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Displayed below are some selected recent viaLibri matches for books published in 1830

        Raupenkalender oder systematisches Verzeichnis aller Raupen, welche in Deutschland bekannt sind.

      . Frankfurt am Main, P. H. Guilhauman, 1830. 8vo. xxx, 400 pp., six hand-coloured engraved plates. Contemporary paper-covered boards, blind label on spine.* With clear and bright illustrations of caterpillars. Uncut. As usual some light browning in the text, and the fore edge of some plates. Small stamp in the lower margin of the title page, otherwise a very good clean copy. Rare. Horn-Schenkling, 19719..

      [Bookseller: Dieter Schierenberg BV]
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        Raupenkalender oder systematisches Verzeichnis alter Raupen welche in Deutschland bekannt sind

      Guilhauman Frankfurt 1830 - Ebd Hlb Leder der Zeit mit kleinen Lederecken;, marmoriertes Papier auf Deckel; Ebd leicht berieben, Ecken bestossen; Name gedruckt auf geklebtem Papier am Vorsatz (Major am Stein); am letzten Vorsatz, bibliographische Eintragungen in alter Schrift;( 194 x 115mm). pp. xxx, 400 Seiten ; Buchblock papierbedingt leicht gebräunt und in sehr schönem Zustand; 6 kolorierte Tafel am Ende des Buches in schöner Frische; [Attributes: First Edition; Hard Cover]

      [Bookseller: Magnus]
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        Oeuvres de M. Ballanche de l'Académie de Lyon. [Tome I : Antigone. L'homme sans nom. Élégie. Fragments. Tome II : Essai sur les Institutions sociales. Le vieillard et le jeune homme. Tome III: Essai de Palingénésie sociale. Prolégomènes. Tome IV : Essai de Palingénésie sociale. Orphée].

      - Paris & Genève, J. Barbezat, 1830. 4 volumes in-8, demi-veau havane, dos lisses ornés de filets dorés, titres dorés (pet. accrocs aux coif. sup.), 512 p.; 516 p.; 415 p. et 535 p. Première et unique édition collective des oeuvres de Ballanche donnée par lui-même, accompagnée de préfaces nouvelles et de notes. L'une des oeuvres fondatrices dans l'histoire des idées et des doctrines politiques et littéraires au XIXe s. Rousseurs plus soutenues à certains cahiers. Le premier volume est en reliure moderne, les trois suivants en reliure de l'époque.

      [Bookseller: Librairie HATCHUEL]
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        The Life of Reginald Heber, by His Widow. with Selections from His Correspondence, Unpublished Poems, and Private Papers; Together with a Journal of His Tour in Norway, Sweden, Russia, Hungary, and Germany, and a History of the Cossacks - [2 Volumes]

      New-York, Protestant Episcopal Press 1830 - Description: 2 v. Front. (port. ) 23 cm. Uninked, impressed stamp to the title page. Related Names: Heber, Amelia Shipley. Finely bound both in half modern gilt-blocked polished calf-covered marble boards. A remarkably well-preserved set and highly uncommon. Scans and additional bibliographic details on request. 2 Kg. 1 pp. [Attributes: First Edition; Hard Cover]

      [Bookseller: MW Books Ltd]
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        Petrus et Paulus

      Munich 1830 - Image Size : 24x18.5 (Inches), Platemark Size : , Paper Size : 28x21.5 (Inches), Hand Colored, lithograph

      [Bookseller: Alexandre Antique Prints, Maps & Books]
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        VIEW OF HERNE BAY, SHOWING THE PROPOSED PIER AS DESIGNED BY THO.s TELFORD Esq. F.R.S. L.and E. A Company has been formed for the erection of the above Pier at Herne Bay situated 15 miles on this side of Margate, to be incorporated by Act of Parliament. - Capital œ50,000. in Shares of œ50. deposits œ2 each Share. - Prospectuses Etc. may be had of the Directors or of the Solicitors to the Company, mess., Clift and Fisher, 23 Red Lion Sq., and Mr Peirce Burgate Canterbury. N.B. This Pier will extend into the Sea 3,000 feet and will be 30 feet wide - The Pier Head will be 220 feet long with an inclined Plain on each side of 20 feet in width, for the landing of Passengers, Carriages, etc., at all times of the Tide.

      R. Cartwright Litho. 1 Warwick Place. n.d. but c. 1830 - Lithograph printed on india paper, 17 x 12 inches. Some slight foxing but a fine copy with good margins. A delightful imaginary view of Telford's proposed pier taken from the sea looking at the coast with the infant town of Herne Bay undeveloped in the middle distance. A windmill stands near the beach and another in the background. The coastguard station with its flagpole also stands on the shore and some 20 or 30 houses dot the foreshore. At the pier head are two paddle-steamers discharging passengers from London. With the coming of the Canterbury and Whitstable Railway in 1830 the way was open for the development of nearby Herne Bay as a watering place. With the Railway offering fast and efficient communication with Canterbury, the opportunity to usurp Margate as a major tourist resort was pivotal on a pier, thus speculative investment schemes were proposed to build such a pier. The respected name of Telford added considerable weight to this proposal's success; and the pier was built nearly exactly as here shown and was opened in 1833. A very rare view of considerable historical and topographical interest. PRINTS/MAPS HERNE BAY KENT PRINTS 19TH CENTURY THANET ARCHITECTURE- TOPOGRAPHY TOWNS- PRINTS/MAPS

      [Bookseller: Marrins Bookshop]
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        Plate 105, Profilo di una Nave antica di marmo.

      Paris 1830 - John Wilton-Ely plate 1000The watermark present is number 93 in John Wilton-Ely on page 1182 and is dated in the 1830s Giovanni Battista Piranesi was one of the leading figures in the development of the neoclassical style in the late 18th Century. As architect, archaeologist, artist, designer, collector, and antiquities dealer, he produced a series of etchings and engravings depicting the glories of ancient Rome. These fine prints served as source material for other architects and designers. He was born in Venice on the 4th October 1720. The son of a stone-mason, he was educated as an architect under his maternal uncle Matto Lucchesi and under Carlo Zucchi. In 1740 Piranesi left Venice for Rome, there he studied etching under Giuseppe Vasi. He appears to have had little success in these early years in Rome and as his father was unable to continue his allowance returned to Venice in 1744. He was soon, however, encouraged to return to Rome by Giuseppe Wagner, a successful engraver and publisher of Venice. This time he achieved success, and a constant series of works, illustrating architecture and antiquities, issued from his studio until his death in 1778. His output in etched plates is enormous (about 1000 numbers in all). While he achieved a work of magnitude in pictorial records of Roman monuments of antiquity and of the Renaissance, and gave immense archæological, antiquarian, and topographical value to this work, the artistic quality always predominates. He was fond of peopling his ruins with Callot-like figures, and \"like Callot makes great use of the swelling line\" (Hind). He had two sons and a daughter, all of whom helped him in his work and after his death carried on his publications in Rome and Paris. They were Francesco (born 1748 or 1756; died 1810), Pietro (who lived till after 1807) and Laura (born 1750). His position in Rome and in Europe after 1760 was a prominent one. He was well-known figure to the wealthy English visitors in Rome and was elected a Fellow of the Society of Antiquaries in 1757. Most of his life was passed in Rome, etching, writing, publishing, and directing a workshop in which the restoration and sale of antiques played a considerable part.He was famous for his poetic views of Rome and also his fantastic imaginary interiors. His skills, allied to his deep knowledge of archaeology, provided the substance for his Vedute (Views), a series of 135 etchings of ancient and contemporary Rome, published from 1745 onwards, which established the popular mental image of the city. Vasi.et Ornamenti Antichi was a collection of 110 etchings documenting large sculptural vases, together with other antiquities excavated (and in some cases created) in Italy in the 18th century. The prints were initially separately issued and sold by Piranesi over a period of several years and subsequently collected in two folio volumes, each with its own title page, in 1778. They illustrate a wide range of genuine antiquities, as well as Piranesi\'s own collections, from utilitarian objects such as cinerary urns, lamps, and sarcophagi to monumental vases. The plates in Vasi often included text by Piranesi with information about where the objects were discovered and their contemporary location, and the prints bore dedications to his patrons, colleagues, visitors and influential people. He believed absolutely in the supremacy of Roman over Greek architecture, an argument he expounded most forcefully in his Della magnificenza ed architettura dei Romani (On the Magnificence of Roman Architecture, 1761). his romanticized views and imaginary interiors had a profound effect on stage designers, painters of capricci such as Hubert Robert, and even writers: William Beckford, the author of the Gothic novel and Vathek . In the 20th century his imaginary interiors have been admired by the Surrealists . Reference: John Wilton-Ely. Giovanni Battista Piranesi: The Complete Etchings. San Francisco: Alan Wofsy Fine Arts, 1994. 2 volumes. Chapter

      [Bookseller: Alexandre Antique Prints, Maps & Books]
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        Histoire Naturelle des Colibris, Suive D'un Supplément a L'Histoire Naturell des Oiseaux- Mouches

      Paris: Arthus Bertrand. G+ : in Good condition plus. Cover with minor joint rubbing. Scattered browning and some spotting occasionally affecting a plate. Illustrations bright. Aeg. Signature on ffep of 'Douglas & Clydesdale'. [1830]. First Edition. Green leather gilt decorated cover. 240mm x 150mm (9" x 6"). x, 196pp. 66 hand coloured tissue guarded engraved plates. .

      [Bookseller: Barter Books Ltd]
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        ALBUM VERSES, WITH A FEW OTHERS

      London: Edward Moxon, 1830.. vii,[1],150,[1]pp. Small octavo. Full olive green straight-grain morocco, gilt extra, a.e.g., by Tuckett, "Binder to the Queen." Pictorial vignette on title. Some occasional modest foxing, joints and extremities rubbed, with small crack at top of upper joint, otherwise a very good copy, enclosed in a silk-lined full morocco clamshell box (a bit rubbed). First edition of this collection, among the first books to appear under Moxon's imprint. A delightful association copy, inscribed on the blank prelim: "To Miss E. Hamilton as a parting token of Friendship from Wm. Wordsworth 16th August 1830 Rydal Mount." With the ownership signature in the top margin of the title of "A. Hamilton." It would seem possible, if not probable, that the recipient was the Irish poet Elizabeth Mary Hamilton, sister of Wordsworth's close friend, mathematician and astronomer William Rowan Hamilton. Elizabeth visited Wordsworth in her brother's company during the summer months of that year. Elizabeth Hamilton is recipient of meaningful praise as a poet in O'Donoghue. With the bookplate of Frank Bemis. LIVINGSTON, p. 169ff. O'DONOGHUE, p. 94.

      [Bookseller: William Reese Company - Literature ABAA-]
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        Turner Remer Family Bibles 1790-1973

      Philadelphia: Jesper Harding / Holman. Very Good with no dust jacket. 1830. Unknown. Hardcover. 1830 Unknown Hard brown leather board Book very good No jacket No PO marks Pair of family Bibles from the Remer Turner family of Urbana, IA. The first of these leather bound Bibles is a Jesper Harding of Philadelphia. It has been partly rebound Color frontis--Cedars of Lebnon. As dated 1858 but family history begins in 1830 The second heavily embossed leather bible by Holman Philadelphia, with Concordance, is dated 1877 and family hsitory through 1976 It has an engraved frontis with tissue--David Mourning Absolom 14pounds; 4to - over 9¾" - 12" tall .

      [Bookseller: WoodcrestBooks]
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        Description of a View of the Town of Sydney , New South Wales; the Harbour of Port Jackson, and surrounding country; now exhibiting in the Panorama, Leicester-Square. Painted by the Proprietor, Robert Burford

      London: J. and C. Adlard, 1830. Octavo pamphlet of 12pp., with folding lithograph measuring 275 x 395 mm., fine in recent grey paper boards. "The view from this place is bold, varied and beautiful" Rare and historically important depiction of Sydney Town. This booklet describes and illustrates the Sydney Town view exhibited in London at Robert Burford's panorama in the Strand. It includes a lithograph of the panorama as a line drawing in two courses, with accompanying text specifically describing buildings and points of interest (including places of Aboriginal significance). The panorama is based on original landscape watercolours by Augustus Earle. In February 1827 Earle painted a series of panoramic watercolours of Sydney from Palmer's Hill, which he then dispatched to Robert Burford in London. In this booklet, Burford notes how Earle's studies were enriched with commentary by Henry Dumaresq, formerly private secretary to Governor Darling, who had returned to England during 1827: 'The present Panorama was taken from the highest part of the government domain, the drawings were made by Mr. Earle, under the inspection of Lieutenant Colonel Dumaresq, by whom they were brought to England, and to whom R. Burford takes this opportunity of making his acknowledgements for the polite attention he has obtained from him in the progress of the painting. The view from this place is bold, varied and beautiful…' Earle was an important figure in colonial Australian landscape art and the development of lithographic printing in the colony, as noted in {i Australian Rare Books}:{i }'Earle's importance in the history of Australian art and in the development of lithographic art in Australia is such that every serious collection should have some example of his work'. Given the panorama no longer survives, and was important in disseminating information about New South Wales to the public in England, this booklet with its lithographic plate is considerable historical interest. The panorama opened in the Strand and later moved to improved premises at Leicester Square. Naturally illuminated with a large skylight, the panorama was open during daylight hours and its success depended upon the quality of natural light afforded by the weather (not surprisingly, foggy London weather producing underwhelming results). Altick notes that the duration of any one panorama was variable, but Burford typically exhibited scenes for about 12 months during that late 1840's. The business closed in 1863, eclipsed by the new art of photography that captured the exotic in an altogether different way (see {i The Shows of London }pp. 137-140). The booklet was first printed in 1829 and this issue with the title-page dated 1830 is substantially unchanged. Both are rare.

      [Bookseller: Hordern House Rare Books]
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        The American Journal of Science and Arts, Volumes 17-29 (1830-1835)

      New Haven: Hezekiah Howe and A.H. Maltby. (1830-1835). First. Magazine. Volume 17 (bound in contemporary half morocco and marbled papercovered boards); Volumes 18-29 (bound in 6 full linen cloth volumes). Octavos. Illustrated with engraved and lithographic plates and maps, many folding, and many hand-colored. Ex-library set with gilt spine titles and ink stamps on the front pastedowns and title pages; volumes 20-29 with the original printed wrappers tipped-in. Scattered foxing and an old dampstain to part of the bound volume for 1832, good. A consecutive 13-volume run of "Silliman's Journal," devoted to the publication of original papers and reviews in the natural and physical sciences. Owned and edited by Benjamin Silliman, professor of chemistry and natural history at Yale College, it was the world's leading scientific journal in the first half of the 19th Century. The set features Silliman's printed correspondence with distinguished scientists throughout the world; and numerous papers on American geology, topography, botany, and zoology. A good, sound set, with many large folded topographical maps in fine condition. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        Tales of the Classics: a new delineation of the most popular fables, legends, and allegories commemorated in the works of poets, painters, and sculptors. Selected and written by a lady, for the amusement and instruction of her own daughters.

      London: Henry Colburn and Richard Bentley, 1830. - This is a an exhaustive survey of Greek mythology, intended "as a useful and not inelegant manual, for the purposes of education in schools and families; besides forming a compendium suited to the cabinet or study of the amateur of the fine arts, and an interesting vade mecum for the young traveller in his tour through Italy and other countries of classic interest." It is dedicated to the future Victoria, then a child of eleven, and with the death of her uncle George IV and the accession of his brother William Duke of Clarence, the presumptive heir to the British throne. The name of the author is unknown, though she is clearly educated and literature. The dedication is dated Wadlands, July 1829. Three volumes in one, large twelvemo xxiv, 302; iv, 302; iv, 370 pp. Nineteenth-century half red morocco over decorative boards, gilt spine. Some rubbing and a few scuffs to binding extremities. A very good copy of a scarce set. First edition Wolff 7652. Block, p. 232. OCLC lists a dozen copies in North America. [Attributes: First Edition; Hard Cover]

      [Bookseller: Michael R. Thompson Books, A.B.A.A.]
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        Costumes Belgiques anciens et modernes, militaires, civils et religieux.

      À LA LITHOGR. ROYALE DE JOBARD, BRUXELLES 1830 - Titre-ii-[99 ff.]-iv pp., 122 (sur 124) pl. ). Avec un titre illustré et 122 lithographies hors texte légendées et numérotées. L'ouvrage fut publié de 1825 à 1830 en 25 livraisons de 5 planches et 1 feuille de texte, soit en noir, soit coloriées, soit miniaturées. La plupart des planches furent dessinées par Madou et Van Hemelrijck et quelques-unes par Bertrand, Linati et De Loose. # Lipperheide 962; # Colas 1932; # Biogr. nat. belge XIII-28/29; # J.-B. Madou lithograaf. [Cat. d'expo], Brussel, KBR, 1977, n°49; # Van der Marck p. 91; # Vinet 2208; # Brunet III- 1289; # pas dans Bibliographie Nationale. 1 volumes. Sans les pl. 80 et 93, rousseurs, piqûres et qqs ff. brunis, qqs ff.déreliés. Légère usure générale. Reliure de l'époque : demi-chagrin aubergine à coins, plats de papier marbré, dos lisse fleuronné doré.

      [Bookseller: de KunstBurg]
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        Annali d'Italia dal principio dell'era volgare sino all'anno 1750. e continuata sino a' giorni nostri. Edizione nuovissima.

      Tip. Antonelli,, Venezia, 1830 - Sessantasei parti legati in 23 volumi di cm. 15,5, pp. 10.000 ca. complessive. Ritratto del Muratori inciso in rame all'antiporta del primo volume. Solida ed elegante legatura coeva in mezza pelle, dorsi lisci con filetti, titoli in oro e piccoli fregi a secco. Esemplare fresco ed in ottimo stato di conservazione. [Attributes: Hard Cover]

      [Bookseller: Studio Bibliografico Benacense]
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        ALS.

      Paris, [c. 1830]. - 160 x 207 mm. 1 p. and address. To Treuttel & Wurtz, booksellers, rue de Bourbon, Paris, offering "a thousand excuses"; his factotum has made an error. He is himself at their disposal for the work that he requested and his confidence in them is such that their price will be his. - Alibert is noted for his work on skin diseases, for his elegant, fashionable life-style and several medical publications, some of them exploring the interface between medicine, physics and the moral sciences. Treuttel & Wurtz, publishers and booksellers at Strasburg and Paris, were founded by J. G. Treuttel (1744-1826) and later associated with J. G. Wurtz (1768-1841). Alongside publication of the works of Sismondi, Saint-Simon, and Frederick the Great, they produced the notable "Bibliothèque des Voyageurs".

      [Bookseller: Antiquariat INLIBRIS Gilhofer Nfg. GmbH]
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        Raccolta di Costumi Antichi

      Bologna - Giovanni Zecchi 1830 - A wonderful collection of Pinelli's engravings of ancient costumes, with notes on each plate by Nicolo de Scarani. First edition. With a beautifully engraved frontispiece. Containing one hundred plates by Bartolomeo Pinelli. Bartolomeo Pinelli (November 20, 1771 April 1, 1835) was an Italian illustrator and engraver. Pinelli was born and died in Rome, the son of a religious statues modeller. Pinelli was educated first in Bologna and then at the Accademia di San Luca in Rome. He lived in a poor quarter of Rome. His son, Achille Pinelli, was a famous watercolourist in his own right. An extremely prolific artist, his illustrations depicted the costumes of the Italian people, the great epic poems and numerous other subjects, including popular customs. In general, the most recurring subject is Rome, the ancient city as well as the modern one: its inhabitants and its monuments. The plates in this volume are preceded by extensive notes by Signor Marchese Nicolo de Scarani, an honorary member of thePontificia Accademia di Belle Arti in Bologna. Condition: In a decorative paper covered binding with leather spine label. Externally, rather worn with slight loss to head of front board. Marks to front board also. Internally, firmly bound, bright with occasional spots and slight marks, though most plates remain generally clean. Small repair to one plate. Overall: VERY GOOD [Attributes: First Edition; Hard Cover]

      [Bookseller: Rooke Books PBFA]
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        Autograph letter signed ("AVHumboldt").

      N. p., [presumably around 1830]. - Large 8vo. 1 p. About the development of the gold price to a friend and banker: "Darf ich Sie, mein theurer, vieljähriger Freund, noch vor meiner baldigen Abreise nach Teplitz (in 28 Stunden) um Ihre Meinung bitten, ob das Gold im Verhältniß zum Silber im Steigen ist. Von 1817 bis 1823 ist das Gold sehr regelmäßig von 15,236 bis 15,996 gestiegen, was man dem Ausprägen des englischen Goldes zuschrieb (Hofmann Lehre vom Gelde, S. 109). Wie ist es seitdem? Ich wünschte zu wissen, ob die Zunahme der Goldproduktion im Ural und Nord America sich im Verhältniß der Metalle spüren lassen, ob Gold seit 1825, wo das Gold des Ural erst wichtig wird, im Preise sinkt, da es häufiger wird. Ich glaube nein [.]". - Small traces of mounting on the reverse; lower left corner fasted with tape; some spotting.

      [Bookseller: Antiquariat INLIBRIS Gilhofer Nfg. GmbH]
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        The Slavery of the British West India Colonies Delineated, As It Exists Both in Law and Practice, and Compared with the Slavery of Other Countries, Antient and Modern. Vol. I. Being a Delineation of the State in Point of Law. Vol. II. Delineation of the State in Point of Practice

      London: Printed for Saunders and Benning and J. Hatchard and Son 1830, 1st Edition. () 2p.l.,lxxv,480;1p.l.,xliv,452pp. + tipped-in errata slip (opp.p.[1] Vol. II). Very good. Two volumes Octavo in quarter calf and marbled boards, with matching marbled edges, gilt lettered black spine labels and half-title in Vol. I. Spines a bit darkened with some scattered light foxing, primarily in volume II with minor dampstain affecting lower fore edge of volume II. An important work for the abolition of slavery based on the first hand observations of an English lawyer James Stephen (1758-1832) who had practised in the West Indies on the island of St. Christopher's from 1783 to 1794..

      [Bookseller: Aquila Books]
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        THE BRITISH THEATRE - a collection of plays bound in 22 calf volumes.

      no dates circa 's 1830 - 22 VOLUMES octavo 6x4 inches, ATTRACTIVELY LEATHER BOUND IN UNIFORM HALF PERIOD CALF. All the plays illustrated, some by Cruikshank and bound in sections. The vendor has no idea what would constitue a complete run and is selling these plays as described. COMEDIES- 6 volumes all published by John Cumberland containing 42 PLAYS, each with a separate title page- including by way of example - Who wants a Guinea, Everyone has his Fault, A new way to pay old Debts, A bold Stroke for a Wife, The Way to get Married, The West Indian. TRAGEDIES- 3 volumes containing 17 PLAYS all published by John Cumberland, including- Izabelle, Orestes in Argos, The Fatal Dowry. VARIOUS - 8 volumes containing 72 PLAYS- 60 published by Cumberland, 11 by J. Duncombe and one by Connor of Cork-including : The Slave. An Opera, The Irishman in London, Alonzo the Brave, The Prize or 25, 3,8;, A Day after the Fair, Teddy the Tiler, The Ruffian Boy, X, Y, Z a Farce. OPERAS- 3 volumes, containing 24 PLAYS published by Cumberland- including The Lord of the Manor, Inkle and Yarico, Love in a Village. FARCES- 2 volumes containing 24 PLAYS published by Cumberland including The Turnpike Gate, The Village Lawyer. A TOTAL OF 179 PLAYS BOUND IN 22 VOLUMES- condition- good. [Attributes: Hard Cover]

      [Bookseller: Charles Russell, ABA, ILAB, est 1978]
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        [Op. 116] Terzetto originale "Tremate, empj, tremate" per voci di Soprano, Tenore e Basso composto ad uso dei Concerti... op. 116. Partitura di Orchestra. Contemporary manuscript by an unknown copyist. [Full score]

      Ca. 1830. Oblong quarto, 225 x 298 mm. Disbound. [1] (title), [2-45], [i] (blank) pp. In modern score order, with woodwinds on top. Carefully executed. With occasional corrections. With indecipherable early signature to head of title. Untrimmed. In very good condition. . The terzetto was first published in February 1826 by Steiner & Comp. in Vienna, as set of parts and a piano-vocal score; the full score was not issued until 1864, as part of the complete edition by Breitkopf & Härtel. The text underlay, uncredited, is from the libretto "Arsace" by Giovanni de Gamerra.The present manuscript copy was possibly prepared from the published parts and piano-vocal score. The manuscript full score at the Beethoven-Haus (BH86), another anonymous copy, corrected by Beethoven (who misattributed the text to "Bettoni"), differs in its score order: it has the violin and viola parts on top of the system, reflecting an earlier tradition. Also, the title uses the spelling "empi" as in the 1826 Steiner edition; Breitkopf's 1864 edition, however, reads "empj," as does the present copy.Kinsky pp. 335-36. Dorfmüller p. 343 (with correct ascription of text).

      [Bookseller: J & J Lubrano Music Antiquarians LLC]
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        Travels through Central Africa to Timbuctoo; and across the Great Desert, to Morocco, performed in the Years 1824-1828.

      London: Henry Colburn and Richard Bentley, 1830 - First English edition. 8vo. 2 vols. pp. viii, 475 & xiv, [i, blank], 501; port. frontis. to vol. I, folding litho. frontis. to vol. II, 4 wood-eng. plates, 2 large folding maps; foxing to each frontis., upper outer corner of prelims. to vol. I slightly chipped, else very good in contemporary half calf with the bookplates of Sir Francis Hopkins, spines elaborately gilt with contrasting lettering pieces and raised bands, a handsome set. [Attributes: First Edition; Hard Cover]

      [Bookseller: Meridian Rare Books PBFA]
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        Travels Through Central Africa to Timbuctoo; and Across the Great Desert, to Morocco, Performed in the Years 1824-1828.

      Colburn and Bentley, London 1830 - Two Vols. All edges gilt. 8vo., Vol. 1: 4, viii, 475, 4, Vol. 2: 4, xiv, 501, 4. This set is in the original leather bindings, decorated with gilt and inner dentelles, of Charles Scott-Murray of Danesfield House (who died April 24th 1837) and has the bookplates of Charles Robert Scott-Murray of Danesfield, who has been a Member of Parliament for Buckinghamshire and later became High Sheriff of that county. Some scuffing and rubbing on covers, bindings are tight and strong, text is fine, minor spotting and foxing, some figures by pencil on inner frontboard of volume I. Some old tears in the maps, which have been expertly repaired with starch and Japanese paper, traces of a removed label on the backboards of each volume, spines a bit soiled, name on ffep of both volumes. Plate of M. Caillié missing, all other plates, including the important plate of the Great Mosque of Timbuctoo, present as well as the 2 important maps. (This means 1 portrait of the author as a frontispiece, 4 plates, of which 1 folding, and 2 large folding maps. Also the copy of the Library of Congress has 4 plates and 2 maps. There are no traces of a removed plate, so most likely this 5th plate was never bound in.) An appealing copy of this scarce book in an exceptional, contemporary binding. Chadenat 5029, Hess & Coger 5426. [Attributes: First Edition]

      [Bookseller: Iskandar Books]
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        Original George Cruikshank Watercolor of a Seventeenth Century Cavalier

      N.A.. Fine. A colorful portrait of a mid-17th century cavalier by the master illustrator, George Cruikshank. N.d., circa 1830. Other than the man holding a long pike in his gloved hand, he might also have stepped out of "The Three Musketeers". The cavalier guard is flamboyantly dressed, with the wide brimmed, floppy cockaded hat of the day and flairing boots with long spurs attached. Measuring 26 by 15 cm, 10.5 by 5.75 inches. On a board, and signed by Cruikshank. The edges of the board are worn.

      [Bookseller: White Fox Rare Books and Antiques]
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        Broadside on cloth: Mary's Lamb in Sunday Lessons, No. 1

      Boston Chemical Printing Company, Boston 1830 - First edition. Printed on cotton cloth hemmed on four sides. Approximately 12" x 11.5". Several modest and scattered rust stains, but no fraying or other wear, a very good or better example. Printed in three columns divided by lines of type ornaments within an overall border of type ornaments. Cuts at head of each column are of boys in Sunday School; a boy playing with a lamb; and a woman reading to young girls. Five other hymns or prayers surrounding the central poem: *Mary's Lamb* by Mrs. Hale. Better known now by the first line, "Mary Had a Little Lamb," Hale's poem was first published in the magazine *The Juvenile Miscellany.* (Boston: Putnam and Hunt, September, 1830) and in book form in *Poems for Our Children*, also in 1830. A revised version was published by Hale in *The School Song Book*. (Boston: Allen & Ticknor, 1834). Our version seems to be identical in text to the original version, so our presumption is that this precedes the 1834 *The School Song Book*. According to *OCLC* six examples (of four separate titles, not including this one) of broadsides on cloth by this publisher/manufacturer exist in American libraries, one apparently dated 1830, the others attributed to that decade. Thomas Edison made this poem the first words ever recorded when he spoke them into his new invention, the phonograph, in 1877. Rare. [Attributes: First Edition]

      [Bookseller: Between the Covers-Rare Books, Inc. ABAA]
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        Sylva Britannica

      For the Author, London - For extra pictures of the more valuable books, please press the 'Ask Bookseller A Question' button. Packed weight = 01.50kg. Please note that this is a heavy item and may require extra postage. Please contact us using the 'Ask the Bookseller a Question' link before placing your order. For non UK customers special arrangements apply to parcels weighing over 5Kg (2Kg for Canada). In good condition overall. This book was published around 1830 and is an important work on trees and forests. Internally well illustrated with a number of plates of various different trees in the UK. This book does have some foxing throughout. Boards are dull and have a few marks. Original leather spine is in relatively good condition with some marking. Original name plate on spine worn but writing still legible. The Bianco Library website has 5 pictures of this book including both medium and large images. This description is to be read in conjunction with these photographs. [Attributes: Hard Cover]

      [Bookseller: BIANCOLIBRARY]
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        Sylva Britannica Or Portraits of Forest Trees Distinguished For Their Antiquity, Magnitude, Or Beauty.

      Longman, Rees, Orme, Brown, And Green 1830 - [viii] 151pp. Brown cloth boards decorated w stamped pattern and w black and gilt title label to spine. 50 engravings and chapters on The Oak, The Elm, The Beech, The Ash, The Chestnut, The Lime Tree, The Poplar, The Willow, The Cedar, The Plane, The Yew, The Maple and Sylva Scotica. Binding slightly loose and bottom half of spine has come away from binding. V minor sporadic foxing scattered throughout, some wood-worm damage to bottom corner of first few pages and book-plate to ffep but generally bright and clean. A nice copy. [Attributes: Hard Cover]

      [Bookseller: David Kenyon]
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        Vues de Paris.,

      Paris, ca. 1830. - Album mit 44 mont. lithogr. Ansichten von Paris. Etikett auf dem Innenspiegel: Valant, M`d Estampes & Papetier a Paris, rue de Castiglione 6. Einige Ansichten mit der Nennung des Verlags Giraldon-Bovinet. Die erwähnten Künstler sind: F. van Marcke, Robert fils, W. Harding, F. Nash, Jaime, Biehebois, Civeton, Villain. Als Drucker werden genannt: F. Noël, Ducarme, C. Motte, C. Constans, Bernard, de Bove, Jules David, Pic-de Léopol. - Aus dem Besitz der Berner Familie Gruner, Bubenbergstrasse. - Trägerpapier und Seidenhemdchen stockfleckig, die Ansichten selbst sauber. Sprache: de Gewicht in Gramm: 550 Fol., HLeder der Zeit mit gepr. RTitel.

      [Bookseller: Antiquariat Galerie Joy]
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        Sylva Britannica; or Portraits of Forest Trees.

      Pub. Longman. 1830 - pp.vi, 151 with 49 etched plates. Some foxing, bound in pebbled cloth. Top of spine showing some superficial wear. Front internal hinge a little tender, held securely by the cords of the binding. A very good copy. Scarce. A very interesting work. Trees covered by Strutt in this work include Oaks (eg. the Chandos Oak, the Moccas Park Oak, the Cowthorpe Oak, the Oaks at Fredville) Elms (eg. the Elms at Mongewell, the Tutbury Wych-Elm) Beech trees (eg. the Great Beech in Windsor Forest) and the most notable examples from the time of Chestnuts, Lime Trees, Poplar, The Willow, Cedar, Yew and Maple. In a section at the back fine examples, of these trees which were found in Scotland at the time are also illustrated. [Attributes: Hard Cover]

      [Bookseller: C. Arden Bookseller]
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        "Prospetto della Citta di Ancona". Gesamtansicht vom Meer aus mit zahlreichen Schiffen, umgeben von 14 Teilansichten.

      . Lithographie von D. Luigi bei G. Grassini, um 1830, 52 x 72 cm.. Die Teilansichten zeigen u.a. Piazza Nuova, Piazza Maggiore, Theater, Kathedrale, Arco Clementino und Trajano, Loggia de Mercanti sowie verschiedene Kirchen. Imposant ist die große Gesamtansicht mit Titel und Wappen im Himmel. - Seltenes, kapitales Souvenirblatt in guter Erhaltung.

      [Bookseller: Peter Bierl Buch- & Kunstantiquariat]
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        [Op. 116] Terzetto originale "Tremate, empj, tremate" per voci di Soprano, Tenore e Basso composto ad uso dei Concerti... op. 116. Partitura di Orchestra. Contemporary manuscript by an unknown copyist. [Full score]

      Ca. 1830. Oblong quarto, 225 x 298 mm. Disbound. [1] (title), [2-45], [i] (blank) pp. In modern score order, with woodwinds on top. Carefully executed. With occasional corrections. With indecipherable early signature to head of title. Untrimmed. In very good condition.. The terzetto was first published in February 1826 by Steiner & Comp. in Vienna, as set of parts and a piano-vocal score; the full score was not issued until 1864, as part of the complete edition by Breitkopf & Härtel. The text underlay, uncredited, is from the libretto "Arsace" by Giovanni de Gamerra. The present manuscript copy was possibly prepared from the published parts and piano-vocal score. The manuscript full score at the Beethoven-Haus (BH86), another anonymous copy, corrected by Beethoven (who misattributed the text to "Bettoni"), differs in its score order: it has the violin and viola parts on top of the system, reflecting an earlier tradition. Also, the title uses the spelling "empi" as in the 1826 Steiner edition; Breitkopf's 1864 edition, however, reads "empj," as does the present copy. Kinsky pp. 335-36. Dorfmüller p. 343 (with correct ascription of text).

      [Bookseller: J & J Lubrano Music Antiquarians LLC]
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        Eigenh. Brief mit U. ("Niebuhr").

      O. O., 6. VII. 1830. - 2 SS. auf Doppelblatt. Gr.-8vo. Mit eh. Adresse (Faltbrief). An einen Professor Walter, der augenscheinlich eine seiner Arbeiten begutachtet und manche Frage an ihn gestellt hatte, die hier nun beantwortet wird: "[.] Die abweichenden Jahreszahlen sind auch kein Druckfehler sondern gehen aus einer chronologischen Arbeit hervor die am Schluß des Bandes stehen wird: die Vorrede soll auf Sie verweisen [.] Um noch über die zugesandten Bogen eins zu bemerken: was bey dem agrarischen Rechte weggelassen ist [.] kommt als Beylage: es gehörte wohl nicht in den Körper des Werkes [.]". - Papierbedingt etwas gebräunt und mit einem kleinen Ausschnitt auf Bl. 2 durch Siegelbruch (dieses wohlerhalten).

      [Bookseller: Antiquariat INLIBRIS Gilhofer Nfg. GmbH]
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        EGLOMISE SILHOUETTE PROFILE PORTRAITS OF GEORGE AND MARTHA WASHINGTON ON GLASS].

      [N.p., but United States, ca. 1830]. - 12 x 16 inches, framed to 17 x 21 inches. Black paint on glass. Some light wear to frame. Very good. Pair of facing profile silhouette portraits, with Martha Washington on the left and George Washington on the right, framed in bordered ovals of worked design. The portraits are painted on the back of a glass panel in eglomise style. The figures are approximately six inches in height and appear to be after the famous portraits of the couple painted by James Sharples in 1798. James Sharples (1751-1811) was born in England and first exhibited at the Royal Academy in 1779. Twice widowed, Sharples married again in 1787, taking as his third wife Ellen Wallace, who had been his pupil. The Sharples came to the United States about 1793 and worked in Philadelphia and New York until 1801. James did pastel portraits, which he is said to have executed in about two hours. Ellen Sharples sometimes produced copies of these for clients who wished more than a single example. The Sharples family returned to England in 1801, where James and Ellen continued their work, but they returned once again to New York in 1809. James died there in 1811, whereupon Ellen and the children returned to England for the last time. It was probably in 1797 at Mount Vernon that James achieved his long-standing ambition of portraying George Washington, finally retired to private life after his second term as President. His painting shows the elderly Washington in profile, somberly dressed, a man weighed down beyond his years by the weight of his responsibilities. The resulting portrait proved to be so popular that both James and Ellen are said to have copied the image regularly in response to the demand. Portraits of the President and First Lady remained popular, as evidenced by this later pair of silhouettes after Sharples original works.

      [Bookseller: William Reese Company - Americana]
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        Uebungen aus der reinen und angewandten Stereometrie für Techniker und besonders für Architekten, Artilleristen, Ingenieure, Forts- und Bergbau-Beamte. Mit fünf Kupfertafeln (= Uebungen aus der angewandten Mathematik für Techniker und besonders für Architekten, Artilleristen, Ingenieure, Forst- und Bergbau-Beamte, bearbeitet von Ephraim Salomon Unger, Bd. 1), Berlin 1830.

      Berlin, J. A. List, 1830. - Ephraim Salomon Unger (1789 – 1870) zählt zu den führenden Mathematikern des frühen 19. Jahrhunderts. Popularität erwarb er sich neben seinen fachlichen Arbeiten durch sein renommiertes Erfurter Privat-Pädagogium. Zu seinen Schülern zählte unter anderem der Ingenieur und Brückenarchitekt Johann August Röbling. de 1200 Tadelloser Zustand! Lederflächen kaum berieben, allenfalls Ecken leicht berstoßen. Seiten sauber und fleckenfrei, nahezu druckfrisch. Sehr schönes Halbleder-Exemplar dieses originellen und überaus seltenen Werkes. Weitere Fotos auf der Homepage des Antiquariats. Brauner Original-Halbleinenband im Format 21 x 13 cm mit goldgeprägtem Rückentitel auf rotem Rückenschild, ornamentalen Zierprägungen sowie vier goldgeprägten Ornamentbändern. Einbanddecken in mehrfarbiger bräunlicher Marmorierung und mit Lederecken. Rot eingefärbter Buchschnitt (Ganzschnitt). VIII, 668 S., 5 gefaltete Kupfertafeln im Anhang.

      [Bookseller: Das Konversations-Lexikon]
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        Physionomie de la Garde Imperiale

      Paris 1830 - Image Size : 416x660 (mm), 16.375x26 (Inches), Platemark Size : , Paper Size : 500x710 (mm), 19.625x27.875 (Inches), Black & White, Lithograph

      [Bookseller: Alexandre Antique Prints, Maps & Books]
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        Rare Large Slave Collar with 15 links used to transport enslaved Africans from the Gold Coast (Ghana), West Africa, to the Caribbean and the Americas

      Gold Coast, West Africa: , [c. 1830-1840]. Rare large 19.5â? x 3.5â? neck collar, made from a thin sheet of metal that was hammered to form the collar. A 15-link chain is attached to a hook on the collar. Hooks are at the ends of the collar where they would be connected to tighten it around the Africanâ??s neck. The thin sheet of metal is consistent with the type of metals found in West Africa. Total length of collar and chain is 38".Deaccessioned from a museum. From the letter of authenticity: â??A three person shackle with this type of metal is documented in the publication â??Captive Passageâ?? Page 53, published by the Smithsonian Institution Press in association with The Marinersâ?? Museum in Newport News, Virginia back in 2002. This is a very rare Slave Collar that documents the brutality of the slave trade while capturing Africans from their villages and transported these people to the slave castle in Ghana, West Africa to await for their voyage to the Caribbeans then to the Americas. This is to certify that the hammered slave collar accompany

      [Bookseller: University Archives ]
 36.   Check availability:     ABAA     Link/Print  


        Memoirs of Vidocq, principal agent of the French police. Written by himself. Translated from the French.

      Whittaker and Co., London - No date, c.1830. 4 vols. 12mo. Pp xxii, 237; xi, 266; xii, 251; xii, 275. Original publisher's cloth; printed paper title labels to spines. A fresh copy - exceptionally nice. [Attributes: Hard Cover]

      [Bookseller: Leakey's Bookshop Ltd.]
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        Wales Illustrated in a Series of Views, Comprising the Picturesque Scenery, Towns, Castles, Seats of the Nobility & Gentry, Antiquities Etc

      Jones & Co, London 1830 - Blue leather elaborately gilt decorated and lettered. Gilt edges and dentelles. Gilt and blue endpapers. Over 160 engravings on steel. 2 per page, each with full tissue guard. Plates are in wonderful unfoxed condition. Wear to extremities of binding. Crude front hinge repair but the book is solid. Size: Quarto [Attributes: First Edition; Hard Cover]

      [Bookseller: Contact Editions, ABAC, ILAB]
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        Autograph Manuscript, signed ("John Barrow"), entitled "Memorandum for the Committee of the Athenaeum"

      London, january 9, 1830. 4to. 4 pp., in ink, on a single folded sheet. Faint trace of previous mounting at fold, small split at bottom . In this lengthy memorandum from 1830, Sir John Barrow (1764 - 1848), the English statesman and travel writer, addresses the admissions committee of London's prestigious Athenaeum Club, founded only a few years before in 1824, with a practical suggestion for solving the problem of the decline in the Club's standard for admission. "A very general opinion seems to prevail, that the character of the Athenaeum Club has, for the last few years, declined in public estimation by the admission of persons whom the original founders of the Club would never have contemplated as qualified to become members; and it cannot be doubted that this failure of admitting unfit persons is wholly owing to the present mode of ballot. Previous plans have been suggested to remedy this deficit, but all of them have been objected to, and not without good and sufficient grounds. The present proposal will probably therefore share the same fate; yet I am greatly mistaken if the adoption of it would not immediately strike at the root of the evil. The remedy is simple ..."

      [Bookseller: James Cummins Bookseller]
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        Wales Illustrated in a Series of Views (North & South Wales)

      Jones & Co, London 1830 - Comprising the picturesque scenery, towns, castles, seats of the nobility and gentry. 2 Volumes, both uniformly bound in red half leather, red marbled boards with gilt tooling, corners and edges lightly bumped and worn. Spines, have raised bands, attractive gilt tooling, titles in gilt, edges worn slightly. Internally, 224 views on 112 leaves, both volumes have red marbled end papers, bookplate of the Chester Guild to fpd's, text block edges in gilt. Volume 1, engraved titlepage with frontis of The Menai Straits, ink name at head, repair to margins of the engravings list, not paginated (B-2B1), 99 pp, 44 leaves of plates, 2 plates per leaf, very minimal foxing. Volume 2, South Wales, with engraved titlepage with vignette of Arthur's Stone, ink name at head dated 1840, not paginated (2C-3O1), 68 leaves of text, 67 leaves of plates, mostly 2 per plate. A good looking set. With a book label of the Chester Guild. (COPAC. WorldCat) Despite his popularity as an artist, Gastineau relied heavily on teaching, both privately and at various schools, and this income was further supplemented by the regular contribution of drawings to topographical publications. These included eighteen subjects for T. K. Cromwell's Excursions in the County of Kent (1822), thirteen scenes for W. H. Ireland's History of Kent (4 vols., 1829¿30), numerous views for Jones & Co.'s Wales Illustrated in a Series of Views (2 vols., 1830¿31), and, as late as 1860, he contributed nineteen works to John Tillotson's Picturesque Scenery in Wales. See ODNB for a full Bio. [Attributes: Hard Cover]

      [Bookseller: Madoc Books]
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        Burg Ramsberg.

      Gouache. Um 1830.. 47,5 x 67 cm.. Rückseitig bezeichnet: "Ramsberg nach der Natur gez." - Farbfrisch erhaltene, großformatige Ansicht der im Kreis Göppingen gelegenen Burg der Grafen Rechberg. - Alte Rahmung. - Versandkosten auf Anfrage.

      [Bookseller: Kunstantiquariat Joachim Lührs]
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        Histoire Naturelle des Colibris, Suive D'un Supplément a L'Histoire Naturell des Oiseaux- Mouches

      Paris: Arthus Bertrand. G+ : in Good condition plus. Cover with minor joint rubbing. Scattered browning and some spotting occasionally affecting a plate. Illustrations bright. Aeg. Signature on ffep of 'Douglas & Clydesdale'. [1830]. First Edition. Green leather gilt decorated cover. 240mm x 150mm (9" x 6"). x, 196pp. 66 hand coloured tissue guarded engraved plates. .

      [Bookseller: Barter Books Ltd]
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        Poems, Chiefly Lyrical

      London: Effingham Wilson. 1830. First. First edition, mixed state. Probably later papercovered boards reproducing the originals (which nevertheless show considerable age), with later paper spine label. Errata page is present, but lacks the page of ads; page 91 misnumbered as 19 (first state), "carcanet" spelled correctly (second state); all variant points were changed at the printer's before the book was issued. Modest wear to the spine ends, a handsome, very good plus copy. Tennyson's first solely authored book, preceded by two jointly authored volumes. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        Vue du village de Splugen au pied du Stotzalperhorn

      1830 ca., Svizzera - Splugen 1830 - Veduta del paese, finemente colorata all'epoca mm 132x176

      [Bookseller: Sergio Trippini]
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        Poem Collection (Set of 20)(TitleLanguage) MING SHI ZHEN CANG XI LIE TAO ZHUANG GONG 20 CE

      The Northern Arts Publishing House, 2010-01-01. paperback. New. Ship out in 2 business day, And Fast shipping, Free Tracking number will be provided after the shipment.Paperback. Pub Date :2010-01-01 Language: Chinese Publisher: The Northern Arts Publishing House. Emerson Poetry Picks: Collection is one of the world's famous poem books. which include individual and the whole. the humble bee. Cornwall Cod hymn. the Greek god Sphinx. Le Nuoli. the Roman arena. causing heaven love for Anne and for Charlotte Requiem. road song and so on. Pushkin poem featured: 1830 early autumn. left Moscow Pushkin joy to his father's territory to accept industry. 31-year-old P... Satisfaction guaranteed,or money back.

      [Bookseller: cninternationalseller]
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        MANUALE BOTANICUM. PEREGRINATIONIBUS BOTANICIS ACCOMODATUM sive prodomus enumerationis plant. phaenogam. in Germania sponte nascentium.

      Lipsiae in Bibliopolio Hanniano 1830 16° 3 Volumi Pagine 1467 complessive. Legatura coeva in mezza pelle. Titolo e ricchi fregi oro al dorso. Ponderosa e rarissima opera botanica sulle piante della Germania. Esemplare completo.

      [Bookseller: Libreria Segni nel Tempo]
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        Arte de saber ver en las Bellas Artes del Diseño, escrito en italiano por , traducido al castellano por el arquitecto D. Ignacio March, y aumentado con un tratado de las sombras, y otro de la distribución o compartimiento de casetones en todo género de arcos y bóbedas, compùesto por el arquitecto D. Antonio Ginessi, traducidos al castellano por D. Pedro Serra y Bosch.

      - B., J. Cherta y Cía., 1830, 21 x 15,5 cm., plena piel de época, 8 h. incluso escudo grabado en cobre + 138 págs. + VI láminas plegadas.

      [Bookseller: Librería Anticuaria Antonio Mateos]
 47.   Check availability:     IberLibro     Link/Print  

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