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Displayed below are some selected recent viaLibri matches for books published in 1810

        London Blackfriars Bridge, c. 1810-1820.

      VIEW OF LONDON WITH BLACKFRIARS BRIDGE"Vue de la Ville de Londres"' Magnificent aquatint engraving by Joseph Schütz after Friedrich Ferdinand Runk, published c. 1810-1820 by Artaria & Comp. of Vienna. Original hand colouring. Size: approx. 45 x 69 cm. Framed.London as seen from the Southwark side of Blackfriars Bridge, with St. Paul"s Cathedral dominating the skyline in the background.Particularly interesting is the staffage of the scene. On the bridge we see pedestrians, soldiers on foot and on horseback, various types of carriages, a dray, a coach, a cart with logs. Also there is quite some traffic on the river Thames.Ferdinand Runk (1764 Freiburg im Breisgau - 1834 Vienna) was a landscape painter and engraver graduated from the Vienna Art Academy.Price: € 8.000,-.

      [Bookseller: Inter-Antiquariaat MEFFERDT & DE JONGE]
 1.   Check availability:     NVvA     Link/Print  


        A la española nacion deseando loor y gloria se dedica esta su historia. [Sigue:] Los generales romanos que el senado á España envia la hostigan á porfia. [Sigue]: Vence á Atila Teodoredo pero viose al mismo punto de vencer caer difunto. [Sigue]: Witerico subio al trono de Liuva siendo asesino e igual fin le dio el destino. [Sigue]: De sietecientos catorce, a Pelayo rey se advierte, hasta el año treinta y siete. [Sigue]: Del rey Ramiro Segundo de Leon en el reynado, Castilla se hace condado. [Sigue]: El año mil treynta y siete Fernando rey de Castilla de Leon la fuerza humilla. [Sigue]: Alfonso de Urraca hijo del conde Raymundo habido a su madre es preferido. [Sigue]: El decimo tercio siglo España en su trono vió un santo que la ilustró. [Si

      Se vende en Barcelona, debajo los Arcos de los encantes en la fabca de Estampas de Nicolas Roca y Mª Teresa Sellent, [ca. 1810] - [ Descripción completa disponible en español, inglés y francés / Complete record available in Spanish, English and French / La notice complète est disponible en espagnol, anglais et français ] // 12 grabados calcográficos numerados Lámª 1ª to Lamª 12ª; hojas 368x267 mm.; huellas 298x252 mm.- Dos ejemplares- Primer ejemplar: Serie completa; hojas sin recortar, muy levemente sucias de polvo, conservando los generosos márgenes originales; sin datos de procedencia.- Segundo ejemplar: Serie completa; hojas de grabados recortadas por la mitad, por la guía dispuesta al efecto, formando un libro encuadernado de 24 hojas apaisa-das. Encuadernación en material tipo geltex de baja rugosidad, color escarlata, ela-borada de manera muy limpia en las décadas de 1970 o 1980; hojas algo cortas de márgenes y con leves puntos de óxido; sin datos de procedencia.- Cada grabado incluye 24 viñetas, 12 de ilustración y texto y 12 de texto explicativo, narrando la historia de España desde Tubal hasta el reinado de Felipe V.- El formato de los grabados obedece a que estaban destinados a estamparse en cartoncillo ligero para que cada ilustración y el texto que la explicaba pudiesen recortarse y componer con ellos el envoltorio de los librillos de papel de fumar (1). Comenzaron a ilustrarse para favorecer la venta de unos envoltorios frente a otros y la mejor fortuna de algunas de esas historias hacía que en esas ocasiones también se estampasen en papel de mayor calidad, como en este caso, para ser recortados y encuadernados en un formato de libro de ilustraciones. Ofrecemos dos ejemplares de esta estampación sobre papel de mayor calidad, una en cada variante: la serie completa en su formato y dimensiones originales, y otra, igualmente completa, encuadernada en el formato libro previsto. De la serie completa de estos grabados, únicamente localizamos un ejemplar en bibliotecas españolas, aunque guillotinados y recortados al formato apaisado de 24 hojas, sin encuadernar, en la reserva de la Universitat de Barcelona, donde ha sido digitalizada e incluida en la colección Memòria Digital de Catalunya . Otro ejemplar, guillotinado como el de la Universitat, se exhibió en el verano de 2014 en una exposición de materiales efímeros en la biblioteca de la Universidad de Castilla-La Mancha, pero pertenece a la colección de un particular. Finalmente, el Museu Maritim de Barcelona dispone asimismo de una parte de los grabados, pero en su presentación recortada viñeta a viñeta (col. grabados inéditos, i.e. 17518). La Biblioteca de la Universidad de Barcelona data, los grabados entre 1800 y 1802, aunque a nuestro parecer serían de la década de 1810.- // (1) Rafael León: 'Papel de fumar', Revista de folklore 10 (1989) 102: 199-209. [Attributes: First Edition; Hard Cover]

      [Bookseller: Andarto B.]
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        Grouppe de Fruits

      Paris: chez Le Grand, 1810. Aquatint. Very good condition apart from some overall light soiling, several skillfully repaired small tears in the left margin, and a few mild surface abrasions in the top and bottom margins. Right and left margins trimmed within platemark, not affecting image. A beautifully rendered still-life composition of a large pear, grapes, and a variety of berries. Pierre François Legrand was a prolific botanical engraver, who executed plates after prominent artists including Cipriani, Le Roy, and Angelica Kauffman. He also contributed numerous images to several notable botanical publications such as Gerard Van Spaëndonck's rare folio Fleurs dessinées d'apres nature... (1800), Antoine Poiteau's Histoire Naturelle Des Orangers (1818-22), and Pierre-Joseph Redouté's Jardin de la Malmaison (1803). cf. Benezit, Dictionnaire des Peintres, Sculpteurs, Dessinateurs, et Graveurs , vol. 8, p. 451; Cf. Thieme/Becker, Allgemeines Lexicon der bilden Künstler , vol. 21/22, p. 573;.

      [Bookseller: Donald Heald Rare Books]
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        Lillo's Dramatic Works with Memoirs of the Author.

      W. Lowndes,, London: 1810 - 2 vols, lge. 12mo, 312pp & 242pp. Early half brown gilt morocco, marbled boards, a fine, uncut copy. Signature of W.E. Burton, Bookplate of C. Leslie Allen & Viola Allen. Interesting provenance. This copy was owned by three important members of the American Theater. Burton (18804-1860) was born in England, and acted in English theater until he emigrated to Philadelphia in 1834. In 1837, he founded the Gentleman's Magazine, and hired Edgar Allen Poe as co-editor. He sold his share in 1841, and began managing theaters. He assembled a magnificent Shakespearean library at his estate at Glen Cove, Long Island. He was an important figure in the American theater in its infancy. C. Leslie Allen & his wife Viola were American theatrical performers at the turn of the century. George Lillo (1693-1739) was a London playwright & jeweler noted for his "commoner" tragedies. [Attributes: Soft Cover]

      [Bookseller: Antipodean Books, Maps & Prints, ABAA]
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        Plauen (Dresden). - Plauenscher Grund. - Wizani. - "Vue de la Cascade du Moulin neuf dans la Vallèe de Plauen près de Dresden".

      - Historische Ortsansicht. Radierung / Umrissradierung, in Sepia laviert, um 1810. Von Johann Friedrich Wizani. 36,4 x 53,0 cm (Darstellung) / 41,5 x 55,2 cm (Platte) / 49,5 x 67 cm (Blatt). Rechts unterhalb der Darstellung signiert, darunter französisch betitelt. Verlegeradresse von Heinrich Rittner in Dresden. - Blatt mit schwachen Lagerspuren. Im oberen Rand hinterlegter Einriss bis an die Plattenkante und verso Reste vormaliger Montierung. Johann Friedrich Wizani (1770 Dresden - 1838 Dresden). Deutscher Landschaftsmaler, Zeichner und Stecher. Ab 1787 Studium an der Dresdner Akademie bei Adrian Zingg, in den 1790er Jahren bei Johann Philipp Veith. Ab 1792 zeichnete, radierte und aquarellierte er vorwiegend sächsische Gegenden und verdiente sich seinen Lebensunterhalt mit Miniaturgemälde. Eine Malertätigkeit an der Meißner Porzellanmanufaktur musste er wegen einer Augenerkrankungen aufgeben, die ihn zeitlebens beeinträchtigte. Ab 1820 entstanden großformatige Umrissradierungen mit Panoramen v.a. der Gegend um Dresden, aber auch anderer Orte. [Attributes: Signed Copy]

      [Bookseller: GALERIE HIMMEL]
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        Plauen (Dresden). - Plauenscher Grund. - Reisewitzer Garten. - Wizani. - "Partie de la Vallée de Plauen du cote du jardin de Reisewitz près de Dresde".

      - Historische Ortsansicht. Radierung / Umrissradierung, alt koloriert, um 1810. Von Johann Friedrich Wizani. 37,3 x 53,5 cm (Darstellung / Einfassungslinie) / 43,0 x 54,0 cm (Blatt). Links unterhalb der Darstellung signiert: "Dessiné et gravé par J.F. Wizani." Mittig französisch betitelt. Verlegeradresse Christian Gottfried Schultze in Dresden. - Blick vom Ufer der Weißeritz auf das Wasserpalais im Reisewitzer Garten und auf die Walkmühle. - Blatt bis auf die Plattenkante beschnitten und in ein Passepartout montiert. Papier dem Alter entsprechend leicht gebräunt. Verso Rest alter Montierung. Ingesamt aber noch guter Erhaltungszustand. Johann Friedrich Wizani (1770 Dresden - 1838 Dresden). Deutscher Landschaftsmaler, Zeichner und Stecher. Ab 1787 Studium an der Dresdner Akademie bei Adrian Zingg, in den 1790er Jahren bei Johann Philipp Veith. Ab 1792 zeichnete, radierte und aquarellierte er vorwiegend sächsische Gegenden und verdiente sich seinen Lebensunterhalt mit Miniaturgemälde. Eine Malertätigkeit an der Meißner Porzellanmanufaktur musste er wegen einer Augenerkrankungen aufgeben, die ihn zeitlebens beeinträchtigte. Ab 1820 entstanden großformatige Umrissradierungen mit Panoramen v.a. der Gegend um Dresden, aber auch anderer Orte. [Attributes: Signed Copy]

      [Bookseller: GALERIE HIMMEL]
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        HARU SAME NO NIKKI: THE [EROTIC] JOURNAL OF A SPRING RAIN.

      [Japan n.d. ca. 1810]. Stitched thick color printed wood-. block print decorated covers, 3 vol. set, [14+10+8] double-. leaves, very good impressions & registry, polychrome printed. erotic set, 30 color illustrations, 25 erotic illustrations.. FASCINATING [1810] EROTIC STORY OF LUST, SEX AND RAPE A very clean copy, 15.5 x 22.5 cm. An excellent set of Haru- bon or erotic illustrated woodblock printed books. Shuntei [1770-1820] was a celebrated book illustrator & print artist of the time. Volume one begins with an erotic introduction, discussing the sensual gentle spring rain season. The first double page plate shows Geishas getting ready for the arriv- al of guests, their placing of the food with three Geisha who play musical instruments and hold fans. Page 2 shows a young Samurai on neglecting his fire watch while making love along the river with his lover, on a double pages. Page 3 shows another couple with the woman on top, grasping the young man's highly enlarged erected penis, while she looks at an opened erotic book, mimicking the exact position and action in that book ! Next two plates show couples engaged in love making, the last illustration is of the vulva and exposed genitals. Vol. 2 is illustrated with 4 double-pages of couples making love. One shows the woman looking at a 3 volume erotic book, another shows a man licking his fingers in preparation to lubricate the vulva, the last plate shows a large close-up of the penis & vulva. Vol. 3 shows two men coming upon a couple making love in the night, they begin to assault the man with an erect penis, and rape the woman, another of a couple making love. The last illustration in each volume, shows close-ups penis and vulva, and deep pene- tration of the vulva. An exceptionally fascinating erotic set, complete. Cited and illustrated in K. Shibui: UKIYO-E NAISHI, page 68 with 2 illustrations, item #106. L. Roberts DICTIONARY OF JAPANESE ARTISTS cites Shuntei [1770-1820] on p.158. QUITE RARE. Color scans can be sent by email. Images displayed may not be the actual copy in stock for sale at any given time; if you want to see the exact image of the book or edition in stock, please request this by email and an image will be returned to you by attachment. * * * * BUY WITH .

      [Bookseller: Rare Oriental Book Company, ABAA, ILAB]
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        Historisch-Patriotische Bilder-Bibel. Ein eben so nützliches und lehrreiches, als unterhaltendes Bilderbuch für die Jugend und ihre Freunde. Mit 134 (?) überaus charakteristischen sauber illuminirten und schwarzen Kupfer-Abbildungen und zwey sehr guten Karten. In zwey Theilen. Vom Verfasser des Vater Hellmuth.

      Leipzig: Bruder und Hofmann. (1810) 16°. XVIII, 222, XX, 243 S. 2 Bände. Mit 50 kolorierten Abb. auf 14 Kupferstich-Tafeln u. 2 gefalt. u. kolorierten Karten (1. Teil) und 17 kol. Abb. auf 9 Kupferstich-Tafeln (Teil 2). Rot. Pp. mit dreiseitigem Goldschnitt. Erster Theil: Enthält die ganze Cultur-Geschichte des Menschen von Anbeginn bis auf die neueste Zeit. Zweyter Theil: Enthält die ausgesuchtesten Beyspiele der patriotischen und großen Handlungen aller Zeiten und Völker. - Erster Teil hier in 2. Auflage im Jahr der Erstausgabe, die mit einer Auflage von 3500 Exemplaren innerhalb von 9 Monaten ausverkauft war (Vorwort), die Tafeln durchgehend lückenlos nummeriert (1-14 und 1-9), Einbände etwas berieben, im Bereich der Gelenke ist das Bezugspapier meist abgeplatzt, Gelenke aber nicht gebrochen, Papier vereinzelt geringf. braunfleckig, gute Exemplare (siehe Wegehaupt 997, 998, 999) Versand D: 4,80 EUR

      [Bookseller: Antiquariat am St. Vith]
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        Recueil d'ecritures ronde, batarde, batarde, coulee et anglaise par Savant

      Chez J. B. Maggi mar. d'estampes, Torino 1810 - Album composto da 18 tavole fuori testo (compreso il frontespizio) incise all'acquaforte Chianale, Amati e Tela su disegno del calligrafo piemontese Giuseppe Savant. Una piccola immagine e' stata ripassata in epoca con pennino. Leggra polverosita' al frontespizio. Brossura muta coeva. Raro album torinese pubblicato dall'editore Maggi che precede altre due analoghe pubblicazioni dedicate all'arte della calligrafia: Lecons de J. Savant e Element theorico - pratiques, rispettivamente del 1812 e del 1820. Questa pubblicazione, di estrema rarita', presenta 18 tavole con modelli calligrafici, le prime tavole illustrano La posizione del corpo, la posizione della mano, la postura della mano, della piuma e i vari modi fare la punta. Le altre tavole riportano, entro belle bordure realizzate attraverso virtuosismi calligrafici, i modelliÂdi scrittura detti ronde, batarde, coule'e, e anglaise. FRA

      [Bookseller: coenobium libreria antiquaria]
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        Göthe`s Garten bei Weimar. Kupferstich um 1810.

      Friedrich Campe Nürnberg Bildmaß der Darstellung 33 x 49,5 cm ( Höhe x Breite ), alt unter Glas gerahmt ( Rahmenmaß: 62 x 80 cm ). Gezeigt wird der Garten Goethes in Weimar an der Ilm mit 4 Personen am Wegesrand sowie einem Schäfer mit seiner Herde. Das Goethesche Gartenhaus im Bildhintergrund, rechts fließt die Ilm. Das Bild am Unterrand betitelt sowie mit 4 Strophen: *Erhalte Du, gastfreundliches Asyl / Den Sänger uns am schön errungnen Ziel! / Laß´ ewig ihm, umgrünt von Lorbeerzweigen, / Aus deinem Schoß des Lebens steigen! / Erfreue sich der schöpferischen Hand, / Die bildend stets an Klopstocks Vaterland, / Zum Dienst Apolls uns Jünglinge verband. / Noch neigen wir als Männer unser Haupt / Vor ihm, an dessen Muse wir geglaubt./ Du Sänger mit der wunderbaren Flöte, / Du, Ordner jeder wirklichen Magie, / O führe Du noch lange, Vater Göthe, / Den Chor uns an der reichsten Harmonie! / Man darf der Welt nicht, was Du schufst, erzählen; / Wir alle sind ein Denkmal deiner Kunst; / ein Bildnis steht bekränzt in allen Seelen, Dich krönt das Volk wie deines Fürsten Gunst.* Das Blatt gebräunt, igering stockfleckig. im weißen Außenrand etwas stärker fleckig bzw. stockfleckig. ( Bitte beachten. Hier aufgrund der Abmessungen un Bruchgefahr kein Versand, hier nur Selbstabholung in meinem Ladengeschäft ). ( Pic erhältlich // webimage available ) Versandkostenfreie Lieferung Roux, Jacob Wilhelm Christian Roux, Jacob Wilhelm Roux, Goethe, Weimar, Goethes Garten, Gartenhaus, Google, Kupferstich, Campe, Weimarer Klassik, Ilm, Johann Wolfgang von Goethe

      [Bookseller: Antiquariat Friederichsen]
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        Broadside, begins: "Manifiesto. La Provincia de Venezuela ha logrado por el ardiente patriotismo de los vecinos de la Capital la dignidad politica que debia tener entre los Pueblos cultos de la America ... ".

      Caracas: En la imprenta de Gallagher y Lamb Folio (43.4 cm; 17"). 1 p.. 1810 Both Llamosas and Tovar Ponte were leading figures of the early Independence movement in Venezuela. Both served as president of the Junta of Defense of the Rule of Fernando VII (later, The Revolutionary Junta), Llamosas 19 April ?- Aug 1810, and Tovar Aug 1810 ?- 2 March 1811. Additionally Tovar Ponte, the favorite son of an elite family, was a member of the 1811 Congress and a signer of the Venezuelan Act of Independence. In this decree Llamosas and Tovar Ponte explain the coup d'etat of 19 April in which the viceroy was deposed and a caretaker government was installed. Although stating loyalty to the imprisoned Spanish king, the revolutionaries repeatedly use the terms "independent" and "independence." This historic document was printed by Venezuela's first press, that of Gallagher and Lamb, which only arrived in Caracas in October of 1808, and it is universally dated as having come off the press on 20 April 1810! Very Rare: This broadside was unknown to Medina and is only the 15th item in Pedro Grases chronological list of things printed in Venezuela. In his entry he located only the copies in the Public Record Office (London) and the Archivo de Indias (Seville). Searches of NUC, OCLC, and RLIN fail to find any copy at all. Further, no copies were found when searching the OPACs of the national libraries of Venezuela, Colombia, Spain, France, and England. As issued, but one later fold. Worming in upper and lower margins; repaired. Pencilling in margins. A very good copy.

      [Bookseller: Philadelphia Rare Books & Manuscripts Co]
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        Broadside, begins: "Proclama que hizo Don Francisco Rivas y Galindo, joven de edad de quince años, hijo de Don Valentin Rivas uno de los SS. Vocales de la Suprema Junta Gubernativa de Caracas, à los habitantes de Venezuela.

      Caracas: Gallagher & Lamb Folio (31 cm; 12.25"). 1 p.. 20 April 1810 Young Rivas, son of one of the leaders of the first independent government in Venezuela, calls on all Venezuelans to unite, saying "the inhabitants of this city" have overthrown an illegitimate government, have established a "supreme authority," and are now breathing "the air of Independence." He points out the remaining provinces are the body of the new nation and that without them Caracas is merely a bodyless head. "Unite or die" is his plea, and by doing so, "[w]e will form a nation that will know how to maintain the honor of the Spanish people and that will make all others respect us." The origins of printing in Venezuela are still, at this late date, shrouded in shadows. There remain questions of whether itinerant printers established themselves now and then for short periods of time, printing a form or booklet — and definitely some playing cards — and then moving on. The accepted date for "the beginning" of printing in Venezuela is October, 1808, with the arrival of the press of Gallagher and Lamb and the issuance of the first issue of Andrés Bello's Gazeta de Caracas. Very Rare: This broadside was unknown to Medina and is only the 16th item in Pedro Grases chronological list of things printed in Venezuela. In his entry he located only the copies in the Public Record Office (London) and the Archivo de Indias (Seville). Searches of NUC, WorldCat, COPAC, and CCILA fail to find any copy at all. Further, no copies were found when searching the OPACs of the national libraries of Spain, Venezuela, Colombia, France, and England. As issued; minor worming in foremargin; repaired. A very good copy.

      [Bookseller: Philadelphia Rare Books & Manuscripts Co]
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        Letter signed („Nap").

      , 8. III. 1810. - 4to. 2 pp. French. Letter to his adopted son Eugene. In part (translated): "I have attentively read the account of the Italian Navy that you sent to me. I am all the more aware of the importance of using ships to prevent the enemy from blocking the Gulf with one or two frigates. I will wait for your report to know whether the ships of the line will be able to sail out. I see that the Rivoli and the Reginatore are not far from completion. The Favorite must be finished promptly. Once these frigates have been finished we can arm them with French crews from the three brigs that are in Venice. The frigate in Trieste could also join them which would make for a division of three frigates that could go to Ancona to join the frigate and brigs there and form a division capable of maintaining the mastery of the Gulf and which would oblige the enemy to keep warships there. I see Ancona not Venice, because Ancona has the advantage totally lacking to Venice, of our being able to enter or leave no matter what the winds it is better to have brigs that can sail out and survey the Gulf without interruption [.]". - In fine condition, with central horizontal and vertical folds.

      [Bookseller: Kotte Autographs GmbH]
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        Manuel du voyageur en Suisse. 2. Aufl., 1. und 3. Band, von 4,

      Zürich, Orell Füssli 1810 - 1 farb. Karte, 3 Panoramen, XVI, LXXII, 391 S., 1 Karte, 635 S. Broschur der Zeit, Karte der Schweiz: 20 x 28 cm, Panorama: Zürichsee-Pilatus 11 x 93 cm, Panorama Neuenburger See 11 x 63 cm, Panorama Pilatus-Rothhorn 7 x 30 cm, unbeschnitten, mit Läsuren, teils stockfl. +++Antiquariat seit über 25 Jahren+++ [Attributes: Soft Cover]

      [Bookseller: Der ANTIQUAR in LAHR, Werner Engelmann]
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        The New-York Conspiracy, or a History of the Negro Plot, with the Journal of the Proceedings Against the Conspirators at New-York in the Years 1741-2. Together with Several Interesting Tables, Containing the Names of the White and Black Persons Arrested on Account of the Conspiracy - the Times of Their Trials - Their Sentences - Their Executions by Burning and Hanging -- Names of Those Transported, and Those Discharged. With a Variety of Other Useful and Highly Interesting Matter

      New York: Southwick & Pelsue, 1810. 2nd American edition. Hardcover. Good. 385, (7)p. Recent quarterbinding. 22cm. Contents sound, but with substantial foxing and browning. New York had a population of about 12,000 in 1742, of which approximately one-sixth were slaves. [From the Preface to this edition]. The first edition was published in 1744 and an English edition appeared in 1747.

      [Bookseller: McBlain Books]
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        Widgeons

      London: Published at R. Ackermann's Repository of Arts, 101 Strand, 1810. Mezzotint. Printed on wove paper. Lettered proof, state ii/iii. In excellent condition, with the exception of six skillfully mended tears on bottom margin, not extending near image. One small tear on bottom margin. Image size: 13 5/8 x 17 1/8 inches. A charming proof mezzotint by Charles Turner after James Barenger depicting a pair of widgeons. James Barenger was born into an artistic family. His father exhibited paintings of insects at the Royal Academy between 1793 and 1799, and his mother was the sister of William Woollett, the celebrated engraver. Barenger was well known as an animal painter, exhibiting at the Royal Academy between 1807 and 1831. He was a keen sportsman and had a natural eye for detail, which brought an appealing realism to his studies. From 1815 onwards he exhibited the majority of his pictures at Mr. Tattersall's auction rooms in London, where they were well received by a diverse audience. Although Mr. Tattersall was his primary patron, Barenger earned a number of commissions from the Earl of Derby, The Duke of Grafton, and the Marquess of Londonderry. His work was widely engraved by some of the most fashionable engravers of the day and his attractive images remain highly desirable to sporting collectors. This strong image of two widgeons is from a series of fourteen prints depicting English game birds. The series, which was mezzotinted by Charles Turner and published by Rudolph Ackermann, is entitled "British Feather Game" and includes images of some of the most important species of English wildfowl. Siltzer, The Story of British Sporting Prints p. 77-79 ii/iii.

      [Bookseller: Donald Heald Rare Books]
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        Carl Wilhelm POHLKE (1810 Berlin 1843). Mühle in Klein Machnow. 1833. Tusche

      - Carl Wilhelm POHLKE (1810 Berlin 1843). Mühle in Klein Machnow. 1833. Tusche in Braun über Bleistift auf Papier. -- Technik: -- Tusche in Braun über Bleistift auf Papier. unten links bezeichnet, datiert und monogrammiert: "klein machnow 1 Mai 1833 Pohlke". -- Maße: -- Platte: 32,5 x 21,9 cm. 32,5 x 21,9 cm -- Zustand: -- Ecke unten links ergänzt, kleiner horizontaler Knick am unteren Rand, minimal fleckig. Sonst sehr gut. -- Beschreibung: --

      [Bookseller: H. W. Fichter Kunsthandel e.K.]
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        COMMUNICATIONS OF THE MEDICAL SOCIETY OF CONNECTICUT

      Sidney's Press, New Haven 1810 - Gray wrappers, sewn, untrimmed. CONTENTS: Hall, T. On Petechial Fever; Tully, W. Dissertation on Aliment; Barker, J. Case of an Affection of the Right Ovarium; Willard, S. Analysis of Stafford Spring Water; Foot, J. Case of an Enlarged Liver; Alden, H. Fatal Effects of Canine Madness; Case of Hydrophobia Treated with Opium &c. ; Foot, J. Case of Strong Morbid Action, Treated by Depletion; Foot, J. Case of Petechial Fever; Shepherd, G. On the Importance of Medical Knowledge; Tomlinson, A. On Anasarca; Ives, E. Case of Uterine Polypus; Hopkins, L. Case of Biliary Calculi; Case of Retroverted Uterus. ; Volume 1, #1; 8vo 8" - 9" tall; 80 pages [Attributes: Soft Cover]

      [Bookseller: Elliot's Books Since 1957]
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        Suplemento a la Gazeta de Caracas.

      Caracas: Gallagher y Lamb Folio (31 cm; 12.25"). 1 p.. 27 April 1810 Newspaper printing did not begin in Venezuela until October, 1808, when the press of Gallagher and Lamb arrived and printed, as its first product, the first issue of Andrés Bello's Gazeta de Caracas. The news that Andrés Bello gives to eager readers in this supplement concerns the total occupation of Madrid by Napoleon's forces, the fleeing to Gibraltar of 5000 Spanish soldiers, and other distresses that the Spanish army was suffering. Rare: Charno locates copies of the supplement only at the Newberry and University of Texas libraries. As issued. Worming in foremargin, touching two letters; repaired; small hole where paper was thin at center of leaf, taking a bit of a rule but no text. Pencilling in margins. A very good copy.

      [Bookseller: Philadelphia Rare Books & Manuscripts Co]
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        Cahier d’Arithmétique / fait par Lacroix/ chez mons. Cassé professeur d’écriture .

      La Réole, 1810 - Folio (45cm./32) 65pp; non paginé.reliure : feuille d’antiphonaire récupéré Page de titre calligraphiée Exercices habituels à ce genre d’ouvrage .Texte parfaitement calligraphié à la plume en plusieurs couleurs (brun, bleu, rouge). Chaque page est ornée de volutes , titres ou problèmes présentés dans des formes géométriques ornées; ovales, carrés, ronds. Bel exemple de calligraphie

      [Bookseller: Librairie Rita De Maere]
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        The Adventures of Gil Blas, of Santillane

      London: Cooke 1810 - 3 volume set, 6 inches tall. A delightful little set in half calf with gilt raised bands, triple labels and delicate gilt tooling to the panels. Green edges. Engraved plates and title pages. A pristine set of this celebrated work here translated into English by Tobias Smollett. [Attributes: Hard Cover]

      [Bookseller: McConnell Fine Books ABA & ILAB]
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        Marie Louise Archid. d' Autriche

      A Paris chez Bance ame M. d'Estampes rue St. Denis and a' Milan chez Joseph M. et Frere Ubiemi M. d' Estampes rue des Servi n. 506 Editeurs, 1810. Stipple with engraving. Printed on laid paper. Collectors blind stamp of a bee in lower right corner of title space. In excellent condition with the exception of a creased lower right corner. Trimmed just outside platemark on all sides. Crease on right edge outside image. Some creasing and paper loss on upper right corner. Image size: 24 5/8 x 16 7/8 inches. A captivating portrait of Marie Louise of Austria, Napoleon's second wife. This is a magnificent print of Marie Louise of Austria executed in 1810, the year of her marriage to Emperor Napoleon. In 1809 when Josephine, Napoleon's first wife, failed to give him a son, the Emperor divorced her. He based this action on the spurious grounds that a parish priest had not been present at their marriage, but it was well known that this decision resulted from his desire for a male heir. Two months later he married Marie Louise, the daughter of Francis II, Emperor of Austria, and great-niece of Marie Antoinette. The marriage did nothing to end the enmity between France and Austria, but in 1811 Marie gave birth to a son, Francois Charles, who was made king of Rome. This captivating print depicts Marie at one of the most pivotal moments of her life. She is portrayed as being both innocent and magisterial, fashionable as well as reserved which results in a hauntingly beautiful portrait of this young bride. Rados's print recalls the portrait of Marie, executed in the same year, by Jean Godfrey. Both works are monumental in size and depict the young princess in a park setting. The detailing of Marie's dress and the level of intricate detail in Rados's image, is nothing short of magnificent, and his soft engraving technique gives this print a delicacy, which is immensely appealing. From the collection of William J. Latta of Philadelphia, a 19th century collector of Napoleonic material. Regency to Empire: French Printmaking 1715-1814 no. 124; Le Blanc, Manuel de L'Amateur D'Estampes III, p. 269, no. 12; Lugt, Les Marques de Collections , No. 2825.

      [Bookseller: Donald Heald Rare Books]
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        The Vestibule of Eloquence. Original articles, oratorical and poetical, intended as exercises in recitation, at the institution, Bedford Place, Russell Square. By . professor of the science of practice of elocution.

      Printed, for the author, by J. M?Creery, Black Horse Court . 1810 [1813] - FIRST EDITION. Library stamps on title which is a little browned and with sl. tear to inner margin, not affecting text, repaired with archival tape. Library binding: 20thC plain brown cloth. With library stamps & label. Five copies only on Copac, including BL where it is described as ?a collection of articles and exercises, separately published and variously dated, with a new general titlepage prefixed? No copy recorded on ABPC. By the radical thinker, political agitator, abolitionist, and anti-war campaigner, John Thelwall, 1764-1834. Thelwall was born in London, the son of a silk merchant. His father died when he was young, and his education was still far from complete when he was compelled to leave school and contribute to the running of the family business. He appears to have shown little desire for a career in the silk trade, and was instead drawn to literature and the arts. The French Revolution took place as he was forging his political identity, and he was immediately drawn towards the politics of upheaval, and railed against social injustice. He became a prominent dissenting voice in the late 18th century, popular with radicals for his passionate and persuasive oration. Thelwall was moved to withdraw from radical politics as a result of Pitt the Younger?s clampdown on political dissent, which came in the form of the Treason Act and Seditious Meetings Act, both given royal ascent in 1795. He judiciously chose to curb his more firebrand tendencies, moving away from direct criticism of the government, and instead lecturing on apparently safer topics such as corruption in Ancient Rome. But by 1800, unable to escape the attentions of ever-watchful government loyalists, Thelwall withdrew completely from the public eye, and instead re-invented himself as a Professor of Elocution, establishing, with the help of his wife, a small school in London. This volume, comprised of three separately published works bound together with a new titlepage and contents leaf, forms a prospectus for Thelwall?s institution, as well as providing an overview of his educational philosophy, and providing the student with readily available exercises. This is a modified version of the 1811 edition, with the Plan & Objects occupying 15pp (rather than 32pp), and signed Feb. 12th, 1813. It does not include the Terms of Instruction for House Pupils. The second part (168pp, with an 1805 titlepage, The Trident of Albion), is as the earlier edition. The third part (11pp) is formed of Thelwall?s Monody on the Right Hon. Charles James Fox (2nd edn, 1806). In addition, this volume has several further tracts bound in at the end, each with the running head Thelwall?s Selections, but with no further imprint or date. These consist of The Country Bumpkin and Razor Seller. P. Pindar. 2pp; Martial Eloquence. Henry V. before Harfleur. Shakespere [sic]. 2pp; A Consultation of Physicians. (From the New Bath Guide.) Anstey. 3pp; Sawney?s Pocket Knife. A memoir for the antiquarian society. 4pp; The Washing-Day. Mrs Barbauld. 4pp. Some of the passages have been marked in black, indicating precise points of stress or rhythm. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Jarndyce, The 19th Century Booksellers]
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        Duties of Innkeepers, &c. Extracts from the laws of the commonwealth of Massachusetts, for the due regulation of innholders, retailers of spiritous liquors, and others

      [Boston?]: s.n., 1810. Broadside, 33 x 20 cm on unwatermarked laid paper. The broadside presents seven Laws of the Commonwealth of Massachusetts, regulating inkeepers and retailers of alcohol. While the actual laws as printed are detailed and interesting, in short the laws are: suitable room and board must be available, no gambling, no dancing, no serving to drunkenness, no serving on Sunday, pay a fee for the license, and recognize the authority of the state in these matters. Imprint dates suggested by typography (per the AAS record). The extracts are from laws dating back to An act for the due regulation of licensed houses, passed Feb. 28, 1787. light toning to sheet, some leght wear to untrimmed edges. [OCLC locates two copies, at AAS and Library Co. of Philadelphia; not in Shaw & Shoemaker; not in Ford, W.C. Broadsides, Ballads, etc.].

      [Bookseller: Rabelais - Fine Books on Food & Drink]
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        Broadside, begins: "Cancion Patriotica de Caracas.

      Caracas: Gallagher y Lamb Folio (31 cm; 12.25").. 1810 In the days immediately following the coup that deposed the viceroy and began the long process of independence, Andrés Bello, Venezuela's first great poet, collaborated with Cayetano Carreño, “Maestro de Capilla” of the main church of Caracas, in the composing of several “patriotic songs.” One of those early efforts became the national anthem of Venezuela, and => the premiere of this one, as unknown as that one is famous, is stirring to visualize. Beginning, “Caraqueños, otra época empieza: / De la gloria la senda se abrio,” it was sung for the first time by Cayetano Carreño himself and six other voices, the night of 23 April 1810, with the accompaniment of the military orchestra of the “Batallon Veterano.” The performance took place below the balcony on which were assembled the members of the Supreme Junta. That Bello wrote this patriotic song is known, and even the first few lines were recorded for history, but beyond that => the text is not recorded and is not found in his Obras completas or, apparently, anywhere else. In addition to the historic collaboration of Bello and Carreño, this fabulous document has the distinction of having been printed by Venezuela's first press, that of Gallagher and Lamb, which only arrived in Caracas in October of 1808, and was almost certainly printed on 24 April, the day after the hymn was first sung! Very Rare: This broadside seems to be completely unrecorded. It was unknown to both Medina and Pedro Grases. Searches of NUC, WorldCat, CCILA and COPAC fail to find any copy at all, as is the case when searching the OPACs of the national libraries of Venezuela, Colombia, Spain, France, and England. As issued. Worming in foremargin, repaired. A very good copy.

      [Bookseller: SessaBks, A Division of the Philadelphia]
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        Original Fables By A Lady Dedicated to Princess Charlotte of Wales 1810 W. Calvert

      W. Calvert, Shire Lane, Lincoln 1810 - W. Calvert, Shire Lane, Lincoln's Inn, for B. Crosby and Co.; Original Fables By A Lady Dedicated to Her Royal Highness Princess Charlotte of Wales; 1810; leather-bound hardcover; embellished with 54 elegant engravings on wood; lether spine with gilt titles; marbled covers; 236 pp; a few spots to some pages; tight copy; bright pages; attractive copy; very scarce. British Women Romantic Poets

      [Bookseller: Azio Media - Fine Books & Ephemera]
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        The Costume of the Inhabitants of Russia

      London: J. Edington, Lowes Thames Street, 1810. Hardbound. VG, except as noted. Occassional light foxing not bad. Rebound in burgundy leather with elaborate embossing, gilt tooling and devices on front cover, gilt title on spine. Color frontis, title-page and an additional 25 hand-colored plates. One plate has an acquisition number at the edge, nowhere near the image of title. An extremely rare title. No auction records since 1973, no copies found in sales records. Exquisite in their simplicity and presentation, each plate is titled in English. There are 26 coloured plates by P. A. Hubert, Porter given credit on each plate as R.K. Porter.

      [Bookseller: Mullen Books, Inc. ABAA / ILAB]
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        Architectural decorations: a periodical work of original designs invented from the Egyptian, the Greek, the Roman, the Etruscan, the Attic, the Gothic &c. for exterior and interior decoration of galleries, halls, apartments &c either in painting or in relief and whatever relates to furniture

      London: published by Landi, sold by Thos. King Jun, 1810. Imperial folio. (21 x 16 inches). Engraved calligraphic title, 30 hand-coloured aquatint plates, by G. d'Argenzo after Landi, the 7th plate with a slip pasted on as part of the title. Contemporary red morocco gilt, covers with wide decorative border in gilt and blind, composed from fillets, roll tools and star tools at each corner, expertly re-backed to style in red morocco, the spine in seven compartments with raised bands, lettered in the second, the others with repeat decoration in gilt, contemporary marbled endpapers Very rare series of beautiful and unusual design treatments for buildings, rooms and accessories. Each of the five styles (Greek, Roman, Gothic, Egyptian and Chinese) are represented by six plates (numbered [1]-6; 6 unnumbered; 13-18; [1]-6; and unnumbered. Landi, according to the title, was a professor at the University of Bologna and a member of the Clementine Academy, and he issued the present work from his address at the Sablonnière Hotel in London. This work is very rare: over the past thirty years only two other copies are listed as having sold at auction (one of which included only 24 plates). Landi appears to have issued at least two other equally rare works of a similar nature ( A Collection of Designs of Architecture, Decorations and Ornaments London: 1810, and Original Designs for Exterior and Interior Decorations, London: 1810). A copy with 30 plates which sold at auction (Christies 30 October 1996, lot 85) was in a binding made up from the original boards rebacked, but was described as appearing "to be complete". The present example has the plates bound in a different order to the Christie's copy but is otherwise the same. Lowndes II, p.1305.

      [Bookseller: Donald Heald Rare Books]
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        Allgemeines Teutsches Garten-Magazin, Siebenter Jahrgang oder gemeinnützige Beiträge für alle Theile des praktischen Gartenwesens

       1810. Erstausgabe 488 Seiten mit 48 Tafeln im Kupferstich, davon 45 farbig koloriert. LXXXXII Seiten No IV. Intelligenz-Blatt im Anhang. B 21,5 x H 26 cm. Halbleder mit Lederecken Achtung, Original-Ausgabe von 1810! Herausgegeben vom Weimarer Verleger Friedrich Justin Bertuch. Mit 45 kolorierten Tafeln, Tafeln 1, 24 und 25 sind Klapptafeln. Drei nicht kolorierte Kupfer, sowie eine nicht erwähnte Illustration auf Seite 110 (Maulwurfsfalle). Den Bildern ist in der Regel ein Seidenpapier vorgelegt. Im Anhang mit dem beigegebenen sogenannten \" Intelligenzblättern\", mit 92 Seiten. Buchschnitt rot eingefärbt. Ein rotes und ein grünes, goldgeprägtes Titelschildchen auf dem Buchrücken. Marmorierter Einbanddeckel, dieser vorne und hinten mit etwas Berieb und ein wenig fehlstellig. Tafel 24/25 mit einem ca 4 cm langen Einriss. Gelegentliche minimale Eselsohren und auch der ein oder andere kleine braune Fleck.Insgesamt ist dieses sehr seltene Buch in einem wirklich altersgemäß guten und absolut sammelwürdigen Zustand. Der Versand erfolgt ausschließlich versichert. HP1/39 Versand D: 500,01 EUR

      [Bookseller: Schübula]
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        [An album of twenty four views in India]

      Calcutta, 1810. Folio. (22 x 17 inches). 24 uncoloured aquatints by Moffat. Expertly bound to style using half 18th-century diced russia over marbled paper-covered boards, the flat spine divided into six compartments by double gilt fillets, lettered in gilt in the second and third compartments, modern morocco-backed cloth box, spine gilt A fine and very rare album of Moffat's highly important views of India. In its entirety, this album represents the greatest series of aquatint views ever printed in India. We have occasionally been able to offer individual prints by James Moffat, but this is the first album that we have ever encountered: collections such as this are of the greatest rarity. The twenty four plates make up three different series, and were originally assembled in about 1820. All the plates are on laid paper, the majority with watermarks including dates. The three series are probably as follows: a series published in about 1804, a second published in about 1810 and the third group of four plates are from drawings of Gaur by Henry Creighton. Little is known of Moffat. Mildred Archer writes that he 'was a Scotsman living in Calcutta from 1789 to 1815. He appears to have learnt his profession of painting and engraving in India. In 1798 and from 1805 to 1810 he produced views of towns on the Ganges and Hooghly, and in 1808 engravings from Henry Creighton's drawings of Gaur.' The plates are bound and titled as follows: 1.`View of a Mosque at Chunar,' I.Moffat. sculp.1810 (watermarked 'S.Wise & Patch 1807') 2.'View of the large pagoda at Nuddea,' drawn and engraved by I. Moffat (watermarked 'J. Whatman 1804') 3.'View of Agra, on the River Jumna,' I.Moffat, sculpt. (watermarked 'S.Wise & Patch 1807') 4.'Mausoleum erecting at Ghazepore, to the memory of the Marquis Cornwallis.' Engraved by I. Moffat, Calcutta (watermarked 'S. Wise & Patch 1805') 5.'View on the banks of the Ganges with representation of the Churruck Poojah, a Hindoo holiday,' I. Moffat. Del. et sculp. (watermarked 'Edmeades & Pine') 6.'Gate of Sultan Shah Hussein's tomb at Gour,' H.C. delin I. Moffat. sculp (watermarked 'S.Wise & Patch 1805') 7.'1st; view of the city of Benares,' drawn and Engraved by J. Moffat. Calcutta 1804, (14 ½ x 20 ¼ inches) 8.'2d, view of the city of Benares,' Drawn and Engraved by J. Moffat 1804, (14 ½ x 20 ¼ inches) 9.'West view of the city of Moorshedabad,' J. Moffat del: et Sculp, (14 ¾ x 20 ¼ inches) 10.'View of the hospital at Berhampore,' Drawn and Engraved by Jas. Moffat at Calcutta 1805 (Watermarked 'J. Whatman 1801') 11.'South view of Chinsurah,' J. Moffat del. Et Sculp. Calcutta 1803 (watermarked 'J.Larking') 12.'View of Seringapatam,' J. Moffat Sculp. (watermarked 'Budgen 1803) 13.'View in the fort of Monghyr,' Drawn and Engraved by James Moffat, Calcutta 1805 (watermarked 'J. Whatman 1801') 14.'South view of the new government house, Calcutta,' Drawn & Engraved in Aquatinta, by James Moffat, Calcutta 1803' (watermarked 'I Taylor 1798') 15.Kuddum Russoolat Gour, where they shew the print of their prophet's foot, in a piece of white marble,' H.C. delinr. I. Moffat sculp. 16.'Cutwally gate at Gour,' H.C. delinr. I. Moffat. Sculp. (watermark dated 1805) 17.'The small golden mosque at Gour,' H.C. delin I. Moffat. Sculp (watermarked 'S.Wise & Patch 1806') 18.'West view of Calcutta,' Drawn and Engraved by J. Moffat. Calcutta 1805 (watermarked 'J. Whatman 1801') 19.'South east view of the new government house Calcutta,' Delineated and Engraved in Aquatinta By James Moffat, at Calcutta 1st February 1803 (watermarked 'I Taylor 1798') 20.'View of the cantonments at Berhampore,' J. Moffat del. And sculp. 1806 (watermarked 'J. Whatman 1804') 21.'View of the ancient city gate, Rajemahal,' J. Moffat Del. Et Sculp. 1806 ) (watermarked 'S.Wise & Patch 1805') 22.'Mosque at Peruspore, Gour,' H.C. delin J. Moffat Sculp Calcutta (watermarked 'S.Wise & Patch 1805') 23.'View of the palace at Benares,' Drawn and Engraved by J. Moffat. Calcutta 1805 (watermarked 'J. Whatman 1801') 24.'Cossimundia Ghaut, Benares,' J. Moffat del. et sculp. (watermarked 'S.Wise & Patch 1805') M. Archer British Drawings in the India Office Library , I969, II, p.621.

      [Bookseller: Donald Heald Rare Books]
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        [A BOUND COLLECTION OF TWENTY EARLY 19th-CENTURY AMERICAN MUSIC SHEETS]

      [Mainly New York, Philadelphia, & Boston, 1810. Folio. Modern backstrip over contemporary marbled boards, spine label and endpapers renewed. Corners worn, boards rubbed. Minor foxing and toning, some dampstaining. The second page of "The Moment is Sad" is lacking, otherwise complete. Good. A wonderful collection of early American sheet music, mostly American imprints, most printed on two pages. The printers of these early sheets include some of the most notable names of the period, such as Hewitt, Graupner, Blake, and Paff. Dichter & Shapiro, in the Introduction to their EARLY AMERICAN SHEET MUSIC, include these four publishers in a list of names they deem "eminently worth while." The highlights of the songs within the book are as follows: 1) Fortune, Michael: "Jefferson & Liberty. A New Song. To the Air of Jefferson's March." Philadelphia. 1801. First edition. The most notable music sheet in this collection. Fortune, an Irish immigrant, wrote the song to commemorate Jefferson's election and sent Jefferson a copy of the song. The music was published by the first American antiquarian bookseller, N.G. Dufief, who at the time he published this was trying to sell Jefferson Benjamin Franklin's library for the Library of Congress. For whatever reasons (jealousy? self-interest?) Jefferson turned him down, and Dufief auctioned it in 1803. Perhaps Dufief hoped to advance his sale by sponsoring this publication. Very rare, with only one copy listed in OCLC, at Oxford University. WOLFE 4607. SHAW & SHOEMAKER 734. 2) "The Downfall of Paris." Boston. [1806]. First state, with no page number. One printed page of music, with no lyrics. WOLFE 2737. 3) "The Battle of the Nile: A Favorite Patriotic Song." Philadelphia. [ca. 1804]. First printing by this publisher. A paean to Nelson's victory over Napoleon in Egypt. WOLFE 461. 4) Mozart: "Away with Melancholy." New York. [ca. 1795]. An early printing of this song, an excerpt from THE MAGIC FLUTE. SONNECK & UPTON, p.35. 5) Briggs, Edward Smith: "A Hindustani Girls Song. Tis thy will and I must leave thee." New York. [ca. 1800]. "Soon a british fair will charm thee, thou, alas! Her smiles must woo / but tho' she to rapture warm thee, don't forget thy poor HIN-DOO." SONNECK & UPTON, p.188. 6) [Gaveaux, Pierre]: "La Pipe de Tabac. A Favorite French Song." New York. [ca. 1800]. Not in Wolfe. SONNECK & UPTON, p.332. 7) [Gaveaux, Pierre]: "The Dish of Tea or Ladies Answer to the Pipe Tabac." [New York. 1802]. WOLFE 2896. SONNECK & UPTON, p.110.

      [Bookseller: William Reese Company - Americana]
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        Vues des Cordillères / Cordilleres, et monumens des peuples indigenes de l'Amérique / l'Amerique, Atlas Pittoresque of the Voyage de Humboldt et Bonpland, Premiere Partie, Relation Historique

      Paris: Schoell. 1810. Hardcover. Very Good. One volume (title page says 1810), large folio (approx. 23 x 17 inches), incomplete, but containing the majority of the colored plates including Le Chimborazo. In late 19th Century quarter cloth and marbled boards, with half title, and two title pages, pp (10), 1-52, 125-274, plates 1-49 on 48 sheets, 17 of which are hand colored and three of which are acquatints tinted sepia. Usually found in 2 volumes published between 1810 and 1813 with 69 plates on 68 sheets; this copy lacks the last 20 plates and significant parts of the text -- apparently lacks pp. 53-124 of the text, and pp. 275-350. Very wide margins, the plates are very good with some occasional foxing, especially plate 49 in b/w. This copy with library bookplate on pastedown with proper withdrawn stamp, heavy foxing and some wear to first page (half title) and some moderate to heavy foxing to prelims. Has the magnificent double page hand colored plate no. 25 of Le Chimborazo (very good) and a number of other handcolored acquatint landscape views, the coloring apparently supervised by von Humboldt himself. Complete copies sell for over $25,000. Field 739; Hill pp 148-9; Palau 117026; Sabin 33754.

      [Bookseller: Caliban Books ABAA-ILAB]
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        Tylogé Bridge

      London: Published by White and Co, 1810. Hand-coloured aquatint engraving. Good condition apart from some overall light soiling and foxing, mild mat burn, and two minor creases, one of which extends through the center of the image. Trimmed on all sides. A picturesque view of a bridge built by Johnes in the wooded area adjacent to Hafod House from "Tour to Hafod," a fine collection of plates depicting the mansion and its surrounding landscape engraved by Stadler after drawings by Smith. Comprised of 15 views, Tour to Hafod also included comprehensive descriptive text by the scientist and collector James Edward Smith. The work was most likely intended as a tribute to the social benefactor and literary man Thomas Johnes (1748-1816), who devoted much of his life to his home region of Cardiganshire, where he served as a lord-lieutenant, a colonel in the militia, and an MP for the borough of Cardigan. Located in Cardiganshire, Western Wales, Hafodychtryd or Hafod for short, was Johnes's country estate. Hafod House, his principal residence, was erected in 1785 in the "gothic" style of Thomas Baldwin of Bath. Upon settling there, Johnes set about ameliorating the conditions of the local poor by providing them with comfortable housing and employing them in a planting project that would beautify the neighboring areas. In addition to his concern for social welfare, he was extremely interested in improving parts of Cardiganshire and actively involved himself in the building of roads and bridges. Born in Irthington in 1749, John "Warwick" Smith was an accomplished topographical draughtsman and watercolourist, who enjoyed the generous patronage of the Earl of Warwick. In addition to his fine engravings of Italy, he contributed numerous illustrations to topographical publications such as Select Views in Great Britain (1812), Views of the Lakes of Cumberland (1791-5), Tour through Wales (1794), and A Tour to Hafod (1810). In 1805, Smith became a member of the Watercolour Society, where he frequently exhibited his works. Cf. Abbey, Scenery of Great Britain and Ireland 533; cf. Dictionary of National Biography.

      [Bookseller: Donald Heald Rare Books]
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        Eigenh. Manuskript. (Fragment).

      Wien, Sommer 1810. - 1 ½ SS. 8vo. Beschäftigt sich mit Stilfragen in der Gattung des Romans. - Mit Fehlstellen; gering gebräunt. - Loeben begann das Studium der Rechte in Wittenberg, widmete sich nach seiner Übersiedlung nach Heidelberg 1806 aber vor allem seinen literarischen Interessen. Beeinflußt durch die Schriften von Novalis, sammelte er einen kleinen Dichterkreis um sich, zu dem auch Joseph von Eichendorff gehörte. Nach Aufenthalten in Wien und Berlin und kurzer Teilnahme am Krieg gegen Napoleon lebte Loeben seit 1814 wieder in Dresden, wo er Novellen und Gedichte für verschiedene Zeitschriften schrieb.

      [Bookseller: Antiquariat INLIBRIS Gilhofer Nfg. GmbH]
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        ASSMANNSHAUSEN. "Vue d'Astamnnshausen avec les Chateaux de Batzberg et de Falkenberg". Gesamtansicht vom Rhein aus mit den Schlössern Hausberg und Falkenburg.

      - Altgouachierte Aquatinta von Anton Radl nach Ludwig Schütze, dat. 1810, 41 x 59 cm. Fein kolorierte Ansicht mit Schiffen und einem Pferdegespann staffagiert. Gering gebräunt, links oben kaum sichtbare Knickfalte.

      [Bookseller: Peter Bierl Buch- & Kunstantiquariat]
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        Vertraute Briefe geschrieben auf einer Reise nach Wien und den Oesterreichischen Staaten zu Ende des Jahres 1808 und zu Anfang 1809. 2 Bände.

      Amsterdam (recte Leipzig), Kunst- und Industrie-Comtoir, 1810. - Erstausgabe; mit der häufig fehlenden 40-seitigen Verlagsanzeige am Beginn des ersten Bandes. - „Mit interessanten Berichten über Wiener Musik- u. Theaterverhältnisse" (Hayn/G.). - „Sehr selten. Geschätzt wegen der musik- und kunsthistorisch interessanten Schilderungen, besonders in Hinblick auf Beethoven" (Slg. Mayer). - Reichardt beschreibt u.a. seine Begegnungen mit Goethe, Haydn, Salieri, den Brüdern Schlegel und Beethoven, aber auch besichtigte Gemäldesammlungen, Ausflüge, Theaterbesuche usw. - Einbände (bes. Kapitale) tlw. berieben u. bestoßen. Rückenschilder m. Fehlstellen (jenes des zweiten Bandes fehlt ca. zur Hälfte). Im ersten Band einige Bll. verbunden. Durchg. etw. gebräunt bzw. braunfleckig. - Slg. Mayer 2386; Hayn/G. VIII, 490; MGG XI, 154; Eitner VIII, 164. ge Gewicht in Gramm: 1000 8°. XXII, 40, 470 S., 1 Bl.; XV S., 1 Bl., 446 S., 6 Bll., Marmor. Ppbde. d. Zt. m. goldgepr. Rückenschildern. [Attributes: First Edition; Hard Cover]

      [Bookseller: Antiquariat Wolfgang Friebes]
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        Grammaire Arabe à l\'usage des eleves de l\'ecole speciale des langues orientales vivantes. Premiere et seconde partie. 2 tome. [At- Tufa as-sanja f ilm al-arabja].

      Paris : Imprimerie Imperiale, 1810. xxvi, 434; x, 473 p., with 10 folding tables, and 8 folding plates. Half leather. Good. Worn covers. Spine of vol. 2 with 1cm tear at upper edge. Bumped corners. Slightly foxed paper. Ca. 5 pages dog eared. Plates and tables complete and in good condition. Versand D: 4,50 EUR arabisch arabische grammatik arabic grammar arab

      [Bookseller: Antiquariat für Fachliteratur]
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        Recueil factice de mémoires de Poinsot : analyse, géométrie et mécanique. 27 travaux

      1810 - deux volumes in-4 , 1810-1859, , deux volumes in-4, chagrin vert, dos à faux nerfs, tête dorée, roulette en bordure des contreplats, Ensemble remarquable compilé avec intelligence par le bibliophile Henri Viellard (1840-1886), ancien élève de l'École Polytechnique et ingénieur en explosifs. Il comprend plusieurs mémoires, notes, rapports du mathématicien Louis Poinsot (1777-1859), en extraits, en tirés à part et en éditions originales, classés en deux volumes : un volume pour l'analyse et la géométrie et un volume sur la mécanique, tomés respectivement I et II. Il ouvre sur des discours de Bertrand et de Mathieu prononcés lors des funérailles de Poinsot et publiés dans le Journal des Mathématiques pures et appliquées (2e série, tome 4, 1859). Parmi ces écrits, on relève notamment : Au tome I : - Le "Mémoire sur les polygones et sur les polyèdres", doublé, sous forme d'extraits, soit : tel que paru dans les Mémoires présentés par divers savants (1811, tome II, p. 552-590) et, en édition originale, dans le Journal de l'École Polytechnique (1810, 10e cahier, tome IV, p. 16-48, une planche dépliante). Poinsot fut le continuateur de Kepler sur la question des polyèdres réguliers ; les quatre polyèdres qu'il découvrit portent aujourd’hui le nom de solides de Kepler-Poinsot. - Mémoire sur l'application de l'algèbre à la théorie des nombres. A Paris, de l'Imprimerie Royale, 1819. 71 pages. - Recherche sur l'analyse des sections angulaires. Paris, Bachelier, 1825. 80 pages. - Réflexions sur les principes fondamentaux de la théorie des nombres. Paris, Bachelier, 1845. [4]-101 pages. Et au tome II : - Théorie nouvelle de la rotation des corps, première, seconde et troisième parties, extraite du Journal des mathématiques pures et appliquées (1851, tome 16, p. 9 à 129 et p. 289 à 336) : il s'agit de l'écrit de mécanique le plus important de Poinsot, dont la première partie a paru à l'origine en 1834. Elle s'accompagne d'une planche dépliante. - Théorie des cônes circulaires roulants. Paris, Bachelier, 1853. Tiré à part, paru à l'origine dans Journal des mathématiques pures et appliquées (tome 18). 30 pages et une planche dépliante. Théorème dynamique qui se présente comme d'un des corollaires de la théorie de la rotation des corps. - Question dynamique sur la percussion des corps (premier et deuxième chapitres). Paris, Mallet-Bachelier, 1857. Tiré à part, paru à l'origine dans Journal des mathématiques pures et appliquées (2e série, tome 2). - Id. (troisième chapitre). Extrait Journal des mathématiques pures et appliquées (1859, 2e série, tome 4). Louis Poinsot fut un moment examinateur à l’École Polytechnique. Il succéda à Lagrange à l'Académie des sciences. Ses travaux concernant la mécanique rationnelle et la théorie des nombres sont souvent qualifiés de remarquables (cf. DSB, XI, p. 61). Ex-libris imprimé d'Henri Viellard et cachet annulé de l'Institut Catholique de Paris. Étiquettes en pied des dos. [Attributes: Hard Cover]

      [Bookseller: Librairie Alain Brieux]
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        Saggio sulla storia naturale del Chili.

      Bologna, Masi, Seconda ed. 1810. - Mit gestochenem Porträt, gefalteter Kupferstichkarte, 3 Blatt, V, 306 Seiten, 1 Blatt, Halblederband der Zeit mit eingebundenem Lieferungsumschlag, 29 x 23 cm, Einband etwas berieben, Ecken bestossen, innen teils etwas stockfleckig. Wichtige Schrift des in Chile geborenen Jesuiten Juan Ignazio Molina (1740-1829); nach der Vertreibung der Jesuiten aus Chile 1767 lehrte er in Bologna. [Attributes: Hard Cover]

      [Bookseller: Antiquariat H. Carlsen]
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        Dresden. - Gesamtansicht von der Bautzener Straße. - Johann Friedrich Wizani. - "Vue de Dresde du coté de l'orient sur le chemin de Budissin".

      - Historische Ortsansicht. Radierung / Umrissradierung, alt koloriert, um 1810. Von Johann Friedrich Wizani, nach Johann Philipp Veith. 45,8 x 64,2 cm (Darstellung) / 52 x 67 cm (Blatt). Rechts unterhalb der Darstellung signiert "acheve par Wizani le jeune", mittig bezeichnet "bei Heinrich Ritter in Dresden un links "Dessine d apres Nature par Veith". Mittig betitelt. - Blick auf die Stadt Dresden aus der Ferne. Links befindet sich die Elbe, im Vordergrund von drei Pferden gezogenes Fuhrwerk. - Papier leicht gebräunt und etwas fleckig. Vereinzelte braune Flecklein am unteren Blattrand. Blattrand insgesamt etwas wellig und mit mehreren winzigen Einrissen. Zwei etwas größere restaurierte Einrisse. Partiell Papierschäden. Insgesamt gut erhalten. Johann Friedrich Wizani (1770 Dresden - 1838 Dresden). Deutscher Landschaftsmaler, Zeichner und Stecher. Ab 1787 Studium an der Dresdner Akademie bei Adrian Zingg, in den 1790er Jahren bei Johann Philipp Veith. Ab 1792 zeichnete, radierte und aquarellierte er vorwiegend sächsische Gegenden und verdiente sich seinen Lebensunterhalt mit Miniaturgemälde. Eine Malertätigkeit an der Meißner Porzellanmanufaktur musste er wegen einer Augenerkrankungen aufgeben, die ihn zeitlebens beeinträchtigte. Ab 1820 entstanden großformatige Umrissradierungen mit Panoramen v.a. der Gegend um Dresden, aber auch anderer Orte. Johann Philipp Veith (1768 Dresden - 1837 Dresden). Deutscher Landschaftszeichner, Radierer und Kupferstecher. Schüler der Dresdner Akademie und von Adrian Zingg. Nach 1790 machte sich Veith selbstständig. Seit 1798 Pensionär der Dresdner Akademie. Pflegte freundschaftlich Beziehungen zu Philipp Otto Runge, der 1801 in Dresden eintraf. 1802 war er zu Studienzwecken in der Schweiz, Oberitalien und Rom unterwegs. 1813/14 weitere Italienreise. [Attributes: Signed Copy]

      [Bookseller: GALERIE HIMMEL]
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        Dresden. - Gesamtansicht. - Altstadtpanorama. - Wizani. - "11me Vue de Dresde prise sur le rivage dit vulgaiment l'Elbberg".

      Dresden Christian Gottfried Schultze [] 1810 - Historische Ortsansicht. Umrissradierung, in Sepia laviert, um 1810. Von Johann Friedrich Wizani. 45,8 x 64,3 cm (Darstellung / Einfassungslinie) / 53,6 x 65,9 cm (Platte) / 56,0 x 68,5 cm (Blatt). (Dresden: Christian Gottfried Schultze [1810]). - Links unterhalb der Darstellung signiert "Desiné d'après Nature par Wizani le jeune", darunter französisch betitelt. Unten Verlegeradresse C.G. Schultze, Dresden. - Blick auf die Brühlsche Terrasse mit der Ruine des zweiten Belvedere, zerstört im Siebenjährigen Krieg. Im Hintergrund die Kuppel der Frauenkirche, der Turm des Residenzschlosses und die Katholische Hofkirche. - Blatt mit je einem fachkundig restauriertem Einriss im oberen und unteren Rand. Sonst eher schwache Lagerspuren. Insgesamt aber guter Erhaltungszustand. Johann Friedrich Wizani (1770 Dresden - 1838 Dresden). Deutscher Landschaftsmaler, Zeichner und Stecher. Ab 1787 Studium an der Dresdner Akademie bei Adrian Zingg, in den 1790er Jahren bei Johann Philipp Veith. Ab 1792 zeichnete, radierte und aquarellierte er vorwiegend sächsische Gegenden und verdiente sich seinen Lebensunterhalt mit Miniaturgemälde. Eine Malertätigkeit an der Meißner Porzellanmanufaktur musste er wegen einer Augenerkrankungen aufgeben, die ihn zeitlebens beeinträchtigte. Ab 1820 entstanden großformatige Umrissradierungen mit Panoramen v.a. der Gegend um Dresden, aber auch anderer Orte. [Attributes: Signed Copy]

      [Bookseller: GALERIE HIMMEL]
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        Pillnitz: Vue intererieure de Pillnitz. Aquarellierte Federzeichnung vom Schloß und Park Pillnitz bei Dresden um 1810.

      - Bildgröße: 9,5 x 14,5 cm / Blattgröße: 16 x 22 cm. Am Blattunterrand handschriftlich bezeichnet mit: " Vue intererieure de Pillnitz ". Guter Zustand, meisterhafte Ausführung. - sehr selten - ( Pic erhältlich / webimage available )

      [Bookseller: Antiquariat Friederichsen]
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        Bilderbuch für Kinder enthaltend eine angenehme Sammlung von Thieren, Pflanzen, Blumen, Früchten, Mineralien, Trachten und allerhand andern unterrichtenden Gegenständen aus dem Reiche der Natur, der Künste und Wissenschaften ; alle nach den besten Originalen gewählt, gestochen, und mit einer kurzen wissenschaftlichen, und den Verstandes-Kräften eines Kindes angemessenen Erklärung begleitet . Erster Band ( von 12 ) .

      Weimar : Landes-Industrie Comptoir 1810 - Dritte Auflage des ersten Bandes des berühmten Werks , vollständig mit einhundert altkolorierten Kupfertafeln. Die Erläuterungen auf den Textseiten jeweils in deutscher und in französischer Sprache. Einband teils gering fleckig und berieben, innen vereinzelt ganz minimal braunfleckig, Titelblatt mit kurzer Notiz von alter Hand, die Tafeln breitrandig und unbeschnitten. Gutes Exemplar mit nur ganz leichten Altersspuren. Die Tafel zeigen meist Pflanzen und Tiere, aber auch Trachten und Bauwerke ( Die Sieben Weltwunder ) . Der Verleger , Autor und Übersetzer Friedrich Johann Justin Bertuch ( 1747 - 1822 ) veröffentlichte ab 1792 in seinem Weimarer Verlag das ` Bilderbuch für Kinder ` . Bis 1830 erschienen insgesamt 12 Bände mit 1185 Kupfertafeln. Sprache: Deutsch Gewicht in Gramm: 2000 4°. Mit 100 altkolorierten Kupfertafeln . 3 Bl. Vorrede, 100 Bl. Begleittexte , 3 Bl.Index. Halblederband d.Z. mit zwei Rückenschildern und dezenter Rückenvergoldung.

      [Bookseller: Kunsthandlung Primavera Birgit Stamm]
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        MEDICAL BOTANY: CONTAINING SYSTEMATIC AND GENERAL DESCRIPTIONS WITH PLATES OF ALL THE MEDICAL PLANTS, INDIGENOUS AND EXOTIC, COMPREHENDED IN THE CATALOGUE OF THE MATERIA MEDICA

      London: William Phillips, 1810. Second Edition. Half Leather. Near Fine binding. Woodville was a physician as well as botanist; while physician to the Smallpox hospital at St. Pancras, he appropriated two acres at King's Cross belonging to the hospital and maintained it as a botanical garden. He was elected a fellow of the Linnean Society in 1791. His Medical Botany was first issued in numbers from 1790-1795; it contained general descriptions of all the plants in the materia medica of the Royal College of Physicians, and remained the standard work on plants of the British pharmacopoeia until the 1880's [Garrison-Morton, 1838.1]. With 274 attractive hand-colored engraved botanical plates (numbered to 274, excluding 112 but with 181* as issued). In four large octavo volumes, neatly reabacked with new title labels; green calf over marbled boards. (Garrison-Morton, 1838.1). Near Fine binding.

      [Bookseller: Black Swan Books, Inc.]
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        Bilderbuch für Kinder enthaltend eine angenehme Sammlung von Thieren, Pflanzen, Blumen, Früchten, Mineralien, Trachten und allerhand andern unterrichtenden Gegenständen aus dem Reiche der Natur, der Künste und Wissenschaften ; alle nach den besten Originalen gewählt, gestochen, und mit einer kurzen wissenschaftlichen, und den Verstandes-Kräften eines Kindes angemessenen Erklärung begleitet . Erster Band ( von 12 ) .

      Weimar : Landes-Industrie Comptoir 1810 4°. Mit 100 altkolorierten Kupfertafeln . 3 Bl. Vorrede, 100 Bl. Begleittexte , 3 Bl.Index. Halblederband d.Z. mit zwei Rückenschildern und dezenter Rückenvergoldung. Dritte Auflage des ersten Bandes des berühmten Werks , vollständig mit einhundert altkolorierten Kupfertafeln. Die Erläuterungen auf den Textseiten jeweils in deutscher und in französischer Sprache. Einband teils gering fleckig und berieben, innen vereinzelt ganz minimal braunfleckig, Titelblatt mit kurzer Notiz von alter Hand, die Tafeln breitrandig und unbeschnitten. Gutes Exemplar mit nur ganz leichten Altersspuren. Die Tafel zeigen meist Pflanzen und Tiere, aber auch Trachten und Bauwerke ( Die Sieben Weltwunder ) . Der Verleger , Autor und Übersetzer Friedrich Johann Justin Bertuch ( 1747 - 1822 ) veröffentlichte ab 1792 in seinem Weimarer Verlag das \' Bilderbuch für Kinder \' . Bis 1830 erschienen insgesamt 12 Bände mit 1185 Kupfertafeln. Versand D: 6,00 EUR Kinderbuch, Bilderbuch

      [Bookseller: Kunsthandlung Primavera]
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