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Displayed below are some selected recent viaLibri matches for books published in 1821

        TURKEY: Being a Description of the Manners, Customs, Dresses, and Other Peculiarities Characteristic of the Inhabitants of the Turkish Empire. To which is Prefixed a Sketch of the History of the Turks.

      London, printed for R. Ackerman, no date, (1821). FIRST ENGLISH EDITION 1821, translated from the French edition of 1812. World in Miniature series edited by Frederic Shoberl. 6 volumes, (1821), the plates that are dated have the date 1821. 12mo, bound in sixes, approximately 135 x 90 mm, 5¼ x 3½ inches, 73 aquatint hand coloured plates as called for in the plate list in Volume 1, mostly of costumes, a few of musical instruments, weapons, flags, head-dresses, the English edition contains 1 extra plate, pages: [ii], xv, 211; [ii] 237; [ii] 264; [ii] 300; [ii] 234; [ii] 244, collated and complete, bound in half purple calf, gilt lettering and decoration between raised bands to spines, purple cloth covers, marbled endpapers, gilt top edges. Spines uniformly faded, binding slightly rubbed, slight shelf wear to edges, gilt dull on spines, pale offset from plates to text, 1 plate and facing page lightly foxed, pale age-browning affecting a few plates, apart from the offset from the plates, text and plates are clean, the books have been slightly trimmed with the loss of date and publisher on bottom margin of some plates, otherwise a very good set. See Henry M. Blackmer II, page 223, Numbers 463 & 464; Sefik E. Atabey, The Ottoman World, Volume 1, page 101, No. 205; Rene Colas, Bibliographie Generale, du Costume et de la Mode, page 194, No. 545; Travel in Aquatint and Lithography 1770-1860, From the Library of J. R. Abbey, Volume 1, page 17. MORE IMAGES ATTACHED TO THIS LISTING, ALL ZOOMABLE. FURTHER IMAGES ON REQUEST. POSTAGE AT COST.

      [Bookseller: Roger Middleton P.B.F.A.]
 1.   Check availability:     maremagnum.com     Link/Print  


        Oeuvres

      chez E.A. Lequien,, Paris, 1821 - Ventuno volumi di cm. 20,5, pp. 7.000 ca. complessive. Con ritratto di Rousseau all'antiporta del primo volume, tavole ripiegate musicali ed un fac-simile d'autografo ripiegato alla fine dell'ultimo volume. Solida ed elegante legatura del tempo in mezza pelle verde, dorsi a piccoli nervi conb ricchi fregi e titoli in oro. annotazioni e segni a matita ai primi tre volumi, peraltro esemplare genuino e ben conservato. [Attributes: Hard Cover]

      [Bookseller: Studio Bibliografico Benacense]
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        Les soirées de Saint-Petersbourg ou entretiens sur le gouvernement temporel de la providence

      First Edition. Bound in full mottled tan sheepskin, flat spine richly decorated with golden patterns typographical part of title sheepskin tawny piece volume number of green sheepskin bottle dotted gilt-edged, two lower corners lightly bumped, small marginal recovery on the first flat the second volume, contemporary binding. Book illustrated with a portrait of the author as a frontispiece to the first volume with an annotation in Latin by a previous owner. A pale wetness marginally foot sheets of the first volume, three small ink spots affecting the margins of the first page and from 383 to 450 pages of the first volume, otherwise good condition inside virtually free of foxing. --- Please note that the translation in english is done automatically, we apologize if the formulas are inaccurate. Contact us for any information! Lib. Grecque, latine & française Paris 1821 12,5x20,5cm 2 volumes reliés

      [Bookseller: Librairie Le Feu Follet]
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        Marino Faliero, Doge of Venice. An historical tragedy, in five acts. With notes. The Prophecy of Dante, a poem. FIRST EDITION, 1st issue.

      John Murray. 1821 Half title, final ad. leaf. Uncut in sl. later half tan calf by C.H. May of London, spine with raised bands & gilt devices. Armorial bookplate of Gilbert Compton Elliot. t.e.g. v.g.Randolph p.73; Wise II.29-30. With the Doge's Speech on p.151 in 5 lines.Neatly tipped into the prelims are three printed playbills, in excellent condition, relating to the peculiar circumstances surrounding the first performance of the play.Byron had always insisted that the piece was not intended for the stage. In a letter written to John Murray in the Autumn of 1820, he stipulated 'I thought I had told you long ago, that it never was intended nor written with any view to the stage' (Letters, vol. V, p81). Later in the year he reiterated the sentiment: 'His [the Doge's] speeches are long; true - but I wrote it for the closet (ibid. p90).' His wishes were again expressed in the introduction to the printed play, where he stated categorically, 'I have had no view to the stage'. Despite Byron's wishes, Robert Elliston, the manager of the Drury Lane theatre, obtained a printed copy of Byron's play, and it was rushed on to the stage on 25th April 1821 with a hastily assembled and under-rehearsed cast which included John Cooper as Marino, Wallack as Bertuccio, and Mrs West as Angiolina. Although he had failed to gain the blessing of either Byron or John Murray to stage the work, having obtained nominal permission from George Lambe on the Drury Lane Committee, Elliston submitted a heavily censored text to the Lord Chamberlain for licensing: 'we have so curtailed [it] that I believe not a single objectionable line exists'. (This text is now in the Huntington Library.) The first playbill (not in Arnott & Robinson), dated Wednesday, April 25th 1821, is the original printed announcement of this first performance: 'This evening ... His Majesty's Servants will perform (for the first time) Lord Byron's Tragedy, Marino Faliero, Doge of Venice.'The second handbill (Arnott & Robinson, 3848), headed Theatre Royal, Drury Lane, April 26th, 1821, is the first printed indication that the decision to stage the play did not sit favourably with Byron and his publishers: "Lord Byron's Tragedy of Marino Faliero, was received, last Night, with the Applause and Acclamation which had been anticipated from the high genius of its distinguished Author. Its repetition would have been announced for this Evening, as a matter of course; but certain Persons, on grounds at present incapable of being understood, and which remain to be explained and justified, have thought fit to obtain an INJUNCTION in CHANCERY, against the Representation of the Play." The injunction had in fact been obtained by John Murray, and it prohibited, with immediate effect, any further performances of the play. Elliston, with the law technically on his side, issued this indignant (unsigned) riposte. Printed at the Theatre's own press , and taking full advantage of Byron's exile, Elliston bemoaned the temporary prohibition of the tragedy, and expressed confidence that it would soon be offered to the public once more: '...the further performance of the Tragedy must for the present moment be suspended. It is conceived, however, that the Impediment thus thrown in the way ... can be of very short duration, and that the Piece will, before long, be again exhibited with the brilliant success which attended its performance yesterday Evening'. By the 30th of April, in a handbill headed 'Renewed Performance of Lord Byron's Tragedy' Elliston was once again able to announce the imminent performance of Marino Faliero. Signed 'Theatre Royal, Drury Lane, Monday, April 30, 1821' this is not in Arnott & Robinson. Elliston, with the injunction now lifted 'under the authority of an order by the Lord Chancellor', stated that 'Nothing has been done on the part of the Theatre, in this affair, which has not, in numberless instances, occurred before...'. Elliston was keen to underscore the positive impression the play had made: 'No impression could have been more forcible: no applause more genuine, or perfect'. However, contemporary reviews indicate that Elliston's adaptation was not favourably received, and the production was not a financial success.

      [Bookseller: Jarndyce Rare Books]
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        De la Colonie de Frederiks-Oord et des moyens de subvenir aux besoins de l'indigence par le défrichement des terres vagues et incultes.

      Gand: J. N. Houdin, 1821. Octavo, uncut, in wrappers. First French edition: history of the formation of an early socialist society in Europe.This is a French translation from the Dutch of a text by the reformer van den Bosch, who, along with his Societé de Bienfaisance set up the colony of Frederiks-Oord in an attempt at social regeneration. In a movement similar to the kibbutzim of the twentieth century, the Societé advocated reintegrating the disenfranchised and neglected by allotting them barren tracts of land which they could renew through their own labour. Within Frederiks-Oord all are given equal rights, but all must also submit to the communal impetus in the formation of 'un état laborieux, mais productif, une existence honnête et indépendante.'Like so many utopian societies of the nineteenth century, an unquestioned faith in progress and innovation combines with an inherently positivistic notion that through work comes freedom and societal harmony. Throughout, there is a tension between blunt economic appraisals of the individual and idyllic portrayals of the community as a fantasy of ease and prosperity. Creased and generally worn paper wrappers, but in good original condition.

      [Bookseller: Hordern House]
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        Histoire d'une luxation de la tête du fémur sur la branche ascendante de l'ischion,... et description d'une méthode nouvelle pour procéder à la réduction de ce genre de déplacement, suivie d'un léger aperçu sur l'état de la chirurgie chez les anciens et jusqu'à nos jours.

      Paris, Gabon, Bourges, Mlles Bouguet, 1821. ____ Première et seule édition. L'auteur, chirurgien à Bourges, avait été l'élève de Larrey. Illustré par une grande planche dépliante gravée. Le faux-titre porte : "Mémoire de chirurgie". Envoi de l'auteur : "de la part de l'auteur à Monsieur Gilbert, chef à l'Ecole de médecine de Paris." Un cachet en cire rouge a été apposé sous cet envoi. Ex-libris : Bibliothèque du docteur Ozenne. Très rare : seuls deux exemplaires dans les bibliothèques publiques de France (Académie de médecine et Bibliothèque interuniversitaire de médecine). Pas d'exemplaire dans OCLC. Rousseurs et petits défauts à la reliure. Bon exemplaire. ***** Only edition. No copy in OCLC. In-8. [178 x 109 mm] Collation : 52, (1) pp., 1 planche h.-t. Basane marbrée, dos orné, dentelle d'encadrement sur les plats. (Reliure de l'époque.).

      [Bookseller: Hugues de Latude]
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        "Neue Modifikation des Lichtes durch gegenseitige Einwirkung und Beugung der Strahlen, und Gesetze derselben" in Denkschriften der Königlichen Akademie der Wissenschaften zu München für die Jahre 1821 und 1822, Vol. VIII, pp. 1-76

      [For the Fraunhofer article]: two engraved plates (two double-page & one folding) & four lithographed plates (one folding). [12 plates for the entire volume]. Large thick 4to, orig. orange boards, printed paper label on spine, uncut. [Munich: 1821]. The entire journal volume, with the first appearance of Fraunhofer's paper "Neue Modifikation des Lichtes…," the first quantitative study of diffraction phenomena. "In 1821 and 1823, shortly after Fresnel's studies of interference phenomena had received general attention, Fraunhofer published two papers in which he observed and analyzed certain diffraction phenomena and interpreted them in terms of a wave theory of light. In the 1821 paper he discussed his examination of the spectra resulting from light diffracted through a single narrow slit and quantitatively related the width of the slit to the angles of dispersion of the different orders of spectra. Extending his observations to diffraction resulting from a large number of slits, he constructed a grating with 260 parallel wires… "Although David Rittenhouse and Thomas Young had previously noted some effects of crude diffraction gratings, Fraunhofer made the first quantitative study of the phenomena. The presence of the solar dark lines enabled him to note that the dispersion of the spectra was greater with his grating than with his prism. Hence, he examined the relationship between dispersion and the separation of wires in the grating. Utilizing the dark lines as bench marks in the spectrum for his dispersion determinations, he concluded that the dispersion was inversely related to the distance between successive slits in the grating. From the same study Fraunhofer was able to determine the wavelengths of specific colors of light."-D.S.B., V, p. 143. A very fine and fresh copy, seemingly printed on thick paper, and in as-new condition. From the Wittelsbach library of the dukes and kings of Bavaria.

      [Bookseller: Jonathan A. Hill, Bookseller, Inc.]
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        Palmier Doum - Details de la feuille et de la grappe.

      Henri-Joseph Redoute (1759-1840). Palmier Doum - Details de la feuille et de la grappe. Stipple-engraving of the fruit and leaf of the Egyptian doum palm from the 'Description de l'Egypte', publisher's blindstamp in upper right corner, published by C.L.F Panckoucke, Paris, 1821-30. 595 x 430mm. £795

      [Bookseller: Henry Sotheran Ltd.]
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        An essay on the production of wealth;

      8vo., xvi430pp., title-page lightly soiled and with faint show-through of an old library stamp on verso, another old inkstamp at foot of final leaf, in a fine recent binding of old-style sprinkled half calf gilt with raised bands and morocco gilt-lettered spine label. A handsome copy.Publisher: London: Longman, Hurst, Rees, Orme, and Brown.Year: 1821Edition: First edition. Goldsmiths 23151. Kress C.795. Sraffa 5914. Mattioli 3642. Not in Einaudi.

      [Bookseller: John Drury Rare Books]
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        Analyse du jeu des échecs: avec une nouvelle notation abrégée, et quarante-deux planches où se trouve figurée la situation du jeu pour les renvois et les fins de partie. Nouvelle Édition. A laquelle on a joint la figure et la marche des différentes pièce

      Philadelphia: Chez J Johnston, libraire-editeur. Imprimerie de Lafourcarde, 1821. 150 pages with 42 color imprints in green, black and red and one wood cult illustrations of chess piece. Small octavo (7" x 4 1/2") bound in quarter leather with raised spine bands and gilt lettering to spine. (Hagedorn: 6; Bibliotheca van der Linde-Niemeijeriana:457) Later edition of Philidor's work first published in 1749.Fiske noted that the paper, typography and general appearance of the work prove to have been printed in Europe and probably Belgium. But despite its spurious imprint, Hagedorn felt that it required inclusion in his bibliography of Chess in America to 1859. He goes on to suggest that the problems of its pedigree have yet to be solved. America had at that time achieved no fame in the chess world that would make a book from the United States attractive to foreign players. It does not seem to be based on any known American work. He suggest that the answer might be found in the publishing records of early nineteenth century Belgium.In 1736 at the age of 10, Francois-Andre was exposed to chess by the musicians who played chess during spells of inactivity. Cards were forbidden to pass the time, so chess was played. He learned the game by watching the band members play. He later visited the Cafe de la Regence in Paris and spent much of his time playing chess there. In 1737, at the age of 11, his first music composition, a religious piece, was played before King Louis XV. He left the Chapel Royal choir in 1740 when his voice changed. In 1740 he went to Paris where he earned a living by copying music and giving music lessons. In 1741 Philidor was being instructed by M. de Kermur, Sire de Legal (1702-1792), the leading French chess player. Legal initially gave Philidor rook odds. For the next three years Kermur taught Philidor until Philidor was too strong for his teacher. By 1750 Philidor was considered the strongest player in France, England, and the Netherlands. The French Ambassador, the Duke of Mirepoix, invited Philidor for his weekly chess dinners. In 1751 Philidor left England for Prussia, playing before King Frederick (Frederick the Great) at Potsdam. He then visited Berlin where he played 3 blindfold games simultaneously, winning them all. He then returned to England. In November 1754 he returned to France after being gone for 9 years. He started composing music again. He did not return to England until 1772. He applied unsuccessfully for the post of court composer at Versailles. A rumor had started that nobody could be a chess master and compose good music, so his church music was not really his own. His church music was not accepted by the French royalty because Philidor added an Italian influence to it, so he turned to comedy opera. In 1755 he beat Legal in a chess match at the Cafe de la Regence. On February 13, 1760, at age 33, he married Angelique Richer (1736-1809). He had 5 sons and 2 daughters with her. Condition:Some rubbing to extremities, some light foxing, gift inscription on front end paper else a very attractive copy.

      [Bookseller: The Book Collector ]
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        Oeuvres complètes de Shakspeare

      Chez Ladvocat. Première édition réalisée par Guizot dans la traduction de Letourneur révisée par Guizot et A. P. Notice biographique et littéraire par Guizot. Un portrait de Shakespeare en frontispice.bindings en demi basane vert sombre légèrement postérieures. spine lisses ornés de 2 fers Restauration, de filets et roulette en queue. spine ayant viré uniformément au brun. Frottements en spine-ends, mors et coins et bordures. Manque en marge p. xxxv.Chaque pièce est suivie de notes. Il n'a été fait qu'un choix parmi les sonnets de l'auteur qui ne sont donc pas complets ; les pièces le sont par contre. Chez Ladvocat Paris 1821 In-8 (13,5x20,6cm) 13 tomes en 13 volumes reliés

      [Bookseller: Librairie Le Feu Follet]
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        Veduta di porzione degli avanzi dell'Ambulacro del piano terra nel Colosseo.

      Rome. 1821. Copperplate engraving, 18 1/4 x 15 1/4 inches on sheet size 30 1/4 x 20 1/2. Light scattered foxing, mainly in outer margins, a few 1/4 inch tears to outer edges and chip to upper left corner of sheet (not affecting image), dampstain to upper left margin (outside plate area), pieces of adhesive tape along verso of right edge (not visible from front), soft undulations to paper. A very good impression. Ground level view of a portion of the remains of the Colosseum. This impressive engraving by Luigi Rossini (1790-1857) is from the Le Antichita Romane series, depicting the antiquities of Rome and environs. Carrying on the tradition of Giovanni Battista Piranesi (1720-1778) and himself an architect, Rossini's prints celebrated the Classical Tradition and appealed to the well-to-do tourists on the Grand Tour and to architects and designers. The engravings powerfully evoke the glories of Ancient Rome, while also providing the modern viewer with glimpses of this magnificent city in the early 19th century.

      [Bookseller: oldimprints.com]
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        Fables Sénégalaises, recueillies de l'Ouolof et mises en vers Français, avec des notes destinées à faire connaître la Sénégambie, son climat, ses principales productions, la civilisation et les moeurs des habitans. Paris, Nepveu, Firmin Didot and Ponthieu, 1828. 12mo. Original blue publisher's printed paper wrappers, untrimmed.

      - Gay, Bibl. de l'Afrique et l'Arabe 2933; Quérard III, p. 114. Collection of Senegambian fables, collected by a Senegambian and translated into French verse by Baron Roger, commander and administrator for France at Senegambia from 1821 to 1827. In his preface, Baron Roger explains the differences between European and African fables, and extensively explains each fable with reference to the Senegambian situation and culture. En Créole dans le Texte calls it the first collection of African tales for which large parts can be traced in the tales of the Antilles, proving the authenticity of the fables and the exemplary work of the editor. It contains 43 fables and a poem about the love between two palm trees, also with extensive notes, plus a poem and epilogue concerning Bouflers, Governor of Senegambia from 1785 to 1787.Wrinkled throughout and first and last leaves sticking to wrappers. Wrappers damaged. In good condition, untrimmed and most bolts unopened.

      [Bookseller: ASHER Rare Books]
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        A Vision Of Judgement (First Edition, 1821, With Half-Titles)

      Longman, Hurst, Rees, Orme, and Brown, London 1821 - First Edition, Complete. Xxvii, Contents Page, 79 Pp. Uncut In Original Boards, Half Title Present With Printer's Name On Verso, , Lacking The Three Leaves Of Advertisements At Front, With Additional Half-Title (Without The First Half-Title's Printer's Mark On Verso) Bound Between The Contents Page And The Text. Original Endpapers And Boards, Original Spine Perished And Then Bound With A Three Inch Wide Strip Of Maroon Leather The Length Of The Spine. Boards Very Worn, Corners Rounded, Small Losses At Edges, Boards And Endpapers Somewhat Lightly Soiled.Font Hinge Cracked But Inteact. Pages Clean. No Names Or Marks Or Bookplates. [Attributes: First Edition; Hard Cover]

      [Bookseller: Arroyo Seco Books, Pasadena, Member IOBA]
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        Minéralogie appliquée aux arts ou histoire des minéraux qui sont employés dans l'agriculture, l'économie domestique, la médecine; la fabrication des sels, des combustibles et des métaux; l'architecture et la décoration; la peinture et le dessin; les arts mécaniques; la bijouterie et la joaillerie.

      Paris, Levrault, 1821. ____ Première édition. Illustré par 15 planches en lithographie hors-texte dont une est en partie coloriées à l'époque. Une partie de cet ouvrage reprend les éléments publiés par l'auteur dans son "Traité des pierres précieuses" de 1808. Ceci fait dire à Sikankas, qu'il s'agit d'une édition augmentée de ce traité. Nous dirions plutôt revue et très augmentée, le sujet de cette "Minéralogie appliquée" étant beaucoup plus large. Cyprien Prosper Brard (1786-1838) a été ingénieur en chef aux mines d'Alais et attaché au Muséum. "Very large, comprehensive economic mineralogy; provides descriptions, sources, uses, etc, for a wide variety of mineral substances, including stones and minerals useful in the ornamentation of structures and the manufacture of ornamental objects, gems and jewelry." Sinkankas, Gemology 898. Fente à une charnière sur deux volumes. *****. 3 volumes in-8. Collation : (6), VIII, 696 / (4), 491 / (4), 524 pp., 15 planches hors-texte. Demi-basane verte, dos orné, tranches mouchetées. (Reliure de l'époque.).

      [Bookseller: Hugues de Latude]
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        The Pastorals of Virgil...

      London: 1821. 2 vols., small 8vo, xii (-vii/viii), 12, xxiv (-i/iv), 214 pp; [I], [215]-592 pp. With an engraved frontispiece to each volume, and 230 illustrations including 17 woodcuts and 6 engraved plates by Blake, and four other designs by Blake engraved by others. Old half brown morocco, marbled boards and edges, gilt-lettered backstrips, a little scuffed and worn but internally fine. Unrecorded issue, with a slip pasted over the publisher’s imprint etc. A very fine copy of a scarce work in any condition as it was issued for use in schools. Blake contributed 17 woodcuts to this volume (as well as 10 other plates, of which he engraved six) which were not well received; nor were they well treated by the publisher who cut down the blocks and printed them poorly. Only a few proofs before they were trimmed are now extant. These blocks have remained amongst the most influential woodcuts in the history of British art and their influence can be seen from Calvert and Palmer all the way up to the present day. The blocks were saved by Linnell and were printed not long after Blake's death as separate impressions (perhaps by Calvert), and again in 1977 as a set by Iain Bain. Any impressions are now very hard to find. For a full discussion of this wonderful book, see Essick's masterly monograph A Troubled Paradise... (San Francisco: John Windle, 1999). Bentley, Blake Books, 504. Bindman 602-18. Easson and Essick I, X. Of this copy Essick noted: “There is one, perhaps interesting, variation to the usual collation. You'll observe in the image of the Title Page that prior to sale Thornton has pasted a small printed slip over the pricing details at the foot of the page. Thus it reads: 'At the French and English Juvenile Library, No. 195, (St. Clement's), Strand.) In volume II the original price note has been left intact with just the reference to '15s' obscured. I can't find any other reference to publications under the umbrella of such a Library. The obvious conclusion would be that it was a sales device by Thornton intend to dispose of unsold copies - and might provide a footnote to Blake bibliography.”

      [Bookseller: John Windle Antiquarian Bookseller]
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        An Historical Account of the Colony of New South Wales.

      London: Rudolph Ackermann, 1821. Folio, with a map and 12 engraved plates, six of them large and folding, the other six full-page; complete with half-title; a very good copy with large margins in later deep brown morocco with gilt spine lettering. A very good copy of the first view book engraved in Australia, an extraordinary collaboration between Major James Wallis, then commander of the convict settlement at Newcastle, and the convicts under his command, notably Walter Preston and Joseph Lycett. The illustrations for Wallis' celebrated and beautiful view book show in great detail scenes in Sydney, Newcastle, and the Hawkesbury River, as well as an Aboriginal corroboree, kangaroos and black swans. In many ways the series represents a celebration of the progress of the colony under Governor Macquarie, and Macquarie himself was very taken with the work.Preston had earlier worked with Absalom West on his famous views of Sydney, while Lycett had only recently been sent to Newcastle after his involvement in the forging of bank drafts in Sydney. At the time, Newcastle enjoyed a fearsome reputation for brutal secondary punishment and was described by Lieutenant Purcell as "the Hell of New South Wales."Wallis had arrived in the colony in 1814 and proved a successful commandant at Newcastle, transforming the shabby convict outpost into an ordered town, mirroring on a smaller scale what Macquarie had achieved in Sydney. Wallis was not a stern disciplinarian, yet seemed to motivate the convicts under his command by virtue of his tireless energy and enthusiasm. He focused the considerable artistic skills of the forgers to produce this series of skilled and remarkable views of the colony: Preston was tasked with working upon the only copper sheets available, intended for sheathing the hulls of ships, a difficult material softer than standard engraving copper.Both Preston and Lycett were pardoned by Macquarie on Wallis' recommendation, in no small part because of their work on this book. When Wallis departed Australia in 1819 he took the plates with him to London where this book was published by Ackermann, complete with an introductory history of the colony and a map of Port Macquarie by the surveyor John Oxley.This is an example of the more complete issue with the addition by the publisher of a preliminary leaf containing extracts from the Sydney Gazette in praise of Wallis' success as commandant of the Newcastle settlement. Frontispiece a little aged, expert paper repairs to one folding plate, occasional light foxing but in generally very good condition.

      [Bookseller: Hordern House]
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        Laicas vivacidades de Quimper, Antorcha Peruana, Acaecimientos del Perú en civiles guerras, promovidas por el Reyno de Buenos-Ayres, desde el año 1809 hasta el de 1818.

      (avant 1821). ____ MANUSCRIT antérieur et différent de sa version publiée. Manuel Quimper (Lima, vers 1757 -1844) explorateur, cartographe, officier naval et colonial - il a notamment participé à la cartographie du détroit de Juan de Fuca et des Îles Sandwich - donne dans ce poème son témoignage de la guerre civile au Pérou de 1809 à 1818. Ce manuscrit, très bien calligraphié, est antérieur à la publication imprimée en 1821. Les 10 décima, titrées "Adicion" que l'on trouve à la fin du manuscrit, ont été incluses dans le texte imprimé. Par ailleurs, le "Suplemento", que l'on trouve dans ce manuscrit, est différent et beaucoup plus court que dans la version imprimée, qui a pour titre : "Suplemento en 1821". Enfin, l'exemplaire imprimé de la Biblioteca Nacional de Espana, contient deux décima manuscrites à la fin, des "adicion", que je n'ai pas trouvé dans le manuscrit. Bel encadrement du titre à la plume. Très bel exemplaire. ***** MANUSCRIPT different and earlier from its published version. Manuel Quimper (Lima, by 1757 1844) explorer, cartographer, naval and colonial officer - he participated in particular in the mapping of the strait of Juan de Fuca and Islands Sandwich - gives in this poem his personal observations of the civil wars in Peru from 1809 till 1818. The ten "décima", titled "adición" found at the end of the manuscript, were included in the printed text. Moreover, the "Suplemento" found in this manuscript, is different and much shorter than in the printed version, which is titled "Suplemento in 1821". The printed copy of the Biblioteca Nacional de Espana, contains two handwritten "décima" at the end of "adición" which is not found in the manuscript. Beautiful frame of the title. Very nice copy. In-8. [203 x 140 mm] Collation : (14), 177 pp. Veau marbré, dos orné, dentelles d'encadrement sur les plats, tranches dorées. (Reliure de l'époque.).

      [Bookseller: Hugues de Latude]
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        Voyage aux Alpes-Maritimes, ou histoire naturelle, agraire, civile et médicale, du comté de Nice et pays limitrophes ; enrichi de notes de comparaison avec d'autres contrées.

      Paris, F. G. Levrault, 1821. ____ Première édition. Description très minutieuse des Alpes Maritimes, par le plus grand professeur de médecine légale de cette époque. L'essentiel du premier volume traite de l'histoire naturelle de la région. Petits frottements aux coiffes et aux coins, quelques rousseurs. Bel exemplaire. Perret 1690 : "Rare." Ex-libris Arpad-Plesch. *****. 2 volumes in-8. [201 x 125 mm] Collation : XXIV, 376 pp. / (4), 426, (6) pp. Cartonnage bleu, dos orné. (Reliure de l'époque.).

      [Bookseller: Hugues de Latude]
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        Utopiaansche Courant 1-12; Utopiaansche weekblad 1-14 [with] Pleitrede van den schrijver der Utopiaansche courant...

      Amsterdam: A. Vink & H. Moolenijzer, 1819-1821. Three parts; comprising broadsides, unbound quires, and an octavo book (full details below); all uncut, excellent in original wrappers, preserved in blue cloth solander case. Very rare collection of ephemeral Dutch satirical broadsides and pamphlets, voicing criticism of the State through fictitious news bulletins from a utopia located in the Southern Hemisphere.The Utopiaansche Courant was the inspiration of Amsterdam based dissident Jean-Baptiste Didier Wibmer. Born in 1792 and destined for a career in the clergy, Wibmer turned his literary energies to satire and criticism. The Courant mimicked the format of a traders' broadside, printing fictitious reports and dispatches from remote lands including the East Indies, along with information from imaginary and utopian countries including the unknown South Land, Tibur, Nova Zemba, and the like. Some issues include a woodcut of a figure observing the earth through a telescope, the globe clearly marked with five continents named "Afrika, Amerika, Europa, Asie, Utopia". To complete the façade, the Courant also included mock-up advertisements and family notices. The theme throughout was critical of the State, accordingly Wibmer and his publishers were arrested on 28 October 1819 following the printing of the sixth instalment of the Courant. Wibmer's defence lay in the patent absurdity of his writing, which had been deliberately and ambiguously composed to deflect successful prosecution. Wibmer was acquitted, but again landed in court following the resumption of the Courant through numbers 7 to 12. The Pleitrede or Defence was published in late 1819, with an engraved title page featuring Wibmer's portrait silhouette.The Utopiaansche weekblad continued the utopian satire, and was published in 14 parts over 1820-1821. This complete collection, comprising complete runs of the satirical ephemera accompanied by the Pleitrede, is an unusual survival indeed. All parts are very well preserved in original condition, uncut as issued from the press.The collection comprises three parts:Utopiaansche Courant. 12 folded broadside sheets measuring 460 x 270 mm., separately numbered 1-12. Amsterdam, A. Vink, H. Moolenijzer.Utopiaansche weekblad. 14 small quarto quires, continuously paginated [1]-112; separately numbered 1-14. Amsterdam, A. Vink.Pleitrede van den schrijver der Utopiaansche courant; half-title, engraved title, [ii]-xii, 68pp (last blank). Amsterdam, A. Vink 1819.

      [Bookseller: Hordern House]
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        Captn. W. E. Parry. R.N. Commander of the Polar Expedition 1819-20.

      London: Published by the executors of the late James Asperne, 1821. Stipple engraving, 145 x 220 mm., gently creased at one corner, very good. Contemporary engraved portrait of the great Arctic explorer and Australian settler.Sir William Edward Parry (1790-1855) was an English rear-admiral and Arctic explorer who also served as Commissioner of the Australian Agricultural Company from 1829 to 1834. Parry rose to prominence within the British Navy through years of tireless service exploring the Arctic seas, beginning with command of the vessel Alexander in 1818 under the famous expedition led by Sir John Ross in search of the Northwest passage. In May 1829 Parry resigned from Naval duties and travelled to Australia to manage the Australian Agricultural Company, a vast enterprise with an initial grant of one million acres in New South Wales and founding capital of one million pounds (raised through the sale of 10,000 shares of £100 each). The company, first founded in 1824 on the recommendation of the Bigge report, was heavily influenced by members of the Macarthur family while some of the most powerful men in British business and parliament became shareholders. Today it remains the oldest continuously operating company in Australia.Parry's choice for the position reflected the tremendous esteem in which he was held by Parliament: nonetheless, he encountered difficulty and criticism upon arrival as the Company had displaced numerous vociferous landholders who were poorly compensated in the process.This finely engraving is after the portrait in oil by Samuel Drummond held the National Portrait Gallery, London. It was first published in the popular European Magazine, which ran from 1782 until 1826.

      [Bookseller: Hordern House]
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        A Chart of the World, on Mercator's Projection: With the tracks of the more distinguished modern navigators. Regulated throughout according to the best scientific determinations... Third edition, improved.

      London: Laurie & Whittle, 1821. Four sheets forming a world map measuring 1280 x 1900 mm. (total combined area), contemporary handcolouring; framed. Impressive and very large world map, printed on a grand scale and marked with the routes of voyagers from the sixteenth century to the close of the eighteenth. The three voyages of James Cook and his immediate predecessors (Wallis, Byron and Carteret) are given special attention, and the signature of Cook is reproduced in facsimile in the lower left hand corner of the chart. First published in 1810, this map is marked "Third edition Improved". The map was printed on four separate sheets that combine to form an enormous display almost two meters in length. It was prepared by hydrographer John Purdy and published by Richard Holmes Laurie: the latter was the son of the great London mapmaker Robert Laurie who had retired in 1812, and who continued his father's partnership with James Whittle, strengthening the reputation of the renowned cartographic imprint of 'Laurie & Whittle'.The map is fascinating for its wealth of engraved detail concerning maritime exploration, with the tracks of great voyagers from sixteenth-century Spanish pioneers to relatively more recent figures such as Bligh and Flinders. It is probable that Purdy used Dalrymple's Account of the Discoveries made in the South Pacifick Ocean (1767) and Burney's Chronological History of the Discoveries in the South Sea (1803) as a guide. Each island has the date of first sighting or landfall recorded, including some dubious entries from the dawn of Pacific navigation. One such example in the southern reach of the Carolines is marked "Los Jesus 1567 (very doubtful)", apparently a reference to the Spanish pilot Lope Martin.The number and range of voyages recorded on the chart is impressive; discoverers acknowledged include Dampier, Wallis, Carteret, Vancouver, Tasman, Bligh, Mendaña, Kruzenshtern amongst many others. Cook's three voyages are notated with occasional engraved comments gleaned from the published accounts, such as "Aurora Australis appeared" or "Petrels and Penguins seen". The routes of prominent French voyagers, including Marion du Fresne and Kerguelen, are included. However, the intention of Richard Laurie was broader than charting routes of famous mariners. Comparatively obscure mercantile ventures are marked, including those of Captains Bond and Butler to New South Wales in the 1790s, both of which arose from the lucrative trade from England to the convict settlement and then onwards to China.Further engraved detail in the blank corners of the map includes a reproduction of James Cook's autograph, a summary of the rights of British whalers in the South Seas, good discussion of the cartographic challenges of rendering the globe along Mercator's projection and instructions for ascertaining bearings using the longitude. A little browning yet a beautifully preserved example.

      [Bookseller: Hordern House]
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        A LITTLE BOOK OF MAPS, to be referred to when my father or mother talks to me about geography. Price Eighteen-pence. [In six Parts.]

      Part I contains four folding hand-coloured engraved maps: England; Ireland; Scotland; United Kingdon. Part II contains five folding hand-coloured engraved maps: Europe; Asia; Africa: North America; South America. Part III contains five folding hand-coloured engraved maps: The Eastern Hemisphere, or Old World; The Western Hemisphere, or New World; Denmark; Russian In Europe; The West India Islands. Part IV contains five folding.hand-coloured engraved maps: The United States of America; Arabia; Egypt; Switzerland; Poland and Prussia. Part V contains four folding hand-coloured engraved maps: China; Hindoostan; Turkey in Europe; Turkey in Asia. Part VI contains four folding, hand-coloured engraved maps: Spain and Portugal; Germany; Hungary; Netherlands, and that part of Germany West of the Rhine, as ceded to France. Each part bound in red stiff wrappers with a printed label to the upper panel.Some wear to spine; some minor tears at folds; else excellent. Rare. Lawrence Darton, H966:1-5, records one copy only of Part I; no copy traced of Part II [Princeton has a copy]; 2 copies of Part III; no copy of Part IV; 1 copy of Part V. He makes no mention of Part VI, and was unaware of its existence.

      [Bookseller: David Miles]
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         Thuileur des trente-trois degrés de l'Ecossisme du Rit ancien, dit accepté; auquel on a joint la rectification, l'interprétation, et l'étymologie des mots sacrés, de passe, d'attouchement, de reconnaissance, etc., suivi de l'exposé du système de la génération universelle des êtres, selon la doctrine symbolique des Anciens. Nelle édition corrigée et augm.

      P., Delaunay, 1821, in 8°, de XX-405 pp., 21 planches litho. h.t. représentant les tableaux, chiffres, alphabets, sceaux etc. en usage dans les différents grades, et un grand tableau replié du "système de physique générale suivant la doctrine symbolique des Anciens", demi-basane brune moderne genre ancien, dos lisse orné de fers maçonniques, nbr. rousseurs. Très rare troisième édition augmentée du meilleur tuileur de l'écossisme, le premier tuileur publié. Rappelons que curieusement, De L'Aulnaye auteur du 1er tuileur maçonnique, n'était pas maçon. ¶ Caillet n°2910 "cet ouvrage rare et recherché est un des meilleurs thuileurs qui existent. Il contient touts les mots sacrés en texte hébreu avec leur étymologie radicale, la disposition des Loges, etc." - Dorbon n°5663 - Fesch col. 463 - Manque à Wolfstieg.

      [Bookseller: L'intersigne Livres anciens]
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        Voyage en Arménie et en Perse, fait dans les années 1805 et 1806, par P. Amédée Jaubert

      Chez Pelicier et Nepveu. First edition, rare, illustrated with a large folding map of Constantinople between Tehran and regions, and 9 lithographs (by Aubry, Vernet ...), and a portrait frontispiece of the Persian prince Mirza Albas. Sheepskin half light brown boards. Smooth back decorated with nets and chains; roulette tail. Marbled edges. Friction on the flat, but nice copy paper perfect freshness. Amédé jaubert, orientalist, was initially taken by Napoleon in Egypt, where he served as an interpreter in 1805 he was given an important diplomatic mission to Iran where he was negotiating with the Shah to establish the position of France in this region. During his trip, he was imprisoned by the Pasha of Bayazid and thrown into a tank for three months. The relationship described travel many lands that had never been visited by Europeans. --- Please note that the translation in english is done automatically, we apologize if the formulas are inaccurate. Contact us for any information! Chez Pelicier et Nepveu à Paris 1821 Un Vol. in 8 (12,5x20,5cm) (4) xij, 506pp. (1) relié

      [Bookseller: Librairie Le Feu Follet]
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        Oeuvres, accompagnées d'une notice sur sa vie et sur ses ouvrages

      Verdière. Illustrated edition of a collective portrait of the author engraved on copper by A. Migneret after a painting of Ducreux, an engraved portrait by Roger Gérard according to figures from Devéria 2, with the name of Artists by simple tip, and 13 portraits engraved on copper by Pierre Adam. Copy on vellum paper.Binders of the time in full morocco purple long grain signed Duplanil back smooth richly decorated with golden arabesques, boards decorated with nets and gilded florets, and a roulette wheel and a central geometric pattern cold. Golden streaks on the corners. Roulette geometric framing the contreplats. All edges gilt.Some slightly moved back, otherwise superb copy drawn in a luxurious contemporary binding in full morocco. Verdière Paris 1821 12,5x20,5cm 16 volumes reliés

      [Bookseller: Librairie Le Feu Follet]
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        Les Amours du Chevalier de Faublas.

      Paris: Chez Ambroise Tardieu. 1821 - 4 volume set, 8 inches tall. A delightful full mottled calf by Buyntun of Bath with gilt raised bands, twin labels and very fine gilt tooling to the panels. A wide gilt roll frames the boards. Dentelles and all edges gilt. Decorated with 8 engravings by Alexandre-Marie Colin, a student of Girodet. Slight rubbing to the edges and some light foxing. An exceptional set of this licentious novel. [Attributes: Hard Cover]

      [Bookseller: McConnell Fine Books ABA & ILAB]
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         A Voyage to Africa 1820

      Published in 1821, this is the First edition of Hutton's account of his time in West Africa and the Gold Coast, bound in an old full calf leather binding, internally illustrated with two folding maps and four coloured plates, the leather binding has some signs of wear with cracking to both joints with loss of leather to base of spine, some corner bumping else binding holding well, internally noticeable scattered foxing throughout, heavy in places, especially to the pages opposing the plates, small edge tear to one of the maps with no loss, else in good acceptable condition. and important early account of West Africa.

      [Bookseller: Andrew Cox]
 28.   Check availability:     PBFA     Link/Print  


        Historia completa das Inquisições de Italia, Hespanha, e Portugal. Ornada com sete estampas analogas nos principaes objectos que nella se tratão

      Lisbon, 1821. Nova Impressaõ Megrense. Near contemporary calf.. Pencilled notes on front & back free endpapers. Ownership stamp and signature on title p.. First edition. Pp. 264-294 contain details of five trials before the Inquisition in Spain, said to have been taken from the original documents. The Historia was placed on the Index of forbidden books in Rome on 26 March 1825. The work is a translation of Histoire des inquisitions religieuses dItalie, dEspagne, et du Portugal by Joseph Lavallée (Paris 1809).

      [Bookseller: Judith Hodgson Antiquarian Books]
 29.   Check availability:     Biblio     Link/Print  


        La cosmografia istorica astronomica e fisica. Vol. I e II - Parte storica della cosmografia antica; Vol. III - Parte storica della cosmografia dei mezzi tempi e della moderna; Parte IV - Parte astronomica; Tomo V e VI - Parte fisica seguita dalle notizie storiche, politiche, ed ecclesiastiche di ciascuno stato

      Saverio Giordano 1821-1828, Napoli - Piccole naturali imperfezioni alle copertine, annotazioni coeve alla base dei frontespizi XXIV + 320 + (3); 340; 402; 328 con una tav.; 528; 399 + (1) p. 6 voll in-8

      [Bookseller: Libreria Antiquaria Giulio Cesare]
 30.   Check availability:     ZVAB     Link/Print  


        Autograph letter signed ("Mor. Rugendas") to an unnamed recipient].Munich, 21 December 1852. 8vo (22 x 14 cm). In German. With: (2) [AUTOGRAPH]. REGNET, Carl Albert. [Manuscript note about Rugendas, signed ("Regnet")].Munich, 13 January 1869. In German.

      - Cf. Borba de Moraes, p. 754; Regnet, Münchener Künstlerbilder II, pp. 132-141. A 4-page letter by the widely-travelled German painter Rugendas, famous for his sumptuously illustrated book Voyage pittoresque dans le Brésil, which was the fruit of his travels in Brazil (1821-1825). Inspired by Von Humboldt, he sailed again for South America in 1831, travelling through Mexico, Argentina, Uruguay, Peru, Bolivia, and Brazil. In 1846 he departed for Europe, spending his last years in Munich and Weilheim an der Teck. The King of Bavaria purchased his sketches in exchange for a life annuity of 1200 florins per year. Apparently, Rugendas was still in need of money, since he writes in the present letter that he wants to travel to Prussia to ask the King for a salary "von dem es sich's gut hier leben ließ - ungefähr wie Humboldt in Paris lebte .". He further mentions the preparation of a "Künstlerball", for which the conductor and opera director Karl Perfall had composed the music. Rugendas refers to the famous "Künsterlfeste", theme parties that took place every year during carnival.The letter may have been addressed to Rugendas's friend Carl Albert Regnet, a District Officer in Munich. This is at least suggested by the added document, which is signed by Regnet and which opens with the remark "Zum Briefe meines lieben unvergeßlichen Freundes Moritz Rugendas möchten ein Paar Zeile am Platze sein", followed by details on Rugendas's life and works. Regnet would later honour Rugendas with an extensive entry in his 2-volume biographical dictionary Münchener Künstlerbilder (1871).In very good condition.

      [Bookseller: ASHER Rare Books]
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        Zwei Entwurfskizzen Aufnahme Christi in den Himmel und Mariä Aufnahme in den Himmel.

      - Bleistift, auf Japanbütten. 20,9:11,4 cm. Verso rechts Reste alter Verklebung. Da er wie sein Vater Beamter werden sollte, studierte Schwind zunächst an der Universität in Wien. 1821 begann er schließlich ein Studium an der örtlichen Kunstakademie und besuchte bis 1822 den Unterricht von J.P. Krafft und L.F. Schnorr von Carolsfeld. In Wien pflegte er freundschaftlichen Kontakt zu Franz Schubert, Franz von Schober, Leopold Kupelwieser und Franz Grillparzer. 1828 zog er auf Anraten von P. Cornelius nach München, Cornelius hatte ihm einen Auftrag zur Ausmalung des Bibliothekszimmers der bayerischen Königin mit Szenen aus Ludwig Tiecks Dichtung vermittelt. 1835 besuchte er Italien. Nach seiner Rückkehr schuf er Entwürfe für die Münchner Residenz und in der Burg Hohenschwangau. Weitere Aufträge folgten, sein Bekanntheitsgrad stieg. 1840-1844 lebte Schwind in Karlsruhe. Für den Sitzungssaal des Karlsruher Ständehauses schuf er acht Rundmedaillons, für das Treppenhaus und die Erdgeschoss-Säle der Staatlichen Kunsthalle Fresken. 1844 zog er nach Frankfurt am Main. 1847 wurde er als Professor an die Kunstakademie München berufen. Im Auftrag des Weimarer Erbgroßherzogs war er 1854/55 für die Ausmalung der restaurierten Wartburg bei Eisenach tätig, diese Wandgemälde gehören zu seinen bekanntesten Werken. 1855 wurde er zusammen mit seinen Brüdern August (Ministerialrat) und Franz (Bergrat) in den Ritterstand erhoben. 1857 besuchte er London. 1866/67 arbeitete er an der Ausmalung der neuerbauten Wiener Hofoper, für die Loggia und das Foyer.

      [Bookseller: Galerie Joseph Fach GmbH]
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        Four autograph letters, signed, to his wife, Carlo]. Pernambuco, Cayenne, 20 May-27 August 1866. 8vo (21 x 13.5 cm). In French, in brown ink on paper.

      - For Mouchez: DSB IX, p. 551. Four letters by the Madrid-born French naval officer (later Admiral), explorer and hydrographer Amédée Ernest Mouchez (1821-1892), written to his wife in France (apparently Paris) during his hydrographic expedition to map the Brazilian coast aboard the La Motte-Piquet, dated 20 May, 31 May-13 June, 13 June, 14 June -27 August. The 61 pages of text nearly form a journal of his voyage, with detailed day by day accounts of the progress of the expedition, his own and the crew's moods, the political situation in Brazil, anecdotes about the trials and tribulations of life in Brazil, etc. He wrote the present letters toward the end of his third expedition to Brazil, which ran from 1864 to 1866. Having not seen his wife and daughters for two years he felt quite homesick and eagerly awaited his return to France.The outside pages of 3 double leaves have rusty imprints of paperclips formerly used to keep the leaves together, 1 double leaf has a small hole slightly affecting three words and a few have minor tears along the fold. In very good condition. A detailed account of events and Mouchez's personal views during his third South American expedition.

      [Bookseller: ASHER Rare Books]
 33.   Check availability:     IberLibro     Link/Print  


        The Poetical Works of Sir Walter Scott, Baronet (in Ten Volumes)

      Printed for Archibald Constable and Co, Edinburgh 1821 - , in ten volumes: Vol I II and III Minstrelsy; Vol IV Sir Tristrem; Vol V Lay of the Last Minstrel; Vol VI Marmion; Vol VII Lady of the Lake; Vol VIII Rokeby; Vol IX Lord of the Isles; Vol X Miscellanies; engraved frontispiece with titles (to Vol I), engraved vignette to each volume, an attractive set in a handsome Georgian romantic-style binding First Edition , all volumes in similar condition, slight shelf wear, marking to endpapers, scattered foxing spots to pages and vignettes, a nice set in very good condition , each volume straight-grained morocco, gilt and blindstamped ornamental rules and decoration to covers, raised bands to spine with gilt titles, gilt and blindstamped decoration in compartments, gilt turn-ins, all edges gilt, brown endpapers, brown ribbon octavo, 22 x 14 cms Hardback ISBN: [Attributes: First Edition; Hard Cover]

      [Bookseller: Keoghs Books]
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        THE TOILET.

      London, Published by ... , 1821.. FIRST EDITION 1821. Imprint crossed out in old ink apparently by the author, and "S. Grimaldi, Copthall Court" (the author's address) inserted by hand after "Published by." which confirms this is a first edition. The first edition has 32 pages as ours and the second edition 34, see The British Library and The National Library of Wales. 16mo, approximately 130 x 105 mm, 5¼ x 4¼ inches, 9 hand coloured plates each with a movable flap and a tissue guard, 32 pages including title page. Dedication signed: S.G. [i.e. Stacey Grimaldi], dated 1820, original publisher's printed boards, "Johnson, printer, Apollo Press, Brook Street, Holborn"--colophon. Spine strengthened with cloth, boards a little dusty with small pale stains, shelf wear to edges, corners slightly bumped, small pale brown stain affecting lower corner of 1 tissue guard, occasional tiny fox spot, otherwise a very good copy of this fragile book with no damage to flaps. Illustrations of toilet articles, each hand-coloured plate has a hinged flap, which when lifted reveals the name of a virtue. See : Movable Books An Illustrated History by Peter Haining page 16; The Osborne Collection of Early Children's Books 1566-1910, Volume 1, page 418; Oppenheimer Sotheby's Catalogue of A Highly Important Collection of Children's Books, Part III, page 26, 1108 and 1109; Percy Muir, English children's books 1600 to 1900 pages 215 & 233. MORE IMAGES ATTACHED TO THIS LISTING, ALL ZOOMABLE, FURTHER IMAGES ON REQUEST. POSTAGE AT COST.

      [Bookseller: Roger Middleton]
 35.   Check availability:     Biblio     Link/Print  


        A History of Madeira With a Series of Twenty-Seven Coloured Engravings, Illustrative of the Costumes, Manners and Occupations of the Inhabitants of That Island.

      R. Akermann, 1821 - v + [1] + 118pp + 27 hand coloured plates + frontis vignette. 1st ed., very fine in worn original cloth. Lovely plates most depicting rural life including wine making. [Attributes: First Edition; Hard Cover]

      [Bookseller: Pennymead Books PBFA]
 36.   Check availability:     IberLibro     Link/Print  


        De la physiologie du système nerveux, et spécialement du cerveau. Recherches sur les maladies nerveuses en général

      2 vol., [6]-421 + [4]-432 pp. Paris, J.B. Baillière, 1821, in-8, 2 vol, [6]-421 + [4]-432 pp, cartonnage ocre à la bradel, pièces de titre et de tomaison rouges, PREMIERE EDITION. Etienne Jean Georget (1795-1828) fut l'élève de Pinel et d'Esquirol à la Salpêtrière. Adepte de la doctrine de Gall, il cherchait à trouver un lien entre les maladies mentales et la physiologie du cerveau. Il est l'un des premiers à distinguer la psychiatrie de la neuropsychiatrie, et précisa la classification des maladies mentales établie par Pinel. Il lutta avec Esquirol contre les internements abusifs. Coiffes et coins frottés, papier manquant sur les charnières, intérieur frais. Exemplaire entièrement interfolié, contenant quelques annotations manuscrites, sans doute de la main de l'auteur lui-même. Semelaigne I, p. 188 et suiv.

      [Bookseller: Librairie Alain Brieux]
 37.   Check availability:     maremagnum.com     Link/Print  


        Catéchisme d'économie politique

      Chez Bossange 1821 - - Chez Bossange, A Paris 1821, In-12 (10x17,5cm), viij, 264pp. (3), relié. - Seconde édition, après la très rare édition originale publiée à compte d'auteur en 1815 et tirée à petit nombre et qu'il publia quelques mois après son Traité d'économie politique interdit de réimpression sous l'Empire. Cette édition a été augmentée de 50p. de notes, elle contient par ailleurs 200p. contre 160 pour la première. Reliure en pleine basane porphyre d'époque. Dos lisse orné de 5 fers, roulettes et filets. Pièce de titre en maroquin rouge. Fise et filet d'encadrement sur les plats. Dos légèrement insolé. bel exemplaire. Le catéchisme est une sorte de manuel d'économie politique sous la forme dialoguée, et destiné à répandre les préceptes du libéralisme à un large public et non plus seulement à un public de spécialiste. L'avertissement n'est pas le même que dans la première édition, Say en a écrit un nouveau pour justifier de cette édition augmentée et refondue. Les questions nombreuses sont simples et l'auteur y répond dans un langage clair et concis. L'essentiel de la thèse reposant sur la façon d'accroître ses richesses. C'est un ouvrage de vulgarisation important dans l'histoire de l'économie, qui tend pour la première fois à faire du citoyen quelconque un acteur clef de l'économie libérale. [AUTOMATIC ENGLISH TRANSLATION FOLLOWS] Second edition, after the very rare first edition published at the author and printed in small numbers. Bound in full sheepskin porphyry contemporary. Back smooth decorated with 5 irons, rollers and nets. part of title in red morocco. FISE and mentoring net on the boards. viij, 264pp. (3) [Attributes: Hard Cover]

      [Bookseller: Librairie Le Feu Follet]
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        Cartas dirigidas a S M El-Rey D Joao VI desde 1817 a cerca do Estado de Portugal e Brazil, e outros mais documentos escritos

      London, [1821]. Cox & Baylis. Contemporary wrappers (worn).. Six lines deleted on last page and substituted in manuscript.. The Cartas are important and interesting documents for the study of Portuguese affairs in London and Rio de Janeiro before the Portuguese revolution and the independence of Brazil. They are very difficult to find today (Borba de Moraes (1983) I, 156).

      [Bookseller: Judith Hodgson Antiquarian Books]
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        A General History of Birds. Vol. I-10.

      Wincester, Printed by Jacob and Johnson for the author, 1821-24. 4to. 193 hand-coloured engraved plates. Contemporary half calf. Gilt spines. Vol. 9 rebacked preserving original spine. Bookplate on front pastedown (Thomas L. Blanc). Name front endpaper. Not with index published in 1828. Two plates in vol. 2 with some spotting. Occasional light offsetting. Nissen 532, Anker 277-278.

      [Bookseller: Ruuds Antikvariat]
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        The Navigator: Containing Directions for Navigating the Monongahela, Allegheny, Ohio and Mississippi Rivers .

      Cramer & Spear, Pittsburgh 1821 - This is a mostly original edition (Sabin 17386) professionally rebound in blue leather with new endpapers. Original leaves include front endpapers and title page through page 204 followed by facsimile of remainder of appendix and addenda from a different edition, numbered pages 249 to 360, with original rear endpapers bound in after. The original endpapers have several handwritten names and include the following inscription in the rear "Oramil Gilbert His book bought Dec 23 (?) 1825 Bought of Stephen H Allen Price 50 cts." Original endpapers and title page are foxed and stained but text and maps are clean with expected aging. Barking Dog Books and Art LLC has been an independent bookseller online since 2002. Orders are processed promptly, carefully packed, and shipped with delivery confirmation. Size: 12mo - over 6¾" - 7¾" tall [Attributes: Hard Cover]

      [Bookseller: Barking Dog Books and Art LLC]
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        Queen Mab [unmutiliated]

      London: W. Clark, 1821. Paper-Covered Boards. Fine. First published edition of Shelley's first lengthy poem, with the full unexpurgated text. 8vo: [2, title page],3-89[text],[2,fly-title Notes with publisher's statement on verso],93-182 [notes in French, Latin and Greek]pp. Without the very rare poetical dedication to Shelley?s first wife and the final publisher?s advertisements (identical in both respects to the Tinker copy, which is also unmutilated and printed on Whatman paper). Original drab paper-covered boards sympathetically rebacked, later paper spine label. Printed on fine thick Whatman paper, probably one of the ?elegantly printed? copies referred to by the publisher in some early advertisements (See Forman 23: "the ordinary ones are not of a high quality . . ."). A splendid copy in original boards, text clean, binding tight and secure with faint marks to back cover. Forman 22-23. Granniss 19. Tinker 1888. NCBEL III, 314. Ashley Library V p.150; Hayward 225; Wise, A Shelley Library p.92 Preceded by an edition of some 250 copies privately printed in 1813, but ?unknown until [this] piratical reproduction of it in 1821 (which Shelley vainly tried to suppress by an injunction) excited attention, and [the poem] obtained a celebrity long denied to his maturer and more truly poetical writings.? (DNB v. 52, p. 33) The dedication to his former wife was particularly embarrassing to Shelley, since his marriage to Harriet ended in 1814, and she committed suicide in 1816. Forman notes regarding this edition that ?some copies contain the whole text and notes intact, while others have a few of the most aggressive passages mutilated by omission of words and even verses [mutilations, when present, occur on pp. 36, 54, 55, 65, 77, 82, 146-48, and 171, with various assertions in the notes replaced by printed sequences of dashes]. Queen Mab's literary text consists of nine cantos and seventeen notes. Six of these notes comprise extended prose meditations on free love, on how Necessity functions in the spiritual and physical universe, on atheism (which reiterates Shelley's views in The Necessity of Atheism), on the relationship between Christ and the dogma of Christianity, and on vegetarianism." (Literary Encyclopedia) N. B. With few exceptions (always identified), we only stock books in exceptional condition, carefully preserved in archival, removable polypropylene sleeves. All orders are packaged with care and posted promptly. Satisfaction guaranteed.

      [Bookseller: Fine Editions Ltd]
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        Panorama vom Rigi Berg. Panorama du Mont-Righi. Gezeichnet und herausgegeben von Heinrich Keller. Edition Originale corrigée jusquà 1845.

      8, 21-blättriges gestochenes u. handkoloriertes Leporello (20.5 x ca. 198 cm), 1 zweimal gefaltete, von Hand grenzkolorierte Charte des Gesichtskreises vom Rigi-Kulm (12 x 20.5 cm 1821), OHLwd. m. Deckelschild, Kanten etw. berieben, min. gebräunt u. stockfl.(meist an den Stegen), die äusseren Falze min angestaubt gutes Ex. Prächtiges Panorama, bereits 1814 von Heinrich Keller gezeichnet, sechsmal vermehrt und berichtigt, gestochen von J. J. Scheurman.

      [Bookseller: antiquariat peter petrej]
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        Pratique des accouchemens ou Mémoires et observations choisies sur les points les plus importants de l'art. Publiés par A. Dugès.

      Paris, J.B. Baillière, 1821-25. - 3 vol. in-8; vol.I: X, (2), 524 pp., 3 tableaux dépl. h.t.; vol.II: XII, 508 pp., 3 tableaux dépl. h.t.; vol.III: (4), 544 pp., demi-veau à coinsde l'époque , plats frottés avec petites épidermures, coiffes et coins légèrement usés, pâles mouillures angulaires au tome II, sinon très bon état intérieur. Ouvrage posthume, publié par le neveu de l'auteur, rare complet. Il s'agit d'un volumineux et excellent ouvrage, basé sur un très grand nombre d'observations recueillies à la Maternité. O'Dowd & Philipp ont écrit que "Mrs Lachapelle wrote a splendid Practice of obstetrics published in Paris in 1825". Et Siebold considérait cet ouvrage comme "un des plus remarquables de la littérature obstétricale française" ; il a insisté sur les "observations particulières" , "partie la plus instructive du livre de cette femme si sagace". Madame de La Chapelle réduisit les 94 présentations de Baudelocque à 22. A propos du mémoire sur les présentations de la face, Siebold a écrit que "le mérite de Mme Lachapelle est considérable". Cet ouvrage comporte de plus des tables statistiques intéressantes. Marie Louise Lachapelle (1769-1821), née à Paris, fille de sage-femme et épouse de chirurgien, devint sage-femme adjointe de l'Hôtel-Dieu, puis directrice de l'hospice de la Maternité, avec Baudelocque pour principal professeur. Elle devint une sage-femme très réputée. Références bibliographiques : Garrison & Morton, 6170 : "Mme La Chapelle was a famous midwife and a colleague of Baudelocque. She supervised 5,000 deliveries and her vast experience enabled her to write her book. She reduced the 94 theoretical presentations suggested by Baudelocque to 22. The above, posthumously edited by her nephew, represents her life work." ; Cutter IS & Viets HR : Short history of midwifery, p. 94 et 199 : "Madame Lachapelles 'three volumes contain much valuable material and supplement in an important way Baudelocque's own tretises." ; O'Dowd MJ & Philipp EE : The history of obstetrics & gynaecology, p. 173 : "Mrs Lachapelle wrote a splendid Practice of obstetrics published in Paris in 1825" ; Owen H : Simulation in obstetrics, gynecology and midwifery, In: Simulation in Healthcare Education: An Extensive History, pp. 201-202 : "Mme Lachapelle, Chief midwife at the Hospice de la Maternité, was an innovative educator who facilitated small group learning on simulators early in the 19th century and introduced simulation-based debriefing after difficult cases. The format of the lessons given by Mme Lachapelle was described in this book." ; de Siebold EG : Essai d'une histoire de l'obstétricie, T. II, pp. 634-639; Delacoux A : Biographie des sages-femmes célèbres, modernes et contemporaines, pp. 97-106, portr. ; Ogilvie M & Harvey J : The Biographical Dictionary of Women in Science: Pioneering Lives From Ancient Times to the Mid-20th Century, p. 731. © S.A.S. Jean-Pierre Aubert, 2016 [Attributes: First Edition; Hard Cover]

      [Bookseller: Jean-Pierre AUBERT]
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        A Sketch of the Botany of South-Carolina and Georgia [Two Volume Set]

      Charleston, SC: J.R. Schenck, 1821. First Edition, First Printing. Hardcover. Nice old book plate on front paste-down endpaper, very good in original full calf with some occasional spotting, rubbing to covers. and a couple previous ownership signatures.. Octavo. 5.5 x 8.75 in. 606 pp; viii; 743 pp. Illustrated with twelve plates that are quite toned. An important, groundbreaking early work on the Southern flora. Volume one published in 1821, while volume two was published in 1824.

      [Bookseller: Captain's Bookshelf, Inc., ABAA]
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        De Officiis De Senectute Et De Amicitia

      Londini (London): Gul. Pickering (William Pickering), 1821. 155 pp. + 1 advertisement and blank leaves. Approximately 2 x 3 1/4"; Polished dark red calf with blind-tooled border on both covers and spine, 5 raised bands, all edges gilt, marbled endpapers, fore-edge painted, text in Latin, frontispiece portrait of Cicero engraved by G. Grave and extra engraved title page, dedication to Comiti Spencer (Earl Spencer), slight rubbing, slight scratch to the rear cover, otherwise in near fine condition. (Bondy pp. 86-89, Welsh 1897) These are some of the ethical writings of Cicero: De Officiis (On Moral Duties); De Senectute (On Old Age); De Amicitia (On Friendship). Printed by C. Corrall in 4.5 point "Diamond" type. Part of the "Pickering's Diamond Classics", these little books were known for their superb printing and binding and important classic contents. Although over the 3" limitation for US miniatures, they are very collectible. This volume has a beautiful fore-edge painting of a Roman man playing the pipes and a naked woman performing a hand stand that appears to be part of a sword dance. It also appears to have the signature mark of Martin Frost (1951 - ), a leading fore-edge painter

      [Bookseller: The Book Lair]
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        The Christian and Civic Economy of Large Towns.

      Glasgow: Chalmers & Collins. 1821/1823/1826 - FIRST EDITIONS. 3 vols. Some heavy foxing to vol. III with sl. tear to upper margin of pp155-162, vol. III, occasional light spotting to other vols, leading pastedown laid down in vol. I. Sl. later half morocco grained green cloth, marbled boards, spines lettered in gilt; edges sl. rubbed. Inscription on leading f.e.p. vol. I: ?To my dear friend Rory in the sweet hope that once he might plead the cause of Christian oeconomy in the municipal council of this our large town. August 1880. [signed] K?? An attractive set. Preacher, mathematician, philanthropist and political economist, Chalmers sought to marry economics with religion. He divided his Parish of St John?s into districts, established schools and presided over a pauper scheme which brought success through moral & religious improvement. In doing so he reduced the cost of the Pauper scheme from £1400 to just £280. [Attributes: Signed Copy; Hard Cover]

      [Bookseller: Jarndyce, The 19th Century Booksellers]
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         Thuileur des trente-trois degrés de l'Ecossisme du Rit ancien, dit accepté; auquel on a joint la rectification, l'interprétation, et l'étymologie des mots sacrés, de passe, d'attouchement, de reconnaissance, etc., suivi de l'exposé du système de la génération universelle des êtres, selon la doctrine symbolique des Anciens. Nelle édition corrigée et augm.

      P., Delaunay, 1821, in 8°, de XX-405 pp., 21 planches litho. h.t. représentant les tableaux, chiffres, alphabets, sceaux etc. en usage dans les différents grades, et un grand tableau replié du "système de physique générale suivant la doctrine symbolique des Anciens", demi-basane brune moderne genre ancien, dos lisse orné de fers maçonniques, nbr. rousseurs. Très rare troisième édition augmentée du meilleur tuileur de l'écossisme, le premier tuileur publié. Rappelons que curieusement, De L'Aulnaye auteur du 1er tuileur maçonnique, n'était pas maçon. ¶ Caillet n°2910 "cet ouvrage rare et recherché est un des meilleurs thuileurs qui existent. Il contient touts les mots sacrés en texte hébreu avec leur étymologie radicale, la disposition des Loges, etc." - Dorbon n°5663 - Fesch col. 463 - Manque à Wolfstieg.

      [Bookseller: L'intersigne Livres anciens]
 48.   Check availability:     Direct From Bookseller     Link/Print  

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