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Displayed below are some selected recent viaLibri matches for books published in 1840

        CHEMIKER. "Ein Chemiker in seinem Laboratorium". Chemiker sitzt mit einem Blasebalg vor offenem Ofen, auf einem Tischchen und auf dem Boden zahlreiche Gefäße in verschiedenen Formen sowie andere Utensilien (u.a. eine Sanduhr), im Hintergrund Mitarbeiter an großem Blasebalg, daneben mehrere Männer an einem Tisch.

      - Lithographie auf China von C. Straub nach David Teniers bei Franz Seraph Hanfstaengl, um 1840, 41 x 51 cm. Nagler (Hanfstaengl) Bd. VI, S. 311-314: "Die vorzüglichsten Gemälde der k. Galerie in Dresden". - In den Rändern einheitlich leicht gebräunt.

      [Bookseller: Peter Bierl Buch- & Kunstantiquariat]
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        Eisenwerke oder Ornamentik der Schmiedekunst des Mittelalters und der Renaissance. (Rückenbeschriftung franz.: Serrurerie du moyen age.). Bd I (84 Taf. in 2 Mappen) Bd. II (84 Taf.)i, insgesamt 168 Tafeln (compl.) Ohne Textheft des I. Bandes..

      4, Bd. I: 84 lose Stahlstich-Taf. Bd. II: Textheft: 25 S., 2 Bl., 84 lose Stahlstich-Tafeln., Bibl.- Mappen m. losen Blatt., Bibl.-Schild a. Rücken, etwas berieben. Teilw. m. 2 Bibl.-Stempeln. a. Tafeln, von Hand num., etwas fingerfleckig, einige teilw. etwas angeschmtutzt, etwas wassrändig- brauchbares Exemplar. Erste Auflage, ursprünglich in 14 Lieferungen erschienen. Die detailreichen Abbildungen zeigen neben allg. Schlosserarbeiten, wie Schlössern, Schlüsseln, Bändern und Riegeln vor allem kunsthandwerkliche Gegenstände, wobei die Waffenschmiedekunst nicht vertreten ist, da der Verfasser schon früher, wie er selber im Vorwort erwähnt, ein Werk unter dem Titel "Trachten des christlichen Mittelalters", Darmstadt 1840-1854, über dieses Thema veröffentlicht hatte. - Jakob Heinrich Hefner, ab 1856 von Hefner-Alteneck (1811-1903), Studium der Kunstgeschichte, vornehmlich des Mittelalters, und wurde 1835 Lehrer an der erst 1833 gegründeten Gewerbeschule. Gleichzeitig war er künstlerischer Beirat der "Müllerschen Steingutfabrik" in Damm (Aschaffenburg), von 1835-1842 sogar Teilhaber der Fabrik. Ab 1853 Konservator der Königlichen Vereinigten Kunstsammlungen sowie zum Konservator des königlichen Kupferstich- und Handzeichnungskabinetts in München. Unter Ludwig II. wurde Hefner-Alteneck im Jahr 1868 Generalkonservator der Kunstdenkmäler Bayerns und Direktor des Bayerischen Nationalmuseums, zu dessen Entwicklung er wesentlich beigetragen hat.

      [Bookseller: antiquariat peter petrej]
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        Souvenirblatt mit 23 Ansichten u. einer Karte.

      - Kupferstich v. Theodor Rausche in Heilbronn, um 1840, 24,5 x 31,5 Selten! - Mittig Karte vom Neckarlauf zwischen Heilbronn und Heidelberg sowie einer Ansicht von Bad Wimpfen und Jagstfeld. - Darüber und darunter zwei große Gesamtansichten von Heilbronn vom G. Schaeuffelen Park aus und Heidelberg mit Stadt und Schloß. - Links und rechts Ansichten von Neckargemünd, Minneberg, Ersheimerkirche, Hochhausen, Ruine Stolzeneck, Schloß Guttenberg, Bad Wimpfen, Ruine Ehrenberg, Neckargerach, Weinsberg mit Weibertreu, Trappensee, Neckarsteinach und Dilsberg, Hirschhorn, Hornberg, Zwingenberg, Gundelsheim u. Horneck, Neckarsulm, Jägerhaus und Wartberg. - Selten!

      [Bookseller: Antiquariat Norbert Haas]
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        SKETCHES OF YOUNG COUPLES

      Chapman and Hall 1840 - Contains original blue wrappers: front cover and rear advertisements. Six illustrations by Phiz. Full brown leather bound by Zaehnsdorf; spine with raised bands, gilt titles and designs. [Attributes: Hard Cover]

      [Bookseller: B Street Books]
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        MÜNCHEN. - Nymphenburg. - Sckell, Carl August. Das königliche Lustschloß Nymphenburg und seine Gartenanlagen. Beschrieben und mit geschichtlichen Bemerkungen begleitet.

      Mchn., Jaquet, ca. 1840 - 20 x 12 cm. IV, 151 S. Mit 1 lithographierten Tafel und 1 mehrf. gefalt. lithographiertem Plan. OPp. Kat. d. Ornamentstichslg. Bln. 3389; Lentner 2059; nicht bei Pfister. - Mit einem schönen Plan in Lithographie. - Einband angestaubt und bestoßen, der Rücken etwas lädiert. Teils leicht fleckig, der fliegende Vorsatz mit hinterlegtem Einriss. - Selten. [Attributes: Hard Cover]

      [Bookseller: Peter Bierl Buch- & Kunstantiquariat]
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        BÜCHSENMACHER., "Der Gewehrfabrick: Büchsenmacher, Schäfter, Schraubenfabr: Nadler, etx. etx.". Blick in einen Verkaufsraum mit mehreren Herren und einem Jäger mit Jagdhund, beim Prüfen von Flinten und Pistolen. In ovaler, floraler Umrandung mit Szenen aus dem täglichen Leben, sowie Jagdutensilien, Vögel und Tiere.

      Lithographie von A.R. Dreyer nach C. Schustler bei M.R. Toma, um 1840, 31 x 36 cm. Aus der dekorativen und seltenen Folge: "Der Mensch und sein Beruf", in Lieferungen erschienen, Wien 1835-1841. - In den weißen Rändern minimal fleckig. Berufe, Büchsenmacher, Jagd, Jagd- u. Forstwesen

      [Bookseller: Buch- und Kunstantiquariat]
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        BÜCHSENMACHER. "Der Gewehrfabrick: Büchsenmacher, Schäfter, Schraubenfabr: Nadler, etx. etx.". Blick in einen Verkaufsraum mit mehreren Herren und einem Jäger mit Jagdhund, beim Prüfen von Flinten und Pistolen. In ovaler, floraler Umrandung mit Szenen aus dem täglichen Leben, sowie Jagdutensilien, Vögel und Tiere.

      - Lithographie von A.R. Dreyer nach C. Schustler bei M.R. Toma, um 1840, 31 x 36 cm. Aus der dekorativen und seltenen Folge: "Der Mensch und sein Beruf", in Lieferungen erschienen, Wien 1835-1841. - In den weißen Rändern minimal fleckig.

      [Bookseller: Peter Bierl Buch- & Kunstantiquariat]
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        BHÂGAVATA PURANA ou histoire poétique de KRICHNA.

      Paris, Imprimerie Royale, puis Imprimerie Nationale,1840 -1898. - 5 vol. forts in-4, reliure moderne demi-toile à coins, dos lisse, pièce de titre, plats et gardes marbrés, couvertures d'origine conservées, clxxvii, [3], 331pp; xv, [3], 342, [2], 383pp; cviii, 287, [1], 309pp; vii, [1], 232, 248pp; v, [1], 651pp. Texte en sanskrit avec la traduction française en seconde partie. Quelques rousseurs occasionnelles, seulement dans les marges de certains ff., n'affectant pas le texte. Bel ex. à toutes marges, non rognées. Très rare édition complète ici, dont la publication se déroule sur près de 60 ans. Eugène Burnouf avait traduit et publié les 3 premiers tomes. Après sa mort, cette publication a été longtemps suspendue. Au commencement de l'année 1870 Mr. Adolphe Régnier fut appelé à la continuer, sur la demande de M. Mohl. Mr. Régnier retenu par d'autres travaux désigna M. Hauvette Besnault, conservateur adjoint de la bibliothèque de l'Université et Professeur de sanscrit à l'Ecole pratique des Hautes Etudes pour lui succéder. Il traduit et publia le TIV qui contient la première partie du livre X. Il avait préparé la seconde, quand la mort le surprit. C'est en définitive l'abbé Roussel qui a accepté de reprendre le travail de M. Hauvette-Besnault. Il revit la seconde partie du Tome X. et en a surveillé l'impression et prépara la traduction des livres XI et XII. La publication fut achevée en 1898. [Attributes: Hard Cover]

      [Bookseller: Librairie Le Trait d'Union sarl.]
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        Panorama von der Ellerhöhe aus ('Homburg vor der Höhe').

      - Aquatinta v. J.J. Tanner, um 1840, 17 x 67 Sehr selten!

      [Bookseller: Antiquariat Norbert Haas]
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        Spectacled Petrel

      Richter after Gould Spectacled Petrel An original lithograph with later hand-colour for Gould's 'Birds of Australia', 1840-48. £425

      [Bookseller: Henry Sotheran Ltd.]
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        LE METAMORFOSI di. ridotte in ottava rima da Gio. Andrea Dell'Anguillara ornate di stampe litografiche dirette e pubblicate da Antonio Zezon.

      presso l'Editore Litografo, [1840], Napoli, - gr. vol. in folio, pp. (4), 486, (2), bella leg. m. pelle coeva con tit. oro al d. con fregi. Con doppio front. e due ritr. di Ovidio e di G.A. Dell'Anguillara. Con 118 belle tavv. litogr. a piena pagina di illustrazione al testo su due colonne e 4 tavv. raffigurante le stagioni. Le tavole sono disegnate da Deluise e inc. in litografia da Antonio Zezon. Le prime 2 tavv. di ritratti leggermente rifilate al margine bianco inf., qualche abrasione sulla prima cb, ottimo esempl. [459]

      [Bookseller: SCRIPTORIUM Studio Bibliografico]
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        Carte De La Suisse ajoutée au petit Atlas, avec la description des curiosités de ce pays Publié par C de Sommerlatt à Berne 1840. - R. Nick fecit - Lith. v. J. Schmid à Bern':.

      - Altkolorierte Lithographie v. Jakob Schmid in Bern n. Robert Nick aus Petit Atlas de la Suisse, 1840, 17,5 x 25,5 Tooley's Dic. of Mapm. Rev. Ed. E - J, S. 123. - Zeigt eine Gesamtkarte der Schweiz umgeben von 22 Stadtansichten (Zug, Basel (Bàle), Freiburg (Fribourg), Appenzell, Chur (Coire), Aarau, Sion (Sitten), Lausanne, Genf (Genéve), Neuchatel, Bellinzona, Frauenfeld, St. Gallen, Schaffhausen, Solothurn (Soleure), Glaris (Glarus), Stanz, Altdorf, Bern, Zürich, Luzern und Schwyz. - Unter dem Blatt Girlande mit den 22 Wappen der Kantone. - Mittig das Schweizer Wappen. - Seltene Souvenirkarte der Schweiz mit 22 Ansichten der 22 Kantonshauptorte.

      [Bookseller: Antiquariat Norbert Haas]
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        Carte des Cotes d'Arabie et de Perse.

      Paris, 1840. - Engraved chart (87 x 59 cm), hand-coloured in outline. Chart of the Arabian Sea. From Eastern Arabia, the Gulf, the coast of Beluchistan to the Western coast of India. Alai, Special maps E.294. Not in Al Ankary; Al-Qasimi.

      [Bookseller: Antiquariat INLIBRIS Gilhofer Nfg. GmbH]
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        Master Humphrey's Clock (In 88 Weekly Parts)

      London (1840-41, i. e. 4 Apr. 1840 - 2 Nov. 1841): Chapman & Hall. First Edition. Original Wrappers. Quarto. First issue, large octavo in sixes; the 88 weekly parts; [i-viii],[1]2-306; [i-v]vi, [1]2-306; [i-v]vi, [1]2-426. Original printed wrappers by Cattermole, 2 frontispieces, 130 woodcuts and 25 initials by Browne; 1 frontispiece and 38 woodcuts by Cattermole; 1 woodcut each by S. Williams and Maclise. A very handsome set, now scarce on the market. All wrappers are correct; a near fine set, clean and bright, with no markings of any kind. Light soiling to front wrap of part 1 and the rear wrap of part 88. Housed in two handsome, turn-of-the-century slipcases, with chemises. Overall, an outstanding set, in collectible condition.

      [Bookseller: Charles Parkhurst Rare Books, Inc. ]
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        Dresden, original Aquatintaradierung.

      Prachtvolle grosse Vedute von DresdenGestochen von Christian Gottlob Hammer nach dem Entwurf von Gotthold Theodor Thieme. Die Stadt von der Br?hlschen Terrasse mit Blick auf Schloss, Theaterplatz mit Hofkirche, Schlo?kirche, Semper-Oper, die Elbe, ein Teil der Augustusbr?cke, im Hintergrund das Japanische Palais. Der Platz und die Terrasse belebt durch reiche Figurenstaffage. Verlegt von Rittners Kunsthandlung Dresden um 1840.Hammer (1779 - 1864) zählt zu den bedeutesten Dresdner Veduten-Stechern. Bekannt wurde er vor allem durch seine Ansichten aus Sachsen, Nordb?hmen und Schlesien. Mit zu seinen besten Arbeiten z?len die Dresdner Ansichten f?r den Verleger Rittner. Ein gro?er Bewunderer seines Schaffens war Goethe, der ihn 1810 in seinem Atelier besuchte.Altkolorierte Umrissradierung, neu angerandet. Abb.: 43,5 x 63 cm.Preis: ?1.500,-.

      [Bookseller: Inter-Antiquariaat MEFFERDT & DE JONGE]
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        Lives of the Queens of England, from The Norman Conquest; with Anecdotes of Their Courts, Now First Published from Official Records and Other Authentic Documents, Private as Well as Public; 12 Volumes, Complete

      Henry Colburn, Publisher 1840 - 12 volumes, complete. Vol. 1: 1st edition. Vols. 2, 3: 2nd editions, "With corrections and additions". Vols. 4 - 12: 1st edition. Published 1840-48. Covers are 3/4 leather with patterned boards; front and rear end papers are identical to patterned paper on boards. Gilt lettering and decoration on spine, gilt trim at leather edges, gilt edged page tops. Frontispiece each volume. Externally fine, uncut page sides many volumes. Offsetting: Vol. IV, pages 72-73; Vol. V, frontispiece; Vol. VIII, page 478 and end paper; Vol. XI, pages 340-341; Vol. XII, pages vi and vii. Vol. I - small dark stain bottom title page and 5 surrounding pages; small dark stain side margin pages xi - xiv. Vol. VII - small dark stain bottom pages 13 & 14, across text which is legible. Small tear side margin pages 183-184 of Vol. X. Ribbon book marks, affixed, all volumes except none in Vol. I and loose in Vols. VI and XI. Pages number 378 - 503. Contents include: Vol. I -- Matilda of Flanders, Adelicia of Louvaine, Eleanora of Aquitaine, etc; Vol. II -- Berengaria of Navarre, Isabella of France, Anne of Bohemia, etc; Vol. III - Isabella of Valois, Margaret of Anjou, Anne of Warwick, etc; Vol. IV -- Katharine of Arragon, Anne Boleyn, Jane Seymour, etc; Vol. V -- Katharine Parr, and Mary, the first Queen-Regnant of England and Ireland; Vol. VI -- Elizabeth, the second Queen-Regnant of England and Ireland; Vol. VII -- Elizabeth, the second Queen-Regnant of England and Ireland (continued), and Anne of Denmark; Vol. VIII -- Henrietta Maria, and Catharine of Braganza; Vol. IX -- Mary Beatrice of Modena; Vol. X -- Mary Beatrice of Modena (continued), and Mary II; Vol. XI -- Mary II, and Anne; Vol. XII -- Anne (continued from previous volume). [Attributes: Hard Cover]

      [Bookseller: Barry Cassidy Rare Books]
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        Master Humphrey's Clock (In 88 Weekly Parts)

      London (1840-41, i. e. 4 Apr. 1840 - 2 Nov. 1841): Chapman & Hall. First Edition. Original Wrappers. Quarto. First issue, large octavo in sixes; the 88 weekly parts; [i-viii],[1]2-306; [i-v]vi, [1]2-306; [i-v]vi, [1]2-426. Original printed wrappers by Cattermole, 2 frontispieces, 130 woodcuts and 25 initials by Browne; 1 frontispiece and 38 woodcuts by Cattermole; 1 woodcut each by S. Williams and Maclise. A very handsome set, now scarce on the market. All wrappers are correct; a near fine set, clean and bright, with no markings of any kind. Light soiling to front wrap of part 1 and the rear wrap of part 88. Housed in two handsome, turn-of-the-century slipcases, with chemises. Overall, an outstanding set, in collectible condition.

      [Bookseller: Charles Parkhurst Rare Books, Inc.]
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        The Souk of al-Ghuri. "The Ghooreeyeh." On stone by J.C. Bourne Drawn by O.B.Carter Archtecht. Published for the Proprietors by Hodgson & Greaves.1840

      Middle East: London Tilt and Bogue 1840. Tinted lithograph of the The Souk of al-Ghuri ,Cairo from Robert Hay's "Illustrations of Cairo..." The view shows the interior of the Souk, with many merchants displaying their wares. The Souk was redeveloped by Sultan al Ghuri Egypt's last important Mamluk sultan (1501-1516) who destroyed the original khan built by al-Khalili and rebuilt it in 1511 as a major commercial district, however the name remains even today as the Khan el-Khalili . The plates of the streets within Cairo are often the only records of the city at that time, as many of the buildings were demolished in the succeeding years. Robert Hay much less famous than his fellow countryman and contemporary David Roberts nevertheless made the greater contribution to Egyptian Archaeology with his two expeditions of 1824-8 & 1829-34. General light toning, darker at edges of page; lithographers pinholes to corners of image, as usual. Robert Hay, 1799-1863 Egyptologist, first visited Egypt in 1818 whilst serving in the Royal Navy. Inspired by the work of Giovanni Battista Belzoni, and others he would return in 1824 and spend most of the next 10 years in the country, heading 2 expeditions with the intention of recording detailed accounts of as many Pharonic sites as possible; Robert Hay was typical of the new generation of Egyptologists, interested in recording rather than hoarding unlike the previous generation's dealer-collectors . As heir to the Earl of Tweeddale he was wealthy enough to employ a number of artists to join him in his expeditions, intended to be the greatest since that of Napolean. He collected together, artists, architects, topographical draughtsmen and antiquarians. These young men : Joseph Banoni, Francis Arundale, James Halburton {known as Burton], Charles Laver, Edward Lane, John Wilkinson GB Greenhough ,John Wilkinson, George Hoskins and Frederick Catherwood all of whom would become famous in later years, laid down the basis of Egyptian archaeology (Incidents of Travel in Egypt, Arabia Petræa, and the Holy Land John Lloyd Stephens, Courier Corporation, 1996 ) The intention was to record all the ruins, murals & inscriptions and make detailed ground plans of the sites. They were greatly assisted by the use of the camera lucida, a means of reflecting an image on to paper which Frederick Catherwood in particular among Hay's party used to great effect. Considering the scope of the expeditions it is surprising that Hay's only published work is the Illustrations of Cairo... Drawn on Stone by J. C. Bourne, under the superintendence of Owen B. Carter, architect. London Tilt and Bogne, 1840. [the text would appear the following year] Unfortunately Hay was a procrastinator, having dithered about selling his plaster casts to the British Museum until they began to lose interest and the more he procrastinated, the less the museum was interested. In the end, after years of expensive storage, the large heads and two of the other casts went to the British Museum with the single stipulation that a present of £100 be given to Bonomi for all the work he had done. Hay received nothing "The book project followed a similar course. Lane, a disciplined artist and writer, was clearly the man for the job. But Hay wanted to dedicate the book to Lane, so he asked Charles Carter to do the drawings and James Burton, who was even less decisive than Hay, to do the writing. Thanks largely to Lane's prodding, the book was finally published in November 1840, beautifully printed, lavishly bound—and expensive. The public passed it by, and Hay lost almost £2000–the equivalent of £95,000 ($150,000) today.... Thoroughly annoyed over the huge sums he had lost and uncertain why his efforts had failed so miserably, Hay sank into the life of a country gentleman, his interest in Egypt displaced by the time-consuming management of a large estate. From time to time he would write to the faithful Bonomi how much he missed their days in Egypt and lamenting his own lack of discipline..... ..Hay's legacy was not what he might have wished. The great head from Abu Simbel, which was far too large to exhibit successfully, was cut up—"not judiciously"—and stored in pieces in the British Museum, along with most of the casts that the Museum had acquired in 1840. The antiquities Hay had collected while in Egypt fared somewhat better. After his death, the British Museum purchased 529 items from his estate for £1000. The remaining objects in Hay's collection were placed on public display and then sold to a Boston banker and collector whose son later bequeathed them to the Boston Museum of Fine Arts, where they formed the basis of that museum's Egyptological collection. The drawings remained for some time in the Hay estate, but eventually went to the British Library (then part of the British Museum), where they are now housed in 49 portfolios." [ The Lost Portfolios of Robert Hay by Jane Waldron Grutz from Saudi Aramco World March/April 2003 ] Owen Browne Carter (1806–1859) was an English architect,In about 1829–30 he went to Egypt in the company of Robert Hay. He spent some time in Cairo, where he made a large number of architectural and topographical drawings, about fifty of which are in collection of the British Museum. Abbey Travel I 270; Blackmer 794; Gay 2497; Ibrahim-Hilmy I, p 292 Middle East Egypt Cairo Khan el-Khalili Souk The Ghooreeyeh

      [Bookseller: Mary Louise Bryan/Paralos Gallery]
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        Milano

      1840. Affascinante veduta panoramica della città di Milano ritratta dall'attuale Porta Venezia. Interessante l'animazione del primo piano che fornisce uno spaccato della vita quotidiana che si svolgeva attorno ai caselli del dazio, con la raffigurazione dei carri che entravano ed uscivano dalla città. La litografia è impreziosita da una fresca e vivace coloritura d'epoca alla guoache. Sulla sinistra si notano alcuni segni del tempo che non compromettono l'ottimo stato di conservazione di questa rara veduta. Riferimeti: Arrigoni, "Milano nelle vecchie stampe", vol. I, p. 16, n° 56

      [Bookseller: Libreria Trippini Sergio]
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        Messerschmid'.

      - altkolorierte und eiweißerhöhte Lithographie b. Fasoli & Ohlman in Strasbourg, um 1840, 18 x 25 Seltene Darstellung einer Messerschmiedwerkstatt.

      [Bookseller: Antiquariat Norbert Haas]
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        Panorama der Mosel von Metz bis Coblenz, mit besonderer Berücksichtigung der römischen Alterthümer in Trier, aufgenommen von G. Jung, geordnet und nebst der Schrift auf Stein gravirt von. J.F. Friedrichsen. Coblenz, bei J. Heinrich Müller.':.

      - Lithographie v. J.F. Friedrichsen n. G. Jung b. J. Heinrich Müller in Koblenz, um 1840, 127 x 24 Nicht bei Mersch. - Zeigt den Mosellauf von Metz bis zur Mündung in den Rhein bei Koblenz. - Unten dem Mosellauf Gesamtansicht von Saarburg und zusätzlicher Titel. - Links und rechts neben der Mosel 63 Ansichten. - Die Ansichten zeigen u.a.: Trier (11x), Igel, Bernkastel, Burg Arras, Koblenz (7x), Andernach, Maria-Laach, Bischofsstein, Treis-Karden, Wasserbillig, Konz, Neumagen-Drohn, Traben-Trarbach, Braubach, Burg Eltz. - Seltener Mosellauf in original Umschlag. [Attributes: Hard Cover]

      [Bookseller: Antiquariat Norbert Haas]
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        NEUSTADT/Saale. "die berühmte ehemalige Kaiser-Burg Salzburg, nebst Neuhaus bei Neustadt an der fränkischen Saale". Gesamtansicht.

      - Lithographie von H. Stauch bei J.B. Scheiner, Würzburg, um 1840, 26 x 35 cm. Nicht bei Lentner. - Sehr seltene Ansicht.

      [Bookseller: Peter Bierl Buch- & Kunstantiquariat]
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        Sabil wa Kuttab Tusun Pasha, Fountain of Pasha Tusun. "The Fountain of Toosoon Pasha in the Principal Street of Cairo." On stone by J.C. Bourne Drawn by O.B.Carter Archtecht.. Published for the Proprietors by Hodgson & Greaves.1840

      Middle East: London Tilt and Bogue 1840. Tinted lithograph of the Sabil wa Kuttab Tusun Pasha, Cairo from Robert Hay's "Illustrations of Cairo..." The view shows the ornate fountain erected to honour the deceased son of Muhammad 'Ali, Ahmad Tusun, a two-story kuttab flanks the sabil on either side. The image shows the busy life of the city. The plates of the streets within Cairo are often the only records of the city at that time, as many of the buildings were demolished in the succeeding years. Robert Hay much less famous than his fellow countryman and contemporary David Roberts nevertheless made the greater contribution to Egyptian Archaeology with his two expeditions of 1824-8 & 1829-34. Generally bright and clean, very light toning darker at edges of page; minor spots to blank margins; lithographers pinholes to corners of image, as usual. Robert Hay, 1799-1863 Egyptologist, first visited Egypt in 1818 whilst serving in the Royal Navy. Inspired by the work of Giovanni Battista Belzoni, and others he would return in 1824 and spend most of the next 10 years in the country, heading 2 expeditions with the intention of recording detailed accounts of as many Pharonic sites as possible; Robert Hay was typical of the new generation of Egyptologists, interested in recording rather than hoarding unlike the previous generation's dealer-collectors . As heir to the Earl of Tweeddale he was wealthy enough to employ a number of artists to join him in his expeditions, intended to be the greatest since that of Napolean. He collected together, artists, architects, topographical draughtsmen and antiquarians. These young men : Joseph Banoni, Francis Arundale, James Halburton {known as Burton], Charles Laver, Edward Lane, John Wilkinson GB Greenhough ,John Wilkinson, George Hoskins and Frederick Catherwood all of whom would become famous in later years, laid down the basis of Egyptian archaeology (Incidents of Travel in Egypt, Arabia Petræa, and the Holy Land John Lloyd Stephens, Courier Corporation, 1996 ) The intention was to record all the ruins, murals & inscriptions and make detailed ground plans of the sites. They were greatly assisted by the use of the camera lucida, a means of reflecting an image on to paper which Frederick Catherwood in particular among Hay's party used to great effect. Considering the scope of the expeditions it is surprising that Hay's only published work is the Illustrations of Cairo... Drawn on Stone by J. C. Bourne, under the superintendence of Owen B. Carter, architect. London Tilt and Bogne, 1840. [the text would appear the following year] Unfortunately Hay was a procrastinator, having dithered about selling his plaster casts to the British Museum until they began to lose interest and the more he procrastinated, the less the museum was interested. In the end, after years of expensive storage, the large heads and two of the other casts went to the British Museum with the single stipulation that a present of £100 be given to Bonomi for all the work he had done. Hay received nothing "The book project followed a similar course. Lane, a disciplined artist and writer, was clearly the man for the job. But Hay wanted to dedicate the book to Lane, so he asked Charles Carter to do the drawings and James Burton, who was even less decisive than Hay, to do the writing. Thanks largely to Lane's prodding, the book was finally published in November 1840, beautifully printed, lavishly bound—and expensive. The public passed it by, and Hay lost almost £2000–the equivalent of £95,000 ($150,000) today.... Thoroughly annoyed over the huge sums he had lost and uncertain why his efforts had failed so miserably, Hay sank into the life of a country gentleman, his interest in Egypt displaced by the time-consuming management of a large estate. From time to time he would write to the faithful Bonomi how much he missed their days in Egypt and lamenting his own lack of discipline..... ..Hay's legacy was not what he might have wished. The great head from Abu Simbel, which was far too large to exhibit successfully, was cut up—"not judiciously"—and stored in pieces in the British Museum, along with most of the casts that the Museum had acquired in 1840. The antiquities Hay had collected while in Egypt fared somewhat better. After his death, the British Museum purchased 529 items from his estate for £1000. The remaining objects in Hay's collection were placed on public display and then sold to a Boston banker and collector whose son later bequeathed them to the Boston Museum of Fine Arts, where they formed the basis of that museum's Egyptological collection. The drawings remained for some time in the Hay estate, but eventually went to the British Library (then part of the British Museum), where they are now housed in 49 portfolios." [ The Lost Portfolios of Robert Hay by Jane Waldron Grutz from Saudi Aramco World March/April 2003 ] Owen Browne Carter (1806–1859) was an English architect,In about 1829–30 he went to Egypt in the company of Robert Hay. He spent some time in Cairo, where he made a large number of architectural and topographical drawings, about fifty of which are in collection of the British Museum. Abbey Travel I 270; Blackmer 794; Gay 2497; Ibrahim-Hilmy I, p 292 Middle East Egypt Cairo Sabil wa Kuttab Tusun Pasha,Fountain of Pasha Tusun

      [Bookseller: Mary Louise Bryan/Paralos Gallery]
 23.   Check availability:     Biblio     Link/Print  


        The Life and Adventures of Michael Armstrong, The Factory Boy

      London: Henry Colburn, 1840, 1840. First edition in book form, preceded by the issue in monthly parts. Sadleir 3228a; Wolff 6818a; NCBEL III, 769. Edges a little rubbed; prelims and plates slightly to moderately foxed; very good copy.. 3 vols, 8vo, later red quarter calf, red cloth sides, green morocco labels, gilt decorations and lettering. Frontispieces and 21 plates. A novel highly sympathetic with the plight of exploited children and young factory workers.

      [Bookseller: The Brick Row Book Shop]
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        The History of Scotland During the Reigns of Queen Mary and of King James VI, History and Political Philosophy of Middle and Working Classes, Treatise on Man and Development of Faculties & Discourses on the Fine Arts FOUR VOLUMES IN ONE

      William and Robert Chambers, Edinburgh 1840 - 4to. Four volumes bound as one, William Robertson - History of Scotland during Reigns of Queen Mary and King James VI till his accession to the Crown of England. 1840. 204pp. Some foxing to first few pages otherwise good. John Wade - History and Political Philosophy of the Middle and Working Classes. 1842. 4th ( and last) apparently much the scarcest of editions. 174pp. Some sporadic foxing otherwise good. M.A. Quetelet - A Treatise on Man and the Development of his Faculties. 1842. First and only edition published in the 19th Century.cp. 7 maps and charts. Joshua Reynolds - Discourses on the Fine Arts delivered to the students of the Royal Academy. 1840. 64pp. All pages lightly but uniformly browned. Good in half black calf and marbled paper boards. Red morocco labels with minor damage to edges. Some wear and rubbing to extremities but sound and gilt bright, good. Size: 4to - over 9¾" - 12" tall [Attributes: Hard Cover]

      [Bookseller: Tombland Bookshop]
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        Souvenirvedute in Rosenform.

      - Stahlstich b. Carl Adler in Hamburg, um 1840, 26,5 (Durchmesser) Stula S. 143 (Vorliegendes Exemplar mit Variante in der Rosenform). - Souvenirvedute in Rosenform mit 28 Ansichten. - Das Deckblatt in Farblithographie. - Die Ansichten zeigen: Sanssouci (2x), Neue Kammer, Communs, Neptunsgrote, Ruinenberg, Freundschaftstempel, Rathaus, Belvedere in Glienecke, Pfaueninsel, Hof in Glienecke, Potsdam, Chinesisches Haus, Kgl. Schloss, Nikolaikirche, neue Palais, Friedenskirche, Brandenburger Tor, Eingang zu Sanssouci, Nauener Tor, Schloss Babelsberg, Belvedere, Marmor Palais, Tabakskollegium, Charlottenhof, Partie in Charlottenhof, Schloß Glienecke u. Russische Kirche. - Mit original Umschlag. [Attributes: Hard Cover]

      [Bookseller: Antiquariat Norbert Haas]
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        SÄCHSISCHE SCHWEIZ. - Bastei. "Bastei in der sächs. Schweiz".Weiter Blick übers Elbtal und die Sächsische Schweiz, links und rechts auf hohen Felsen zahlreiche Ausflügler, auf der Elbe Schiffe, rechts am Ufer Eisenbahn.

      - Lithographie mit Tonplatte von E. Hasse und H. Williard bei J. Braunsdorf, Dresden, um 1840, 31 x 44 cm. Geglätteter Mittelbug. Sehr breiter Rand. - Stimmungsvolle Ansicht.

      [Bookseller: Peter Bierl Buch- & Kunstantiquariat]
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        \"Bastei in der sächs. Schweiz\".Weiter Blick übers Elbtal und die Sächsische Schweiz, links und rechts auf hohen Felsen zahlreiche Ausflügler, auf der Elbe Schiffe, rechts am Ufer Eisenbahn.

       Lithographie mit Tonplatte von E. Hasse und H. Williard bei J. Braunsdorf, Dresden, um 1840, 31 x 44 cm. Geglätteter Mittelbug. Sehr breiter Rand. - Stimmungsvolle Ansicht. Versand D: 6,00 EUR Sachsen und Sachsen-Anhalt

      [Bookseller: Antiquariat Bierl]
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        Cuerpo de Leyes de la Republica de Colombia, Que Comprendre...

      , 1840. 1840. Early Digest of Colombian Law Colombia, Republic of. Cuerpo de Leyes de la Republica de Colombia: Que Comprendre Todas las Leyes, Decretos y Resoluciones Dictados por sus Congresos Desde el de 1821 Hasta el Ultimo de 1827. Reimpreso Cuidadosamente por la Edicion Oficial de Bogota Publicada en Tres Volumenes. Con un Indice Cronologico y Otro Alfabetico de la Materia de las Leyes. Caracas: En la Imprenta de Valentin Espinal, 1840. [iii], XVI, [1], XIX-XL, [2], 2-592 pp. Octavo (9" x 5-1/2"). Contemporary quarter cloth over marbled boards, printed paper title panel to spine. Light rubbing to boards, moderate wear to extremities, chipping to spine ends, corners somewhat worn, text block partially detached. Moderate toning to text, light foxing and browning in a few places, internally clean. Ex-library. Location label to spine, small inkstamp to title page, annotations to verso. * The Republic of Colombia, or Gran Colombia, was established by Simon Bolivar in 1819. It included present-day Venezuela, Panama and Ecuador and parts of present-day Brazil. Internal tensions caused this nation to collapse in 1830-1831. This volume is based on a three-volume digest of the nation's laws issued in 1825. OCLC locates 5 copies in North American law libraries (Harvard, LSU, UC-Berkeley, UT-Austin, Yale).

      [Bookseller: The Lawbook Exchange, Ltd. ]
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        La Vestale Tragédie Lyrique en trois Actes, de Mr. de Jouy... Représentée pour la 1re. fois, sur le Théâtre de l'Académie Royale de Musique, le 15 Décembre 1807. Livraison contenant [blank] Prix: 80 fr. Réduit pour Piano: 60 f[r]. [Piano-vocal score]

      Paris: Maurice Schlesinger [PN E. 1001.], [ca. 1840]. Folio. Quarter contemporary dark purple calf with marbled boards with central monogram gilt, raised bands on spine in decorative compartments gilt with titling gilt, marbled endpapers. 1f. (title), 1f. (cast list and table of contents), 2, 276 pp. Engraved. Text in French. First two pages of music (from the overture) printed twice. With "Chalcographie de Mlle. Lélú" printed to lower margin of p. 1. Binding slightly worn, rubbed, and bumped. Light to moderate foxing, primarily to blank margins. Light showthrough, heavier to final leaves; lower margins of final leaves slightly dampstained, not affecting music. A very good copy overall. Devriès and Lesure Vol. I, Part I, pp. 65-66; II pp. 135-136; 385-392. OCLC nos. 21725416 (Schlesinger edition; one copy only, at the Eastman School of Music), 53016214 (Erard edition; one copy only, at Harvard), 844421863 (Delahante edition; one copy only, at the Bibliothèque Nationale de France). Reprinted from the plates of Mlles. Erard, who most probably issued the original edition ca. 1828-1830, later reissued in ca. 1833 by Delahante, the successors of Erard. Schlesinger absorbed Delahante in 1840. La Vestale, to a libretto by Etienne de Jouy, was first performed at the Paris Opéra on December 15, 1807. Spontini "dominated serious grand opera of the early 19th century in Paris and later in Berlin... [La Vestale], mostly composed in 1805 but repeatedly revised, was performed only after the intervention of the Empress Josephine. However, it turned out to be not only the most successful work of Spontini's unsteady career but also the one serious French opera to achieve lasting and international fame between 1789 and 1826. The first performance... was a great success; the work had its 100th performance at the Opéra in 1816 and its 200th in 1830. In the years that followed, it was performed in most foreign opera houses... before interest in it waned after 1850." Anselm Gerhard in Grove Music Online.

      [Bookseller: J & J LUBRANO MUSIC ANTIQUARIANS]
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        La Vestale Tragédie Lyrique en trois Actes, de Mr. de Jouy. Représentée pour la 1re. fois, sur le Théâtre de l'Académie Royale de Musique, le 15 Décembre 1807. Livraison contenant [blank] Prix: 80 fr. Réduit pour Piano: 60 f[r]. [Piano-vocal score]

      Maurice Schlesinger [PN E. 1001.], Paris 1840 - Folio. Quarter contemporary dark purple calf with marbled boards with central monogram gilt, raised bands on spine in decorative compartments gilt with titling gilt, marbled endpapers. 1f. (title), 1f. (cast list and table of contents), 2, 276 pp. Engraved. Text in French.First two pages of music (from the overture) printed twice. With "Chalcographie de Mlle. Lélú" printed to lower margin of p. 1.Binding slightly worn, rubbed, and bumped. Light to moderate foxing, primarily to blank margins. Light showthrough, heavier to final leaves; lower margins of final leaves slightly dampstained, not affecting music. A very good copy overall. Devriès and Lesure Vol. I, Part I, pp. 65-66; II pp. 135-136; 385-392. OCLC nos. 21725416 (Schlesinger edition; one copy only, at the Eastman School of Music), 53016214 (Erard edition; one copy only, at Harvard), 844421863 (Delahante edition; one copy only, at the Bibliothèque Nationale de France). Reprinted from the plates of Mlles. Erard, who most probably issued the original edition ca. 1828-1830, later reissued in ca. 1833 by Delahante, the successors of Erard. Schlesinger absorbed Delahante in 1840. La Vestale, to a libretto by Etienne de Jouy, was first performed at the Paris Opéra on December 15, 1807.Spontini "dominated serious grand opera of the early 19th century in Paris and later in Berlin. [La Vestale], mostly composed in 1805 but repeatedly revised, was performed only after the intervention of the Empress Josephine. However, it turned out to be not only the most successful work of Spontini's unsteady career but also the one serious French opera to achieve lasting and international fame between 1789 and 1826. The first performance. was a great success; the work had its 100th performance at the Opéra in 1816 and its 200th in 1830. In the years that followed, it was performed in most foreign opera houses. before interest in it waned after 1850." Anselm Gerhard in Grove Music Online. [Attributes: Hard Cover]

      [Bookseller: J & J LUBRANO MUSIC ANTIQUARIANS LLC]
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        La Vestale Tragédie Lyrique en trois Actes, de Mr. de Jouy... Représentée pour la 1re. fois, sur le Théâtre de l'Académie Royale de Musique, le 15 Décembre 1807. Livraison contenant [blank] Prix: 80 fr. Réduit pour Piano: 60 f[r]. [Piano-vocal score]

      Paris: Maurice Schlesinger [PN E. 1001.], 1840. Devriès and Lesure Vol. I, Part I, pp. 65-66; II pp. 135-136; 385-392. OCLC nos. 21725416 (Schlesinger edition; one copy only, at the Eastman School of Music), 53016214 (Erard edition; one copy only, at Harvard), 844421863 (Delahante edition; one copy only, at the Bibliothèque Nationale de France). Reprinted from the plates of Mlles. Erard, who most probably issued the original edition ca. 1828-1830, later reissued in ca. 1833 by Delahante, the successors of Erard. Schlesinger absorbed Delahante in 1840. La Vestale, to a libretto by Etienne de Jouy, was first performed at the Paris Opéra on December 15, 1807.Spontini "dominated serious grand opera of the early 19th century in Paris and later in Berlin... [La Vestale], mostly composed in 1805 but repeatedly revised, was performed only after the intervention of the Empress Josephine. However, it turned out to be not only the most successful work of Spontini's unsteady career but also the one serious French opera to achieve lasting and international fame between 1789 and 1826. The first performance... was a great success; the work had its 100th performance at the Opéra in 1816 and its 200th in 1830. In the years that followed, it was performed in most foreign opera houses... before interest in it waned after 1850." Anselm Gerhard in Grove Music Online.. Folio. Quarter contemporary dark purple calf with marbled boards with central monogram gilt, raised bands on spine in decorative compartments gilt with titling gilt, marbled endpapers. 1f. (title), 1f. (cast list and table of contents), 2, 276 pp. Engraved. Text in French.First two pages of music (from the overture) printed twice. With "Chalcographie de Mlle. Lélú" printed to lower margin of p. 1.Binding slightly worn, rubbed, and bumped. Light to moderate foxing, primarily to blank margins. Light showthrough, heavier to final leaves; lower margins of final leaves slightly dampstained, not affecting music. A very good copy overall.

      [Bookseller: J & J Lubrano Music Antiquarians LLC ]
 32.   Check availability:     ABAA     Link/Print  


        SCHLIERSEE. "Schliersee, eine Parthie im bayerischen Hochlande". Gesamtansicht von einer leichten Anhöhe mit weitem Blick über den See auf Bergkette, links im Mittelgrund der Ort, vorne Jäger mit zwei Hunden.

      - Lithographie "Nach d. Nat. u.a. Stein gez. v. F. Hohe", um 1840, 21 x 31 cm. Nicht bei Lentner. - Diese Ansicht von Friedrich Hohe (1802 - 1870) von größter Seltenheit.

      [Bookseller: Peter Bierl Buch- & Kunstantiquariat]
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        MANTOVA CITTA' NOBILISSIMA figurata in 24 Vedute Litografiche disegnate da... Con illustrazioni di...

      Brizighel, 1840. album in-4 obl. (mm.330x430), costituito da 26 splendide tavv. ciascuna accompagnata da pagine di testo descrittivo a cura di Luciano Sissa, bella leg. mod. m. pelle con angoli, piatti in seta con tit. in oro. Bel frontespizio calligrafico con piccola veduta di Venezia cui segue la dedicatoria "Al Chiarissimo e Nobilissimo Signore Annibale dei Marchesi Cavriani". Le tavole sono incise da Marco Moro (1817-1855) in litografia in color seppia e raff. le più belle vedute della città di Mantova e dei paesi più significativi, animate da personaggi in costume, e accompagnate da una dedicatoria ad un personaggio notabile mantovano di cui si riproduce in didascalia un piccolo stemma araldico. Elenco delle vedute: Palazzo Te, Atrio del Palazzo Te, Interno del Duomo, Teatro Sociale, veduta da Porto Catena, Piazza del Duomo, Casa di Giulio Pippi detto Romano, Castiglione Mantovano, Piazza Virgiliana, Goito sul Mincio, esterno della Basilica di Sant'Andrea, Volta Mantovana, interno della Basilica di Sant'Andrea, Ostiglia veduta da Revere, Piazza delle Erbe, Castello e Palazzo Gonzaga a Revere, Borgata di Revere, Piazza di Asola, Castello e terra di Monzambano, piazza di Sabbionetta (sic), Castiglione delle Stiviere, piazza S. Barbara, Viadana, Quingentole, il Santuario delle Grazie, Commessaggio. Ottimo stato di conservazione, ampi margini e fresco esempl.

      [Bookseller: Studio Bibliografico Scriptorium]
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        Eza, près de Nice.

      1840. Disegno a matita (mm 290x396), piccola mancanza in alto a destra, ma nel complesso molto ben conservato. Protetto da una struttura di sostegno con iscrizioni successive a penna e carta velina. Il titolo è riportato a matita nell'angolo in basso a destra del disegno &ldquo,Vista della città di Eze vicino a Nizza&rdquo,. Un acquerello molto simile, ma raffigurante èze da un altro punto di vista, e attribuito a Lory, è conservato presso la National Gallery of Art di Washington.

      [Bookseller: Libreria Govi Alberto]
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        Herculanum et Pompéi. Recueil général des peintures bronzes, mosaïques, etc. 8 volumes complet

      1840. Paris, Librairie de Firmin Didot 1839 - 1840. Ensemble complet de 8 volumes grands in-8 reliés plein cartonnage crème de l'époque, dos lisses, pièces de titre noires. Sous-titre : Découvert jussqu'à ce jour, et reproduit d'après Le Antichita di Ercolano, il museo Borbonico, et tous les ouvrages analogues ; augmenté de sujets inédits, gravés au trait sur cuivre par M. Roux ainé et accompagné d'un texte explicatif par M.L. Barré. xxiii + 134 + 263 + 104 + 49 + 232 + 111 + 45 + 213 + 229 + 230 pages. Tome I Peintures, Décorations architecturales, première série, gravures de 1 à 108 + 2 bis (complet).Tome II Peintures, Compositions de plusieurs figures, deuxième série, gravures de 1 à 90 + 1 bis (complet).Tome III Peintures, Tableaux, Paysages, deuxième série, gravures de 91 à 149 et cinquième série, gravures de 1 à 30.Tome IV Peintures, troisième série, figures isolées, gravures de 1 à 123 + 1 bis (complet).Tome V Peintures, Frises, Mosaïques, quatrième série, gravures de 1 à 60 et sixième série, gravures de 1 à 32 (complet). Tome VI Bronzes, Statues, première série, gravures de 1 à 110 + 1 bis (complet).Tome VII Bronzes, Bustes, Lampes, deuxième série, gravures de 1 à 22 et troisième série, gravures de 1 à 100 dont 1 bis (complet).Tome VIII Musée secret, gravures de 1 à 60. Ce volume contient 10 planches supplémentaires, en feuillets libres (vignettes photos contrecollées), correspondant à quelques gravures de ce volume. Quelques défauts aux cartonnages (accrocs en coiffs des tomes IV et VI), Intérieur très frais. L'ensemble en bon état néanmoins. Plus de 700 gravures dans l'ensemble. Rare exemplaire complet du tome 8 augmenté, Musée Secret, qui répertorie les objets d'art et peintures érotiques.

      [Bookseller: Librairie Artgil]
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        GEOLOGIE., "Der Mineralog, Geognost, Bergarbeiter, Edelsteinschleifer etc.". Blick in ein Bergwerk mit mehreren Arbeitern, rechts zwei Damen und zwei Herren beim Begutachten von Funden. In Umrandung mit Szenen aus dem täglichen Leben, sowie verschienenen Werkzeugen.

      Lithographie nach C. Schustler bei M.R. Toma, um 1840, 30 x 35 cm. Aus der dekorativen und seltenen Folge: "Der Mensch und sein Beruf", in Lieferungen erschienen, Wien 1835-1841. Berufe, Bergbau, Geologie, Mineralien, Mineralogie

      [Bookseller: Buch- und Kunstantiquariat]
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        Clemens August, Freiherr Droste zu Fischering Erzbischof von Cöln.

      - Federlithographie auf Seide, vor 1840, 60 x 57 cm., Mittig ist das Tuch etwas wasserrandig. In der Mitte das Portrait des Erzbischofes, darunter der Titel ( fälschlich Fischering statt Vischering ), darüber die zweigeteilte Ansicht der Stadt. Auf der rechten Seite untereinander Ansichten von Domchor, St. Severin, St. Gereon und St. Ursula. Auf der linken Seite übereinander Ansichten von St. Mauritius, St. Aposteln, St. Martin und darüber der Domturm. Clemens August wurde wegen seiner festen Haltung im Mischehenstreit verhaftet und seit November 1837 amtsverhindert. Die Graphik ist von äußerster Seltenheit. ** Photos auf Wunsch im JPG-Format erhältlich.**

      [Bookseller: Kunsthandlung Goyert]
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        \"Karlsplatz. Brunnhaus.\" Blick vom heutigen Lenbachplatz nach Osten auf das Brunnhaus am Neuhauser Tor (heute Künstlerhaus), dahinter das Dach der Michaelskirche, links die Frauentürme, vorne Staffage.

       Sepia-Aquarell über Bleistift, um 1840, 23 x 29 cm. Verso Stempel der Sammlung Pfister und die Inschrift mit Bleistift von alter Hand. - Architektonisch reizvolle und stadtgeschichtlich interessante Arbeit mit reizender Personenstaffage. - Im Ganzen leicht gebräunt. Gerahmt. Versand D: 6,00 EUR Aquarell/Zeichnung, BAYERN, Oberbayern

      [Bookseller: Antiquariat Bierl]
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        \"Pinakothek in München\". Die Alte Pinakothek, gesehen von der Barerstraße, mit Personenstaffage, Reiter und Kutsche.

       Aquatinta auf China von Leopold Rottmann nach Jos. Weiß in der liter. artist. Anstalt, um 1840, 28 x 41 cm. Maillinger II, 205, 4; Pfister II, 281, 17. - \"Nach v. Kobell`s gavanographischer Methode\". - Mit sehr breitem Rand und in tadelloser Erhaltung. Versand D: 6,00 EUR BAYERN, Oberbayern

      [Bookseller: Antiquariat Bierl]
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        Principles of Geology, 6th Edition [in 3 volumes, volumes 2 and 3 only]

      John Murray, London 1840 - Original publisher's binding quarter cloth over paper boards with original paper spine labels. A good, unsophisticated partial set. Boards worn at corners. Vol. II binding needs to be re-sewn, as front hinge has separated. xi, 479, [i]; xii, 476, [iv], many pages un-opened. [Attributes: Hard Cover]

      [Bookseller: Denominator Books (IOBA)]
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______________________________________________________________________________


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