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Displayed below are some selected recent viaLibri matches for books published in 1830

        Chirurgische Kupfertafeln, Volume IV, [Weimar, Landes-Industrie-Comptoir, ca. 1830].

      4°, ca. 200 pag. text + plates 238-322. Half leather. Each plate with 2 à 3 pages text. The plates often after drawings by dr. R. Froriep. From the 85 plates there are 11 handcoloured (Elephantiasis des Auge, Hernia, Testium morbi, Corneitis scrophulosa, Syphilis, Framboesia, Ligatura vasorum, Naevus, Gangraena spontana, Tubercula haemorrhoidalia, Corna cutaneum).

      [Bookseller: Antiquariaat A.G. VAN DER STEUR]
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        THE EDINBURGH ENCYCLOPAEDIA (Complete - bound in 20 Volumes) Conducted by David Brewster with the assistance of Gentlemen eminent in Science and Literature.

      Edinburgh William Blackwood, et al. 1830 - 20 volume set of which Volumes 1 - 18 contain text and 11 maps, and Volumes 19 and 20 contain 525 plates. 4to. (approx. 11" x 8½") hardbacks bound in maroon cloth with spines uniformly faded to tan. Black title labels, gilt. Armorial bookplates of Col. Sir Robert Moubray to inside front covers. Overall a Very Good, Sound Set with some foxing/browning to text and some light wear to covers.FOR FURTHER DESCRIPTION, PLEASE ENQUIRE. NEW TITLE TO OUR SHOP STOCK (Shelf ATTIC) NOTE: EXTREMELY HEAVY SET (45 kg+) will require special shipping arrangements. ** Pictures available upon request, if not already displayed here.** The shop is open 7 days a week. Over 20,000 books in stock - come and browse. PayPal, credit and most debit cards welcome. Books posted worldwide. For any queries please contact us direct. [Attributes: Hard Cover]

      [Bookseller: Chaucer Bookshop ABA ILAB]
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        Constituton of the United States, Arranged and Epitomized

      1830. A Summary of the U.S. Constitution [Broadside]. [Constitution, United States]. Constitution of the United States. Arranged and Epitomized. [N.p.: S.n., c. 1830]. 18-1/2" x 14-1/2" broadside. Text in six columns within woodcut Greek-key border, headline above text. Light browning and some faint dampspotting and a few minor creases, horizontal and vertical fold lines, light edgewear, a few minor tears along fold lines. $1,500. * Probably printed for schools, this broadside is one of several printings of this practical epitome of the U.S. Constitution. The list of states and territories at the end of the end of the text includes Missouri, admitted in 1821, but not Arkansas, which was admitted next in 1836. OCLC locates 2 similar copies.

      [Bookseller: The Lawbook Exchange, Ltd.]
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        THE LONDON APPRENTICE or the MELANCHOLY HISTORY of GEORGE BARNWELL.

      Derby, Thomas Richardson, circa 1830.. showing the evil effects of bad company; with the untimely end and execution of this deluded young man who was induced by an infamous prostitute, named Mary Millwood to rob his master and murder his uncle. Later printing,1830, approximately 185 x 100 mm, 7¼ x 4 inches, folding hand coloured frontispiece, small vignette of a hanging at bottom of last page, pages: [3], 4-24, some pages not numbered, original publisher's yellow printed wrappers. Spine neatly repaired, wrappers a little dusty, upper margin of folding frontispiece trimmed, otherwise a very good copy. MORE IMAGES ATTACHED TO THIS LISTING, ALL ZOOMABLE, FURTHER IMAGES ON REQUEST. POSTAGE AT COST.

      [Bookseller: Roger Middleton]
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        Allgemeine deutsche Real - Encyklopädie für die gebildeten Stände (Conversations-Lexikon) . In zwölf Bänden. Siebte Originalauflage

      Brockhaus, Leipzig 1830 - 10486 Alle 12 Bände. Halbleder mit goldprägung auf dem Buchrücken und gefärbtem Buchschnitt. Die Bücher weisen Gebrauchs- und Lagerspuren auf. Sind Gerieben und leicht verfärbt, aber ansonsten in gutem Zustand. [Attributes: Hard Cover]

      [Bookseller: olymp & hades buchhandlung]
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        Journal of an Embassy from the Governor-General of India to the Courts of Siam and Cochin China; Exhibiting a View of the Actual States of those Kingdoms.

      Colburn, London., 1830. Second edition. Octavo. Two volumes: pp viii, 475; vi, 459. Folding frontispiece view of Singapore, very large folding map of Siam and China, 6 full page or double page engraved views including view of Bangkok, folding engraving showing eight regional head types, plus six more engraved views including map and plan of Singapore, woodcuts, large folding chart of Vocabularies. Original maroon cloth lettered in gilt, decorated in blind.Recased, retaining original covers and endpapers. Some discoloration to endpapers. Small (tea?) stain affecting edge of title-page and frontispiece in first volume. Folding plate of Siamese alphabet bound in upside-down and with stain at inner margin. Covers faded at the spine and a bit marked. A very good set with all plates and maps. Scarce in the original cloth.

      [Bookseller: Peter Ellis bookseller]
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        Album amicorum van J.P.E. Faure, 1830. Oblong boekje geheel in marokijn-leren band met sierrand in goud en goudopdruk op voorkant J.P.E. Faure. Ca. 26 inschrijvingen van onder anderen A. Amyot (Deventer oktober 1830), J.D. Overbeek (Kaap de Goede Hoop maart 1830), P.J. Denijssen (Leiden), uit Deventer: A.E. Amyot, C.L. Amyot geboren Van Karnebeek, jonge vriend Willem Amyot, C.P. Amyot, zuster E.F. Faure geboren Bartholomi, broer A.C. Mom Faure, L.C. Amyot, de ondeugende mevrouw Smit met andere n

      - Album amicorum van J.P.E. Faure, 1830. Oblong boekje geheel in marokijn-leren band met sierrand in goud en goudopdruk op voorkant J.P.E. Faure. Ca. 26 inschrijvingen van onder anderen A. Amyot (Deventer oktober 1830), J.D. Overbeek (Kaap de Goede Hoop maart 1830), P.J. Denijssen (Leiden), uit Deventer: A.E. Amyot, C.L. Amyot geboren Van Karnebeek, jonge vriend Willem Amyot, C.P. Amyot, zuster E.F. Faure geboren Bartholomi, broer A.C. Mom Faure, L.C. Amyot, de ondeugende mevrouw Smit met andere naamstekening L.E., Kaapstad: nicht J.A. Smuts, nicht M.E. Smuts, nicht C.J. Smuts, vriendin A.M. Hoffman, J.C. Jurgens, M.C. Jurgens, J.S. Jurgens, vader A(?) Faure sr, Leiden: oom D. Denijssen, vriend J. Smuts, peetzoon Bram(pie) Denijssen, tante M.C. Denijssen-Smuts, moeder S.M. Faure-Smuts. Met oude familiefoto (vader, moeder en twee kinderen, vergeeld).

      [Bookseller: Antiquariaat A.G. van der Steur]
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        SCENES IN BRIGHTON. Handsomely coloured. Sixpence.

      London. Orland Hodgson. No date [after 1830 - circa 1835]. [8] leaves printed on one side only, each bearing a hand-coloured engraving with text beneath, the first and last leaves pasted to the wrappers. Original printed wrappers with a wood-engraved vignette of a stage coach to the upper panel. 17.7 x 11.5 cm. Contains scenes of the Royal Pavilion; Brighton seafront; the chain pier, the Old and New churches, Martha Gunn, Chalybeate Spa, and Kemp Town. A fine copy.

      [Bookseller: David Miles Books]
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        [Scrapbook]: Early American Ephemera

      Philadelphia, 1830. Good. The art of scrapbooking in the late 18th and early 19th Century. A remarkable assemblage of almost 400 pieces of ephemera mounted onto the printed tables [51 leaves] of a first edition of James Boydell's The Merchant-Freighter's and Captains of Ships Assistant (London, 1764). Included are very rare woodcut and letterpress broadsheets, chap-book woodcuts, very early wood-engravings and copperplate engravings (several hand-colored), many original drawings, illustrated trade cards, and other ephemera, most five or more to a page, with one in each corner and a larger central piece. Folio bound in early marbled paper-covered boards (7.5" x 13"). The spine back is worn, most of the gatherings are loose, else overall very good. Housed in custom clamshell case.Included in the scrapbook is an elaborate hand-colored 1789 certificate for a New York fireman; three unrecorded late 18th Century sideshow broadsides: (a giant toddler, an elephant, and a lion); trade cards (for a chair maker, merchant, and a "fancy painter"); and several cloth silhouettes portraits from Philadelphia's Peale Museum. Among the other period pieces are several original drawings; satirical prints and portraits; and of both printed and hand-colored ephemera: city views (mostly of Philadelphia, Boston, and New York), animals, birds, calling cards, trade advertisements, playing cards, lottery tickets, historic and allegorical scenes, and handbills.The scrapbook was apparently assembled by a Mary Brown of Philadelphia: as indicated by her surname on a small paper label on the front cover, her first name composed of wood-engraved initials on a leaf at the back of the book, and by her full name written on a laid-in manuscript receipt (dated 1823). Largely compiled in the first decade of the 19th Century, there are also two later elements laid in: a hand-colored bookplate or calling card for one Samuel Weaver, along with a manuscript receipt made out to him from 1856. All 400 pieces have been artistically arranged around successive themes and visually striking patterns. The overall effect is that of a procession of images placed under the gaze of English schoolmaster Thomas Dilworth, whose engraved portrait, known to generations of school children learning to spell using pictures according to his method, is on the front pastedown.Highlights include:1. [Hand-colored engraved certificate, 1789]: Voluntary Aid in letterpress, within an engraved cartouche extending from the center of the top edge, folded (about 7.25" x 9.25"). The main text below the cartouche reads: "These are to Certify that 'John Brown' [in manuscript] is pursuant to Law nominated and appointed 'one' of the Firemen of the City of New York." [Signed]: "Rob: Benson Clk, November 13th 1789." Elaborate wood-engraved ornamental border with vignette of a fire truck (bottom center), and large cartouche at the top depicting fire fighters battling a blaze on a city street. Trimmed along the outer edge of the printed borders, with the top portion of the cartouche folded to fit inside the album. The upper decorative border of the cartouche is trimmed away, with a few short tears, else very good.2. [Broadsheet advertisement]: The King of Beasts. Beautiful African Lion. [Circa 1795]. (7.25" x 10"). Woodcut illustration of a lion: "The Gentlemen and Ladies of the City of New-York are respectfully informed of the arrival of a most Beautiful African Lion. This noble animal is between three and four feet high, measures nine feet from the nostrils to the tail, and is of beautiful dun color ... He was caught in the woods of Goree, in Africa, when a whelp, and brought thence to New-York ... Price of Admittance, two shillings, Children half price. This noble animal may be seen at the store No. 23, next door to the corner of Front-street, at Beekman-slip." Trimmed along the outer edge of the printed border to fit the page, very good. Unrecorded.3. [Broadsheet advertisement]. Singular Child, To be seen at the Red Lion Hotel. [Circa 1795]. (9.25" x 12.5"). Engraved by Abel Bowen (signed: ABowen Sc.). A large woodcut illustration of a giant toddler standing next to a chair, holding a rattle, with ornamental border. [Display and letterpress type]: "Singular Child. To be seen at the Red Lion Hotel, No. 200, Market Street, [with: "till the 1 day of March" added in manuscript] Entrance at the front door, and also from Sixth street, A Male Child, Who is pronounced by many physicians and others who have visited him, in Boston, New York, and other places, to be one of the greatest natural curiosities ever seen in this, or perhaps any other country. This extraordinary American Infant, born in Prospect, Maine, is, perhaps, the largest of the human family, of his age; not more than thirty months old, he has arrived to the weight and proportion in symmetry and form equal to the size and exactness of an ordinary man ... He is larger than either of his parents, who are 22 years of age. Admittance 25 cents -- Children half price." Trimmed along the outer edge of the printed border, horizontal fold, very good. Unrecorded.4. [Broadsheet advertisement]: [Elephant]. [Circa 1798]. (8.5" x 7.5"). Woodcut illustration of an elephant at the top of the sheet: "Is removed to her old stand at the George tavern, corner of Arch and [s]econd street where she will be seen from Monday the 28th inst. till Wednesday the 30th. Those who wish to gratify their curiosity by seeing this astonishing wonder, will do well by calling previous to that, as she will positively leave the city that night. Doors will be opened from 6 o'clock in the morning, until 7 at night. Admittance, 25 Cents - - Children half-price." The top margin is trimmed along the top edge of the woodcut, the left margin is trimmed along the left vertical edge of the letterpress text, taking out a letter or part thereof from each line, else good. Most likely an advertisement for the "Crowninshield Elephant," also known as "Old Bet," a female elephant brought to New York from Bengal by Jacob Crowninshield in April 1796, then sold to showmen who exhibited her along the east coast. According to a contemporary harbor report, she was exhibited in Philadelphia in April, 1798. Unrecorded.5. [Engraved trade cards]: Illustrated trade cards: Issac Pippitt, Cabinet & Chair Maker; J. West Glazier. House, Sign, & Fancy Painter (both of Philadelphia); Ketchum & Ellis, Brokers and Commission Merchants (of New York); and others. Each about 3" x 4".6. [15 portrait silhouettes]: Each about 3.25" x 2.5". Eleven with part of the Peale Museum's embossed blind stamp.An arresting grouping of many rare and unique pieces of ephemera, playfully arrayed in a striking style by a very precocious girl.

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        Art de se préserver de l'action de la flamme, appliqué aux pompiers et à la conservation des personnes exposées au feu; avec une série d'expériences faites en Italie, à Genève et à Paris. [Bound with:] Expériences faites a Londres pour perfectionner et faire connetre plus genéralement l'art de se preserver de l'action de la flamme.

      Paris: Madame Huzard (née Vallat la Chapelle), 1830. First editions, in a stunning contemporary red morocco binding, of these important and beautifully illustrated works on fire-fighting including, among other things, the invention of the first fire helmet which allowed respiration during fires and protected the fire-fighter from inhaling hot air and smoke. Both works are very rare, especially when complete with the fifth plate which is almost always missing. The 'Apparatus Aldini' was a thick mask of asbestos worn over the head; another mask made of woven iron wire was placed over the first. The device provided a measure of heat protection, provided the wearer was able to maintain the air space between the two masks and not allow the iron mask to touch the inner mask. The functionality of the mask left much to be desired, but the scientific testing by Aldini was ground breaking − he conducted tests of his apparatus under actual fire conditions. This was the start of serious efforts to protect fire-fighters from smoke as they operated at fires. The first work describes the equipment and tests carried out in Milan, Turin, Geneva and Paris; the second work describes tests carried out for the Royal Society in London. A contemporary account of Aldini's equipment, and the tests he carried out, was published in the Philosophical Magazine (vol. 7, January-June 1830, pp. 148-50), of which the following account is a paraphrase. The fire protection suit designed by Aldini had two layers: the inner was a thick tissue of asbestos, or of wool rendered fire-retardant by soaking in saline solution; the outer was made from an iron wire-gauze. Aldini found this gauze to be impervious to flame, a property whose discovery he ascribes to Sir Humpry Davy who made use of it in his construction of the safety-lamp. The head-piece consisted of an asbestos cap fitting close to the skull, and covering the throat, having holes made in it for the nose and mouth; a space left between the cap and the helmet allowed air to be trapped for breathing. The helmet had a mask in front and spectacles were also provided for the eyes, lined with fine brass wire-gauze. The fireman was also provided with a pair of boots, a shield to protect him from any strong jet of flame, and a basket covered with wire-gauze and strapped to his back for carrying a child through the flames. Ropes and gloves of asbestos allowed the fireman to carry red-hot iron bars.   In a first test, a fireman wearing Aldini's suit subjected his face to the flame of a straw-fire in a chafing dish for 90 seconds without injury. In a second experiment, two parallel hedges of straw and brushwood were formed about 3 feet apart, piled on bars of iron. These were set alight causing flames to fill the space between the hedges and rise to a height of at least 9 feet. Six firemen wearing Aldini's suits walked slowly between the hedges and five of them were able to remain in the fire for 2 minutes 22 seconds unharmed; the other was carrying an 8-year-old child in his basket, protected only with a mask of inflammable cloth, and retreated after one minute when both fireman and child were unharmed. It was surprising that the firemen in these tests were able to continue breathing for so long: the eminent French chemist Joseph Louis Gay-Lussac pointed out that when a furnace is heated to a high temperature the air within is almost entirely deprived of oxygen. Gay-Lussac suggested that the men were able to breathe thanks to a current of air from the space between the two garments. Aldini proposed to enhance this effect by supplying air to the suits from a portable reservoir connected to the suits by a cable.   The works also discuss the relative merits of asbestos and wool as fire-retardant materials. To be most effective, the wool must be steeped in a solution of sal-ammoniac and borax, or alum, but it is still cheaper than asbestos, even though not quite as effective.   Aldini (1762-1834) is best known for his work on animal electricity. He was born in Bologna and graduated in physics at the University of his native town in 1782. As nephew and assistant of Luigi Galvani (1737-98), he actively participated in a series of crucial experiments with frog's muscles that led to the idea that electricity was the long sought vital force coursing from brain to muscles. Aldini became professor of experimental physics at the University of Bologna in 1798, succeeding Sebastiano Canterzani (1734-1818). He traveled extensively throughout Europe, spending much time defending the concept of his discreet uncle against the incessant attacks of Alessandro Volta (1745-1827), who did not believe in animal electricity. Aldini used Volta's bimetallic pile to apply electric current to dismembered bodies of animals and humans; these spectacular galvanic reanimation experiments made a strong and enduring impression on his contemporaries. In recognition of his merits, Aldini was made a knight of the Iron Crown and a councillor of state at Milan, where he died in 1834.   Poggendorff, I, 27; Bourquelot, I, 16; Hirsch, Biogr. Lex. Hervorragenden Ärtzte, I, p. 98. Two works bound in one volume, 8vo (223 x141 mm), pp. [i-v] vi-vii [viii] [1] 2-142; [2] [1] 2-26 [2:adverts], with lithographed portrait of the author and five coloured lithographed plates by De Langlumé, after Lemoine Benoit. Contemporary red morocco, covers with elaborately gilt ornamental border, spine richly gilt, all edges gilt. lower capital chipped. Some light spotting throughout, else fine and fresh.

      [Bookseller: SOPHIA RARE BOOKS]
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        Records of Captain Clapperton's Last Expedition to Africa: by Richard Lander, his Faithful Attendant, and the Only Surviving Member of the Expedition: With the Subsequent Adventures of the Author.

      

      [Bookseller: Henry Sotheran Ltd.]
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        Gesamtansicht, vom Kammerforster Weg aus.

      - kol. Lithographie b. C. Oettel in Ansbach, um 1830, 27,5 x 42 Vorliegendes Blatt gilt als eine der schönsten und seltesten Ansichten der Stadt Ansbach. In der Bildanlage ähnelt sie der Ansicht von Gustav Kraus. [Attributes: Hard Cover]

      [Bookseller: Antiquariat Nikolaus Struck]
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        [BROADSIDE] Van Diemans Land [i.e. Van Diemen's Land] / Lillies in a Valley Grew / Lillies and Roses

      Birmingham : Jackson & Son, Printers, 69, Digbeth (From 21, Moor Street.), [circa 1830]. Broadside, 230 x 155 mm, laid down on fine linen; three ballads printed in two columns, with Van Diemans Land occupying the entire left column; some mild creasing, mostly confined to the right edge, and a few tiny areas of loss; a good example. Van Diemans Land is an anonymous ballad comprised of eight 4-line verses which tells the story of three men from Nottingham who are convicted of poaching, tried and found guilty at the Warwick Assizes, and transported to Van Diemen's Land for 14 years. The ballad is sometimes known as The Gallant Poachers (from the phrase in its opening line). "... The first day that we landed upon that fatal shore, The planters they came round us full twenty score or more. They rank'd us up like horses, and sold us out of hand, They yok'd us unto ploughs my boys, to plough Van Dieman's Land. Our cottages that we live in, were built of Clod and Clay, and rotten straw for bedding, and we dare not say nay; Our cots were fenc'd with fire, we slumber when we can, To drive away wolves & tigers upon Van Diemans Land ... There was a girl from Birmingham, Susan Summers was her name, For fourteen years transported, we all well know the same, Our planter bought her freedom, and married her out of hand she gave to us good usage, upon Van Diemans Land ...." For a discussion of the ballad Van Diemans Land, see Atkinson and Roud, Street Ballads in Nineteenth-Century Britain, Ireland, and North America (pp 55-6). Atkinson and Roud suggest that this popular ballad was published as a reaction to the Night Poaching Act of 1828, and note "a high degree of textual conformity" between versions printed in Preston, Manchester, London, Portsea, Birmingham, Necastle-upon-Tyne, Edinburgh and Glasgow. Other examples of this ballad, with slight textual differences, are held in Australian collections. However, the Birmingham printing of Jackson & Son is unrecorded in Australian libraries. A variant, printed on a broadside with the ballad Sweet Home and published in Newcastle-on-Tyne by Fordyce around 1830 (Ferguson, 1402c), is held in the collection of the National Library of Australia; while the State Library of New South Wales holds another separately issued broadside with the ballads Van Diemans Land and Pretty Caroline, published in London by Such. Another version of the ballad was published in The everlasting songster, containing a great variety of sentimental, comic and other songs, for the present year (Lincoln : Printed by and for R.E. Leary, Silver-Street, n.d.).

      [Bookseller: Douglas Stewart Fine Books]
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        Die kaiserl. königl. Haupt- und Residenzstadt Wien mit ihren Vorstädten und nächsten Umgebungen, geschichtlich, topographisch und statistisch beschrieben. 3. verm. u. verb. Auflage. 2 Bände.

      Wien, Christian Friedrich Schade, 1830. - Entgegen dem Haupttitel handelt es sich bei dem Werk eigentlich um ein Häuserverzeichnis; so lautet der Nebentitel auch „Häuser-Verzeichniß der Vorstädte Wiens mit Bezeichnung der Schilde, Gassen, Benennung der Hauseigenthümer, Eintheilung der Grundbuchs-Obrigkeiten, dann der Pfarr- und Polizei-Bezirke". - Der erste Band enthält die Leopoldstadt, Jägerzeile, Roßau, Liechtenthal, Thury, Himmelpfortgrund, Althann, Alsergrund, Breitenfeld, Michelbeurischergrund, Josephstadt, Alt-Lerchenfeld, Strozzischergrund, St. Ulrich, Spittelberg, Neubau, Schottenfeld, Leimgrube und an der Wien, Windmühle, Maria Hilf, Magdalenengrund u. Gumpendorf, der zweite Band Wieden, Schaumburgergrund, Hungelbrunn, Laurenzergrund, Matzleinsdorf, Hundsthurm, Reinprechtsdorf, Nikolsdorf, Margarethen, Landstraße, Erdberg u. Weißgärber sowie ein umfangreiches „Sach- und Namen-Register". - Umschläge leicht bestoßen bzw. fleckig. Hintere Innendeckeln m. kl. Sammlerstempel. Eine Seite m. Einriß. Vereinzelte Knickspuren. Leicht gebräunt. Unbeschnitten. - Slg. Mayer 494; Gugitz III, 12.646; nicht bei Eckl. ge Gewicht in Gramm: 500 Kl.-8°. 240 S.; 1 Bl., S. (241-)491, Bedruckte OKart.-Bde.

      [Bookseller: Antiquariat Wolfgang Friebes]
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        Pilgrim's Progress, The

      London: John Murray, 1830. The First Appearance of Southey's Life of BunyanA Fine Extra-Illustrated Example in a Wonderful Contemporary Gauffered Edge BindingBUNYAN, John. The Pilgrim's Progress. With a life of John Bunyan by Robert Southey, Esq… Illustrated with engravings. London: John Murray, [&] John Major, 1830. First 'John Major' edition. Extra-illustrated with an additional fifteen engraved plates including two by John Martin. Octavo (8 9/16 x 5 3/8 inches; 218 x 137 mm.). civ, 411, [1, imprint] pp. Engraved portrait of John Bunyan, two engraved plates by John Martin and thirty illustrations in the text by Charles Nesbit, John Jackson, and others. Extra illustrated by the insertion of fifteen engraved plates including two by John Martin.Finely bound in contemporary crimson morocco, covers with triple line gilt border surrounding a triple line border in blind in turn surrounding a decorative ornamental gilt panel. Spine with five shallow raised bands decoratively tooled and lettered in gilt in compartments, gilt ruled board edges, elaborate wide gilt turn-ins light blue watered silk liners and end-leaves decorated in gilt, all edges gilt and elaborately gauffered. Small rectangular red leather bookplate "Miss Percy" on front liner. Minimal fading to spine, still a very fine example of an early-to-mid nineteenth century 'Gauffered' binding.This is a very substantial edition of John Bunyan's monumental work, offered here with fifteen extra-illustrations and in an extremely attractive contemporary binding. This edition is the first (and only) to be issued by the prominent publisher and bookseller John Major, whose edition of Izaac Walton's Compleat Angler is so famous. It also contains the first appearance of Southey's life of John Bunyan.Gauffered edges are first gilded and then further decorated by impressing finishing tools into the textblock edge surface. The technique has been used for expensive bindings over many centuries. Almost all gauffering was done with pointillé tools, or, as in many examples, the designs were built up with repeated impressions of a large dot. Pointillé tools, as well as those cut in outline, produce delicate effects and are more easily impressed on a hard paper surface than are solid tools. The term comes from the French word for honeycomb, and also applies to the practice of crimping or fluting cloth with heated gauffering irons.

      [Bookseller: David Brass Rare Books, Inc. ]
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        Paul Clifford

      New York: Published by J. & J Harper, 1830. First American edition same year as publication in London in 3 volumes. 8 pages publisher's advertisements at front and on verso of last leaf of text in the first volume. 2 vols. 8vo. Original pink cloth-backed tan boards, uncut, printed paper labels (remains only) Some staining and rubbing, small holes along joints, lower blanks in second volume torn out, upper portion of title and blank in second volume torn away, some foxing and browning, signature of John Radford in second volume and M. L. Clarke on page 100 of second volume, else a very good copy. First American edition same year as publication in London in 3 volumes. 8 pages publisher's advertisements at front and on verso of last leaf of text in the first volume. 2 vols. 8vo. NCBEL 3: 919; Wolff 952a

      [Bookseller: James Cummins Bookseller ]
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        \"Der Neue Thurm der St. Jacobi Kirche in Hamburg\". Hübscher Altstadtblick mit St. Jakobskirche, im Vordergrund Gruppe von Passanten, Händler und mehrere Planwagen.

       Altkol. Lithographie von Alexander Gascard nach Hermann Peter Fersenfeldt, um 1830, 54 x 44 cm. Thieme-Becker Bd. XIII, S. 225. - Der Architekt und Lithograph Alexander Gascard (1807-1837) war Schüler des Architekten H.P. Fersenfeldt. \"Bekannt ist seine große Lithographie des neuen Fersenfeldt`schen Turms der St. Jakobikirche (1826)\" (Thieme-Becker). - Dekoratives Blatt. Gerahmt. Versand D: 6,00 EUR Hamburg

      [Bookseller: Antiquariat Bierl]
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        Triomphe de la science médicale

      Paris, David, [circa 1830], in-8, de 20 pages, exemplaire broché, Rare publication faisant la promotion "des guérisons les plus remarquables [...] qu'il fait chaque jour dans tous les genres d'hydropisie, avant comme après la ponction" grâce à une l'emploi d'un traitement dit végétal. Bon exemplaire, dans un brochage pastichant un maroquin à grain long.

      [Bookseller: Librairie Alain Brieux]
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        Tabula anatomica Leonardi da Vinci summi quondam pictoris e Bibliotheca Augustissimi Magnae Britanniae Hannoveraeque Regis deprompta, venerem obversam e legibus naturae hominibus solam convenire, ostendens.

      Lüneburg, Heroldus et Wahlstabius 1830. 4°. [4]Bl. Text, 1 lithogr. Tafel. Okart. mit gedr. Deckelschild, Ecken leicht bestossen, innen nahezu fleckenfrei. Text teilw. in lat., teilw. in dt. Sprache. Versand D: 15,00 EUR Kunst, Medizin, Anatomie, Renaissabce

      [Bookseller: Antiquariat Löcker]
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        Paul Clifford

      New York: Published by J. & J Harper, 1830. First American edition same year as publication in London in 3 volumes. 8 pages publisher's advertisements at front and on verso of last leaf of text in the first volume. 2 vols. 8vo. Original pink cloth-backed tan boards, uncut, printed paper labels (remains only) Some staining and rubbing, small holes along joints, lower blanks in second volume torn out, upper portion of title and blank in second volume torn away, some foxing and browning, signature of John Radford in second volume and M. L. Clarke on page 100 of second volume, else a very good copy. First American edition same year as publication in London in 3 volumes. 8 pages publisher's advertisements at front and on verso of last leaf of text in the first volume. 2 vols. 8vo. NCBEL 3: 919; Wolff 952a

      [Bookseller: James Cummins Bookseller]
 20.   Check availability:     Biblio     Link/Print  


        Streifenzugkarte `Liebespaar im Garten`]: "Ich pflege und warte sie alle für Dich, Dich liebe allein und zärtlich nur ich, Dir werde der Segen des Himmels zu Theil, Dir wünsch ich Freude, Glück Wonne und Heil".

      Ohne Verlag und Nummerierung (um 1830). - Sehr schöne Biedermeier-Glückwunschkarte in kräftigem Kolorit. Das in Goldpapier gerahmte Hauptbild zeigt ein sich umarmendes Liebespaar, im äußeren Rand eingefasst durch Blumentragende Putten. Nach Herausziehen des Zugstreifens zeigt sich eine Dame, bei der Blumenpflege im Garten. Streifenzugkarte. 13,3 x 10,7 cm; Ausziehstreifen: 7 x 8,5 cm. Handkolorierte Radierung, Hauptbild in Rahmen (7,2 x 9 cm) aus reliefgepr. Goldpapier. Papierbedingt etw. gebräunt, Goldauflage stellenw. abgelöst, an der linken Schubbahn mit kleinem Einriss.

      [Bookseller: Antiquariat Löcker]
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        An earnest appeal to the weavers of Norwich,

      12mo., caption title, 12pp., in a fine late 19th century maroon half roan over marbled boards, spine gilt lettered. A fine copy. [bound with], GREEVES, J.W. A reply to Mr. Geary's appeal to the weavers of Norwich. Norwich: printed by Jarrold and Son [Feb. 10] 1830.Publisher: Norwich: printed by W. WilkinYear: [Jan. 22, 1830]Edition: First editions of each pamphlet.

      [Bookseller: John Drury Rare Books]
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        Teilansicht, Teatro di S. Carla ( Innenansicht des Atriums), "Atrico che cobduce agli appertamente nell Opera Alexi".

      - Lithographie v. Angelo Belloni n. Pasquale Canna b. Reale Lithogr. Militare in Neapel, um 1830, 33,3 x 44,7 Blick in das prachtvolle Atrium der Oper von Neapel, mit 3300 Plätzen jahrelang das größte Opernhaus der Welt. Grosse Tenöre, u.a Enrico Caruso, gehörten zu den Künstlern, die hier auftraten.

      [Bookseller: Antiquariat Nikolaus Struck]
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        Panorama di Rovereto.

      1830. Litografia di cm 28,5x56,1. Buono, ordinari segni d'uso e del tempo. In questa grande veduta panoramica dall'aria arcadica l'ariosa città di Rovereto bagnata dal fiume Leno e sorvegliata dal castello si stende in tutta la sua luminosa ampiezza. Si vende in cornice.

      [Bookseller: Studio Bibliografico Adige]
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        Gesamtansicht

      - altkol. Lithographie v. Gustav Kraus (Druck Strixner & Lach) n. Heinrich Adam b. C. Hochwind in München, 1830, 25,5 x 40,5 Dekorative Gesamtansicht über den Main, links das Schloss Johannisburg, halbrechts die Stiftsbasilika.

      [Bookseller: Antiquariat Nikolaus Struck]
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        Harmonies poétiques et religieuses

      First edition, rare copy without mention. Binders half tan calf, spine darkened with five nerves decorated with nets, rollers and dotted golden coins title and volume number of red and green morocco date tail, some scuffs, triple gilt fillet on covers, corners bumped, cuts rubbed, rubbed caps, slightly later bindings. Foxing as often, otherwise good copy. --- Please note that the translation in english is done automatically, we apologize if the formulas are inaccurate. Contact us for any information! Gosselin Paris 1830 13,5x21,5cm 2 volumes reliés

      [Bookseller: Librairie Le Feu Follet]
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        Fine Autograph Letter Signed as King 'William R' to 'Dearest Mary' (1765-1837, King of Great Britain)

      1830 - annotated in another hand as to Lady Mary Fox (née FitzClarence, 1798-1864, illegitimate daughter of King William IV by his mistress Dorothea Jordan. In later life she became a writer), saying that he has "i broken thro' mistake the Seal and therefore enclose Amelia's letter. Ever believe me, yours most affectionately .", 1 side 8vo., St James's, Sunday morning, no date but circa William's second daughter Mary married Charles Richard Fox in 1824 (1796-1973, general and politician), the eldest but illegitimate son of Lord and Lady Holland. Her mother in law wrote that her son, "though fond of her, he only considers her as an auxiliary to his medals and other possessions, not as a principal", but concluded that "it will all do well; as she is very winning, and very firm, and sincerely fond of him." Lady Mary's youngest sister Lady Amelia FitzClarence, (1807-1858), named after her aunt Princess Amelia, married in 1830 Lucius Cary, (1803-1884, from 1809 10th Viscount Falkland, colonial governor).

      [Bookseller: Sophie Dupre ABA ILAB PADA]
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        The history of Java . Second edition

      John Murray, London 1830 - 2 volumes, 8vo, pp. xlviii, 536; iv, 332, clxxix (appendices and index); 2 folding tables; slightly later half red morocco over marbled boards; gilt-lettered direct on gilt-decorated spine, t.e.g.; some scuffing of the leather, but generally very good. Without the separately published quarto atlas of plates. [Attributes: Hard Cover]

      [Bookseller: Rulon-Miller Books (ABAA / ILAB)]
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        A treatise on the law of libel and the liberty of the press; showing the origin, use, and abuse of the law of libel: with copious notes and references to authorities in Great Britain and the United States: as applicable to individuals and to political and ecclesiastical bodies and principles.

      New-York: printed by G.F. Hopkins & Son 1830 - 8vo., xxxviii + (39)-184pp.,with a single page Catalogue of Liberal Books for Sale by G.W. & A.J. Matsell> of New York bound in, well bound in strong mid-20th century cloth, spine lettered in gilt. A very good copy of an influential book. First, and only, edition. McCoy C.558. Sabin 16619. A powerful argument favouring 'untrammelled discussion, in its utmost latitude'. 'The liberty of the press is a phrase in every body's mouth. It forms one of the common-place panegyrics of what are called free governments. It is one of the boasts of those who admire that nonentity the British constitution. It is supposed to flourish particularly in these United States, and to form a distinguishing feature of our American governments. I hardly know in which of them to look for it.' [p.39]. Thomas Cooper (1759-1839), 'president of Columbia College, in South Carolina, had 30 years earlier been the defendant in a sedition trial. His doctrines on a free press, he writes, grew out of the earlier statements of Milton (Areopagitica>, 1644), Anthony Collins (1724), his own earlier tract (1787), Robert Hall (1821), Samuel Bailey (1821), and Thomas Herttell (1828). His legal researches led him to protest against the common law doctrine of libel and blasphemy. Appendix I deals with heresy and blasphemy. [McCoy, Freedom of the Press: an annotated bibliography>, 1968, C.558]. [Attributes: Hard Cover]

      [Bookseller: John Drury Rare Books ABA ILAB]
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        FLORENZ. "Vue de Florence la Ville Capitale du Grand Duché de Toscane". Prächtige Gesamtansicht mit dem Schloß links, im Vordergrund reizende Personenstaffage.

      - Altkolorierte Umrißradierung von A.L. Richter bei H. Rittner, um 1830, 32 x 43 cm. Im unteren Rand mit Wappen und Widmung an Prinzessin Maria Therese. - Tadellos erhalten in sehr schönem alten Kolorit.

      [Bookseller: Peter Bierl Buch- & Kunstantiquariat]
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        Brustporträt von halbrechts. Mit Hut und Perlenkette. Große getönte Lithographie von Bösch. Unterrand mit Schrift: \"Alexandra Feodorowna, Imperatrice de toutes les Russies\"

      Berlin, Verlag F. Scala, ca. 1830/1840. Bildgröße: 340 x 270 mm (Blattgröße: 620 x 463 mm).*Prinzessin Charlotte von Preußen war ein Mitglied des Hauses Hohenzollern, durch Heirat mit Nikolaus I. als Alexandra Fjodorowna [Feodorowna] wurde sie Zarin von Russland. Genau an ihrem 19. Geburtstag 1817 wurde sie mit dem zweiten Bruder des Kaisers Alexander I., dem Großfürsten Nikolaus Pawlowitsch verheiratet, der 1825 als Nikolaus I. dessen Nachfolger werden sollte. - Großes Bildnis der jungen letzten Zarin, vollrandiges Blatt in sehr guter Erhaltung. Versand D: 5,00 EUR Porträt Portrait Rußland Russland Russia Frauen Herrscher

      [Bookseller: Antiquariat Braun]
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        Stammbuch-Kassette mit ca. 70 Einlegeblättern, davon mehrere farbig illustriert.

      Meist München und Nürnberg, 1823-, 1830. - circa 17 x 10,8 cm. etwa 70 Blätter, davon 12 mit Aquarellen oder kolorierten Kupferstichen in Buntpapierhülle und diese in dunkelgrüner Lederkassette, die als Buchimitat gearbeitet ist "Sehr schön ausgestattetes Album amicorum in hübscher Buchkassette. Stammbuchhalter war ein Mitglied der Familie Nützelberger (ansässig im Mittelfränkischen). Das geht aus dem Eintrag von ?S. Memmert? vom 4. September 1827 hervor, der ihn ?Lieber Nuzelberger? anspricht. S(ebastian?) Memmert war vermutlich ein Verwandter des Uhrmachers Memmert in Ansbach. Eventuell stammte Nützelberger aus Fürth, denn mehrere der Einträger sind in Fürth gebürtig, so die Künstler Entres und Mezler. Die Beiträger stammen aus dem familiären und studentischen Umkreis. Genannt seien: mit einem undatierten Eintrag: Cajetan Hübschmann (1809-1832), Inhaber der Buchdruckerei Hübschmann in München - mit Eintrag vom 9. März 182: Johann Jacob Mezler (1804-1839), Maler und Zeichenlehrer. Dieser verbrachte seine Kindheit in Fürth wo sein Vater, Johann Peter Metzler, Bäckermeister war. Sein Zeichentalent wurde früh entdeckt Im Jahr 1823 ging er nach München (eventuell gemeinsam mit dem Stammbuchhalter) und studierte an der Akademie der Bildenden Künste bei Professor Johann Peter von Langer Malerei - mit Eintrag vom 10. September 1827: Franz Amerseder aus Hengersberg. Wohl ein Verwandter des Kaufmannes Georg Amerseder, dessen Anwesen am 4. November 1823 versteigert wurde (so in der Münchner ?Allgemeinen Zeitung? berichtet) - mit Eintrag vom 9. März 1823: der Bildhauer Joseph Otto Entres (1804-1870). Entres kam bereits mit 16 Jahren nach München an die Kunstakademie und wurde dort Schüler von Konrad Eberhard. Gerade in seinem mittelalterlichen Stil wurde Entres sehr durch Eberhard beeinflusst, was man an seiner Madonnenstatue für den Münchner Dom studieren kann - mit Eintrag vom 11. September 1827: Vincenz Haertel, laut dem ?Kunst- und Gewerbeblatt des Polytechnischen Vereins von 1835 ?Handlungs-Buchhalter? in München. Eine sehr hübsch aquarellierte Beilage ist signiert mit ?Markus Eberl?, eventuell handelt es sich um den Münchner Bierbrauer, der laut ?Bayerischem Volksfreund? 1827 heiratete. Unter den anderen Beilagen besonders hervorzuheben ein Blatt ?Erinnerungen an das Jahr 1825? mit 4 Darstellungen eines Ausfluges nach Schloss Nymphenburg und die blattgrosse Darstellung der Kirche in Oberföhring. Weitere Beiträger aus München: Vincenz Haertel, August Fischer, F. Siller, Leonhard Bleicher, Ignatz Hosp "aus Schwarzach bei Straubing", Carl Lang, Fritz Wurzbach, S. Memert, Karl Held, Max Jos. Wild, Erasmus Weiss, Ferdinand Vötterl, Jos. Arnold, Hugo von Anhaus, Max Schmerck, Anton Raab, Johann Ernst Neder, Joseph von Vincente, Friedrich von Haider, Friedrich Pummerer, Louis von Spengruber, Johann Paul Heiden, H. Schuh, Karoline von Fassmann und viele andere, aus Nürnberg: G. A. T. Heinlein, Johann Martin Guben, G. P. Emmerling, Fritz Wolst, Jacob und Eleonora Stürmer, Georg Ludwig Ernst u.a., dann Charles Kochammer aus Triest etc. - Einige Alters- und Gebrauchsspuren, die Buntpapierhülle geklebt, teils fleckig, das Blatt mit den vier kleinen Ansichten fleckig und mit kleinem Randschaden, etwas berieben, insgesamt schön und hübsch gebunden. " [Attributes: Signed Copy; Hard Cover]

      [Bookseller: Antiquariat Thomas Rezek]
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        Ansichten aus Griechenland.

       [Karlsruhe, C. Frommel 1830]. qu.-kl.-4°. Gest. Tit., 30 Stahstich-Taf. auf Chinapapier. v. J. Poppel mit je 1 Textbl. Spät. HLn.-Bd. Tit. etw. staubfleckig, sonst in sehr gutem Zustand.Mit eh. Widmung des Stahl- u. Kupferstechers Jean Poppel a. d. flieg. Vors. Versand D: 4,00 EUR Reise, Griechenland, Graphik

      [Bookseller: Antiquariat Burgverlag]
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        OBERBAYERN. - Karte., "Reise-Karte durch Süd-Bayern, Tyrol, Salzburg und das Salzkammergut". Karte (ca. 17,5 x 30,5 cm) des Gebietes zwischen München und dem Brenner und von Schongau bis Schwanenstadt, umgeben von 18 Ansichten.

      Kupferstich bei Lindauer, München, um 1830, 34,5 x 43,5 cm. Die reizenden Ansichten zeigen: Andechs, Seefeld am Pilsensee, Tegernsee, Schliersee, Chiemsee, Brannenburg, Hohenaschau, Königssee, Achensee, Salzburg, Berchtesgaden, Rosenheim, Walchensee, Partenkirchen, Eibsee, Kochelsee, Ohlstadt und Staffelsee. Mittig die Karte (17,5 x 30,5 cm), unten das Höhenprofil. - Geglättete Faltspuren. Sehr dekorative, wohl erhaltene Karte. BAYERN, Landkarten, Oberbayern

      [Bookseller: Buch- und Kunstantiquariat]
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        \"Reise-Karte durch Süd-Bayern, Tyrol, Salzburg und das Salzkammergut\". Karte (ca. 17,5 x 30,5 cm) des Gebietes zwischen München und dem Brenner und von Schongau bis Schwanenstadt, umgeben von 18 Ansichten.

       Kupferstich bei Lindauer, München, um 1830, 34,5 x 43,5 cm. Die reizenden Ansichten zeigen: Andechs, Seefeld am Pilsensee, Tegernsee, Schliersee, Chiemsee, Brannenburg, Hohenaschau, Königssee, Achensee, Salzburg, Berchtesgaden, Rosenheim, Walchensee, Partenkirchen, Eibsee, Kochelsee, Ohlstadt und Staffelsee. Mittig die Karte (17,5 x 30,5 cm), unten das Höhenprofil. - Geglättete Faltspuren. Sehr dekorative, wohl erhaltene Karte. Versand D: 6,00 EUR BAYERN, Landkarten, Oberbayern

      [Bookseller: Antiquariat Bierl]
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        OBERBAYERN. - Karte. "Reise-Karte durch Süd-Bayern, Tyrol, Salzburg und das Salzkammergut". Karte (ca. 17,5 x 30,5 cm) des Gebietes zwischen München und dem Brenner und von Schongau bis Schwanenstadt, umgeben von 18 Ansichten.

      - Kupferstich bei Lindauer, München, um 1830, 34,5 x 43,5 cm. Die reizenden Ansichten zeigen: Andechs, Seefeld am Pilsensee, Tegernsee, Schliersee, Chiemsee, Brannenburg, Hohenaschau, Königssee, Achensee, Salzburg, Berchtesgaden, Rosenheim, Walchensee, Partenkirchen, Eibsee, Kochelsee, Ohlstadt und Staffelsee. Mittig die Karte (17,5 x 30,5 cm), unten das Höhenprofil. - Geglättete Faltspuren. Sehr dekorative, wohl erhaltene Karte.

      [Bookseller: Peter Bierl Buch- & Kunstantiquariat]
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        Organisation, Systematik und geographisches Verhältniss der Infusionsthierchen. Zwei Vorträge, in der Akademie der Wissenschaften zu Berlin gehalten in den Jahren 1828 und 1830.

      

      [Bookseller: Henry Sotheran Ltd.]
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        ROM. - Petersplatz., Prächtiger Blick über den Petersplatz auf den Petersdom, die Kolonnaden und den Vatikan, mit reicher Personenstaffage.

      Gouachierte Lithographie mit Tomplatte, um 1830, 25 x 37 cm. In der Art eines Guckkastenblattes gestaltet, mit sehr reicher Personenstaffage. - Mit getuschter schwarzer Umrahmung.

      [Bookseller: Franziska Bierl Antiquariat]
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        Gesamtansicht ('Vue De La Ville Du Vieux Brisach').

      - altgouachierte Aquatinta in prachtvollen Farben v. Friedrich Salathé n. Egidius Federle b. Louis Bleuler in Schaffhausen, um 1830, 19 x 28,5

      [Bookseller: Antiquariat Norbert Haas]
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        Kokon kaji biko [trans.: Sword Smithing: Old & Modern]

      Many illus. in the text. Seven vols. 8vo, orig. patterned pale blue wrappers (rubbed), orig. block-printed title labels on upper covers, new stitching. [Japan: ca. 1830]. First edition. The Yamada family of sword testers was famous; for many generations they made a living as executioners and kept detailed records of each sword's performance. Bodies were mounted on a cutting stand and specific cuts were made. One of their toughest tests was to cut centrally through the thorax, the so-called chiwari ("breast splitter"), as it had to go through several ribs. The sword was judged on how many bodies were severed with each type of cut. Following the index in the first volume of the present work, there are three introductory essays: 1) Yamada on the metallurgical processes for making steel for swords; 2) Masahide Kawabe on the manufacturing of swords; and 3) Natae Kamata on the testing of swords. This final essay contains several illustrations of the "testing grounds" for the sharpness of swords: chopping blocks and mounts to secure bodies. The remaining portion of the first volume is devoted to histories of the leading sword smithing families of Japan. Vols. II-IV contain an invaluable dictionary of sword smithing families, alphabetically arranged. The final three volumes contain depictions of hundreds of sword blades, arranged by manufacturer and region. Each manufacturer's seal is illustrated. Fine condition.

      [Bookseller: Jonathan A. Hill, Bookseller, Inc.]
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        Die Geldwechsler.

      - Lithographie v. Heyland n. Quintin Messis (Matsis) b. G. Eduard Müller in Berlin, um 1830, 41,5 x 35,5 Unter der Ansicht Widmung an König Friedrich Wilhelm III.

      [Bookseller: Antiquariat Norbert Haas]
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