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Displayed below are some selected recent viaLibri matches for books published in 1820

        LE DROIT DES GENS OU PRINCIPES DE LA LOI NATURELLE APPLIQUÉS À LA CONDUITE ET AUX AFFAIRE DES NATIONS ET DES SOUVERAINS. PAR VATTEL. Nouvelleéd. augmentée, revue et corrigée, avec quelques notes de l’auteur et des éditeurs

      Paris Janet et Cotelle 1820 - , in-8, demi-basane fauve, tit. doré sur dos lisse orné de filets dorés, ex-libris manuscrit d’époque, (fortes épidermures, 1 mors lég. fendillé sur plus de 15 cm, coupes et coins émoussés avec mq., p. d’avant-titre partiellement détachée, rares rousseurs), XXVIII-864p.

      [Bookseller: La Memoire du Droit]
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        Monsr. J. Isabey's Exhibition Rooms, 61 Pall Mall / Salle d'Exhibition de J. Isabey, a Londres

      Published by J. Isabey 1820 - A fascinating view of J. Isabey's picture gallery in Pall Mall, London, by the celebrated American engraver William James Bennett. William James Bennett was born in England, and received his artistic training at the celebrated Royal Academy. He garnered a reputation as an accomplished watercolourist and exhibited many fine landscapes at the Academy's annual exhibitions. Bennett was one of the principle members of the Society of Painters in Watercolours and helped establish watercolour as a prominent medium in England. He displayed an exceptional talent at aquatint and during his career produced many fine prints for some the most lavish English plate books. He emigrated to the United States in 1826, and is best known for his views of American cities, including the Hudson Valley Region, Niagara Falls, and numerous port cities such as New York, Charleston, and Buffalo. Bennett's series of views of American Cities set a standard, and established a compositional formula, for topographical art in America. His views remain the most memorable and beautiful examples of the genre, and they exerted a lasting influence on generations of American artists. This beautiful image of Mr. Isabey's exhibition rooms in Pall Mall is not listed separately amongst Bennett's work, but according to DeSilva and Deak, he completed a number of aquatints in 1820, which are not recorded. It is possible that this picturesque interior scene is one of the images, which was not immediately attributed to Bennett. This charming work closely resembles images published by the leading English printseller Rudolph Ackermann, in particular an image depicting his gallery "The Repository of Arts". As in the Ackermann image, connoisseurs are shown enjoying the exhibition rooms in Isabey's gallery. Jean-Baptiste Isabey (1767-1855) was a French artist and what might be called "artistic entrepreneur". He managed to become Marie Antoinette's artist in residence for miniatures. Later, he designed Napoleon and Josephines and drawings in London of his own work and others. The exhibition should have been more successful than it was, but it coincided with George IV's divorce, during which most British aristocrats fled to their country estates. Deak, William James Bennett p. 3-26; DeSilva, William James Bennett: Painter and Engraver , p. 39-42. Colour-printed aquatint. Printed on wove Whatman paper watermarked 1820. In excellent condition. Image size: 7 ¼ x 9 7/8 inches.

      [Bookseller: Donald A. Heald Rare Books (ABAA)]
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        Tales of the Imagination

      London: Printed for Longman, Hurst, Rees, Orme, and Brown, 1820. - By The Actual "Obscure But Remarkable Author"[LESTER, Elizabeth B. ]. [Erroneously attributed to Mrs. Ross]. Tales of the Imagination. By the Author of The Bachelor and the Married Man, The Physioignomist, and Hesitation In Three Volumes. London: Printed for Longman, Hurst, Rees, Orme, and Brown, 1820. First edition. Three twelvemo volumes (6 13/16 x 4 in; 173 x 103 mm). [4. blank], [2], 227, [5, blank]; [4, blank], [2], 261, [5, blank]; [4, blank], [2], 252, [4, blank] pp. Contemporary quarter calf over marbled boards. Gilt ruled bands. Gilt lettered compartments. Marbled edges. Bookplates of the Loyal Alyth Public Library to the front paste down endpaper to each volumes as well that library's inked stamp to first few leaves. Small, later 19th century blank library label to the upper compartment of each volume dulled with age to a near match with aged darkened spines. A very good set of a difficult to find title.Volume I: Genius. Volumes II & III: Enthusiasm.This book was, up until quite recently, attributed to Mrs. Ross, the "obscure but remarkable author " (Feminist Companion to Literature in English, pp 922-23) of thirteen anonymously written, respected novels of the Romantic Movement. which produced "an influential generation of women writers, including M. Wollstonecraft, D. Wordsworth, M. Shelley and the Bronte sisters (Oxford Companion to English Literature, p. 843). Recent research, however, has firmly established that six of these thirteen novels, each possessing a "confident-seeming literary style, and broad evangelical emphasis" (Garside) were, in fact, written by Mrs. Elizabeth B. Lester, of whom, alas, little is known.An extremely rare book with only eight copies located in OCLC and KVK, no auction records, and scarce in the marketplace.Garside, Raven and Schöwerling 1820: 45. Wolff 5974 (sub Ross). Garside, Mrs. Ross and Elizabeth B. Lester: New Atributions, Cardiff Corvey: Reading the Romantic Text 2 (June 1998). [Attributes: First Edition]

      [Bookseller: David Brass Rare Books, Inc.]
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        LETTRES A M. MALTHUS, SUR DIFERENS SUJETS D'ECONOMIE POLITIQUE,

      1820 - [MALTHUS] SAY, Jean-Baptiste. LETTRES A M. MALTHUS, SUR DIFFERENS SUJETS D'ECONOMIE POLITIQUE, NOTAMMENT SUR LES CAUSES DE LA STAGNATION GENERALE DU COMMERCE. Paris: Chez Bossange, 1820. First edition. [4] + 184 pp. 8vo., original paper covered boards, half calf with gilt ruled spine, with new gilt tan leather spine label. Ex-library with usual markings and owner's name in red pencil on title page. Occasional light foxing to margins within. Letters written by Say upon reading Malthus' PRINCIPLES OF POLITICAL ECONOMY. Kress C 617, Einaudi 5115, Goldsmiths 22780.

      [Bookseller: Boston Book Company, inc.o ABAA]
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        Veduta del Golfo di Napoli dai Camaldoli, la collina del Vomero e tutto il seno della città.

      - Veduta originale a la gouache. 1820 circa. Cm.40x85. Foto in allegato.

      [Bookseller: CASELLA STUDIO BIBLIOGRAFICO ALAI-ILAB]
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        A COMPLETE COLLECTION OF THE TREATIES AND CONVENTIONS AT PRESENT SUBSISTING BETWEEN GREAT BRITAIN & FOREIGN POWERS; SO FAR AS THEY RELATE TO COMMERCE AND NAVIGATION; TO THE REPRESSION AND ABOLITION OF THE SLAVE TRADE.

      London. . 1820 - Two volumes. vi,408; vi,395pp. Later half calf and boards. Rubbed. Text tanned. Titlepage of second volume repaired on verso, final leaves of both volumes repaired in gutters. Good. The first printing of the first two volumes of a set that would eventually stretch to twelve volumes and cover the years up to 1871. Of obvious New World importance, this collection contains information from many treaties, including the Treaty of Ghent ending the War of 1812, and a commercial treaty with the United States of 1815. Several of the treaties deal with the suppression of the slave trade, a frequent component of most British treaties of the early 19th century. The treaties are listed in order by nation, and then chronologically. SABIN 31954 (note).

      [Bookseller: William Reese Company - Americana]
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        LITTLE GOODY GOOSECAP: or, Mother Bunch's Present. Containing a Variety of Adventures, calculated to amuse and instruct the Lilliputian World... Interspersed with fine Cuts. (Price Sixpence.)

      80 pages, including pastedown wrappers. Wood-engraved frontispiece and illustrated throughout with 29 woodcuts and 2 typemetal decorations and a small woodcut device at close. 32mo. Original plain sugar-paper wrappers, with later [1820] ownership inscription. Rather tired with loss of paper from spine, and a number of dirty corners ?" some a little ragged; one page close cropped Rare. Not in Osborne; Gumuchian, or Oppenheimer. Item 65 in Alderson & Moon Childhood Recollected, where only 27 woodcuts are noted. Little Goody Goosecap was originally known as The Orphan (1780), being the publisher John Marshall's attempt to emulate the huge success of John Newbery's Goody Two-Shoes. Around 1790 Marshall changed the name of The Orphan to The Entertaining History of Little Goody Goosecap. It is believed that Bassam was the first to use this name, disguising his piracy of the Marshall title.

      [Bookseller: David Miles]
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        Oeuvres.

      E.A. Lequien 1820 - - E.A. Lequien, Paris 1820, 13x21cm, 6 volumes reliés. - Nouvelle édition, en partie originale, collationnée avec soin sur les éditions originales et augmentée d'un grand nombre de variantes. Reliures en demi basane verte, dos légèrement passés à quatre fins nerfs sertis de frises et de filets dorés ainsi que de lignes ondulées et de motifs typographiques à froid, pièces de titre et de tomaison de basane marine, plats de papier marbré, gardes et contreplats de papier à la cuve, tranches marbrées, reliures romantiques anglaises de l'époque signées de Charles Hering. Ouvrage illustré d'un portrait de l'auteur en frontispice du premier volume. Beaux exemplaires quasi exempt de toute rousseur élégamment établis par l'un des plus grands relieurs anglais de l'époque. [Attributes: First Edition; Hard Cover]

      [Bookseller: Librairie Le Feu Follet]
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        Veduta del Interno del Pronao del Pantheon

      Rome 1820 - Luigi Rossini was a master engraver who produced over one thousand plates of buildings, ruins, gardens and monuments. His career coincided with a period of great archeological activity. His etchings of Rome followed Piranesi's example, and reported the latest excavations to an avidly interested European audience. In turn, as they were carried home by Northern Europeans on the Grand Tour, the etchings fuelled worldwide interest in classical architecture., Image Size : 405x530 (mm), 15.875x20.875 (Inches), Platemark Size : 440x545 (mm), 17.25x21.5 (Inches), Paper Size : 520x630 (mm), 20.5x24.75 (Inches), Black & White, Copper Engraving

      [Bookseller: Alexandre Antique Prints, Maps & Books]
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        A Picturesque Tour along the Rhine, from Mentz to Cologne; With Illustrations of the Scenes of Remarkable events, and of Popular Traditions. Translated from the German by John BLACK.

      London, Ackermann 1820.. Fol., XOV, 178 S., mit 24 altkolor. Aquatintaradierungen nach Aquarellen von Christian Georg SCHÜTZ d. J., gestochen v. T. Sutherland u. D. Havell sowie zweifach gefalt., grenzkolor. Kupferstich-Karte, zeitgenöss. Lederbd. m. Rückenvergldg. u. Blindpräg., goldgepr. Bordüre sowie Kantenvergoldg., dreiseitig marmor. Schnitt, Ecken u. Kanten berieben, vord. Außengelenk eingerissen, der Buchblock vollkommen stabil, Papier wie stets leicht gebr., unser Expl. nur vereinzelt an den Rändern stockfleckig.. Abbey, Travel 217; Graesse III, 59; Thieme/Becker 30/31. Erste englische Ausgabe, zugleich erste illustrierte Ausgabe des 1819 in Wiesbaden erschienenen Werkes. Die prachtvollen Aquatintas mit romantischen Rheinansichten für Reisende aus dem englischen Hochadel schmücken "das wohl berühmteste Prachtwerk der beginnenden Rheinromantik" (vgl. Schmitt, Die illustr. Rhein-Beschreibungen). Die Tafeln zeigen Mainz, Biberich, Johannesberg, Bingen, Boppard, Braubach, Fürstenberg, Bacharach, Oberwesel, Koblenz, Liebenstein, Hammerstein, Köln, u. a. - Christian Georg Schütz d. J. (1758-1823), Neffe des berühmten Malers Christian Georg Schütz d. Ä. Anfangs orientierte er sich nach dem Vorbild seines Onkels an der idealisierten Rheinlandschaft, entwickelte seinen Stil aber weiter zur Darstellung der romantischen Landschaft des 19. Jahrhunderts. Berühmt wurde er als Maler, Radierer und Zeichner von Landschaftsmotiven und Stadtansichten. Er hatte großen Einfluss auf die Anfang des 19. Jahrhunderts stark anwachsende, englische illustrierte Reiseliteratur. Viele seiner Arbeiten wurden in illustrierten Reisebeschreibungen abgebildet. Er selbst bereiste den Rhein mehrmals, 1818-1819 enstanden im Auftrag des Diplomaten u. Verlegers Johann Isaak Frhr. v. Gerning (1767-1837) die 24 Aquarelle als Illustrationsvorlagen zu dessen Rheinwerk.

      [Bookseller: Antiquariat Löcker]
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        Prämonstratenserkloster Arnstein mit Burg Langenau von der Lahn gesehen.

      . altgouachierte Umrißradierung mit getuschtem Rand v. Friedrich August Schmidt n. Anton Radl b. Gebr. Wilmans in Frankfurt, um 1820, 37,5 x 51,5. Thieme-Becker Bd. XXVII, 549. Anton Radl, Wien 1774-1852 Frankfurt a.M. war Schüler der Wiener Akademie u. v. Joh. Gottl. Prestel in Frankfurt. (Bilder zum Artikel auf meiner Homepage, oder bei Anfrage - pictures on my homepage or after request)

      [Bookseller: Antiquariat Norbert Haas]
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        MERVEILLES de la NATURE VIVANTE

      Alexis Eymery, rue Mazarine, n°36, Paris 1820 - MERVEILLES de la NATURE VIVANTE Ouvrage oblong, relié (26 cm x 17.7 cm) reliure demi toile à coins brune, dos lisse, orné d'une pièce de titre doré, couverture cartonnée marbrée brun-vert, édité par Alexis Eymery, rue Mazarine, n°36, Paris (sd, vers 1820) il s'agit de la réunion des planches des deux ouvrages des Merveilles de la nature vivante, ou galerie des animaux curieux, industrieux et domestiques de tous les pays, l'une série de 31 planches noir et blanc et l'autre d'une série de 33 planches couleurs (dont 2 planches de frontispice), reliées en vis-à-vis, montées sur onglet Excellent état [Attributes: Hard Cover]

      [Bookseller: Liseronsblancs]
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        Il carnevale di Roma.

      [Rome] [1820] - 15 (of 20) etchings. Plate marks 20,5 x 47- 48 cm. The whole sheets 40,5 x 56 cm. Here we have fifteen etchings to the great work "Il Carnevale di Roma" executed by the swedish artist Count Hjalmar Mörner. This is probably the high point of Mörners production.The images can be mounted to form a long frieze, but it is also devided into sections. The first two etchings are free standing, showing the early stages of the Carnival at Piazza del Popolo, then we have the Carnival in full swing. After that follows the Carnival along Corson. Then we have the horse race and the candle party. The serie ends with one scene from the Aliberti theater (missing here) and one from an osteria. As mentioned the sequence is interupted since five plates are missing (number 7,8, 12, 17 and 19). The plates were printed by Francesco Burlié. Mörner lived for several years in Rome. Very large margins. Some minor creases, tears and dog s ears. Very nice condition.

      [Bookseller: Hammarlunds Antikvariat]
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        Fin de la Course. Aquatintaradierung gestochen von Philibert Louis DEBUCOURT.

      1820 - Um 1820. 37,2 x52,6 cm (Bildgrösse); 63x75 cm (Blattgrösse). In rötlichem Mahagoni/Goldrahmen unter Passepartout. Kolorierte Aquatinta in Braunton zeigt diverse Reiter ans Ziel gelangt, im Hintergrund auf weiter Fläche diverse Reiter sichtbar, vorne Rechts Gebäude angedeutet mit Zelt und stehende Rennhelfe sowie 2 Hunde. Unten mit Titel "La Course" und Angabe des Künstlers und des Stechers. - Blatt etwas gebräunt, dekoratives Blatt in altem Rahmen. In rötlichem Mahagoni/Goldrahmen unter Passepartout. [Attributes: Hard Cover]

      [Bookseller: Biblion Antiquariat]
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        Gallerie der vorzüglichsten Künste und Handwerke fur die Jugend. 2 Teile in 2 Bänden.

      Prag, Herrmann Wohl, um 1820.. 8°. Titel, 144 SS.; Titel, 168 SS., 7+7 = 14 lith. Tafeln Marmorierte Pappbände d. Zt.. Vgl. Wegehaupt I,703 u. Sebaß I,697. Seltene Prager Ausgabe des hübschen Werkes mit Berufsdarstellungen des Biedermeier, die Lithographien von A. Langweil, der 1819 die erste lithogr. Anstalt in Prag begründete (vgl. Th/.B. XXII, 354 und Wurzbach XIV, 126). Es gibt auch Ausgaben in Zürich, Wien und Leipzig. Die vorliegende ist laut Angaben auf den Titeln (sieben+sieben Abbildungen) mit 14 Tafeln komplett. Beschrieben werdn: Bäcker, Buchbinder, Barbier, Glaser, Glockengiesser, Hufschmied, Klempner, Kupferdrucker, Kupferstecher, Steinmetz, Töpfer, Zinngiesser etc. Die Tafeln zeigen jeweils einen Blick in eine Werkstatt. - Vorsatz mit altem Vermerk ("Geschenk des Antiquar Buchfreund..."), etwas gebräunt, wenig fleckig, zweiter Band gegen Ende unten mit kleinem Feuchtigkeitsfleck in der Ecke. Berieben. Insgesamt gut erhalten.

      [Bookseller: Antiquariat Thomas Rezek]
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        EL ACUEDUCTO Y OTRAS ANTIGÜEDADES DE SEGOVIA

      - El acueducto y otras antigüedades de Segovia. Ilustradas por el doctor.- Madrid, Imprenta de D. Miguel de Burgos, 1820; en folio menor encuadernación de época, pasta española gitana, nervios y tejuelo, cortes pintados, XVII (incluida portada), 254 pp (en realidad 260 pp.) 5 láminas ( 2 de ellas plegadas). Portada con restauración antigua. Ejemplar limpio y muy completo con todas su páginas y con todas las láminas. Palau: 104480

      [Bookseller: LIBRERIA ANTICUARIA SANZ]
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        Original handwritten manuscript with navigation instructions from a French ship's Commander about navigating from Rio de Janeiro to Maldonaldo, Montevideo and Buenos Aires, and how to return to Rio again. With details on the mentioned harbours, where to get supplies, etcetera.

      manuscript 1820 - No place nor date. Judging from the paper, handwriting and references in the text, this document was written around the year 1820. The manuscript consists of 6 densely written pages in 4to size plus two blank pages. No author given. The contents of the letter strongly indicate that this document was written by a ship's captain or navy officer, which is further confirmed by the fact that this document comes from a collection of French navy material. The writer clearly speaks from his own experience sailing along the Brazilian coasts, and must have written this document as an instruction for a captain who sailed in South America for the first time. Page 1 has the title "Notes sure la navigation de Rio Janeiro a la Riviere de la Plata". It commences as follows: "On part de Rio Janeiro a la faveur de la Bris de terre qui ordinairement vous conduit en dehors des iles (.) de l' Ile Catherine, pratiquer pretendent qu'en le tenant sur les brasson, on doit en avoir de 60 a 70, jusques par la latitude de 30° a 31° (.)" Follow detailed instructions, where to expect which wind, places where to remain a bit further out of the Brazilian coast because of undersea rocks, etc. Halfway in page one is a reference to earlier experiences of a English ship in that same area: " Le vaisseau Anglais le Sanson toucha de 10 ou 12 lieus de terre par la latitude de 33°30, il trouva une mer plus profonde en gouvernant au sud". Near the end of page one, the passage along the Island Lobos (Ilha dos Lobos) is described. The author then advises to use a map from the Neptune de l'Amerique Meriodinale that he considers very reliable: "Une fois parvenu sur la carte de la riviere de la plata, qui fait partie de Neptune de l'Amerique Meriodinale depuis son emboucher jusqu'a buneois aires, publiee en 1800 et dressee d'apres les plans leves en 1789 et 1794 pour plusieurs officiers de la marine Espagnole. Une fois des-que l'on est parvenu sur cette carte, aucune instruction n'est necessaire pour se rendre a Montevideo (.)" Then follow some detailed instructions for sailing up the la Plata river, and warnings for reefs and shoals around the Ilha los Lobos. This continues on page 2. Halfway page two starts a paragraph about the harbor of Maldonado in Uruguay, with information on how to sail, supplies available, where to take water, and to make sure to catch the excellent fish that swim in the bay. Page 3/4 has paragraph with the header "Montevideo", describing the route from the little island Flores to Montevideo, some warnings for shoals and winds, and tips on where to take supplies and fresh water in Montevideo. Halfway page 4 starts a paragraph entitled "Route a Buenos-ayres". This gives instructions on how to cross the la Plata river to Buenos Aires. Page 5 starts with the header "Retour de Montevideo a Rio Janeyro". First there is a warning to leave on time and make sure to carefully navigate around the Islands Flores and Lobos in daylight, or if it is dark take considerable distance to avoid the dangerous rocks. The author then directly refers to his own previous experiences along the Brazilian coast: "J'ai eu occasion dans ma traverse de reconnaitre que toute la cote du cap St.e Marie a l'isle Ste. Catherine (.). On doit defier le courant qui portent au sud". Then follow further details on favorable winds, how to recognize certain capes and rocks, etc. . The section on navigating to Rio de Janeiro continues on page 6. Near the end the author instructs to take note on some errors in the work of General Albin Roussin, who had surveyed the Brazilian coast in 1819: "Si l' instruction de General Roussin sur la navigation de la cote de Bresil donne, comme certaines personnes l' ont accuse, des idees fautes sur les vents gris qui regnent, on doit au mons reconnaitre (.)". The manuscript ends with the following sentence: "quand on atterre sur Baya, ce sont de grandes taches blanches longu

      [Bookseller: Librairie Melchior]
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        The Works of Samuel Johnson

      G. Walker, J. Akerman et al, London 1820 - Twelve volumes complete - Volume One - v, [1], 344pp; Volume Two - iv, 438pp; Volume Three - [4], 442pp; Volume Four - vi, 446pp; Volume Five - v, [1], 443pp, [1]; Volume Six - v, [1], 397pp, [1]; Volume Seven - v, [1], 408pp; Volume Eight - iv, 412pp; Volume Nine - vi, 459pp, [1]; Volume Ten - [6], 410pp; Volume Eleven - [6], 389pp, [1] and Volume Twelve - [2], iv, 455pp, [1]. Uniform contemporary straight grain morocco, raised bands, spines in six panels, author/title in gilt to second panel, volume to fourth, remaining panels with gilt central flower from which emanates leafy stem and flower tools, bands with gilt linked circles, covers with double panel design, the inner gilt frame made up of intertwined flower roll enclosed within a double fillet and bordered by a blind roll, a further blind roll is then bordered by a gilt roll, gilt roll to inner dentelles, a.e.g. Externally very minor rubbing to extremities, internally some light browning and off setting, occasionally heavy, but generally clean. An attractive set [Attributes: Hard Cover]

      [Bookseller: Temple Rare Books]
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        The history of England, from the invasion of Julius Caesar, to the revolution in 1688 / by David Hume to which is prefixed a short account of his life [volumes 2 - 8]

      London : Printed for Richardson & Co. 1820 - Physical description: 7v. ; 22cm. Volumes 2 - 8 only. Subjects: England -- History. Summary: The History of England (1754-61) is David Hume's great work on England's history which was written in installments while he was serving as librarian to the Faculty of Advocates in Edinburgh. It was first published in six volumes in 1754, 1756, 1759, and 1761. More a category of books than a single work, Hume's History spanned "from the invasion of Julius Caesar to the Revolution of 1688" and went through over 100 editions. Many considered it the standard history of England until Thomas Macaulay's The History of England from the Accession of James the Second. Very good copies bound in contemporary full aniline calf. Gilt-blocked leather labels to spines, with gilt-crossed bands. Wear to some title labels. Spine bands and panel edges somewhat dulled and rubbed as with age. General surface marks as with age. Remains quite well-preserved overall. 3 Kg. [Attributes: Hard Cover]

      [Bookseller: MW Books Ltd.]
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        OEUVRES COMPLETES DE J.J. ROUSSEAU, CITOYEN DE GENEVE / EN 22 VOLUMES - DU TOME I AU TOME XXII / MEMOIRES + HELOISE + DISCOURS + EMILE + POLITIQUE + MELANGES + MUSIQUE + CORRESPONDANCES.

      PERRONNEAU H. 1820 - R320058271: 22 VOLUMES d'environ 350 à 450 pages chacun (EN MOYENNE) - Augmentées de quelques gravures en noir et blanc hors texte et quelques planches depliantes de partitions - Auteur, titre, filets et tomaison dorés - 1 etiquette collée en coiffe en pied pour chacun des volumes - Coins émoussés - Certaines coiffes abimées. SOMMAIRE : TOMES 1 + 2 + 3 + 4 : MEMOIRES + TOMES 5 + 6 + 7 :HELOÏSE + TOME 8 : DISCOURS + TOMES 9 + 10 + 11 : EMILE + TOMES 12 : POLITIQUES + TOMES 13 + 14 : MELANGES + TOMES 15 + 16 + 17 : MUSIQUE + TOMES 18 + 19 + 20 + 21 + 22 : CORRESPONDANCES . In-12 Relié. Etat d'usage. Couv. défraîchie. Dos abîmé. Intérieur acceptable Classification Dewey : 840-Littératures des langues romanes. Littérature française [Attributes: Hard Cover]

      [Bookseller: le-livre]
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        Anweisung zur Vertheidigung der Festungen. Nach der dritten Auflage aus dem Französischen übersetzt von F[elix Bresselau] von Bressensdorf.

      Stuttgart, Cotta'sche Buchhdlg. 1820.. 4°. XXX, 542 S., 1 Bl. (Druckfehler). Mit einigen Tabellen im Text sowie 11 z.Tl. mehrf. gef. Kupferst.-Tafeln (Van de Velde, Jos. Schleich, F. v. Harscher u. J.B. Seitz sc.). Dekorativer zeitgen. Halblederband mit geritztem Gittermuster u. Rückengoldpräg. Rücken abgelöst u. am oberen Kapital m. größerer Fehlstelle; Einband stellenw. stärker berieben, Ecken bestoßen; im vord. Falz aufgeplatzt. Tit. etw. staubfl. u. m. Monogrammstemp.; im Text stellenw. braunfl. - Exlibris auf vord. Spiegel (August Ritter v. Genczik).. Deutsche Übersetzung des erstmals 1810 erschienenen Werkes "De la defense des places fortes". Gilt als Standardwerk über die Anlage und Verteidigung von Festungsbauten. Marguerite Carnot (1753-1823) war Ingenieur, Divisionsgeneral und Mathematiker. Als Mitglied des Nationalkonvents übernahm er 1793 im Wohlfahrtsausschuss das Kriegswesen und wurde zum Organisator der siegreichen franz. Revolutionsheere. Unter Napoleon war er Kriegs- und später Innenminister sowie Divisionsgeneral und Gouverneur der Festung Antwerpen. C. leistete auf mehreren Gebieten Beachtliches. Er entwickelte neue Ideen über die Befestigung, aber auch seine mathematischen Arbeiten waren bedeutend und wurden grundlegend für die Geometrie der Lage. Noch zu Anfang des 20. Jahrhunderts war es üblich, den Cosinussatz der Trigonometrie als Carnot'schen Satz zu bezeichnen. (Vgl. dazu Poggendorff I, 381). - Aus der Bibliothek des österr. Reisenden und Gelehrten August von Genczik (1810-1864), der als Privatarzt von englischen Aristokraten Europa und den Orient bereiste und 1849 nach Kairo gelangte, wo er vom Vizekönig Abbas Pascha eine Anstellung als Provinzarzt von Khartum erhielt. G. vermehrte private und öffentliche Sammlungen in Österreich, Paris, Leiden, Antwerpen und München durch ethnographische und zoologische Objekte. (Vgl. dazu ÖBL I, 421).

      [Bookseller: Antiquariat Löcker]
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        RACCOLTA DI N 60 VEDUTE E ANTICHE, E MODERNE DELLA CITTA' DI ROMA E SUE VICINANZE. Con la giunta delle Sale appartenenti al Museo Pio Clementino. In Roma, presso Agapito Franzetti, Calcografo e Mercante di Stampe al Corso, 1820 (60 VUES DE ROME)

      1820 - un Album broché (paperback) marron-clair in-douze (duodecimo) à l'italienne [format oblong (17x23 cm)], dos muet (spine - no title), première de couverture ornée (front cover illustrated) d'une gravure (avec la cuvette) de la Basilique Saint Pierre du Vatican, rousseurs + légères traces de plis + tache sombre d'un demi centimètre carré en bas de la 1ère de couverture, tranches lisses (edges smoothes), abondamment illustré (plentifully illustrated) d'une vignette sur la page de titre représentant "la Louve du Capitole et Romulus et Remus" et 60 gravures "vues de rome et de sa région" hors-texte en noir (pictures full page engraving), format intérieur de la cuvette : 10x12,8 cm , parAgapito Franzetti , très rares et légères rousseurs (rares and lights redness marks), 60 feuillets, sans date (1820) Rome presso Agapito Franzetti, Calcografo e Mercante di Stampe al Corso Editeur, Agapito Franzetti [Bénézit (IV, 505),"on lui doit des vues de ruines antiques", Détail des vues :"Al frontespizio marca tipografica raffigurante la lupa capitolina. Le incisioni, numerate, raffigurano le Basiliche di S.Pietro in Vaticano, di S.Paolo fuori le Mura, S.Giovanni in Laterano, S.Maria Maggiore (di tutte e quattro una tavola raffigura l'esterno e una l'interno), Piazza della Rotonda, Interno del Pantheon, Ponte Molle, Piazza del Popolo, Piazza Colonna, Palazzo di Monte Citorio, Piazza di Colonna Trajana, Piazza di Monte Cavallo, Fontana di Trevi, Chiesa della SS.Trinità de' Monti, Fontana dell'Acqua Paola, Prospetto del Campidoglio, Porto detto di Ripetta, Gran Piazza Navona, Porto di Ripa Grande, Parte laterale del Ponte S.Angelo, Mausoleo di Adriano oggi Castel S.Angelo, Arco di Tito, di Costantino, di Settimio Severo, Sepolcro di Cecilia Metella, Avanzi del Circo di Caracalla, Ponte Lucano, Tempio detto della Tosse, Tempio della Sibilla a Tivoli, Caduta del Fiume Aniene, Cascatelle a Tivoli, Arco detto di Giano Quadrifonte, Avanzi dei Tempj del Sole e della Luna, Avanzi del Tempio della Pace, Castello dell'Acqua Marzia, Tempio di Minerva Medica, Avanzi del Foro di Nerva, Campo Vaccino, Anfiteatro Flavio detto il Colosseo, interno dello stesso, Avanzi del Tempio di Vesta, Sepolcro di Cajo Cestio, Scala principale del Museo, Scala maggiore, Camera della Biga, Ingresso del Museo, Sala Rotonda, Sala delle Muse, Sala degli Animali (due vedute), Galleria Clementina, Galleria del Museo, Gabinetto del Museo, Portico di Belvedere, Vestibolo di Belvedere, Cortile di Belvedere." album bien complet en bon état malgré les petits défauts signalés (very good condition in spite of the smalls defects indicated). [Attributes: Soft Cover]

      [Bookseller: Librairie Guimard]
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        Novus thesaurus philologico-criticus: sive Lexicon in LXX et reliquos interpretes graecos ac scriptores apocryphos Veteris Testamenti. Vol. 1: A-E. Vol. 2: Z-M.

      Weidmann, Leipzig 1820 - 2 volumes in 4 parts. 8vo. xxi,594,596pp. 594,562pp. Half cloth over marbled boards with hand written title plate. Head and tail of spine slightly bumped and rubbed. Some rubbing and scuffing to boards. Wear to edges and corners. Sporadic foxing to some pages, not affecting text. Pictorial b/w frontispiece in Vol. I, depicting the author. Signature to title page of Vol. II: "Leon J. Liebreich. 1922." Mainly in Latin. Cover in good, book in very good condition. [Attributes: Hard Cover]

      [Bookseller: ERIC CHAIM KLINE, BOOKSELLER (ABAA ILAB)]
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        Excursions Through Ireland: Comprising Topographical and Historical Delineations; Together with Descriptions of the Residences of the Nobility and Gentry Remains of Antiquity and Every Other Object of Interest or Curiosity Forming a Complete Guide

      Printed for Longman, Hurst, Rees, Orme, and Brown, London 1820 - Illustrated: 3 vols of assorted sizes comprising vol 1 & 3 of a smaller size 12mo set & vol 2 of a larger 8vo set. Pages: Vol 1, 6, 216. Frontis , engraved title & 10 engraved plates in rear; Vol 2 (Larger size vol) 192, 64, frontis, engraved title & 43 engraved plates in rear; Vol 3, 180, frontis, engraved title & 36 engraved plates in rear. There is an overlap between 16 plates in vols 2 & 3 i.e. most of the Wicklow plates are identical, although those in vol 2 are on larger size pages. As for the text - all 12 excursions as called for are covered with some textual overlap (duplications) between vols. 2 & 3. Bound in green mo & marbled boards. Corners & spine ends bumped, rubbed & scuffed. Spine of vol 2 (the larger size vol) is reinforced with sellotape which overlaps onto covers. Ex - priory library - spines marked with library classification details. Marbled endpapers & pastedowns. Some plates foxed. Overall fair plus. Scarce. Thomas Cromwell (1792-1870) intended a 12 vol. work of his Irish travels to be issued in monthly parts covering the whole country. He also intended that there would be 600 engravings. However there was insufficent interest and after the first 2 vols were published, there was difficulty in issuing a 3rd vol. A reduced 3rd volume was eventually published with a much reduced compliment of plates than originally intended. No further vols were produced after the 3rd vol. The third vol. is extremely rare and the first two vols are scarce. [Attributes: First Edition; Soft Cover]

      [Bookseller: Dublin Bookbrowsers]
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        Odes pindaricas de Antonio Denys da Cruz e Silva; chamado entre os poetas da Arcadia Portugueza, Elpino Nonacriense.

      London, Na Officina de T.C. Hansard, 1820. - Small floral vignette on title page. Small woodcut headpiece and tailpieces. (3 ll.), 224 pp. 12°, contemporary crimson morocco (some rubbing, wear to corners, head of spine), flat spine richly gilt, two of the compartments with lyres, olive-green leather lettering piece, gilt letter, sides with gilt-rolled edge of cornucopia and palmette, edges of covers milled, marbled endleaves, all text-block edges gilt. Occasional faint foxing. Overall a fine copy. ---- Second separately published edition of a work first published Coimbra, 1801. The editors note that they had this edition of the odes printed in London "unicamente para terem o gosto de as ver impressas em melhor formato que o das Edições até agora publicadas, e ao mesmo tempo com mais asseio de typo e correcção de imprensa." The @Odes also were published as volumes V and VI of Cruz e Silva's @Poesias (Lisbon, 1807-17). Among the subjects of the odes are Vasco da Gama, André Furtado de Mendonça, João Fernandes Vieira, Dom João de Castro, Antonio Moniz Barretto, Duarte Pacheco Pereira, the Count Schaumbourg Lippe, and the Marquês de Pombal (to whom there are no less that four, including one on the reforms to Coimbra University). Cruz e Silva developed a formidable reputation as a lyric poet and satirist. His @O Hyssope was a source of inspiration for Francisco de Mello Franco's famous burlesque poem @Reino da estupidez. Cruz e Silva based his poem on the quarrel between the bishop of Elvas, D. Lourenço de Lancastre, and the dean, D. José Carlos de Lara, which he witnessed first-hand while resident in Elvas from 1764 to 1774. Bell recounts the tale that Cruz e Silva "was summoned to read his satire to the all-powerful [Marques de] Pombal in the presence of the infuriated bishop, and that the poem proved too much for the gravity of the minister, who appointed him a judge in Rio de Janeiro (1776)" (@Portuguese Literature pp. 273-4).Martins de Carvalho notes (p. 7) that many contemporaries considered @O Hyssope "muito superior" to Pope's @Rape of the Lock.Of humble origins (his father was a carpenter who abandoned the family to emigrate to Brazil, while his mother supported them working as a seamstress), Cruz e Silva (Lisbon 1731-Rio de Janeiro 1799) studied law at Coimbra. He co-founded the Arcadia Ulyssiponense in 1756 and, while serving as a military judge, developed a formidable reputation as a lyric poet and satirist. Most of Cruz e Silva's poems remained unpublished until after his death. In July 1790 Cruz e Silva was sent again to Brazil to assist in trying the leaders of the Republican conspiracy in Minas, in which Tomás António Gonzaga, Claudio Manuel da Costa, Manuel Inácio da Silva Alvarenga and other men of letters were involved, and in December 1792 he became chancellor of the Relação in Rio. Six years later he was named councillor of the Conselho Ultramarino, but did not live to return home.---- Innocêncio I, 124. Pinto de Matos (1970) p. 235. NUC: NNC, MH, DCU-IA. OCLC: 23476931 (Columbia University, Catholic University of America-Oliveira Lima Library, Harvard University-Houghton Library and Harvard College Library); 558581129 and 771143333 (British Library). Porbase locates 2 copies at the Biblioteca Nacional de Portugal (and 2 copies of the 1801 first edition, Biblioteca Nacional de Portugal and Biblioteca Municipal de Elvas). Not located in Copac. [Attributes: First Edition; Hard Cover]

      [Bookseller: Richard C. Ramer Old and Rare Books]
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        An italian fantasy landscape?]

      About 1820. - Image area 27 x 36 cm. The whole sheet 31 x 40 cm. Pencil drawing on laid paper marked "J H & Zoonen". A fine drawing depicting a landscape with ruins, streams, hills, peasants and more. The motif is unknow, but looks like a fantasy landscape in Italy. Elias Fredrik Martin was borned in 1804. He was the grandson of the internationally renowned swedish painter and engraver Elias Martin. The present work was probably executed when the artist was a youngster. Elias Fredrik Martin lived most of his life in the provincial town of Nyköping just south of Stockholm. He is best known for his wonderful views in lithography of small towns in southern Sweden such as Nyköping, Västervik, Kalmar, Uppsala and others. Marked with a small round blue stamp at the verso "Christian Hammer Stockholm". Hammer was a great 19th. century collector of books, prints and all sorts of artefacts. Drawings by Elias Fredrik Martin are very scarce. A couple of minor stains. Very nice condition.

      [Bookseller: Hammarlunds Antikvariat]
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        41 Original-Urkunden. - Gerichtsurkunden: Lehnbriefe, Schuldverschreibungen, Grundstücksgeschäfte, Recognitionsscheine, Hypothekenbriefe, Obligationen, Kaufbriefe und Vorladungen aus den Jahren 1820 bis1880 ...

      41 Urkunden-Blätter.. Buch ... aus Sachsenberg-Georgenthal-Klingenthal (Vogtland/Erzgebirge) 41 Urkunden-Blätter.. (Gut erhalten - einige braunfleckig bzw. an den Kanten u. Knickfalten geringe Schäden)

      [Bookseller: Hofbuchhandlung Löwenberg]
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        The Rudiments of Drawing Cabinet and Upholstery Furniture: comprehending Concise and Explicit Instructions for Designing and Delineating the different Articles of those Branches Perspectively and Geometrically; thereby producing the Effect Each Piece will have when Executed: and also Shewing by a Scale the Real Measures for the Workman. Illustrated by Appropriate Diagrams and Designs, Proportioned upon Architectural Principles, After the Manner of the Antique, on Twenty-Five Plates, each accompanied with Classical Remarks

      Printed for and Sold by the Author, London 1820 - Later full diced calf leather binding. Light indentations to boards, binding is otherwise in first class condition. Clean text throughout, all 25 plates are present and in excellent condition. The very rare first edition of this beautifully illustrated landmark work, of interest not only to cabinet and furniture makers but also architects and interior designers. No first edition copy at the British Library, Worldcat locates only four copies worldwide (National Library of Scotland, Harvard, Yale (incomplete) and Atlanta History Center.) A first class example. Hardback. Printed pages: Quarto (in 2s) xii, 52 plus 25 plates (16 hand coloured) [Attributes: First Edition; Hard Cover]

      [Bookseller: Tarrington Books]
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        Swiss Scenery

      Rodwell & Martin, London 1820 - Book. VG to Fine. London, Rodwell & Martin, 1820, First edition, only edition., 1820. 4to [27.5 x 19 cm]; vii, 200 pp, 60 engraved plates including pictorial title page with vignette, complete according to list of plates. Full contemporary leather morocco with heavily decorated gilding on spine. Fine interior, extremely clean, with usual offsetting of plates. Binding is VG - , with some shelfwear, rubbing along spine edges, with greater wear in upper 1/4 to 1/2 inch, corners of boards, and light soilage to boards. Very tight binding, and decorative gilding on spine, which is quite ornate, is bright. Attractive plates of Geneva, Mont Blanc, castles glacier, Vevay, Lausanne, Fribourg, Bern, Thun, chateaux, villages, Lautebrunen, Interlochen, lakes, Sarnen, Lucerne, the Rhine, Lugano, with many views of the mountains. Perret 1042: 'Rare et très recherché'. Cockburn is believed to have been the first to use a camera lucida in making his drawings of the Alps. Photos of book available on request [Attributes: First Edition; Hard Cover]

      [Bookseller: White Fox Rare Books, ABAA/ILAB]
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        Swiss Scenery From Drawings By Major Cockburn

      Rodwell & Martin, London 1820 - Unpaginated. 27 1/2 x 18 1/2 cm. Sixty steel plates engraved by Heath, Owen, Lacey, et al (with tissue guards), including vignette title and frontispiece. Plate Index. Bound without letterpress title. Each plate described in English (recto) and French (verso). "Cockburn, an officer of the Artillery is the author of several books of travel which he illustrated." [see: BRYAN, Vol.I, p.308]. Moderate toning to first few leaves, plates and text generally bright and clean, slight extremity rubbing, raised bands, spine panels richly gilt. Contemporary half red morocco and marbled boards. Aeg. Near Fine. [Attributes: First Edition; Hard Cover]

      [Bookseller: Royoung Bookseller, Inc. ABAA]
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        SWISS SCENERY

      Rodwell & Martin 1820 - 1820. Almost very good condition with no wrapper. Large format. 11 x 8". Original brown tooled leather with modern brown leather spine. Marbled endpapers. 60 b/w plates plus vignette plus illustrated title page. Book: all plates present but without tissue guards. Blue tape to joints (part of re-backing process). Original leather a little worn. Contents clean and bright. [S] [Attributes: Hard Cover]

      [Bookseller: Stella & Rose's Books, PBFA]
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        The History of Ancient Greece, Its Colonies and Conquests: Part the First (four volumes) and Part the Second (four volumes) : 8 Volume Set

      T. Caddell and W. Davies, London 1820 - Eight volume set with usual library stamps and Reference Department bookplate to inside front covers. Marbled covers with brown leather spine and corners. Front guttering is weakened and for part the second volume 2 the front cover is detached. Part the first volume one covers also detached. Shows signs of shelf wear with scuffing to edges and surface, particularly the leather. Internally some light foxing mainly to first few and last few pages, otherwise relatively clean and tightly bound. Part the first covers from the earliest accounts till the division of the Macedonian Empire in the East. Part the second covers the history of the Ancient World from the Dominion of Alexander to that of Augustus with a survey of preceeding periods. Eight volume set may require extra postage for overseas delivery. [Attributes: Hard Cover]

      [Bookseller: Barassie Books]
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        The Tour[s] of Doctor Syntax, In Search of the Picturesque; -In Search of Consolation; -In Search of a Wife

      (London): R. Ackermann, [ca. 1820-23] - An unusual copy thus, of one of the most famous color plates books of the nineteenth century (ROWLANDSON, THOMAS) Mixed set, as usual, being the 9th edition of the first volume; 3rd edition of the second volume, and first edition of the third. 3 vols., Tall 8vo. 79 hand-colored aquatint plates after Thomas Rowlandson. In the ORIGINAL BOARDS, UNCUT; the fragile spines variously chipped, joints cracked, paper labels; plates unusually fine, with slight offsetting to the latter. The three housed in a folding cloth box, with individual protective wrappers [Attributes: First Edition; Soft Cover]

      [Bookseller: James Cummins Bookseller, ABAA]
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        Micro-calligraphic manuscript "Dedicated in Friendship are the following sellections [sic] for an esteem'd friend by William Tilley - To the Memory of Mr. Daniel Salisbury who departed this life Octr 27 1794. Aged 24 years one month and six days -" With miniature calligraphic versions of the Lord's Prayer, The Ten Commandments, etc

      n.p, july 10, 1820 - A finely executed calligraphic manuscript, with miniature calligraphic versions of religious texts, done in memory of "Mr. Daniel Salisbury who departed this life Octr 27 1794. Aged 24 years one month and six days -" (CALLIGRAPHY) 4to. Pen and ink in a miniature hand on paper, watercolor ornamentation of flowers, leaves, and two weeping willows, stamped gold foil border. Light chipping at edges and some browning to paper

      [Bookseller: James Cummins Bookseller, ABAA]
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        A PICTURESQUE TOUR ALONG THE RHINE

      R. Ackermann, London 1820 - "A Portion of Heaven Fallen Down to Earth,"One of 50 on Large Paper, Beautifully Colored. 422 x 324 mm (16 5/8 x 12 3/4"). sheets 407 x 318 mm. (16 x 12 1/2"). xiv, [ii], 178 pp. Translated from the German by John Black. FIRST EDITION IN ENGLISH, First Issue. ONE OF 50 LARGE PAPER COPIES. Excellent contemporary red half morocco over marbled boards by Charles Hering (stamp-signed on verso of front free endpaper), newly rebacked and recornered to style by Courtland Benson, wide raised bands and panels attractively gilt in scrolling designs, gilt titling, all edges gilt. 24 HAND-COLORED PLATES OF THE RHINE (plus one folding map), taken from the drawings of Christian Georg Schütz and engraved by Sutherland, Havell, and Bartlett. Front pastedown with armorial bookplate of "R G V"; front free endpaper with evidence of bookplate removal. Abbey "Travel" I, 217; Tooley 234. Offsetting onto tissue guards (indicating that they have done their job), one tissue guard missing (but no offsetting onto text in this case), isolated trivial thumbing, foxing, or rust spots, but A FINE AND ESPECIALLY DESIRABLE COPY, the beautifully restored binding unworn, the text and plates with only the most minor imperfections, and the margins of this special copy remarkably broad. This is one of Ackermann's major color plate books and apparently the first in his "Picturesque Tours" series, others of which explore the Seine, the Ganges, and the Thames. The book describes a trip down the Rhine on that part of the river generally considered most romantic and charming. The account contains not only topographical descriptions, but considerable historical information and details of popular traditions. The tone is frankly advocative, the book being written "with a view chiefly to the information of travellers of cultivated minds who may be induced to visit this interesting portion of Germany." The main appeal of the book for us today, of course, resides in the book's spacious and richly colored plates. The irresistibly scenic views seem to justify the book's claim that the region depicted is "a portion of heaven fallen down to earth." Our plates are early impressions, and, as in other contexts, size matters here: the sheets in our volume are 407 mm. tall, appreciably larger than most of the copies seen in auction records, which measure, on average, approximately 330 mm. (Abbey's untrimmed copy measured 425 mm., and a Large Paper Copy sold at Sotheby's in 2007 had sheets 402 mm. tall.) As the limitation would indicate, copies on Large Paper are very uncommonly seen, and our copy is beautiful, with especially well-preserved text and plates and an exceedingly handsome replica spine. FIRST EDITION IN ENGLISH, First Issue. ONE OF 50 LARGE PAPER COPIES [Attributes: Hard Cover]

      [Bookseller: Phillip J. Pirages Rare Books (ABAA)]
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        Chinese Botanical Watercolor

      1820 - Chinese watercolors Indian School, circa 1820’s Watercolors on paper Framed size: 21 1/2" x 18 1/4"

      [Bookseller: Arader Galleries San Francisco]
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        Rosarum Monographia; or, A Botanical History of Roses.

      London, printed for James Ridgway 1820 - 1st ed. 25.5 x 15.5 cms. 18 hand coloured and one other plate by the author, original boards, later spine with recent paper label. Fore corners rubbed, owner's details on upper board and front free end paper, slight foxing and offsetting but pages uncut with resulting wide margins. [Attributes: First Edition; Hard Cover]

      [Bookseller: Besleys Books ABA ILAB]
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        A Narrative of a Journey into Persia, and Residence at Teheran; Containing a Descriptive Itinerary from Constantinople to the Persian Capital,.,

      W. Wright, London 1820 - 8vo. xvi,402pp. followed by a 2pp publisher's catalogue. Contemporary half calf; spine with simple gold rules, red leather lettering peice, gilt, marbled paper boards, Hand-colored frontispiece of the interior of a Harem; folding map. The map has an unobtrusive repair of a short marginal tear (no loss). The map, endpapers and frontispiece are lightly soiled, board papers and edges generally worn and rubbed; else a very good copy. Armorial bookplate of John Gregory Crace, and with an inscription on a preliminary blank: "To Emily Patan from her affectionate husband J. F. Patan. Calcutta 1826." First edition in English of these letters written by Joseph Michel Tancoigne during his voyage to Persia between 1807 and 1809, as a member of the French embassy of the general Gardane, the first of the three French embassies to Persia in the nineteenth century. First published in Paris under the title "Letres sur la Perse et la Turquie d'Asie" in 1819. [Attributes: First Edition; Hard Cover]

      [Bookseller: Thorn Books, ABAA]
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        Rosarum Monographia; Or, A Botanical history of Roses to which is added, An Appendix, for the use of cultivators.etc

      Ridgway London 1820 - Tall octavo; xxxix, 156pp. 18 hand coloured plates plus one uncoloured (complete). Occasional spot or offsetting. In full calf, the upper board being original, the lower board and spine being a replacement. Top corner of upper board is darkened, presumably caused by smoke damage, though there is no damage whatsoever internally. *** Prime Minister Sir Robert Peel's copy, with his bookplate on the front pastedown (and the reason for the upper board being retained, the lower one having been discarded by a previous owner). Cut ink signature of Robert Peel pasted to front endpaper. Overall a Good copy of an excellent work on Roses.

      [Bookseller: Neil Summersgill ABA,PBFA,ILAB.]
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        Curtis's Botanical Magazine (Volumes XLVII)

      H.D. Symonds, London 1820 - For extra pictures of the more valuable books, please press the 'Ask Bookseller A Question' button. Please make sure you view the gallery of extra photos of selected plates before ordering. These extra images are available on request. These books MUST be insured so please make sure you contact us before ordering through abe as standard abe postage rates do NOT apply. With 89 Stunning exquisite HAND COLOURED plates within the period 1820 to 1821. Plates 2161 to 2250 inclusive with one plate substituted (1771 for 2190) and one missing (2248). The brightness, quality and vibrancy of the colours of the plates have to be seen to be believed. Index included. Rebound in tan cloth with black and gold leather labels. Cut without any significant loss to text and plates - 5.5" - 9" Donated to library and stored at the correct humidity and temperature and then released for sale in 1998. Front Pastedown contains library plate but no other marks on title page or plates. The volumes appear not to have been used which may explain their immaculate and stunning condition. The magazine was founded in 1787 by William Curtis and has continued publication to the present day. 'The reputation of the magazine has always resided in the accuracy of its portrayal of plants.' Curtis' principal artists were William Kilburn + James Sowerby and Sydenham T. Edwards. These skilled artists worked with him for 28 years and it was they who were responsible for most of the plates that appeared in the magazine. From October 1834 Walter Fitch became the main artist - a post that he would hold for 40 years. 'In the confident hands of a botanical artist like W.H. Fitch lithographs have an immediacy and spontaneity encountered usually only in original works of art.' This volume comes from an advertised complete run covering the first 45 years. On checking we find that there was in fact a gap in the run. Vol 46 for 1819 runs from plate 2023 to 2104 inclusive and is our book ref 4982. Complete correct with index. The binding of this volume (our book reference 4983) has vol 47showing on the spine for 1820 but is in fact a combination of 1820 and 1821. The plates start at 2161 through to 2188 for 1820. So 2105 to 2160 inclusive are missing. They then run form 2189 through to 2250. In fact the full run for 1821 is plates 2189 to 2272 inclusive. In that run the text for 2190 is faced by plate 1771. Also the publishers made an error with the printing of the plate numbers for 2247, 8 and 9. 2247 was printed as 2148 and contains a manuscript change to 2247 (this matches the text). 2247 is included in this book but excludes the text (I can provide a quality copy) Plate 2248 was incorrectly printed with 2249 on it and this is completely missing form this volume. Again I can copy the original plate and text from another volume). 2249 is correctly numbered by the publishers and is included in this book. So the book for sale covers part 1820 and 1821 with plates 2161 to 2250 inclusive subject to the omissions listed. The book contains the index for 1820. A copy of the index for 1821 can be provided if required. Our website contains 4 pictures of this book. Please note that the pink tinge to the paper is a white balance error in the camera as the paper is in fact off white. Stunning quality of plates. [Attributes: First Edition; Hard Cover]

      [Bookseller: BIANCOLIBRARY]
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        A Concise and Practical Treatise on the Growth and Culture of the Carnation, Pink, Auricula, Polyanthus, Ranunculus, Tulip, and Other Flowers

      ated fromCopac and page count)- London - Published by the author 1820 - A scarce first edition of this fantastic and much revered work on flower horticulture. A very rare survival in original publisher's boards. 'Including a dissertation on soils and manures, and containing also a catalogue of the finest and most-esteemed carnations etc that are cultivated by the amateur florist, and exhibited at the different prize-shows round London and other parts of England. To which are added, the rules and regulations of the Islington and Chelsea Florists' societies'. With a lovely hand-coloured frontispiece of 'a bizarre carnation'. Dedicated by permission to the Right Honourable Dowager Lady de Clifford. With interestinggarden-themed bookplate to front pastedown. 'Sold by Mr Carpenter, Bookseller, Old Bond-Street, Messrs. G. and W. B. Whittaker, Booksellers, Ave Maria Lane; and by the Author, Paddington Green'. This work went throughseveral editions, with additions andadded colour plates. Thomas Hogg was a florist of Paddington Green, Middlesex. Condition: In original publisher's boards. Externally rubbed with marks, front board detached, wear and slight loss to the head and tail of the spine. Internally, firmly bound. Bright and generally clean, textblock edges dusted andjust a few scattered dust marks and spots within. Overall: FAIR due to fragile nature of original publishers boards, very good internally. [Attributes: First Edition; Hard Cover]

      [Bookseller: Rooke Books PBFA]
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        Sermons &c. Addressed to the Inhabitants of the Parishes of Saint John the Evangelist, and Saint Mary, in Brecon. WITH Four Sermons. On Subjects connected with the Combined Attack, Now Making by the Advocates of Sedition and Blasphemy .

      Brecon: Printed by Henry Hughes 1815 & 1820 - 2 volumes: 8vo., [1]-240pp. pp. 203-206 misbound. A Sermon, preached at Chapel of Saint Mary, in Brecon, On Wednesday, the 25th day of October 1809. Containing An Account of the First Establishment of the Benevolent Schools Founded at Brecon, in honor of the commencement of the 50th year of his majesty’s reign. Richard Davies, President. Pages 26-30 List of Subscriptions for Building a School Room. Annual Subscriptions, ‘Progress of the Boys’ School’ and ‘Progress of the Girls’ School’. Folding Chart of ‘Regulations the Girls’ School’. Folding Chart of ‘Regulations of the Benevolent School at Brecon’. ‘On Needlework’, ‘Visitors’ et al. Incl. ‘An Address, delivered by the Reverend Richard Davies to the inhabitants , in Brecon, who offered themselves for Confirmation, in June 1807. And also Incl. ‘A Sermon Preached March 29th, 1815, before the Honourable George Hardinge Chief Justice of that Circuit by Revd. T. Price. [Brecon. Printed by Henry Hughes.] WITH Davies, The Rev. Richard. Archdeacon of Brecon. Four Sermons. On Subjects connected with the Combined Attack, Now Making by the Advocates of Sedition and Blasphemy Against our Civil and Religious Institutions. Brecknock. Printed by Henry Hughes, 1820 8vo., [1]-142 pp. with an ‘Errata’ leaf pasted to rear pastedown endpaper 8vo., 2 volumes, a little foxing otherwise contents very good, bound in quarter blue paper boards, paper spines, worn, rubbed and torn with loss, however sound. NSTC, COPAC, World Cat. provide only BL and Bodleian for ‘Four Sermons’ 1820 and no reference found for ‘A Sermon’ or ‘Sermons’ 1815 which contains the Sermon Preached before Judge Hardinge. George Hardinge was the Judge of Mary Morgan hanged in 1805 for the murder of her new born baby. Mary lies buried in the Churchyard at Presteigne. Hardinge was a cousin of her employer, Walter Wilkins, at Glasbury near Hay-on-Wye; Walter Wilkins junior was Chairman of the Jury. It has been claimed that Walter Wilkins junior was the father of the child although this is no longer widely believed. He did not however appear to use his influence to help her during the Trial although she would have had no defence at all without his financial contribution. Ex Libris label to Sermons (1815) of J.C.P.de Winton. The Wilkins family used the alias of de Winton (assumed circa 1839) and the County Library at Llandrindod Wells has a number of documents concerning the case including the link between Hardinge and Wilkins. Sermons, (1815) signed in ink to front pastedown endpaper of ‘John Parry de Winton’ ‘ . Brecon/21st July 1924,.’ Walter Wilkins junior is listed in the Subscriptions List for the Benevolent Schools and John Parry Wilkins was appointed Treasurer circa. 1809. In 1814 both were still in the Subscriptions List. The Sermon delivered by the Revd. T. Price is full of zeal and eerily reminiscent of Hardinge’s own writing. “By the Fear of the Lord men depart from evil”. Proberbs XVI. 6. being the theme on this particular occasion. Signed in ink in a neat flowery hand, to front free endpaper of Four Sermons (1820) ‘Thos. Powell/Brecon/Jan’ry 31st 1820’. [Attributes: Hard Cover]

      [Bookseller: Offas Dyke Books]
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        Assembled by Miss Caroline Marshall Altwick

      n.p., [c.1820]. (ALBUM, ENGLISH) Oblong 4to. With cut-outs of splendid mezzotint portraits, engravings, fine hand-colored aquatints French and English after Boilly, W. Gear, Pigal, Howan. Some lithos by Senefilder. 82 pp. Contemporary quarter calf, disbound. Wonderful collection of images

      [Bookseller: James Cummins Bookseller]
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        Fine bust-length lithographic portrait by Julien Boilly (1796-1874)

      [ca 1820], [Paris] - An Italian, composer, conductor, teacher, administrator, theorist, and music publisher active in France, Cherubini was "a dominant figure in Parisian musical life for half a century. He was a successful opera composer during the Revolutionary period, and had comparable success with religious music from the beginning of the Restoration. He was made director of the Paris Conservatoire and consolidated its pre-eminent position in music education in Europe." Michael Fend in Grove online Signed and dated in the stone by the artist. With printed text below portrait: "Institut Royal de France. Académie des beaux Arts (Musique) Cherubini. Chevr. de La Legion d'honneur et de St. Michel. Surintendant de la musique du Roi etc. Né à florence [en 1760] Elu en 1815." With "539" in pencil to foot of sheet. Image size 150 x 175 mm., sheet size 298 x 202 mm. Slightly soiled and foxed. A very good impression on wove paper. [Attributes: Signed Copy]

      [Bookseller: J & J LUBRANO MUSIC ANTIQUARIANS LLC]
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        Frederick Nash (illus.), John Scott (text) & P.B. de la Boissiere (French translation): Picturesque Views of the City of Paris and its Environs; consisting of views on the Seine, public buildings, characteristic scenery, &c. With appropriate descriptions.,

      London, Longman, Hurst, Rees, Orme and Brown, 1820-1823. - DETAILS: (London): Longman, Hurst, Rees, Orme and Brown, 1820-3. Contemporary half morocco. 56 (of 57) steel engraved plates, all on india paper and mounted, all (bar two) with tissue guards, and each accompanied by 2-4pp of English and French text. Large folio (10.5in x 14.5in). *This is a heavy item weighing! UK, Europe and US rates are quoted. Would prospective bidders from other countries please e-mail us for a shipping in advance. CONDITION: Very Good to Good (see table below for details). Both volumes: Dirt, rubbing and edgewear to boards and spine, but binding solid. Lacks 1 plate in Volume 2. First two plates in Volume 1 lack tissue guards. Ink inscription facing first title page in Volume 1. A little sunning to pages and plates. Moderate to heavy foxing to a number of plates (about 8 or so plates fall into this category). Many plates have only light foxing to the borders, a few have spots to the engravings themselves, and several have heavier foxing around the edges of the engravings. A number are free from foxing altogether. Offsetting to many tissue guards (they`ve done they`re job!). Generally most engravings are in collectable condition. Paper repair to top of one text page in Volume 2 (text unaffected), text also in nice condition, with just a few spots of dirt and finger marks here and there. *Photo(s) given of actual book. CONTENTS: A collection of views of buildings and scenery in and around Paris. This work includes 56 of the 57 original plates (58 are listed, but one of these is two engravings on one plate). There are 50 engravings in the main work, each with typically 2-4 pages of notes, in both English and French, plus a further 7 engravings in a supplementary section at the rear of Volume 2 (these last 7 with a single page of notes covering all 7, again in both English and French). The fine steel engraved plates after Nash include (English titles, though both English and French contents pages are included): Place Vendome; 3 plates of the Palais Royal; 3 plates of the Louvre; Pont des Arts; Fountain Chatelet; 2 plates of Notre Dame; the Church of the Sorbonne; Val de Grace; The Odeon Theatre; the Aqueduct of Arcueil; 3 plates of St Denis; Palace of Saint Cloud; Barrier du Trone; The Catacombs; Burial Ground of the Pere la Chaise; Palace of the Legion of Honour; Hotel de Cluni; Palace of Versailles; Little Trianon, Versailles; Voltaire`s Monument in the Pantheon; Hospital of the Invalids; 2 plates of the Palace of Justice. The second volume lacks 1 plate - Tombs of Moliere, La Fontaine, and Massena, but includes the accompanying English and French text. Both volumes have a title page, and Volume 1 includes a main title page for the set dated 1820 - the two title pages for each volume are both dated 1823. Aside from some scattered foxing (mostly to the borders), most of the plates are generally in very nice condition, though a number do have moderate to heavy foxing. There is an inscription at the front of Volume 1 stating that this set was purchased from the collection of Sir Thomas Lawrence. Lawrence (1769-1830) was a notable English painter; the sale of his belongings took place at Christie`s on May 11th 1830. Sprache: de Gewicht in Gramm: 5550 [Attributes: Hard Cover]

      [Bookseller: Antiquariat an der Uni Muenchen]
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        The Gloucestershire Directory, Containing the Names & Residences of Professional Gentlemen, Merchants, Manufacturers, and Tradesmen in Gloucester, Cheltenham, Cirencester, Tewkesbury, Stroud, Wotton-Under-Edge, Dursley, Tetbury, Painswick, &c. &c. Alphabetically arranged; with A Brief History of the City Of Gloucestor, A Correct Account of The Arrival and Departure Of Mail and Other Coaches, Waggons, Caravans and Water Conveyances; Also A List of The London and County Bankers &c. Embellished with a Neat Engraved Plan Of The City Of Gloucester

      Printed by J. Roberts , Gloucestershire 1820 - , xx, 228 pages, folding map of Gloucester at front First Edition , front and rear boards loosely held, spine well rubbed, edges of boards rubbed, few pages coming loose at lower hinge, pages and map clean, in good+ condition , full tree calf with gilt bands to spine, blue speckled edges 12mo, 18x11cm Hardback [Attributes: First Edition; Hard Cover]

      [Bookseller: Keoghs Books]
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