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Displayed below are some selected recent viaLibri matches for books published in 1813

        ADVICE TO A FRIEND By Simon Patrick, D.D. Chaplain in Ordinary to His Majesty. The Fourth Edition.

      [16], 268, [4 ad's] pages. Full sheep, label to spine. 12mo. Spine expertly repaired, but binding generally rubbed and worn; else very good. Mary Ann Kilner's copy with her signature to endpaper, the author of many 18th century classic children's books, including, Memoirs of a Peg-Top, Jemima Placid, and The Adventures of a Pincushion. An inscription on the front endpaper in her hand reads: 'Exchanged Books with Mrs Worst at her request, June 19. 1813.' Another inscription on verso of same endpaper; 'E. and D Kilner Left to them by their Beloved Mary Ann when on her Death bed September 1816.' Loosely laid into the book is a note which reads, 'Advice to a Friend Simon Patrick D D written in 1673. 4th Edition 1681. Belonged first to Mrs Worst, then to M. A. Kilner. Then to E. & D. Kilner.' Mary Ann Kilner did not die until 1831, so the inscription by E. and D. Kilner is a little confusing. However. Mary Ann's signature is genuine, as is her inscription. The identity of E. & D. Kilner, could be her sister-in-law Dorothy who survived her by five years, and her daughter Eliza. Purchased from a descendent of the Kilner family.

      [Bookseller: David Miles]
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        THE GIAOUR, A FRAGMENT OF A TURKISH TALE. [bound with] THE SIEGE OF CORINTH. [bound with] THE PRISONER OF CHILLON. [bound with] POEMS. [bound with] POEMS ON DOMESTIC CIRCUMSTANCES. [bound with] MONODY ON THE DEATH OF . . . SHERIDAN. [bound with] THE LAMENT OF TASSO. [bound with] MANFRED. [bound with] MAZEPPA. [bound with] BEPPO. [bound with] THE AGE OF BRONZE

      London: Printed by T. Davison, For John Murray (except as indicated), 1813. FIRST EDITIONS of "Corinth," "Chillon," "Poems," "Manfred" (second issue), and "Mazeppa." Third Editions of "Giaour," "Tasso,&quo. With an Especially Fine Painting and 11 Works,Including Five Firsts, by Byron 216 x 140 mm (8 1/2 x 5 1/2"). 11 separately published works bound in one volume. ATTRACTIVE BLACK STRAIGHT-GRAIN MOROCCO, rebacked with very great skill in the style of the period, covers framed with simple gilt rules, decorated raised bands flanked by gilt rules, spine panels with blindstamped foliate cornerpieces and gilt hexagonal centerpiece, turn-ins with decorative gilt roll and unusual delicate floral and foliate gilt border on purple silk doublures and free endleaves, all edges gilt. In a (slightly worn) fleece-lined cloth slipcase. WITH A VERY FINE FORE-EDGE PAINTING OF THE CASTLE OF CHILLON. Four engraved plates. Verso of front endpaper with book label of "HNF" (Helmut N. Friedlaender). First Editions Club Byron Bibliography, 19a, 16, 14, 21b, 25. A hint of rubbing to leather, leaves adjacent to plates a little offset, a dozen leaves a bit foxed or soiled, light uniform browning in one publication and to edges of two others, but A VERY ATTRACTIVE COPY, the binding quite lustrous and with no significant wear, the painting especially well preserved, and the various texts mostly quite clean, fresh, and bright. Very possibly a piece of work that is contemporaneous with the binding here, the fore-edge painting on this volume is among the finest we have offered for sale. Partly because the thickness of the book has put at the artist's disposal an ample amount of space, there is considerable precisely realized detail almost everywhere. The Castle dominating the background provides an example, as one can glimpse a subtle reflection of the structure in the lake it fronts as well as see roof tiles on the various castle towers. Eight persons are walking along the wooded pier that occupies the right third of the scene, and at least five of these are individuated (a servant woman and her son, a gentleman in pantaloons, and an aristocratic couple smartly dressed in expensive clothes, including straw hats). In addition, the two commercial vessels in the painting are depicted with enough specificity that one can determine something significant about their occupants and the activities they are involved in. Over the whole scene the colors are rich, and the shading is extraordinarily sophisticated. Although this item is of considerable interest as a finely executed fore-edge painting, it also comprises a substantial collection of first and early editions of works by Byron, ranging from youthful pieces like "The Giaour," exotic and wildly romantic, to the much more lighthearted "Beppo," written during Byron's happier years in Venice. "Poems on Domestic Circumstances," which appears midway through our volume, alludes obscurely to the dark and mysterious scandals that caused his divorce and his final departure from England. All of the Byron items bound in this volume are textually complete. Our copies of "Corinth," "Chillon," "Manfred," "Mazeppa, " and "Poems" are identical with the described first printings in the First Editions Club Byron Bibliography, with the exceptions that all are bound without the half title, and "Chillon," "Manfred," and "Mazeppa" lack the final leaf or two of ads. In addition, the title page for "Manfred" includes the quotation (probably added early in the press run) that comprises a second issue point, and our final leaf of "Poems" has the Notes transferred to what is supposed to be a blank verso, and an unlisted dedicatory verse on the recto.

      [Bookseller: Phillip J. Pirages Fine Books and Mediev]
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      [London]. June 1813.. 3pp. Both sheets held together with period wax and a seal tamp. Quarto. Old fold lines, very faint. Fine. Letter sent by Trumbull to Sidmouth requesting "the honour of a few minutes conversation at any hour which his Lordship shall please to name." The second sheet bears Sidmouth's cordial response, naming the time and place. It does not appear that Trumbull was acting in kind of official capacity but was, perhaps, merely paying an informal social visit on an influential friend. On the verso of Sidmouth's response, Trumbull has made notes on their conversation. His notes read, in part: "Conversation turned on the destruction of small towns on the Chesapeake. I expressed my high satisfaction that the officers & troops in Canada, instead of retaliating the threats held out in Gen'l Hull's proclamation, of giving no quarters & the conduct of the commanding officer of Fort Niagra, in firing hot balls upon the Village of Newark - had conducted the war with humanity & restrained the savages in a great degree from their usual habits of indiscriminate destruction & burning...His [Lordship] made many professions of gen'l good will to the U.S. - regretted the war which had been forced upon [Great Britain] by the unreasonable pretensions of the [American Government], etc." Trumbull served as John Jay's secretary during the peace negotiations with Britain that followed the American Revolution. Sidmouth had served as a Speaker in the House of Commons during Trumbull's time as Jay's secretary, and the two may have become friendly at that time. Likewise, Trumbull spent significant time in London for his painting career. When Trumbull called on Sidmouth in 1813, Sidmouth was in the beginning of his lengthy term as Britain's Home Secretary. An interesting piece for those interested in both Trumbull and the War of 1812.

      [Bookseller: William Reese Company - Americana]
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        A Voyage round the World, in the years 1800, 1801, 1802, 1803 and 1804: in which the Author visited Madeira, the Brazils, Cape of Good Hope, the English Settlements of Botany Bay and Norfolk Island: and the principal Islands in the Pacific Ocean. With a continuation of their History to the present period

      London, A. Maxwell, 1813. Second and best edition of an important Pacific voyage account; 4to; pp. xv, 516; Narrative of Le Geographe and Naturaliste, Appendix; Quarto cloth binding with title label, half title page; entirely uncut, bound in later boards; foxing to first and last few pages, endpapers browned, bookplate, early twentieth-century signature of previous owner on title-page; marking to boards, paper worn on boards; corners bumped and worn, edges of boards slightly bumped, head and tail of spine bumped. THE FIRST WORK TO DESCRIBE NEW SOUTH WALES FROM A COMMERCIAL POINT OF VIEW. Turnbull and John Buyers purchased the ship Margaret and fitted her out for a trading venture in the Pacific. In February 1801 they arrived in Sydney and Turnbull provides considerable detail on the township, agriculture, and trade. "John Turnbull introduced Australia to the world as a field for private commercial endeavour and emigration... His account is the first to describe New South Wales from a commercial point of view... As a key work in the promotion of Australia as a field for emigration and trade, it makes a valuable addition to any collection..." (Wantrup).The work was first published in 1805, and the second edition adds substantially to all chapters, revising and adding to them in the light of the eight years that had passed since the first edition. Further, there is additional chapter on New South Wales; a new account of New Zealand with a description of the destruction of the ship Boyd; a narrative of Baudin's expedition that Turnbull states he had recieved seven years earlier from one of the participants (this section also "contains important information on seventeenth-century Dutch landfalls at Australia" - Forbes); and a new description of the Fiji Islands. Of substantial interest as an account of early Pacific trading, Turnbull's book describes sojourns at Hawaii and the Society Islands, "where [he] set up business curing hogs with salt obtained in Hawaii" (Forbes). When the Margaret visited Hawaii in 1802-3 "they learned of Kamehameha's planned invasion of the island of Kauai, traded at Hawaii, and were briefly off Lahaina, Maui. This account contains interesting comments of Kamehameha's 'Brick Palace' built by Botany Bay men at that village" (Forbes). Turnbull is also credited with discovering three islands in the Tuamotus. References: Ferguson, 570; Forbes, 438 (and annotation to no. 367); Wantrup, 52. Provenance: Sydney J. Cook (early twentieth-century signature on title-page)

      [Bookseller: Time Booksellers]
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        Devotional Melody No. 67 . Autograph musical manuscript

      45 measures scored for keyboard. Oblong octavo (105 x 340 mm.). Notated in ink. With 7 measures from another work to verso with text "behold from henceforth all generations shall call me blessed."& & With a presentation inscription in the hand of Novello's son Alfred attesting to the fact that the manuscript is in his father's hand. & & Very slightly worn, browned and soiled; several markings in dark red crayon; neatly cut vertically, with no loss of music. . Novello was an "organist, choirmaster, conductor, editor, publisher and composer... [He] became a choirboy at the Sardinian Embassy chapel, where he received organ lessons from Samuel Webbe. On Webbe's recommendation he was appointed organist, when not yet 17, to the Portuguese Embassy chapel in South Street, Grosvenor Square... He... made the chapel famous by his playing and by his choir's regular performances of Haydn's and Mozart's masses... Novello was a member of the Philharmonic Society from its foundation in 1813, and frequently directed its concerts from the keyboard. He also worked as conductor and accompanist with Angelica Catalani's opera company at the King’s Theatre." Rosemary Hughes in Grove online

      [Bookseller: J & J Lubrano Music Antiquarians LLC]
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        Travelling Sketches in Russia and Sweden During the Years 1805, 1806, 1807, 1808. 2 volumes bound as one

      London: John Stockdale. G : in Good condition without dust jacket. Cover rubbed. Hinges cracked. Some foxing and set-off. 1813. Second Edition. Brown hardback half-leather cover with mawbled boards. xi, 303pp, 296pp :: Illustrated with 41 plates. (3 folding plates, 26 full page hand-coloured plates; 12 tinted plates.) :: 290mm x 240mm (11" x 9") .

      [Bookseller: Barter Books Ltd]
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        Travelling Sketches in Russia and Sweden, during the years 1805, 1806, 1807, 1808

      London: John Stockdale,, 1813. 2 volumes quarto (287 × 229 mm). Contemporary half diced russia, drab boards, title gilt direct to spine, gilt rules forming compartments which are blind-tooled. Folding tinted aquatint frontispiece to volume I, and 10 other tinted aquatints, 28 hand-coloured aquatint costume plates, 2 of them folding, etched portrait of Gustavus Vasa. A little rubbed at the extremities, some offsetting from the plates as often, but an attractive copy. Second edition, first published 1809. An artistic prodigy, admitted to the Academy at the age of fifteen, Porter made his reputation as a painter of spectacular battle scenes and panoramas. In 1804 he was invited to Russia to join the tsar's court as historical painter, being employed in decorating Admiralty Hall, St Petersburg with vast historical paintings. Between 1806 and 1811 he travelled Europe visiting Finland, Sweden and Germany before joining Sir John Moore for the campaign in the Peninsula.

      [Bookseller: Peter Harrington]
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        Travelling Sketches in Russia and Sweden During the Years 1805, 1806, 1807, 1808

      London: John Stockdale, 1813. Two volumes complete - Volume One - xi, [1], 303pp, [1] and Volume Two - viii, 296pp. Contemporary full calf, raised bands, spines in six panels, morocco title labels to second panel, volume number in gilt to fifth, old private library labels to third. Chipped with small amount of loss to spine ends, rubbed, rear joint of volume one is split, holding on cords, but weak. Internally some off-setting from plates, some marginal soiling, previous owners name to head of title, with armorial ink stamp to front pastedowns, but generally fairly bright and clean. With forty-one aquatint and colour plates (as called for), including two folding. First published in 1809. Abbey Travel 13 (1st edition); Tooley 383; Howgego II:487-8; Nerhood 141 (1st edition). Second Edition. Full Calf. Good. 4to.

      [Bookseller: Temple Rare Books]
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        Pride and Prejudice

      1813. first edition. Jane Austen's Rarest Novel In Contemporary Calf With All Half Titles Present[AUSTEN, Jane]. Pride and Prejudice: A Novel. In Three Volumes. By the Author of Sense and Sensibility. London: Printed for T. Egerton, Military Library, Whitehall, 1813. First edition, following all points in Gilson and Keynes, and complete with all half titles present. Three twelvemo volumes (6 5/8 x 3 7/8 in; 168 x 97 mm). [iv], 307, [1, blank]; [iv], 239, [1, blank]; [iv, [323, [1, blank] pp.Contemporary speckled calf, blind-tooled board edges, edges sprinkled red, original light brown endpapers. Expertly rebacked with the original spines laid down. Later green morocco gilt lettering labels on spines. Gilt stamped "Charleton" to upper boards of each volume. From the library of German artist and music historian Frida Best (1876-1964), with her bookplate to each volume. Edges to a few leaves professionally and near invisibly repaired. Occasional light foxing. An excellent and complete copy in its original and contemporary binding. Housed in a modern half red morocco clamshell case with three individual spines decoratively lettered and tooled in gilt.Regency binders routinely removed the half titles; copies with all half titles present are rare: Sadleir, Keynes, and Chapman's copies lacked them, as do the copies at the Bodleian and Cambridge University libraries. "The first draft of PP, under the title of First Impressions… (printed as False Impressions by Lord Braybourne)…was written between October 1796 and August 1797" (Gilson p. 23). Austen made significant revisions to the manuscript for First Impressions between 1811 and 1812. She later renamed the story Pride and Prejudice. In renaming the the novel, Austen probably had in mind the "sufferings and oppositions" summarized in the final chapter of Fanny Burney's Cecilia, called "Pride and Prejudice", where the phrase appears three times in block capitals. It is possible that the novel's original title was altered to avoid confusion with other works. In the years between the completion of First Impressions and its revision into Pride and Prejudice, two other works had been published under that name: a novel by Margaret Holford and a comedy by Horace Smith."It was not fully revised until 1812, and the author records on January 29, 1813, that she has successfully 'lop't and crop't' the book" (Keynes). Both Gilson and Keynes suggest that only 1500 copies of the first edition were printed. The book was published at 18s in three volumes on January 28th, 1813.Jane Austen is one of the few authors whose entire oeuvre has attained classic status, each of her six novels considered to be masterpieces, ironic social satires streaked with proto-Feminism that have only increased in popularity since their publication.Of Austen, Virginia Woolf said, "a mistress of much deeper emotion than appears upon the surface...[possessing an] impeccable sense of human values" (in The Common Reader, Hogarth Press, pp. 102, 104).Austen sold the copyright to Egerton for £110, not anticipating that it would become an instant hit, (if not a fully critical success) the first edition selling out very rapidly with a second edition issued in the same year.Though we cannot be certain, we strongly suspect that the ownership stamp "Charleton" is that of Charleton House, Montrose, the home of feminist writer and philanthropist Susan Carnegie; a copy of Warnery's Remarks on Cavalry with this ownership mark sold at Bonham's in 2003.To date over 20 million copies of Pride and Prejudice have been sold worldwide…Gilson A3. Keynes 3. Sadleir 62b.

      [Bookseller: David Brass Rare Books, Inc.]
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        DAVY (Humphry) On a New Detonating Compound, p.1-7; WITH: Some Further Observations on a New Detonating Substance, pp.242-251;

      WITH: Some Experiments and Observations on the Substances Produced in Different Chemical Processes on Fluor Spar, pp.263-279. Presented within the complete volume of the Philosophical Transactions of the Royal Society, Vol 103, * "This was the first announcement in this country of the discovery of nitrogen chloride, which cost Dulong, its discoverer, three fingers and one eye, while even Davy and Faraday (his assistant), who were fully aware of its dangerous properties, were injured by an explosion when experimenting with it." Zeitlinger. DNB, V, p. 641. Presented within the complete volume of the Philosophical Transactions of the Royal Society, Vol 103, Parts I and II (complete), bound in one volume for 1813, comprising, vi, 310, (6)pp large quarto, with 22 engraved plates, library cloth with a neat unlinked library name stamp on general title, foot of last leaves and occasionally elsewhere, also an inked library stamp verso title, a good copy, London, Bulmer, sold by Nicol, printers to the Royal Society,1813. * A FULL LIST OF CONTENTS OF THIS VOLUME SENT ON REQUEST. Other papers include: WARE (James) Observations Relative to the Near and Distant Sight of Different Persons, pp.31-50; BREWSTER (David) On Some Properties of Light, pp.101-109; AUSTIN (Gilbert) On a New Construction of a Condenser and Air-Pump, pp138-145; BERZELIUS (J.) Experiments on the Alcohol of Sulphur, or Sulphuret of Carbon, pp.171-199.

      [Bookseller: Jeffrey Stern Antiquarian Bookseller]
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        The European in India; from a collection of drawings, by Charles Doyley ... with a preface and copious descriptions, by Captain Thomas Williamson; accompanied with a brief history of ancient and modern India ... by F.W. Blagdon. FIRST EDITION. 4to.

      Published & sold by Edward Orme. 1813 20 hand-coloured plates; some sl. dusting & occasional light marking. Later half calf, gilt spine, red morocco label. Recent v.g.A pictorial and narrative account of life in India for the European. 'A young person of good health' writes Williamson in the preface, 'disposed to moderation in general, and avoiding the sun during the great heats, may expect to live as long in Calcutta as in any part of the world. On the other hand, it is found, that such as do not touch wine ... are not only more subject to disease, but go off more suddenly than those who take a few glasses at their meals'.

      [Bookseller: Jarndyce Rare Books]
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        "Waller Færgeted" + "En Vei nær Waller"

      2 stk. samtidig håndkolorerte akvatinter, hver ca. 20x30cm London 1813-20 De tidligste prospektene fra Valle mellom Kragerø og Langesund. Fra "First issue". Veistandarden var tydeligvis også den gangen ikke noe særlig: "The roads in this part of the country are nearly impassable: water-carriage is therefore the most common mode of conveyance...". De originale tekstbladene medfølger

      [Bookseller: Kunstantikvariat PAMA AS]
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        DEGLI ORNAMENTI D'ARCHITETTURA E DELLE LORO SIMMETRIE. Colle regole teorico-pratiche per ben profilare ogni genere di cornici.

      In-4 p., mz. tela mod. con ang., tit. oro su tassello al dorso, pp. VIII,159, c.nn. 1 (di errata), con antiporta allegorica e 15 tavv. f.t., inc. in rame dall'Autore. Divisa in tre parti, nella prima si fa l?analisi delle parti componenti gli ordini d?architettura. Nella seconda si tratta del bello degli ornamenti (natura, forma, composizione, proporzioni). Nella terza si esamina se le proporzioni degli ornamenti, e particolrmente delle modanature delle cornici, possano essere determinate da rapporti numerici. Segue una serie di risoluzioni pratiche, prendendo per modello i cinque ordini d?architettura del Vignola. "Prima edizione". Cfr. Cicognara,629 - Choix de Olschki,X,15210. Solo lieve alone margin. sulle prime 4 carte, altrim. molto ben conservato. .

      [Bookseller: Libreria Antiquaria Malavasi]
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      W. von. Jorden och dess invånare. Historisk tafla af det adertonde århundrates upptäckter om främmande folkslag och länder. 1-13. Stockholm, Strinnholm & Haeggström, 1813-39. 12:o. Grav. front,+ (6),+ XLVII,+ (blank),+ 391,+ (1),+ 4 grav. planscher,+ varav en utvikbar,+ grav. utvikbar karta; grav. front,+ (4),+ 376 s.+ 2 utvikbara grav. planscher,+ utvikbar grav. karta; grav. front,+ (4),+ 410 s.+ 2 utvikbara grav. planscher,+ utvikbar grav. karta; grav. front,+ (4),+ 426,+ (2) s.+ utvikbar tryckt tabell,+ 2 grav. planscher, + utvikbar grav. karta; grav. front,+ (8),+ 333,+ (3) s.+ 4 grav. planscher; grav. front,+ (4),+ 368 s.+ 4 grav. planscher, varav en utvikbar; (4),+ 311,+ (1) s.+ 3 utvikbara grav. planscher; (4),+ 385,+ (7) s.+ 3 utvikbara grav. planscher; (4),+ 313,+ (1) s.+ 3 grav. utvikbara planscher; (4),+ 443,+ (1) s.+ 4 grav. planscher, varav tre utvikbara; (4),+ 330,+ (14)+ 3 grav. planscher, varav två utvikbara; (4),+ 390,+ (2) s.+ 4 grav. utvikbara planscher; 394,+ (2) s.+ 4 grav. planscher, varav en utvikbar. Första delen med löst första halvark, taget från annat exemplar, liksom kartan, sista sidan med reva, med liten textförlust. Kartan i del två med reva. Fuktrand genomgående i tredje delen, ful på sid 50-56, en plansch med reva. Två planscher med lagningar i del 7. Understrykningar med rödpenna i del 8. Del 11 med färgplansch inklistrad på deltitelbladets baksida och rödpennemarkeringar i den avslutande förlagsreklamen. Del 12 med liten bläckfläck på s. 15. Sista delen med blyertsunderstrykningar på s. 147-56. Genomgående med fläckar och lagerfläckar, smårevor och fuktränder, samt bläckrättelser i texten. Nötta samtida, uniforma hfrbd, guldornerade ryggar med röda titeletiketter. 13 volymer. Komplett samling med samtliga deltitelblad

      [Bookseller: Centralantikvariatet]
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        Die Elb Brücke nach Harburg, von Hamburg.

      Erbaut in 83 Tagen im Jahr 1813. Südlicher Theil Länge der ganzen Brücke 15173 Fuss. Handcoloured engraving by Cornelius Suhr after a drawing by Chr. Suhr. No date and place. [Hamburg ca. 1840]. 46 x 61,5 cm.. The wooden bridge is presented with a column of mounted hussars crossing. The city is seen in the background

      [Bookseller: Peter Grosell's Antikvariat]
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        Underrättelser jemte öfnings exempel och lätta stycken för begynnare uti klavér spelning.

      Andra uplagan. Sthlm, Kongl. privilegierade not tryckeriet, (1813?). Tvär-4:o. 35 s. grav. noter. + (ÅHLSTRÖM, OLOF) Fortsättning af underrättelser jemte öfnings exempel och lätta stycken i alla ton-arter för begynnare uti klavér och forte piano spelning. Andra häftet. Sthlm, Kongl. privilegierade not tryckeriet, (1819). Tvär-4:o. 40 s. grav. noter. Ngt nött samtida klistermarmorerat lila pappbd med röd oval titeletikett av glättat papper på främre pärmen. Stänkta snitt. Etiketten med guldornerad ram och texten "Not bok för A L 1822". Genomgående ngt solkig. De två första bladen i första arbetet ngt lösa i bindningen med små skador i marginalen. På sina ställen har trycket tagit dåligt och fyllts i för hand med bläck. Ett mycket charmigt ex!. Första upplagan av första delen utkom ca 1803. Första delen med musikexempel av bl.a. Haydn, Hæffner, Händel och Mozart. Andra delen inleds med ett "Utdrag af herr L. Adams piano forte skola" och fortsätter med övningsexempel av Åhlström

      [Bookseller: Mats Rehnström]
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        Wissenschaft der Logik. Erster Band. Die objective Logik. Zweytes Buch: Die Lehre vom Wesen.

      Johann Leonhard Schrag, Nürnberg/Nuremberg 1813. 8vo. VI+282 pages. Contemporary marbled half-calf binding with gilt decorations to spine and orange-coloured title panel. Old name on front endpaper. In fine condition.. The first edition of the second part of Hegel's "Objective Logic".** Possibly the most difficult of Hegel's works to read and understand, 'Die Lehre vom Wesen' (The Doctrine of Essence), is the second section of the first part of the greater work 'Science of Logik' (Wissenschaft der Logik) consisting of two parts - 'The Objective Logic' and 'The Subjective Logic', which he published in 1812, 1813 and 1816. Hegel considered 'Wissenschaft der Logik' to be his major contribution to western philosophy and kept revising the work until his death in 1831. This part deals with the concept of essence, as developed by the ancient Greek philosophers: What is the concept of, for instance, a book - the book as such. How does the mind (spirit) attain such a concept? And how does it relate to the acquiring of knowledge? Hegel's works were enormously influential, and especially his ardent reader Karl Marx changed the course of world history

      [Bookseller: Vangsgaards Antikvariat]
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      Woodcut on title, and fourteen cuts within the text. Original wrappers, printed on outer covers only, the lower with a cut.Little cropped; spine repaired; little tired; else a very good copy of a very rare nursery rhyme chapbook. WorldCat lists only an undated copy in the British Library, numbering 18 pages, and possibly without wrappers.Contains, Jack Sprat, Jack and Gill, Jack Horner and Silver Bells, as well as less well-known examples.

      [Bookseller: David Miles]
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        Länder- und Völkerkunde. Ein geographisches Lesebuch für alle Stände. Bd. 13: Baiern und Würtemberg. Prag, 1813. 1 Bl. , 298 S., 2 Bll., 294 S. Mit 1 gestoch. Titelvignette, 11 (6 gefalt.) Kupfertafeln, 5 gestoch. Plänen u. 3 gefalt., grenzkolor. Kupferstichkarten . Schlichter Hldr. d. Zt. (leicht berieben).

      Vgl. Engelmann 50 (Weimarer Ausgabe); zu den berühmten Herausgebern Jäck (Bayern) und Memminger (Württemberg) siehe ausführlich ADB XIII, 531 f. u. XXI, 309.- Die Tafeln mit Ansichten von München, Wildbad zu Gastein, Augsburg, Kufstein, Innsbruck und dem Schloss zu Stuttgart sowie 5 Tafeln mit Nationaltrachten.- Exlibris auf dem Vorsatz, mehrere Stempel auf Titel, stellenweise leicht stockfleckig, die Ansicht des Stuttgarter Schlosses stärker.

      [Bookseller: Antiquariat Schramm]
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        Frankfurt und Libau, 1791.

      8vo. 109 pp. Foxing, and minor stains. Somewhat worn contemporary paper boards, spine with beige label. Owner's signature of Karl Konstantin Kraukling, Mitau 1813, and with book plate of Kursis. VD18 10243259. Winkelmann 6488. The opinions about the author of this anonymous work differs between Manteufel and Philipp Friedrich von Brueggen. Winkelmann gives Manteufel as author and Dresden as place of printing. The future museums director in Dresden Karl Constantine Kraukling or Krauklinn (1792-1873) was during the years 1809-13 a student at the Gymn. illustre in Mitau. His large library was in 1859 given to the Kurländische Provinzialmuseum in Mitau

      [Bookseller: Centralantikvariatet]
 20.   Check availability:     Antikvariat     Link/Print  

        Raccolta di vodici motivi di Costumi Pittoreschi di Roma

      Rome. 1813. Engraved title and 11 of 12 engraved plates, modern 1/4 green morocco binding with skillful paper restoration to lower corners of margins. Size: 14-5/8 x 10-15/16 inches; page size: 14 x 10-13/16 inches; plate size: 10- 1/8 x 7-3/8 inches. The artist engraved the plates and they are charming indeed with titles such as "La Vendemmia" and "Gioncataro in riposo." Rare: NUC lists only one copy of this work (Avery Library at Columbia). See an Image.

      [Bookseller: Priscilla Juvelis, Inc. ]
 21.   Check availability:     ABAA     Link/Print  


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