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Displayed below are some selected recent viaLibri matches for books published in 1820

        Stolpen. - Schlossansicht.

      - Historische Ortsansicht. Radierung, um 1820. Von Carl Wizani, nach Johann Friedrich Wizani. 37,4 x 53,0 cm (Darstellung ) / 47,8 x 61,1 cm (Blatt). In der Platte unterhalb der Darstellung betitelt, bewidmet und mit den Künstlerangaben versehen "Bergfeste Stolpen, Nach der Natur gezeichnet von J. F. Wizani, gefertigt von C. A. Wizani". - Klassische Vedute der berühmten Feste in Sachsen. Malerische Ansicht aus der Besucherperspektive mit Bürgerstaffagen und kleinem Dorfidyll. Grafisch hochwertige Arbeit in der Technik der Umrissradierung mit einem dezentem aber kunstvollen Kolorit versehen. Sehr dekorative Ansicht im Zeitgeist des ausgehenden Klassizismus. - Im oberen und unteren Rand jeweils zwei alt restaurierte Randrisse. Leichte Altersspuren. Im Ganzen gut erhalten. Carl Wizani (1767 Dresden - 1818 Breslau). Deutscher Landschaftsmaler und Radierer. 1783?84 Studium an der Dresdener Akadademie bei Mietzsch u. Toscani. 1785?89 tätig bei dem Kupferstecher Giuseppe Canale. 1792 Unterweisung durch Adrian Zingg und Übernahme der Zeichenlehrerstelle am Freimaurerinstitut zu Dresden-Friedrichstadt (bis 1803). 1797 wieder Schüler an der Dresdener Akademie b. J. C. Klengel . Seitdem auch als Ölmaler tätig. 1812 im Dienste des Prinzen Gustav Calixt von Biron von Kurland in Schlesien. 1817 Anstellung als Sammlungsrestaurator in Breslau. Johann Friedrich Wizani (1770 Dresden - 1838 Dresden). Deutscher Landschaftszeichner und Kupferstecher. Zählte mit seinem Bruder Carl Wizani zu den produktivsten Landschaftsmalern und -radierern der Romantik in Dresden. Beide hatten an der Dresdner Akademie bei Adrian Zingg studiert und standen in den besten Beziehungen zu den Kunstverlegern der Stadt. Sprache: Deutsch

      [Bookseller: Graphikantiquariat Koenitz]
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        Persia.

      N. p., Menzies, ca. 1820. - Hand-coloured engraved map (531 x 480 mm).

      [Bookseller: Antiquariat INLIBRIS Gilhofer Nfg. GmbH]
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        1820 Complete Works Bernardin Saint-Pierre Paul & Virginie French Philosophy 19v

      Paris : Mequignon-Marvis, 1820. - 1820 Complete Works Bernardin Saint-Pierre Paul & Virginie French Philosophy 19v “If life is a punishment, one should wish for an end; if life is a test, one should wish it to be short.” Jacques-Henri Bernardin de Saint-Pierre, Paul and Virginia A rare, early 19th-century printing of the complete works of Bernardin de Saint-Pierre. Saint-Pierre wrote children’s literature, nature and botany treatises, and philosophy dialogues – a wide variety of writings. His most famous work, ‘Paul et Virginie’, was a highly popular children’s book originally published in 1788. Item number: #1284 Price: $750 BERNARDIN de SAINT-PIERRE, Jacques-Henri Oeuvres completes Paris : Mequignon-Marvis, 1820. Details: • Collation complete with all pages: 19 volume set o Illustrated with 25 engravings o Volumes: Tome 1 - Essai sur la vie et les ouvrages Tome 2 - Voyage à l'Ile-de-France Tomes 3-7 – Etudes de la nature Tomes 8-10 – Paul et Virginie, Arcadie Tomes 11-15 – Harmonies de la nature Tome 16 – Voeux d’un solitaire Tome 17 – Dialogues philosphiques Tome 18 – Melange Tome 19 - Essai sur ses Ouvrages • Binding: Leather; tight & secure • Language: French • Size: ~5.5in X 3.5in (14cm x 9cm) Our Guarantee: Very Fast. Very Safe. Free Shipping Worldwide. Customer satisfaction is our priority! Notify us with 7 days of receiving, and we will offer a full refund without reservation! 1284 Photos available upon request. [Attributes: First Edition; Hard Cover]

      [Bookseller: Schilb Antiquarian]
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        Courtly Leisure and Activities.

      Canton 2nd half of 19th century - An album (27.5 x 42.5 cm) of 12 watercolour and gouache studies on pith paper; occasional cracks. Contemporary red patterned silk binding. Fine scenes showing rich interiors and fine costumes - this album of especially large format. Pith seems not to have been adopted for painting until about 1820. Some European museums claim that their paintings on pith (often erroneously called "rice paper" or "mulberry pith") come from the end of the eighteenth century but there do not seem to be any dateable examples that are so early. There is a record of the Kaiser Franz of Austria buying some albums from an English Consul-General Watts in 1826. We know of an Italian Count who visited Canton in 1828 and had over 350 paintings on pith in his baggage when he died in Ambon two years later. In the British Library there is a scrap-book containing six pith paintings and a journal entry by a serving British officer who sent them home from India in 1829. These examples and contemporary accounts by visitors to Canton suggest that there was a flourishing trade in pith paintings by the early 1830s. Pith presumably came into use for painting to satisfy the increasing demand for small, inexpensive and easily transported souvenirs, following the massive growth in the China Trade in the first quarter of the nineteenth century. Paintings in oils, on board and canvas were costly and difficult to carry home. Earlier and more prestigious export water-colours had often been on a larger scale and painted on fine Chinese paper or on paper imported from Europe. The albums of pith paintings (and later the little glass-fronted boxes) were inexpensive, light, easy to pack and gave the pictures some protection on the long voyage home. Because many were sold in albums and hence protected from the light, they retain their bright colours to this day. Pith comes from the central column of spongy cellular tissue in the stem of a small tree called Tetrapanax Papyrifera, native to south-west China. It has had a variety of uses, some going back many centuries. At the imperial court both men and women wore coloured flowers made from pith in their hair. For use in painting, it is cut by hand with a knife into thin sheets from short lengths of the spongy tissue. Cutting is highly skilled and the constraints of the process mean that the finished sheets for painting seldom, if ever, measure more than about 30cms by 20cms. The sheets are dried, trimmed and used for painting without any further processing. Because of the nature of pith and its cellular structure, the gouache used by the Chinese sat on the surface and produced a bright and even sparkling effect. Very fine detail could be achieved but pith did not lend itself to the flat wash of colour favoured for European watercolours. Carl Crossman in his book The Decorative Arts of the China Trade (originally published under the title The China Trade) gives an excellent list of export painters with a note of those known to have painted on pith. These include Tingqua, Sunqua and Youqua. From 1757 until 1842 Canton was the only Chinese port open to trade with the west and it is no surprise that of the eight studios identified by Crossman as producing works on pith, six were in Canton. It seems that the 1830s and 1840s may have been the heyday of pith painting. The international trading bases, the waterfront 'factories' on the 'Hongs' in Canton, where they were produced, were partially burnt during the First Opium War (1839-41) and totally destroyed in a fire of 1856. The foreign trading companies then moved to Honan and subsequently put up splendid new offices on reclaimed land at Shamian Island, a little up river. As the result of the Treaty of Nanking, in 1842 additional Chinese ports were opened up for foreign trade and Hong Kong was established as a major trading centre. By 1860 references to China in the Illustrated London News, plentiful three years earlier, were few and far between. That is not to say that painting on pit [Attributes: Soft Cover]

      [Bookseller: Shapero Rare Books]
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        Picturesque Tour from Geneva to Milan, by way of Simplon: illustrated with Thirty Six Coloured Views of the most striking Scenes and of the principal works belonging to the new road constructed over that mountain.

      R. Ackermann, London. 1820 - First edition. Quarto. pp [viii], 136, [2] List of Plates. 36 hand-coloured aquatint plates; frontispiece map. Period binding of full black morocco with elaborate decoration in gilt and blind, all edges gilt.Traces of bookplate removed from front pastedown. A spot or two of light foxing here and there, not affecting the plates. Covers a bit rubbed at the edges. Very good indeed. The plates are all in fine state. [Attributes: First Edition; Hard Cover]

      [Bookseller: Peter Ellis, Bookseller, ABA, ILAB]
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        Chirurgische Kupfertafeln.

      Landes Industrie-Comptoir, Weimar 1820 - Sammlung von 50 Kupfertafeln im Querformat (26 x 21,5) mit zahlreichen Einzelabb. In schlichter Pappbroschur neu aufgebunden, Tafeln an den Rändern teilw. lädiert, stockfleckig. [Attributes: Soft Cover]

      [Bookseller: Sebastian Vogler]
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        A picturesque tour in Italy from drawings made in 1816-1817...

      John Murray, Albermarle street, 1820. Folio (cm. 37,8), 54 cc.nn. Antiporta architettonica e 63 tavv. f.t. (di cui 36 vedute da J.M.W. Turner) incise su rame e protette da velina. Splendida legatura coeva in marocchino nocciola (firmata Carroll et Scott). Nervi e titoli impressi in oro al ds. Ricche cornici a secco e in oro con fleurons angolari ai piatti. Tagli dorati. Dentelles interne e carte di guardia in tessuto rosso. Minime tracce d’usura marginali e alle cerniere altrimenti eccellente esemplare ad ampi margini ed assai fresco. Edizione originale. Tra le belle vedute di questo noto grand-tour - opera dei più apprezzati incisori inglesi dell’epoca - panorami e scorci del Lago di Garda, Lago Maggiore, Venezia, Firenze, Roma, Napoli, Torino. Altre tavole sono dedicate a piante e prospetti architettonici di alcuni dei principali musei italiani. Brunet III, 17: ‘C'est un des plus beaux ouvrages que nous ayons sur cette contree si frequemment visitee par les touristes anglais’. Cremonini, p. 161.

      [Bookseller: Libreria Antiquaria Ex Libris s.r.l.]
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        A Picturesque Tour of Italy : From Drawings Made in 1816-1817

      London: John Murray 1820. Unpaginated. Contemporary half morocco over marbled boards with gilt lettering to spine. Boards very worn & rubbed with loss to marbled paper. Hinges split with text-block loose in case. Marbled endpapers. Extra-engraved title page. With 63 tissue-guarded full-page engravings. Descriptive text for each plate. Scattered foxing and staining. Plates complete. . Good. Half Morocco. 1820. 4to..

      [Bookseller: Fosters' Bookshop]
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        Picturesque Tour From Geneva to Milan, by Way of the Simplon: Illustrated with Thirty Six Coloured Views of the Most Striking Scenes and of the Principal Works Belonging to the New Road Constructed Over that Mountain. Engraved From Designs by J. and J. Lory, of Neufchatel [Neuchâtel]; and Accompanied With Particulars Historical and Descpriptive by Frederic Schoberl.

      London, R. Ackermann 1820 - 4°, gestochenes Frontispiz (Karte «Plan of the Road of the Simplon. Constructed by the French between 1800 & 1807»), 3 Bl. Vorw., 1 Bl. Tafelverz., 136 S., 36 handkolorierte Taf. in Aquatinta, Priv.-HLdr. d. Zt. m. gold. Rückenpräg., Rundum-Marmorschnitt, Rückenkanten berieben, Kapitale u. Deckelkanten tlw. beschabt, Exlibris a. Innendeckel, Karte. u. Titelbl. stockfl., selten etw. finger- u. stockfl., einige Taf. m. braunem Abklatsch; gutes Ex. EA. Prächtige Tafeln nach Zeichnungen von G. Lory sen. und jun. zu der «connected Tour from Geneva through the Valais, over the new roard constructed by command of the late ruler of France across the SImplon, to Lago Maggiore, and by the Lake of Como to Milan».Tafeln: 1.) Lake of Geneva / 2.) Banks of the Lake of Geneva near St. Gingoulp / 3.) Extremity of the Lake near Boveret / 4.) The Bridge of St. Maurice / 5.) Waterfall of Pissevache / 6.) West View of Sion / 7.) East View of Sion / 8.) Brieg / 9.) Gallery and Bridge of the Ganther / 10.) View on quitting the Gallery of Schalbet / 11.) Gallery of Schalbet from the Italian Side / 12.) Gallery of the Glaciers / 13.) Monastery of the Simplon / 14.) Village of Simplon / 15.) View of the Gallery of Algaby / 16.) View from the Gallery of Algaby / 17.) Ponto Alto, or Alto Bridge / 18.) New Road near the Grand Gallery / 19.) Interior of the Grand Gallery / 20.) End of the Grand Gallery towards Italy / 21.) View near Gondo / 22.) Gallery of Isella or Issel / 23.) Entrance of the Valley of Dovedro / 24.) Bridge of Cherasca / 25.) Entrance of the Gallery of Crevola / 26.) Bridge of Crevola and Vally of Domo d?Ossola / 27.) The Bridge of Crevola / 28.) Villa / 29.) The Bridge of Baveno and Isola Madre / 30.) Lago Maggiore and Boromean Islands / 31.) Isola Bella or the Beautiful Island / 32.) Isola Bella taken from Stresa / 33.) Arona / 34.) Sesto / 35.) Pliniana and Lake of Como / 36.) Milan. 1100 gr. Schlagworte: Helvetica - AllgemeinReisen - vor 1900 [Attributes: Hard Cover]

      [Bookseller: antiquariat peter petrej]
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        COMPOSITE ATLAS WITH 26 MAPS

      Folio. Composite atlas with 26 copper engraved maps, all originally coloured in outline, all folded in the middle: 52 x 68 cm (20.4 x 26.7 inches), unless noted otherwise. Contemporary half-calf binding with blue paper covers, label on the cover. - Weimar: Verlag des Geographischen Instituts 1820-1824. Includes following maps: MAP OF THE WORLD: Oestliche und Westliche Halbkugel der Erde. 1824. EUROPE: Europa. 1824. ASIA: Charte von Asien. 1821. AFRICA: Africa. 1821. AMERICA: America. 1821. AUSTRALIA: Australien. 1823. SPAIN & PORTUGAL: Charte von den Königreichen Spanien und Portugal. 1823. FRANCE: Charte von Frankreich. 1822. (62 x 68 cm / 24.4 x 26.7 inches). GREAT BRITAIN AND IRELAND: Grosbritannien und Ireland. 1822. DENMARK & ICELAND: Das Königreich Daenemark. Island. 1823. SWEDEN & NORWAY: Schweden und Norwegen. 1824. NETHERLANDS: General-Charte von dem Königreiche der Niederlande. 1822. SWITZERLAND: General Charte von der Schweiz. 1821. ITALY: Charte von Italien. 1821. GERMANY: General Charte von Teutschland. 1823. AUSTRIA, NORTH ITALY, HUNGARY, SLOVENIA, CROATIA, CZECH REPUBLIC, ROMANIA: General Charte des Oestereichischen Kaisterstaats. 1822. BAVARIA: Charte vom Königreiche Bayern. 1821. BADEN-WÜRTTEMBERG: Charte von dem Königreiche Württemberg 1823. SAXONY & THURINGIA: Charte von den Grossherzoglich u. Herzoglich Sächsischen Ländern 1821. SAXONY: General Cjharte von dem Koenigreiche Sachsen. 1822. PRUSSIA: General Charte von der Preussischen Monarchie. 1823. (52 x 75 cm / 20.4 x 29.5 inches). HANNOVER, OLDENBURG, BRAUNSCHWEIG etc.: General Charte von dem Königreiche Hanover, dem Grossherzogthume Oldenburg 1822. MECKLENBURG & HOLSTEIN: Charte von den Großherzogthümern Mecklenburg-Schwerin und Mecklenburgm Strelitz, den Herzogthümern Holstein und Lauenburg 1820. POLAND: Charte von dem Königreiche Polen 1822. (68 x 60 cm / 26.7 x 23.6 inches). RUSSIA: Charte des ganzen Russischen-Reichs (1809, 1822) (52 x 111 cm / 20.4 x 43.7 inches). THE BALKANS: Das Osmanische Europa. 1823. Condition report: Very Good, maps with light foxing and ink-stains in white margins, soft folds or tiny loss of paper in corners, some small tears in the folds in margins, some vertical folds, map of Asia trimmed into the lower part of the image, old annotations in margins, folding maps slightly damaged in the folds, some maps trimmed into decorative margins in the lower part, binding scuffed on edges, with small small pieces of leather missing on the spine). This large composite atlas includes 26 maps of the continents, European countries and German states, and was published by the Geographical Institure in Weimar, one of the important map-making centres of the 19th century. The map-maker was the eminent mapmaker Carl Ferdinand Weiland (1782 - 1847). The maps, bound in a contemporary binding, are dated between 1820-1824.

      [Bookseller: Antiquariat Dasa Pahor]
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        Voyage critique a l`Etna en 1819.

      Paris, Mongie 1820.. 2 Bände. Mit 2 lithogr. Titeln und 3 lithogr. Tafeln, 2 Bl., 541 S.; 2 Bl., 463 S. Dekorative HLdr.-Bde. d. Zt. mit Rückenverg. Erste Ausgabe. - Brunet 20334. - Die lithogr. Titel jeweils mit einer Ansicht des Aetna, die Tafeln mit einem Umgebungsplan von Syrakus, einem Situationsplan der Vulkankrater und einer Wiedergabe von Inschriften. Außer der Abhandlung über den Vulkan auch mit einem ausführlichen Reisebericht über ganz Sizilien. - Der zweite Band tls. noch unaufgeschnitten. Gutes Exemplar!

      [Bookseller: Antiquariat Turszynski]
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        Sketches of Scenery in South Wales

      0, London - Oblong folio, 44*30 cm, 6 litho plates, original printed wrappers, stitched as issued (very small half inch worm track and a few micro holes through upper wrapper and first three plates), wrapper title, printed by Moser and Harris's Lithographic Press, No 71 Grosvenor Street, Brunswick Square, nd but c 1820. Plates are: Aberdylis Vale of Neath. Melincourt Vale of Neath. Yscwd yr Rhyd In the grounds of W: Williams Esq. Yscwd Inon Cam Vale of Neath. Entrance to Porth yr Ogof Caveer Vale of Neath. Kil Hepsti Vale of Neath. Originally priced at 7s 6d. Very rare. The plates are quite crude, but represent an exceptionally early lithographic work, when techniques were still experimental. It is especially pleasing to have such a work in the original wrappers! Copies of some of the plates have been traced to the National Library of Wales, cataloged as soft-ground etchings. Swansea also have the wrappers and 5 of the 6 plates. As such, ours would appear to be the only known complete copy. Housed in a modern custom, felt lined, brown cloth up and over box with a paper label to spine. It was dissatisfaction with Moser and Harris's lithographic printing that prompted the subsequently famous Hulmandel to set up his own press, and experiment to improve on their work. George Orleans DELAMOTTE (1809-1821 fl) artist and teacher, was the son of a French refugee. His brother was William Alfred Delamotte (1775-1863), drawing master at the Sandhurst Military Academy, whose son Philip was a photography pioneer known for his series on the disassembly of the Crystal Palace in Hyde Park and its reconstruction in Sydenham. [Attributes: First Edition; Soft Cover]

      [Bookseller: Madoc Books (ABA-ILAB)]
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        An Album from Bengal 1795 1820

      Approximately 200 watercolours measuring 450 by 700mm and smaller. Folio. Contemporary half calf over marbled boards, shelf worn, extremities rubbed, some pencil captions in French on the verso. 175pp. Bengal, 1795-

      [Bookseller: Maggs Bros. Ltd.]
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        Handbuch für Reisende nach Heidelberg und in seine Umgebungen, nach Mannheim, Schwetzingen, dem Odenwalde und dem Nackarthale.

      Heidelberg Verlag Joseph Engelmann ( oder 1821) 1820 - Neue [2.] Auflage; ca 17x11 cm; XII, 162, 64, 32, 40, 56, 30 Seiten mit 24 Kupfertafeln, 4 gest. Plänen und 1 gefaltete Karte; Leinwandeinband d. Zt. mit farbigen Rückenschild (Einband gering bestoßen und leicht fleckig, Rückenschild mit Längsriss, Innendeckel mit entferntem Stempel [oder Namenseintrag], Seiten teils geringfügig stockfleckig; sonst guter Zustand) 0,000 gr.

      [Bookseller: Antiquariat Hilbert Kadgien]
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        Eperimenta cira effectum Conflictus elecrici in Acum magneticam (pp.275-281). + Neuere electro-magnetische Versuche von Oerstedt in Kopenhagen (pp.364-369, 1 Tafel.).

      Schweigger's Journal, 29. - Nürnberg, in der Schrag'schen Buchhandlung, 1820, 8, 520, (4), 2 Taf., Pappband der Zeit.

      [Bookseller: MedicusBooks.Com]
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        An Account of Timbuctoo and Housa territories in the Interior of Africa  with notes critical and explanatory Shabeeny To which is added letters descriptive of travels through west and south Barbary and  across the mountains of Atlas  also fragments notes and anecdotes specimens of the Arabic epistolary style andc Jackson

      First edition.   2 folding engraved maps.   .  8vo.   Half calf joints repaired.   xxx, 548pp. London, Longman

      [Bookseller: Maggs Bros. Ltd.]
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        Portrait of the German painter Peter (von) Cornelius (1783-1867)

      Black chalk and white heightening on brown paper, 100 x 85 mm (oval). Several annotations in pencil on verso: 'Peter von Cornelius' and 'C. Barth del., 1820'. Evenly age-toned, very small oil spot in the background, otherwise in good condition. Lit.: Thieme Becker II, p. 545: Barth was in Rome in the period 1817-1821 and took part in the new Romantic movement of Johann Friedich Overbeck and Peter Cornelius.; Neue Deutsche Biographie I, p. 604.

      [Bookseller: Historisch Antiquariaat A.G. van der Ste]
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        THE FAIREST: containing the stories of Minet, or Little Thumb, and Jack and the Bean-Stalk. Price Five-pence.

      Belfast. Simms & McIntyre. No date [circa 1820's]. 34 pages. Illustrated with a wood-engraved frontispiece.Recent quarter sheep over marbled boards with vellum tips. A very good copy of a rare juvenile. No copy traced in COPAC or Worldcat.

      [Bookseller: David Miles Books]
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        Eigenh. Brief mit U. Sellendorf, 15. IV. 1820.

      1820. 3 SS. 8vo. "Ew. Wohlgeboren Einladung zur Theilnahme an d. Aglaya ist mir sehr schätzbar. Leider kann ich für diesmahl nur zwei kleine unbedeutende Gedichte als Beitrag einsenden [...]. Das Honorar überlaß ich Ihrer u. des Verlages Bestimmung, gestehe jedoch den Wunsch offen, dass ich ein Exemplar der Aglaya selbst gern behalten möchte. Mein Freund Contessa [Karl Wilhelm Salice-Contessa, Dichter, 1777-1825] sendet nebst seinen herzlichen Grüßen auch einen kleinen Beitrag [...]". - Der Jugendschriftsteller und Erzähler Ernst Christoph Freiherr von Houwald (1778-1845) erreichte seine "größten Erfolge als Dichter [...] durch seine Dramen, die er in verhältnismäßig schneller Folge zwischen 1817 und 1827 schrieb. Sie gelangten an zahlreichen Bühnen, vor allem in Dresden und Berlin, zur Aufführung und wurden von einem breiten Publikum begeistert aufgenommen" (NDB IX, 662).

      [Bookseller: Antiquariat Inlibris]
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        EISLEBEN., "Die Stadt Eisleben. Sr. Wohlgebohren dem Herrn Friedrich Leopold Victor Zimmermann. Königl. Preuss. Oberhütten Inspector". Gesamtansicht von einer Anhöhe, rechts sitzend ein Maler mit Block.

      Altkol. Umrißradierung bei Kunst und Industrie Comptoirs zu Magdeburg, um 1820, 42 x 56 cm. "Ehrfurchtsvoll gewidmet von Donati & Co". Sehr dekorative Ansicht, besonders reizvoll durch die hübsche Staffage mit Maler und Beobachter, rechts im Hintergrund mehrere Windmühlen. - Gut erhalten und sehr farbfrisch. Mit Wasserzeichen "J Whatman 1819". Sachsen und Sachsen-Anhalt

      [Bookseller: Buch- und Kunstantiquariat]
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        De Aure et Auditu Hominis et Animalium Pars I. De Aure Animalium Aquatilium. Text in latein. Auctore Ernesto Henrico Webero.

      Leipzig, Verlag Gerhard Fleischer, 1820. Mit 10 Kupfertafeln., 134 Seiten Text + 34 Seiten Explicatio Tabularum., 4°. Halbleinwand der Zeit mit Leinwandkanten., Einband stärker berieben und geknickt (teilweise angebrochen), oberes Kapital mit Fehlstelle (ca. 4 cm). Papier altersbedingt gilb und teils stärker stockfleckig. Insgesamt gutes, komplettes und seltenes Exemplar. Versand D: 5,00 EUR Anatomie, Fischer, Zoologie

      [Bookseller: Antiquariat an der Nikolaikirche Einzel]
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        BERN., Sammlung von 9 Ansichten der Stadt (zwei Gesamtansichten und 7 Teilansichten).

      8 altgouachierte Aquantinten und 1 altkolorierte Umrißradierung, um 1820, von 7 x 10,5 cm bis 15,5 x 26 cm. Die Sammlung umfasst folgende Gesamtansichten: "Vue de la Ville de Berne" (Gesamtansicht über die Aare, 15,5 x 26 cm) Gesamtansicht von der Aare aus (10 x 14,4 cm) Gesamtansicht von der Aare aus (altkolorierte Umrißradierung, 7,5 x 10,5 cm) Teilansichten sind vorhanden: "Vue de Bains à la Matte à Berne", "La parte ènferiour à Berne", "La Touzr de grand horloge à Berne", "Cathedrale à Berne" und "Vue de Barriére neuve à Berne" (zweimal vorhanden). - Die Teilansichten ca, 9 x 13 cm, ohne Rand altmontiert und handschriftlich bezeichnet. - Die Blätter durchwegs reizend staffagiert und in schönem Altkolorit. Europa, Schweiz

      [Bookseller: Buch- und Kunstantiquariat]
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        BERN. Sammlung von 9 Ansichten der Stadt (zwei Gesamtansichten und 7 Teilansichten).

      - 8 altgouachierte Aquantinten und 1 altkolorierte Umrißradierung, um 1820, von 7 x 10,5 cm bis 15,5 x 26 cm. Die Sammlung umfasst folgende Gesamtansichten: "Vue de la Ville de Berne" (Gesamtansicht über die Aare, 15,5 x 26 cm); Gesamtansicht von der Aare aus (10 x 14,4 cm); Gesamtansicht von der Aare aus (altkolorierte Umrißradierung, 7,5 x 10,5 cm); Teilansichten sind vorhanden: "Vue de Bains à la Matte à Berne", "La parte ènferiour à Berne", "La Touzr de grand horloge à Berne", "Cathedrale à Berne" und "Vue de Barriére neuve à Berne" (zweimal vorhanden). - Die Teilansichten ca, 9 x 13 cm, ohne Rand altmontiert und handschriftlich bezeichnet. - Die Blätter durchwegs reizend staffagiert und in schönem Altkolorit.

      [Bookseller: Peter Bierl Buch- & Kunstantiquariat]
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        An Account of Timbuctoo, and Housa, territories in the Interior ofAfrica with notes , critical and explanatory[Shabeeny].To which is added letters descriptive of travels through west and south Barbary, and across the mountains of Atlas; also fragments, notes, and anecdotes, specimens of the Arabic epistolary style, &c [Jackson]

      1820 - First edition. 2 folding engraved maps. . 8vo. Half calf joints repaired. xxx, 548pp. London, Longman The Middle Hill copy with pressmark. A primary source for the period. Jackson was for a number of years British Resident at Mogodor (present-day Essouaira), and this and the adjacent coastlands are described in some detail. It is also significant for the information the author was able to obtain about Timbuktu, at this time still unvisited by Europeans. Shabeeny was a native of Tetuan he went to Timbuctoo aged fourteen. and spent a total of ten years living there. [Attributes: First Edition]

      [Bookseller: Maggs Bros. Ltd ABA, ILAB, PBFA, BA]
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        Dell'istoria di Milano.

      dalla Tipografia Manni e Rivolta, 1820. 4 volumi in-4° (cm. 29,5), brossure editoriali a stampa (strappetti ai dorsi); pp. XI 428 [2], 534 [2], 594 [2], 528 in buono stato con 57 illustrazioni in rame (di cui 22 f.t.) e 2 piante ripiegate f.t. (città e ducato di Milano) come da indici; carte in buono stato, parzialmente intonse, con qualche traccia di polvere marginale e sporadiche lievi fioriture. Prima edizione di questa classica storia della città col suo notevole apporto iconografico. Il quarto volume è interamente dedicato alla raccolta dei documenti inediti che affiancano l'opera. «Ebbe questa storia lode di esattezza, d'imparzialità, di sana critica e di essere scritta in stile rapido, chiaro ed elegante». [Zannoni. Antologia XXVIII, 140]. Cfr. Predari 184. Buon esemplare genuino.

      [Bookseller: Gabriele Maspero Libri Antichi]
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        Autograph Letter Signed to Theophilus Pierson mentioning Adultery

      Good. One page letter. Approximately 8" x 7.75". Old folds with tears, a few chips affecting only one letter, good, but stable, clear and readable. Mooney writes from Rahway, New Jersey on 6 April 1820 about a potential land deal caused by strange circumstances (original spelling retained):"We got home veriwell and Aby has gone to the Scotch Planes to try her luck at hir trade. The same nite I got home from York there broak out a Mutiny at John Rodens. Roden had been to York, came home and found his man Pierson and his wife both in Pierson's bed. He had provided a good club for them but Pierson made his escape. Roden says that he means to sell..."The rest of the letter deals with details about possibly buying Roden's property, Roden was hesitant to hold a mortgage and Mooney asks Pierson to come out and fix it with Roden. It is unclear whether the manservant Pierson was related to the Pierson who is the recipient of the letter, forced to guess we'd say not and that it was a coincidence. The recipient, Theofilius Pierson (1792-1853), was a prosperous sawyer and landowner. We could find little about Mooney (1763-1834) beyond his dates. Both were from Westfield, a few miles away from Rahway.At any event a livelier than usual letter that belies the staid reputations of our predecessors.

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        Truth Versus A Wesleyan Methodist, and Other Objectors; containing Remarks and Animadversions on a book, entitled "Methodist Error," &c.

      Josiah Shinn, Philadelphia 1820 - The distinguished author of this book is in defense of hundreds of black slave parishioners in his time who populated Methodist churches in Eastern and Southern states of the United States. It is replete with defenses of Methodist practices and has many footnotes throughout. It is certainly a milestone in the growth of christianity in the U.S. William Smith Stockton, was an acknowledged leader of the Reform Movement. He also was a leader in the Temperance Reform Movement four years before the American Temperance Society formed. Mr. Stockton, was also active in prison reform. The entirety of the book is in direct response to a previous book by John S. Watson, entitled "Methodist Error". This is indeed, a rare copy. The binding is of the tight back method with cords attached to the boards which has kept the volume intact despite the breakdown of the exterior folding leather edges. Interior hinges yet functioning. There is foxing throughout. At pp. 65/66 & 73/74 there is paper loss on those pages at the front lower corners not affecting any of the text. The red leather spine label states, legibly, "Truth Against Error". Cover edges are rubbed without major loss of leather. Appendix at the rear is from pp.245 thru 270. Insurance is reccomended. [Attributes: First Edition; Hard Cover]

      [Bookseller: Gerald May]
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        Eens Christinnes reize naar de eeuwigheid (.). Vertaald uit het Engels. Amsterdam, B. Koene, [ca. 1820].

      - 12°: A-L 12 M 6, gepag.: 269 [3] pp. Titelpagina in houtsnede. Modern kunstleer. Niet in Saalmink. Evenals het vorige exemplaar (IDnr 7215) een volksboekje. De titelplaat toont dezelfde afbeelding, maar het is een andere houtsnede.Vertaling van het beroemde 'Pilgrim's progress from this world, to that which is to come' (Londen, 1678), een boek dat een ongekende verspreiding heeft gekend over de hele wereld, dat vertaald is in 200 talen en dat in Nederland in populariteit het werk van Jacob Cats naar de kroon stak. Het is een allegorie van het leven van de christen op weg naar het "werkelijke leven" na de dood. De schrijver, John Bunyan (1626-1688), was een eenvoudig handwerksman, die later voorganger werd van een baptistengemeente in Bedford. Hij heeft zo'n 60 boeken geschreven, maar 'The Pilgrim's Progress' steekt door zijn literaire kwaliteit boven zijn andere werk uit. De eerste Nederlandse uitgaven ervan verschenen vanaf 1682 bij Johannes Boekholt in Amsterdam; diens vierde druk van 1684 is de eerste geà llustreerde, met etsen van Jan Luyken. De titelpagina en de 8 prenten in deze uitgave van Pieter Bandsma zijn kopieën van die etsen; 33 jaar later, in 1762, zou bij Bandsma nog een vierde druk verschijnen, weer met dezelfde prenten. L0790

      [Bookseller: Antiquariaat A.G. van der Steur]
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        Diario Nacional. Com permissão da Junta do Supremo Governo Provisorio do Reino. Numbers 1-8 [of 9 issues].

      [Colophon] Porto, Na Typografia de Viuva Alvarez Ribeiro, e Filhos, (on masthead) 26 August 1820 to 4 September 1820. - 8 issues. Folio (31 x 21.5 cm.), early speckled paper wrappers (spine chipping and broken, rear wrapper detached). Wood-engraved arms of Portugal above masthead. Uncut. Occasional very minor soiling and a few small, light stains. In very good to fine condition internally; overall very good. (2 ll.) per issue. *** FIRST and ONLY EDITION. Reprints royal and government decrees, letters and appeals from officials, some editorial discussions, and a few poems by Josino Duriente. Guerra Andrade (Dicionário de pseudónimos p. 156) identifies him as José Ferreira Borges (1786-1838), a leading liberal economist, political and legal thinker.*** Rafael and Santos, Jornais e revistas portugueses do século XIX, 1684. Silva, O Jornalismo portuguez p. 12. Biblioteca Pública de Braga, Catálogo do Fundo Barca-Oliveira 66. Not in Universidade de Coimbra, Publicações periódicas portuguesas. Porbase locates five runs supposedly with 9 issues: two at the Biblioteca Municipal do Porto, two at the Biblioteca Nacional de Portugal, and one at the Biblioteca Geral da Universidade de Coimbra. Not located in Copac. KVK (44 databases searched) locates only the runs cited by Porbase. *** BOUND WITH: Regeneração de Portugal. Com permissão do Supremo Governo Provisorio do Reino. [Colophon] Porto: Na Typografia de á Praça de S. Thereza, [Masthead] September 18-27, 1820. Numbers 1-8 and Supplementos to numbers 3 and 8. Folio (31 x 21.5 cm.). Uncut. In fine condition. (1 l.) per issue. 8 issues plus supplements to issues 3 and 8, with a double-leaf spread between issues 4 and 5 titled Mappa demonstrativo da receirta e despesa do cofre do Thesouro Publico Nacional, e Real, estabelecido no Paço do Governo Supremo Provisorio de Reino, desde 26 d'Agosto até 6 de Setembro de 1820.FIRST and ONLY EDITION-apparently a COMPLETE RUN, with much the same content as the Diario Nacional, of which Rafael and Santos state that it was a continuation.* See Rafael and Santos, Jornais e revistas portugueses do século XIX 1684, mentioning it under the entry for the previous work. Biblioteca Pública de Braga, Catálogo do Fundo Barca-Oliveira 125 (cites only the 8 issues + the supplement to issue number 8). Not in Universidade de Coimbra, Publicações periódicas. OCLC: 504742370 (British Library: gives dates of from 18 September of 26 September only, and does not mention any of the supplements). Porbase locates two runs: in the Biblioteca Nacional de Portugal and in the Biblioteca Municipal do Porto (but the record gives dates of from 18-26 September only, and does not mention any of the supplements). Copac repeats British Library, with only the 8 numbers and no supplements. AND BOUND WITH:Correio do Porto. Com permissão do Supremo Governo Provisorio do Reino. [Colophon] Porto: Na Typografia de á Praça de S. Thereza N.º 13, [Masthead] 27 September 1820 to 30 December 1820. Folio (31 x 21.5 cm.). Uncut. In fine condition. (1 l.) per issue, except for numbers 41, 47, and 77 with (2 ll.). 81 issues numbered 1 through 81 + 6 extraordinary issues (3, 5 October; 11, 15, 24 November; 21 December).FIRST and ONLY EDITION. A run for the entire first year of this important newspaper. It includes government decrees, official speeches, financial reports, election results, plus poetry, notices of upcoming events in Porto, and news from England, Spain, Venezuela, Colombia, Italy, Germany, Austria, Brazil, and Switzerland.* Rafael and Santos, Jornais e revistas portugueses do século XIX 1363 (giving dates of publication from 27 September 1820 to 7 May 1834). Biblioteca Pública de Braga, Catálogo do Fundo Barca-Oliveira 51 (a more substantial, though incomplete run). Universidade de Coimbra, Publicações periódicas 695: with a run from 1828 (nº extr.)-1834 (nº 107). Porbase locates seven runs, giving the same dates as Rafael & Santos, but we would be surprised if all are really as described: three in the Biblioteca Nacional de Portugal, three in the Biblioteca Municipal do Porto, and one in the Bibliotec [Attributes: First Edition; Soft Cover]

      [Bookseller: Richard C. Ramer Old and Rare Books]
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        Autograph letter signed. Nov 24 1820.

      1820 - Single leaf, recto only. Manuscript in ink. Slightly soiled and chipped at edges. 3 Downing St [London], Friday Nov 24, A brief but interestingletter written immediately after Sir William Parry's return from his first Arctic expedition in search of the northwest passage. Though the recipient of the letter is unnamed, it is almost certainly Parry's publisher at John Murray, and the content indicates how swiftly operations were underway to begin printing the official narrative of the expedition. It reads in part: ?I shall be ready to commence printing on Monday. Let me know if I may employ Clowes. The Hecla has only just arrived in the River, and I have written to Mr. Beechey to come up to us as soon as possible, about the drawings. ? The references within the letter are to printer William Clowes of Northumberland-court who was indeed employed to set and print the text, and Liet Frederick William Beechey, who provided many of the illustrations from which the lithographed plates were prepared. The book in question would beJournal of a voyage for the discovery of a north-west passage from the Atlantic to the Pacific; performed in the years 1819?20 in his majesty's ships Hecla and Griperand was the first of Parry's arctic narratives to be published by John Murray. Setting off in early 1819, the expedition journeyed up the west side of Baffin Bay and through Lancaster Sound, although were halted here at Melville Island by pack ice. Wintering over here, the attempts to continue west the following season were thwarted by inclement weather, and bothHeclaandGriper arrived back in the Thames mid-November 1820, mere days before this letter was written.

      [Bookseller: Maggs Bros. Ltd ABA, ILAB, PBFA, BA]
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        A Narrative of the Loss of the Winterton East Indiaman,

      1820 - wrecked on the coast of Madagascar in 1792; and of the sufferings connected with that event. To which is subjoined a short account of the natives of Madagascar, with suggestions as to their civilization. By a passenger in the ship.First edition. Folding map & 2 plates. 8vo. Modern half calf, textured cloth boards, spine gilt interior very good. xii, 256pp. Edinburgh, Printed for Waugh and Innes Having put in at False Bay, allowing the passengers to visit Cape Town, the Winterton ran aground on rocks some six miles from Madagascar in calm weather. She was subsequently lost during the ensuing storm, and the survivors were marooned on Madagascar for some time before being able to reach Mozambique. From thence they sailed for Bombay but were captured by French pirates and taken to Mauritius where they were detained for a short time before being allowed to proceed to Madras which they finally reached on 16th January, 1794 some twenty-one months after leaving England. [Attributes: First Edition; Hard Cover]

      [Bookseller: Maggs Bros. Ltd ABA, ILAB, PBFA, BA]
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        Voyage Dans L'Intérieur De L'Afrique, Aux Sources Du Sénégal Et De La Gambie, Fait En 1818, Par Ordre Du Gouvernement Français.

      

      [Bookseller: Henry Sotheran Ltd.]
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        Beschrijving van den Nederlandschen watersnood in Louwmaand van 1820. Amsterdam, Beijerinck, 1820.

      Origineel met sierpapier beplakt kartonnen omslag, 36+335+(1) pag. Geillustreerd met handgekleurde uitslaande kaart van Alblasserwaard en Betuwe en 5 gegraveerde platen: Gorinchem, Kasteel den Ooij, huis Oosterhout, gebeente Heukelom, Walig verdugt te Oosterwijk. Op pp. 277-298 een gedicht van Warnsinck 'De overstrooming'. Ook leverbaar: een exemplaar zonder de kaart en met slechts 1 van de 5 gegraveerde platen, voor 75 euro.

      [Bookseller: Antiquariaat A.G. VAN DER STEUR]
 33.   Check availability:     NVvA     Link/Print  


        COSTUME, Qajar School]. [Album of 28 watercolours of costume of peasants and merchants of Persia].

      1820s-1840s]. 1820 - Small 4to (9 x 7 1/2 inches). 28 watercolours, each mounted on card with a ink manuscript border surround. Period dark blue morocco backed blue velvet covered boards, patterned endpapers. Housed in a dark blue morocco backed box. Unusual album of Qajar School watercolours depicting Persian merchants of various trades as well as itinerants and beggars. [Persia, circa Among the trades depicted are an egg seller, a wine seller, a hat maker, a bird fancier, a bird seller, a blind beggar, a book dealer and more. An album at the British Museum (ID: 2006,0314,0.1 through 2006,0314,0.28 or P&D 2001,0728.60), which also includes 28 watercolours, is clearly from the same source, with a few similar images, and many of same faces on different trades. [Attributes: Hard Cover]

      [Bookseller: Maggs Bros. Ltd ABA, ILAB, PBFA, BA]
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        Zoological Illustrations, or original figures and descriptions of new, rare, and interesting animals, selected chiefly from the classes of Ornithology, Entomology, and Conchology, and arranged on the principles of Cuvier and other modern zoologists. [6 volumes / 6 Bände]

      Baldwin & Cradock 1820-33, London - 6 vol. Large-8vo. First edition. Series I & II, each series is bound in 3 volumes. Contemporary half green morrocco bindings with marbled boards. Corners also covered with leather. The spines with glit letter-pressed titles in five compartments. Contem. half leather, gilt. Covers with marble paper coated, front and end-paper marbled as well. A few abrasions to corners, edges, covers and spine. However overall a very good complete copy. [Attributes: First Edition; Hard Cover]

      [Bookseller: Antiquariat Reinhold Berg eK]
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        Gesamtansicht mit dem Zisterzienserkloster Lichtental und der Umgebung ('Ansicht des Kloster-Lichtenthal bey Baden - Vue du couvent de Lichtenthal près des Bade').

      - Aquatinta v. Carl Kuntz in Karlsruhe, um 1820, 29 x 36 Schefold, Alte Ansichten aus Baden, Nr. 29648.

      [Bookseller: Antiquariat Norbert Haas]
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        SCRAP-BOOK

      [n.p.]: 1820. A Rare Cross Patée Shaped Book [CROSS PATÉE BINDING]. SCRAP-BOOK. Twenty-six leaves of mainly white paper with a few blue paper leaves, all with steel engraved views, hand colored cut-out flowers, etc. ca. 1820. Bound ca. 1820 in full dark blue straight grain morocco in a 'Cross Pattée' design. Covers bordered and elaborately gilt decorated enclosing a central blind-stamped 'Lyre' design. Blue watered silk liners and end-leaves, all edges gilt. A near fine, very rare and unusual shaped example. Only a very few bindings in unorthodox shapes have been recorded, an unusually high number were in the Hauck collection but none were in a 'Cross Patée' shape. A cross pattée (or "cross patty" or "cross Pate", known also as "cross formée/formy" or croix pattée) is a type of Christian cross, which has arms narrow at the center, and often flared in a curve or straight line shape, to be broader at the perimeter. The form appears very early in medieval art, for example in a metalwork treasure binding given to Monza Cathedral by Queen Theodelinda (d. 628), and the 8th century lower cover of the Lindau Gospels in the Morgan Library. An early English example from the start of the age of heraldry proper (i.e. about 1200) is found in the arms of Baron Berkeley. The word pattée is a French adjective in the feminine form used in its full context as la croix pattée, meaning literally "footed cross", from the noun patte, meaning foot, generally that of an animal. The cross has four splayed feet, each akin to the foot, for example, of a chalice or candelabrum. In German it is called Tatzenkreuz from Tatze, foot, paw. Planché provides a dubious suggestion that the term comes from the Latin verb pateo, to lie open, be spread. He states it to be discernible on the standard of King Stephen (1135-1154).

      [Bookseller: David Brass Rare Books, Inc.]
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        Sammelband. Beinhaltet: J. Mehul, Flore théatrale. Nouvelle Collection de Fantasies élégantes ou Potpourais brillants pour le Piano-Forte seul. Cahier 187. Joseph und seine Brüder. N°. 13,387. - Bellini, Floré Théatrale. Cahier 8. Norma. N°. 7008. - Sechs neue Ländler für das Piano-Forte comp. u. eingerichtet von Joh. Bapt. Schiedermayer, Opus 55. - Sechs neue Ländler für das Piano-Forte comp. u. eingerichtet von Joh. Bapt. Schiedermayer, Opus 55. 5te Lieferung. - Sechs neue Ländler comp.für das Piano-Forte u. eingerichtet von Joh. Bapt. Schiedermayer, Opus 51. Plattennr. 52. - VI Ländler für das Forte-Piano eingerichtet und componirt von Joh. Bapt. Schiedermayer, 40tes Werk. - Sechs neue Ländler für das Piano-Forte componirt und eingerichtet von Joh. Bapt. Schiedermayr. 84tes Werk. - Deutsche Lieder, Walzer (nach Volksmelodien) für das Piano Forte von C. M. Ziehrer. 98. Werk. N°. 13,764. - Offenbach, Flore théatrale. Nouvelle Collection de Fantasies élégantes ou Potpourais brillants pour le Piano-Forte seul. Cahier 131. Das Mädchen von Elisonzo. N°. 10,931. - Johann Strauss, An der schönen, blauen Donau. Walzer für das Pianoforte componirt. Op. 314. N°. 19,216. - G. Rossini, Flore théatrale. Nouvelle Collection de Fantasies élégantes ou Potpourais brillants pour le Piano-Forte seul. Cahier 185. Wilhelm Tell. N°. 13,385.

      Vienne - Linz, Haslinger, o. J. [um 1820 - 1870?]. Quer-4°. 11 + 1, 14 + 1, 5, 3, 5, 5, 5, 11, 14 + 1, 11, 15 +1 S. Priv. Pp. im Stile der Zeit. Fachmännisch restauriert und neu aufgebunden. Fleckig. - Elf originale Musikdrucke aus dem 19. Jahrhunderts, hauptsächlich aus dem Druckhaus Haslinger. Schönes Expl. - Schiedermayr, (1779 - 1840), dessen Vater Lehrer war, erhielt seine wissenschaftliche und musikalische Ausbildung in den Klöstern Windberg und Oberaltaich, später im kurfürstlichen Studienseminar in Straubing. 1796 ging er als Organist an das Stift St. Nicola bei Passau und studierte zugleich Theologie. Aufgrund der Säkularisierung in Bayern wandte sich Sch. 1804 nach Linz, wo er unter F. X. Glöggl bei der Kirchen-, Theater- und Bürgermusik mitwirkte. 1810 wurde er zugleich Dom- und Stadtpfarrorganist. Ab 1812 war er auch als 1. Kapellmeister am Landestheater und als Dirigent der Redoutenbälle tätig. 1839 trat er Glöggls Nachfolge als (provisorischer) Dom- und Stadtpfarr-Kpm. an. 1823–37 unterrichtete er an der Gesangschule der Linzer Gesellschaft der Musikfreunde. Seine kirchenmusikalischen Werke, v. a. die Landmessen, wurden bis zum Cäcilianismus allgemein geschätzt. (Zitat) - Hier Erstdrucke Schiedermairs. Versand D: 7,00 EUR Musik

      [Bookseller: Antiquariat Weinek]
 38.   Check availability:     buchfreund.de     Link/Print  


        \"Panorama de la Chute du Rhin\". Weiter Blick über den Rhein und den Rheinfall auf Schloß Laufen, in der Ferne Bergpanorama.

       Aquatinta von Friedrich Salathe bei L. Bleuler, um 1820, 21 x 87 cm. Unter der Ansicht ein schmales Reliefpanorama der umliegenden Berge mit Bezeichnung 1 - 68. - Ungewöhnliches und reizvoll staffagiertes Panorama in sehr guter Erhaltung. - Auf Wunsch mit älterem Biedermeier-Rahmen (kostenlos nur gegen Abholung). Versand D: 6,00 EUR Europa, Panoramen, Schweiz

      [Bookseller: Antiquariat Bierl]
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        Geschiedkundige gedenkstukken en aanmerkingen over het bestuur van Holland, 3 delen, Amsterdam, Van Kesteren, 1820.

      Gebonden in 3 halfleren banden, 296+396+320 pag., geillustreerd met portret in stippelgravure door A. Desnoijens. Ruggen beschadigd.

      [Bookseller: Antiquariaat A.G. VAN DER STEUR]
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        A voyage to the West Indies: containing various observations made during a residence in Barbadoes, and several of the Leeward Islands, with some notices and illustrations relative to the city of Paramabo, in Surinam. With engravings

      Richard Philips, London 1820 - First edition, slim 8vo, pp. [4], 106; frontispiece map, 6 aquatint plates by Neele & Son after sketches by R. Stennett; near fine, sound copy in 20th century half brown morocco by Morrell, gilt-paneled spine, t.e.g. Issued as no. six of volume II of Phillips's series of Modern Voyages and Travels. "The author was a surgeon assigned to the naval hospital in Barbados in 1807 and later to a war vessel cruising through the islands. He spent about four years in Caribbean service and became thoroughly familiar with colonial society. His book presents an interesting picture of the rushing business conducted by the slave traders in Barbados on the eve of abolition and gives accounts of encounters with the Spanish and French during the course of the Napoleonic wars. The author saw little that was attractive in West Indian life and was greatly shocked by the general prevalence of immorality" (Ragatz, Guide For The Study Of British Caribbean History 1763-1834, p. 235). Sabin 101114. [Attributes: First Edition; Hard Cover]

      [Bookseller: Rulon-Miller Books (ABAA / ILAB)]
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        Autograph letter signed in the opening line ("M. Senefelder").

      Paris, 20. X. 1820. - 8vo. ½ p. on double leaf. With autogr. address. Telling Baron Cuvier to accept his invitation to view some lithographies on Monday instead of Sunday: "M. Senefelder témoigne ses vives regrets à Monsieur le Baron de Cuvier de ne pouvoir venir dimanche 22 Cs pour l'expérience des Cartons lithogr[aphiques]; il aura l'honneur de se présenter Lundi prochain à l'heure indiquée". - Small defect on f. 2 from opening the letter (not touching text).

      [Bookseller: Antiquariat INLIBRIS Gilhofer Nfg. GmbH]
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        Die elegante Stickerin oder Pracht-Muster im neuesten Modegeschmack zum Sticken und Weissnähen nebst dem vollständigen Alphabet in lateinischer und gothischer Schrift, und einer Anweisung, wie eine Stickerin, ohne zeichnen zu können, sich selbst jedes Muster ab - und aufzeichnen und fortführen kann. Ein Geschenk für das schöne Geschlecht.

      Meissen, F. W. Goedsche, [no date, but circa 1820]. 8vo. 4 pp. instruction leaf, and 11 leaves with floral patterns (three double-sized). In original marbled paper covered slipcase (22.2 x 13.2 cm) with mounted pictorial title leaf.= A charming "Biedermeier" style pattern book, being a guide in decorating clothes. An ephemeral publication intended to be used; as the leaves would become damaged in the process it is very rare indeed to see it in this pristine state. Only the leaves with letters are wanting. Board edges a bit rubbed, otherwise in a very good clean condition.

      [Bookseller: Antiquariaat Schierenberg]
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        Algemeene manier tot het maaken van zonnewysers op allerley effen vlakken. Zynde heel klaar te verstaan en ligt te doen, voor alle persoonen die met een passer gewoon zyn om te gaan, als stierluyden, timmerluyden, steenhouwers, en meer andere bouw- en handwerkslieden, sonder eenig onderwys of kennisse van de meet- en sterrekonst, dan alleen dit boekje van nooden te hebben. Amsterdam, Johannes Loots, 171 [=1710].

      Full vellum with some damage to the corners. Else a good copy with a 19th-century ownership mark by J.F. Schellens (1820). 8°, pag.: [8] 114 [6]. With 26 folded engraved plates. Mattheus Soeten worked as a teacher in Amsterdam, combining mathematics and astronomy. From 1709 until 1743 he was appointed at the Atheneum in Amsterdam, as lector in mathematics. In 1702 he published his Medulla algebræ, of 't merg der stel-konst (Amsterdam, J. ten Hoorn, 1702), as an introduction in mathematics for young students. The present manual on sundials was presumably published for the first time in 1708. The online NCC also mentions an edition published in 1712. Soeten dedicated his book to Dirk Bas, burgomaster of Amsterdam. Johannes Loots was active in Amsterdam between 1696 and 1721 as a publisher of books on mathematics, geometry, astronomy and navigation. * 4 A-G 8 H 4.B0104.

      [Bookseller: Antiquariaat A.G. VAN DER STEUR]
 44.   Check availability:     NVvA     Link/Print  


        \"Cascade auprès de la maison du Garde-chasse dans la Vallée de Plauen près de Dresde\". Blick über den Wasserfall auf zwei Häuser, rechts Brücke mit zwei Reitern.

       Altkol. Umrißradierung von Friedrich Wizani bei Heinrich Rittner, um 1820, 37 x 53 cm. Thieme-Becker Bd. XXXVI, S. 158. - Dekorative Ansicht. Vornehmlich in Grau- und Blautönen zeitgenössisch koloriert. - Mit Lichtschatten, drei kleine Stellen leicht berieben. Auf Papier mit WZ \"Turkey Mills J. Whatman 1819\". Breitrandig. Versand D: 6,00 EUR Sachsen und Sachsen-Anhalt

      [Bookseller: Antiquariat Bierl]
 45.   Check availability:     buchfreund.de     Link/Print  

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