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Displayed below are some selected recent viaLibri matches for books published in 1830

        Patentierte Trink - Anstalt für künstliche Mineralbrunnen von Dr. Struve und Soltmann in Berlin.

      . Lithographie n. u. v. Hermann, um 1830, 25,2 x 35,5. Seltenes Blatt. Kiewitz 565; Ernst, Hans Otto Hermann, Nr. 4. - Die Trinkanstalt von Dr. Struve und Soltmann wurde 1823 eröffnet und lag an der Husarenstraße (Heute Hollmannstraße).

      [Bookseller: Antiquariat Nikolaus Struck]
 1.   Check availability:     ZVAB     Link/Print  

        THE GENTLEMAN'S NEW POCKET FARRIER.containing Annals of the Turf, American Stud Book

      Peter Cottom, Richmond, Va. 1830 - Mason (Richard) THE GENTLEMAN'S NEW POCKET FARRIER.containing Annals of the Turf, American Stud Book. Fifth edition, with additions, engraved frontispiece and 4 plates, woodcut illustrations, heavily foxed, cutting "To Cure Galls in Horses" pasted to front free endpaper, contemporary ink signature and scribblings on endpapers, contemporary mottled sheep, red morocco label, rubbed. The Adenda (pages 291/388) contain the "Earliest example of an alphabetical Stud Book printed in America" - Henderson, Early American Sport, page 28. This adenda was first included in the fourth edition of 1828. The fifth edition also includes for the first time Pomeroy's Essay on Mules, reprinted from The American Farmer of 1825, and a plate of A Virginia Race Horse. [Attributes: Hard Cover]

      [Bookseller: Old Hall Bookshop, ABA ILAB PBFA BA]
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        The Life of King James the First / by Robert Chambers . [Complete in Two Volumes]

      Edinburgh : Printed For Constable And Co. ; And Hurst, Chance, And Co. , London. Printer Named In Colophon: Printed By J. Hutchison, For The Heirs Of D. Willison 1830 - Subject: James VI, King of Scotland, 1566-1625. Great Britain - History - James I, 1603-1625. Scotland - History - James VI, 1567-1625. Series: Constable's miscellany of original and selected publications in the various departments of literature, science, & the arts v. 55-56. Added t. P. Engraving. Finely bound in modern aniline calf over marble boards. Raised bands with gilt-blocked title and volume indications. Spine compartments uniformly tooled in gilt. An exceptional copy - scans and additional detail on request. 1 Kg. 0 pp. [Attributes: First Edition; Hard Cover]

      [Bookseller: MW Books Ltd.]
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        Collection of 15 Autograph Letters Signed, 1 Letter Signed and 2 poems (1 partial) of James, 1792-1853 and 12 Autograph Letters Signed and one partial autograph poem from Robert, 1830-1853.

      - Though not related, James Montgomery was a supporter of the young Robert Montgomery (originally Gomery), and a subscriber to his first, youthful volume of poems, published in 1825 when Robert was but 18 years old.Letters of James Montgomery:Autograph Letter Signed to an unnamed correspondent, 1 page 4to (heavily repaired on the back), Sheffield, 1793. Promising to settle the account, explaining in graphic detail the ill health which has prevented his doing so previously, and asking that a pair of shoes be made and sent to him.' '' 'Autograph Letter Signed to an unnamed correspondent, 1 page 4to (trimmed), Sheffield, 15 March 1823. Asking his correspondent to forward the questions, which he promises to return without delay.' '' 'Autograph Letter Signed to Messrs Baldwin, Cradock & Co, 1 page 8vo (trimmed and laid down), Sheffield, 16 June 1824. Sending an account for advertising in The Iris.' ' Autograph Letter Signed to Sir James Williams, 3 pages 4to with integral address-leaf (seal tear, not affecting the text), Sheffield, 12 May 1829. Evidently a congratulatory letter on Williams' marriage, full of praise and good wishes ('for some happy men are made to be more than twice as good as themselves when alone, and others (like me) only half as good at best as they ought to be .').  Autograph Letter Signed to an unnamed woman ('Dear Madam'), 1 page 4to, Hartshead, 1 September 1832. Acknowledging receipt of a mortgage payment.  Autograph Letter (third person) to Cockrane, 2 pages 4to, Royal Institution, 28 April 1831. Discussing lectures to be given at the Royal Institution ('If Mr C. will have the kindness to state his proposal, which so far as it is at present understood appears sufficiently liberal, J.M. will give him as early an answer as may be expedient'). The lectures (on poetry) were published in 1833.  Autograph Letter Signed to The Revd G.L.C. Bergue, 1½ pages 4to, The Mount, Sheffield, 1839. Promising to deliver a lecture to the Mechanics' Institute of Lincoln ('at a little inconvenience') if possible.  Autograph poem, 1 page 8vo, decorative embossed edging , The Mount, Sheffield, 23 July 1840. A poetical rendition of Isaiah LIV.10, in three stanzas of 6 lines each, beginning:The mountains shall departThe hills shall be removed;Faithful, O Lord! Thou art,Faithful has ever proved;And Faithful to eternity,Thy world of promise stands to me.  Autograph Letter Signed to John Darlington, 1 page 4to with integral address-leaf, The Mount Sheffield, 2 February 1841. Acknowledging the 'Vote of goodwill' of the council of the Bradford Philosophical Society at the conclusion of his lectures ('with a Bill of 36.15') and declaring his sojourn in Bradford 'among the pleasantest of the kind, which I have paid as a stranger and came away as a friend'.  Autograph Letter Signed to 'Gentlemen', 1 page 4to, The Mount, Sheffield, 21 June 1841. Thanking them for releasing him from an engagement to write an introductory essay to a 'Splendid Edition' of Thomson's Seasons and offering them the use of his papers and notes and his further research services.  Autograph Letter Signed to an unnamed correspondent, 1 page 8vo (oblong, probably originally 4to, trimmed with the loss of half the address-leaf), 25 January 1843. Apologising for not having answered his correspondent's letter of the previous November, and assuring him of improved health.  Autograph poem (hymn?) signed, 1 page 8vo (trimmed and incomplete), The Mount Sheffield, 24 June 1843. Four stanzas of 4 lines each, beginning:Safe in thine everlasting arms, That compass'd me around,Body and soul, from fears and harm,The bands of slumber bound.  Autograph Letter Signed to F[rederic] Shoberl (1775-1853, author and editor), 1 page 4to with integral address-leaf, remains of red wax seal (smeared) and penny-red stamp, The Mount, Sheffield, 27 January 1846. Thanking Shoberl for sending copies of Forget-me-not during the two years that he had not contributed, and explaining this lack ('I had noth [Attributes: Hard Cover]

      [Bookseller: John Wilson Manuscripts Ltd ABA ILAB]
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        Annales de Chimie et de Physique. 1830 - Volume 3 : Tome Quarante-Cinquième [ Tome 45 - Tome XLV ] : De l'Hématosine ou matière colorante du sang (Le Canu) ; Mémoire du docteur Etienne Marianini sur la théorie chimique des électromoteurs voltaïques simples et composés ; Sur la fabrication du verre d'optique (Faraday) ; Lettre de M. Matteucci à M. Arago sur l'action de la pile ; Recherches sur les systèmes de montagnes et les volcans de l'intérieur de l'Asie (A. de Humboldt) ; Sur les Volcans de l'Asie Centrale (Humboldt) ; Sur les Volcans de l'Asie Centrale (Humboldt) ; Notice sur la Configuration de l'équateur magnétique, conclue des observations faites dans la campagne de la corvette la Coquille (L. E. Duperrey) ; etc.

      Crochard 1830 - 1 vol. in-8 cartonnage marbré de l'époque, Chez Crochard, Paris, 1830, 448 pp. avec 2 planches dépliantes. Contient notamment : De l'Hématosine ou matière colorante du sang (Le Canu) ; Mémoire du docteur Etienne Marianini sur la théorie chimique des électromoteurs voltaïques simples et composés ; Sur la fabrication du verre d'optique (Faraday) ; Lettre de M. Matteucci à M. Arago sur l'action de la pile ; Recherches sur les systèmes de montagnes et les volcans de l'intérieur de l'Asie (A. de Humboldt) ; Sur les Volcans de l'Asie Centrale (Humboldt) ; Sur les Volcans de l'Asie Centrale (Humboldt) ; Notice sur la Configuration de l'équateur magnétique, conclue des observations faites dans la campagne de la corvette la Coquille (L. E. Duperrey) ; etc. Rare exemplaire du tome 45 des "Annales de Chimie et de Physique" contenant notamment la belle grande carte dépliante établie par Duperrey et exposant la configuration de l'Equateur magnétique telle que relevée lors du voyage de la Coquille. Etat très satisfaisant (cartonnage lég. frotté avec 1 petit accroc en mors). Langue: Français [Attributes: Hard Cover]

      [Bookseller: Librairie du Cardinal]
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      CHEZ LECOINTE 1830 - RO30082036: Témoins conservés dans chaque tome. Tome 1 (211 pages).Tome 2 (214 pages). Histoire et théorie de la terre.Tome 3 (178 pages).Tome 4 (192 pages) : histoire natureTome 5 (202 pages) : histoire naturelle : preuves de la théorie de la terre.Tome 6 (237 pages) : des époques de la nature.Tome 7 (218 pages) : des époques de la nature.Tome 8 (203 pages) : des minéraux : de la figuration des minéraux.Tome 9 (204 pages) : des minéraux (suite) de la pierre Calcaire.Tome 10 (206 pages) : Des minéraux : du charbon de terre.Tome 11 (197 pages) : des minéraux : Du souffre.Tome 12 (222 pages) : des minéraux : Du fer.Tome 13 (221 pages) : des minéraux : de l'argentTome 14 (222 pages) : Des minéraux : de l'antimoine.Tome 15 (220 pages) : Des minéraux : opale.Tome 16 (250 pages) : des minéraux : pétrifications et fossiles.Tome 17 (195 pages) : Des minéraux : Traité de l'aimant et de ses usages.Tome 18 (220 pages) : Des animaux.Tome 19 (198 pages) : des animaux.Tome 20 (218 pages) : Des animaux.Tome 21 (212 pages) : de l'homme : de la nature de l'homme.Tome 22 (203 pages) : De l'homme : De la vieillesseTome 23 (199 pages) : de l'homme : variétés dans l'espèce humaine.Tome 24 (188 pages) : de l'homme : suite de variétés dans l'espèce humaine.Tome 25 (218 pages) : de la nature des animaux.Tome 26 (203 pages) : Quadrupèdes : les animaux domestiques.Tome 27 (195 pages, nombreuses planches illustrées de gravures en noir et blanc) : Quadrupèdes : les brebis.Tome 28 (208 pages, nombreuses planches illustrées de gravures en noir et blanc) : Quadrupèdes : les animaux sauvages. Tome 29 (190 pages, nombreuses planches illustrées de gravures en noir et blanc) : les animaux carnassiers (suite).Tome 30 (200 pages, nombreuses planches illustrées de gravures en noir et blanc) : les quatrupèdes : les animauc carnassiers.Tome 31 (204 pages, nombreuses planches illustrées de gravures en noir et blanc) : Quadrupères : digitigrades carnassiers (suite).Tome 32 (222 pages, nombreuses planches i [Attributes: Soft Cover]

      [Bookseller: le-livre]
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        Dizionario delle scienze naturali nel quale si tratta metodicamente dei differenti esseri della natura accompagnato da una biografia de' più celebri naturalisti Redatta da varj professori del giardino del Re, e delle principali scuole di Parigi. Prima traduzione dal francese con aggiunte e correzioni.

      per V. Battelli e figli,, Firenze, 1830 - Trenta volumi di cm. 22 (cm. 24 per i volumi di tavole), pp. 15.000 circa complessive. Con varie tavole in nero e tabelle ripiegate nei volumi di testo e le 1200 belle tavole incise e colorate raccolte negli ultimi quattro volumi (in realtà le tavole sono 1247 in quanto sono presenti molte numerazioni bis). Solida legatura coeva in mezza pergamena con piccole punte, dorsi lisci con titoli in oro su tasselli. Esemplare genuino ed in ottimo stato di conservazione con pochi segni d'uso. Opera interessante ed eccezionalmente rara quando completa di tutti i volumi e nella parte iconografica come nel presente esemplare. Decisamente una delle più ampie compilazioni scientifiche pubblicate in Italia nell'800. [Attributes: Hard Cover]

      [Bookseller: Studio Bibliografico Benacense]
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        Smugglers Attacked

      Published by J. Moore, at his Frame Manufactory 1 West Street, St. Martin's Lane, London 1830 - A dramatic print depicting smugglers being apprehended by the police, after a painting by the celebrated English sporting artist, S. J. E. Jones. This impressive aquatint by Charles Hunt is after a painting by the celebrated sporting artist Samuel John Egbert Jones. Jones was active in London at mid-century and made a name for himself as a painter of sporting subjects. He was a regular exhibitor at the Royal Academy and the British Institution, and many of his fine works were published and engraved for the London print shops. The painting takes as its subject a poem by the noted London playwright, William Thomas Moncrieff. As with many English genre paintings at this period, the work is moralistic in tone and content. Unlawful behavior receives its just recompense and wrong doings never go unnoticed. The scene explodes with drama as a group of policemen break in on a band of smugglers, who desperately attempt to escape. This is a wonderful example of Jones' superb work and a fascinating image which speaks to the taste and temperament of the age. Colour-printed aquatint. Printed on thick wove paper. In good condition with the exception of some matt staining along the edges of the sheet and some minor foxing in the margins. Image size: 20 7/8 x 16 15/16 inches.

      [Bookseller: Donald A. Heald Rare Books (ABAA)]
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        The Life of Reginald Heber, by His Widow. with Selections from His Correspondence, Unpublished Poems, and Private Papers; Together with a Journal of His Tour in Norway, Sweden, Russia, Hungary, and Germany, and a History of the Cossacks - [2 Volumes]

      New-York, Protestant Episcopal Press 1830 - Description: 2 v. Front. (port. ) 23 cm. Uninked, impressed stamp to the title page. Related Names: Heber, Amelia Shipley. Finely bound both in half modern gilt-blocked polished calf-covered marble boards. A remarkably well-preserved set and highly uncommon. Scans and additional bibliographic details on request. 2 Kg. 1 pp. [Attributes: First Edition; Hard Cover]

      [Bookseller: MW Books Ltd.]
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        Havell Terns at the Shore

      London, circa 1830 - Robert Havell, Jr. (1793-1878) Havell Terns at the Shore Oil on canvas Canvas size: 25” x 30” London, circa 1830 Provenance: The Family of Robert Havell, Jr. Robert Havell, Jr. was the principal engraver of Audubon's Birds of America, the most significant natural history publication of all time. His aquatint engraving of John James Audubon's Birds of America is now recognized as a significant artistic achievement in its own right and an essential component of the success of Birds of America. During his collaboration with Audubon, Havell drew inspiration from and made creative contributions to the great master of bird painting, creating magnificent works in the style of Audubon. The remarkable energy of the painting paired with the dramatic motion at the center of the canvas make for an arresting scene as a small cluster of Terns stand or hover at the waters edge, preparing to scan the water for a meal. The painting, which features borrowed details from several Birds of America plates, signifies the admiration Havell felt for his revered colleague. Audubon undoubtedly returned his affection, as he named a species of Tern after his friend and engraver.

      [Bookseller: Arader Galleries San Francisco]
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        View of Kailua Hawaii (Kailua-Kona, Big Island)

      Lahaina, Maui 1830 - View of Kailua Hawaii (Kailua-Kona, Big Island) Miss Thurston, Attributed to possibly be Eliza Thurston (1807-1873) Copper-plate engraving by Kapohoni at Lahainaluna Seminary Press Lahaina, Maui: Late 1830s 18" x 29 1/2" framed This spectacular panoramic view is of Kailua, now Kailua-Kona, looking towards the ocean, with palm trees, thatched shacks, a few more solid buildings and a church. When American missionaries arrived in Hawaii, they discovered that there was no written form of the Hawaiian language. Lorrie Andrews (1795-1868), an American missionary to Hawaii and judge, opened the first post-secondary school for Hawaiians called the Lahailuna Seminary. This central location on the island of Maui, two miles inland from the village of Lahaina, was called Lahainaluna, or “upper Lahaina.” The first class of 25 began in September 1831 to receive training as teachers. Andrews also established a printing house at the Lahainaluna Seminary in order to print a Hawaiian dictionary, bibles, hymnals, and teaching materials. The Lahainaluna students published the first newspaper west of the Rocky Mountains, Ka Lama Hawaii, and were involved in the first case of counterfeiting currency in Hawaii. Lahainaluna Seminary eventually split into Lahainaluna High School which exists today as a public high school, and what evolved into the University of Hawaii. The Miss Thurston, who made the drawings from which these engraving are made, is speculated to be Eliza Thurston, the Australian artist, who could have been in Hawaii in the 1830’s. Her husband was a traveling salesman who died in New Jersey in 1847. After his death she immigrated to Sydney.

      [Bookseller: Arader Galleries San Francisco]
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        Mémoire sur l’Attentat commis à Bastia (Corse), contre la famille Podesta, le 3 septembre 1828.

      Montpellier, Imprimerie de X. Jullien, 1830 - In-8° ; 77 pp. [signé Vincent Podesta], suivi de : Réponse au libelle intitulé : Mémoire sur l’Attentat commis à Bastia (Corse), contre la famille Podesta, le 3 septembre 1828 [signé Biadelli et Charamaule, avocat]. A Montpellier, Chez Madame Ve Picot, née Fontenay, Imprimeur du Roi, janvier 1831. In-8° ; 111 pp., suivi de : Second Mémoire pour la famille Podesta sur l’Attentat commis contre elle à Bastia (Corse), le 3 septembre 1828. Montpellier, Imprimerie de X. Jullien, 1831. In-8° ; 175 pp. [signé Vincent Podesta et Digeon, avocat],-1 plan h.-t. replié in-fine [Plan détaillé du 1er étage de la maison Podesta], suivi de : Second Mémoire pour M. Biadelli, Avocat, Chevalier de la Légion-d’honneur. Montpellier, Imprimerie de X. Jullien, 1831. In-8° ; 1 f. non ch. en front. [Table des matières]-200 pp.-1 f. non ch. [Nota Bene], suivi de : Notes pour la famille Podesta en réponse au second libelle de Biadelli. Montpellier, Imprimerie de X. Jullien, 1831. In-8° ; 39 pp. [signé Vincent Podesta et Digeon, avocat], pleine basane fauvée, dos lisse, fleurons or, palette or, p. de titre en maroquin vert, rel. de l’époque, quelques usures du temps sans gravité, coiffe sup. manquante, bon exemplaire. Arbour, Dictionnaire des Femmes Libraires de France, p. 667 (pour la réponse au libelle de Biadelli). Flori, Bibliographie Générale de la Corse, t. III, 19780-81 (mêmes références que Starace). Starace, Bibliografia Della Corsica, 5426 (ne mentionne que le premier mémoire) et 5427 (pour le second mémoire en deuxième édition de format in-16° à la date de 1841). Éditions originales fort rares. Manque à Bnf, Bonaparte et à Susini. Recueil complet et très rare en un volume in-octavo des factums (cinq au total) concernant une famille bastiaise : assassinat commis par Louis Biadelli sur la personne de Thomas Podesta. Importante affaire criminelle qui défraya la chronique judiciaire à l’époque. Exposé des faits, attaques et justifications de l’une ou l’autre des parties. À consulter : [Factum. Biadelli]. Lettre du sieur Louis Biadelli [ancien bâtonnier], écrite de Bastia le 10 octobre 1828, au rédacteur de la Quotidienne et insérée dans la Gazette des Tribunaux du 25, même mois. [Accusé du meurtre de son neveu Thomas Podesta, il a été relâché, mais la famille continue ses poursuites. Signé : D.-J. Podesta ; P. Podesta. À Bastia, Imprimerie Fabiani, le 20 juillet 1830]. FIRST EDITION. VERY SCARCE COMPLET. GOOD COPY. [Attributes: First Edition; Hard Cover]

      [Bookseller: Librairie Hérodote]
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        An English and Japanese and Japanese and English vocabulary. Compiled from native works

      Batavia: printed by lithography. 1830. "First edition of the first Japanese-English dictionary, printed on a lithographic press at Batavia, the present day city of Jakarta, Indonesia; 8vo, pp. viii, [2], 344; text largely in triple column, with the Japanese printed in both Roman and Japanese characters together with English equivalents; later half calf over marbled boards, black morocco label on gilt-decorated spine, marbled edges, with a note on the verso of the front free endpaper ""3 dollars - Hong Kong. Bound 1860. Arthur Paget November 10 1857."" A very good copy, in a quarter red morocco clamshell box. Walter Henry Medhurst (1796-1857) was an English missionary who served an apprenticeship in the printing trade before joining the Missionary Society. He was sent to Malacca in 1817 where he spent almost 20 years doing Protestant missionary work in what is now Indonesia. After the Opium War he moved to Shanghai in order to assist in a translation of the New Testament into Chinese, and remained in China until his return to England in 1856. & & Medhurst's long career in the Far East made him familiar not only with Malay and Chinese, but also with Japanese. Although he never visited Japan, he set about compiling the present work from whatever sources he could find at hand. As for the quality of printing, Medhurst writes in his introduction that ""the printing needs a thousand excuses; but it must be remembered that the work has been executed at a Lithographic press, by a self-taught artist, and in a warm climate, where the Lithography often fails; also that the whole has been written by a Chinese, who understands neither English nor Japanese."" He also laments that there was no suitable paper available. & & Medhurst went on to publish a Chinese dictionary and conversation book, but this is his first book, as well as the first book from his amateur press. & & Not in Trubner's Oriental Catalogue (1882); not in Vancil; Astor Catalogue, p. 146; Zaunmuller, col. 214; 25 copies in OCLC (13 in the U.S.). No copies at auction since 1967; very uncommon in the trade."

      [Bookseller: Rulon-Miller Books]
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        A impiedade confundida, ou Refutação da carta de Talleyrand escripta ao Papa Pio Septimo ?.

      Rio de Janeiro, Na Typographia de Torres, 1830. - (2 ll.), xiii pp., (1 blank l.), 324 pp. (2 ll.). 4°, mid-twentieth-century half sheep over faux crocodile paper boards (some wear to spine, corners) spine gilt with raised bands in five compartments, decorated endleaves, top edges rouged, red silk ribbon place marker. Occasional minor soiling and light stains. Small hole in final leaf, without loss. Overall in very good condition. ---- FIRST EDITION; this work was reprinted in Pernambuco, 1838. At the end it is stated that pp. 1-128 were printed at the Officina Typographica Nacional. Gonçalves dos Santos attacks a letter of Talleyrand ("Nada mais he do que huma indigesta e monstruosa compilação de horrendas mentiras, insultos, e blasfemias contra a Religião Revelada, extrahidas dos Impios incredulos tanto antigos, como modernos," p. x), and the whole of Enlightenment philosophy. The letter was in fact not the work of Talleyrand.Padre Gonçalves dos Santos (1767-1844), nicknamed "Padre Perereca" by his adversaries, was a prolific writer and translator, and played an active part in the independence movement. For several years he engaged in a bitter debate with P. Diogo Antônio Feijó regarding clerical celibacy. Born in Rio de Janeiro, he was elected an honorary member of the Academia Real das Sciencias, Lisbon, and the Instituto Historico e Geographico Brazileiro.---- Sacramento Blake V, 414: calling for xvi, 326 pp. Innocêncio V, 295: also calling for xvi, 326 pp. On the author, see Borba de Moraes (1983) II, 774. W. Martins, @História da inteligência brasileira II, 157, 164-70. Not in JCB, @Portuguese and Brazilian Books. Not in Rodrigues, which lists (nº 1125) only the Pernambuco, 1838 edition. Not located in NUC. [Attributes: First Edition; Hard Cover]

      [Bookseller: Richard C. Ramer Old and Rare Books]
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        Nuova raccolta delle principali vedute antiche e moderne dell' alma citta di Roma e sue vicinanze. Incise a bullino da Achille e Pietro Parboni

      Giacomo Antonelli, Roma 1830 - Album cm. 23,5 x 15 Copertina editoriale verde con incisione al piatto superiore che riproduce il frontespizio + foglio bianco + frontespizio inciso + 100 Tavole dedicate alle più belle vedute di Roma e dintorni. Senza data ma 1830 in quanto tutte le incisioni sono datate 1824 e 1829 Stato dell'opera perfetto; rilegatura editoriale senza difetti 1 Copertina La LUPA allatta Romolo e Remo 2 Frontespizio La LUPA allatta Romolo e Remo 3 Ponte Milvio 4 S. Andrea a Ponte Molle 5 Porta Flaminia detta del Popolo 6 Piazza del Popolo 7 Scalinata a Piazza di Spagna 8 Trinità dei Monti 9 Porto di Ripetta 10 Castel S. Angelo 11 Porta Castello 12 Porta Angelica 13 Basilica di San Pietro 14 Interno Basilica di San Pietro 15 Basilica di San Pietro in Vaticano 16 Sacrestia Vaticana 17 Tempio del Bramante 18 Fontana Paolina 19 Ponte Sisto 20 Isola Tiberina 21 Portico Ottavia 22 Piazza Navona 23 Pantheon detto la Rotonda 24 Interno Pantheon detto la Rotonda 25 Piazza di Pietra e Dogana di Terra 26 Colonna ANtonina 27 Fontana di Trevi 28 Piazza Monte Cavallo e Palazzo Pontificio 29 Colonna Trajana 30 Avanzi del Foro di Nerva 31 Avanzi del Tempio di Pallade 32 Interno Palazzo de Cesari 33 Avanzi Palazzo de Cesari 34 Campidoglio 35 Rupe Tarpea 36 Foro Romano 37 Arco di Settimo Severo 38 Tempio della Concordia e di Giova Tonante 39 Foro Romano 40 Tempio di Antonino e Faustina 41 Tempio detto della Pace 42 Arco di Tito 43 Tempio di Venere e Roma 44 Arco di Costantino 45 Curia Ostilia 46 Anfiteatro Flavio detto il Colosseo 47 Interno Anfiteatro Flavio detto il Colosseo 48 Interno Anfiteatro Flavio detto il Colosseo 49 Avanzi delle Terme di Tito 50 Terme di Caracalla - Cella Solare 51 Tempio di Romolo 52 S. gIORGIO IN vELABRO 53 Arco di Giano Quadrifronte 54 Castello dell'Acqua Giulia 55 Avanzi Anfiteatro Castrense 56 Porta S. Giovanni 57 Chiesa e Basilica di S. Croce in Gerusalemme 58 Basilica S. Giovanni in Laterano 59 Interno Basilica S. Giovanni in Laterano 60 Obelisco di Piazza S. Giovanni in Laterano 61 Basilica S. Maria Maggiore 62 Obelisco della Basilica S. Maria Maggiore 63 Interno Basilica S. Maria Maggiore 64 S. Maria in Domnica 65 Avanzi delle Terme Diocleziane 66 Ponte Palatino 67 Teatro di Marcello 68 Cloaca Massima 69 Tempj di Vesta e della Fortuna Virile 70 Tempio della Fortuna Virile 71 Porto di Ripa Grande 72 Rovine Antiche sotto il Monte Aventino 73 Porta S. Paolo 74 Piramide di Cajo Cestio 75 Chiesa e Basilica di S. Paolo Apostolo 76 Basilica di San Paolo 77 Interno Basilica di San Paolo 78 Chiesa e Basilica di S. Lorenzo fuori le Mura 79 Ponte Mammolo 80 Ponte Salario 81 Ponte Lamentano 82 Monumento del Condotto dell'Acqua Claudea 83 Tempio di Minerva Medica 84 Arco di Gallieno 85 Arco di Druso 86 Arco di Druso verso la campagna 87 Porta di San Sebastiano 88 Chiesa e Basilica di S. Sebastiano 89 Tempio del Dio Redicolo nella Via Appia 90 Spelonca della NinfaEgeria 91 Tempio detto delle Camene in oggi S. Urbano 92 Sepolcro di Cecilia Metella 93 Ponte Lucano 94 Tempio della Sibilla Tiburtina 95 Grotta volgarmente detta di Nettuno 96 Le Cascatelle a Tivoli 97 Tempio detto della Tosse 98 Sepolcro degli Orazi e Curiazi 99 Sepolcri Antichi su la Via Momentana 100 Sepolcro di Nerone su la Via Flaminia 101 Tempio d'Ercole nella Città di Cora 102 Interno del Pronao del Tempio d'Ercole a Cora

      [Bookseller: Libri Antichi e Rari di A. Castiglioni]
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        Macrocercus Aracanga (Red and Yellow Macaw or Scarlet Macaw)

      London 1830 - Edward Lear (1818-1888) is fondly remembered for his books of nonsense and for popularizing the limerick, but he was also a prolific watercolorist, who as a young man earned his livelihood and achieved recognition as an illustrator of birds and animals. Born in the north London suburb of Holloway on 12 May 1812, he was the youngest of twenty-one children born to Jeremiah and Ann Lear. His childhood was one of outward prosperity but in 1825, his father, a stockbroker, was ruined by a financial crisis brought on by unfortunate speculation, and consigned to the debtor’s prison. At the age of fifteen the young and somewhat sickly Edward had to start earning his own living. Initially, he tinted drawings of birds for shops and printsellers, also doing work for various hospitals and medical men - “I began to draw for bread and cheese about 1827,” he wrote “but only did uncommon queer shop-sketches - selling them for prices varying from ninepence to four shillings; coloring prints, screens and fans; awhile making morbid disease drawings, for hospitals and certain doctors of physic.” This training suited him well and at an early age he was already taking pupils of his own. In 1830, at the age of 18, Lear obtained permission to work as a draughtsman at the Zoological Society gardens, located at Regent’s Park. The following year he moved with his sister, Ann, to nearby lodgings in Albany Street, in order to be close to his work and during the course of the next two years devoted his time to recording the different members of the parrot family. He was encouraged in this task by N. A. Vigors, John Gould and Lord Stanley and between 1830 and 1832 Illustrations of the Family Psittacidae, or Parrots was published in parts. The publication of this remarkable work marked thebeginning of what was to become an unrivaled reputation and the quality of the illustrations have often been favorably compared to those of Lear’s American contemporary, John James Audubon. In Bird Illustrators: Some Artists in Early Lithography, Christine Jackson describes the artist’s painstaking approach to his work: “Lear worked in great detail, outlining every feather and filling in the details with fine lines. This scientific accuracy extended to every part of the bird, from the beak to the claws. He noted on the plate the scale of the bird as shown in relation to its life-size, whenever he had reduced it . . . The colouring was done with opaque watercolours with touches of egg-white for parts of the feather requiring sheen, and for the eye, to add that ‘life-touch.’” The result combines “the most exacting scientific naturalism with a masterly sense of design and intuitive sympathy for animal intelligence.” Lear’s publication was innovative in several significant ways. Unlike previous bird artists, he drew whenever possible from life rather than stuffed specimens, thus combining anatomical accuracy and subtlety of detail with the pose and expression of the living, moving bird. Lear also employed the relatively new medium of lithography which, by dispensing with the need for professional engravers, allowed him to retain complete artistic control over all stages of his work. This, the first large-folio bird book completed in England, and the only separate ornithological work produced by Lear, marked an important turning point in the history of natural history illustration, ushering in the transition from engraving to lithography as the preferred medium. The printer, Charles Hullmandel of London, was the pioneer of lithography in England, having obtained his patent from Alois Senefelder, the inventor of the process. Edward Lear’s Illustrations of the Family of Psittacidae, or Parrots is an extremely rare work and is highly prized by collectors. It was the first illustrated book ever devoted to a single family of birds and only 175 copies of the book were ever published.

      [Bookseller: Arader Galleries San Francisco]
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        Flora Conspicua

      Thomas Griffiths, London 1830 - With 60 beautiful hand-coloured engraved plates (1 double page) by William Clarke, with accompanying text and an index. Bound in full polished tan calf with gilt lettering and gilt lines and decorations. Black leather title and date labels on the spine. With original cloth wrappers bound in. A rare and lovely botanical work. Sacheverell Sitwell - Great Flower Books 1700-1900 page 121. [Attributes: First Edition; Hard Cover]

      [Bookseller: Sue Lowell Natural History &Travel Books]
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        Traité pratique des maladies des yeux, ou Leçons données à l'infirmerie ophtalmologique de Londres en 1825 et 1826, sur l'anatomie, la physiologie et la pathologie des yeux. Traduit de l'anglais avec des notes et suivi d'un précis de l'anatomie de l'oeil par le docteur C. Billard (d'Angers).

      J.B. Baillière, Paris 1830 - In-8, XVI, 499 pp., demi-veau vert de l¿époque, dos lisse orné, tranches jaunes, bel exemplaire. Première édition, publiée par Billard d¿après les leçons données à Londres par Lawrence (cf. Garrison & Morton 5849 pour l¿édition anglaise qui ne paraîtra que trois ans plus tard). Billard traduisit ces leçons et les publia avec la permission de l¿auteur. Il s¿agit d¿un ouvrage essentiel dans l¿histoire de la chirurgie ophtalmologique. William Lawrence (1783-1867), élève d¿Abernethy, fut professeur d¿anatomie et de chirurgie, et s¿illustra notamment en ophtalmologie. Il devint premier chirurgien de la reine. Albert et al, 1335 : ¿First edition of Lawrence¿s ophtalmological masterpiece [¿] this comprehensive work is a milestone in ophthalmic surgery.¿ Ouvrage manquant à Bernard Becker, qui ne possédait que deux éditions anglaises de 1834 et 1847 (232, 233). [Attributes: First Edition; Hard Cover]

      [Bookseller: Jean-Pierre AUBERT]
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        Voyage aux Illes de la Mer du Sud, en 1827 et 1828 et relation de la découverte du sort de la Pérouse.

      Pillet Ainé,, Paris, 1830 - 2 vol. Paris, Pillet Ainé, 1830. 8°. 2 Bl., LX, 294 S., 1 S. Inhalt; 2 Bl., 361 S., 1 Bl. Inhalt. Mit 2 mehrfach gefalteten, lithographierten Frontispiz und 1 mehrfach gefalteten Karte. Halblederbände der Zeit mit etwas Rückenvergoldung. Sabin 20176. - Ferguson I, 1336. - Erste französische Ausgabe. - Das erste Frontispiz zeigt das "Massacre aux illes Fidji en septembre 1813", das zweite Frontispiz "naturels de l'ile de la Pérouse ou de Mannicolo" sowie eine "Carte de l'ile Mannicolo" - Der Plan fehlt. Rücken fachgerecht restauriert. Vortitel gestempelt. Erster Band nur sehr vereinzelt leicht fleckig, zweiter Band im Schnitt und anfangs (inkl. Frontispiz und Karte) etwas fleckig. Halblederbände der Zeit mit etwas Rückenvergoldung. [Attributes: First Edition; Hard Cover]

      [Bookseller: Biblion Antiquariat]
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        Histoire médicale de l'armée d'Orient. Seconde édition, augmentée de notes.

      Paris, Firmin-Didot frères, Anselin, Baillière, 1830. - In-8, (6), II, 434 pp., (1p.) (errata), 1 tabl. dépl. h.t.; demi-veau de l'époque, dos lisse orné (or et à froid), pièce de titre rouge, tranches marbrées, cachet ex-libris (F. Guérin) au faux-titre, coiffes endommagées, un mors fendu sur 5 cm, rousseurs à certains feuillets. Deuxième édition. L'édition originale avait paru en 1802. René Nicolas Desgenettes (1762-1837) fut médecin de l'expédition d'Egypte avec Larrey. Cet ouvrage comporte une réunion de documents précieux pour l'histoire médicale de cette expédition (état sanitaire des troupes, principales maladies rencontrées). C'est dans cet ouvrage que Desgenettes rapporte l'expérience fameuse et téméraire qu'il réalisa, pour redonner le moral à l'armée, en se faisant une double piqûre avec une lancette trempée dans le pus d'un bubon; il n'eut qu'une réaction inflammatoire locale. La seconde partie contient essentiellement des exposés de médecins subalternes sur différentes affections ou sur la topographie médicale d'Alexandrie, Rosette, Damiche, Rozier, Essai d'une bibliographie de la médecine, de la chirurgie et de la pharmacie militaires, 1196 ; Biraben, Les hommes et la peste en France, p. 53 ; Fabre et al., Histoire de la médecine aux armées, T. 2, pp. 33-36 et 66-67. [Attributes: Hard Cover]

      [Bookseller: Jean-Pierre AUBERT]
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      Doll, Ansbach 1830 - Rare War Board-Game Book Aretin, Wilhelm, Freiherr von. Strategonon. Versuch die Kriegf hrung durch ein Spiel anschaulich darzustellen. . . . 8vo. xxxv, [1], 145, [3]pp. 3 hand-colored folding plates, 1 folding lithographed table, 4 folding letterpress tables. Ansbach: Dollfuss, 1830. 209 x 115 mm. Old marbled boards, slightly rubbed & stained. Old stamps on title, light browning, a little foxing. Very good copy. First Edition. Very rare, with only one location in NUC (1983 fiche catalog, showing only the Cleveland Public Library copy). Describes what the author considers the most true-to-life war board-game yet published, which he believes especially appropriate for advanced cadets, who can learn to be good officers from playing it. Baron von Aretin, a lieutenant in the royal Bavarian light cavalry (second regiment, to be precise), belonged to a family distinguished in the eighteenth and nineteenth centuries for public service (see NBG). He writes in his introduction that he has based his war game on one devised in 1803 by his uncle Baron Georg von Aretin, which was never published. Von Aretin gives an overview and critique of war board-games from the seventeenth century, especially those of the late eighteenth and early nineteenth centuries. These games, derived from the rules and playing board of chess, have in recent times come closer to a true-to-life simulation of war situations, but are on account of lack of verisimilitude, or cumbersomeness of the board, or length of time needed to play, inferior to the game he describes in his book. Von Aretin has factored into his game natural troop movements, considerations of equipment, terrain and time of year, the working of various weapons, supplies, rules, headquarters and commanders, desertion, sieges, destruction of bridges, naval warfare, etc. The three folding hand-colored plates with approx. fifty figures show the game pieces; the five folding tables give data on the march of troops and the working of weapons in different contexts. [Attributes: First Edition; Hard Cover]

      [Bookseller: Jeremy Norman's historyofscience]
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        General View of Niagara Falls

      - A beautifully observed and typically detailed work from Nicolino Calyo in the classical Italian 'veduta' or 'view' tradition. Nicolino Calyo's work is well-represented in American museums and institutions, with examples at the White House, the Baltimore Museum of Art, the New York Historical Society, the Metropolitan Museum of Art in New York, Belmont Mansion in Nashville, the Amon Carter Museum in Fort Worth, the Maryland Historical Society in Baltimore, the Washington County Museum of Fine Arts in Maryland and the Museum of the City of New York. Calyo was born in Naples, Italy, where he studied art at the Royal Academy. After some time travelling in Europe (he apparently lived briefly in both Malta and Spain) he emigrated to the United States in about 1830, setting up a studio initially in Baltimore. He left for Philadelphia and the north in about June 1835, arriving in New York in time to record the disastrous Great Fire of 16 and 17 December 1835 (two of the resulting pictures were later reproduced in aquatint by by William James Bennett [1789-1844]). Calyo subsequently made New York his home and the city directories from 1838 to 1855 all list him as either a 'portrait and landscape painter' or a 'professor of painting.' By the late 1840s his Italian-born son John A. Calyo (1818-1893) had joined him and they advertised as 'N. Calyo & Son,' historical painters and teachers. The original reason for his leaving Italy had been political, and given this background it is not surprising to find that his New York home became a gathering place for other European exiles (including the future Napoleon III [1808-1873]). Calyo apparently made one significant return visit to Europe, when he travelled to Spain (where he worked as Court painter to Queen Maria Cristina [1806-1878]), but he returned to New York in 1874 and remained there for the rest of his life. Calyo is best known for the watercolour and gouache views of American cities and landmarks (such as the present work) but he also painted scenes taken from the Mexican War of 1846-1848 and an enormous forty-foot panorama of the Connecticut River. He exhibited paintings at American Society of Painters in Watercolor in New York between 1867 and 1869. The style he employs is quite distinctive among American artists, and as Kathleen Foster notes, his Italian training 'dominates his method . . . conditioning his liberal use of gouache, which imparts an opaque, slightly chalky surface to his work, setting it apart from the English style of transparent watercolor more familiar to American artists of that period.' (Kathleen Foster in Philadelphia: Three Centuries of American Art [Philadelphia: Philadelphia Museum of Art, 1976], p. 300) Literature : G.-G. Deak Picturing America ,1988 J. Poesch The Art of the Old South , 1983 S.K. Johnston American Painting 1750-1900 , 1983 R.J. Koke American Landscape/Genre Paintings in the New York Historical Society, 1982 T.E. Stebbins American Master Drawings and Watercolors , 1976. Original watercolour and bodycolour, within a thick black line border, with and integral outer 'frame' of grey wash, the title inscribed in white on this gray wash 'frame'. Gilt frame. [Attributes: Hard Cover]

      [Bookseller: Donald A. Heald Rare Books (ABAA)]
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        Sammlung auserlesener Lieder mit Begleitung der Guitarre.

      Wohl Österreich, um 1830. - Deutsche Handschrift und Notenhandschrift. Tinte auf Papier. (1) Bl. Widmung, 106, (1) SS. Schöner klassizistischer Halblederband der Zeit mit goldgepr. grünem Lederrücken; die Deckel bezogen mit strukturiertem kobaltblauem Papier mit attraktiver goldgepr. Schmuckordüre; am Vorderdeckel mittig goldumkränzte rote Auflage mit goldgepr. Deckeltitel "Auserlesene Lieder mit Begleitung der Guitarre". Stehkantenvergoldung. Vorsätze aus altrosafarbenem Lackpapier. Dreiseitiger Goldschnitt. Qu.-8vo (222:143 mm). Schöne handschriftliche Sammlung des nicht näher nachweisbaren, wohl österreichischen Gitarrenspielers und Lieddichters, der sich am Widmungsblatt nennt: "Zum Andenken von Franz von Erlach". Die 36 notierten und mit mehrstrophigem Text niedergeschriebenen Lieder aus eigener und fremder Feder sind betitelt "Hedwigs Klage", "Heysa, juhe" (Ariette aus dem tragisch-komischen Original Zauberspiel: Moisasuras Zauberfluch v. Ferd. Raimund. Musik v. eben demselben)", "Die Harfenistin (Erzählung von Lafontaine)", "Aria aus der Schweizer Familie", "Der glückliche Mann", "Schäferlied", "An den Abendstern", "Des Jünglings Klage", "An den Mond (Duetto)", "Liebesklage", "Lied aus der Ferne", "Die Rose", "Die drey Reiche der Natur", "An die Geliebte", "Wenn die Hoffnung nicht wär", "Hektors Abschied von Andromache", "Das Schweitzer Heimweh", "Liebeserklärung", "Der Geisbock und die Todtenbeine", "Mein Garten", "Lied eines österreichischen Landwehrmanns auf Piquet", "Einladung zur Kirchweih (in Baierischer Volksmundart)", "Wiegenlied (v. Körner)", "Der Greis an seine Jugendjahre", "Liebesempfindungen", "Der Schlosser und sein Gesell", "Der Fremdling", "Abschied von der Heimath", "Der Arzt", "Das Schöne", "Sehnsucht um den Geliebten", "Das Nichts", "Die reine Liebe", "An Elise", "Das Echo" und "Liebes-ABC"; nach einem Gesamtregister folgt noch der Text eines Lieds "Der Zigeunerbube im Norden". - Durchgehend etwas gebräunt bzw. braunfleckig; Innengelenke angeplatzt; Ecken minimal bestoßen, sonst von sehr schöner Erhaltung. [Attributes: Hard Cover]

      [Bookseller: Antiquariat INLIBRIS Gilhofer Nfg. GmbH]
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        "Observations on the state of historical literature, and on the society of antiquaries, and other institutions for its advancement in England; with remarks on record offices, and on the proceedings of the record commission."

      London: William Pickering. 1830. "Accompanied by: Refutation of Mr. Palgrave's ""Remarks in Reply to 'Observations on the State of Historical Literature.'"" London, Pickering, 1831. Together, 2 volumes, 8vo, uniformly bound by Riviere in half green morocco and marbled boards, spines gilt in 6 compartments, marbled endpapers; light rubbing to bindings, mainly at edges, else a very good set."

      [Bookseller: Rulon-Miller Books]
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        "Ansicht von Hamburg". Gesamtansicht vom Hafen aus mit Michaelis- und Nikolaikirche, umgeben von 16 Teilansichten.

      . Lithographie, anonym, um 1830, 33 x 46 cm.. Die hübschen Ansichten zeigen die wichtigsten Kirchen, Dammtorstrasse, Badhaus an der Alster, Wilheminenbad, Stintfang, Jungfernstieg, Mariannenruh u.a. - Kleine Randeinrisse sorgfältig hinterlegt, sonst sauber und frisch. Seltenes und frühes Souvenirblatt!

      [Bookseller: Peter Bierl Buch- & Kunstantiquariat]
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        Chemnitz. - Gesamtansicht. - Gustav Wunderlich. - "Ansicht von Chemnitz vom Kassberg aus".

      . Radierung / Umrissradierung, alt aquarelliert, Blattrand hellbraun laviert, um 1830. Von Gustav Wunderlich. 33,7 x 46,5 cm (Darstellung) / 41 x 52 cm (Blatt). In der Platte links unter der Darstellung signiert: "Nach d. Nat. gez. u. gest. v. G. Wunderlich." Mittig betitelt sowie mit Widmung versehen: "Einem hochedeln Rath und biedern Bewohnern hochachtungsvoll gewidmet von G. Wunderlich." Verso diverse Notationen in Bleistift. - Sehr schöne Vedute in kräftigem Kolorit. - Schmaler Rand um den Tuschrahmen. Stellenweise wenig auffällige Fleckchen. Insgesamt guter Erhaltungszustand. Gustav Wunderlich (1809 Meißen - 1882 Dresden). Eigentlich Carl Gustav Wunderlich. Deutscher Landschaftszeichner, Radierer und Lithograf. Ab 1826 Schüler der Landschaftsklasse der Dresdner Kunstakademie. Parallel entstanden bereits frühzeitig erste Radierungsfolgen zu sächsischen Landsleuten und umliegender Sakralarchitektur. Mit mehreren architektonischen Landschaftszeichnungen und Aquarellen war Wunderlich 1851 und 1876 auf der Dresdner Kunstausstellung vertreten. Seit 1838 als Zeichenlehrer am Freimaurerinstitut in Dresden tätig..

      [Bookseller: Galerie Himmel]
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        Ober Steyermark Bruck an der Muhr".,

      [Wien, Adolph Kunike], o. J. (um 1830). - Schöne Ansicht von Bruck an der Mur aus Kunikes „Malerische Ansichten von Österreich, Steyermark, Kärnten, Krain, Salzburg und Tyrol". - Die breiten Ränder bestoßen u. mit Knickspuren. Etw. stockfleckig. - Nebehay/W. 333, 99. Sprache: ge Gewicht in Gramm: 1000 Orig.-Lithographie von F. Wolf nach Adolph Kunike. Blattgröße 41,5 x 55 cm; Darstellung 25 x 34 cm. [Attributes: First Edition]

      [Bookseller: Antiquariat Wolfgang Friebes]
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        "Ober Steyermark Bruck an der Muhr".

      [Wien, Adolph Kunike], o. J. (um 1830).. Orig.-Lithographie von F. Wolf nach Adolph Kunike. Blattgröße 41,5 x 55 cm; Darstellung 25 x 34 cm.. Schöne Ansicht von Bruck an der Mur aus Kunikes "Malerische Ansichten von Österreich, Steyermark, Kärnten, Krain, Salzburg und Tyrol". - Die breiten Ränder bestoßen u. mit Knickspuren. Etw. stockfleckig. - Nebehay/W. 333, 99.

      [Bookseller: Antiquariat Wolfgang Friebes]
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        "Die Trendelburg am Dymelstrohm in Kurhessen". Schöne Gesamtansicht mit der Diemel links, im Vordergrund Garten mit Ziegen und Hund.

      . Kupferstich von L. Schütze nach G. Stietz, um 1830, 32 x 44,5 cm..

      [Bookseller: Peter Bierl Buch- & Kunstantiquariat]
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        Matrimonial Ladder, or Such things are!

      London: W. Marshall, 1830. Paper pastedown, cloth. Very Good. Twenty hand-colored lithographs, including title and concluding vignette. 8vo. 21 by 14 cm. Five plates are watermarked 1825 and Thomas McLean, who issued the same book five years prior to Marshall, making this a mixed state. (Presumably Marshall would have bought these plates from McLean, while restriking the remaining plates.) Scarce, in any event, in any edition or state. The work may have been inspired by the divorce proceedings by George IV against his wife, Caroline from a decade earlier, and in keeping with that, the sympathies of the caricaturist clearly lies with the wife. The binding is heavily worn. Foxing to the prelims. Clean otherwise.

      [Bookseller: White Fox Rare Books and Antiques]
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        "Ansicht der Stadt Adorf im Voigtland". Blick von einem Hügel auf die Stadt, im Vordergrund großes Weizenfeld.

      . Altkol. Umrißradierung von S. Melzer, um 1830, 23,5 x 47 cm.. An drei Seiten knapprandig, Kolorit im Himmel minimal überarbeitet. Sehr seltene Ansicht.

      [Bookseller: Peter Bierl Buch- & Kunstantiquariat]
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      Ed.Juan i Jaime Gaspar - Barcelona. 1830. 16.5 x 10.5 cm. 304 + 336 + 324 + 334 + 264 + 424 + 220 + 230 + 336 pág. Pasta española Precedida de un bosquejo preliminar de la Revolución Francesa. Traducida libremente al español por M.L.y adornada con dos láminas, consta de 9 volumenes. Magnifica Obra de la Vida de Napoleon.Difícil en comercio.Ref 8.5 Biblioteca A. [Attributes: Hard Cover]

      [Bookseller: Libreria Anticuaria Marc & Antiques]
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      Derby, Thomas Richardson, circa 1830.. containing the most esteemed methods of angling for every species of Pond and River Fish, a description of the proper baits for each, with the means of procuring them; and directions for the choice of tackle; comprising also original and interesting information in all the principal branches of the art. FIRST EDITION circa 1830, 12mo, approximnately 190 x 100, 7½ x 4 inches, 3 panel folding hand coloured frontispiece, uncoloured vignette on title page, 24 pages, bound in modern quarter calf over marbled sides, gilt dividing line, gilt rules and gilt lettered morocco label to spine (originally issued in wrappers which are missing). Closed tear to frontispiece and small split on 1 fold, expertly repaired on reverse and hardly noticeable, slight browning to fore-edges, occasional fox spot, otherwise pages in very nice condition. A very good copy of an ephemeral angling item. Westwood & Satchell, page 13. The very attractive frontispiece is by Orlando Jewitt, it is brightly hand coloured and shows 12 species of fish, 9 types of fly and has a vignette of anglers in the centre. It has the Richardson imprint underneath the image. MORE IMAGES ATTACHED TO THIS LISTING, ALL ZOOMABLE. FURTHER IMAGES ON REQUEST. POSTAGE AT COST.

      [Bookseller: Roger Middleton]
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        Blick auf einem Efeu bewachsenen Pavillon über den Rhein auf die Stadt und die Ruine Godesberg.

      . Lithographie auf China bei Henry & Cohen, um 1830, 23,5 x 30,5 cm.. Der sehr breite Rand gering stockfleckig. Sehr selten.

      [Bookseller: Peter Bierl Buch- & Kunstantiquariat]
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        "Regensburg". Gesamtansicht über die Donau, links die Steinerne Brücke und der Dom.

      . Lithographie "aufgenommen und auf Stein gezeichnet von Ferdinand Stademann", gedruckt von J. Lacroix, um 1830, 29,5 x 42 cm.. Lentner 9995. - Gesamtansicht in Oval mit ornamentaler Umrandung. Im unteren Rand mit dem Vermerk "Zu finden in München bei dem Verfertiger, Theresienstrasse No. 582". - Ränder gering unfrisch und mit sorgfältig geschlossenem Randeinriss. - Sehr selten.

      [Bookseller: Peter Bierl Buch- & Kunstantiquariat]
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        "Königl. Landhaus Rosenstein".

      . Altkol. Lithographie von Fleischhauer bei Ebner, Stuttgart, um 1830, 14 x 18 cm.. Schefold 8668. - Feines Altkolorit; in altem Biedermeierrahmen.

      [Bookseller: Peter Bierl Buch- & Kunstantiquariat]
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        Designs for Ornamental Villas

      James Carpenter, London 1830 - Quarto, lithograph title and 96 lithograph plates; possibly lacking additional letterpress title (?), lithograph title foxed and minor foxing to some early plates, but otherwise a very attractive copy in modern quarter calf. Third edition of this classic architectural pattern book. Robinson (1776-1858) was a prolific and versatile designer of country mansions and picturesque cottages. In the present work he provides sixteen designs, some of which were executed, for twelve residences, two lodges, a garden house, and stables. "The range of styles represented perhaps was the most eclectic in British architectural literature to date" (Archer): Swiss, Grecian, Palladian, Old English, Castellated, Ancient Manor House, Modern Italian, Anglo-Norman, Henry VII, Elizabethan, Ancient Timber, and Tuscan. Each design is illustrated in plan, elevation, and 'Scenic View'. Most of the scenic views were drawn on stone by J.D. Harding and printed on India paper. Of course Robinson's promotion of the cottage orné proved influential in Australia, where it became a popular architectural style with colonial architects (see Broadbent, The Australian Colonial House, p. 354).

      [Bookseller: Hordern House Rare Books]
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        Laurie's New Plan of London and its Environs, Comprising the New Buildings and Recent Improvements Being an Original Survey by John Outhett. 1830.

      1830 - London: Richard Holmes Laurie, 1830. Original colour. Dissected and laid on linen as issued, total 660 x 830mm. Splits to linen reinforced on verso. Detailed plan of London, extending to Hyde Park in the west clockwise to Hampstead, Stoke Newington, Hackney Marshes, The East India Docks and the Isle of Dogs, Greenwich, Camberwell and Battersea. Of interest is the development of Chelsea, Belgravia & Pimlico, with the layout of Eaton Square (begun 1827), and the new development of 'Portland Town', houses built for the working classes in what is now St John's Wood. Both Lambeth Bridge and the Thames Tunnel are shown as 'proposed'. HOWGEGO: 283, state 5 of 7.

      [Bookseller: Altea Antique Maps]
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        Die Singakademie in Berlin. L'Academie de chant a Berlin.

      . altkol. Aquatinta v. Thiele n. Mauch b. Wittich in Berlin, um 1830, 12 x 16,7. Kiewitz, Nr. 839; Ernst, Eduard Mauch jun., Nr. 1. Blick auf die Singakademie, links das "Kastanienwäldchen". - Das heutige Maxim-Gorki-Theater wurde 1827 durch den Schinkelschüler Ottmer errichtet. - Rechts daneben das Finanzministerium.

      [Bookseller: Antiquariat Nikolaus Struck]
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        Die Marschalls - Brücke in Berlin - Le POnt Marschall a Berlin.

      . kol. Aquatinta v. Laurens et Thiele n. Calau b. Wittich in Berlin, um 1830, 12 x 16,7. Kiewitz, Nr. 312, Ernst, Calau, Nr. 186. - Die Marschallbrücke ( nach Feldmarschall von Blücher ) verbindet die Wilhelmstrasse mit der Luisenstrasse. Der Stich zeigt die 1822 fertiggebaute Brücke ( nach Schinkels Entwurf ). Sie wurde um 1880 abgebrochen und durch einen Neubau ersetzt wurde,

      [Bookseller: Antiquariat Nikolaus Struck]
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        Schwerdgeburth, Carl August. - Porträt eines Knaben mit einem Hund.

      . Zeichnung / Kohle & Pastellkreide, weiß gehöht, auf braunem Papier, um 1830. Von Carl August Schwerdgeburth. 22,0 x 17,5 cm (Darstellung / Blatt) / 35 x 29 cm (Passepartout). Von ausgesuchter zeichnerischer Qualität. - Alt in Passepartout mit Goldeinlage montiert. Schwache Kratzspuren innerhalb der Darstellung. Sonst guter Erhaltungszustand. Carl August Schwerdgeburth (1785 Dresden - 1878 Weimar). Auch Karl-August Schwerdtgeburth. Deutscher Maler, Zeichner und Kupferstecher, Vertreter des Biedermeier und der deutschen Romantik. Er war Hofkupferstecher des Herzogs von Sachsen-Weimar-Eisenach. Weit bekannt sind heute sein Kupferstich-Porträt von Johann Wolfgang von Goethe und eine Stahlstich-Folge über das Leben von Martin Luther. Er galt als vorzüglicher Porträtist; seine Pastellbildnisse waren in der Weimarer Gesellschaft beliebt..

      [Bookseller: Galerie Himmel]
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      Paris, Librairie de gide fils, about 1830.. 4°, Halbleder. Small oblong quarto, contemporary calf backed boards with original cover, hinges cracked. ILLUSTRATED WITH 60 ENGRAVED PLATES with accompanying text. Wanting the plate 27, spine damaged, some spotting and signs of use. A rare children's geography with some plates in aquatint including 6 Australian scenes from J. H. Clark's Foreign Field Sportsof Whaling. Although somewhat soiled, a usable copy of this scarce title.

      [Bookseller: Antiquariat an der Universität München]
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        The Wooden Walls of England, with Explanatory References

      London: John Passmore, ca. 1830 Edition Unknown. A good copy; some small marginal chips; two small clean tears (no loss) into illus..; old paper reinforcement along fold; tide mark into text. b'dside.. A large colored eng. of a ship across the top half of the broadside. A dramatic broadside with a large colored eng. illus. of English battle ships. The broadside identifies each part of the ship and its rigging. The illus. meas. appx. 9 x 15 inches. The boadside meas. appx. 18 x 23 inches. In addition to the blemishes noted there is a half inch of what appears to be masking tape residue along the outer part of the blank margin verso for the length of the top edge (there is, however, no burning or staining).

      [Bookseller: Palinurus Antiquarian Books ]
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        The Life and Correspondence of the Late Admiral Lord Rodney.

      . 2 vols. London: John Murray 1830. With engr. portrait, 2 signatures and 2 battleplans. XXIV + 472; XVI + 436 pp. Contp. half calf, spines and corners bumped and rubbed. Titlepage of vol. 1 with ink stains..

      [Bookseller: Peter Grosell, Antiquarian Bookseller]
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        Mit hoher Präsidial-Bewilligung wird T. V. Schatral heute die Ehre haben sich mit mechanischen Tafel-Künsten zu produzieren.

      No place, c. 1830. - 4to (155:189 mm). Broadsheet with woodcut border. Very rare announcement of a biographically unrecorded magician, once T. v. Schatral, with a vivid description of the tricks he proposes to show. Edges with insignificant defects (closely remargined at right and left edges).

      [Bookseller: Antiquariat INLIBRIS Gilhofer Nfg. GmbH]
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        Arabic Proverbs, or the Manners and Customs of the Modern Egyptians.

      London, John Murray, 1830.. Small folio (223 x 280 mm). VII, (1), 232 pp. With folding engr. map. Contemp. half calf with marbled covers, gilt spine bands and giltstamped green morocco spine label. All edges marbled.. First edition of this groundbreaking trove of 782 Arabic proverbs in the original Arabic, including English translations and (sometimes extensive) explanations of their meaning. They are in part drawn from a coleection assembled by the Egyptian scholar Shered ad-Din Ibn Assad, as well as from Burckhardt's own observation "as he heard them quoted in general society or in the bazar [...] These sayings are useful, as they serve to show us how the Arabs judge of men and things, and in this respect it must be acknowledged that many are dictated by wisdom and sagacity. Several Scriptural sayings and maxims of ancient sages will be found here naturalized among Arabs; as well as some Proverbs which have generally been supposed of European origin" (preface). - The Swiss explorer Burckhardt (1784-1817) travelled through Syria, Jordan, Egypt, Nubia, and the Arabian Peninsula. Disguised as an Arab, he crossed the Red Sea to Jeddah under the name "Sheikh Ibrahim", passed an examination on Muslim law, and participated in the pilgrimage to Mecca and Medina. All his notes werde made clandestinely. He died in Cairo and is buried there in the Muslim cemetery. He left his 350-volume library to Cambridge University; his diaries were acquired by the Royal Geographical Society. - Published under the authority of the "Association for Promoting the Discovery of the Interior of Africa". From the library of the British Conservative politician Arthur Thomas Loyd with his bookplate and pencil ownership on front pastedown. - Calf somewhat rubbed at extremeties, folding map slightly browned, otherwise well preserved. - Howgego II, B76. Henze I, 407. Weber I, 170. Gay 1963.

      [Bookseller: Antiquariat Inlibris, Gilhofer Nfg. GmbH]
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      . Markt Schladming. Obersteyermark. Kolorierte Lithographie v. A. v. Saar aus Kunike "Malerische Ansichten von Österreich" Wien um 1830, 25,5 x 35,5 cm - wir garantieren für die Echtheit. Nebehay-W. 333 / 95.-

      [Bookseller: Kunsthandlung Johannes Müller]
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        "Die K. Bayer: Stadt Spalt im Rezat Kreise". Gesamtansicht von einer leichten Anhöhe aus, im Vordergrund Ernteszene, umrahmt von einer breiten Bordüre mit Hopfendolden und -blättern.

      . Kupferstich bei Fr. Campe, Nürnberg, um 1830, 21,5 x 33,5 cm.. Nicht bei Lentner. - Sehr seltene Ansicht in einem breitrandigen, tadellos erhaltenen Exemplar.

      [Bookseller: Peter Bierl Buch- & Kunstantiquariat]
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