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Displayed below are some selected recent viaLibri matches for books published in 1820

        Picturesque Tour Along the Rhine

      1820 - (ACKERMANN, Rudolph) GERNING, Baron Johann Isaac von. A Picturesque Tour Along the Rhine, from Mentz to Cologne. London: R. Ackermann, 1820. Folio (11-1/2 by 13-1/2 inches), 20th-century full tan polished calf, raised bands, red morocco spine label. $11,000.First edition, first issue, of one of Ackermann's wonderful Picturesque Tours, beautifully illustrated with 24 hand-colored folio aquatints and large folding map. A lovely copy.In the history of book production "there is no more attractive figure than that of Rudolph Ackermann, through whose extraordinary enterprise and spirit of adventure, aquatint was successfully applied to the illustration of books" (Prideaux, 120-23). One of Ackermann's most lucrative projects was his remarkable Picturesque Tours, a series of seven books produced between 1820-28. This is his Tour Along the Rhine, with beautifully hand-colored aquatints by Daniel Havell and Thomas Sutherland after paintings by Christian Georg Schutz, depicting views of Mentz, the Castle of Furstenberg, the Church of Johannes, Pfalz Castle and the town of Kaub, the salmon fishery at Lurley, Coblentz, Bornhofen, Cologne and other sites along the river. The plates were pulled and hand-colored in the Ackermann studio, whose reputation for producing splendid illustrated publications and disseminating fine aquatint prints spanned over two centuries. The folding map shows the course of the Rhine from Mentz to Cologne. With accompanying text by Baron von Gerning describing the history and culture of the area (first published in German in 1819, without illustrations). First issue, without plate numbers in the top right corners. Tooley notes that plates 2 and 3 have variants dated either September or October; Abbey argues persuasively that to call either state an issue "must remain doubtful," particularly given that large-paper copies have also been seen with the two plates dated October. At any rate, the quality of plates in either state are the same high standard; Abbey notes that "there are definitely some later issues of the book, and these can be recognized by having plate numbers at the top right-hand corner. The impressions in these plates are poor and the coloring less good" (Abbey 217). This copy has plates 2 and 3 dated October, but most importantly none of the plates bear numbers in the upper right. Text watermarked 1817 and 1818; plates watermarked 1818 and 1819. Abbey, Travel 217. Prideaux, 337. Tooley 234. Title page neatly rehinged, plates fine and fresh, hand-coloring vivid; a few minor scuffs to binding. An excellent, attractive copy of this beautifully illustrated work. [Attributes: First Edition]

      [Bookseller: Bauman Rare Books]
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        RACCOLTA DELLE più interessanti vedute della città di Pisa.

      S.d. (1820 ca.). album in-4 obl. Con 16 tavv. all' acquatinta raff. vedute di Pisa: torre, battistero, piazze, vedute del lung' Arno, ponti, arsenale etc. Le tavv. sono incise da A. Coppiardi. [265]

      [Bookseller: Studio Bibliografico Scriptorium]
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        A View of the Cove and Part of Sydney. New South Wales. Taken from Dawes Battery.

      R. Ackermann,, London: 1820 - This large print is the most important of the twelve views drawn to accompany his book "An Historical Account of New South Wales and Its Dependent Settlements; In Illustration of Twelve Views, Engraved by W. Preston, a Convict; from Drawings taken on the Spot, by Captain Wallis of the Forth-Sixth Regiment.", published in London by Ackerman in 1821. Although Wallis claimed the drawings as his own on the title page, the purchase of the original sketch album by the Mitchell Library in 2011 shows conclusively that the drawings were by the convict artist Joseph Lycett . The engraver Preston was also transported to Australia. The folklore surrounding this important work indicates that he engraved the views on the sheet-copper from the hulls of ships, as none other was available in New South Wales at the time. Wallis arrived with the 46th regiment, on the same ship which brought Joseph Lycett as a convict. Both Preston and Lycett were prisoners under Wallis in Newcastle where Wallis ran the penal settlement between 1816 and 1818. Lycett was to receive fame, and a pardon, for his famous work "Views of Australia". Engraved by W. Preston from an Original Drawing by Capt. Wallis 46th Regt. London Pubd. Septr. 1, 1820, at R. Ackermann's, 10 Strand. Copper engraving with later hand-color, image 56x 38 cms, with generous margins. "Wallis's book has a most important position in a collection of Australian plate books. It is the first book of general landscape views of early New South Wales, representing the first great celebration of the progress of the colony made under the civilising rule of Governor Macquarie and, indeed, of Wallis himself. It is also the first plate book, properly so called, to consist entirely of plates engraved in the colony by a colonial engraver". (Wantrup) Ferguson 842; Wantrup 217a.

      [Bookseller: Antipodean Books, Maps & Prints, ABAA]
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        31 Kupferstichtafeln von G. St. Hilaire nach H.J. Redouté u.a. (Paris, um 1820). Blattgr. 70 x 54 cm.

       1820 1. 16 Fischdarstellungen (Tafeln I-XVII, ohne Tafel XIII) wie Tigerfisch, Kugelfisch, Piranha u.a. 2. 8 Reptiliendarstellungen wie Krokodile oder Leguane. 3. 7 Säugetierdarstellungen von u.a. Hasen, Igel oder Fledermäusen.- Meist 2 oder mehr Darstellungen auf 1 Blatt.- Mit Randläsionen, angestaubt, teils feuchtrandig im oberen Fünftel. Versand D: 5,00 EUR

      [Bookseller: Antiquariat Schramm]
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        \"Ansicht des Königsteins und Pfaffensteins in der Sächsischen Schweitz\". Schöner Blick ins Elbetal mit den berühmten Felsformationen, im Vordergrund reizende Personenstaffage.

       Altkol. Umrißradierung von Carl August Richter bei A. Lawrence, Dresden, um 1820, 32,5 x 48 cm. Thieme-Becker Bd. XXVIII, S. 294. - Johann Carl August Richter wurde 1785 in Dresden geboren wo er 1853 auch starb. Er war Schüler von Adrian Zingg. Seine Spezialität als Landschaftsmaler und Radierer waren kolorierte Umrißradierungen aus seiner sächsischen Heimat. - Links sorgfältig geschlossener Randeinriss. Sehr farbfrisch und gut erhalten. Versand D: 6,00 EUR Sachsen und Sachsen-Anhalt

      [Bookseller: Antiquariat Bierl]
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        \"Ansicht von Königstein Lilienstein u. Pfaffenstein in der Sächsischen Schweitz\". Schöner Blick ins Elbetal mit den berühmten Felsformationen an beiden Uferseiten.

       Altkol. Umrißradierung von Carl Gregor Täubert, um 1820, 33 x 45,5 cm. Thieme-Becker Bd. XXXII, S. 401. - Carl Gregor Täubert (1778 - 1861) stammt aus einer Dresdner Zeichner- und Stecherfamilie. Er war Schüler von Adrian Zingg an der Dresdner Akademie. Er schuf zahlreiche Aquarelle und Gouachen mit Ansichten aus seiner sächsischen Heimat. Daneben entstand eine Reihe Umrißradierungen, die er im eigenen Verlag veröffentlichte. - Im zarten Altkolorit. Mit Rand und gut erhalten. Gerahmt. Versand D: 6,00 EUR Sachsen und Sachsen-Anhalt

      [Bookseller: Antiquariat Bierl]
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        SÄCHSISCHE SCHWEIZ. "Ansicht des Königsteins und Pfaffensteins in der Sächsischen Schweitz". Schöner Blick ins Elbetal mit den berühmten Felsformationen, im Vordergrund reizende Personenstaffage.

      - Altkol. Umrißradierung von Carl August Richter bei A. Lawrence, Dresden, um 1820, 32,5 x 48 cm. Thieme-Becker Bd. XXVIII, S. 294. - Johann Carl August Richter wurde 1785 in Dresden geboren wo er 1853 auch starb. Er war Schüler von Adrian Zingg. Seine Spezialität als Landschaftsmaler und Radierer waren kolorierte Umrißradierungen aus seiner sächsischen Heimat. - Links sorgfältig geschlossener Randeinriss. Sehr farbfrisch und gut erhalten.

      [Bookseller: Peter Bierl Buch- & Kunstantiquariat]
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        PASSAU. Passau aus den vier Himmelsrichtungen. Insgesamt vier Gesamtansichten auf vier Blättern.

      - 4 grau lavierte Tuschfederzeichnungen, um 1820, je ca. 22 x 37, 5 bzw. 41,5 cm. Die Ansichten zeigen: I. Eine schöne Gesamtansicht von Süden mit Blick über den Fluss auf die Innenstadt, rechts oben die Festung Oberhaus. 22 x 41,5 cm. - II. Gesamtansicht von Nordosten mit dem Zusammenfluß der drei Flüsse, die Festung Oberhaus rechts oben. 23,5 x 36,5 cm. - III. Östliche Ansicht von Passau mit Blick den Fluss hinauf, im Vordergrund ein Floss, rechts oben die Festung Oberhaus. 22 x 43 cm. - IV. Westliche Ansicht von Passau mit Blick die Donau hinunter, links die Festung Oberhaus. 21,5 x 38 cm. - Alle vier Blätter alt auf Büttenpapier montiert und nur minimal fleckig. - Sehr rares Objekt aus dem Nachlaß von Joseph Maillinger (1784 - 1856).

      [Bookseller: Peter Bierl Buch- & Kunstantiquariat]
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        83 Original Botanical Watercolours Plants Flowers & Funghi

      A bound volume of original botanic illustrations including flowers plants and funghi Initials on the front free end paper look like E J [no further information on the artist] 81/85 [lacking four] pencil sketches finished in watercolour - the stubbs of the absent illustrations remain. [not all illustrated] each illustration is on one side of each page only. The paper watermarks vary, some pages as early as 1810 others 1820 / 21 - the end paper bear a partial watermark of 23 [1823]a fascinating selection of original artwork c1820 and before - it is not quite clear whether the volume was made up from the loose sketches or the volume of sheets was bound and subsequently used - the ink manuscript text along the bottom margin of one early sketch appears to have been closely cropped; most likely when bound, one or two sketches have an ink number in the top right hand corner and appear in no particular logical order - which lends weight to the fact they were once all loose pages, bound up together c1823. [each measures 192mm x 230mm] Each illustration is neatly titled in ink - most with both Latin and common names

      [Bookseller: Michael Moon's Bookshop]
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        Lettres sur la Suisse, T1: Lettres sur quelques cantons de la Suisse écrites en 1819, T2: Lettres sur la Suisse écrites en 1820, suivies d'un voyage à Chamouny et au Simplon, T3: Lettres sur la Suisse écrites en 1824 et 1825.

      Paris, Nicolle / Nepveu / Froment, 1820 / 1822 / 1826. 3 volumes in-8, cartonnages au dos lisses ornés de filets dorés. Page de titre, vj, 494 pp, xx (fx titre et titre, avertissement), 417 pp, x ( fx-titre et titre, avertissement), 408 pp. Pages de titre gravées. Édition originale. Dos passés, coins inférieurs tordus et frottés., quelques frottements sur les plats. Rousseurs, surtout en début et fin des volumes.

      [Bookseller: Librairie Lang]
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        Dell'istoria di Milano.

      dalla Tipografia Manni e Rivolta,, Milano, 1820 - 4 volumi in-4° (cm. 29,5), brossure editoriali a stampa (strappetti ai dorsi); pp. XI 428 [2], 534 [2], 594 [2], 528 in buono stato con 57 illustrazioni in rame (di cui 22 f.t.) e 2 piante ripiegate f.t. (città e ducato di Milano) come da indici; carte in buono stato, parzialmente intonse, con qualche traccia di polvere marginale e sporadiche lievi fioriture. Prima edizione di questa classica storia della città col suo notevole apporto iconografico. Il quarto volume è interamente dedicato alla raccolta dei documenti inediti che affiancano l'opera. «Ebbe questa storia lode di esattezza, d'imparzialità, di sana critica e di essere scritta in stile rapido, chiaro ed elegante». [Zannoni. Antologia XXVIII, 140]. Cfr. Predari 184. Buon esemplare genuino.

      [Bookseller: Gabriele Maspero Libri Antichi]
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        La Maçonnerie, poême en trois chants. Avec des notes historiques, étymologiques et critiques

      - A Paris, chez Arthus Bertrand, 1820. In-8 cartonné de XXXII + 332 pages. Bien complet des deux gravures par Deveria, gravées par Adam, vignettes allégoriques. Dos absent, coins du cartonnage émoussés, quelques rousseurs en début et fin de volume essentiellement. Ouvrage très rare dont Caillet dit que la famille de l'auteur a fait détruire presque tous les exemplaires. Mériterait une nouvelle reliure. [Attributes: Hard Cover]

      [Bookseller: LIBRAIRIE GIL-ARTGIL SARL]
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        Rheingegenden von Mainz bis Cologn. In vierundzwanzig illuminirten Ansichten.

      London Ackermann und 1823 1820 - 5 Bll. ( 3 Bll. deutsche Beschreibung ) und 24 altkol. Aquatintatafeln m. Ansichten, sowie 1 gefalt. Karte, fol., farb. ill. Or.- Pp.- Broschur. Tooley 234; Schmitt, die ill. Rheinbeschreibungen, Nr. 85. - Hier vorliegend in der seltenen 2. deutsche Ausgabe, mit den schönen Ansichten des Rheintales, gestochen von T. Sutherland. - "Die schönste Folge engl. Rheinstiche. . Sie zeichnen sich durch eine köstliche Weichheit . aus, mit zart behandelten Übergängen der Tonwerte, . Die Vorlagen . stammen von dem Frankfurter Christian Georg Schütz." ( P. O. Rave, Rheinbilder der Romantik, in: Wallraff Richartz Jahrbuch, 1924 ). Die eindrucksvollen Blätter zeigen: Mainz, Wiesbaden - Biberich, Oestrich-Winkel u. Schloß Johannesberg, Bingen (2), Rheindiebach, Bacharach, Kaub, Oberwesel, Ruine Turmberg, Ruine Liebenstein, Braubach, Niederlahnstein, St. Goarshausen, Loreley, Kamp-Bornhofen, Boppard, Koblenz, Andernach u. Neuwied, Engers u. Sayn, Hammerstein, Drachenfels u. Rolandseck, Godesberg u. Siebengeb., Köln. - Die Ansichten sind identisch mit der bereits 1820 erschienenen Ausgabe. - Nahezu fleckenfreies Exemplar in guter Erhaltung. [Attributes: Soft Cover]

      [Bookseller: Antiquariat Nikolaus Struck]
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        Collection historique des ordres de chevalerie civils et militaires, existant chez les differens peuples du monde, suivie d'un tableau chronologique des ordres eteints;.

      Paris. Chez Aime Andre. 1820 - 4to (270 x 218). pp, xxiv, 294. 39 hand coloured plates and hand coloured frontspiece, most with tissue guards. Edges uncut. D'Hozier bookplate on front pastedown. Paper covered boards with rubbing and chips, with small loss, to all edges. Joints broken. Red morocco gilt title label with small chip in upper corner. Binding sound, but rear hinge cracked and pulling. With a lovely set of plates. A large book which may be subject to additional postage. [Attributes: Hard Cover]

      [Bookseller: Richard V. Wells ABA, ILAB, PBFA]
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        The Earth and Its Inhabitants

      (Germany), 1820. A miniature globe covered with varnished paper showing the continents, hand-colored, accompanied by a 32-panel miniature folding panorama. Each panel shows an inhabitant of a different country in characteristic costume, hand-colored and labeled in English, German, and French. The panorama is anchored to the inside of the original green and orange cubical box with a printed, colored label. This charming educational toy is in fine condition, and has the most folding costume panels of any set we've encountered. The panorama, when folded, measures 1 7/8 inches (48mm) tall; the globe is approximately 1 5/8 inches (42mm) in diameter. Box shows some loss to trim and adhesive residue, as well as the previous owner's signature in ink to upper label; panorama and globe are fine. (Whitton p.213 and color ill. 40; Houghton Library "Cataloguer's Choice" Exhibition, 1995).

      [Bookseller: Bromer Booksellers]
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        Ansicht der "Ursprung Bäder in Baden".

      - altkol. Umrißradierung v. Bittner b. A. Paterno Wien, 1820, 23,5 x 31,5 Nicht bei Nebehay-Wagner; seltene und dekorative Darstellung des Ursprungsbades das im Westen des heutigen Kurparks neben dem Theresianbad lag und 1909 demoliert wurde; aus einer seltenen, mindestens 8 Blatt umfassenden Serie von N. Bittner über Baden und Umgebung die wohl um 1820 im Verlag A. Paterno erschien; auf Papier C.&I. Honig; etwas fleckig, ein horizontaler Knick im unteren Drittel der Darstellung.

      [Bookseller: Antiquariat Nikolaus Struck]
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        Piazza del Popolo

      1820. Rara e deliziosa veduta di piazza del Popolo, sapientemente delineata da Antonio Acquaroni, dalla parte di porta Flaminia, che abbraccia il panorama dalla nota terrazza del Pincio a via di Ripetta. La rappresentazione è dinamica, sono raffigurati diversi tipi di carrozze, ben distribuite nello spazio semicircolare; a destra, una vivace scene di folklore di balli a suon di tamburelli. Tra gli attenti spettatori adunati, anche due guardie in uniforme, rappresentati di spalle in atteggiamento di riposo. Lo spettacolo richiama l'attenzione di una delle due guardie a cavallo, rivolto di profilo verso il gruppo, mentre un venditore ambulante vende qualcosa ad uomo con una bambina. Nel resto della piazza, diverse persone passeggiano coi loro eleganti abiti, sullo sfondo di distinguono anche due chierici e, più indietro, un uomo tira faticosmente il suo asino. Le sfumature del cielo collocano la scena nelle ore pomeridiane. Roma Rome 421 280

      [Bookseller: Libreria Antiquarius]
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        \"Walchen See an der Chaussèe von München nach Insbruk. Kochel See 18 Stunden von München\". Detaillierte Karte mit der Umgebung bis Großweil.

       Kupferstich von C. Schleich nach Adrian von Riedl, um 1820, 31,5 x 44,5 cm. Vgl. Lentner 4128: \"Selten\". - Aus dem \"Stromatlas von Bayern\", See Nr. 5. - Aus der von Johann Georg Löffler in München herausgegebenen Auflage. - Seitlich knapprandig. Rechts unten mit altem handschriftlichen Vermerk. Versand D: 6,00 EUR BAYERN, Landkarten, Oberbayern

      [Bookseller: Antiquariat Bierl]
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        La torre del Marzocco a Livorno.

      - 1820 circa. Gouache, cm 20,2 x 30,2 (la parte figurata) e cm 23,2 x 33,2 (il foglio), sottile margine di filetto nero appena percettibile e ben integrato a una più alta filettatura sempre in nero, titolo scritto in bianco, in minuto stampatello al margine inferiore. Scena raffigurante la Torre del Marzocco, con alcune piccole figure di pescatori intente al lavoro intorno ad alcune barche sulla riva, altre miniaturali figure accennate in lontanananza sempre sulla riva, piccole imbarcazioni a vela nel mare; il tutto avvolto in un'atmofera velata e mattutina. Minime punti di mancanza di colore ai margini del filetto nero, bella la coloritura che spazia tra il marrone della costa e il turchese del mare, per attenuarsi nelle tonalità più lievi del celeste e del rosato del cielo. Usuali difetti della carta ma in buono lo stato di conservazione.

      [Bookseller: BOTTEGHINA D'ARTE GALLERIA KÚPROS]
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        Veduta del Lago di Lugano presa da Codelago

      1820. Veduta della riva di Capolago animata da barche e carretto. Rif.: Giorgio Ghiringhelli n° 203 pag. 288. questa acquatinta è stampata in due colori: blu e nero mm 158x206

      [Bookseller: Libreria Trippini Sergio]
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        Voyage critique à l’Etna en 1819

      Librairie universelle de P.Mongie l’ainé, 1820. 8vo (cm. 21), 2 Voll., 3 cc.nn. (occhietto, frontis. con piccola veduta dell’Etna, Errata), 541 pp. con 3 tavv. f.t.; 3 cc.nn., 462 pp. con una tav. f.t. Legature coeve in mz. pelle con nervi, titolo e ricchi fregi a secco e in oro. Tagli marmorizzati. Ottimo esemplare.

      [Bookseller: Libreria Antiquaria Ex Libris s.r.l.]
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        SOUVENIR DE MILAN.

      1820-1850 ca.. In-8 p. (mm. 214x280), legatura in mz. pelle nera coeva, al piatto anter. la scritta in oro: "Souvenir de Milan à Mons. le Chev. Cobianchi - A. R." entro sottili cornici dorate, tagli in oro. L'album contiene una preziosa raccolta di 34 magnifiche vedute di Milano e dintorni, lago di Como e lago Maggiore, incise all'acquatinta con finissima coloritura a mano d'epoca (tutte applicate al recto della pagina). Le tavole, anticamente rifilate ai margini, sono circondate da un piccolo bordo nero. La raccolta è così composta: 1° Panorama di Milano da Porta Ticinese - 2° Veduta esterna del Duomo di Milano - 3° altra Veduta esterna del Duomo di Milano - 4° Veduta del fianco del Duomo di Milano - 5° Veduta interna del Duomo di Milano - 6° Veduta sotterranea della Cappella di S. Carlo Boromeo nel Duomo di Milano - 7° Veduta interna del Duomo di Milano - 8° Veduta dell'atrio della Basilica di Sant'Ambrogio in Milano - 9° Veduta interna della Basilica di Sant'Ambrogio in Milano - 10° Veduta delle colonne di S. Lorenzo in Milano - 11° altra Veduta delle colonne di S. Lorenzo - 12° Veduta della Chiesa delle Grazie in Milano - 13° Veduta della Certosa di Garegnano - 14° Veduta esterna della Certosa presso Pavia - 15° altra Veduta esterna della Certosa presso Pavia - 16° Veduta esterna del Duomo di Monza - 17° Veduta interna dell'Ospedale Maggiore in Milano - 18° Veduta della Caserma di S. Francesco in Milano - 19° Veduta della nuova Galleria De Cristoforis in Milano - 20° Veduta del Teatro della Scala in Milano - 21° Veduta dell'Anfiteatro dell'Arena in Milano - 22° Veduta della Piazza d'armi con l'Arena in Milano - 23° Veduta interna dell'Arena in Milano - 24° Veduta dell'Arco del Sempione in Milano - 25° Veduta dell'Arco di Porta Nuova in Milano - 26° Veduta della Nuova Barriera di Porta Orientale - 27° Veduta del Borgo di Porta Orientale in Milano - 28° Veduta del Arco di Porta Ticinese in Milano - 29° Veduta della Pliniana sul Lago di Como - 30° Veduta della Villa Melzi presso Bellaggio sul Lago di Como - 31° Veduta del Borgo di Dongo sul Lago di Como - 32° Veduta del Borgo di Domaso sul Lago di Como - 33° Veduta di Varenna sul Lago di Como - 34° Veduta dell'Isola Bella sul Lago Maggiore. Vi figurano importanti incisori quali: L. Cherbuin - A. Biasioli - D. Landini - I.L. Deroy - F. Campi - G. Elena - C. Lose. Il ns. esemplare è appartenuto al Cav. G. Cobianchi, corrispondente di Stendhal; nel 1820 militò nella Guardia d'Onore del Vicerè Eugenio durante i moti napoletani al seguito di Guglielmo Pepe; a partire dal 1848 si stabilì a Parigi quale prezioso informatore del re Carlo Alberto che lo nominerà addetto alle legazioni di Sardegna.

      [Bookseller: Libreria Antiquaria Malavasi]
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        Gravedona (senza titolo)

      1820 ca.. Importante veduta della cittadina di Gravedona finemente colorata a mano all'epoca, ridimensionata al margine mm 270x397

      [Bookseller: Libreria Trippini Sergio]
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        Italian Scenery from Drawings made in 1817 Miss Batty

      Rodwell and Martin, 1820. In-8° (cm. 29), pp. (8) 197 (1), frontespizio illustrato e 60 tavole f.t. incise in rame di vedute di città, bella legatura in pieno zigrino verde, dorso a quattro nervi, titolo in oro, ai piatti cornice lineare delimitata ai quattro angoli da motivi geometrici, rosone al centro raffigurante degli strumenti musicali circondati da una corona di alloro, tagli dorati. Usure agli angoli, al piede del piatto inferiore abrasione con lieve mancanza. All'interno esemplare fresco, quasi privo di bruniture.

      [Bookseller: Libreria Antiquaria Xodo]
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        'Dahlias' by Weddell

      1820. 22 x 17in, 1820. Hand-coloured aquatint, from Samuel Curtis's 'Beauties of Flora'. tears and fraying to edges, A rare dahlia engraving after one of the finest British botanical artists. The colouring is so fine as to give the appearance of a watercolour.

      [Bookseller: R.G. Watkins Books and Prints]
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        Steinla, Moritz. - "Männlicher Akt".

      - Historische Zeichnung. Bleistiftzeichnung, weiß gehöht, um 1820. Von Moritz Steinla. 49 x 30,6 cm (Blatt). Bildmäßige Studie eines nach rechts gedrehten männlichen Aktes. Die kräftige rechte Hand umfasst einen Ast, der muskulöse Körper steht in entspannter Pose. Exzellente Arbeit des Künstlers in Bleistift, teils weiß gehöht, auf dunklem, grau-braunem Bütten des 19. Jahrhunderts ausgeführt. Sehr ansprechendes, dekoratives Blatt, dem Zeitgeist des ausgehenden Klassizismus verhaftet. - Leicht braunfleckig mit minimalen Randläsuren. Abgesehen davon sehr schönes Blatt in insgesamt guter Erhaltung. Unikat. Moritz Steinla (1791 Steinlah - 1858 Dresden). Eigentlich Franz Anton Erich Moritz Müller. Deutscher Kupferstecher und Maler. Studierte zunächst an der Kunstakademie in Dresden. Später hielt er sich in Italien auf, wo er in Florenz und Mailand die professionelle Kupferstecherkunst erlernte. Ab 1837 war er in Dresden als Professor auf diesem Gebiet an der Kunstkademie tätig. Seine Werke sind in zahlreichen Museen und Kabinetten vertreten.

      [Bookseller: Graphikantiquariat Koenitz]
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        Mémorial pour les travaux de guerre.

      Genève, J. J. Paschoud, 1820.In-8 de [2]-VII-[1]-379-[2] pages et 6 planches dépliantes, demi-veau beige, dos lisse orné de filets dorés, pièce de titre absente, tranches mouchetées de bleu. Signature de M. Micheli au faux-titre. Orné de 6 planches dépliantes. Edition originale du premier livre de notre illustre général. "Dufour est au départ, de par sa formation, un homme du génie ce qui, à l'époque, signifie surtout un homme des fortifications et, accessoirement, des ponts. Ses travaux théoriques découleront, dans un premier temps du moins, de soucis immédiats, extrêmement pratiques. Dès son retour en Suisse, une préoccupation centrale l'obsède entièrement, alors que tout est encore à faire dans ce domaine : comment façonner une armée crédible, capable de rendre la neutralité crédible... Dufour répondra à la question en oeuvrant à la création (puis en y participant activement comme professeur) d'une école militaire destinée à former des cadres de l'armée. Sans de bons officiers d'état- major, pas de bonne armée. C'est là une idée force du futur général. Dans un premier temps, c'est donc une activité essentiellement pédagogique qu'il déploiera et qui trouvera sa retombée dans le Mémorial sur les travaux de guerre et le De la fortification permanente, ouvrages exclusivement centrés sur les besoins helvétiques et entièrement marqués par le souci de défendre la neutralité, à moindre frais possible. " J.-J. Langendorf, Dufour, 1987; e-rara 10038.

      [Bookseller: La Librairie Ancienne Alexandre Illi Bom]
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        Reise nach Brasilien in den Jahren 1815 bis 1817.

      Frankfurt, Brönner 1820 - 1821.. 2 Textbände und Atlas-Band. Textbände.: Mit zus. 19 Kupfertafeln. XXXIV, 1 Bl., 380 S., 3 Bll.; XVIII, 345 S. - Atlasband: Mit 22 (5 kolor.) Kupfertafeln und 3 (2 grenzkolor. und gefalt.) Kupferkarten, lose in der Orig.-Mappe. HLdr. d. Zt. 29,5 x 25 cm und bedruckte Orig.-Pappdecke. 54 x 42 cm. Borba de Moraes 545; Bosch 321; Brunet III, 1650/51; Palau 158782; Sabin 47018. - Erste Ausgabe des klassischen deutschen Reisewerks über Brasilien im 19. Jahrhundert - "From the scientific point of view this expedition was one of the most profitable of the 19th century. Sumptuously printed and with a beautiful album, the account of this journey is a classic work" (BdM). - Die schönen Kupfer mit Ansichten, Eingeborenenszenen (Indianer bei der Arbeit, im Kampf, auf der Jagd, beim Tanz usw.), Gerät, Schmuck auf den 5 kolor. Taf.. - Die Tafeln (auf dem Titel der Textbände als Vignetten bezeichnet) gestochen von C. Schleich, M. Eßlinger, J. Lips u. a., meist nach Entwürfen des Verfassers. - Auf Velin, recht breitrandig. Textbände gering gebräunt und tls. stockfleckig, die Tafeln sauber. Die Titel mit altem Stempel (Bibliothek der Selektenschule, Frankfurt). Einbände etwas berieben und bestoßen, die vorderen Spiegel mit aufgeklebtem Besitzvermerk "Ant. Th. Brentano" (wohl Anton Theodor Brentano-Tozza, 1809-1895). - Atlasband: Die unbeschnittenen Ränder tls. etwas fransig, die unkolorierten Taf. gering stockfleckig, die kolorierten Taf. auf glatterem Velin und überwiegend sauber, die beiden grenzkolorierten u. gefalt. Karten leicht gebräunt. Decke etwas berieben und ohne die 8 Bindebänder. ---- Insgesamt recht gutes und komplette Exemplar des nicht häufigen Werkes!

      [Bookseller: Antiquariat Turszynski]
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        Le mura di Roma disegnate da Sir William Gell... illustrate con testo e note...

      presso Vincenzo Poggioli Stampatore Camerale, 1820. 8vo (cm. 22,8), XII-396 pp. Con un primo frontis. inciso, una pianta di Roma più volte rip. e 31 tavv. f.t. Legatura coeva in mz. pelle con fregi e titolo impresso in oro al ds. Ottimo esemplare in barbe. E’ questa una delle opere più rare del Nibby. Olschki, 17657; Rossetti, 7359.

      [Bookseller: Libreria Antiquaria Ex Libris s.r.l.]
 29.   Check availability:     maremagnum.com     Link/Print  


        Bibliothecae Regiae Catalogus

      [Compiled by Frederick Augusta Barnard]. Mezzotint frontis. port. of George III (a little foxed), arms on each title, & two engraved views of the library serving as head- & tailpieces. Five vols. Large folio, cont. red straight-grained morocco (minor scuffing), panelled & tooled in gilt with centerpiece stamped monogram "GR" surmounted by a crown on covers, spines gilt, dentelles gilt, a.e.g. London: W. Bulmer & W. Nicol, 1820-29. The catalogue, "sumptuously printed" by Bulmer, of the magnificent library of King George III (1738-1820), donated to the nation by his son, George IV. This is a royal copy, having belonged to Ernest Augustus, Duke of Cumberland and the fifth son of George III, who became King of Hanover in 1837. It is superbly bound in red straight-grained morocco and printed on paper superior to other sets. "The kings of England had, from the end of the fifteenth century, always shown a certain taste for fine books, especially for the handsomer volumes of their own day...A new library was started in 1765 by King George III, when he purchased for 10,000 pounds the valuable collection of incunabula (with a few manuscripts) brought together by Joseph Smith (1682-1770), the British Consul at Venice... "George III continued adding to his library for nearly fifty years, buying with considerable discrimination at all the notable sales of the period; he secured the best books at the West, Ratcliffe and Askew auctions, built up a magnificent collection of English plays, and kept on right up to the Roxburghe sale (1812). His usual agents were Messrs Nicol, the booksellers, but he seems to have obtained from the Continent some extremely valuable incunabula by the assistance of one Horn of Ratisbon, a great despoiler of the German convents... "There is a sumptuously printed but hastily compiled catalogue of which copies are seldom met with."­-De Ricci, pp. 55-56. "As a boy George III had received an excellent education. He learned Latin well enough to be able to read the classics; French and German; history, geography, and the British political system; mathematics and elementary science; art, architecture, and music. After he left the schoolroom he continued his education under the Earl of Bute, an inspiring if somewhat pedantic tutor...Under his tuition the King developed wide cultural interests, a reverence for scholarship, and the instinct of a collector... "The King's aim was...to acquire a library which contained every book which an eighteenth-century scholar could desire. It was a library to be used, not simply to be admired...It was, as far as it could be in the eighteenth century, a universal library...It is rich in library catalogues. In addition to the catalogues of British libraries, there are catalogues from France, Italy, Spain, Portugal, Germany, Belgium, Switzerland, Sweden, Poland, and Russia. There are over five hundred sale catalogues, most British and most with the prices marked... "It was the King's wish that a catalogue should be published, but he postponed this as long as possible. When it became clear after 1812 that the King would never recover, Queen Charlotte and the Prince Regent urged the preparation of a catalogue. It was compiled by Barnard and published between 1820 and 1829 in five folio volumes...It was never offered for sale but copies were presented to heads of state and the great libraries in the United Kingdom and on the Continent. It is today an extremely rare book."­John Brooke, "The Library of King George III" in The Yale University Library Gazette, Vol. 52, No. 1 (July 1977), pp. 33-45. "Frederick Barnard had begun the catalogue of the books and manuscripts of the King's Library while it was at Buckingham House. The catalogue was completed...by Barnard and his staff for the Trustees of the British Museum and printed in five volumes between 1820 and 1829...Very few copies were printed, none for sale, and they are now very rare."-­Paintin, The King's Library, p. 22. This copy lacks the engraved frontispiece portrait of Bernard. A sixth volume, issued separately in 1829 and not present here, describes the maps, prints, and drawings. A magnificent set. From the library of Prince Ernest Augustus, Duke of Cumberland, and the subsequent Kings of Hanover. Miller, That Noble Cabinet, p. 125­"one of the finest libraries ever created by one man...By the time of the King's death the collection amounted to 65,250 volumes, besides 19,000 unbound tracts."

      [Bookseller: Jonathan A. Hill, Bookseller, Inc.]
 30.   Check availability:     Biblio     Link/Print  


        Versuch eines ABC Buchs der Krystallkunde. Erster Theil (nebst:) Nachträge. 2 in 1 Bd (alles Erschienene). Mit 9 mehrfach gefalteten Kupfertafeln.

      Reimer Berlin 1820 ( Erscheinungszeitraum 1820-1821 ) XL, 264 Seiten; 44 Seiten. Mit 9 gefalteten Kupfertafeln, Ohldr mit goldgeprägtem Einbandrücken und farbigem Rückenschildchen,8° ( 20,5 x 12 cm ). Erste Ausgabe. >> Poggendorff II, 576; ADB XXVII, 420 - Raumer (1783-1865) war Bergrat und Professor der Mineralogie in Breslau und Halle, später lehrte er Naturgeschichte und Mineralogie in Erlangen. << Einband gering berieben, leicht bestoßen, etwas fleckig, gering leimschattig. Innen fehlt der fliegende Vorsatz vorn, Seiten teils gering fleckig, teils leicht gebräunt. Insgesamt aber recht gutes Exemplar. - sehr selten - ( Gewicht 450 Gramm ) ( Pic erhältlich / webimage available ) // First edition. - 2 parts in 1 vol (all published). - Contemp half calf, label and some gilt to spine (slight marginal waterstaining, glue offsetting, rubbing and bumping). - Front endpaper missing, some browning to appendix, minor staining. Versand D: 5,00 EUR Kristallkunde, Mineralogie, Kristalle, Mineralien, Kristall

      [Bookseller: Antiquariat Friederichsen]
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        Constitutional Law

      1820 - (CONSTITUTION). Constitutional Law: Comprizing the Declaration of Independence; the Articles of Confederation; the Constitution of the United States; And the Constitutions of the Several States Composing the Union. Washington City: Gales and Seaton, 1820. Tall 12mo, original half tan and blue-gray paper-covered boards, uncut and partially unopened; pp. (iv), 1-409, (1). Housed in a custom folding chemise and half morocco slipcase. $4500.First expanded edition of this major compilation of America's constitutions, featuring printings of the Declaration of Independence, the Articles of Confederation, the federal Constitution, and the constitutions of 23 states""including the 1780 Massachusetts Constitution, the "oldest functioning constitution in the world"&#157;""the first collection with the most recent constitutions of Alabama (1819) and Maine (1820), scarce in original paper-covered boards, housed in a custom chemise, slipcase."Independence destroyed the old legal foundation of the states, and made it necessary to provide a new one". As early as May 1775, colonies began to apply to Congress for advice to guide them"&#157; (Hinsdale, American Government, 64). On May 10, 1776 a resolution was proposed for the "Formation of Local Governments"&#157;""one whose preamble by John Adams was seen as directly "manufacturing independence"&#157; (Smith, 256). The importance of both the federal Constitution and state constitutions is strikingly evident in Constitutional Law, the first series devoted to fully documenting America's ongoing constitutional revolution. Herein are printings of the Declaration of Independence, the Articles of Confederation, the federal Constitution, and constitutions of 23 states""documents that "rested on a new foundation, adjusted to a new political system"&#157; (Hinsdale, 66). Significantly these state constitutions, where the initial article after the preamble is often a declaration of rights, are "&#152;a mine of instruction for the natural history of democratic communities". The differences between state constitutions and the federal Constitution". raise intriguing questions that go to the heart of American constitutionalism"&#157; (Tarr, Understanding State Constitutions, 4, 11). This volume contains the pre-revolutionary Charter of Rhode Island, the 1776 constitutions of Maryland, New Jersey, North Carolina and Virginia, the Constitution of New York (1777) and the 1780 Constitution of Massachusetts, which was authored by John Adams and remains "one of the great enduring documents of the American Revolution". the oldest functioning written constitution in the world"&#157; (McCullough, 225). Also within are the 1790 constitutions of Pennsylvania and South Carolina, those of Delaware, Kentucky and New Hampshire in 1792, of Vermont in 1793 and Tennessee in 1796, of Georgia (1798), Ohio (1802), Louisiana (1812), Indiana (1816), Mississippi (1817), Illinois (1818), Connecticut (1818), Alabama (1819) and Maine (1820). Preceded by the 1819 edition with 21 state constitutions, this first expanded edition is the first to contain the "new 1819 Alabama constitution, and the new 1820 Maine constitution"&#157; (Matyas). Also featuring an appendix containing federal and state amendments enacted from 1808-16. Published by the "strong journalistic team"&#157; of Gales and Seaton, noted publishers of the National Intelligencer, "a leading American newspaper,"&#157; and of a major record of congressional proceedings (Mott, 178). Sabin 16133. Shoemaker 856. Matyas 19-02b. Cohen 3014. See Shaw & Shoemaker 47716. OCLC lists 29 copies; including the Library of Congress, American Antiquarian Society, British Library, Yale and Cambridge. Bookplates.Interior with light scattered foxing, slight soiling to boards, chips to spine ends. An extremely good copy of this important constitutional volume, most scarce in original boards. [Attributes: First Edition; Hard Cover]

      [Bookseller: Bauman Rare Books]
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        Victoria de los serviles, y honrosa retirada del partido liberal.

      Puebla, Imprenta Liberal, 1820. - 4°, modern wrappers, blue-green embossed with silver. Caption title. First leaf reinforced at gutter and stapled. Clean and crisp. 4 pp. *** FIRST and ONLY EDITION? The anonymous author, a liberal partisan, attacks the apathy and resistance toward the reproclamation of the Spanish Constitution and the call for elections in 1820. The 1812 Constitution, at one time suspended and then abolished, was restored as a result of the liberal rebellion against D. Fernando VII in Spain. Many of the Mexican reactionaries feared that Creole rule would mean an end to Church power and freedom of the press. An interesting account of Mexican politics on the eve of Iturbide's rise to power.*** Medina, @Puebla 1823. Steele & Costeloe p. 79. Sutro p. 183. Not in Palau or Sabin. NUC: CtY. [Attributes: First Edition; Soft Cover]

      [Bookseller: Richard C. Ramer Old and Rare Books]
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        No mas chanfaina, o carta al Irónico.

      Mexico, Imprenta de Don Alejandro Valdés, 2 Aug. 1820. - 4°, modern marbled boards with paper label on front cover. In good to very good condition. 8 pp. *** FIRST and ONLY EDITION? Calls for the rectification of certain inequities in provincial representation. It is a reply to Juan Francisco Azcárate y Lezama's @La chanfaina sequita: Carta al Pensador Mexicano. @NUC attributes the work to Fernandez Lizardi, "El Pensador Mexicano."*** Medina, @Mexico 11748. Sutro p. 146. Not in Steele & Costeloe. Not located in CCPBE. Not located in Rebuin. KVK locates the British Library copy only. Not in Library of Congress Online Catalog. Not in Josiah. Not in Catnyp. Not in Hollis. Not in UTNetCat. Melvyl locates a copy in the Bancroft Library. NUC: InU, CtU. [Attributes: First Edition; Hard Cover]

      [Bookseller: Richard C. Ramer Old and Rare Books]
 34.   Check availability:     AbeBooks     Link/Print  


        CARNET DE BAL (dance card holder)

      A nineteenth century French solid gold enamel binding containing five bone leaves. First appearing around 1820, the carnets de bal were used to record the order of an evening's dances, as well as the name of the partner for a particular dance. This opulent example is decorated with a leaf border; four diamonds at the borders; and large polychrome enamel plaques in the center of each cover, the plaque on the top cover showing a pedestal topped by urns and with flowers at its base, the back cover plaque bearing the initials AM in a leafy script. Also includes the original gold-sheathed pencil topped with a rose-cut diamond. The pencil slides into six gold rings attached to the binding's fore-edges, to serve as a fastener. This is the most beautiful carnet de bal we have encountered, an extraordinary bejewelled example. (2 15/16 by 1 7/8; 75x49mm.).

      [Bookseller: Bromer Booksellers]
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        Ansicht der königlichen Hauptstadt Prag. Vue générale de la Vill Capitale de Prague.

      Altkolorierte Radierung von F. Gottmann nach J. Rattay. Prag, J. F. Marouschek Kunsthändler, ohne Jahr (ca. 1820). - Ca. 38 x 58,5 cm (Darstellung ohne Schrift), ca. 45 x 61 cm (Blattformat). Fleckig und gebräunt; Wurmlöcher, besonders am rechten weißen Rand. Seltene, großformatige Ansicht des biedermeierlichen Prag.

      [Bookseller: Antiquariat Rainer Schlicht]
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        The Complete System of English Country Dancing, containing all the figures ever used In English country dancing, with a variety of New Figures, and New Reels, composed expressly by the author, and elucidated by means of Diagrams. Also scientific instructions for the composing of country dances. An Etiquette of the Ball Room. A Description of the various times, measures and styles of country dance music; together with A Dissertation, comparing the ancient, and original, with the present state and style of English country dancing, professors of dancing, dancing masters, and dancing rooms

      London: Sherwood, Neeley and Jones, 1820. Probable First Edition, issue of ca. 1820, with a note to the foot of page 1 advertising "A collection of 500 Contredanses... about to be published" in Paris, referencing "Times Newspaper of 12th Jan. 1820." Very scarce. Not in Beaumont. Magriel p. 62 (with a date of 1815). Niles & Leslie Part II p. 562 (an edition published in London by J.L. Turner, undated, but possibly ca. 1829, not containing the plates or music). De Moroda 2664 (another edition, with the Turner undated imprint and incorrectly citing the Magriel copy as being the Turner edition). An important work by one of the most influential English dancing masters of the 19th century. "Several of Wilson's works are simply collections of dances described in much the same way as had been common in England since Playford's time. An Analysis of Country Dancing (1808) and The Complete System of English Country Dancing [ca. 1820], however, present a systematic analysis of country dances into their component figures. More than three hundred basic figures such as Turn Your Partner, Swing Corners, and Reel of Six are individually described with diagrams and verbal accounts, while an elaborate set of tables shows the way these figures can best be combined to produce a huge number of different dances... In The Complete System, Wilson instructed dancers to proceed through figures with step combinations such as 'three Chasses, one Jetté Assemblé.' This step combination was employed in the quadrille of this period... Also new was the idea of the 'minor set': the dividing of a longways set into smaller groups usually of four couples, with the first couple of each group beginning simultaneously rather than having everyone wait for the first couple to reach them." The International Encyclopedia of Dance, Vol. 2, p. 257.. Octavo. Contemporary dark blue textured cloth-backed dark brown paper boards with black leather label with titling gilt to spine. 1f. (title), [v]-xxvii (preface and introduction), [i] (blank), 339, [i] ("Private Tuition in Dancing") pp. + plates and engraved music as follows: - "The Old Country Dance Figures, arranged in classes, as they actively employ the persons in the dance; also shewing the places where the different figures begin and end," folding - 2ff. engraved music, being "Examples of Long and Short Measure. For the Chapter on Country Dance Music" - "Plan and Construction of a Country Dance," with dance figures showing the five positions of the feet, folding - "The Progressive Motions of a Country Dance," folding [i] (engraved music), [i] (blank), [i] ("Musical Characters with References"), [i] (blank) pp. With numerous diagrams of steps and positions throughout; several charming woodcut tailpieces of male figures. Binding slightly worn, rubbed and bumped. Occasional signs of wear; Slightly foxed; some corners slightly creased.

      [Bookseller: J & J Lubrano Music Antiquarians LLC]
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        A Christian Wreath for the Pagan Deities: Or An Introduction to the Creek and Roman Mythology

      London: Printed by A. J. Valpy; Sold by Longman, Hatchard and Son, Seely, 1820, 1820. First edition. OCLC and Copac between them record two copies in the British Isles (BL and Leeds) and three in the US (Johns Hopkins, Michigan and Princeton). Edges rubbed; hinges staring but sound; very good copy.. 12mo, original tan paper spine, blue paper boards and printed paper label, untrimmed. Frontispiece by Lady Caroline Lamb. A guide to classical mythology by a writer who had strong connections with the contemporary female literati: her husband, Dominique de St. Quentin, had Jane Austen as a pupil at the Reading School, where Frances also taught. Among her students there were Mary Russell Mitford, Letitia Landon, Fanny Kemble and Caroline Lamb. A Christian Wreath is dedicated to Caroline Lamb's mother, the Countess of Bessborough, and the frontispiece is after a work by Caroline Lamb.

      [Bookseller: The Brick Row Book Shop]
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        Système analytique des connaissances positives de l'homme

      é - [2]-364 pages Paris, L'auteur et Belin, février 1820, in-8, [2]-364 pages, cartonnage orange à la bradel, Rare première édition du dernier des ouvrages de Lamarck, dans lequel le naturaliste donne la formulation définitive de sa théorie transformiste. "Lamarck felt he had provided a materialistic account for all the activities involving the nervous system, including instinct, will, memory, judgment, understanding, and imagination. He further developed these views in his last publication." Bel exemplaire en cartonnage ancien. Une charnière fendillée, quelques petits manques dos dos. Quelques rousseurs. DSB, VII, p. 591. [Attributes: Hard Cover]

      [Bookseller: Librairie Alain Brieux]
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        Portrait König Friedrich Wilhelm III. Pastell.

       Um 1820. Unten rechts signiert \"Johanna Heinerdorff, geb. Zeller pinx.\". Verso von alter Hand bezeichnet. 42 x 32 cm. Brustbild des preußischen Königs Friedrich Wilhelm III. (1770 Potsdam - 1840 Berlin) in blauem Uniformrock mit Goldlitzen, Adlerorden und Eisernem Kreuz. Das sorgfältig gezeichnete Bildnis ist im Oval gezeichnet und zeigt Friedrich Wilhelm als jungen Mann. Das Eiserne Kreuz wurde von Friedrich Wilhelm III. am 10. März 1813 in Breslau für den Verlauf der Befreiungskriege in drei Klassen gestiftet. Als erstes verlieh er es posthum seiner verstorbenen Gemahlin Luise. - Verso von alter Hand bezeichnet. -Im Außenrand wenige kleine Bereibungen. Versand D: 5,00 EUR Friedrich Wilhelm III, Preußen, Potsdam, Hohenzollern, Eisernes Kreuz,

      [Bookseller: Kunstantiquariat Joachim Lührs]
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        Rosarum Monographia; or, a botanical history of roses. To which is added, an appendix, for the use of cultivators, in which the most remarkable garden varieties are systematically arranged, (IN ENGLISCHER SPRACHE),

      London, James Ridgway, 1820. 1. Auflage, Mit 19 colorierten Stichen, XXXIX, 156 Seiten, 8°, grünes Hldr auf 5 Bünden Schönes Exemplar Versand D: 5,00 EUR Bo 44774, i

      [Bookseller: Antiquariat im Baldreit]
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        Private Correspondence

      London: for Henry Colburn and Co,, 1820. with several distinguished persons, between the years 1761 and 1776. Now first published from the originals. Quarto. Mid-19th-century dark blue half morocco, titles to spine gilt, flat bands tooled in gilt, purpled cloth boards, orange endpapers, edges speckled brown. 1870 gift inscription to front free endpaper. Extremities a little worn, some surface loss to front joint, cloth faded in most parts to yellow, light spotting to endleaves, ghosting from small newspaper cutting to last binder's blank and rear free endpaper recto. A very good copy. First and only edition of this collection of over 90 letters, the main work on the Scottish philosopher's correspondence until the publication of J. Y. T. Greig's edition of his letters in 1932. "After Hume's death, stray parts of his correspondence were printed in periodicals, pamphlets and books - many of which were reprinted in Thomas Ritchie's Account of the Life and Writings of David Hume (1807), excerpted in this collection. As bundles of Hume's letters were discovered, they were subsequently transcribed and printed. The first of these is an anonymously edited collection of letters from Hume to French correspondents - including Madame de Boufflers, Madame de Barbentane, Rousseau, Malesherbes, and Turgot" (James Fieser (ed.), Early Responses to Hume's Life and Reputation, Volume 10, p. 308).

      [Bookseller: Peter Harrington]
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        The Cyclopaedia or Universal Dictionary of Arts Sciences and Literature

      Longman, Hurst, Rees, Orme & Brown 1820, London - [unpaginated] Plate volume from the Rees Cyclopedia. 61 b/w double page maps, AEG, Light foxing, particularly to the verso of maps, some slight discolouration and wear particularly to extremities of boards. Generally a handsome volume.

      [Bookseller: Stephen Foster - ABA ILAB & PBFA]
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        Äthiopische Bibel.

      [Äthiopien ca. 1820-30]. - Manuskript. 8°. (15, 7 x 9, 3 cm.). 122 Bll. Mit 2 Textillustr. u. 1 gr. Diagramm. Durchgeh. beidseit. beschrieb. bzw. illustriert. Holzdeckelband d. Zt. 17-zeilige Handschrift in schwarzer u. roter Tusche auf Ziegenpergament. 2 Bll. m. kreisrunden Löchern. - Kreisrundes Diagramm, darin 13 Quadrate, die jeweils in 2 Diagonalen geteilt sind. Gewicht in Gramm: 1000 [Attributes: Hard Cover]

      [Bookseller: Antiquariat Burgverlag]
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        Mittheilungen aus dem Umfange der Pferdezucht, Pferdekenntnis, Reitkunst und denen dahin einschlagenden Wissenschaften [...]. Bamberg, for the author by Johann Friedrich Schmidt, 1820.

      1820. 8vo. (14), 311, (1) pp. With 3 lithogr. folding plates, the first two depicting a horse led by a man on foot, and the third a lithographed folding table. Contemp. blue boards, gilt-tooled spine, gilt edges. Second edition of a work on all aspects of horses, horsemanship, the horse trade, horse carriages etc. The work contains 6 chapters by Karl Kegel and 12 by Seufert von Tenecker, and 3 early lithographed plates. It was first published in 1817 and was apparently very popular: the present edition contains a six-page list of subscribers. It was followed by several other editions. - A stain in the last folding plate and some smudges to the binding. A good copy. Huth p. 92. Not in Mennessier de la Lance; Nissen, ZBI; Podeschi.

      [Bookseller: Antiquariat Inlibris]
 45.   Check availability:     maremagnum.com     Link/Print  


        LOT OF FIVE ENGRAVINGS. Thebes. Hypogees. Plates 51 through 55.

      Panckouke. Paris. Ca. 1820. - LOT OF FIVE copper plate engravings (uncolored), images approx. 23 x 17 inches on sheets approximately 28 x 21 inches. Very good condition: light scattered foxing (mainly in outer margins). Publisher's blindstamp at top right. This lot of five very large, finely engraved images includes: plate 51 Momie de Femme. Momies de Chat et Autres Mammiferes., plate 52 Momies d'Ibis. Fragmens de Momies de Chacal qui Ont ete Dorees. Fragment de l'Enveloppe des Doigts d'Une Momie., plate 53 Momies d'Oiseaux., plate 54 Momies d'Oiseaux et Squelettes de Momies., and plate 55 Momies et Details de Crocodile, de Serpent et de Chien. All five plates are from Volume II of the Antiquities section of the monumental publication "Description de L'Egypte," which documented the research of the "savants" who accompanied Napoleon Bonaparte's ambitious expedition to Egypt (1798-1801). The full title, translated into English reads "Description of Egypt, or the collection of observations and research made in Egypt during the Expedition of the French Army" hinting at the varied purposes of this foray into the Middle East. The European demand for information about Egypt and its glorious monuments led to the publication of two editions of the work, with engravings pulled from the same printing plates; this is from the second edition, uncolored as issued. Shown are fragments of mummies, both human and animals, including birds, cats and crocodiles; the quality of the engraving powerfully evokes the splendor of these ancient objects.

      [Bookseller: old imprints ABAA/ILAB]
 46.   Check availability:     AbeBooks     Link/Print  


        Selseleh (Silsilis.) Vue des Grottes Taillees a L'Entree des Anciennes Carrieres.

      Panckouke. Paris. Ca. 1820. - Copper plate engraving (uncolored), image approx. 17 x 25 inches on sheet approximately 21 x 28 inches. Very good condition: very light scattered foxing (mainly outside image area), a few short tears to edges (image not affected). Publisher's blindstamp at top right. This very large, finely engraved image is plate 47 from Volume I of the Antiquities section of the monumental publication "Description de L'Egypte," which documented the research of the "savants" who accompanied Napoleon Bonaparte's ambitious expedition to Egypt (1798-1801). The full title, translated into English reads "Description of Egypt, or the collection of observations and research made in Egypt during the Expedition of the French Army" hinting at the varied purposes of this foray into the Middle East. The European demand for information about Egypt and its glorious monuments led to the publication of two editions of the work, with engravings pulled from the same printing plates; this is from the second edition, uncolored as issued. Shown is a view of Royal Shrines hollowed out of the cliff at the entrance to the ancient quarries found at Silsilis (Silsila); the quality of the engraving powerfully evokes the splendor of this ancient sight.

      [Bookseller: old imprints ABAA/ILAB]
 47.   Check availability:     AbeBooks     Link/Print  

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