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Displayed below are some selected recent viaLibri matches for books published in 1830

        Collezione di 24 Ariette con accompagnamento di Piano Forte composte da G.B. Perucchini.

      - Milano, presso Luigi Scotti (circa 1830). In folio (cm. 38); splendida legatura di "dono" in piena pelle "zigrino" rossa con triplice cornice in oro ai due piatti e scritta in oro al piatto anteriore, dentelle, fregi e tit. in oro al dorso; tagli dorati. front. inciso; pp. 17 (1); front. inc., pp. 16 (2); front. inc., pp. 17 (1); front. inc.; pp. 16 (4). Le Ariette sono dedicate alla Principessa Zeneide Volkonski; a Prisilla Sady Burghersch nata Wellesley Pole; allaContessa Teresa Appony nata Contessa Nogarola; alla Duchessa Hamilton-Braudon. [Attributes: Hard Cover]

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        Herbarium Album of dried flowers and leaves

      England. Half Calf, Marbled Boards, Leather Ownership Label on Board. Very Good. Neatly organized and labeled herbarium, with calligraphic writing throughout. N.d., circa 1830, based on binding. 4to. 32 by 27 cm. 82 leaves with herbarium on rectos. An example is what is called the "First Grand Division: Acotyledonous plants", which is divided into Fungi, Algae, Licenes, Hepaticae, Musci, Filices, all of which have a multitude of examples tightly arranged and quite striking on the page. Mrs. Hitchcock sets forth 101 categories, with two other "Grand Divisions": Moncotyledonous Plants, Dicotyledonous Plants. There are often multiple samples in a particular category, and so the number of separate samples is easily more than 200. Generally there are one to four specimens on a page, with occasionally far more, as in the first few categories. The arrangements are sometimes artistically arranged into a bouquet, but most of the time they are just neatly arranged as in any carefully compiled herbarium. Many, but not all, samples also carry there own hand-written label. The organization of the whole herbarium shows that this was not an album in which the collector merely pasted samples as they were found, but rather, things were done with an over-arching purposefulness, and while Mrs. Hitchcock may have been an amateur botanist, she had a serious intent and design. The dried flowers are generally well-preserved, with occasional losses, as tends to occur with thin, dry organic material. Offsetting rampant on versos, as inevitable with organic material. Rebacked, with matching calf to corners, and raised bands. Original spine label preserved and mounted. Original marbled boards and centerpiece leather label.

      [Bookseller: White Fox Rare Books and Antiques]
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        Sämmtliche Werke der Kirchen-Väter. Aus dem Urtext in das Teutsche übersetzt (KONVOLUT aus 33 Bänden) - Bd. 1 - 27; 34; 37: Inhaltsübersicht der einzelnen Bände: Bd. 1: Briefe des heiligen Clemens Romanus/ Bd. 2: Briefe, Gespräche/ B. 3/ 4: Schriften des Hl. Irenäus/ Bd. 5/ 6: Briefe und Abhandlungen des Hl. Cäcilius Thascius Cyprianus/ Bd. 7: Des heiligen Cäcilius Thascius Cyprianus sämmtliche ächte Werke/ Bd. 8 - 13: Schriften des Hl. Hilarius/ Bd. 14 - 18: Werke des Hl. Athanasius/ Bd. 19 - 26: Schriften des Hl. Basilius des Grossen/ Bd. 27 - 31: Schriften des Hl. Ephräm aus Syrien, Diakons zu Edessa und Kirchenlehrers/ Bd. 34: Schriften des Hl. Ephräm aus Syrien/ Bd. 37: Schriften des Hl. Ephräm aus Syrien.

      Kösel'sche Buchhandlung; 1830 - 1847.. je Band ca. 400 Seiten; Broschiert/ Gebundene Ausgabe;. Die hier angebotenen Bände stammen aus einer teilaufgelösten wissenschaftlichen Bibliothek und tragen die entsprechenden Kennzeichnungen (Rückenschild, Instituts-Stempel...). Schnitt und Einband sind staubschmutzig/ beschädigt; Einband zum Teil gebrochen; Papier altersbedingt angebräunt/ teilweise stockfleckig; Der Gesamtzustand ist ansonsten dem Alter entsprechend gut; einfache Pappbände; KOMPLETTPREIS für 33 Bände; bei Versand ins Ausland erfragen Sie bitte zuerst die Versandkosten; ALTSCHRIFT!

      [Bookseller: Petra Gros - Versandantiquariat]
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        The costumes of the members of the University of Oxford

      London: N. Whittock 16mo (12.2 x 112.9 cm, 4.75 x 44.45"). [1] f.; 17 col. plts.. [ca. 1830] Marvelous Oxford memorabilium offering => 17 hand-colored illustrations (two with two figures) of men in various types of academic dress associated with the University of Oxford, drawn, engraved, and published by Nathaniel Whittock. The contents unfold accordion-style in one long strip, in a => leporello binding. The series begins with a "scholar," proceeds to a pair of commoners, then to a "Gent[lema]n Commoner, undress gown," on to a "Gent[lema]n Commoner, dress gown," with noblemen, bachelors, masters, doctors, proctors and so one, closing with the impressively bedecked Chancellor; the Doctor of Music is notably fetching in this rendition, with a gracefully rippled music score held in one hand. The background of the images is blank, but in other copies we have had, there is continuous from panel to panel, a panorama of the University. Fully extended, the array of images is => over three and a half feet long. Binding: Publisher's red cloth, front cover with gilt-stamped title in decorative gilt-stamped medallion and blind-stamped corner fleurons. Binding as above, hinge (inside) with loss of paper and boards slightly askew; cloth a little loose or bubbled and with some lightened sections. Staining to front pastedown and endpaper, and action of old glue visible at two "seams" where plate sequences are joined, but interior otherwise clean and with all images bright and crisp.

      [Bookseller: SessaBks, A Division of the Philadelphia]
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        Historia de las Vestales, sacada de las memorias de la Academia francesa por T. Ciramis. [Storia delle Vestali romane e del loro culto. Milano, 1821. Traducción de Juan Cortada]

      Barcelona, Imprenta de la Viuda e Hijos de Gorchs, 1830. 8vo.; 118 pp. Encuadernación de la época en piel marbreada.

      [Bookseller: Hesperia Libros]
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      Oxford: Samuel Collingwood, Printer to the University, for C. J. G. and F. Rivington, 1830. FIRST EDITION n. Hardcover. With an Especially Beautiful Painting of Canterbury Cathedral. 220 x 140 mm (8 3/4 x 5 1/2"). xxvii, [i], 478 pp. FIRST EDITION. Very decorative contemporary deep purple straight-grain morocco, covers with a frame of multiple gilt and blind fillets and featuring a dense gilt roll, interlacing at medians, and broad-leaf ornaments, broad raised bands, spine compartments with interlaced lobed ribbons, cornerpieces, and central massed tools, turn-ins gilt-ruled, moir? silk endleaves, all edges gilt, and WITH A VERY PLEASING FORE-EDGE PAINTING OF CANTERBURY CATHEDRAL. Housed in an unusually fine heavily gilt pebble-grain morocco clamshell box in convincing imitation of the present binding. Front pastedown with an armorial bookplate ("Souvenez St. Quentin"), front free endpaper with the morocco bookplate of Lucy Smith (Doheny) Battson. Lower cover with uneven fading, spine darkened (with consequent dulling of gilt), light wear to extremities and joints, otherwise an excellent copy, the once extremely pretty binding still appealing (with glistening gilt on covers), the text very bright, fresh, and clean, and the fore-edge painting perfectly preserved. This is a volume containing a work of substantial interest in its time and enhanced by a splendid fore-edge painting that reflects the book's content. The well-balanced painting here depicts an imposing Canterbury Cathedral against a richly blue sky with large, billowing gray and white clouds. Pairs of trees flank our view of the town of Canterbury in the proximal foreground, and a small herd of cows is right of center. The distinctive treatment of clouds and pointilistic brush strokes for detail are hallmarks of the style of the very skillfull artist called the "Dover Painter." The work of this artist is always excellent, but this painting takes a place among his best for its multiplicity of detail, its convincing sense of space, and the deftness of its execution. A provincial schoolmaster, rector, and vicar before becoming chancellor of St. Paul's Cathedral, Henry Soames (1785-1860) authored a number of significant works on ecclesiastical history. Now rarely seen for sale, the present group of sermons was part of the prestigious Bampton Lectures, a series of annual addresses that began in 1780 and that especially in the 19th century occasioned considerable interest and controversy.

      [Bookseller: Phillip J. Pirages Fine Books and Mediev]
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        Eigenh. adress. Faltkuvert mit U.

      Den Haag, 4. Jänner [1830er Jahre?] - Ca. 210 x 85 mm (gefaltet), verso Siegelrest. Ohne den Brief. Wahrscheinlich an Prinz Wilhelm von Oranje-Nassau: "Aan Zyne Koninklyke Hoogheit den Veld-Maarschalk, Opperbevelhebber van het mobiele leger te Tilburg", unten links unterschrieben; verso vom Empfänger bezeichnet. - Bernhard war der zweite Sohn des Herzogs Karl August, machte 1809 Napoleons Feldzug gegen Österreich mit und trat 1815 in holländische Dienste. Nach dem Krieg erhielt er ein Kommando in Gent. In der Revolution 1830-31 führte er Truppen gegen die Belgier und schlug sie bei Löwen. 1848-53 war er Oberbefehlshaber in Niederländisch-Indien.

      [Bookseller: Antiquariat INLIBRIS Gilhofer Nfg. GmbH]
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        Manuscript music album

      [Thame, Oxfordshire, 1830. [50] pp of manuscript hymns, responses and chants with four-part vocals and organ accompaniment. Oblong 4to. Bound in full black morocco, covers blind-stamped and tooled in gold to a panel design with wide rolls, stamped with the initials "S.E.W." on the front cover and "W" with a crown on the rear cover. [50] pp of manuscript hymns, responses and chants with four-part vocals and organ accompaniment. Oblong 4to. A musical notebook beautifully bound in the Regency style, belonging to Sophia Elizabeth Wykehanm, 1st Baroness Wenman of Thame Park (1790-1870). She was an early love interest of the future King WIlliam IV - when he later ascended the throne he revived the title of Baroness Wenman. Provenance: Sophia Elizabeth Wykehanm, 1st Baroness Wenman of Thame Park (her monogram in gilt on the binding)

      [Bookseller: James Cummins Bookseller]
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        The Aldine Edition of the British Poets.

      London: William Pickering. -53 1830 - 53 vols. (complete). 8vo. (16.5 x 10 cm.) Contemporary half red morocco, marbled boards and endpapers, spines with raised bands, gilt decorated and lettered compartments, all edges gilt. Ex libris George Pugh with his elegant sea monster motif bookplates. A pretty set. Engraved portrait frontispieces. Comprises (vols.): Akenside (1), Beattie (1), Burns (3), Butler (2), Chaucer (6), Churchill (3), Collins (1), Cowper (3), Dryden (5), Falconer (1), Goldsmith (1), Gray (1), Howard (1), Milton (3), Parnell (1), Pope (3), Prior (2), Shakespeare (1), Spenser (5), Swift (3), Thomson (2), White (1), Wyatt (1), Young (2). Printed by C. Whittingham. (Length 125 cm). [Attributes: Hard Cover]

      [Bookseller: Robert Frew Ltd. ABA ILAB]
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        Méditations poétiques. Nouvelles Méditations poétiques. Nouvelle édition, augmentée de Diverses Epitres Inédites

      Gagniard 1830 Deux volumes in - 12 (160 x 105 mm), maroquin vert - olive, dos à quatre nerfs orné or et à froid, plats ornés d'un riche décor à la cathédrale or et à froid, dentelle aux angles sur les coupes, dentelle intérieure, tranches dorées, non rogné, couverture conservée (reliure signée H. Lesieur). Illustré d'un portrait de l'auteur, deux titres gravés et sept figures hors texte d'après Desenne, Devéria, et H. Monnier, gravés par Fauchery, Ensom, Fontaine, etc. Préface par Charles Nodier. Très bel exemplaire (malgré le dos passé, et quelques rousseurs). / / Two 12o volumes (160 x 105 mm), olive - green morocco, spine tooled in gilt and blind raised on four bands, rich "Cathedral" tooling on covers in gilt and blind, dentelle on corners of turns - in, dentelle inside, edges gilt, uncut, soft cover preserved (binding signed H. Lesieur). Illustrated with a portrait of the author, two engraved titles, and seven plates after Desenne, Devéria, and H. Monnier, engraved by Fauchery, Ensom, Fontaine, etc. Preface by Charles Nodier. Very nice copy (despite faded spine, and some brownings).

      [Bookseller: Librairie Henri Picard & Fils]
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        Dizionario delle scienze naturali nel quale si tratta metodicamente dei differenti esseri della natura considerati o in loro stessi. o relativamente all utilità che ne può risultare per la medicina, l agricoltura, il commercio e le arti.

      V. Batelli e Comp. 1830-1851, Firenze - Belle legature inizi 900 in mz. pergamena con angoli. Fili, titoli e numerazione in oro su tasselli rossi e bleu al ds. Piatti in carta decorata e carte di guardia xilografate. Tagli superiori rossi dei voll. di testo. Tra gli Autori figurano: Brogniart, Defrance, de Jussieu, de Lacépède, Dumeril, Daudin, Lamarck, de Blainville oltre naturalmente a Cuvier, coordinatore dell opera. Le tavole di grande qualità, sono di vari incisori italiani (Corsi, Lasinio, ecc.), ma la direzione delle tavole è del classico binomio Turpin dir. e Pretre dip. che realizzarono il meglio dell iconografia naturalistica dell epoca. Esemplare in eccellente stato di conservazione contenente 36 tavv. in più delle 1200 previste, dovute a tavole doppie e ad un appendice extra sulla mineralogia. Copia proveniente dalla Collezione Sacchetti, al primo vol., un occhietto editoriale recita: Dizionario delle Scienze naturali esemplare dell Illustrissimo Signor Marchese Sacchetti Roma . Ex libris nobiliari ai contropiatti anteriori. 4to (cm. 23), 22 Voll. rilegati in 25 Tomi per il testo più 4 Voll. di Tavole rilegati in 9 Tomi (con complessive 1236 tavole finemente acquarellate a mano); 2 cc.nn. (occhietto editoriale attestante la proprietà dell Opera e frontespizio ripetuto), LXII-558 pp., 1 c.nn.; 630 pp., 1 c.nn.; 581(3) pp.; 618 pp., 1 c.nn.; 603(1) pp.; 601(3) pp.; 646 pp. con 2 tabelle più volte rip. f.t.; 606 pp., 1 c.nn. con una tav. rip. f.t.; 697(3) pp.; 671(1) pp. con 2 tabelle più volte rip. f.t.; da p. 673 a p. 1255(5) pp.; 809(3) pp.; da p. 813 a p. 1516(2) pp. Assenti 4 cc. sostituite da fogli bianchi (da p. 1137 a p. 1144); 705(3) pp. con una tabella rip. f.t.; da p. 709 a p. 1358(2) con una tabella rip. f.t.; 647(1) pp. con 2 tabelle più volte rip. f.t.; da p. 649 a p. 1477(3); 837(3) pp. con 5 tabelle più volte rip. f.t.; 685(3) pp.; 857(3) pp.; 941(3) pp.; 850(2) pp.; 921(3) pp.; 679(1) pp.; 610(2) pp. con una tabella rip. f.t.; 570(2) pp. [Attributes: Hard Cover]

      [Bookseller: Libreria Ex Libris ALAI-ILAB/LILA member]
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      Edinburgh: Printed by Ballantyne for Cadell and Company, Edinburgh, and Simpkin and Marshall, London, 1830. First Separate and Complete Edition n. Hardcover. A Presentation Copy from Sir Walter Scott. 229 x 152 mm (9 x 6"). 2 p.l., iii, [iii], [9]-337, [1], 4 (ads) pp. First Separate and Complete Edition. Attractive late 19th century dark green armorial morocco by MacLehose of Glasgow (stamp-signed on front turn-in), covers gilt with the heraldic pelican crest of Thomas Glen Arthur of Garrick House, Ayr, flat spine with title at head and author at tail and five gilt ornaments in between (comprised of three thistles and two heraldic devices), gold endleaves, top edge gilt, other edges untrimmed (front hinge and joint with careful repairs, front free endpaper and first flyleaf cut near gutter and reattached with cellotape). A LARGE PAPER PRESENTATION COPY, first preliminary blank with neat ink inscription, "From the Author." Front flyleaf with later pencilled inscription, "To my dear friend / Frank P. Leffingwell / From / Harry A. Sickles / Christmas / 1917." Todd and Bowden 239A. Short crack beginning at bottom of front joint, a hint of fading and leather dressing residue to covers, otherwise in excellent condition, the binding solid and lustrous, the text clean and fresh, and the margins very commodious. A thoroughly Scottish item, this volume was appropriately and attractively bound by a Scottish binder, was once owned by an important Scottish collector, and was a presentation copy from one of the greatest authors Scotland has ever produced. The first English-language author to be recognized internationally in his lifetime, Sir Walter Scott (1771-1832) was, in the words of DNB, "a radical inventor of literary forms," including, especially, the modern historical novel. Our two pieces are short works of poetic drama that involve homicide, ghosts, goblins, and fairies. Originally intended for presentation on the stage, they were deemed unsuitable as dramatic vehicles and ended up being published as extracts in periodical publications. Our 1830 printing is the first complete and separate form of the text, which Scott revised in anticipation of this edition. James MacLehose (1811-85) began his career in 1838 as a Glasgow bookseller, at first in partnership, and then on his own. In 1862 a bindery was added to the enterprise, and in 1881 he brought into the business his two sons, who continued it after his death. The MacLehose workshop produced high quality bindings, and catered in particular to book collectors. The man who commissioned this binding, Thomas Glen Arthur (1858-1907) of Garrick House, Ayr, was a successful clothing merchant and textile manufacturer in Glasgow. He was an avid collector of books, of Dutch and Barbizon paintings, and of fine prints (particularly by Whistler). In 1888, he married the eldest daughter of Sir James Coats, Baronet of Auchendrane in Ayrshire ("Auchindrane" in the title is a variant spelling). In an amusing coincidence, the murderous John Mure of Auchendrane in the second work here is an Ayrshire baron. In light of Walter Scott's immense popularity, it seems strange to note that presentation copies--in his hand or (as here) in the hand of a publisher or secretary--are quite uncommon.

      [Bookseller: Phillip J. Pirages Fine Books and Mediev]
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        Military Reminiscences; extracted from a Journal of nearly Forty Years Active Service in the East Indies.:

      London Smith, Elder & Co. 1830 - James Welsh served in the army of the East India Company in the Madras Presidency from 1791, taking part in the seige of Pondicherry, the capture of Ceylon, and the Mahratta war. This book includes a description of Penang and Malacca which the author visited in 1818 en route to China. A very good set rebound in full polished calf. First edition Two volumes, pp.xiv, 354; viii, 347, 91 plates, illustrations and maps.

      [Bookseller: John Randall (Books of Asia), ABA, ILAB]
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        Karte) West Jndien entworfen und gezeichnet von C. F. Weiland. 1830.

      Weinar, Verlag des Geograph. Instituts 1830 - 54 x 68 cm, 59 x 47.5 cm grenzkol. Kupferstich, Ecken und Ränder z. T. wasserfleckig, gefaltet,

      [Bookseller: Antiquariat A. Wempe]
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        Catalogo di una insigne collezione di stampe delle rinomatissime e rare incisioni del celebre Marc'Antonio Raimondi fatta da Gianantonio Armano pittore.

      Firenze, per Francesco Cardinali, 1830. In 16mo (cm. 16,5); cartina muta coeva; pp. VIII, 165, (1). Schedate complessivamente 909 stampe. Axs

      [Bookseller: Libreria Bongiorno Paolo]
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      Cottage Press, Munich 1830 - Mechanics; Industrial; Latin Language; folding plate; 4to 11" - 13" tall; x, 62 pages; Automatum Hydraulicum seu Machina Statica Aquam parca vena haustam ad quamvis quantitatum collectam magno mittendi defluvio : motu spontaneo et periodice perenni (245 x 201 mm). 1 folding plate. Contemporary marbled boards. Condition: spine restored, very good. First edition. This is a detailed description of the hydraulic pump invented by Haeberl (1759-1846) , illustrated with a fine folding engraved plate at the back. Presentation copy with an inscription from the author opposite the title page. Worldcat locates three copies. None others found. A Medical Doctor and Engineer of considerable renown. ; Signed by Author; 0 [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: poor man's books (mrbooks)]
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        Handbuch des Organisten. Zweiter Teil, die Orgelschule enthaltend

      . Halberstadt : Carl Brüggemann, 1830. - [4] Bll., 108 S. Quer-4to. Originalumschlag. Kl. Loch im Umschlagblatt. Kl. Randschaden. Leicht wasserrandig. In losen Lagen..

      [Bookseller: Musikantiquariat Paul van Kuik]
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        BRAUNSCHWEIG. "Der Martinikirchhof". Blick von Osten auf die Kirche mit den umliegenden Gebäuden.

      - Lithographie von G.Fr. von Bernewitz bei R. Zückler, Zwickau, um 1830, 29 x 42 cm.

      [Bookseller: Peter Bierl Buch- & Kunstantiquariat]
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        Etrennes intéressantes des quatre parties du monde contenant la population EDITION ORIGINALE

      à Paris: Chez Louis Janet, 1830. Fine. Chez Louis Janet, à Paris 1830, In 24 (5,5x9,5cm), relié. - First edition, rare. Illustrated with 7 cards (five continents, France, Map) two leaflets leaflets. Full red morocco time. Smooth back decorated. Decorating plate boards from a cottage in the center and separated by a river castle, all in a medallion supported by two loves; many decorative ornaments. Names of all the men prevailing in the world, and all the civil and military authorities of the kingdom. Political geography of Britain. --- Please note that the translation in english is done automatically, we apologize if the formulas are inaccurate. Contact us for any information! - [FRENCH VERSION FOLLOWS] Edition originale, rare. Illustrée de 7 cartes (cinq continents, la France, mappemonde) sur deux feuillets dépliants. Reliure en plein maroquin rouge d'époque. Dos lisse orné. Plaque décorant les plats figurant en son centre une chaumière et un château séparés par un cours d'eau, le tout dans un médaillon soutenu par deux amours ; nombreux ornements décoratifs. Noms de tous les hommes régnant dans le monde, et de toutes les autorités civiles et militaires du royaume. Géographie politique de la Grande-Bretagne.

      [Bookseller: Librairie Le Feu Follet]
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        FÜRSTENFELDBRUCK. - Tracht. "Kleidertracht zu Maisach bey Fürstenfeldbruck". Junges Mädchen in Dachauer Festtagstracht steht vor einem Bauernhaus und füllt am Brunnen ein Wasserfass auf.

      - Altkol. Lithographie aus Lipowski bei Hermann, München, um 1830, 25,5 x 19 cm. Lipperheide Dfc 6; Lentner 11274. - Aus der seltenen Folge von F.J. Lipowski, "Sammlung Bayerischer National-Costume". - Breitrandig und sauber, in sehr schönen Altkolorit! Alt gerahmt.

      [Bookseller: Peter Bierl Buch- & Kunstantiquariat]
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        The New Bath Guide; Or Memoirs of the B_N_R_D Family in a Series of Poetical Epistles

      Hurst, Chance & Co., London 1830 - lxxvi, 176, [4] ad pp. Frontispiece and illustrated title page by S. Williams; 5 etched plates by George Cruikshank. (8vo) 19.5x2" later full polished tan calf, gilt rule borders, spine gilt, red morocco label, top edge gilt, slipcase. First Cruikshank Edition. Bound by Tout. Cohn 34. Lightly rubbed; near fine. [Attributes: First Edition]

      [Bookseller: Nudelman Rare Books]
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        Rheinuferansicht mit Zollstelle und St. Martini; im Vgr. Dampfschiff, Zöllner u. Arbeiter ('Vue De La Ville D'Emmerich, Frontière Prussienne').

      - Aquatinta v. Himely n. Louis Bleuler, 1830, 22,5 x 30 (Bilder zum Artikel auf meiner Homepage, oder bei Anfrage - pictures on my homepage or after request)

      [Bookseller: Antiquariat Norbert Haas]
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        HÖXTER. "Höxter und Corvey am Weser Strom von der Süd-Ost Seite". Schöne Gesamtansicht mit weitem Blick ins Wesertal, mit Biedermeierstaffage im Vordergrund.

      - Altkolorierter und gouachierter Kupferstich von Ludwig Schütze nach Georg Stietz, um 1830, 32 x 44,5 cm. Im schönen, kräftigen Altkolorit. Der breite Rand in Grau gouachiert. In ältere Goldleiste gerahmt.

      [Bookseller: Peter Bierl Buch- & Kunstantiquariat]
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        Höxter und Corvey am Weser Strom von der Süd-Ost Seite.

      Karlsruhe, Creuzbauer, um 1830.. Kupferstich von Ludwig Schütze nach Georg Stietz, Bildausschnitt 32 x 44,5 cm, Blattgr. 48 x 60,5 cm.. Malerische Ansicht der Ostwestfälischen Stadt Höxter mit dem seit 2014 zum Weltkulturerbe gehörenden Kloster Corvey im oberen Westertal, im Vordergrund zwei Wanderer und ein Ziegenhirte auf einer Anhöhe südlich der Stadt; unterschiedlich gebräunt, etwas fleckig, sonst breitrandig un dgut erhalten.

      [Bookseller: Antiquariat Clemens Paulusch GmbH]
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        Observations on the Dimensions of the Ships of the Line and Frigates in the French Navy

      London: Printed for Private Distribution,, 1830 . Translated from the French by a British Officer. Octavo. Original drab boards, paper spine label. Armorial bookplate of Admiral Sir Thomas Cochrane to the front pastedown. A little worn, some splitting and chipping with minor repairs to the spine, light toning, else a very good copy. First edition in English of a French study which first appeared in the Annales Maritimes in 1822, "it was also printed by order of the French Government at the Royal press, for distribution among its own functionaries" (translator's preface). In emulation of this principle of limited distribution, a note verso of the title reads, "It is requested that none of the copies of this translation be used for purposes of publication". Uncommon, Copac shows just 7 locations, OCLC adds a further 9, mostly in the United States, all unattributed. A pencilled inscription to the title page "From Captain Wm. Jones RN" suggests that it is the work of the William Jones, who made captain in 1828, and is commemorated by a memorial at Haslar Hospital, Gosport: "'Sacred To The memory of Commodore William Jones Late Commanding Her Majesty's Ship Penelope on the West Coast of Africa, where by his judicious arrangements 115 Slave Vessels were captured and 6738 Human Beings were released from Slavery between 1st April 1844 and 12th March 1846. Unwilling to relinquish his Labours until the Energies of Life were Exhausted, he returned to Spithead on the 8th but to die in this Hospital on the 24th of May 1846 aged 54 Years. Intelligence, Zeal, and Perseverance marked the Course of his Active Life and in his Last Hours". Tupinier's work suggests the adoption of the American system of construction, and the translator is concerned that the result would hand an advantage to the French fleet. The two-decked French ships which had originally carried 80 or 74 guns were being replaced by two new rates one of a hundred 30-pounders, and the other with 96. Their frigates, originally armed with 18-pounders, were similarly being upgraded to carry either 60 30-pounders, or 52 24-pounders. These changes strike the translator as ominous; "I presume, that there can be no question, as to the right of every country, to prepare its naval or military means of defence, upon such a scale as may not give reasonable umbrage to its neighbours. But, this new mode of naval construction, is in fact, anything but defensive …", and he signs off with the watchword "Keep foreigners from fooling us". Jones directed the work at "those whose stations, or service, entitle them to hold influential opinions on naval affairs", and he could not have chosen a more suitable recipient than Thomas Cochrane, Britain's pre-eminent exponent of frigate warfare; the man dubbed Le Loup de Mer by Napoleon; and who had just recently returned to Britain following his exploits in the wars of liberation in South America and Greece. An unusual, uncommon and interesting title with superb provenance.

      [Bookseller: Peter Harrington]
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        The costumes of the members of the University of Oxford

      London: N. Whittock 16mo (12.2 x 112.9 cm, 4.75 x 44.45"). [1] f.; 17 col. plts.. [ca. 1830] Marvelous Oxford memorabilium offering => 17 hand-colored illustrations (two with two figures) of men in various types of academic dress associated with the University of Oxford, drawn, engraved, and published by Nathaniel Whittock. The contents unfold accordion-style in one long strip, in a => leporello binding. The series begins with a "scholar," proceeds to a pair of commoners, then to a "Gent[lema]n Commoner, undress gown," on to a "Gent[lema]n Commoner, dress gown," with noblemen, bachelors, masters, doctors, proctors and so one, closing with the impressively bedecked Chancellor; the Doctor of Music is notably fetching in this rendition, with a gracefully rippled music score held in one hand. The background of the images is blank, but in other copies we have had, there is continuous from panel to panel, a panorama of the University. Fully extended, the array of images is => over three and a half feet long. Binding: Publisher's red cloth, front cover with gilt-stamped title in decorative gilt-stamped medallion and blind-stamped corner fleurons. Binding as above, hinge (inside) with loss of paper and boards slightly askew; cloth a little loose or bubbled and with some lightened sections. Staining to front pastedown and endpaper, and action of old glue visible at two "seams" where plate sequences are joined, but interior otherwise clean and with all images bright and crisp.

      [Bookseller: SessaBks, A Division of the Philadelphia]
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        Romantische Landschaft mit mehreren Burgen und Reitern rechts im Vordergrund.

      - Feder in Schwarzbraun, auf bräunlichem Velin, links unten monogrammiert und datiert „18FP56.". 13,4:37,4 cm. Verso am Oberrand und an den Ecken Reste alter Verklebung. Provenienz: Sammlung Paul Arndt, München, Lugt Suppl. 2067b. Den studierten Juristen, den Komponisten und Zeichner aus Neigung ernannte Ludwig I. 1830 zum Zeremonienmeister am königlichen Hof. Diese Stellung ermöglichte dem musisch Begabten eine weit gefächerte Tätigkeit auf musikalischem, literarischem, wissenschaftlichem und graphischem Gebiet. 1847 wurde Pocci die Hofmusik-Intendanz übertragen, ein Amt, das er auch unter Max II. innehatte. Ludwig II. ernannte ihn 1864 zum Oberstkämmerer. Die Münchener Universität verlieh ihm 1854 den Ehrendoktor. Seine Rom- und Italienreisen unternahm Pocci zumeist als Mitglied des königlichen Gefolges. 1831 hatte ihn Ludwig I. zum Reisebegleiter seines Sohnes, den Kronprinzen Max, bestimmt. In den folgenden Jahrzehnten gehörte Pocci mehrfach zu denen, die Ludwig I. selbst während seiner Aufenthalte in Italien um sich zu haben wünschte. Mit Künstlern und Wissenschaftlern wie Schwanthaler, Quaglio, Kobell, Görres und Brentano stand Pocci in regem freundschaftlichem Kontakt und geistigem Austausch.

      [Bookseller: Galerie Joseph Fach GmbH]
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        Secretos Raros de Artes y Oficios Obra util a toda clase de personas. La da a luz un artesano deseoso de extender tan importantes conocimientos a su patria.

      1805-1830. . - Imprenta de Sancha/Eusebio Aguado/Villalpando/Repulles. Madrid. . 6 Vol. . . Octavo. Pasta española. Artesanía / Oficios / Artes decorativas (General), Siglo XIX . Paginación: Vol.I: XXVI+211+XXII+224 pp. Vol.II: XVI+224+XII+228 pp. Vol.III: XII+207+XI+224 pp. Vol.IV: XI+211+XII+251 pp. Vol.V: XV+250+XV+251 pp. Vol.VI: XVI+231+XII+251 pp. Curiosa enciclopedia de artesanía, incluye consejos, trucos, etc. de las más diversas artes, desde la carpintería a la caligrafía pasando por el tratamiento de los tejidos, trucos de cocina, agricultura, química, etc. Cada volumen contiene dos tomos enteros. Índices muy completos al inicio de cada tomo. El ejemplar está formado por tomos sueltos de las dos primeras ediciones, impresos en varias imprentas madrileñas. Obra muy difícil de encontrar entera, sirve como termómetro preciso del estado del conocimiento en aquella época. Buen estado. .

      [Bookseller: Librería Anticuaria Astarloa]
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        Neue Bildergallerie fur die Jugend.: Band III. Heft 1. [Hindostan] Plates 193-200.

      Gotha Carl Hellfarth's Steindruckerei 1830 - Attractive lithographs, each measuring 12.5 x 18 cm, of Bombay, Delhi, Agra, Seringapatam, with sati, an elephant hunt, an elephant, and a tiger. A very good copy in original wrappers. Some spotting to text, but plates clean.

      [Bookseller: John Randall (Books of Asia), ABA, ILAB]
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        Finish to the Adventures of Tom, Jerry, and Logic in Their Pursuits Through Life In and Out of London:

      1830. first edition. The Book that Probably gave Dickens the Theme That he Worked up into The Pickwick Papers" (Abbey)[CRUIKSHANK, Robert and George, illustrators]. EGAN, Pierce. Pierce Egan's Finish to the Adventures of Tom, Jerry, and Logic, in Their Pursuits Through Life In and Out of London: Illustrated by the Pencil of Mr. Robert Cruikshank, in 36 Scenes from Real Life, & enriched with several Designs on Wood by the same Artist. Dedicated to His Most Gracious Majesty King George the Fourth. London: Printed by C. Baynes for G. Virtue, 1830. First edition, first issue with plates imprinted 1828 or 1829 and woodcut on page seven. Quarto (9 1/4 x 5 5/8 inches; 235 x 143 mm.). xvi, 368 pp. Thirty-six hand-colored aquatint engravings including frontispiece, seven woodcut text illustrations engraved by J. R. Marshall and Sears. Bound by Riviére & Son, ca. 1920 in full crimson crushed levant morocco, covers with triple-gilt rules, spine with five raised bands, decoratively tooled and lettered in gilt in compartments, gilt board-edges and turn-ins, dark blue coated endpapers, all edges gilt. With the bookplates of Reuben J. Flick and Joel Spitz on front pastedown and free endpaper.Front joint slightly cracked but quite sound, a few of the later plates with slight offsetting from the text, otherwise a fine and clean copy."The only plate by G. Cruikshank is that at p. 251, 'Life in the East.'... The book was first published in twelve parts on gray pictorial wrappers with a design by Robert Cruikshank, subsequently issued in boards. The first issue calls for the date either 1828 or 1829 upon the plates and a woodcut upon p. 7 - the latter being blank in some copies of the first edition (second issue)... The book is unknown in parts; no complete copy having ever come to light, and in the original pictorial boards is of excessive rarity" (Cohn).The sequel to Life in London. "It is worthy of note that the general idea of the book probably gave Dickens a theme that he worked up into the Pickwick Papers." (Abbey)Cohn 264. Abbey. Life in England, 284. Tooley, 197.

      [Bookseller: David Brass Rare Books, Inc.]
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      Audin 1830 - In-16 de 340 pages de texte et 24 pages de partition. 2 figures dans le texte. Cet ouvrage est un classique dans l'histoire de la danse. Très jolie demi-reliure cuir avec fleurs au dos; mais haut et bas du dos décollés et éraflures sur le 1er et dernier plat. Petit manque sur la dernière page de garde mais intérieur très bon. [Attributes: First Edition; Hard Cover]

      [Bookseller: pollet-villard the sniper]
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        Fra Diavolo ou l'Hotellerie de Terracine. Opére comique en trois actes. Paroles de Mr. Scribe. Représenté pour la 1ère fois, sur le Théâtre Royal de l'Opéra Comique le 28 Janvier 1830. Partition

      Paris : Troupenas, PN 334, [1830] - Partitur. [2] Bll. (Titel, recto blanco, personnages/catalogue des morceaux, verso blanco), 435 S. Gestochen. Marmor. HLdr. d. Zt. Bibliotheksexpl. mit mehreren Stempeln auf Titel und Notenseiten. Einige Lagen/Blätter lose. Stellenweise Blei-, Rot- und Blaustift-Eintragungen und einigeEIntragungen mit roter und blauer Kigelschreiber. // Full score. Engraved. Contemp. marbled HLeather. Ex-librray copy with several stamps to title and contents. Occasional pencilled and red/blue pen-annotations. AWV 18. Sehr seltene Erstausgabe der Partitur, Schneider S. 465. fr

      [Bookseller: Paul van Kuik Antiquarian Music]
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        Gegend bei Weimar mit sommerlichen Spaziergängern auf der Bank sitzend.

      . Radierung, um 1830, auf Velin. 16,4 x 21,9 cm. Literatur: Nagler aus 6.- Schöner Druck mit breitem Rand, Bugfalte geglättet..

      [Bookseller: Galerie Joseph Fach GmbH]
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        Adolphs Bilderbuch, aus welchem zu ersehen, wie Gottes Werk von keiner Macht gehindert werden kann oder Erzählungen von der Einführung des Christentums und der durch Luthern gestifteten Reformation, zur Belehrung Aller, die in der Geschichte des Christentums Gottes Fügungen erkennen wollen

      Meißen, Friedrich Traugott Uz, ca. 1830.. Zweite ganz umgearbeitete Auflage. Mit 20 kolor. Holzschnitt-Tafeln. 220 S., 2 Bll. Pappband. Wegehaut I, 16 (ohne die "Schlußbetrachtungen" auf den SS.217-220 und dem Register). Seltenes historisches Kinderbuch, das in aufklärerischer Manier nach einem Exkurs über die Verbrechen der katholischen Kirche den Werdegang Luthers und die Einführung des Protestantismus erzählt. Die hübschen Tafeln zeigen Schlüsselszenen der Geschichte. - Tls. fleckig, einige Tafeln mit Bleistiftkritzeleien verso. Eingebunden ist eine zusätzliche, unkolorierte Tafel.

      [Bookseller: Antiquariat Turszynski]
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        Les Ruines, ou Meditation sur les Revolutions des Empires, suivies de la Loi naturelle.

      Libraire Philosophique, Brüssel. 1830.. 359 S. Mit einem Frontispizporträt u. einer Faltkarte. Kl.-8°, Halbleinenbd. d. Zt.. Einband berieben mit kleinen Abrieben an den Ecken, Bll. gebräunt und teils (stock)-fleckig. Für unsere Schweizer Kunden: Konto in der Schweiz vorhanden

      [Bookseller: Rotes Antiquariat]
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        A treatise on fish and fish-pondsa, by The. Hon. (...). Illustrated with eighteen beautifully-coloured specimens, by Ebenezer Albin.

      London 1830. Folio. 1800-talls skinnryggbind med enkel ryggforgyllingog tittelfelt i svart skinn, marmorerte dekler. Helt gullsnitt. 92 s. 18 helsides håndcolorerte farveplansjer.Folio. 19th century leatherbacked binding, spine simply gilt, title in black, marbled covers. A. e. g. 92 pp. With 18 handcoloured plates.. Våpen-ex libris. Noe svake ytre falser.Armorial bookplate

      [Bookseller: Damms Antikvariat]
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        Algiers. "Vue D'Algier

      Africa: Paris Lemercier c1835. Large tinted Lithograph view of the Port of Algiers. The view from the sea shows the town from the sea ,showing the light house and sea walls built to El Peñón. Algiers was captured by the French in 1830 and became the capital of French Algeria. Overall light foxing heavier to blank margins; 2 creases into image; tear [35mm] to lower margin repaired; short tear [7mm] to upper margin. Africa Algieria Algiers

      [Bookseller: Mary Louise Bryan/Paralos Gallery]
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        Beschreibung der Glyptothek Sr. Majestät des Königs Ludwig I. von Bayern. Architektonischer Theil von Leo von Klenze, Verzeichniss der Bildwerke und Gemälde von Ludwig Schorn

      viii, 220 pp. Small 8vo, red sheep maroquiné, covers stamped in gilt & blind, flat spine gilt, a.e.g. Munich: J.G. Cotta, 1830. First edition of the first catalogue of the famous Glyptothek, Munich's oldest museum and the only museum in the world devoted to sculpture. While a few of the sculptures originate from the Wittelsbach Prince Electors, most of the Greek and Roman marble examples were purchased by Ludwig I who had travelled through Italy in the years 1804-05. The Glyptothek was designed by von Klenze (1784-1864), architect to the court of Ludwig I, between 1816 and 1830. He has provided here a detailed account of the building. Schorn has carefully described 328 sculptures. A very fine copy from the library of the dukes and kings of Bavaria. Apparently lacking an errata leaf at end. ❧ Murray, Museums. Their History and their Use, III, p. 38. .

      [Bookseller: Jonathan A. Hill, Bookseller, Inc.]
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        HAIGERLOCH. "Haigerloch". Gesamtansicht von einer Anhöhe aus, rechts das Schloß.

      - Lithographie von F. Schnorr, "zu haben bei Buchbinder Brucker in Haigerloch", um 1830, 24,5 x 36,5 cm. Die seltene Ansicht mit ca. 25 mm Rand. Kleinere Randeinrisse sorgfältig hinterlegt.

      [Bookseller: Peter Bierl Buch- & Kunstantiquariat]
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        Raupenkalender oder systematisches Verzeichnis aller Raupen welche in Deutschland bekannt sind.

      Frankfurt a.M., Phil. Heinr. Guilhauman Verlag, 1830 - Mit 6 ilum. Steintafeln. 122 x 196 mm, XXX+400+6 Tafeln, Halbleder der Zeit mit Rückentitel, Deckel in Wurzelholz-Marmorierung, Name auf Vorsatz, in gutem bis sehr gutem Zustand. 1000 gr [Attributes: Hard Cover]

      [Bookseller: Versandantiquariat Werner Eichel]
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        PASSAU. - Tracht. "Bürgersfrauen von Passau". Junge und ältere Frau beim Kirchgang mit Gebetbüchern in Händen.

      - Altkol. Lithographie von Lipowski bei Hermann, München, um 1830, 24,5 x 19,5 cm. Lipperheide Dfc 6; Lentner 11355. - Aus F.J. Lipowski, "Sammlung Bayerischer National-Costume".

      [Bookseller: Peter Bierl Buch- & Kunstantiquariat]
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        Poésies ENVOI AUTOGRAPHE

      Paris: A. Boulland, 1830. Fine. A. Boulland, Paris 1830, 14,5x22,5cm, 2 volumes reliés. - First collective edition of his poetic works, partly original for the third part, decorated with 4 inset figures engraved on copper by Frilley, Cousin and Durand after Tony Johannot, Pujol, Deveria and Henri Monnier. Our copy is enriched by 5 letters of Felix Delhasse years 1888-1891 (1809-1898), a Belgian journalist who was a close friend of Desbordes-Valmore family. Binders of the time in half morocco eggplant with corners, back with four false nerves ornate coffered and gilded finials and typographical motifs cold, net gilded on the paper plates to the tank. Foxing and halos several layers, due to excessive washing. Two scorched notebooks, as usual. - [FRENCH VERSION FOLLOWS] Première édition collective de ses œuvres poétiques, en partie originale pour la troisième partie, ornée de 4 figures hors texte gravées sur cuivre par Frilley, Cousin et Durand d'après Tony Johannot, Pujol, Devéria et Henri Monnier. Notre exemplaire est enrichi de 5 lettres de l'auteur datées des années 1888-1891 à Félix Delhasse (1809-1898), journaliste belge qui fut l'ami intime de la famille Desbordes-Valmore. Reliures de l'époque en demi maroquin aubergine à coins, dos à quatre faux nerfs richement ornés de caissons et fleurons dorés et de motifs typographiques à froid, filet doré sur les plats de papier à la cuve. Rousseurs et auréoles à plusieurs feuillets, dues à un lavage excessif. Deux cahiers roussis, comme d'habitude.

      [Bookseller: Librairie Le Feu Follet]
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        BURNETT?S VIEWS OF CINTRA. [Versos dedicados a Sintra por Byron no Child Harold]

      - Published by Josh. Dickinson. London. [W. S. Burnet, Esq. - Lisboa. F. F. B. Esq. Oporto]. Londres. S/d [circa 1830-40]. In fólio (de 50x35,5 cm) com 1 folha de dedicatória; e com 14 gravuras litografadas com mancha gráfica de 20x28 cm. Exemplar preserva as capas de brochura que serve de folha de rosto e em que estão os 2 versos dedicados a Sintra por Lord Byron. William Hickling Burnett (ca.1800 - ca.1870). Duarte de Sousa 2, 117. "No rosto estão transcritos versos do «Child Harold» de Byron. Album of lithographies from landscapes of the town Sintra (or Cintra) and its environs; a quite place (locus amenus) of the English romantic literature and travels from the end of the 18th Century onwards. Panoramas namely from: 1. Cintra 2. Cintra from from the east 3 The Market place 4 Entrance to Cintra 5 The Convent of the Penha Longa 6 The Convent of N. Sra. da Penna 7 General view of Cintra 8 Cintra from the west 9 The Cork Convent 10 A part of the palace 11 An old chapel of the Moorish Castle 12 The Church of Cintra 13 A Distant view of the Penna Convent 14 Entrance to the Penna Location/localizacao: Sala 5

      [Bookseller: Livraria Castro e Silva]
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