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Displayed below are some selected recent viaLibri matches for books published in 1820

        \"Ansicht der Stadt Freiburg vom Lorettoberge\". Gesamtansicht, links Randbaum, daneben führt ein Reiter gesatteltes Pferd.

       Aquatinta in Braun von Nilson nach Follenweider, um 1820, 17,5 x 22 cm. Schefold 23229. - Das schöne breitrandige Blatt in sehr guter Erhaltung, in braun gedruckt. Versand D: 6,00 EUR Baden-Württemberg

      [Bookseller: Antiquariat Bierl]
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        \"Die Meinau am Constanzer=See\". Ansicht von Süden, im Vordergrund ruhender Hirte mit seiner Kuhherde.

       Altkol. Umrißradierung von Frommel bei Artaria, Mannheim, um 1820, 29 x 43 cm. Nicht bei Schefold und v. Gleichenstein \"Der Bodensee in alten Ansichten\". - Rare, dekorative Vedute, in zarten Farben koloriert. Versand D: 6,00 EUR Baden-Württemberg

      [Bookseller: Antiquariat Bierl]
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        \"Ansichten von Württemberg - Hall\". Gesamtansicht von Nordwesten, rechts Limpurg und Einkorn.

       Lithographie von Ekeman-Allesson nach Bodenhöfer (d.i. Bonhöfer) bei G. Ebner, Stuttgart, um 1820, 33 x 53,5 cm. Schefold 7277; nicht bei Winkler. - Im unteren Rand minimale, sorgfältig restaurierte Einrisse. Tadelloses Exemplar dieser raren Ansicht. Versand D: 6,00 EUR Baden-Württemberg

      [Bookseller: Antiquariat Bierl]
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        Picturesque Tour Along the Rhine

      , 1820. 1820. First Edition . (ACKERMANN, Rudolph) GERNING, Baron Johann Isaac von. A Picturesque Tour Along the Rhine, from Mentz to Cologne. London: R. Ackermann, 1820. Folio (11-1/2 by 13-1/2 inches), 20th-century full tan polished calf, raised bands, red morocco spine label. $11,000.First edition, first issue, of one of Ackermann

      [Bookseller: Bauman Rare Books ]
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        The Life and Adventures of Don Quixote de la Mancha...materially corrected from Jarvis's translation

      London: Hurst, Robinson and Co, Cheapside, 1820. A New Edition. With 20 engravings from Designs by Richard Westall, R.A. 4 vols. Small 8vo. Contemporary full mottled calf gilt, red and black morocco spine labels, raised bands, marbled endpapers, all edges gilt. About fine. Westall, Richard. A New Edition. With 20 engravings from Designs by Richard Westall, R.A. 4 vols. Small 8vo. Don Quixote, Handsomely Bound and Illustrated. Lovely 1820 Don Quixote, illustrated with 24 full-page engraved plates after noted artist and illustrator Richard Westall. Attractive calf boards slightly crazed, spines fine and richly gilt. A lovely set, handsomly bound and illustrated.

      [Bookseller: James Cummins Bookseller ]
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        An enquiry into the cause of the present distress of the people.

      8vo., vii + (1) + 324 + (4)pp., including the final Advertisement and errata leaves, contemporary half calf over marbled boards, spine simply gilt with a label. A very good copy from the early 19th century library of Bernard Edward Howard, 12th Duke of Norfolk (1765-1842), with his bookplate on pastedown.Publisher: London: printed for the author, and sold by J. Ridgway.Year: 1820Edition: First edition with this title (see further notes below).

      [Bookseller: John Drury Rare Books]
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        The Sketch Book of Geoffrey Crayon, Gent.

      A rare copy from the earliest stock of the first book edition. Blind stamped diamond design on leather boards, marbled edges and matching endpapers, re-backed in period style. Contemporary bookplate on front pastedown of Volume I, both half-titles with ink signature dated 1820. Internally quite clean with some scattered foxing. Very good. **** OCLC lists just one copy in the British Library***An important title and American classic that introduced iconic stories like Rip Van Winkle and The Legend of Sleepy Hollow. The first four American installments were collected into a single volume and self-published by Irving in London, under John Miller's Burlington Arcade imprint, on February 16, 1820. Miller's April bankruptcy left those copies collecting dust. John Murray took over production, making these Miller title page copies extremely scarce. In July of 1820, Murray published the second volume with the final three American installments.

      [Bookseller: Anniroc Books]
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        Liberotti Impronte

      1820. (ART) LIBEROTTI, Giovanni. Liberotti Impronte, Opera Scelte. [Rome: Incisore di Camei Roma], circa 1820. Three double-sided clamshell boxes opening as books, containing 96 miniature plaster medallions in relief. Octavo, contemporary three-quarter vellum, elaborately gilt-decorated spines, red morocco spine labels, marbled sides and speckled edges. $2600.Beautiful collection of 96 miniature plaster medallions in three volumes by master carver Giovanni Liberotti, depicting famous works of art, both ancient and modern, in the collections of the Vatican, the Capitoline Museum, the Farnese Gallery, Palazzo Barberini, Villa Borghese, and other private collections in Rome, Florence, Naples, Milan, Paris, Dresden and Copenhagen. Mounted and captioned in three contemporary boxes bound as books, they comprise “a minutely detailed cabinet of neoclassical knowledge and art.”When the opportunity to take the “Grand Tour” spread from the aristocracy to the new industrial and professional elites, tourist destinations such as Rome shifted their attention from the privileged class to meeting the travel needs of the monied middle-class, including a healthy souvenir trade. Souvenir engravings of tourist attractions began to appear everywhere. In addition to albums of engraved views, “the Grand Tour offered another very popular type of travel souvenir, the now nearly forgotten cameosÂ… The taste for these engraved antique gems was revived as part of the classical revival and later reproduced as miniature plaster castsÂ… Mounted in faux book bindings, these plaster cameos [provided] a minutely detailed cabinet of neoclassical knowledge and art” (Princeton University). This wonderful “cabinet” of 96 souvenir plaster medallions depicts famous works of art, from classical sculpture and portrait busts, to Renaissance paintings, to the works of neoclassicists Canova, Thorvaldsen and Gibson. Representative masterpieces include da VinciÂ’s “Last Supper,” BerniniÂ’s “Apollo and Daphne,” and TitianÂ’s “Flora.” Giovanni Liberotti promoted himself as a “Carver of Cameos and Purveyor of Gems Ancient and Modern.” The Italian word “impronte” on the spines of the boxes (meaning “stamp” or “impression”), refers specifically to plaster casts, as opposed to enamel relief medallions or actual shell cameos. They measure from 3/4 to 2-1/2 inches across. Mounted to the front and rear pastedowns are numbered keys in contemporary Italian manuscript, identifying each of the works. A rare and unusual set in nearly fine condition, with only a few tiny dust spots to medallions and minor rubbing to boxes.

      [Bookseller: Bauman Rare Books]
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      Baudouin frères, et à la Librairie de l'Industrie, 1820. In - 16 (147 x 94 mm), demi - veau havane, dos lisse orné (reliure d'époque). Première édition séparée des Poésies. (quelques petits défauts et frottements, coins émoussés, rousseurs). / / 16o (147 x 94 mm), havana half calf, smooth spine tooled (contemporary binding). First separated edition of the poetry. (some little defects and rubbings, corners bumped, brownings).

      [Bookseller: Librairie Henri Picard & Fils]
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        Rural Employments; or, a Peep into village concerns Designed to instruct the minds of children. Illustrated by numerous copper-plates.

      William Darton: London 1820 - Covers very rubbed, front cover totally detached. Back hinge cracked and back flyleaf torn. Signature on inner cover. Coloured copperplates throughout, pages somewhat yellowed but clean and legible [Attributes: Hard Cover]

      [Bookseller: Amnesty Bookshop London]
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        ALS. To Mr. Alfred Robert Freebairn (1794-1846) about an engraving or painting to be produced with dimensions of 3 x 3-1/4 inches and cost of £10.10

      Kensington, 1820. 1 page. Bifolium. 12mo. Very good , old folds. 1 page. Bifolium. 12mo. Reading in part:"You will be pleased to make the subject itself only 3 inches in height; or 3 inches 1/4 at most. The breadth with the necessarily proportionate.For the sum of £10.10, I trust you will execute it in a brilliant and spirited manner..."

      [Bookseller: James Cummins Bookseller ]
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        The Life and Adventures of Don Quixote de la Mancha...materially corrected from Jarvis's translation

      London: Hurst, Robinson and Co, Cheapside, 1820. A New Edition. With 20 engravings from Designs by Richard Westall, R.A. 4 vols. Small 8vo. Contemporary full mottled calf gilt, red and black morocco spine labels, raised bands, marbled endpapers, all edges gilt. About fine. Westall, Richard. A New Edition. With 20 engravings from Designs by Richard Westall, R.A. 4 vols. Small 8vo. Don Quixote, Handsomely Bound and Illustrated. Lovely 1820 Don Quixote, illustrated with 24 full-page engraved plates after noted artist and illustrator Richard Westall. Attractive calf boards slightly crazed, spines fine and richly gilt. A lovely set, handsomly bound and illustrated.

      [Bookseller: James Cummins Bookseller]
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        Specimen catalogi codicum mss. orientalium bibliothecae academiae Lugduno-Batavae [.].

      Leiden, S. & J. Luchtmans, 1820. - Large 4to (220 x 261 mm). (4), VIII, 264, (2) pp. Contemporary half calf with giltstamped red spine label and sparsely gilt spine. Edges lightly sprinkled in red. Only edition. - Pioneering specimen of a catalogue of oriental manuscripts in the Leiden library, with extensive extracts in Arabic, produced by H. A. Hamaker (1789-1835). "Ce sp

      [Bookseller: Antiquariat INLIBRIS Gilhofer Nfg. GmbH]
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        Picturesque Tour Along the Rhine

      1820. First Edition . (ACKERMANN, Rudolph) GERNING, Baron Johann Isaac von. A Picturesque Tour Along the Rhine, from Mentz to Cologne. London: R. Ackermann, 1820. Folio (11-1/2 by 13-1/2 inches), 20th-century full tan polished calf, raised bands, red morocco spine label. $11,000.First edition, first issue, of one of Ackermann’s wonderful Picturesque Tours, beautifully illustrated with 24 hand-colored folio aquatints and large folding map. A lovely copy.In the history of book production ""there is no more attractive figure than that of Rudolph Ackermann, through whose extraordinary enterprise and spirit of adventure, aquatint was successfully applied to the illustration of books"" (Prideaux, 120-23). One of Ackermann's most lucrative projects was his remarkable Picturesque Tours, a series of seven books produced between 1820-28. This is his Tour Along the Rhine, with beautifully hand-colored aquatints by Daniel Havell and Thomas Sutherland after paintings by Christian Georg Schutz, depicting views of Mentz, the Castle of Furstenberg, the Church of Johannes, Pfalz Castle and the town of Kaub, the salmon fishery at Lurley, Coblentz, Bornhofen, Cologne and other sites along the river. The plates were pulled and hand-colored in the Ackermann studio, whose reputation for producing splendid illustrated publications and disseminating fine aquatint prints spanned over two centuries. The folding map shows the course of the Rhine from Mentz to Cologne. With accompanying text by Baron von Gerning describing the history and culture of the area (first published in German in 1819, without illustrations). First issue, without plate numbers in the top right corners. Tooley notes that plates 2 and 3 have variants dated either September or October; Abbey argues persuasively that to call either state an issue ""must remain doubtful,"" particularly given that large-paper copies have also been seen with the two plates dated October. At any rate, the quality of plates in either state are the same high standard; Abbey notes that ""there are definitely some later issues of the book, and these can be recognized by having plate numbers at the top right-hand corner. The impressions in these plates are poor and the coloring less good"" (Abbey 217). This copy has plates 2 and 3 dated October, but most importantly none of the plates bear numbers in the upper right. Text watermarked 1817 and 1818; plates watermarked 1818 and 1819. Abbey, Travel 217. Prideaux, 337. Tooley 234. Title page neatly rehinged, plates fine and fresh, hand-coloring vivid; a few minor scuffs to binding. An excellent, attractive copy of this beautifully illustrated work.

      [Bookseller: Bauman Rare Books]
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      Madrid, 1820. [8],190,11pp. plus nine folding charts. Small quarto. Contemporary stained Spanish calf, spine gilt, leather label. Light wear to extremities. Internally clean. Very good. An extremely valuable source of commercial information about the Philippines at the beginning of the 19th century. The author was an official of the Philippine company and spend eight years in the islands. Chapters are devoted to commerce in a variety of products, and the folding tables show exports and imports. No copies in auction records for the last thirty years.

      [Bookseller: William Reese Company - Americana]
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        Gesamtansicht mit Personen- und Fuhrwerkstaffage im Abendlicht ('Klausthal - Gemalt von Joh. Heinrich Bleuler in Feuerthalen bei Schaffhausen').

      - altgouachierte Umrissradierung v. Johann Heinrich Bleuler, um 1820, 40,5 x 59 Thieme-Becker, Bd. IV. S. 115. - J.H. Bleuler (Zollikon bei Z

      [Bookseller: Antiquariat Norbert Haas]
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        Carte réduite du Golfe de Venise assujettie aux Observations faites en 1818.

      1820. Incisione in rame, colorata, 650x1370. Piacevole carta dell'Adriatico eseguita sulle recenti osservazioni del Capitano di Vascello Gauttier che, su incarico del Depot de la Marine, aveva effettuato nuovi rilevamenti nell'area. La carta presenta cinque grandi riquadri raffiguranti in dettaglio le piante di Trieste ed Ancona, i porti e rade di Otranto e Brindisi, gli ancoraggi delle isole Tremiti. Molto ben conservata ed in piacevole coloritura.

      [Bookseller: Libreria Antiquaria Perini s.a.s.]
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        VEDUTE DI ROMA [binder's (spine) title]

      Unknown place: Agapito Franzetti, 1820. 130 engravings on 65 sheets. Each sheet (page) meausures 113mm x 140mm. No title page (if issued). No date of publication is listed, circa 1820. Original 3/4 leather binding with moderate shelfwear, spine worn with minor loss to extremities, but intact and attractive. Mottled decorative paper sheets cover the boards, and the pastedowns are marbled. Many of the plates are loose, and several pages are lightly to moderately stained. The engravings are strong and clean impressions, showing views of buildings of ancient and modern construction. Most of the engravings are signed in the plate either "A. Franzetti" or "A. F." Many of the plates are titled and show similar views to many by Piranesi, though they are not identical. If this is a pocket version of Piranesi's "Vedute de Roma" it is either lacking 5 images, or it was issued with 130 images instead of 135. Bibliographic information on this publication is elusive. Included is a circa 1950 French protective slipcase, decorated with marbled paper. From the library of Paul Mac Alister. Plates include Basilica de S. Pietro in Vaticano, Monte Cavallo, Piazza del Popolo, Basilica di S. Sebastiano fuori le mura, Basilica di S. Lorenzo fuori le mura, Porto di Ripagrande, Ponte Molle, Chiesa de S. Celso e Giuliano, Chiesa e Casa di S. Ma. Maddalena, Palazzo della Cancelleria Aposta, Palazzo di Venezia verso la Ripresa, Chiesa e Vonvento di S. Marcello, Chiese e Casa di S. Andrea alla Valle, Piazza di S. Giovanni in Laterano, Piazza di Colonna Trajana, Chiesa e Monastero della Purificazione, Chiese e Monastero de S. Chiara, Palazzo Borghese, Palazzo Colonna, Seminario di S. Pietro in Vatacano, Chiesa delli Archiconf.ta delle Sag. Stimmati di S., S. Maria in Campitelli, S. Maria della Pace, Piazza Giudea, Piazza di S. Maria de Monei, etc.. First (presumed) edition. Hardcover. Very good- condition. 16mo - over 5¾" - 6¾" tall.

      [Bookseller: Kurt Gippert Bookseller (ABAA) ]
 18.   Check availability:     ABAA     Link/Print  

        RELAZIONE della Morte di Giacomo e Beatrice Cenci, e Fratelli, e di Lucrezia Petroni Cenci Loro Matregna Parricidi, ed Uccison del Sig. Francesco Cenci seguito in Roma li 11 Settembre 1599, nel Pontificato di Clemente VIII.

      S.l.n.d. (c. 1820). - MANUSCRIT in-4. portrait. 25ff. Cartonnage souple ancien (petit défaut à la coiffe supérieure). Copie manuscrite vers 1820, d'un célèbre récit italien du XVIIe siècle sur la tragédie de Béatrix Cenci et de ses fères, qui furent accusés de parricide sur fonds d'inceste, et condamnés à mort. "La tragédie de la famille Cenci, qui fut l'une des plus passionnantes chroniques judiciaires du XVIe siècle, avec son fonds de violence et de passion, exerça un grand attrait sur les poètes, les peintres et les historiens: l'héroïne, la belle Béatrice, fut, à l'époque romantique, l'objet de plusieurs tragédies et romans" (Laffont Bompiani). Rédigée dans la première moitié du 17e siècle, cette relation resta longtemps inédite et ne sortit de l'ombre qu'au début du 19e siècle lorsque les Romantiques la découvrirent. C'est ce texte, initialement diffusé sous forme de manuscrits comme celui-ci, qui fut à l'origine de l'engouement général pour la tragédie des Cenci en servant de source d'inspiration aux premiers écrivains qui abordèrent le sujet, comme Mary Shelley, Custine, Stendhal et Fortia d'Urban. Plus tard, Beatrix fut également le sujet de pièces de théâtre (dont une d'Antonin Artaud), d'opéras et de films. Exemplaire illustré d'une gravure sur cuivre de Pietro Bettelini (1763-1828) représentant Béatrice Cenci, d'après le fameux portrait du peintre bolognais Guido Reni (1575-1642). Marge supérieure du titre découpée, probablement pour supprimer en envoi ou une marque de provenance. Bon exemplaire, exécuté d'une écriture très lisible et recouvert d'un joli cartonnage souple en papier décoré. Cf. Laffont Bompiani, II, p. 347. Cf. Anna Maria Rubino, Alla ricerca di Astolphe de Custine, p. 116. [Attributes: Hard Cover]

      [Bookseller: Librería Comellas]
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        Journals of Two Expeditions into the Interior of New South Wales, Undertaken by Order of the British Government in the Years 1817-18

      London: John Murray 1820 - London: John Murray, 1820. First Edition. Quarto - 27.8cm., [xv], (1 - Errata), 408pp. including Appendix, Index. with three folding engraved and publisher’s linen backed maps or charts, two folding tables, a folding engraved plate and five aquatints, two with original hand-colouring; a most attractive copy bound in modern gilt ruled polished 3/4 calf and linen boards, spine with full gilt-decoration and marbled end leaves, top page edges gilt. Some light intermittent foxing as usual, otherwise a Fine and most desirable copy. Scarce. A very important Australian book, being the only inland exploration work published in quarto, and reputedly only 500 copies produced. John Oxley held a significant place in the early history of the Colony contributing to the exploration of the New England districts of New South Wales, as well as the discovery of the Brisbane River. Oxley’s first journey was made beyond the Blue Mountains, up and around the Lachlan River. Vast swamps compelled him to return when less than two days’ journey from the Murrumbidgee River. In his second journey, made the following year, Oxley led a party down the Marquarie River. He found the land very swampy, the party took a detour and discovered the Castlereagh River. The party then struck N.E. and East across the Warrumbungle Ranges and the Liverpool Plains, crossed the Dividing Range and reached the coast at Port Macquarie. The finely-drawn maps and aquatints include views drawn by Major James Taylor from sketches by Evans, second in command and the deputy surveyor, and the striking portrait "A Native Chief of Bathurst", prepared after a drawing by John Lewin, and one of very few known Aboriginal subjects by Australia's first professional artist. WITH: Loosely inserted are 2 original hand-written letters fully signed “J. Oxley” to his wife Emma, written at Sydney Town to Kirkham, Oxley’s farm at the Cowpastures, dated 26 February (1824). The second letter is not dated but of a similar period. The letters are interesting and refer to W. Marsden and Mr. Cordeaux (Governor Macquarie’s land commissioner). Oxley had married Emma Norton in 1821 at St. Phillip’s Church, but died in 1828 aged only 42. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Chet Ross Rare Books, ABAA]
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        Portrait, believed to be of Frances Trollope; attributed to Sir George Hayter.

      [c.1820] Head and neck, facing slightly left, in pastel & wash. Framed & glazed in an oval cloth mount. Image approx. 20cm. tall. Frame 38 x 31cm.Although unsigned, this is thought to be the novelist Frances Trollope, by George Hayter, R.A. He was a friend of Frances's husband Thomas, and was known to be a frequent visitor to Julians, the family's home. PLEASE NOTE: VAT will be added to the price of this item within the EU.

      [Bookseller: Jarndyce Rare Books]
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        Convención entre Gobernadores el día 23 de Febrero del Año del Señor 1820

      s/e, Buenos Aires 1820 - Convención hecha y concluida entre los Gobernadores, D. Manuel de Sarratea, de la Provincia de Buenos Ayres, de la de Santa Fe, D. Estanislao López y el de Entre Ríos, D. Francisco Ramírez, el día 23 de Febrero del Año del Señor 1820, con el fin de poner 1 volumen(es)/volume(s) 1 páginas

      [Bookseller: Libreria de Antano (ILAB & ABA Members)]
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        Voyage critique à l'Etná en 1819. 2 Bände.

      Paris, Mongie 1820. - 8°, 2 lithogr. Titel, 3 lithogr. Tafeln, 2 Bl., 541 SS.; 2 Bll., 463 SS. (ohne die S. 1/2), unbeschnitten, Broschur der Zeit mit Rückentitel, Borschur etwas lädiert, etwas fleckig, sonst gut erhalten, Erste Ausgabe . - Brunet 20334. Die lithographierten Titel jeweils mit einer Ansicht des Aetna, die Tafeln mit einem Umgebungsplan von Syrakus, einem Situationsplan der Vulkankrater und einer Wiedergabe von Inschriften (Fragment d'une Inscription Chaldaique, Plan chorographique des crateres du cone de l'Etná, Situation respective des Quatre Villes). Beschreibung der Städte Syracus, Agrigent, Depranum, Palermo, Neapel, Messina, Sizilien,Sagesta, Catania, Charybda, Scylla, [Attributes: First Edition; Soft Cover]

      [Bookseller: Antiquariat Werner Steinbeiß]
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        Promenade de Paris à Bagnères-de-Luchon par l'Ile-de-France, l'Orléanais, le Berry, le Bourbonnais, l'Auvergne, le Rouergue, l'Albigeois, le Languedoc, le Roussillon et la partie orientale des Pyrénées .[avec :] Promenade de Bagnères-de-Luchon à Paris

      Paris, Egron, 1820-1821. ____ Première édition. Ce voyage, écrit sous forme de lettres, fait une large place aux Pyrénées. Petits manques au dos de la couverture. Bel exemplaire à l'état de parution. Labarère 1623, 1624: "Peu commun". *****. 3 volumes in-8. Collation : XII, 286, (2) pp. / XII, 274 pp. / XIV, 400, (4) pp. Broché, couverture imprimée.

      [Bookseller: Hugues de Latude]
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        Poems descriptive of Rural Life and Scenery. FIRST EDITION.

      Taylor & Hessey; & E. Drury, Stamford. 1820 Six-line errata slip following contents leaf; sl. spotting & two small tears to near margin of titlepage. Expertly & sympathetically rebound in half tan calf, vellum-tipped corners, spine ruled in gilt, maroon leather label. v.g.Bound without half title and advertisements.

      [Bookseller: Jarndyce Rare Books]
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        Brockhaus: Allgemeine deutsche Real-Encyclopädie für die gebildeten Stände (Conversations-Lexicon). In zehn (10) Bänden. Fünfte Original-Auflage (5. Auflage), 10 Bände, Halbleder-Ausgabe (1820).

      Leipzig, F. A. Brockhaus, 1820 Völlig umgearbeitete Auflage in 10 Bänden im Umfang von ca. 10.000 Seiten. Vollständiges Grundwerk in 10 Bänden. Braune Original-Halblederbände mit goldgepägten Rückentiteln auf rotem und grünem Rückenschild sowie goldgeprägten Ornamentbändern an Rückenschildern und Kapitalen; Buchdeckel in mehrfarbiger bräunlicher Marmorierung und mit Lederecken; dreiseitiger Rotschnitt. Von 1817 an vorbereitete, neu konzipierte Auflage. \"Diese Auflage war wieder eine völlig umgearbeitete und hatte besonders dadurch gewonnen, daß jedes wichtigere Fach einem hervorragenden Mitarbeiter zur einheitlichen Durcharbeitung übergeben worden war\", heißt es retrospektiv in der Brockhaus-Firmengeschichte (Die Firma F. A. Brockhaus. 1805 - 1905, S. 31). Da die Neuauflage nach Ansicht des Verlages selbst die \"aufgeregte politische Stimmung des Jahres 1819 verraten\" habe (zit. nach: Seemann, S. 71), drohte zeitweilig ein Totalverbot in Preußen. Dieses konnte zwar verhindert werden (eine Verbots-Mitteilung Berliner Buchhändler auf der Buchmesse erwies sich als voreilig), gleichwohl wurde alle publizistischen Aktivitäten des Verlages von den preußischen Zensurbehörden mißtrauisch beäugt. In Österreich wurde die Herausgabe der beiden letzten Grundwerksbände 9 und 10 tatsächlich untersagt, was die österreichischen Sortimenter gegenüber ihren Subskribenten in Verlegenheit brachte. Alle Bände mit Artikel-Verzeichnis. Bd. 1 ferner mit Literarischem Bericht im Anhang. Die Bände in sehr gutem Zustand. Leder in bemerkenswert frischer Erhaltung, weder berieben noch bestoßen (lediglich Buchrücken des 3. Bandes mit kleiner, unauffälliger Stoßstelle); auch die an sich empfindlichen Deckelbezüge hier mit allenfalls sehr leichten Bereibungsspuren; Ecken kaum bestoßen. Seitenränder partiell leicht fleckig, Druckhintergründe partiell etwas gebräunt. Bei Band 3 wenige Blatt am Fuß etwas knapper beschnitten; untere Seitenränder dieses Bandes partiell mit einem Fleck. In toto sehr gutes, gepflegtes Exemplar, wie es von dieser frühen Brockhaus-Auflage nur noch sehr selten anzutreffen sein dürfte. Weitere Fotos auf der Homepage des Antiquariats (bitte Art.-Nr. auf der Angebotsseite in das Suchfeld eingeben). Versand D: 5,00 EUR Brockhaus Lexikon Konversationslexikon Konversations-Lexikon Conversations-Lexikon Conversationslexikon Enzyklopädie Encyclopädie fünf fünfte

      [Bookseller: Das Konversations-Lexikon]
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        Groom Holding a Rearing Horse from "Grande Suite de Chevaux

      Paris: Delpech, circa 1820. Lithograph on rag paper, numbered 53. 33 x 38 cm. on sheet size 41.5 x 55 cm. Dayot, 215.

      [Bookseller: Alan Wofsy Fine Arts]
 27.   Check availability:     Biblio     Link/Print  

        An Exact Representation of the Coronation . at Westminster' and of 'The Coronation Dinner in Westminster Hall', (1738-1820, King of Great Britain) and his Queen CHARLOTTE (1744-1818, née Princess of Mecklenburg-Strelitz)]

      1820 - 2 hand-coloured woodcuts, copied from the illustrations in The Universal Magazine for October and November 1761, the first, taken as the Archbishop of Canterbury places the Crown on the King's head, is lettered with explanations of the crowded scene, including at (h) 'The Dukes of Normandie and Acquitain and other great officers', the second, similarly explained, shows the King's Champion, flanked by the Earl Marshal and Lord High Constable, riding up the centre between the long tables, watched by the diners and the others present in the galleries, printed within a 'Greek Key' border, both referring to 22nd September 1761, laid down on two separate album leaves 10" x 7¾", with other items on the versos, the two prints no date, circa edges worn and border trimmed in places without loss to text or image The original articles of 1761 explain the role at the Dinner of the King's Champion, who challenged any one to assert that George III was not their lawful sovereign, and the 'Dukes of Normandy and Aquitaine' at the Coronation. The French King had anciently a council of twelve great Peers, 6 lay and 6 ecclesiastic. Long after the council ceased to function the ecclesiastics attended at Reims, but the lay peerages had became vested in the crown. So the King appointed people to represent his lay peerages. Henry II liked this idea, which was last used in 1761, given that in 1801 Great Britain renounced all claims to France and the use of the lilies on her coat of arms. On the versos are (1) a pleasing engraving of Bouverie Hall, Chart next Sutton Valence, Kent, and (2) a number of cuttings including temperance verses and the monument to Captain Charles Colby, of the 98th Dragoons, killed by a tiger at 'Rawal Pinde', 27th March 1852. [Attributes: Soft Cover]

      [Bookseller: Sophie Dupre ABA ILAB PADA]
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        Langley's FOUR SEASONS. Coloured. Price Sixpence.

      [8] leaves, printed on one side only, the first and last pastedowns to the wrappers, each page bearing a hand-coloured engraving with text below, and with a running alphabet throughout. Original printed wrappers. Spine restored; little bumped at corners, else a very good copy. One from a series issued by Langley that all exhibit this publisher's characteristic flair for bold design and colouring.

      [Bookseller: David Miles]
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        Manuel maçonnique ou tuileur de tous les rites de maçonnerie pratiqués en France; dans lequel on trouve l'étymologie et l'interprétation des mots et des noms mystérieux de tous les grades qui composent les différens rites ; précédés d'un abrégé des règles de la prononciation de la langue hébraïque, dont presque tous les mots sont empruntés, et suivi du calendrier lunaire des Hébreux, à l'usage des institutions maçonniques

      Hubert|& Brun, 1820. - Hubert & Brun, Paris 1820, 12,5x20,5cm, relié. - Nuova edizione illustrata del 32 tavole riquadro. Bound in piena pelle di pecora Avana, torna liscia decorata con fregi dorati ferro e in parte oscurato a causa tracce di abrasioni e graffi che colpiscono il legame, le ruote dorate sui tappi, telaio con pizzo d'oro su piatto colpiti nei loro centri simboli massonici e guardie di valuta e contreplats di carta fatta a mano, dorata bordate sui tagli, sezioni in marmo, massonica legame contemporaneo. Un restaurato pagina lacrima 417, piacevole stato interiore.   - [FRENCH VERSION FOLLOWS] Nouvelle édition illustrée de 32 planches hors-texte. Reliure en pleine basane havane, dos lisse orné de fers et de frises dorées, roulettes dorées sur les coiffes, encadrement d'une dentelle dorée sur les plats frappés en leurs centres de symboles et devises maçonniques, gardes et contreplats de papier à la cuve, lisérés dorés sur les coupes, tranches marbrées, reliure maçonnique de l'époque. Une déchirure restaurée page 417. Bel exemplaire habillé d'une spectaculaire reliure maçonnique.  

      [Bookseller: Librairie Le Feu Follet]
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        Miroir des grâces dédié aux dames ou dictionnaire de parure et de toilette, par C. Mazeret et A.M. Perrot, contenant le nom et la définition de tous les objets qui servent à l'habillement, la parure et la toilette des dames, étoffes, fourrures, bijoux, pierres fines, cosmétiques, etc... indiquant les pays, manufactures et fabriques d'où sortent les meilleurs et les plus beaux produits, avec la manière de les reconnaître, et les adresses des marchands les mieux assortis de Paris, etc, etc...

      First edition.Elegant contemporary navy blue long-grained morocco, spine in five compartments with gilt dots and fleurons, gilt roulettes to headpieces (scratched), covers with dentelle and double gilt fillet frame (slight scratches), gilt stamps to head and foot of edges of covers, corners rubbed, marbled endpapers and pastedowns, double gilt fillet frame to pastedowns, all edges gilt. A little spotting.A very rare work with 14 lithographs superbly heightened in watercolors and some finely highlighted in palladium in an elegant contemporary binding.  V. Lefuel Paris s.d. (circa 1820) 7,5x12,5cm relié

      [Bookseller: Librairie Le Feu Follet]
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        Journal of a Tour in the Levant

      London: John Murray 1820 - London: John Murray, 1820. First Edition. Complete in 3 volumes. 8vo – 22.7cm. 22 engraved plates of which 6 are hand-coloured aquatints - 2 of which are fold-out panoramas and one being a double-sided facsimile, 2 fold-out engraved maps, illustrations in text. All half-titles and coloured frontis piece plates are present. Volume I: [xxiii], (2), 408pp. (1); Volume II: [vi], (1), 608pp - incl. Appendix; Volume III: [vi], (1), 546pp – incl. Index, (1-Errata), (1). Later half burgundy morocco with marbled boards and matching marbled end leaves, top page edges gilt, spines with five compartments ruled in gilt with bright gilt titles. Bound by Worsford. A very attractive set inside and out. Near Fine+ and complete. Scarce. First edition of this important work, which contains the accounts of several journeys, not consecutive. Turner spent five years in the Levant with this being a fascinating record of the Levant in the early nineteenth century. Turner's travels, while he was attached to the British embassy at Constantinople, took him to Egypt, the Holy Land, Albania, Greece and numerous Greek islands, as well as Turkey. The plates show costumes and antiquities, as well as views of Smyrna, Patmos and Pergamus. Atabey 1251, Blackmer 1687, Weber 94. [Attributes: First Edition; Hard Cover]

      [Bookseller: Chet Ross Rare Books, ABAA]
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        Of population.

      8vo., (2) + 22 + 626pp., including the half-title, two or three leaves at both beginning and end a little foxed, contemporary half calf over marbled boards, neatly rebacked to match reusing the original spine label. A very good copy.Publisher: London, Longman, Hurst, Rees, Orme and Brown,Year: 1820Edition: First edition.

      [Bookseller: John Drury Rare Books]
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        Suite du mémoire sur les intégrales définies.

      Paris: l'Imprimerie Royal, 1820. An important contribution to the foundation of complex function theory. In this paper Possion was the first to carry out integration along a path in the complex plane. "Poisson noted in 1815 and discussed in [this paper] the use of integrals of complex functions taken over paths in the complex plane. As an example he gives ?dx/x from -1 to 1. Here he sets x=ei?, where ? runs from (2n+1)? to 0, and obtaines, by treating the integral as a limit of a sum, the value -(2n+1)?i. Then he notes that the value of an integral need not be the same when taken over an imaginary path as when over a real path. He gives the example ?(cos ax)/(b2+ x2) dx from -? to ?, where a and b are positive constants. He lets x = t ik, where k is constant and positive, and obtaines the value & Five memoires in: Journal de l'École Royale Polytechnique, vol. 11. pp. 1-188; 295-341; 342-410; 411-416; 417-489. The complete volume offered [IV,492 pp. and 1 plate - not belonging to the mentioned memoires]. Nice contemporary half calf with gilt spine lettering. Completely clean throughout. A fine copy. ; Louis POINSOT; Augustin-Louis CAUCHY. AMPÈRE, André-Marie; 1. Ampère: Mémoire contenant l'application de la théorie ... à l'intégration des équations aux différentielles partielles du premier et du second ordre; 2. Poisson: Suite du mémoire sur les intégrales définies [KLINE p.633: Poisson was the first man to cary out integration along a path in the complex plane.]; 3. Poinsot: Mémoire sur l'application de l'algèbre à la théorie des nombres; 4. Cauchy: Sur les racines imaginaires des équations; 5. Poisson: Mémoire sur la manière d'exprimer les fonctions par des séries de quantités périodiques, et sur l'usage de cette transformation dans la résolution de différens problèmes.

      [Bookseller: SOPHIA RARE BOOKS]
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        THE LIFE AND DEATH OF JENNY WREN; for the use of Young Ladies & Gentlemen: Being A very small book, At a very small charge to Learn them to read Before they grow large. Price One Halfpenny.

      16 pages, including self-wrappers. Small woodcut to upper cover, large to lower, and 14 woodcuts throughout. 8.4 x 5.1 cm. Spine expertly repaired; else a very good copy. We were unable to locate another copy of this book.

      [Bookseller: David Miles]
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        Voyage dans l'Intérieur de l'Afrique fait en 1795, 1796, 1797 par M. Mungo Park. Traduit de l'anglais sur la seconde édition par J. Castéra (2 Tomes - Complet) [ Suivi de : ] Second Voyage de Mungo Park dans l'intérieur de l'Afrique, pendant l'année 1805

      Dentu et Carteret J. G. Dentu, 1820. 3 vol. in-8 reliure uniforme de l'époque (1820) demi-basane marron, dos à faux-nerfs à la grecque, Dentu et Carteret (Voyage), J. G. Dentu (Second Voyage), An VIII (1800) et 1820, Voyage : frontispice (portrait de Mungo Park), XII-411 pp. (Tome I) et 2 ff. n. ch.(faux-titre et titre), 376 pp. (Tome II), avec 1 carte dépliante (sur les 3) et 5 planches hors texte (dont le frontipsice) / Second Voyage : frontispice (portrait de Mungo Park) 2 ff. n. ch.(faux-titre et titre), iv pp. (préface), CLXXI pp. (Vie de Mungo Park), 245 pp., avec 8 planches hors texte (sans la carte dépliante) / Titre complet : oyage dans l'Intérieur de l'Afrique fait en 1795, 1796, 1797 par M. Mungo Park, envoyé par la Société d'Afrique établie à Londres ; avec des éclaircissemens sur la Géographie de l'intérieur de l'Afrique, par le Major Rennell . Traduit de l'anglais sur la seconde édition par J. Castéra - Second Voyage de Mungo Park dans l'intérieur de l'Afrique pendant l'année 1805 ; précédé d'une notice historique et biographique sur la mort de ce célèbre voyageur, composé d'après des documens officiels et particuliers relatifs à ce voyage, et communiqués par sa famille, traduit de l'anglais sur la 2e édition, avec des additions tirées de la Narration de Robert Adams en Afrique, en 1810 Manquent 3 cartes (avec la seule carte des Variations de la Boussole dans le premier titre), rel. frottées avec petits accrocs, 2 ff. débrochés, bonne fraîcheur intérieure par ailleurs. Ces 2 traductions des voyages africains de Mungo Park sont peu courantes. Français

      [Bookseller: Librairie Du Cardinal]
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        A Narrative of the Loss of the Winterton East Indiaman


      [Bookseller: Maggs Bros. Ltd.]
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        Histoire Naturelle générale et particulière des Mollusques Terrestres et Fluviatiles ...

      Paris, J.B. Baillière, 1820-1851. 4 volumes. Folio. With 247 engraved plates, almost all printed in colours and finished by hand. Recent red half morocco, spines with 4 raised bands, gilt ornaments and lettering. Large Paper copy of one of the rarest and most beautiful conchological works. Some moderate foxing to text as well as plates. "Posterity is grateful to Férussac for some of the most beautiful and accurate coloured figures of non-marine molluscs ever published" (Dance p. 91). It is also the last and one of the finest examples of French colour-printing by Langlois, the printer responsible for some of Redouté's finest work./The work had a long and complicated publishing history with the result that few copies are found complete. The first 28 parts, by Férussac, appeared between 1820 and 1832, containing 162 plates and 128 pages of text. In 1838 another six instalments were issued by Deshayes. The death of the publisher and departure of Deshayes to Algeria again brought the work to a halt. In 1848 Baillière acquired the stock and plates and convinced Deshayes that a work of such beauty and scientific importance could not remain unfinished. Eight more instalments were published. Deshayes is responsible for the greatest part of the text and 85 plates./The colour-printing and handcolouring were executed under supervision of Langlois and after his death by his pupil and successor, Geny-Gros, the plates were drawn by the finest natural history artists in France at the time: Bessa, Huet, Prêtre, and Riocreux. Baillière in his "Avertissement de l'éditeur' tells how as a consequence of the 1848 Revolution the most outstanding natural history artists could not find employment, apart from his work.//B.M.(N.H.) II, 569; Nissen ZBI, 1348.

      [Bookseller: Antiquariaat JUNK B.V. (Natural History]
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        Système analytique des connaissances positives de l'homme: restreintes à celles qui proviennent directement ou indirectement de l'observation.

      Paris: L'auteur & A. Belin, February 1820. First edition, very rare, of Lamarck's last book, important for containing his final thoughts on evolution. In this work Lamarck renounces the linear progression theory of species change propounded in his Philosophie Zoologique (1809) in favour of a branching tree theory much closer to that associated with Darwin some four decades later. "Unwilling to endorse the idea that fossils represented species that had all become extinct as the result of a global catastrophe, he concluded that the forms had changed over time. Having once concluded that species are mutable, he then called upon the familiar idea of the inheritance of acquired characters to explain the close relation between habits and forms that, especially in the case of birds, had been a staple of naturalists' commentaries for decades ... He invoked what he called the "power of life" or "the cause which tends to make organization increasingly complex" to account for the general, linear series that in his view best represented how the different animal classes were related to each other ... [Stephen Jay] Gould describes how Lamarck's decision to make separate classes of the annelid and parasitic worms led him over time to give up his original commitment to a linear arrangement of the different animal classes and to adopt a truly branching scheme instead. Gould indicates that in the very last of his publications [the offered work] Lamarck reversed his decades-long belief that the "power of life" was greater than the influence of environmental circumstances, admitting to the contrary that the force of circumstances was ultimately stronger than nature herself ... Giving up his linear arrangement of living things for a strongly branching view of life's development, and acknowledging that the influence of the environment had had a greater role in evolution than the "cause which makes organization increasingly complex," Lamarck showed his willingness to let the evidence of natural history be the final arbiter in determining the complex path nature had traced, over time, in bringing all the different forms of life into existence" (Burkhardt in DSB). KVK lists only nine copies (three each in France, Germany and UK). "Following his last and greatest treatise on the anatomy of invertebrate organisms, Lamarck published only one other major work

      [Bookseller: SOPHIA RARE BOOKS]
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        Dänische Künstler in der Osteria La Gensola in Rom. Danske Konstnere i Osterien La Gensola i Rom.

      - Lithographie von Johan Adolph Kittendorff (1820-1902), auf Velin. Darstellungsgröße 20,8:27,6 cm, Blattgröße 27,5:38 cm. Mit der Adresse I.W. Tegner & Kittendorffs lith. Inst. Mit dem Blindstempel des Verlages. Zusammen mit J.W. Tegner gründete Kittendorff das lithographische Institut, in dem auch das oben beschriebene Blatt gedruckt wurde. Bis zu Tegners Tod 1896 erschienen in diesem Institut 186 ausgezeichnete Reproduktionen von Gemälden dänischer Maler. Tadelloser und kräftiger Abdruck mit breitem Rand. Entlang des oberen Randes teils mit Heftungsspuren, gering fleckig. Als Vorlage für diese Lithographie bildet das Gemälde Bluncks von 1837, auf dem sich folgende Künstler um Berthel Thorvaldsen versammelt haben: Ernst Meyer, Albert Küchler, Constantin Hansen, Gottlieb Bindesboell, Vilhelm Marstrand, Joergen Sonne und Detlev Blunck.

      [Bookseller: Galerie Joseph Fach GmbH]
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        Lettres sur la Palestine, la Syrie et l’Égypte, ou Voyage en Galilée et en Judée, avec une relation sur la Mer Morte, et sur l’état présent de Jérusalem. Traduites de l’anglais sur la seconde édition (.) ornées d’une carte géographique et de cinq gravures.

      A Paris, Chez Picard-Dubois, Rey et Gravier, Petit, Libraire, A Londres, Chez J. Warrick et Cie, 1820. - in-8° ; 1 pl. front.-(3)-III-(1)-1 carte h.-t.-363 pp.-4 pl. h.-t., demi-basane marron, dos lisse richement orné, caissons or, fleurons or, filets or, tranches jaunes, rel. de l'époque, très bel exemplaire. Hage Chahine, 2368. Hilmy I, p. 332. Röhricht, p. 349. Édition originale de la traduction française. Voyage en Palestine, Syrie et Égypte de 1816 à 1817 et rédigé sous forme épistolaire (31 lettres). First french edition. Very nice copy. [Attributes: First Edition; Signed Copy; Hard Cover]

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        Ivanhoé, ou le retour du croisé

      French Edition, rare, resulted Defaucompret cited as: "The translator of the Tales of my host."Binders in contemporary cardboard brick at Bradel connected directly brochure and uncut. Back smooth decorated with nets. As shagreen brown piece. Back slightly thinned. Friction. Sunny bites. ChezNicolle A Paris 1820 In-12 (11x18,7cm) (4) iij, 246pp. ; (4) 264pp. et (4) 239pp. ; (4) 263pp. 4 tomes en 2 volumes reliés

      [Bookseller: Librairie Le Feu Follet]
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      [4], 195, [1] pages. Portrait frontispiece by R. Grave. Portrait bust of Francis Bacon on last page. Bound in full vellum gilt with a black title label. Bin ding: 8.3 x 5 cm. The first edition, first issue, of the first title in Pickering's Diamond Classic Series, and by far the scarcest title in the series in first edition form. Lacks the corrigenda at end, else a handsome copy. See Bondy page 86.

      [Bookseller: David Miles]
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        [Souimanga de Kuhl, mâle & femelle & Souimanga à ventre écarlate, mâle (= plate 376/388 from Temminck's Nouveau recueil de planches coloriées d'oiseaux ... )]. [France], 1825. Watercolour of 3 birds on unwatermarked wove paper (ca. 48 x 35 cm), all standing on a branch, the upper branch signed: "JG Prêtre 1825". With the birds numbered in pencil, the plate number and bird names in pencil in the lower left corner, and the upper bird encircled and with added correct plate number.

      For the published work see: Anker 502; Balis, Van diverse pluimage 75; Nissen, IVB 932; Zimmer, pp. 626-628. Original watercolour of a male and female White-flanked Sunbird (Aethopyga eximia) and a male Splendid Sunbird (Cinnyris coccinigastrus) by the prolific zoological artist Jean Gabriel Prêtre, produced for Temminck's Nouveau recueil de planches coloriées d'oiseaux... (Paris, 1820-1839). On the final published plate 376, the Splendid Sunbird was changed with a Purple-throated Sunbird and the Splendid Sunbird appeared on plate 388. Sunbirds make up a family of very small passerine birds. The White-flanked Sunbird is found in Indonesia and the Splendid Sunbird in West and central Africa. Temminck's lavishly illustrated Nouveau recueil de planches coloriées d'oiseaux... issued in 102 parts between 1820-1839, was published as a kind of continuation to Buffon's Histoire naturelle des oiseaux (1770-1786). In total it contains ca. 600 engraved plates with about 800 figures of birds by Nicolas Huet and Prêtre, and it's considered "the most monumental work of the post-Napoleonic period" (Balis).Paper slightly browned, a few minor spots and some working notes in pencil. A beautiful watercolour of three sunbirds.

      [Bookseller: ASHER Rare Books (Since 1830)]
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        Ansicht von Boppart / Vue de Boppart.

      - Altkolorierter Kupferstich v. L. Schnell b. Engelmann, J., um 1820, 20,5 x 26 cm. Während einer siebenwöchigen Rheinreise enstanden diese und andere malerische Ansichten des Rheins. Ernst Fries und Carl Rottmann konnten als Zeichner von dem Heidelberger Verleger J. Engelmann gewonnen werden, Ludwig Schnell war der Stecher.-Selten in diesem besonders schönen Altkolorit. JPEG-Bilder auf Anfrage möglich.

      [Bookseller: Gertraud Bracker]
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        Raccolta di N°60 vedute antiche e moderne della citta di Roma e sue vicinanze : con la giunta delle sale appartementi al Museo Pio Clementino

      Edition illustrated with 158 figures etchings depicting views of Rome. The engravings are different signatures: Parboni, Franzetti, Olivieri, or not carry any, and sometimes the date of 1824. Drawing on strong vellum.Binding half calf contemporary hazelnut. Back smooth decorated with long irons. A lack of volume in the lead 3. Friction copings and joints. Some pale foxing in the margins on a well white paper. Good copy. Presso Agapito Franzetti In Roma 1820 S.d. Trois volumes in-12 oblong (15,5x22cm) reliés

      [Bookseller: Librairie Le Feu Follet]
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        A Treatise on the Art of Making Wine from Native Fruits exhibiting the chemical principles upon which the art of wine making depends the fruits best adapted for home made wines and the method of preparing them


      [Bookseller: Maggs Bros. Ltd.]
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        ENDLESS AMUSEMENT; a collection of nearly 400 entertaining experiments in various Branches of Science; including Acoustics Arithmetic Chemistry Electricity Hydraulics Hydrostatics Magnetism Mechanics Optics wonders of the air pump, all the popular tricks and changes of the cards, &c &c. &c. to which is added, a Complete System of Pyrotechny; or the Art of Making Fireworks. The whole so clearly explained as to be within the reach of the most limited capacity. Third Edition. Price 2s. 6d.

      216 pages Illustrated with a folding engraved frontispiece. Original printed boards, recently re-backed. 152 x 99mm. Corner of binding a little worn; neat inscriptions on title; else a very good, clean copy. Toole Stott, A Bibliography of English Conjuring, Volume I, page 97, number 258. As well as the section on tricks with cards, there is a considerable amount on parlour magic. According to the British Library, this title was first published in 1818.

      [Bookseller: David Miles]
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