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Displayed below are some selected recent viaLibri matches for books published in 1821

        Impressions of a Series of Animals, Birds, &c. Illustrative of British Field Sports: from a set of silver buttons, drawn by A. Cooper, Esq. R.A. and engraved by Mr. John Scott

      London: printed for J.H. Burn and R. and S. Prowett, 1821. 8vo. Contemporary russia by Lloyd tooled to a design by Thomas Gosden (with his initials 'T.G.' incorporated into the powder flask tool on both covers), covers elaborately panelled in gilt and blind, with outer gilt border of double fillets and an arabesque roll, inner panel tooled in blind with a neo-classical palmate roll, the large elaborate central panel edged with a small Greek-key roll in blind and a single gilt fillet with a triangular area above and below elaborately tooled in blind, the central panel blocked in blind with sixteen circular panels of two different sizes, interspersed with scrolling, fruiting foliage in blind, the sixteen circular panels each tooled with single gilt vignette, most to a design which has an equivalent amongst the internal illustrations, the spine divided into five compartments with semi-raised bands, the second compartment black-stained and tooled in gilt, the others with gilt surround and gilt-tooled vignette of either a hawk or a stag, red endpapers Provenance: Hayne (early ink inscription on front free-endpaper); William Loring Andrews (1837-1920, armorial bookplate); David Wagstaff (leather book label) First edition of this extraordinary production, with plates printed from buttons: this copy from the collection of one of the founders of the Grolier Club and the author of one of the earliest works on Gosden, "English XIX Century Sportsman, Bibliophile and Binder of Angling Books" (New York, 1906). Schwerdt had two copies of this very rare work and described his morocco-bound copy, which is closest to the present example, as a large paper copy with "proof impressions on India paper." The British Library also has two copies, both of which are the same size as the present example. Both are bound in calf with tooling that appears to be identical to both the Schwerdt copy and the present work. One of the British Library copies (Davis 261) includes the ticket of the binder Lloyd. The presence of this ticket and the identical nature of the tooling seem to suggest that Lloyd, probably working to Thomas Gosden's design, was the binder of the present work. However, Gosden, who described himself as a "Bookbinder, Publisher, and Bookseller," was undoubtedly responsible, either as a binder or a designer, for some of the most characteristic and recognisable bindings of the period, and the present work is a prime example. According to Howard Nixon, Loring Andrews (an earlier owner of this work) "was doubtful whether Gosden was a binder himself, but Ellis Howe's researches make it clear that he was" ( Five Centuries of English Book Binding , p.198). This was supported by Ramsden's work. Schwerdt explains the genesis of the present work: "It appears that John Scott when spending an evening in the company of Thomas Gosden, noticed in 'Some Sporting Intelligence from St. Helena' that Bonaparte was accustomed to wear a jacket possessing silver buttons, embellished with sporting designs, and addressing his companion [Scott] said, 'Gosden, if you will be at the expense of a set of silver buttons, I will engrave them and will stake ten times their value that they will beat the Emperor's buttons as perfect representations of the various animals of the chase.' Scott's offer was accepted and an inspection of this charming little book shows how the artists made good his word" ( Hunting, Hawking, Shooting vol.I, p. 213). Gosden notes in the 'Advertisement' of the present work that "To obtain impressions from an engraved button ... has never succeeded till the present moment, and here it has been admirably performed. The Animals, Birds, &c. were drawn on the surface of the Buttons by ... Cooper ... and the engraving, in the most masterly manner, by ... Scott, whose celebrity in this line of art is sufficiently well known. The accompanying notices attached to each subject, are extracted from Bewick and Daniel". Cf. British Library, online "Database of Bookbindings", shelfmarks 'c48g12' and 'Davis261'; W. Loring Andrews. An English XIX Century Sportsman, Bibliophile and Binder of Angling Books ; cf. Ellis Howe A List of London Bookbinders, 1648-1815 (1950) p.41; cf. H.M. Nixon Five Centuries of English Bookbinding 88; cf. C. Ramsden London Bookbinders p. 73; Schwerdt IV, p.40 (and see plate on facing page) and cf. I, p.213. (9 1/4 x 6 1/4 inches). 4pp. advertisements at end, 15 leaves printed recto only, each page with decorative border. Engraved additional title by Scott, 16 engravings (proofs) by Scott after Cooper, each on a circular disc of india paper mounted in position within a decorative wood-engraved surround (comprising 2 head-pieces [the first including the reversed initials 'T.G.'], 2 tailpieces, 12 illustrations), the final leaf with a wood-engraved tailpiece.

      [Bookseller: Donald Heald Rare Books]
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        L’Italie, par Lady Morgan. Traduit de l’anglais [par Mlle Sobry].

      A Paris, Chez Pierre Dufart, Libraire, 1821 - 4 vol. in-8° ; (3)-415 pp./(2)-416 pp./(2)-439 pp./(2)-503 pp., demi-maroquin à pt coins vert Empire, dos lisse richement orné, tranches mouchetées rouge, rel. de l’époque, bel exemplaire. Quérard, La France Littéraire VI, p. 315. Pine-Coffin, 819 (pour l’édition originale anglaise, Londres, Colburn, 1821). Édition originale de la traduction française. Provenance : ex-libris de la bibliothèque Giannalisa Feltrinelli. First french edition. Very nice copy. [Attributes: First Edition; Hard Cover]

      [Bookseller: Librairie Hérodote]
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        The Months

      London - C and J Oliver 1821 - Full speckled calf leather binding with gilt detail and titles to spine. A scarce copy of the first edition of Hunt's delightful work on the months of the year. James Henry Leigh Hunt (October 19, 1784 August 28, 1859) was an English essayist, poet and writer. Leigh Hunt was educated at Christ's Hospital, a period which is detailed in his autobiography. As a boy, he was an ardent admirer of Thomas Gray and William Collins, writing many verses in imitation of them. A speech impediment, later cured, prevented his going to university. For some time after I left school, he says, I did nothing but visit my school-fellows, haunt the book-stalls and write verses. His poems were published in 1801 under the title of Juvenilia, and introduced him into literary and theatrical society. He began to write for the newspapers, and published in 1807 a volume of theatre criticism, and a series of Classic Tales with critical essays on the authors. Condition: The binding is tight and firm and both covers are firmly attached. The front inner hinge is strained and the front outer hinge is starting to crack however and the front board if holding by the cords only. There is some minor wear to the extremities including a small chip with loss to the top of the spine and a couple of very mild marks in the leather on the rear board. Internally the book is generally clean and bright apart from scattered spottin in places. There is the occasional handling mark. There is an amorial plate to the front pastedown. Overall the book is in very good condition. [Attributes: First Edition; Hard Cover]

      [Bookseller: Rooke Books PBFA]
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        Monuments Anciens et Modernes de l'Hindoustan

      Didot, Paris 1821 - Contemporary French red calf-backed red paper boards, flat spines in six compartments divided by gilt roll tools, lettered in gilt in the second and fourth compartments A beautiful copy of the very rare large-paper first edition of Langles definitive work on India, profusely illustrated and including plates after Thomas Daniell. A contemporary review described this work as follows: "Doubtless it was a vast undertaking to give a complete description of the immense country of Hindostan; to trace its history; to set forth the religion and the manners of its inhabitants; to study and to design its antique monuments and its populous cities: such an undertaking required the united knowledge and talents of the geographer, the philologist, the historian, the philosopher, and the archaeologist. Several estimable artists have already made us acquainted with the picturesque views and the romantic sites of this interesting country, with the various and singular costumes of the Hindoos, and their prodigious monuments. Many learned Indianists have developed the mysteries, till then but imperfectly known, of the Brahmanic theology; and the most celebrated travellers, judicious antiquaries, and well-informed officers, have in almost every part extended their inquiries to the most minute details of topography. However, not one of them has been able to present us with a complete view of the country, whose several parts they have described. Far be it from us to refuse the well-deserved need of praise to the major part of these authors; but one man alone, a man of superior talent, placed in a situation which enabled him to take in with a single glance, to collate, compare, and digest into one body all the materials which had been furnished by so many and such able writers, has succeeded in forming them into one beautiful and symmetrical edifice. M. Langles is the person to whom we allude" (Port Folio, vol. XVI, July to December 1823, p. 252). Langles was the most noted Orientalist in France and served as the keeper of the Oriental manuscripts at the Royal Library. Published in 26 parts beginning in 1813, Brunet cites three issues: regular paper at 15fr per part, papier velin at 24fr per part and grande papier velin at 36fr per part. The illustrations notably include 24 plates after Thomas Daniell, as well as other views of ancient monuments after Forbes and others. The colour plates are largely after Indian miniatures in the Royal Library collection and are richly hand-coloured and heightened with gold. Brunet III, 819-820. (14 7/8 x 10 3/4 inches). Text: half-titles in each volume, folding table in vol. 1, 4pp errata and 2pp list of plates in rear of vol. 2. Atlas: engraved title with a large vignette after Henry Salt, 3 engraved maps hand-colored in outline, 143 engraved plates (12 hand-colored, and including 24 plates after Thomas Daniell). [Attributes: First Edition; Hard Cover]

      [Bookseller: Donald A. Heald Rare Books (ABAA)]
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        RECHERCHES SUR L'INFLAMMATION DE L'ARACHNOIDE CEREBRALE ET SPINALE

      1821 - PARENT-DUCHATELET & L[ouis] MARTINET. RECHERCHES SUR L'INFLAMMATION DE L'ARACHNOIDE CEREBRALE ET SPINALE. OU HISTOIRE THEORIQUE ET PRATIQUE DE L'ARACHNITIS. Paris, Chez Crevot, 1821. First edition, first issue, see Heirs of Hippocrates 1458. xxxvii + [1] + 612 pp. 8vo., spine and boards missing, marbled endpapers. Appears to be a presentation copy inscribed by Martinet on the half title. Ex-library with no external markings, inkstamp to title page. With tables in the text. A few pages have tiny chips to corners, not affecting text. 140 case histories of inflammation of the arachnoid, the membrane enveloping the brain and spinal cord. As is. Rare.

      [Bookseller: Boston Book Company, inc.o ABAA]
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        Voyage en Arménie et en Perse, Fait dans les années 1805 et 1806, accompagné d’une carte des pays compris entre Constantinople et Téhéran, dressée par M. le chef d’escadron Lapie, suivi d'une notice sur le Ghilan et le Mazenderan, par M. le colonel Trezel ; et orné de planches lithographiées.

      A Paris, Chez Pélicier, Libraire et Neupveu, 1821 - In-8° ; (2)-XII-506 pp.-(1)-1 port. Front.-9 planches h.-t., demi-basane rouge, dos lisse joliment orné, filets or, palette or, titre or, couvertures muettes conservées, rel. postérieur, bel exemplaire. Salmaslian, 253. Schwab, 287. Édition originale. Manque la carte hors texte. Nonobstant ses missions diplomatiques et d’importants voyages (il fut à l’origine de la reprise des relations franco-persanes au début du XIXe siècle), l’auteur, orientaliste de valeur fut professeur de turc, de persan, et directeur de l’École des langues orientales. ÉDITION ORIGINALE. MAP MISSING. FIRST EDITION. VERY NICE COPY. [Attributes: First Edition; Hard Cover]

      [Bookseller: Librairie Hérodote]
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        L'OSSERVATORE FIORENTINO sugli edifizj della sua patria. Terza edizione. Eseguita sopra quella del 1797, riordinata e compiuta dall'autore, coll'aggiunta di varie annotazioni del professore Giuseppe Del Rosso R. consulente architetto, ascritto a più distinte società di scienze, e belle arti.

      Ricci,, Firenze, 1821 - 8 parti in 2 gr. vol. in-8 gr., pp. (4), 219; 219, (2); 217, (2); 239, (2); 219; 206; 204; 208, (4), bella leg. m. p. coeva, c. dec. ai piatti, fregi e tit. oro al d. Con una gr. tav. rip. (52X42) Aall' acquatinta (pianta e veduta di Firenze) e 16 tavv. (3 ripp.), Belliss. esempl. [357]

      [Bookseller: SCRIPTORIUM Studio Bibliografico]
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        L’OSSERVATORE FIORENTINO SUGLI EDIFIZJ DELLA SUA PATRIA. Terza Edizione eseguita sopra quella del 1797, Riordinata e compiuta dell’Autore, coll’aggiunta di Varie Annotazioni del Professore Giuseppe del Rosso, Terza Edizione, Firenze, Presso Gaspero Ricci, 1821.

      - 8 voll in quattro. Buona ril. cartonata, dorso in cuoio, titolo e decorazioni in oro al dorso, tagli schizzati in blu, cm 23x14, Vol. I: Quartiere S. Giovanni, cc. 3 nn., pp 219, 1 c. nn. con l’indice, pp 219, c. 1 nn. con l’indice, all’antiporta 1 grande incisione in rame con pianta di Firenze accompagnata da una ricca legenda e, nella parte inferiore, bella veduta della Città, 4 tavv. incise in rame f.t. di cui 1 ripiegate con pianta e sezione del Tempio degli Angeli del Brunelleschi; Vol. II: Quartiere S. Maria Novella, pp 217, cc. 1 nn. con l’indice, pp 239, c. 1 nn. con l’indice, 4 tavv incise in rame f.t. e 1 tabella; Vol. III: Quartiere S. Spirito, pp 204, pp 208, 4 tavv incise in rame f.t.; Vol. IV: Quartiere S. Croce, pp 219, pp 206, 4 tavv. incise in rame f.t. di 2 ripiegate. È incluso : Elogio del proposto Marco Lastri, 14 settembre 1812. Qualche contenuta traccia d’uso ai dorsi, alcune pagine con diffuse bruniture, altrimenti ottimo esemplare. Cicognara 4213. [Attributes: Hard Cover]

      [Bookseller: EDITORIALE UMBRA SAS]
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        PANDECTAE JUSTINIANAE, IN NOVUM ORDINEM DIGESTAE, CUM LEGIBUS CODICIS ET NOVELLIS, 3 TOMES

      Belin-Leprieur, Paris 1821 - RO40235624: 676 pages pour le tome I, 893 pages pour le tome II et 952 pages pour le tome III. Texte en latin sur 2 colonnes. Auteurs, Titres et tomaisons dorés sur les dos. Bords des plats frottés. Tranches légèrement passées. Tampons de bibliothèque en pages de garde et de titre. (Très rare) Editio Quarta. Quae Jus Pandectarum Confirmant, Explicant, Aut Abrogant Auctore Roberto-Josepho Pothier. In-Folio Relié. Bon état. Coins frottés. Dos satisfaisant. Quelques rousseurs Classification Dewey : 470-Langues italiques. Latin [Attributes: Hard Cover]

      [Bookseller: le-livre]
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        Beitrag zur Kenntnis des inneren Baues und der Entwicklungsgeschichte der Ascidien. Mit 2 Kupfertafeln.

      Bonn, A. Marcus, 1821. [Separata aus: Nova Acta Physico-Medica Academiae Caesareae Leopoldino-Carolinae Naturae Curiosorum, tom. 10.2]. - Ungebunden, in losen Lagen. Quart. S. [423]-436. Mit 2 kolorierten Tafeln, beide nach Zeichnungen Carus‘ von W. Engels gestochen. - Erste Ausgabe. — Nicht in Nissen. — Schönes Exemplar. - 1001 g Sonderangebot: Antiquariat Stefan Wulf bietet AbeBooks-Kunden einen exklusiven Rabatt von 35% auf sämtliche Preise. Alter Preis: 650 EUR.

      [Bookseller: Antiquariat Stefan Wulf]
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        ALS.

      High Holborn, n. d. - 16mo. 2 pp. on double leaf. To Sabilla Novello, concerning two tickets for a concert. - Sabilla Novello (1821-1904), daughter of the musician and publisher Vincent Novello and sister of the singer Clara Novello, taught music and was also active as an illustrator and translator. - Insignificant traces of mounting in left margin.

      [Bookseller: Antiquariat INLIBRIS Gilhofer Nfg. GmbH]
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        Opere.

      Dalla Stamperia delle Muse,, Italia (poi Bologna), 1821 - Otto volumi di cm. 15,5, pp. 2.400 ca. complessive. Ritratto inciso dell'autore all'antiporta del primo volume. Solida ed elegante legatura coeva in mezza pelle verde, dorsi lisci con titoli, filetti e fregi in oro. A ciascun volume il bell'ex libris in xilografia ed il timbretto di possesso di G. Marani. Esemplare fresco ed in ottimo stato di conservazione. [Attributes: Hard Cover]

      [Bookseller: Studio Bibliografico Benacense]
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        Denkmaehler der deutschen Baukunst. Teil I (von 3).

      Darmstadt. Heyer / Leske. 1821. - Oppbd. ca. 59 x 33 cm. 47 S. mit 72 Kupfertafeln. (die Seiten unbeschnitten). wenig fleckig, gering angestaubt. Rücken oben gestaucht, re untere Ecke mit Knickspur. Text und Tafeln von schönem Zustand. Inhalt: Mit Detailansichten, Grundrissen etc. berühmter deutscher Bauwerke, darunter Kirchen / Häuser in Frankfurt a.M, Friedberg, Oppenheim, Hannover, Koblenz, Mainz, Danzig, Ulm, Worms etc. in deutscher Sprache [Attributes: Hard Cover]

      [Bookseller: Antiquariat am Flughafen]
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        Sefer Tehilim The BOOK OF PSALMS, without point; corrected from the edition of [Everardus van der Hooght] Vander Hooght, with a key, grammar, literal English version, and LEXICON, upon an improved plan

      printed at the University Press, Sold by M. Ogle, Wardlaw & Cunninghame, and the other booksellers, glasgow, Great Britian 1821 - Text in Hebrew and English. Left side of book: [170 pages:] Title page followed by [v] vi-xx, 1-152. Though there is no leaf i/ii, this book is apparently complete. I checked it, page for page, against another copy. Right side of book: 88 unpaginated leaves [176 pages] of the Psalms in Hebrew with an English translation on the facing page. Brown leather binding. Some staining to some pages. Slight browning. Good quality paper. Previous owner scribbled in PENCIL (removable with great ease with eraser) the name Jesus and Christ which appears twice. OCLC: Libraries worldwide that own item: 16. [Attributes: Hard Cover]

      [Bookseller: Meir Turner]
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        Don Juan (2 volumes)

      Thomas Kelly, London 1821 - 8vo - over 7¾. Book. 2 volumes, with 31 handcolored plates (15 in vol 1, 16 in vol 2) in the satiric style associated with Thomas Rowlandson or George Cruikshank. xii + 660 pp., Vol 1; x + 620 pp. Vol 2. Plates and interiors in fine condition, generally clean, occasional light foxing on text pages, usual offsetting. Bindings are tight. 3/4 morocco has some shelf wear and rubbing along edges of spine. Spine itself is bright and gilt lettering bright. Altogether, VG+. This work is a loose rendering of the Don Juan tale, taking as its most immediate inspiration Byron's Don Juan, which it is of course lampooning, but there also seems to be some debt owed to Da Ponte, who wrote the libretto to Mozart's opera, "Don Giovanni". The second volume is subtitled "Life in London", and this is an adaptation of Don Juan, or a kind of sequel, with obviously London as a setting. The illustrations can best be described as fun, yet they also give us a glimpse of English citylife at the time. [Attributes: First Edition; Hard Cover]

      [Bookseller: White Fox Rare Books, ABAA/ILAB]
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        Sketches Illustrative of the Manners and Costumes of France, Switzerland and Italy [Costumes of Italy Switzerland and France]

      Baldwin, Gradock & Joy, London 1821 - Small folio, 12 by 9 inches, 32 by 25 cm. With 50 hand-colored plates combining copper engraving, soft ground etching and aquatint. Also hand-colored ornamented half title. A full title page is lacking. One plate is folding. Plates watermarked 1820 or 1821, the majority being from 1821. 42 plates are of Italy, 6 of France, 2 of Switzerland. A few plates are of dynamic scenes such as a horse race or Carnival, while most are more subdued or restrained costume studies. All plates feature a shimmering rich, light palette. Seldom is this compilation of plates found complete as this copy. Some light marginal foxing that never distracts from the imagery. Calf spine is later. Some scuffs on cloth boards. Bookplate on FEP. [Attributes: First Edition]

      [Bookseller: White Fox Rare Books, ABAA/ILAB]
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        Queen Mab.

      W. Clark 1821 - FIRST PUBLISHED EDITION, final advertisement leaf present, this copy (as issued) without the dedication leaf found in some copies, a little light spotting, edges untrimmed, pp. 182, [2], 8vo, original drab paper boards, printed paper backstrip label (stained), joints a bit worn but strong, small losses from backstrip ends, some light scratches and marks, housed in a brown cloth felt-lined solander box, very good The first published edition of Shelley’s first substantial poem, which had been earlier (1813) printed privately in a small number of copies, none for sale on account of the radical content. In 1821 the publisher William Clark found a copy and printed this edition without authorisation from either Shelley or the Society for the Prevention of Vice; as a result he was imprisoned for four months (on grounds of distribution of illegal material rather than copyright violation), but that did not stop another printer from acquiring his unsold sheets and reissuing them the following year. The book exists with varying contents: Shelley had been in the habit of cutting out his name from the title and imprint of copies from the original printing before giving them away; he also regretted and would remove the verse dedication to ‘Harriet’. Some surviving copies of this 1821 edition have the dedication, but it was never present in this unsophisticated copy. Since that leaf is also found in varying locations when present, it was at most issued with only some copies and more likely added separately when available. The final advertisement leaf, also frequently lacking, is present here. The text itself has two states, since some copies were printed with the more outrageous assertions in the notes replaced by sequences of dashes, while others are unexpurgated; this is one of the former, which may help explain why the dedication was not included. (Granniss 19)

      [Bookseller: Blackwell's Rare Books ABA ILAB BA]
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        Oeuvres inédites de Diderot. Le Neveu de Rameau. Voyage de Hollande.

      Paris: Chez J.L.J. Brière, 1821 1823 - Véritable édition originale du "Neveu de Rameau", in-8; [2f.], xxvii, 148p. (Le Neveu de Rameau), [149]-322p. (Voyage de Hollande 1773), [323]-383p. (Correspondance), 385-443p. (Tables). Excellente reliure pastiche dans le style de l"époque, de Goix et Guénin, successeurs de Bernasconi, en demi-maroquin havane à grain long à coins, dos à nerfs finement orné, pièces de titre en maroquin noir, plats et gardes marbrés, couvertures et dos d"origine conservés. Nom d"un propriétaire antérieur biffé sur la première garde, autrement très bel exemplaire. Bien qu"une édition française du "Neveu de Rameau" ait été publiée en 1821 chez Delaunay, celle-ci n"était qu"une retraduction en français par de Saur et de Saint-Geniès de la traduction allemande effectuée par Goethe (Tchemerzine II, 974-975). La présente édition originale, faite à partir du manuscrit français, ne parut en réalité que deux ans plus tard, mais l"éditeur souhaitant l"intégrer en tant que dernier volume (tome 21) des oeuvres de Diderot publiées en 1821 choisit de conserver cette date. Le "Voyage de Hollande" fut quant à lui d"abord publié chez Belin en 1818-1819 (Brunet II, 700). La "Correspondance", adressée à Marie-Madeleine Jodin (1741-1790), n"est pas la partie la moins intéressante de ce volume. Cette jeune femme au caractère rebelle, fille d"un horloger parisien, qui tenta sa chance au théâtre, fut une protégée de Diderot qui la conseilla à la fois sur sa carrière et ses placements financiers. En 1790 Marie-Madeleine Jodin publia ses "Vues législatives pour les femmes adressées à l"Assemblée nationale" qui peut être considéré comme le premier manifeste féministe de la Révolution française. [Attributes: First Edition]

      [Bookseller: LIBRAIRIE DES CARRÉS]
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        QUEEN MAB

      W. Clark, London 1821 - First Published Edition, a piracy after the scarce 1813 edition which Shelley had privately printed. Octavo (5-3/8" x 8-3/4"), somewhat larger than the Tinker (1888) copy. Lacking the dedication leaf to Harriet, as usual, but with the final ad leaf, often found lacking. This copy also has unmutilated text whereas many copies had words omitted on certain pages. Beautifully bound in full burgundy morocco leather by Tout & Sons with elaborate gilt designs in the corners of both covers, heavily gilt-decorated spine, full morocco doublures with even more elaborate gilt decoration, and watered silk linings. Recently and virtually imperceptively rebacked with the original spine laid down. Near Fine in a sumptuous binding [Attributes: First Edition; Hard Cover]

      [Bookseller: Charles Agvent, est. 1987, ABAA, ILAB]
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        Epoque de 1815, ou choix de propositions, lois, rapports discutés à la chambre des députés ; d'ordonnances rendues par le gouvernement, d'arrêtés, proclamations des commissaires extraordinaires et préfets du midi, et particulièrement du département du Gard. Suivis de Notes et d'observations sur l'administration de la justice et l'état de la France en 1815.

      À Paris, Chez Delaunay, Pélicier, Béchet et Corréard 1821 - in-8, 506 pp., table, demi-basane brune, dos lisse orné, tranches marbrées (rel. de l'époque). Critique sur l'incapacité de la Restauration joint à l'intransigeance de la noblesse pour gouverner et maintenir l'ordre, notamment en matière de justice et d'administration, sur les différents actes politiques et événements qui marquèrent la France entre 1814 et 1820 (lois suspensive de la presse et de liberté individuelle, loi d'amnistie, propositions de Bonald et Villèle, lois à propos des troubles dans le Midi.).

      [Bookseller: Librairie Historique F. Teissèdre]
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        Queen Mab; a Philosophical Poem

      New York: Printed by William Baldwin and Co. Corner of Chatham Street, 1821 - The first work by Shelley printed in America First American edition, with the added engraved title with "Price 75 cents" as well as regular title, p. 24 misnumbered 4. 12mo. 181, [1] pp. Original boards, uncut, with new paper spine. Grannis, p. 33, No. 21 [Attributes: First Edition; Hard Cover]

      [Bookseller: James Cummins Bookseller, ABAA]
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        Oeuvres Completes De J J Barthelemy

      A Belin, Paris 1821 - A very good set, part of collection ofProsatuers Francais, additional digital photos available. [Attributes: First Edition; Soft Cover]

      [Bookseller: ballinilara investments]
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        Voyage Aux Alpes Maritimes Ou Histoire Naturelle, Agraire, Civile et Médicale, Du comté De Nice et Pays limitrophes; Enrichi De Notes De Comparaison Avec D'autres Contrées. En 2 Volumes

      F.G. Levrault, Paris 1821 - première édition complète en 2 volumes. décors étampés et dorés au dos, avec auteur, titre et tomaison dorés. plats de papier marbré, tranches jaunes, quelques rousseurs éparses. Charmant exemplaire très frais. Photos sur demande [Attributes: Hard Cover]

      [Bookseller: La Pensée Sauvage]
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        Gravure signée et dédicacée

      - ZIEM Félix (1821-1911), peintre. Gravure signée et dédicacée. « Souvenir d¿atelier à M. Allard. Ziem, 1892 ». « D¿après Ricard. 1852 ».

      [Bookseller: Librairie SIGNATURES]
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        IL GIUOCO DEGLI SCACCHI RENDUTO FACILE A'PRINCIPIANTI TRATTATELLO tradotto dall'inglese con annotazioni ed aggiunte.

      Imp. Giuseppe Paganino. Parma, 1821 - . 18,5 cm. Frontis calcográfico con un tablero y piezas de ajedrez. Enc. en media piel, tejuelo, nervios, puntas. * Edición italiana del original inglés de 1797 que posteriormente se reeditó en 1824, 1832 y 1857. Esta última impresión en italiano incluye una interesante nota dirigida a los que hubieren leído o quisieran leer la edición parmesana de 1821. El traductor, el abad Michele Colombo (1747-1838) fue un verdadero bibliófilo que llegó a coleccionar más de 6.000 libros antiguos y raros que a su muerte adquirió la biblioteca palatina de Parma. Modesto y reservado, no firmó ninguna de sus obras ni traducciones, como lo demuestra la presente, publicada de forma anónima. Colombo no menciona quién es el autor de la obra original inglesa, pero sí dice que la imprimió H. D. Symonds en Londres. Con estos datos se puede afirmar que se trata de Chess Made Easy. New and comprehensive rules for playing the game of chess; with examples from Philidor, Cunningham &c. &c. To which is prefixed, a pleasing account of its origin (by M. Favet). and the Morals of Chess, written by the ingenious and learned Dr. Franklin, ejemplar registrado en la British Library (000679204). La misma institución cita también la edición de Colombo (001433043) y la vincula a la inglesa ya mencionada. Ajedrez. Tratados. Escacs Libros antiguos anteriores a 1830 italiano

      [Bookseller: Libreria anticuaria Farré]
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        Cheval Persan

      Printed in the lithographic studio of Delpech, Paris 1821 - This mid 19th century black and white lithograph after a drawing by Carle Vernet depicts a Saudi Arabian man riding his Persian horse. Measuring 16" x 22 1/2", the print shows mild foxing and a ragged left hand edge, evidence of previous binding. Antoine Charles Vernet, also known as Carle, was the son and pupil of the marine painter, Claude Joseph Vernet. From an early age he showed a tremendous aptitude for drawing and in 1782 was successful in winning the coveted Prix de Rome. Under the Empire, Vernet was awarded the Legion of Honor for his drawings of the Italian campaign. However, he is most noted as a painter and lithographer of horses, a subject to which he was devoted during the years of the Restoration. His work was so admired that Louis XVIII conferred the order of St. Michael upon him. At the beginning of the nineteenth century, horses were an invaluable aspect of everyday life. They provided transportation and sporting entertainment and thus, their breeding was of great importance. Artists celebrated the beauty and agility of the thoroughbred horse, as can be seen in Vernet¿s accomplished lithographs. Indeed, his equestrian passion was such that he himself was an avid horseman and just days before his death, at the age of seventy-eight, was seen racing as if he was a spry young man. [Attributes: Signed Copy]

      [Bookseller: Arader Galleries San Francisco]
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        Real Life in London;

      London: Printed for Jones & Co., 1821-22. - Bob & Tom's Excellent Hand-Colored Adventures in LondonWith Extra Plate [EGAN, Pierce, imitation of]. Real Life in London; or, The Rambles and Adventures of Bob Tallyho, Esq. and His Cousin, the Hon. Tom Dashall, through the Metropolis; Exhibiting a Living Picture of Fashionable Characters, Manners, and Amusements in High and Low Life. By an Amateur. Embellished and Illustrated with a Series of Coloured Prints, Designed and Engraved by Messrs. Heath, Alken, Dighton, Brooke, Rowlandson, &c. London: Printed for Jones & Co., 1821-22.First edition, third issue text with "Oxford Arms Passage" in the imprint's address replaced by "3 Warwick Square." Mixed issue plates, as usual ("many copies in modern bindings having been completed or made up of different issues" - Tooley). Two octavo volumes (8 1/4 x 4 3/4 inches; 209 x 126 mm.). x 3-656; ix, [1], [3]-668 pp. Hand-colored engraved vignette titles and thirty-one hand-colored engraved plates (including frontispieces, trimmed at upper margin); a total of thirty-three plates, with tissue guards. Includes the extra plate, Tom & Bob catching a Charley Napping" (vol I, p. 480), one of two extra plates found in the 1824 fifth issue: "Though the work is complete without them, it is desirable to have them" (Tooley 200). Early twentieth-century full fine-grained red crushed morocco by W. Root & Son of London (stamp-signed). Covers bordered in gilt with panel. Spine decoratively tooled and lettered in gilt in compartments. Gilt board edges and turn-ins, marbled endpapers. Top edge gilt. A fine set.An imitation of Pierce Egan’s Life in London; or, The Day and Night Scenes of Jerry Hawthorn, Esq. and his elegant friend Corinthian Tom, accompanied by Bob Logic, The Oxonian, in their Rambles and Sprees through the Metropolis, "a work which was issued in and after July, 1821, in shilling numbers A journalist, and a well-known character in his day, [Pierce Egan] wrote nothing so popular as this Life in London. Indeed, the taste for it amounted to a craze. For his illustrations, Egan went to two brothers, Isaac Robert and George Cruikshank the success of the work was so great that the artists could not colour the engravings fast enough for the demand. It suited the taste of the time, when a ‘fast’ life had become a sophisticated and conscious aim. Life in London is a guide to a fast life. Part of the success enjoyed by [Pierce Egan’s Life in London] was due, no doubt, to its readers’ belief that they could name the originals of the fictitious characters. Imitations came swift and frequent Out of the sixty-five imitations of it which Egan stated that he had reckoned, the most important was Real Life in London, or, the Rambles and Adventures of Bob Tallyho, Esq. and his cousin, the Hon. Tom Dashall, through the Metropolis; exhibiting a living picture of fashionable characters, manners, and amusements in high and low life, which was published in sixpenny numbers in 1821, with excellent illustrations by Heath, Alken, Dighton, Rowlandson and others. Real Life in London is a pleasanter book than its prototype. Some have held that Egan wrote it; but the author had a purer style, a cleaner mind and a wider knowledge of London than Egan. The book shows many more sides of London life than his; though the formal descriptions of wellknown scenes or buildings, here and there inserted amid matter of a very different character, recall very forcibly Mr. Bouncer’s letters to his aunt in Verdant Green" (The Cambridge History of English and American Literature ).The London bindery of W. Root & Son consistently turned-out excellent work, both on fine bindings as here, and on trade bindings and sets. Packer lists the firm in business in Red Lion Square in 1899-1901, and the December 1942 issue of THe Rotarian notes with regret that W. Root had been bombed out (uprooted?) of their premises on Paternaster Row during the 1941 Blitz.Abbey, Life, 280; Tooley 198. Cf. Tooley 200. [Attributes: First Edition]

      [Bookseller: David Brass Rare Books, Inc.]
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        Grundlinien der Philosophie des Rechts (First Edition)

      Nicolaischen Buchhandlung, Berlin 1821 - First Edition. Octavo. xxvi, 355, [1, imprint], with a secondary title page, opposite the primary title page at the left, reading "Naturrecht und Staatswissenschaft im Grundrisse." Publisher's original paper-covered boards, red leather spine panel with title and rule in gilt, page edges stained red. Completely unrestored, with wear along the edges and hinges, and at the spine ends, top and bottom of the spine chipped (though no titling is affected), slight lean. Good to Very Good condition, with a small contemporary owner name on the front pastedown, a small contemporary clipped article about Hegel tipped in at the front endpaper. A very presentable copy overall. [Attributes: First Edition; Hard Cover]

      [Bookseller: Royal Books, Inc., ABAA]
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        A Treatise on a Section of the Strata from Newcastle-upon-Tyne to the mountain ofCross Fell, in Cumberland; with remarks on mineral veins. Also, tables of the strata in Yorkshire, Derbyshire, etc.; to which is added, a treatise on the discovery, the opening, and the working of lead mines; with the dressing and smelting of lead ores.

      Printed for the Author at the Geological Press and sold by John Pattinson Alston. enlarged 2nd edition 1821 - 8vo. xii, 422pp, xvi pp appendix, [6]pp index & glossary, [12]pp subscribers list and errata, plates (some hand-coloured and some folding), multi-folding table, text figures. Contemporary red half calf, re-backed in matching calf with new calf gilt spine label, original marbled sides and grey eps, marbled leaf-edges. Extremes rubbed with wear; occasional light offset from plates. [Attributes: Hard Cover]

      [Bookseller: John Turton]
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        Flora Londinensis containing a history of the plants indigenous to Great Britain, illustrated by figures of the natural size. A new edition, enlarged by George Graves and William Jackson Hooker.

      London, G. Graves, 1821.. 7 Bände. Gr.-Folio (51x32 cm). Mit 646 kolorierten Kupfertafeln. Grüne Halbchagrinlederbände der Zeit mit goldgepr. Rückentitel, Filetenvergoldung auf Rücken und Deckeln, Kopfgoldschnitt. (Gelenke fachgerecht restauriert).. Hunt 650. - Nissen BBI 440. - Dunthorne 87. - Henrey 596. - Ein aussergewöhnlich schönes Exemplar der zweiten, um 214 Tafeln vermehrten, Ausgabe. Mit hervorragenden, sehr sorgfältig kolorierten Tafeln nach William Kilburn, James Sowerby und Sydenham Edwards sowie Graves und Hooker, die die zusätzlichen Tafeln für diese Ausgabe schufen. Der Text für die Neuausgabe stammt ebenfalls von Hooker.- Hier vorliegend eine den Bibliographien vollkommen unbekannt gebliebene und besonders begehrenswerte Variante. Normalerweise erschien die zweite Ausgabe von 1817 bis 1828 in 5 Bänden. Unser Exemplar mit 7 Drucktiteln für jeden Band, die alle mit 1821 datiert sind. Sowohl von der ersten, als auch von der hier vorliegenden zweiten Auflage gibt es kaum Exemplare, die in allen Punkten miteinander übereinstimmen. "Different copies vary in the number of plates" (Henrey 596). Die 5-bändige Ausgabe von 1817-28 enthält komplett bis zu 647 Tafeln, wovon eine lithographiert ist. Dieser Ausgabe wurde meist auch ein Index beigegeben. Das vorliegende Exemplar enthält 646 Tafeln, wobei keine lithographierte Tafeln zu finden ist. Die Bände sind nach Linne systematisch geordnet und dementsprechend auch nicht mit einem Index ausgestattet.- Das Werk brachte William Curtis, Apotheker und Leiter der berühmten Chelsea Physic Gardens, erste Beachtung ein. Später sollte er mit dem Botanical Magazine einen Markstein in der Geschichte der botanischen Zeitschriften setzen. Finanziell war dem umfangreichen Unternehmen, trotz Unterstützung und großzügiger Subskriptionen von Lord Blute kein Erfolg beschieden. Das hohe Können der Künstler, die diese Flora gestalteten, haben den Illustrationen eine dauerhafte botanische Qualität verliehen, die seitdem selten wieder erreicht worden ist.- Breitrandig und von sehr guter Gesamterhaltung. Die Textblätter teils mit Tafelabklatsch, vereinzelt auch im Rand leicht stockfleckig, die Tafeln nur minimal betroffen und zum allergrößten Teil tadellos sauber und farbfrisch. Die Breitrandigkeit kommt vor allem den größten Kupfern zugute, sind diese doch häufig sehr knapp im Rand oder sogar angeschnitten.- Mit gestoch. Exlibris auf den Spiegeln.- Great Flower Books, 2. Aufl., S. 89 "a splendid work".

      [Bookseller: Biblion Antiquariat Leonidas Sakellaridi]
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        Practische Darstellung der Brückenbaukunde nach ihrem ganzen Umfange. Nach den bewährten Technikern und Mathematikern und den besten vorhandenen Mustern jeder Art vorzüglich für Ingenieure des des Straßen- und Brückenbaues. 2 Bände. Darmstadt, J. W. Heyer 1821. 8°. 7 Bll., XV, 358 S. 7 Bll..; XV., 356 S., 5 Bll., mit 30 (mehrf. gef.) lithogr. Tafeln, Lwd. d. Zt. mit Rtit.

      . . Engelmann, Bibl. mech.-tech. 307.- Der Verfasser war "Oberchausseebaudirector der Provinz Starkenburg".- 1. Bd.: "Hülfskenntnisse und den Bau steinerner Brücken enthaltend." 2. Bd.: "Den Bau der hölzernen, eisernen und beweglichen, so wie der Nothbrücken enthaltend".- Die Tafeln mit Konstruktionszeichnungen bekannter Brücken (u.a. Landsberg a. Lech, Freising, Neuötting, Bamberg, Nürnberg, Paris).- Leicht gebräunt od. tls. etw. fleckig, Ebde. etw. fleckig od. angeschmutzt

      [Bookseller: Antiquariat Johannes Müller]
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        Memoirs of the Secret Societies of the South of Italy, Particularly the Carbonari

      John Murray, London 1821 - xv, 235pp. Frontis engraving, two plates, and seven fold-out facsimile documents. Language: eng G : in Good condition. Rebound. Minimal wear to covers. Browning and occasional foxing within, impacting on plates. Stamps of Edinburgh Bookbinders' Library on title page, plates, and some pages. Minor tears to folded edges on some plates Half-leather rebind with blue cloth boards [Attributes: First Edition; Hard Cover]

      [Bookseller: Barter Books Ltd]
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        "The Book of Common Prayer, and administration of the sacraments, and other rites and ceremonies...According to the use of the Protestant Church in the United States of America..."

      Philadelphia: "S. Potter & Co., J. Maxwell, printer". 1821. "24mo, unpaginated, i.e. pp. [328]; 6 engraved sectional titles; text largely in double column; contemporary full straight-grain morocco, elaborately decorated in gilt with wide and ornate gilt-tooled borders on covers enclosing a central blindstamped panel in which is the name in gilt of an early owner, ""Abigail Dimon / 1824,"" heavily gilt-decorated spine with gilt lettering, gilt edges and turn-ins, marbled endpapers, a.e.g.; fine copy of an ornate decorative American binding. The binding is possibly attributable to Henry I. Megarey of New York based on stylistic evidence. See Early American Bookbindings from the Collection of Michael Papantonio, no. 39. American Imprints 4701."

      [Bookseller: Rulon-Miller Books ]
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        Memoirs of the Celebrated Persons Composing the Kit-Kat Club ; With a prefatory account of the origin of the association: illustrated with forty-eight portraits, from the original paintings by Sir Godfrey Kneller

      London: Hurst, Robinson and Company, 1821. Folio, 48 engraved portraits; a fine binding of half navy morocco, marbled boards with gilt spine. The Celebrated association called the Kit-Kat Club was instituted about the year 1700, and consisted of the principal noblemen and gentlemen who opposed the arbitrary measures of James 11. The objectives were a strong Parliament, a limited monarchy, resistance to France, and the Protestant succession to the throne along with the encouragement of literature and the fine arts.

      [Bookseller: Hordern House Rare Books]
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        [Op. 109]. Sonate für das Pianoforte componirt und dem Fräulein Maximiliana Brentano gewidmet... 109ts Werk. No. 1088.

      Berlin: Schlesingerschen Buch- und Musikhandlung... Wien: Artaria & Co., Cappi & Diabelli, Steiner & Co. [without PN] [November 1821]. Oblong folio. 1f. (title), 3-21, [i] (blank) pp. Engraved. Price: "1 Rth" with two horizontal lines through "Rth." With numerous erasures and contemporary corrections in ink incorporating the addition of accidentals, dynamics, corrections to pitch, and notation. Very slightly worn, soiled and foxed; corners of final leaf creased. A very good copy overall.. First Edition. Kinsky p. 312. Hoboken 2, 451. Beethoven-Haus C 109/3. Rare. All corrections and erasures in the present copy also appear in the copy at the Beethoven-Haus. These corrections were possibly executed by either the printer or publisher before copies were offered for sale and correspond very closely to the list Beethoven sent to Schlesinger on November 14, 1821, after he had received his complimentary copies (Anderson: The Letters of Beethoven, Vol. 2, pp. 929-31, letter no. 1061). Beethoven had repeatedly expressed his frustration about the number of engraver's errors, writing in the last P.S. to his letter to Schlesinger of June 7, 1821: "Please do not publish the sonata until the corrections made in the proofs have been entered. For there are really far too many mistakes in it." (ibid., pp. 918-19, letter no. 1052). A particularly interesting copy

      [Bookseller: J & J Lubrano Music Antiquarians LLC]
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        LOTERIA NACIONAL ORIGINAL DE 1821 (17,5X8,5) MUY RARO

      - Lotería Nacional . 1821. Cuarta parte de billete del sorteo de la Lotería Nacional Original del 13 de Agosto del 1821. Con un valor de 10 reales de vellón con sus correspondientes firmas y sellos. Extremadamente raro. Ref L.56 Lort. 7. [Attributes: Soft Cover]

      [Bookseller: Libreria Anticuaria Marc & Antiques]
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        A Narrative of Travels in Northern Africa, In the Years 1818, 19, and 20;

      London: John Murray,, 1821. Accompanied by Geographical Notices of Soudan, and of the Course of the Niger. Quarto (268 x 210 mm). Near contemporary dark brown half calf, marbled boards, low raised bands to spine, titles to spine gilt, geometric decorations to compartments in blind, grey endpapers. 17 hand-coloured lithographs, mainly of costumes, by Hullmandel after Lyon, and a partially coloured engraved folding map. Bookplates of the Charterhouse School library to front pastedown. Extremities and boards slightly rubbed, corners gently bumped, prelims lightly foxed, occasional spotting and soiling throughout, small chips to margins of plates V and VIII. A very good copy. First edition of this account of the Niger expedition under the command of Joseph Ritchie, one of several nineteenth-century British expeditions which sought to delineate the river. A British naval officer stationed at Malta, Lyon (1795-1832) volunteered to join Ritchie on his scientific mission as the officer originally commissioned, Frederick Marryat, was unable to do so. Leaving Tripoli in April 1819, the group was greatly delayed at Murzuk as both Ritchie and Lyon were taken ill. In November 1818, Ritchie succumbed to dysentery leaving a weakened Lyon to lead the expedition. Lyon continued to Zuila in the east before abandoning the undertaking and returning to Tripoli in March 1820. While unable to track the Niger, Lyon brought with him "intelligence gathered from merchants that the Niger 'runs into a lake called Tsaad'. He also brought back the first reports of the fate of Hornemann" (Howgego). Returning to London in July 1820, Lyon wrote an account of the expedition, detailing the journey as well as regional traditions, medicine, and natural history.

      [Bookseller: Peter Harrington]
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        Naturstudien., Bleistift

      1821 - Signiert "J Hübner fec.", datiert und bezeichnet "No5 Lübbenow Juni 21". Auf festem Velinpapier. Das schöne Blatt vereint mehrere Detailstudien: zwei Baumstudien, eine Pfanzenstudie und zarte Umrisse von Studien zu einem Hund. Die Baumstudien sind voll ausgeführt, die Pflanze ist als Umrißzeichnung mit wenig Binnenzeichnung zu sehen. - Der Historien- und Porträtmaler Julius Hübner trat 1821 in die Berliner Akademie ein. 1823 trat er in das Atelier W. Schadows ein, dem er 1826 nach Düsseldorf folgte. Hübner zählt zu den namhaftesten Mitgliedern der von Schadow gegründeten Düsseldorfer Schule. - Winzige Fleckchen, im Randbereich teils etwas stärker fleckig. Sprache: de Gewicht in Gramm: 2100

      [Bookseller: Kunstantiquariat Joachim Lührs]
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        The Works of Henry Fielding ... with an essay on his life and genius, 10 vols

      London, 1821. Later Printing. Publisher's original grey paper bds. with labels. A near fine set with some wear to the spines of two volumes. 8vo., A frontispiece portrait in volume 1. An excellent copy in original condition of one of the earliest standard works of Fielding. Cross, p. 331.

      [Bookseller: Palinurus Antiquarian Books ]
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        Die Völker Spaniens und ihre Fürsten. Ein historisch, statistisch, geographisches Denkbuch für Gebildete. 2 Bände in einem Band.

      Augsburg und Leipzig, Jenisch Stage, (1821).. O-Halbledereinband der Zeit mit zwei Titelrückenschildern. Einband etwas berieben, Rundumrotschnitt. Kleiner Papierausschnitt auf Vorsatzblatt. Band 1: Titelvignette mit Ansicht des "Schloss zu Segovia", VIII, (4 S.), 359 S. mit einer gefalteten Karte von "Spanien und Portugal 1821" und einem mehrfach gefalteten "Plan des Hafens von Cadiz nebst Umgebung.". Band 2: Titelvignette mit Ansicht des "Schlosses zu Madrid" (Escorial), (6 S.), 684 Seiten. Seiten und Ansichten sauber, 8°..

      [Bookseller: Versandantiquariat Christine Laist]
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        The Works of William Robertson Fellow of the Royal Society, and Principal of the University of Edinburgh, Historiographer to His Majesty for Scotland, and Member of the Royal Academy of History at Madrid. To which if prefixed An Account of his Life and Writings by Dugald Stewart. A New Edition in Ten Volumes.

      Ptinted for T.Cadell et al. 1821 - Size 5.25 x 8.5 inches. In full calf leather binding with gilt to spine and morocco title labels. Marbled edges and endpapers. Complete in 10 volumes. With portrait frontis to Vol I and 4 fold out maps and one fold out plate. In very good condition. Spines slightly rubbed at edges. Some small marks to boards. Mild foxing to some early pages. Else a clean and tight set. The complete works of the Scottish historian William Robertson in a New Edition of ten volumes. The author was admired both for his scholarship and his prose. Scotland Vols I-3, Charles V vols 4-6, America vols 7-9, India vol 10. The Scotland books cover the reigns of Queen Mary and King James VI, Chalres V includes the fall of Rome to the early sixteenth century, America covers ‘The History of Virginia to the Year 1668 and of New England to the Year 1652’. The final volume is An Historical Disquisition concerning the Knowledge which the Ancients had of India; and the progree of Trade with that Country.

      [Bookseller: PROCTOR / THE ANTIQUE MAP & BOOKSHOP]
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        Ansicht der Stadt Wien von Döbling - Vue de la ville de Vienne de cote de Döbling.

      Wien, Lith. Inst., o. J. [1821].. OLithographie. ca. 39 x 64 cm. Im Passepartout.. Vgl. Schwarz, Lithogr., Alt 9; Eckl IV, 843. - Leichte Gbrsp. Ein schönes Blatt.

      [Bookseller: Antiquariat Weinek]
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        Captain James Cook (proof copy)

      London: for the Proprietor, 1821. Engraving on india laid paper 180 x 130mm (image 65 x 50mm); mild foxing. Proof version. Proof version on india paper.

      [Bookseller: Hordern House Rare Books]
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        Verfassung der kaiserlich-königlichen Oesterreichischen Armee. Mit einem ausführlichen alphabetischen Register. Mit 4 gefalt. Übesichtstabellen.

      Wien, J. G. Ritter v. Mösle sel. Witwe, 1821,. OKart.der Zeit, mit rotem Rückenschildchen; xxxix, 654 S., [2], 8°. Einband wenig berieben. Bibl.-Stempel u. Schildchen mit Signatur auf Vorsatz u. Vorsatzplatz; Titel mit alter Besitzerunterschrift (mit Zeichenstift) versehen. Innen frisch u. sauber. Sehr gut erhalten. * Our books are stored in our warehouse, not in the shop. Please notify beforehand, if you want to visit us and see a specific book. Unser ZVAB-Bücher-Bestand befindet sich in unserem Lager am Stadtrand Prags, nicht in unserem Geschäft. Bitte, teilen Sie uns vorher mit wenn Sie uns besuchen möchten und bestimmtes Buch auswählen wollten *.

      [Bookseller: Antikvariát Valentinská]
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        The World in Miniature: Africa

      London: Printed for R. Ackermann,, 1821. A description of the manners and customs, with some historical particulars of the moors of the Zahara, and of the Negro Nations between the Rivers Senegal and Gambia. 4 volumes, duodecimo (approximately 153 x 89 mm). Original dark pink boards, printed paper labels to spines, top edge trimmed, others untrimmed. 45 coloured engravings and 2 coloured folding maps. Partially unopened. Spines tanned, boards lightly rubbed, spine ends and corners a little worn, inner hinges gently cracked. Volume I skilfully recased with minor restoration to the spine. First editions of the four volumes on Africa that were published as part of the Miniature World series, which ran to a total of 43 volumes. Frederic Shoberl (1775–1853), was a London-born journalist and writer. He edited numerous works for Rudolph Ackermann, including several periodicals such as the English annual Forget-Me-Not and its juvenile version, as well as the Repository of Arts. 'In addition to his work for Ackermann, Shoberl was printer and publisher of the Cornwall Gazette, Falmouth Packet, and Plymouth Journal (1818–19), a Conservative paper issued at Truro' (ODNB). Also interested in travel literature, Shoberl published several books on the topic, including Travellers in Switzerland (1803), Travels in Greece, Palestine, Egypt and Barbary (translated from a French original, 1812), and Travels in Caucasus and Georgia (translated from a German original, 1814). In these four volumes on Africa, Shoberl seeks to explain the customs, religious practices, industry, and art of the region, in particular with reference to the Moors, as well as the Wolof and Mandinka peoples. The author also touches upon recent history, with a chapter discussing the slave trade.

      [Bookseller: Peter Harrington]
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        Paris, Notre Dame prise de L'isle Louvier

      R.Ackermann, London 1821 - Hand-coloured aquatint engraving by Havell from J.Gendall's drawing after Pugin. Printed on wove paper. In excellent condition with the exception of a expertly mended tear on the bottom margin. Image size: 13 7/8 x 18 7/8 inches. A highly dynamic view, emphasizing the cathedral of Notre Dame's position at the heart of the city of Paris Notre Dame, before the addition of Violett le Duc's central spire, is shown dominating the skyline in this view taken from the south side of the Ile de St. Louis, looking north west upriver to the Pont la Tournelle with the Cathedral beyond. The foreground includes a number of barges loaded with timber, probably for furl, bargees wrestle with the newly arrived vessels, positioning them using long poles, unloading of the moored barges is already underway, with workmen trudging up well-worn paths in the river bank. Much activity can be seen on the wide `beach' of the far left bank. Pugin (1762-1832) `architect, archæologist, and architectural artist, was born in France, and claimed descent from a distinguished French family. Driven from his country either by the horrors of the revolution or by private reasons connected with a duel, he came to London about 1798, and soon found employment as a draughtsman in the office of John Nash? To increase his powers as an artist, he entered the schools of the Royal Academy? He further revived acquaintance with Merigot, an aquatint engraver, who formerly had been a drawing-master to his father's family, and studied under him with advantage. Nash, who treated his pupils and assistants with great kindness and hospitality, discovered in Pugin a valuable subordinate. The truthfulness of Pugin's drawings in form and colour at once attracted attention. A change was then coming over water-colour art. The old style of brown or Indian ink outline with a low-toned wash was giving way to the more modern practice of representation in full colour, and Pugin, though he limited his palette to indigo, light red, and yellow ochre, was an active supporter of the new movement, and to his influence its ultimate predominance was largely due. In 1808 Pugin was elected an associate of the Old Water-colour Society, which had been founded in 1805, and he was a frequent exhibitor at the annual exhibitions held first in Lower Brook Street and subsequently in Pall Mall? About the same time Pugin was employed on Ackermann's publications, notably the 'Microcosm,' for which he supplied the architectural portions of the illustrations, Rowlandson executing the figures. ?.Meanwhile Nash and his works were not altogether neglected. Pugin in 1824 was asked to make the drawings for a volume illustrating the Brighton Pavilion, and while he was engaged upon the work George IV, who came to watch, accidentally upset the colour-box, and, mindful perhaps of illustrious parallels in the past, picked it up with an apology that greatly gratified the artist.` (DNB). The present separately issued plate led to a latter publication `Views of Paris and Environs,' (London: 1828-1831), with plates of similar subjects but published in a much smaller quarto format.

      [Bookseller: Donald A. Heald Rare Books (ABAA)]
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        Landschaft mit 2 Pferden und einem Reiter vor einem Dorf ( ohne Titel ).

      . Lithographie m. Tonplatte v. L. Ekeman Allesson n. Albr. Adam b. Carl Ebner in Stuttgart, dat. 1821, 35 x 43. Frühe und seltene Lithographie, vergleiche Winkler 180,40 ( Frühzeit der dt. Lithographie ); zu Kuntz s. Thieme- B. XXII,116.

      [Bookseller: Antiquariat Nikolaus Struck]
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