jules Janin, and other authors of the Scènes de la vie privée et publique des animaux. It should be noted that the engravings for this book are by Brévière, the one craftsman whose renderings of his work Grandville refused to criticize." (Ray) Carteret III 553. Ray, The Art Of The French Illustrated Book 1700 to 1914, 194 (citing incorrect number of plates). [Attributes: First Edition; Hard Cover]

      [Bookseller: D & E LAKE LTD. (ABAC/ILAB)]
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        Missionary Labours and Scenes in Southern Africa;

      London: John Snow, 1842. . First edition, 8vo, (xvi), 624, (12 advertisement) pp. Frontispiece of the Kuruman Mission, “Printed in Oil Colours by [George] Baxter”, plus a folding map and 20 wood engraved illustrations, some foxing to the plates. Inscribed on a front blank from the Author, dated 1876. Later half morocco by Mansell, t.e.g., gilt banded spine, a couple of minor marks to the boards otherwise very good. Moffat embarked for Africa in 1816 at the age of 21, initially bound for Namaqualand, and over the next two decades established several missions and translated the New Testament (and eventually the whole Bible) into Sechwana, despite the hostile attentions of the Matabele and other African tribes. Following this volume’s publication he returned to Africa, staying there until 1870. “...the father and pioneer of South African mission work...” (DNB). & “...a valuable account of mission work among the Bechuanas...” (Mendelssohn). Mendelssohn II p29.

      [Bookseller: Bow Windows Bookshop]
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        Scènes de la vie privée et publique des animaux.

      J. Hetzel Et Paulin Puis J. Hetzel, Paris 1842 - GRANDVILLE.Scènes de la vie privée et publique des animaux.Paris. J. Hetzel et Paulin puis J. Hetzel. 1842.2 volumes grands in-8 ( 27,5 / 19,5 cm ) . Reliures fin XIXe demi chagrin chocolat. Dos à nerfs jansénistes, têtes dorées. Nombreuses illustrations gravées sur bois d'après Grandville, dont 200 ( sur 201 ) compositions hors-texte.Textes de Balzac, Baude, La Bédollière, Bernard, Janin, Lemoine, Nodier, George Sand. Tome I. 386 pages.Texte et gravures en 1er tirage sauf pour le frontispice en 3eme tirage.Tome II. 390 pages.Texte remanié et gravures en 1er ou 2eme tirage. Très bel exemplaire fort rares rousseurs. Illustrés XIX

      [Bookseller: Librairie FAUGUET]
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        Über den glatten Hai des Aristoteles, und über die Verschiedenheiten unter den Haifischen un Rochen in der Entwickelung des Eies. [In: Abhandlungen der Königlichen Akademie der Wissenschaften zu Berlin. Aus dem Jahr 1840].

      Berlin, 1842. 4to. Entire volume of "Abhandlungen"... and "Mathamatische Abhandlungen"... 1840 present. Contemporary yellow boards with a vellum-like spine. Handwritten title to spine. A bit of wear and soiling to extremities, and corners bent. Internally fine and clean. Stamp to title-page (Dom-Gymnasium Magdeburg, also stamped out). Pp. (187)- 257 + 6 plates, two of which are folded. Text very nice, bright, and clean, plates with a bit of brownspotting. [Entire volume: (6), XVII, (5), 400 pp. + 10 plates, 4 of which are coloured + (4), 137 pp.].. First printing of this foundational work, which established the acceptance, by the modern world, of Aristotle as the founder of biological science. It is due to the present work that modern encyclopaedias will now conclude that "Aristotle is properly recognized as the originator of the scientific study of life." (SEP). Apart from its importance to the modern view of Aristotle, the present paper was also central to Müller's construction of a natural system of the fishes. For centuries, the authority of Aristotle in matters of science and biology was unrivalled, but with modern science, the advancement of exact knowledge, and modern man's ability to investigate the smallest of details, Aristotle's scientific and zoological works increasingly came to be viewed as not properly belonging to the exact sciences. Many biologists would claim that his observations were fanciful and incorrect, not constituting any real scientific value. This view completely changed with the publication of the present paper, by the renowned zoologist Müller.In his "Historia Animalium", Aristotle had described a phenomenon in a shark, which no modern zoologist believed to be true. Had it been true, our classification among sharks and fish would need to be different, as this fanciful observation would completely alter our view of the shark as such. Müller, in the present treatise, was the first to actually prove Aristotle's observation to be true, thereby altering the modern conception of Aristotle, earning him the respect that he truly deserved as the first scientific biologist and as the originator of the scientific study of life. "Müller placed the Cyclostomata among the fishes. He was thus led to study the sharks... A further product of this investigation was "Über den glatten Hai des Aristoteles" (1842). In "Historia animalium", Aristotle had reported that the embryos of the "so-called smooth shark" are attached to the uterus of the mother by a placenta, as is the case among mammals. Rondelet had described such a shark in 1555 and Steno had observed one in 1673 off the coast of Tuscany, but it had not been referred to in more recent times. Müller was the first who was able to corroborate the earlier testimony.In conjunction with the study of the shark, Müller constructed a natural system of the fishes based on work as painstaking as it was perceptive." (DSB).Johannes Peter Müller (1801-58) was one of the most important physiologists and zoologists of the 19th century. He made a vast number of important discoveries, and his unusual and empirical approach to his subjects made him one of the most influential scientists of the century. "Müller introduced a new era of biological research in Germany and pioneered the use of experimental methods in medicine. He overcame the inclination to natural-philosophical speculation widespread in German universities during his youth, and inculcated respect for careful observation and physiological experimentation. He required of empirical research that it be carried out "with seriousness of purpose and thoughtfulness, with incorruptible love of truth and perseverance." Anatomy and physiology, pathological anatomy and histology, embryology and zoology-in all these fields he made numerous fundamental discoveries. Almost all German scientists who achieved fame after the middle of the nineteenth century considered themselves his students or adopted his methods or views. Their remarks reveal his preeminent position in medical and biological research. Helmholtz, one of his most brilliant students, termed Müller a "man of the first rank" and stated that his acquaintance with him had "definitively altered his intellectual standards"." (DSB)

      [Bookseller: Lynge & Søn A/S]
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        Syria, The Holy Land & Asia Minor Illustrated. In a Series of One Hundred and Twenty Views Drawn from Nature by W. H. Bartlett, William Purser, and Thomas Allom. With Descriptions of the Plates by John Carne, Esq. 3 vols. in 2 (Complete).

      Peter Jackson Late Fisher Son & Co., London 1842 - Large quarto. [6], II, 80, [2], 44, 45-76, [2], 100, [4]pp.Original 3/4 calf over marbled paper covered boards with gold tooling along edges of covers and gilt-tooling and lettering on spines. Marbled endpapers. All edges marbled. frontispiece portrait protected with a tissue-guard. Three additional engraved titles. The author, John Carne, left England in 1821, and spent much time traveling in Israel/Palestine as well as in Constantinople, Greece, the Levant and Egypt. It is one of the few works of that time to include what is present-day Lebanon. The book, with plates by was published some time after Carne returned to England, initially in thirty parts of four plates each. Many of the plates in vol. 3 are after drawings by Thomas Allom who was commissioned by the publishers to complete the illustrations. This work is complete in itself and contains 2 full-page maps and 117 finely steel-engraved plates depicting views throughout Syria and Asia Minor. Each plate is protected with a tissue-guard. Corners of back cover heavily rubbed. Some rubbing on covers, along edges, joints and spines. Slight and sporadic age-toning/foxing throughout. Bindings in overall good-, interior in good to very good condition. [Attributes: Hard Cover]

      [Bookseller: ERIC CHAIM KLINE, BOOKSELLER (ABAA ILAB)]
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        Saggio di Magnetismo (and) Manuale Practico di Magnetismo. Animal Magnetism, hypnotism, occult

      No Publisher, Parigi 1842 - Parigi, 1842. (no publisher). Two volumes in one. First Italian Editions. Octavo, 252 pp+[v]+ 260 pp.; pink cloth, green leather spine, blue speckled page edges. In Italian. Later paper spine label. Stamped seal in Italian on title page. Sunning to extremities, dust & edge wear, corners and spine ends bumped, else VG. Still clean and tightly bound, with high-quality paper leaves which remain undamaged and unfoxed but for light foxing through title page only. Very rare copy of Gauthier's scholarly two-volumes-in-one treatment of Animal Magnetism, in hearty condition, sustainable indefinitely with reasonable care. Animal Magnetism was a term created by German physician Franz Anton Mesmer, the "father of hypnotism", for the force which he believed allowed him to hypnotize his patients: an occult substance or invisible fluid emanating not only from the body but permeating the universe, deriving especially from the stars. Gauthier, according to Crabtree, "was one of the more prolific and competent writers on animal magnetism in the nineteenth century. He had an historically oriented approach to the subject, and, in this, his first book (Saggio, the first half), he traces the precursors of animal magnetism in ancient medicine. He also presents a good summary of the theory and practice of animal magnetism in his own day." Of the second part of this volume, the Manuale, Crabtree says: "A practical manual on animal magnetism written by one of the most highly respected practitioners of the day." Ref: Ad 1 Crabtree no 425 (First French Ed. 1840) and ad 2 Crabtee no 432. L-42n [Attributes: First Edition; Hard Cover]

      [Bookseller: Singularity Rare & Fine]
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        A Critical Inquiry into Antient Armour, as it existed in Europe, particularly in Great Britain, from the Norman Conquest to the Reign of King Charles II

      London: Henry G. Bohn. 1842. Second edition, corrected and enlarged. Three volumes. Folios. Hand-colored lithographic frontispiece plate, 70 hand-colored aquatint plates, 10 uncolored etched plates, and numerous illuminated hand-colored initials. A handsome complete set of Meyrick's important study of arms and armour with beautifully executed hand-colored plates. Ex-library copy rebound in dark red half morocco with spine letters, bookplate, pocket, perforated stamp on the title pages and small ink stamp on the blank versos of most plates. Rubbing to the joints and corners, light soiling to the endleaves, a very good set. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        Principales tables de Mr. de Mendoza (pour la très-prompte réduction des distances), revues, corrigées ou refaites avec soin ; et d'ailleurs perfectionnées et complétées sous le rapport de la précision des résultats

      Anner, Brest 1842 - - 1843. In-8 (215 x 170 mm), (2) ff - 454 pp, maroquin vert, dos lisse orné, ex-dono sur le plat supérieur, tranches mouchetées (reliure d'époque). Texte anglais en regard du texte français. Exemplaire offert par le traducteur L. Richard au Vicomte Pernety, Lieutenant Général d'Artillerie, avec dédicace autographe signée sur la page de titre et inscription sur le premier plat. (dos passé, nombreux défauts d'usage et frottements, rousseurs). // Octavo (215 x 170 mm), (2) ff - 454 pp, green morocco, smooth spine tooled, ex-dono on upper cover, sprinkled edges (contemporary binding). English text in front of french text. Copy offered by the translator L. Richard to Vicomte Pernety, Lieutenant Général d'Artillerie, with signed autograph dedication on title page and gilt writting on upper cover. (spine faded, numerous defects of use and rubbings, brownings).

      [Bookseller: H. PICARD ET FILS, founded 1860]
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        Guy's Hospital Reports, 1842, Vol VII,

      Samuel Highley., London 1842 - 500pp + 12 plates. Still tightly bound. Small round rubber stamps of Infirmary on plates & some pages, bookplate of a foundation inside cover otherwise interior in nice clean condition. See my other listings for more vols between the 1840's & 1973. [Attributes: Hard Cover]

      [Bookseller: Tony Hutchinson]
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        Manuel du libraire et de l?amateur de livres. 4e édition. 5 tomes en 10 volumes. Tome 1-4: A-ZTome 5: Table en forme de catalogue raisonné.

      chez Silvestre 1842 - 1844, Paris, - demi-chagrin rouge, dos à faux-nerfs, titre doré au dos plats papier marbré, reliures de l?époque, quelques rousseurs.

      [Bookseller: Bouquinerie du Varis]
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        BIBLIOMANIA; OR, BOOK=MADNESS; A BIBLIOGRAPHICAL ROMANCE. To Which Are Now Added Preliminary Observations, and a Supplement Including a Key to the Assumed Characters in the Drama

      London Henry G. Bohn 1842 - New and Improved edition. Including the reprint of the 1809 edition and the supplementary matter of 1811. Illustrated throughout with fine, beautiful woodcut engravings, borders, headpieces and initials, printed in red and black, a number of the plates on India paper, mounted. Large, thick 8vo, in a beautiful Zaehnsdorf signed binding dated 1893 of full black morocco, the boards richly adorned in fine Edwardian style. The boards feature a wide frame of gilt vines, flowers and thistles at the corners of elaborate gilt ruled columns, further gilt ruling around this and then at the edges, the turn-ins likewise gilt tooled, the spine with tall gilt stippled raised bands creating compartments decorated much like the covers and with gilt lettering in three of them, fine marbled endpapers and t.e.g. xiv, 618, 62, xxxiv indexes, pp. A very appealing and attractive copy, internally fresh and clean with almost none of the commonly found foxing. The handsome Zaehnsdorf binding with some early expert restoration and minimal general age-evidence at the edges and tips. A GREAT BIBLIOPHILIC CORNERSTONE WORK, WITH MAJOR ADDITIONS. ONE OF THE CORE TEXTS OF BOOK COLLECTING. This new edition, written 30 years after the first, adds "Preliminary observations, and a supplement including a key to the assumed characters in the drama." In his first edition, Dibdin presumed to more substantially treat a subject which had been addressed earlier in 1809 in verse form by Dr. Ferriar. He proposed to Heber, to whom the verse had been addressed, to accept another, but in prose. ‘It was accordingly settled that Dibdin’s performance should be addressed to the same individual, in a small octavo volume, of a moderate price. It was written "calamo currentissimo," within a lunar month, and had the effect of producing much innocent mirth, and exciting a general curiosity after rare and precious volumes. The profits of the sale about covered the expenses of a week’s housekeeping.’ But the book has remained a favorite for two centuries and is now presumed to be a classic part of any collector’s library. A very pleasing copy of this work. [Attributes: Signed Copy; Hard Cover]

      [Bookseller: Buddenbrooks, Inc. ABAA]
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        ZANONI. By the Author of "Night and Morning," "Rienzi," "Pelham," "Eugene Aram," &c

      New-York: Harper & Brothers,. 1842. 12mo, two volumes: pp. [i-iii] iv-xiv [xv-xvi] [13] 14-218 [219: ad] [220: blank]; [1-3] 4-192 + 36-page publisher's catalogue dated "New-York, 1842" inserted at rear of volume two [note: text complete despite gap in pagination], flyleaves at front and rear,. original green cloth, printed paper labels affixed to spine panels.. Endpapers foxed, some minor scattered foxing in the text, a very. nice, attractive copy, and quite scarce in the original cloth.. (#90172). First U.S. edition. "As a Rosicrucian novel drenched in the cabalistic lore of secret societies, ZANONI has very interesting connections with such Gothic works as Karl Grosse's HORRID MYSTERIES (1796) and Godwin's SAINT LEON (1799) ... Grand in conception and saturated at the same time with Gothic melodrama, ZANONI remains a novel of spectacle whose artistic category is peculiarly its own." - Tymn (ed), Horror Literature 2-20. "In 1835, while researching books on astrology and not long before his separation from his wife, Bulwer-Lytton had a dream in which the fabric of a novel came to him. He produced an incomplete version as 'Zicci' (1838 MONTHLY CHRONICLE; in CRITICAL AND MISCELLANEOUS WRITINGS 1841) and then reworked it substantially as ZANONI (1842). Bearing some semblance to Charles Maturin's MELMOTH THE WANDERER (1820), this was intended to be an allegory on the human condition, but is too philosophical to work effectively at that level; as a story, however, the tale of an immortal adept and his sacrifice for love became one of the classic works of Victorian supernaturalism. In ZANONI Bulwer-Lytton created the image of the 'dweller on the threshold,' a phrase beloved by writers of weird fiction ever since ... Bulwer-Lytton's work was sensationally popular in his day and had a strong influence on other writers. His occult works, along with those of J. Sheridan Le Fanu, form the basis of modern supernatural fiction." - Clute and Grant (eds), The Encyclopedia of Fantasy (1997), p. 149. In 333. Barron (ed), Horror Literature 2-56. Bleiler, The Guide to Supernatural Fiction 304. Locke, A Spectrum of Fantasy, p. 145 (citing the UK edition). Lovecraft, Supernatural Horror in Literature, pp. 41-2. Sullivan (ed), The Penguin Encyclopedia of Horror and the Supernatural, p. 63. Wilson, Shadows in the Attic, p. 119. Bleiler (1978), p. 34. Reginald 09385.

      [Bookseller: L. W. Currey, Inc.]
 20.   Check availability:     Biblio     Link/Print  


        Waverley Novels

      Edinburgh and London: Cadell 1842 - 12 volume set, 10 inches tall. In full crushed maroon morocco, with gilt raised bands, titles, dentelles, elegant panels and all edges. As usual the frontispiece and full page engravings are foxed. This is our favourite edition of Scott as it has a very readable text and engraved vignettes throughout. [Attributes: Hard Cover]

      [Bookseller: McConnell Fine Books ABA & ILAB]
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        THE HOLY LAND, SYRIA, IDUMEA, ARABIA. From Drawings Made On the Spot. With Historical Descriptions, by the Revd George Croly. Lithographed by Louis Hague.

      F. G. Moon. 1842, 1843, 1849, London - The 3 volumes of "The Holy Land" only, without the 3 volumes of "Egypt & Nubia." Without a doubt the greatest view-book of the Holy Land in the 19th century and a monument in publishing history. See Abbey, TRAVEL #385. Oversize folio (24-1/2" x 18-1/2"). 3 volumes bound in 2 (the lithographic title page for Volume 3, bound at back of Volume 2). Unpaginated letterpress descriptive text. Illustrated with 120 tinted lithographic plates, including the frontispiece portrait of Roberts (60 plates are full- page and 60 are half-page), 3 tinted lithographic title pages, and one engraved map. All text & plates are on heavy stock paper mounted on guards. Bound in 19th century half red pebbled morocco, gilt, over red cloth, spines rubbed. A.e.g. Front hinge of Volume 1 starting to crack, but still quite sound. As with many copies, some of the leaves are lightly sprung. A particularly clean copy, with almost no foxing to the plates. [Attributes: Hard Cover]

      [Bookseller: Kenneth Karmiole, Bookseller, Inc. ABAA]
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        Voyage en Islande et au Groenland. Publié par ordre du Roi sous la direction de M. Paul Gaimard. Atlas Historique. Lithographié d’après les dessins de M. A. Mayer. [Atlas Zoologique, Médical et Géographique].

      Paris, Arthus Bertrand, Éditeur, s. d. 1842 - 3 vol. in-folio [525 x 360 mm] ; page de gd titre avec une vignette-1 front. lith. illustré-1 portrait lith. [Paul Gaimard]-2 ff. non ch. [table explicative des planches]-75 planches h.-t. [1-2-2bis-45-45 bis-73]/page de gd titre avec une vignette-74 planches h.-t. [74-122-122bis-123-123 bis-131-131 bis-139-139 bis-143]/page de gd titre avec une vignette-50 planches litho. dont 35 finement coloriées [6 portraits, 40 pl., 4 plans], demi-veau Empire, dos lisse orné, triples filets or, titre or, palette or en pied, rel. uniforme de l’époque, bel exemplaire très frais. Catalogue Dorbon, Voyages Explorations, 1034. Chadenat, 5061 (collation conforme à notre exemplaire). Howgego, G1, p. 251. Édition originale illustrée de 2 front., 1 port., 149 planches et 50 planches d’histoire naturelle dont 35 finement coloriées. First edition. Very nice copy and scarce. Complet. [Attributes: First Edition; Hard Cover]

      [Bookseller: Librairie Hérodote]
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        Istoria della sollevazione, della guerra e della rivoluzione di Spagna. Arricchita di osservazioni storiche e politiche da D. S. e di note ricavate dalla storia delle campagne e degli assedi degl'Italiani in Spagna del cav. Camillo Vacani.

      s.n.t.,, Milano, 1842 - 5 voll. in-8° (216x141mm), pp. (4), 384; 336; 472; 390; 290, (1); bella legatura coeva m. pelle con titolo e fregi romantici in oro ai dorsi. Complessive 3 tavv. f.t. incise su rame e ripiegate in fine dei primi tre voll.: "Piano di Palamos in Catalogna relativo alle Campagne degli Italiani in Ispagna", una cartografia generale della Spagna inclusiva delle Isole Baleari e con piccola mappa di Madrid entro bordura circolare, "Piano di Peniscola del Re.o di Valenza relativo all'assedio del 1812". Un restauro marginale alla carta generale della Spagna, qualche consueta quanto minima fioritura. Bell'esemplare. Traduzione ottocentesca impressa a Milano dell'Historia del levantamiento, guerra y revolucion de España (Madrid, imprenta de Don Tomás Jordán, 1835 e sgg.), referenziale opera sulla Guerra d'Indipendenza Spagnola del 1808-1814, una delle opere più significative di storiografia militare dei primi decenni del XIX secolo. La Guerra d'indipendenza spagnola (Peninsular War per i britannici) fu il più grande conflitto delle guerre napoleoniche, combattuto nella penisola iberica da una alleanza di Spagna, Portogallo e Regno Unito contro il Primo Impero francese. La guerra ebbe inizio quando l'esercito francese occupò la Spagna nel 1808 e terminò nel 1814 con la sconfitta delle truppe napoleoniche ma con il totale dissesto dell'economia di Spagna e Portogallo, crisi che portò ad un periodo di guerre civili fra liberalismo ed assolutismo protrattosi fino al 1850 e all'indipendenza dalla Spagna delle antiche Colonie spagnole d'America e del Brasile dal Portogallo. Il Toreno (Oviedo, 1786-Parigi, 1843), storico e uomo politico, dopo gli studi a Cuenca e a Madrid, si distinse nel corso del sollevamento asturiano contro Napoleone e fece parte di una deputazione inviata dalle Asturie a Londra. Attivo membro delle Cortes di Cadice come deputato liberale, al ritorno sul trono iberico di Ferdinando VII, dovette riparare a Londra, dove rimase sino al 1833. Rimpatriato, fu nominato Ministro delle Finanze e, dopo la pubblicazione dello statuto del 1835, Presidente del Consiglio, carica in cui rimase poco tempo per l'impopolarità che gli valsero le sue stesse posizioni, giudicate colpevoli di eccesso di moderatismo. Ritiratosi dalla vita politica, prese a vivere tra Parigi e l'Italia attendendo definitivamente agli studi storici, di cui la presente opera è il frutto maggiormente significativo. Palau, 243007 (ediz. originale spagnola). Branca, Bibliografia storica, 2207 (altre edizioni). [Attributes: First Edition; Hard Cover]

      [Bookseller: Gilibert Libreria Antiquaria (ILAB-LILA)]
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        Greece Revisited And Sketches In Lower Egypt In 1840. With Thirty-six Hours Of A Campaign In Greece In 1825.

      London: Saunders & Otley, 1842. - 2 Volumes in 1. 8vo. pp. xvi, 313; 1 p.l., [v]-viii, 343. lacking half-title in Vol. II (none required in Vol. I). 3 lithographed plates. An attractive copy in near contemporary full purple morocco, gilt paneled sides, spine richly gilt, gilt inside dentelles, all edges gilt. Inscribed from the Author on verso of frontis. portrait. First Edition. Garston, an 'adventurer' and philhellene, had previously visited Greece in 1825, and an extract from his journal from that period is included at the end of Volume II. During his second visit in 1840, he travelled to Athens from Corfu and went on to Hydra. His account contains long sections on prominent men in public life, temples and monuments, and a description of life in Athens and the islands. He is able to compare his experiences in the country during and after the revolution and laments the damages wrought by the war. The second volume is devoted to Egypt (Alexandria, Cairo), with remarks on mosques and tombs, slave markets, the Pacha's harem, pyramids, &c. Blackmer 652. Ibrahim-Hilmy II p. 253 (mentioning only 2 plates). [Attributes: First Edition; Signed Copy; Soft Cover]

      [Bookseller: D & E LAKE LTD. (ABAC/ILAB)]
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        NARRATIVE OF THE LATE EXPEDITION TO SYRIA, UNDER THE COMMAND OF ADMIRAL THE HON. SIR ROBERT STOPFORD, . Comprising an account of the Capture of Gebail, Tripoli, and Tyre; Storming of Sidon; Battle of Calat-Meidan; Bombardment and Capture of St. Jean D'Acre,.

      Henry Colburn , Publisher, Great Marlborough Street., London 1842 - First edition. 8vo. 2 volumes: viii, (4), 301, (8, publisher's catalogue); v, (3), 312 pp. Lithographed frontispiece portraits, map, plan, and five lithographed or wood-engraved plates. Blackmer sale 850: "Hunter was present on board H.M.S. Dido during various scenes of action in the Anglo-Egyptian war in Syria in 1840. A British-Turkish military force invaded Lebanon in September, 1840, in order to force Mehmet Ali to return Syria to Ottoman rule and to abandon his dangerous attempts to partition the Ottoman Empire." Some light foxing to portraits and ads, but a very good copy. Original blue cloth, stamped in blind, gilt spine titles. (#6312) [Attributes: First Edition; Hard Cover]

      [Bookseller: Bartleby's Books, ABAA]
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