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Displayed below are some selected recent viaLibri matches for books published in 1802

        "A Song Supposed to have been written by the Sage of Monticello" [and five other satiric poems in]: The Port Folio, Enlarged (Volume 2: July, October-December, 1802)

      Philadelphia: Printed for The Editor & Elizabeth Dickens. 1802. First. Periodical. Folio. A collection of 17 weekly issues of The Port Folio, containing a series of six satirical poems directed against Thomas Jefferson, specifically concerning his relations with Sally Hemings. Each weekly issue consists of eight pages, untrimmed as originally published, and professionally sewn into four sets of consecutive issues. [Set one]: July 3 -- July 31, Nos. 26-30; [set two]: October 2 -- October 30, Nos. 39-43; [set three]: November 6 -- November 27, Nos. 44-47; [set four]: December 4 -- December 18, Nos. 48-50. Overall browning and scattered foxing, the last two issues from December (nos. 49 and 50) are clipped at the bottom right corner (with minimal loss of text), good.Founded by Joseph Dennie and Asbury Dickens in Philadelphia in January 1801, and edited by Dennie, The Port Folio quickly became the most important magazine devoted to literature and politics in the United States. During the period of its greatest influence, from 1802 to 1805, Dennie had organized a distinguished circle of mostly pro-Federalist contributors known for their "liveliness, urbanity, and wit." The Republicans and Jefferson in particular were frequently attacked in its pages. Thus when James T. Callender first published the allegation that Jefferson had fathered several children by his slave Sally Hemings (in the September 1st issue of the Richmond Recorder), Dennie was quick to exploit and expand upon the charge in this famous series of satirical poems, including one now known to have been written by John Quincy Adams. A detailed list of the six poems is available. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        "The Wolf King; or Little Red Riding Hood: An Old Woman's Tale," [ballad in] The Port Folio; Enlarged (June 5th - 26th, 1802)

      Philadelphia: Printed for The Editor & Elizabeth Dickens. 1802. First. Periodical. Folio. A set of four weekly issues from June, 1802. (Volume 2, Nos. 22-25). Each weekly issue consists of eight pages, untrimmed as originally published, and professionally sewn into one set of four consecutive issues. Browning and scattered foxing, with two partial columns (seven and two inches) clipped from the last leaf of the first issue (pp. 175-176), else good. Contains the first American appearance of a sensational burlesque version of "Little Red Riding Hood" (pages 173-174). First published anonymously in Tales of Terror (London, 1801), a collection of ballads satirizing the gothic writings of Matthew Gregory "Monk" Lewis, this account of the nursery tale is notably grimmer than the 1812 Brothers Grimm version. The Port Folio was an important Federalist literary magazine founded in Philadelphia in 1801 and edited by Joseph Dennie under the pen name "Oliver Oldschool, Esq." Also included in the June 5th issue are obituary notices for Martha Washington, "widow of the late illustrious general," and Sara Jay, "the amiable and much respected wife of his excellency John Jay." .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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      Paris. 1802. - pp.322-331 plus plate. Original blue printed paper wrappers. A few chips to spine. Minor soiling. Light dampstaining to inner upper corner of each plate. Very good. Untrimmed. In a half morocco and cloth clamshell case. Thomas Jefferson's article on the design of his moldboard plow, one of his most important and enduring contributions to agricultural technology. First published in 1799 in the TRANSACTIONS of the American Philosophical Society, the article was reprinted in this French publication in 1802. The accompanying plate shows the illustration of figures for constructing the plow. Jefferson, who had an abiding interest in the technological improvement of farming and agriculture, determined to build a plow that would glide through the earth with as little resistance as possible. He built his first moldboard plow in 1794, and after several years of use, was convinced of its ease of use and construction, resulting in this article. Its publication here, during his presidency, illustrates Jefferson's ongoing ties to France stemming from his service as U.S. ambassador.

      [Bookseller: William Reese Company - Americana]
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        Part of the floor. Plate II.

      Description d'un Pave en Mosaique. Paris: P. Didot. 1802 - Copper engraving. Early Printed colour. Size: 46 x 38 cm. (18 x 15 inches). Excellent condition. Good wide margins. Some light spotting on margins, not affecting image. This magnificent print is a superb example of early printed colour. It was published in Alexandre Laborde's 'Description d'un Pave en Mosaique'. This book documented the discovery of the mosaic floor of a Roman villa, found in the village of Santiponce near Seville. This print shows in immaculate detail, four of the roundels (two containing portraitsof the muses Euterpe and Clio, one with a centaur inside) that make up part of the floor. Engraved by Marchand, J.

      [Bookseller: Peter Harrington. ABA member]
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        Lyrical Ballads, With Pastoral and Other Poems - Vol I. Third Edition - [- Vol II. Second Edition]

      London: Printed for T.N. Longman and O. Rees . by Biggs ad Cottle, 1802 - The rare second two-volume edition of Lyrical Ballads. With several important changes from the 1800 edition - the Preface is expanded by 20 pages, Coleridge's "The Dungeon" and Wordsworth's "A Character" and "Lines Written Near Richmond" are withdrawn, and the appendix on poetic diction is included for the first time Third edition. 2 vols., 8vo. [iv], lxiv, [2], 200, [4]; [iv], 250 pp. 19th- century half red morocco and marbled boards, spine gilt-lettered. Rubbed, with some scuffing to spines. Contemporary ownership signatures to front paste-down. Bookplate. Healey 12 & 13; Tinker 2332 [Attributes: Hard Cover]

      [Bookseller: James Cummins Bookseller, ABAA]
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        An Introduction to the Knowledge of Rare and Valuable Editions of the Greek and Roman Classics: Being, in part, A Tabulated Arrangement from Dr. Harwood’s View, &c. With Notes from Maittaire, De Bure, Dictionnaire Bibliographique [-].

      Glocester, Printed by H. Ruff: For Payne, Faulder, Egerton, Evans, Robinsons, Mawman, Hurst, Dwyer, London: Hanwell and Parker, Oxford: Smart, Worcester: and Hough, Glocester. 1802. First Edition. - Size of binding: 5 1/8 in. x 8 1/8 in., xii, 63 pp. + errata on p. [64] Copy in original, paper-covered boards, with spine & sides covered in a brown, mottled paper, and brown/tan paper over the boards. Spine ends show some chipping away of the mottled paper, cover corners & edges show some wear. Page margins show a few, age-related tan spots; page size is not cut down; a few pencil checks present against a few rare books listed here; former owner's bookplate on front paste-down. Overall, a well-preserved copy of a rare and very delicate book. The first edition, which is the basis for several other enlarged editions, including the Fourth Edition (London, 1827): a book which is still used, quoted, and available in a fairly recent (1977) facsimile reprint. The scan shows the spine and front cover. "About five months ago, I had circulated a printed Prospectus of a Work, on a much more extensive plan than the present: as far as relates to that part which embraces the following pages, it will be found that I have not deviated from my design. [-]" "In the shape of an humble note I take the opportunity, of stating, that the care and assiduity requisite to the compilation of this little Work, the variety of authorites referred to, the smallness and closeness of the type, with the difficulties attending its arrangement in the Press, have induced me to set a heavier price on the Book than was originally intended. For the few errors which may have unavoidably escaped me, I solicit the indulgence of the candid Reader." (From the author's "Advertisement", p. [iii]). [Attributes: First Edition; Hard Cover]

      [Bookseller: Peter Keisogloff Rare Books, Inc.]
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        Introduction to the Knowledge of Rare and Valuable Editions of the Greek and Roman Classics. 1st ed.

      Payne, Faulder, Egerton, Evans, Robinsons, Mawman, Hurst, Dwyer, Glocester, 1802, - DIBDIN, T.F. An Introduction to the Knowledge of Rare and Valuable Editionsof the Greek and Roman Classics : Being, in part, A Tabulated Arrangementfrom Dr. Harwood's View, &c. With Notes from Maittaire, De Bure, Dictionnaire Bibliographique, and References to Ancient and Modern Catalogues. Glocester : Printed by H. Ruff; for Payne, Faulder, Egerton, Evans, Robinsons, Mawman, Hurst, Dwyer, London; Hanwell and Parker, Oxford; Smart, Worcester; and Hough, Glocester, 1802. First Edition. Pp [i]-xii,[1]-63,(1,errata). Sm8vo, brown half-calf, marbled boards, red morocco spine label. Heavy wear to spine and edges, spine ends chipped, covers rubbed overall, occasional moderate foxing, else a very good copy. With numerous notes in contemporary (?) pen. 800.00 [Attributes: First Edition; Hard Cover]

      [Bookseller: John W. Doull, Bookseller (A.B.A.C.)]
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        Lower Egypt and the Adjacent Deserts with part of Palestine

      William Faden, London 1802 - Size : 560x770 (mm), 22x30.25 (Inches), Original Hand Coloring

      [Bookseller: Alexandre Antique Prints, Maps & Books]
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        Arte de escribir por reglas y con muestras, segun la doctrina de los mejores autores y modernos, estrangeros y nacionales, acompañado de unos principios de Arithmética, Gramática y Ortografia Castellana.

      Madrid: En la imprenta de la viuda de Don Joaquin Ibarra, 1802. - Torio (1759-1820) was a member of the Royal Society for Economics in Madrid, and keeper of archives to the Marques de Astorga. He "was a man of extensive culture who had studied several languages, an uncommon accomplishment for a master of calligraphy at that time. Torio, in addition to being an excellent writing master, is above all praised as an able and impartial critic and historian of the art, credited with reforming the bad taste which he considered prevalent among the Spanish scribes of his time. The bibliographer, Cotarelo y Mori, gives extensive space to Torio in his important work on the Spanish calligraphersÉTorio's principal work was the Arte de escribir, which was celebrated by his contemporaries and makes a fundamental contribution to the development of Spanish calligraphy" (Morison, Calligraphy 1535-1885, Milano: 1962, p. 165). Small quarto. [xxxii], 445, [1, note] pp. With fifty-eight engraved plates designed by the author, engraved by Asensio, Castro, Gangioti. Engraved title-page. Contemporary limp vellum with title in gilt on spine. Tear in vellum repaired on front cover. Contemporary ownership signature on front free endpaper, library rubberstamp on printed title, rubberstamped numeral on half-title. One gathering browned, a little light foxing otherwise. Overall a good, clean copy. Second edition, revised, of this celebrated book on writing. The plates show the geometric construction of the alphabet and the proportions for various sizes of script, as well as giving specimens of different types of letters, some with elaborate decoration. The section on arithmetic is remarkable. Palau 334356. [Attributes: Hard Cover]

      [Bookseller: Michael R. Thompson Books, A.B.A.A.]
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        ARTE DE ESCRIBIR POR REGLAS Y CON MUESTRAS, SEGUN LA DOCTRINA DE LOS MEJORES AUTORES ANTIGUOS Y MODERNOS, ESTRANGEROS Y NACIONALES, acompañado de unos principios de Aritmética, Gramática y Ortografía Castellana, Urbanidad y varios sistemas para la formacion y enseñanza de los principales caractéres que se usan en Europa.

      Imp. Vda. de don Joaquín Ibarra. Madrid, 1802 - . 22 cm. Frontispicio, dibujado por Paret y grabado por Ametller, XXXI-445 pág. Ilustr. con 58 lám. grabadas por Castro, Assensio y Gangoiti, fuera del texto. Enc. en medio pergamino,tejuelo. Ejemplar corto de márgenes. Señal de óxido. Pequeña restauración en el frontis. Palau 334356. Tipografía. Caligrafía. Paleografia i caligrafia Libros antiguos anteriores a 1830 español [Attributes: Hard Cover]

      [Bookseller: Libreria anticuaria Farré]
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        Voyage de la Troade, fait dans les années 1785 et 1786,

      Paris, Dentu, 1802 - XVIII, 303, 332, 315 S., 20cm., Jean Baptiste LeChevalier (* 1. Juli 1752 in Trelly, Département Manche; † 2. Juli 1836 in Paris, Saint-Étienne-du-Mont) war ein französischer Gelehrter, Geograph und Archäologe. Als Sekretär des Gesandten Choiseul-Gouffier reiste er nach Konstantinopel, Italien u. die Nordwestküste von Kleinasien; (aus: Meyers Gr. Konv. Lexikon 6. Aufl. 1905) - Lederrücken etwas berieben, Falz bei Bd. 3 mit Läsuren, - insgesamt gute und dekorative Exemplare Sprache: fr Gewicht in Gramm: 1330 8° , hellbraunes Halbleder, goldgeprägte Rückenbeschriftung, Lesebändchen, marmorierte Vorsätze Troisième édition revue corrigée et considérablement augmentée; complet en 3 volumes de texte (mais sans l'atlas); [Attributes: Hard Cover]

      [Bookseller: Antiquariat Blaeschke]
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        Naval Chronology; or, An Historical Summary of Naval & Maritime Events, from the Time of The Romans, to the Treaty of Peace 1802. With an appendix. In five volumes.

      London: Printed for T. Egerton, at the Military Library, Whitehall; Bickerstaff, 210, Strand; and Richardson, Royal Exchange; by C. Roworth, Hudson's Court, Strand. 1802. - Hardback, 8vo, 481 + 454 + 640 + 759 + 640pp. Fair condition in five quarter leather volumes. All volumes very worn, particularly at edges and corners where both leather and paper covers have worn through at many spots; several 1cm dents. Spine lettering faded. 1cm nick out of heel of vol IV spine. Hinges brittle. Pages very foxed and discoloured. Occasional dogeared corners and roughly opened pages. Owner's bookplate in each volume ("William Lacon Childe"). [Attributes: Hard Cover]

      [Bookseller: City Basement Books]
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      London: Printed by T. Bensley.for J. White, 1802. - xxiii,[1],309pp., plus forty-one hand-colored aquatint plates (including dedication leaf), a folding colored map, and a colored plan of the Battle of the Nile. Quarto. Modern three quarter red morocco and cloth, spine gilt. Very slight shelfwear. Quite clean, fresh, and unblemished internally. A handsome, near fine copy. A fully-colored copy of the quarto edition of this important account of Nelson's victory at the Nile, and of travels in the Mediterranean. Quarto copies were offered colored and uncolored, the majority were issued as uncolored aquatints. This is a primary source for Nelson's victory in the Battle of the Nile, and an important tour of the Mediterranean. Willyams served as chaplain of the Swiftsure, a ship in Nelson's squadron, and he was present at the Battle of the Nile. The DNB calls this book "the first, the most particular, and the most authentic account of the battle." Willyams was a talented topographer and artist, and this is a handsomely produced book, showing the skill of the printer, Bensley. The plates are after drawings done by Willyams and include a plan of the battle, as well as views in Sicily, Syracuse, Egypt, Alexandria, Syria, Venice, Gibraltar, and other locations around the Mediterranean. The text includes well-written descriptions of all these places and more. ABBEY 196. BLACKMER 1813. HILMY II:335. PRIDEAUX, pp.223 & 357. COX II:448. JCB MARITIME HAND-LIST 1235. NMM 5:1657.

      [Bookseller: William Reese Company - Americana]
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        The Journal of Frederick Horneman's Travels, from Cairo to Mourzouk,

      London: Printed by W. Bulmer and Co. for G. and W. Nicol,, 1802. the Capital of the Kingdom of Fezzan, in Africa, in the Years 1797-8. Quarto (269 x 214 mm). Early 20th-century red-brown half calf, raised bands to spine, titles and decorations to spine gilt, buff boards block-printed with stylised floral designs in green, white, and yellow, same design to endpapers. 2 partially coloured engraved folding maps by James Rennell. Bookplate of the Aggrey House to recto of front free endpaper; black ink stamps of the same to verso of front free endpaper and recto of rear free endpaper; accession number in white to tail of spine and in blue ink to title page. Spine sunned, corners and edges of boards slightly bumped and worn, split to top of front free endpaper repaired with archival tape to both recto and verso, prelims, endmatter, and map-adjacent leaves lightly foxed, occasional minor spotting throughout, short closed tear to stub of first folding map. First English edition; originally published in German in 1801. The accounts of Horneman (1772-1800), "the first European in modern times to traverse the north-eastern Sahara" (Britannica). He originally set out from Cairo to explore the Niger and locate its source on behalf of the African Association in London. This copy was gifted to the Aggrey House by Major Hanns Vischer (1876-1945), the Swiss-born British Africanist and colonial educationist. Aggrey House was a London hostel for African students established by the League of Coloured Peoples (LCP) in collaboration with the Colonial Office in 1934; Vischer presented this copy to the hostel's library that same year. However, the support of the Colonial Office made Aggrey House "part of a wider debate about the place of the politics of empire in Britain", in particular as it was seen as a rival of the West African Students' Union (WASU) hostel (Rosenhaft, Africa in Europe, p.86). While the Colonial Office claimed it sought to create "an African Club in London", "a real home" for Africans studying in Britain (Whittall, in Africa in Europe, p.84), WASU saw the Colonial Office's involvement to be an attempt to influence and control colonial students (WASU, The Truth About Aggrey House, n.p.).

      [Bookseller: Peter Harrington]
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        BILL Of ENTRY BROADSIDE. "LONDON IMPORTED, March 22 - 26, 1802. No. 60. - No. 63"

      Diggers, Printer, St. Ann's - Lane., [London]: 1802 - The broadside reports the maritime commerce of the day in 5 primary categories: "London Imported, March 22, 1802" with locations, company & good received (e.g., "New York Wm Rowlett and Co. 7000lb tobacco . 10000lb cotton"); "Ships Entered Inwards" naming the ship, captain & port (e.g., Sophia, J. Smith . Rouen); "Goods Exported, March 22" listing destination, company & goods (e.g., "Virginia Smith and Son certain cotton & silk hose at l300"); "Goods Exported by Certificate." listing destination, company & goods (e.g., "Quebec Fellows and Co 71c linen, 400l thread, 3160l pepper, 1529 tomals[?]"); and "Ships Cleared Outwards" showing ship, captain & destination (e.g., Juliana, R. Branch . New York"). A concluding note advises "Such GENTLEMEN as are desirous of taking the BILL OF ENTRY, are desired to apply to Mr. R. Seymour or Mr. P. Wick, in the Long Room at the Custom House." Overall, a VG+ lot of very scarce early 19th C. customs documents. Light extremity wear. Faint horizontal fold line. Short ink annotation on verso, dated 1809. ~ 36.5 cm x 26 cm. 4 single sheet broadsides, printed recto only.

      [Bookseller: Tavistock Books, ABAA]
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        Der Kleine Lateiner oder: gemeinnützige Kenntnisse aus der Natur und Kunst in der Gestalt eines neuen lateinischen Lesebuchs für Kinder zur Bildung des Verstandes und Herzens durch das Gedächtnis. Zweyte verbesserte Auflage. - Gest. Nebentitel: Die Gemalte Welt oder der gemeinnützige Lateiner. Leipzig, C. Weigel u. Nürnberg, A. G Schneider, 1790. Mit 50 (inkl. gest. Titel) Kupfern auf 49 Tafeln. XII, 151 S. Ockerfarbener Pappbd. d. Zt., Deckel von schmaler vergold. (oxydiert) Bordüre eingefasst; vord. Gelenk leicht beschabt, Ecken etw. bestoßen.

      . . Pilz S. 340f. (unter Johann Georg Lederer); Brüggemann/Evers 504 (4. Aufl. v. 1802); Monschein 81 (ausführlich). - Sehr seltenes, reizend illustriertes Werk. "In 76 Kapiteln werden Himmel und Erde, die Elemente, Fauna und Flora, Schiffahrt, Instrumente, das Haus und seine Teile, Musik usf. in lateinischer Sprache erklärt. Jedes Kapitel enthält am Ende ein deutsch-lateinisches Glossarium, in dem die noch unbekannten Vokabeln angeführt werden" (Monschein). Zur Entstehung schreibt der Autor in der "Vorrede": "Das viele Nachfragen nach einem lateinischen Lesebuch mit Kupfern für kleine Anfänger, das ihren iugendlichen Bedürfnissen entspricht und doch keinen großen Aufwand verursachet, hat mich auf den Gedanken gebracht, gegenwärtiges Werkchen herauszugeben. ... Eigentlich besteht es aus gemeinnüzigen, leichten Stücken, die aus des berühmten Comenii Orbe Picto, den der gelehrte Herr Rector Lederer in Sachsen, vor zwey Jahren ganz umgearbeitet und verbessert, aber ohne Kupfer, herausgab". Monschein weist darauf hin, dass es sich bei "Rektor Lederer aus Sachsen" um Johann Christian Lederer aus Jessen (bei Wittenberg) handeln muss und nicht, wie Pilz angibt, um den Namensvetter Johann Georg aus Nürnberg. Da der erste Band von Johann Peter Voits 1789 erschienenen "Unterhaltungen aus der Naturgeschichte" mehr oder weniger eine Übersetzung des "Kleinen Lateiners" darstellt und auch alle Kupfer übernommen wurden, vermutet sie weiter zumindest eine Mitautorschaft Voits an vorliegendem Werk. Etwa die Hälfte der hübschen, meist nach Gabler gestochenen Kupfer zeigen Tiere und Pflanzen, die übrigen teils sehr dekorative Berufs- und Werkstattdarstellungen (Buchbinder, Papiermacher, Glashütte, Uhrmacher, Küche, Garten- u. Ackerbau usw.). Sowohl Text- als auch Tafelumfang variieren bei allen in den Bibliographien genannten Exemplaren. Monschein nennt X, 150 S. (bei uns XII, 151 S.) und 50 num. Kupfer (samt Nebentitel) u. erwähnt auch eine mit "52" nummerierte Tafel. In unserem Exemplar sind die Tafeln wie folgt nummeriert u. angeordnet: Nebentitel, Taf. 1-4, 6-23, 51-52 u. 24-47. Tafel 19 ist eine gefaltete Doppeltafel. Die Tafeln 51 u. 52 sind zu den richtigen Kapiteln gebunden. Bis auf das Exemplar bei Monschein haben alle, soweit Angaben gemacht werden, in den o.a. Bibliographien genannten Exemplare (gleich welcher Auflage) weniger Tafeln. - Schönes, frisches Exemplar. ** Bestellungen bis 14 Uhr versenden wir am selben Tag. - Schweizer Postkonto vorhanden. **

      [Bookseller: Antiquariat Patzer & Trenkle]
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        La caccia della lepre. Poemetto.

      Parma, co' tipi Bodoniani 1802 - In 16mo; pp. 8 n.nn., 49, 1 n.n. Half calf, marbled boards. Ex libris. Clean copy. Ceresoli, pag. 524: "Seconda edizione graziosissima in nitida ed elegante veste tipografica, su carta pregiata"; Brooks, 852; Schwerdt II, pag. 264; Souhart, 465. 3 attached images. [Attributes: Hard Cover]

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        Bollettino leggi Repubblica Italiana (1802-1804) poi Bollettino leggi Regno d'Italia (1805-1808), Milano, Veladini Luigi, stampatore nazionale, 1802

      - cm. 13,5 x 20,5, ril. coeva mz. pelle con titoli su tasselli ai dorsi, interni feschi, Testatine silografiche all'inizio di ogni fascicolo. Importanti repertori con numerose e varie leggi sottoscritte da Melzi., Vaccari, Napoleone, ecc. BOLLETTINO DELLE LEGGI DELLA REPUBBLICA ITALIANA (gli indici alla fine di ogni anno) ed all'inizio di ogni volume le tavole cronologiche delle leggi e degli atti con propria numerazione a caratteri romani, mediamente pag. I-XVI. Volume primo - Anno Primo 1802 (dalla costituzione proclamata nei comizi in Lione al 31 dicembre 1802 (pagine 527) Dal fasc. n. 1 al n. 20. Volume secondo - Anno secondo 1803 - dal 1 gennaio al 31 gennaio (pagine 440) Dal fasc. n. 1 al n. 16. Volume terzo - anno terzo 1804 - dal 1 gennaio al 30 aprile (pagine 1-567) dal fasc. n. 1 al n. 11. Volume quarto - anno terzo 1804 - dal 1 maggio al 31 dicembre (pagine 568-1056) Dal fasc. n. 12 al n. 25. BOLLETTINO DELLE LEGGI DEL REGNO D'ITALIA Volume primo - anno 1805 - dal 1 gennaio al 30 giugno (pagine 1-356) Dal fasc. n. 1 al n. 10 Volume secondo - anno 1805 - dal 1 luglio al 31 dicembre (pagine 357-643) dal fasc. n. 11 al n. 23 Volume primo - anno 1807 - dal 1 gennaio al 30 giugno (pagine 1-360) dal fasc. n. 1 al fasc. n. 16 Volume secondo - anno 1807 - dal 1 luglio al 30 settembre (pagine 361-968) dal fasc. n. 17 al n. 28 Volume terzo - anno 1807 - dal 1 ottobre al 31 dicembre (pagine 969-1615) Dal fasc. 29 al 41. Volume primo - anno 1808 - dal 1 gennaio al 31 maggio (pagine 1-426) Dal fasc. n. 1 al n. 18. Volume secondo - anno 1808 - dal 1 giugno al 31 dicembre (pagine 427-1110) Dal fasc. 19 al 43. Offriamo il blocco di questi 0 11 importanti volumi (in sequenza con la sola lacuna del 1806) a

      [Bookseller: Ferraguti service s.a.s. - Rivisteria]
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        DISSERTAZIONI sopra l'istoria ecclesiastica di Padova. Opera di Canonico della cattedrale, socio emerito della R. Accademia e vicario generale capitolare in sede vacante.

      Seminario, 1802 - 1817, Padova, - 9 parti in 6 gr. voll. in-folio, pp. 94, 1 c.b., 32; 110, 98, (2); 85, 1 c.b., 84; 78, 1 c.b., 94; 68, 127; 79, 216; 116, 191; 160, 312; 104, 158. Bella leg. in c. gialla coeva con tit. ms al d. Esempl. in barbe. La principale opera del Dondi (Padova 1756-1819). Ricca di preziosi documenti. Con molte inc. in rame ai front. e nel testo. [229]

      [Bookseller: SCRIPTORIUM Studio Bibliografico]
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        Shakespeare Macbeth Act IV Scene I a dark cave. In the middle a Cauldron boiling. Three Witches, Macbeth, Hecate, &c

      John & Josiah Boydell, London 1802 - A superb impression of one of the greatest images in Boydell's Shakespeare Gallery, from the original painting by Sir Joshua Reynolds "This is Shakespeare on a grand scale, the Shakespeare of titanic emotion, of compelling gesture and vivid gaze.the greatest of the engravings.are by any standard powerful works with an inescapable emotional force behind them. They speak directly to us." (A. E. Santaniello, The Boydell Shakespeare Prints, New York, 1979) In 1786, the printseller John Boydell (1719-1804) "embarked upon the most important enterprise of his life, viz. the publication, by subscription, of a series of prints illustrative of [the works of] Shakespeare, after pictures painted expressly for the work by English artists. For this purpose he gave commissions to all the most celebrated painters of this country for pictures, and built a gallery in Pall Mall for their exhibition. The execution of this project extended over several years. In 1789 the Shakespeare Gallery contained thirty-four pictures, in 1791 sixty-five, in 1802 one hundred and sixty-two, of which eighty-four were of large size. The total number of works executed was 170, three of which were pieces of sculpture, and the artists employed were thirty-three painters and two sculptors, Thomas Banks and the Hon. Mrs. Damer. It appears from the preface to the catalogue of 1789, and from other recorded statements of Boydell, that he wished to do for English painting what he had done for English engraving, to make it respected by foreigners." ( DNB ) Sir Joshua Reynolds (1723-1792) was considered in his time the greatest artist of the era, and the brightest star of the constellation of artists who contributed to Boydell's Shakespeare Gallery. Here, in a great whirlwind of otherworldly beings, he shows Macbeth confronting, as it were, his true fate, having been deceived by a partial revelation at the start of the action. Macbeth's muscular, commanding figure waves his long dagger uselessly at the insubstantial spirits and ghosts, while the ghoulish witches and their entourage black magical beings calmly watch him. Cf. Santaniello (op.cit.). Stipple engraving. Printed on wove Whatman paper. In perfect condition. Image size: 17 1/4 x 23 1/8 inches.

      [Bookseller: Donald A. Heald Rare Books (ABAA)]
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        Traité des moyens de désinfecter l'air, de prévenir la contagion et d'en arrêter les progrès.

      Paris, Chez Bernard, An XI (1802). - In-8 reliure d'époque veau marbré, dos lisse orné de filets et vignettes dorés, portrait frontispice dessiné et gravé au physionotrace par Quenedey, XLVIII-429 pp. + 11 pp. du catalogue de l'éditeur. Bon exemplaire très frais de cette seconde édition largement augmentée.

      [Bookseller: LE LUTRIN]
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        HISTOIRE DE LA VILLE D'AUTUN, connue autrefois sous le nom de Bibracte, capitale de la République des Éduens; Divisée en IV livres et ornée de gravures. Par Joseph Rosny, Capitaine d'Infanterie.

      De l'Imprimerie de P. Ph. Dejussieu, Autun 1802 - 1802. Adam, Marc Joubert (graveur). A AUTUN, De l'Imprimerie de P. Ph. Dejussieu, Rue de l'Arbalète. -An XI de la République (1802). Superbe reliure moderne (circa 1960) plein cuir havane avec décor et titres gravés en creux dans l'esprit de l'époque. Dos à 4 nerfs. Les plats intérieurs sont décorés par un papier à l'huile "en queue de paon". 352 et (2) pages; 8 planches gravées en noir par Adam d'après Marc Joubert [Carte de la République des Éduens - Armoiries d'Autun - Portique d'Arroux - Portique de St André - Pierre de Couard - Amphithéâtre - Temple de Pluton - Temple de Janus]. Etat intérieur parfait avec quelques très discrètes roussures périphériques n'altérant ni le texte ni les gravures qui sont d'exceptionnelle qualité. Cet ouvrage dont c'est ici l'édition originale fut tiré à petit nombre sur vergé (292 souscripteurs). Photos supplémentaires sur demande. L'envoi se fera en courrier prioritaire recommandé avec assurance. [Attributes: First Edition; Hard Cover]

      [Bookseller: Eratoclio]
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        The China Limodorn

      London 1802 - Dr. Robert John Thornton (1768-1837) hand-colored engraving 21.75" x 17", The China Limodorn, is from his book titled The Temple of Flora, or Garden of Nature, Picturesque Botanical Plates of the new Illustration of the Sexual System of Linnaeus. Thornton began to indulge his lifelong love for botany in 1799. Determined to surpass the Germans in scholarship and the French in printing artistry, he planned a book of philosophic and literary distinction, illustrated by some of the best painters working in Britain. Within the book there are five frontispieces, portraits and allegorical compositions with thirty-two plates of flowers. Thornton made up each set with twenty-nine or thirty-two in varied arrangements. The lengthy text was primarily written by Thornton himself, where artists were commissioned to design and paint the images. The majority of designs were done by Peter Henderson and Philip Reinagle. The intaglio plates - a varied combination of mezzotint, aquatint, line and stipple engraving, finished with watercolor -were executed by Bartolozzi and other English masters. The title notwithstanding, few of the plates are of scientific interest. It is the forceful stylization of flowers, together with their historical, allegorical and/or fanciful backgrounds (prescribed by Thornton) that place the Temple of Flora among the greatest botanical books of all time. Dr. Thornton, who gave his life and his fortune to this work, created one of England's monuments to Romantic idealism. With slight foxing and staining in margins, this plate has dramatic vibrancy and coloring and is in excellent condition.

      [Bookseller: Arader Galleries San Francisco]
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        Geographical Dictionary, Geographical Grammar, Biographical Dictionary, French & English Dictionary, English Dictionary.

      London, Printed for W. Peacock & Son, Printed for J. Mawman, 1802–4 - 5 volumes, 12mo. Finely bound in contemporary full red straight grained morocco, titles and extra decoration to spines gilt, decorative rule to boards gilt, marbled endpapers, all edges gilt. In fine condition. Geographical Dictionary, 3rd Edition with 8 hand coloured folding maps & a folding plate. Geographical Grammar, 2nd Edition with 13 hand coloured folding maps. Biographical Dictionary by Stephen Jones, 4th Edition. French & English Dictionary by Thomas Nugent, 11th Edition. English Dictionary compiled from Dr. Johnson, 6th Edition. A fine collection of pocket dictionaries in a beautiful early 18th century red morocco.

      [Bookseller: Peter Harrington. ABA member]
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      LIMA-PERÚ 1802 - SOBERBIO CARTEL DE TOROS del año 1802, dando razón de encierro y de 20 reses para lidiar el Lunes 22 de Febrero de 1802, en la Plaza MAYOR de LIMA, (PERU) la más antigua de toda América y la tercera más antigua del mundo. Espléndidos textos tipográficos sobre buen papel verjurado de la época y precioso motivo central con toro grabado. Formato en folio menor (2 hojas plegadas-con impresión por las cuatro caras) de medidas desplegados 40cm x 25,5cm. Figuraron como actores tres capeadores, dos rejoneadores, cuatro corredores de llave, doce toreadores del país, doce parlampanes (individuos mojigangeros), dos desgaterradores, dos garrochetos y un enano. Figurando en los programas el nombre, procedencia, pinta y divisas de los toros. Buen cartel y de gran rareza.

      [Bookseller: Librería de Lance La Dulcinea]
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      New York: Printed by David Longworth, 1802. - Two volumes. 506; 446pp. Portrait in first volume. Contemporary calf, spines gilt, leather labels. First volume expertly rebacked with original backstrip laid down, gilt leather label; second volume with modern calf backstrip in matching style, gilt leather label. Boards a bit shelfworn. Early ownership signature on verso of frontispiece in first volume; institutional ink stamp on titlepage of second volume. Text tanned, some foxing. Good. A scarce work, and one of the most valuable firsthand narratives of the American Revolution in the South. At the outbreak of the Revolution, Moultrie was a politician and an officer in the South Carolina colonial regiment (where he had risen to prominence during the Cherokee War). He was eventually promoted to the position of brigadier-general in the Continental Army. Moultrie fought in several important southern battles, including the defense of Fort Sullivan in 1776, and helped lead the defense of Charleston from the British before his forces were finally overcome in 1780. He was taken prisoner and held for more than a year, after which the British tried to bring him to their side by offering him a command in Jamaica. "Of great value for the history of the Revolution in South Carolina and Georgia" - DAB. "The author's position as Governor of South Carolina, afforded him ample facilities to consult original authorities, and the result of his researches is a good book" - Sabin. "One of the most interesting of the Revolutionary narratives" - Larned. HOWES M865, "aa." SABIN 51142. SHAW & SHOEMAKER 2704. LARNED 1441. DAB XIII, pp.293-94.

      [Bookseller: William Reese Company - Americana]
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        Voyage de La Troade, Fait dans les années 1785 et 1786 ; Troisième édition. Revue, corrigée et considérablement augmentée.

      Paris, Dentu, Imprim.-Libraire, An X.- 1802 - 3 vol. in-8° et 1 atlas in-4° ; XVIII-303 pp./(2)-332 pp./(2)-315 pp.-16 pp. de cat. éditeur in-fine, l’atlas se compose ainsi : page de gd titre-14 pp. [explications des planches]-37 gravures, plans, cartes h.-t. [I-XXXVII], pleine basane granité, dos lisse très joliment orné, caissons or, fleurons or, p. de titre et de tomaison en maroquin vert, palette or en pied, tranches jaunes, rel. uniforme de l’époque, bel exemplaire. Atabey, 690. Blackmer, 994. Contominas Collection, 396-97. Rare. Very nice set and very scarce. [Attributes: Hard Cover]

      [Bookseller: Librairie Hérodote]
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        Neues Hanndverisches Magazin.

      [Hannover]: [b.w.], 1802. - Rocznik: Nr 1-105 (I-XII 1802).; Notka wydawnicza: [Hannover]: [b.w.], 1802.; Wymiar bloku: 21cm.; Naklad: 0; Uwagi: Rocznik pisma (ukazujacego sie dwukrotnie w tygodniu w poniedzialki i piatki). Brak oprawy, blok pekniety w stanie dobrym ze sladami rozleglego starego zalania i licznymi zabrudzeniami.; Jezyk: niemiecki; Strony: [10], 1677, [9]; Kategorie tematyczne: czasopisma obce, historia XIX wiek, obcojezyczne niemiecki, okres wydania XIX wiek / magazines foreign, history 19th century, foreign languages German, period of edition 19th century / Zeitschriften fremde, Geschichte 19. Jh., fremdsprachig deutsch, Erscheinungsperioden 19. Jh.;

      [Bookseller: POLIART Beata Kalke]
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        The Quadrangular Passion-flower

      London:: Dr. Thornton,. 1802.. Elephant folio aquatint, stipple and line, printed in color and finished by hand from Dr. Thornton's landmark work the "Temple of Flora". The spectacular open blooms of the passion flower are shown climbing a corinthian column, with a classical building in the right background. This is the 3rd State of the print, which is probably the most dramatic of the three, with additional stipple to the leaves, and the pronounced fluting at the base of the column. Henderson, pinx., Hopwood, sculp. June 1, 1802. Impression mark 41 x 55 cm with wide margins. Dunthorne p249. Very vibrant colors.

      [Bookseller: Antipodean Books, Maps & Prints]
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        Istoria ragionata dei mali osservati in Napoli nel 1764 3 tomi

      Giustino Pasquali q. Mario Venezia 1802 - Misura cm 21 x cm 15, in 3 tomi, pagg. 291, 276, 261ISTORIA RAGIONATA DEI MALIOSSERVATI IN NAPOLINELL'INTERO CORSO DELL'ANNO 1764SCRITTA DA MICHELE SARCONEMedico Direttore dell'Ospedale del Reggimento Svizzero di Jauchin Venezia , 1802 , presso Giustino Pasquali q. MarioTOMO IDescrizione del sito, dei venti, dei mali più frequentemente dominatori di Napoli.Della diarrea osservata in gennaio 1764Della febbre reumatica osservata in febbraio delle sue varie fasi in marzo e porzione di aprile dell'anno stessoDella pleurisiaDella peripneumoniaDei mali acuti di fegato uniti a quelli di pettoTOMO IIDella malattia epidemica, che osservossi in Napoli da aprile 1764, per tutto l'autunno dello stesso annoDel vizioso e scarso vitto sostenuto in NapoliInfelice stato, in cui erano quei miserabili, che spinti dalla fame accorsero in numerosa turba nella capitaleDel tempo, nel cui nacque l'epidemia: dell'origine che tenne nel crescere, e nel propagarsi: e le circostanze più osservabili del suo corsoDelle efficaci provvidenze prese dal governoDurata del male in generaleDei segni della malattiaOsservazioni anatomicheDel glutine esistente nella massa correnteDelle sostanze putrideDei vari gradi della desipienzaEcc.TOMO IIIDi quell'oscuro carattere di idrofobiaDella mania e della malinconiaDel delirioDelle convulsioniDella convulsione nata per copia di sostanze viziose, che doveano dalla massa comune espellersi, e non restavano espulseDella epilessia acutaDei polsi tardi, lentiDel meteorismo del basso ventreDella soppressione delle orine Delle petecchieDella putrescenza, che si concepiva nella massa degli umoriCorollarj donde si dessumono le divisioni della epidemia in classi particolariDel glutine unito a febbreLettera del Signor Cutugnoecc. Lingua: italiano|

      [Bookseller: Studio Bibliografico Imprimatur]
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      [Bookseller: Librairie du Château de Capens]
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        ZOOLOGIE. Oiseaux. (H. N. Pl. 8), planche dessinée par Jacques Barraband et gravée par L. Bouquet.

      Imprimerie Impériale 1802 - - Imprimerie Impériale, Paris 1802-1830, 70 x 53,5 cm (58 x 42 cm hors marges), une feuille gouachée à la main à l'époque. - Gravure originale in plano extraite de l''Edition Impériale de la Description de l'Egypte ou Recueil des observations et recherches faites en Egypte pendant l'expédition française', publié par les ordres de Sa Majesté l'Empereur Napoléon le Grand. Réalisée entre 1802 et 1830, elle fut tirée à 1000 exemplaires offerts aux institutions. Papier vergé au filigrane 'Egypte ancienne et moderne' visible par transparence.Planche appartenant à la série des Oiseaux, dont l'étude a été réalisée par Jules-César Savigny (1777-1851), zoologiste qui participa à la campagne d'Egypte en tant que spécialiste des invertébrés.Planche gouachée à la main à l'époque. Seuls certains rares exemplaires des planches d'oiseaux ont ainsi été peints à l'époque, l'essentiel de ces planches étant demeuré en noir.Trois minuscules trous de ver en marge, n'affectant pas la gravure, sinon excellent état de conservation.La monumentale première édition de la Description de l'Egypte en 13 volumes comportait 892 planches dont 72 coloriées, parmi lesquelles 9 volumes concernaient l'Antiquité. Les autres volumes traitaient de l'Histoire Naturelle et de l'Egypte moderne car Napoléon Bonaparte avait emmené avec lui une commission de savants de toutes disciplines si bien que, disait-on, dans sa description était emmagasiné 'le plus riche musée de l'Univers'. Cet ouvrage fut rédigé en partie par la baron Dominique Vivant-Denon avant que ce dernier soit nommé directeur général du Musée Napoléon au Louvre. Plus de 80 artistes et 400 graveurs furent engagés pour ce projet titanesque. Les dimensions des planches exceptionnellement grandes nécessitèrent la création d'une presse spéciale et d'un meuble spécifique pour les conserver.! [Attributes: First Edition]

      [Bookseller: Librairie Le Feu Follet]
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        The Alpine Lovers; Les Amans des Alpes

      London: Published by H. Macklin, Poets Gallery Fleet Street, 1802. This is a fine colour printed stipple after a painting by Francis Wheatley, depicting two young lovers in the countryside. Wheatley was born and trained in London, and in 1769 was one of the first students admitted to the newly founded Royal Academy. Although he initially practiced as a landscape painter, by the mid 1770s he had become a popular painter of small-scale portraits and informal 'conversation-pieces'. From the 1780s onwards, Wheatley turned increasingly to genre scenes that were perfectly attuned to the sensibilities of the period. Today he is generally remembered for his Cries of London, which depicted street vendors such as milkmaids and fruit sellers engaged in their trade. Wheatley's work is distinguished by an unerring sense of proportion and rhythm, beautifully demonstrated in this perfectly simple portrait of rural love, which becomes a monumental expression of affection and desire. Webster, Francis Wheatley p. 187. Colour printed stipple. Printed on wove paper. In excellent condition with the exception of being trimmed within the platemark on all sides. Some skimming to surface of paper on verso of sheet. Image size: 13 7/8 x 12 inches.

      [Bookseller: Donald Heald Rare Books]
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        Vues en Égypte,

      London: R. Bower,, 1802. d'après les dessins originaux en la possession de Sir Robert Ainsllie, pris durant son ambassade à Constantinople par Louis Mayer; gravés par Thomas Milton, et sous sa direction: avec des observations historiques et des remarques particulieres sur les moeurs et les visages des habitans de ce pays. 3 volumes in one. Folio, with 96 hand coloured aquatints (48 in vol.I; 24 in vol.II; 24 in vol. III), pp. 109; 40; 47. 19th-century binding of half blue calf, gilt decoration to spine, raised bands, cloth boards. Rubbing to spine. The plates are protected by paper tissue guards which have kept the plates fresh and free of foxing. Some minor foxing to text. Overall a very good copy. [Bound with:] MAYER, Luigi. Views In the Ottoman Empire, Chiefly In Caramania, A Part of Asia Minor Hitherto Unexplored; with some Curious Selections from The Islands of Rhodes and Cyprus, And the Celebrated Cities of Corinth, Carthage and Tripoli: from the Original Drawings in the possession of sir R. Ainslie, Taken During His Embassy to Constantinople. With Historical Observations and incidental Illustrations of the Manners and Customs of the Natives of the Country. London, 1803. [Bound with:] MAYER, Luigi. Views In Palestine, From the Original Drawings By Luigi Mayer, With an Historical and Descriptive Account of The Country, and its Remarkable Places. The aquatint plates, engraved by and under the direction of Thomas Milton after original drawings by Luigi Mayer, include views of the Egyptian pyramids at Gizah, the Clossal Sphinx, Pompey's Pillar, Rosetta, Alexandria, Cairo, Cacamo, Macri, Rhodes, Cyprus, Corinth, Carthage, the Triumphal Arch at Tripoli, Jerusalem, Bethnay and the Dead Sea, and Bethlehem, as well as costume plates of Mamalukes, an Arab Sheik, an Egyptian Bey, Egyptian dancing girls and peasants, Bedouins, and Caramanians. Mayer executed his drawings at the request of Sir Robert Ainslie, during the latter's diplomatic posting to Constantinople, 1776–92. See the Abbey catalogue for a discussion of the publishing history of the works and a description of an 1894 collective issue (first editions of all three volumes), with general title dated 1894 and with added frontispiece portrait. Most of the plates in the present copies are watermarked 1895.

      [Bookseller: Peter Harrington]
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        System der medizinischen Elektrizitäts-Lehre, mit Rücksicht auf den Galvanismus.

      Breslau, bei Wilhelm Gottlieb Korn, 1802.. 8°. XXIV, 540 S. Mit 2 gefalteten gestochenen Tafeln. Geflammter Halblederband der Zeit mit rotem goldgeprägtem Rückenschild und wenig Rückenvergoldung.. Ronalds 488. - Wheeler-Gift 641. - Hirsch 5, 569. - Erste und einzige Ausgabe. - Struve war Verfasser einer grossen Anzahl populärmedizinischer Bücher. Das vorliegende Lehrbuch zur Anwendung der Elektrizität ist eine seiner seltenen Publikationen, die sich an Ärzte wendet. Er beschreibt die Entwicklungsgeschichte der Elektrizität in der Medizin, Apparate und Anwendungen. - Seit 1989 kein Exemplar in einer deutschen Auktion nachweisbar. - Mit Besitzerstempel des "Cantons-Physicus Dr. Kottmann, Solothurn" auf dem Vorsatz. Selten. - Schönes, ungelesenes Exemplar.

      [Bookseller: Antiquariat Daniel Thierstein]
 35.   Check availability:     ZVAB     Link/Print  

        Dictionnaire bibliographique, historique, et critique, des livres rares, precieux, singulieurs, curieux, estiméts, et recherchés [.].

      Pais u. Genf, Delalain fils & Fantin, Gravier et Co., 1790-1802. - 3 Bde. XXIV, 552 SS. (4), 551, (1) SS. (4), 544 SS. Halblederbände der Zeit. Dreiseitiger Farbschnitt. 8vo. Erste Ausgabe. - Geschätzte, auch André-Charles Cailleau zugeschriebene französische Allgemeinbibliographie; Vorbild für die großen Werke von Brunet und Graesse. "The leading rare book bibliography between De Bure and Brunet" (Breslauer/Folter 118, Anm.). Enhält zu den meisten verzeichneten Titeln auch Preisnachweise bis zurück ins späte 17. Jahrhundert. Der letzte Teil des 3. Bandes ("Seconde partie") mit eigenem Titelblatt (jedoch durchgehender Paginierung) sowie dem Druckjahr 1790. - Hintergelenk des 1. Bandes angeplatzt; 1 Bl. (S. 145f. im 3. Bd.) mit kl. Randausriß, sonst gutes, sauberes Exemplar. Besterman I, 910. Petzholdt 84. Monglond I, 1097. Barbier I, 956. OCLC 11899918. [Attributes: First Edition; Hard Cover]

      [Bookseller: Antiquariat INLIBRIS Gilhofer Nfg. GmbH]
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        Plate 199 - Lilium Candidum (Madonna Lily)

      Pierre-Joseph Redout?Hand-colored stipple engraving from Les Liliac?esParis: 1802-181631 1/4” x 24 1/4” framedThe unequalled botanical artist Pierre-Joseph Redout? occupies a central position in the development of European flower painting. Redout? had, as pupils or patrons, five queens and empresses of France, fromMarie-Antoinette to Empress Josephine and her successor, Marie-Louise. Despite many changes of regime in a turbulent epoch, he worked without interruption, a testament to his greatness as an artist. Les Liliac?es was Redout?'s largest and most ambitious work and is generally considered his masterpiece, arguably rivaled only by Les Roses. Produced under the patronage of the Empress Josephine, for whom Redout? worked as botanical artist at her estate at Malmaison, these pristine examples represent landmark works in the field of flower illustration.The title Les Liliac?es is misleading, as the work was of a much broader scope, including representatives of the lily, amaryllis, iris, orchid, and other families. The plates were executed by means of stipple engraving, a method that the artist himself perfected when he was unsatisfied with the effects garnered by traditional copper-plate engraving. As Redout? shrewdly observed, the delicacy and subtle elegance of his compositions could only be captured using a printing method equally fine. The luminosity of stipple engraving is particularly suited to the reproduction of botanical detail. The medium involved engraving a copper plate with a dense grid of dots that could be modulated to convey delicate gradations of color. Because the ink rested on the paper in miniscule dots, it did not obscure the "light" of the paper beneath the color. After this complicated printing process was complete, the prints were finished by hand in watercolor, so as to conform to the exquisite models Redout? provided.??? ??? ??? ??? ??? Les Liliac?es records the plants of the lily family, and related flowers, that Josephine collected for her gardens at Malmaison. Redout?'s small drawings, placed at the bottom of the main illustrations, record the anatomical features of each species so that each flower could be identified with precision and cultivated to perfection. In each illustration, as in his series Les Roses, the flowers are classical "portraits" which lack backgrounds or settings. The regal simplicity of the compositions allows the viewer to focus without distraction on the beauty and delicate complexity of the plants themselves. Redout?s's work represents a uniquely harmonious blend of scientific precision and supremely delicate rendering.

      [Bookseller: Arader Galleries]
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        Plate 276 - Lilium Chalcedonicum

      Paris 1802 - Pierre-Joseph Redouté A selection from Les Liliacées Stipple engravings with original hand color Paris: 1802-1816 21” x 14” Some discoloration around the edges. Some light foxing. The unequalled botanical artist Pierre-Joseph Redouté occupies a central position in the development of European flower painting. Redouté had, as pupils or patrons, five queens and empresses of France, from Marie-Antoinette to Empress Josephine and her successor, Marie-Louise. Despite many changes of regime in a turbulent epoch, he worked without interruption, a testament to his greatness as an artist. Les Liliacées was Redouté's largest and most ambitious work and is generally considered his masterpiece, arguably rivaled only by Les Roses. Produced under the patronage of the Empress Josephine, for whom Redouté worked as botanical artist at her estate at Malmaison, these pristine examples represent landmark works in the field of flower illustration. The title Les Liliacées is misleading, as the work was of a much broader scope, including representatives of the lily, amaryllis, iris, orchid, and other families. The plates were executed by means of stipple engraving, a method that the artist himself perfected when he was unsatisfied with the effects garnered by traditional copper-plate engraving. As Redouté shrewdly observed, the delicacy and subtle elegance of his compositions could only be captured using a printing method equally fine. The luminosity of stipple engraving is particularly suited to the reproduction of botanical detail. The medium involved engraving a copper plate with a dense grid of dots that could be modulated to convey delicate gradations of color. Because the ink rested on the paper in miniscule dots, it did not obscure the "light" of the paper beneath the color. After this complicated printing process was complete, the prints were finished by hand in watercolor, so as to conform to the exquisite models Redouté provided. Les Liliacées records the plants of the lily family, and related flowers, that Josephine collected for her gardens at Malmaison. Redouté's small drawings, placed at the bottom of the main illustrations, record the anatomical features of each species so that each flower could be identified with precision and cultivated to perfection. In each illustration, as in his series Les Roses, the flowers are classical "portraits" which lack backgrounds or settings. The regal simplicity of the compositions allows the viewer to focus without distraction on the beauty and delicate complexity of the plants themselves. Redoutés's work represents a uniquely harmonious blend of scientific precision and supremely delicate rendering.

      [Bookseller: Arader Galleries San Francisco]
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        A Lecture on Heads

      London - T. Bensley, 1802 Book. Very Good. Hardcover. Leather bound copy of this interesting lecture with frontispiece and in text illustrations. Stevens' satiric lecture on heads, fashion, and the whims and foibles of those who have heads was first performed in 1764, and met with such popular acclaim that pirated editions soon began to surface. Lewes, an actor who performed the lecture himself, describes these problems in his Address to the Public. The lecture owes much to Stevens' observant wit, and its popularity into the 19th century to the craze for physiognomy, which it parodies. Stevens [1710-1784] was a poet and playwright, but nothing he did ever equaled the popularity of this lecture. He also achieved some minor note as (apparently) the person who coined the term merry-go-round for carousels, in a 1729 poem. Condition: The volume has been rebound and the binding is tight and firm with all pages securely attached. There is some wear to the extremities including scratches to the leather. The spine is split and the leather is peeling in places. The original title on the spine has been replaced and this is also peeling away. Internally the pages are generally clean and bright apart from the occasional spot and odd handling mark. There is a library sticker on the front pastedown and at least seven library stamps on various pages but priced accordingly and scarce in any condition. There is also an ink signature on the frontispiece. Overall the volume is in good condition..

      [Bookseller: Rooke Books]
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        The Works of the Author of the Night-Thoughts

      London - F. and C. Rivington et al., 1802 Book. Very Good. Hardcover. A complete collection of the poetry, plays and essaysof Edward Young. Illustrated throughout withsixteen engraved plates, including an engraved title page and frontispiece. Young, living in a time when patronage was slowly fading out, was notable for urgently seeking patronage for his poetry, his theatrical works, and his career in the church: he failed in each area. He never received the degree of patronage that he felt his work had earned, largely because he picked patrons whose fortunes were about to turn downward. Including The Consolation, The Dignity of Man, The Brothers and many more. Though his praise was often unearned, often fulsome, he could write, False praises are the whoredoms of the pen / And prostitute fair fame to worthless men. Complete in three volumes. Condition: In amateur half-morocco bindings. Externally, quite smart, with just a few marks. Internally, firmly bound. One hinge strained. Pages are bright, though with some scattered instances of foxing throughout. Somescatteredpencilmarginaliathroughout. Overall: VERY GOOD..

      [Bookseller: Rooke Books]
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        DIZIONARIO STORICO degli autori Ebrei e delle loro opere disteso dal Dottore Prof. di Lingue Or. Volume I (e II).

      Stamperia Reale,, Parma, 1802 - in-8 gr., pp. VIII, 192; 170, (2), bella leg. m. pelle coeva con nervi e tit. oro al d. Risguardi in carta color. Testo su due colonne. Brooks 881. Belliss. esempl. su carta forte. [209]

      [Bookseller: SCRIPTORIUM Studio Bibliografico]
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        The Works of the Author of The Night-Thoughts. IN THREE (3) VOLUMES. Revised & Corrected by Himself - A New Edition

      Printed for F. & C. Rivington; Otridge & Son; J. Nichols; J. Sewell etc. London 1802 - 3 vols: 352pp. + 374pp. + 383pp. 8vo Frontispiece, vignette title page + 14 full page engravings Full leather Includes: The Life of Dr. Young by Mr. Herbert Croft Occasional foxing mostly opposite plates, pages 209-10 & 289-90 have 4" closed tears, covers rubbed, bindings sound/tight: VG+ [Attributes: Hard Cover]

      [Bookseller: Bear Bookshop, John Greenberg]
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        Minstrelsy of the Scottish Border;

      London - T. Cadell and W. Davies 1802 - The Kelso first edition of Scott's first major work, published anonymously. The Minstrelsy of the Scottish Border is a collection of Border ballads compiled by Walter Scott. The Minstrelsy sold well on both sides of the border, and the first edition was exhausted in six months. German, Danish, and Swedish translations followed, and North American editions gave Scott his first taste of transatlantic fame. (WS)Frontispiece to volume I. Complete in two volumes (the third additional volume was published in 1803)Condition: Rebound in calf. Externally, generally smart, though with some marks and slight sunning. Rubbing to the extremities also. Internally, firmly bound. Ink inscriptions to endpapers. Pages are generally clean, though with some scattered spotting throughout, and handling marks to the first few pages of volume I. Overall: VERY GOOD. [Attributes: First Edition; Hard Cover]

      [Bookseller: Rooke Books PBFA]
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        Minstrelsy of the Scottish Border: Consisting of Historical and Romantic Ballads, Collected in the Southern Counties of Scotland; With a Few of Modern Date, Founded Upon Local Tradition

      Kelso: Printed By James Ballantyne, For T. Cadell Jun. And W. Davies, Strand, London; And Sold by Manners and Miller, and A. Constable, Edinburgh, 1802. - First edition. Published in an edition of 800 copies. 3 volumes of which volumes 1 and 2 are the complete first edition as issued in 1802. This set also includes the third volume, in a matching binding, first published in the 1803 second edition. Bound in contemporary full brown calf with decorated gilt stamped spines and board edges. Marbled pages edges and endpapers. Small owner bookplate to front pastedown of each volume. Some rubbing and wear, mostly to edges, and light bumping to corners. Generally, a very tight and clean set. Minstrelsy marked Scott's true literary debut, written and published as a collection of the traditional ballads that Scott had been collecting in yearly trips to the Borders since 1792. Overall, a very attractive copy of the first edition of Scott's first major work. [Attributes: First Edition; Hard Cover]

      [Bookseller: B & B Rare Books, Ltd., ABAA]
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        Minstrelsy of the Scottish BorderConsisting of Historical and Romantic BalladsIn Two Volumes

      Kelso - James Ballantyne 1802 - A first edition of this highly sought after work from prolific poet, Walter Scott. One of the eight-hundred copies originally published in 1802, which sold out within it's first six months of publication. Consisting of historical and romantic ballads collected in the southern counties of Scotland, founded upon local tradition. Featuring the original engraved frontispiece to volume one. Collated complete. Scott's interest in the folk traditions of the Border region stemmed from early childhood stays at Sandyknowe, when he heard ballads from the lips of his grandmother Barbara Scott and his favourite Aunt Jenny. As an older boy, he thrilled to the medieval ballads collected in Bishop Thomas Percy's Reliques of Ancient English Poetry. Scott began collecting ballads himself in yearly trips to the Borders from 1792 onwards. He first had the idea of publishing a collection in 1796, but it was not until he renewed contact with his old schoolfriend, the printer James Ballantyne, that the idea bore fruit. In 1799 Ballantyne had published An Apology for Tales of Terror which contained ballads by Robert Southey, Matthew 'Monk' Lewis, John Aikin, and Scott himself. He now welcomed the idea of publishing a volume devoted entirely to ballads, a genre rendered newly fashionable by Wordsworth's and Coleridge's Lyrical Ballads. The volume's success laid the foundations of James Ballantyne's career as a printer. 'I shall ever think', he wrote, 'the printing the Scottish Minstrelsy one of the most fortunate circumstances of my life'. Completewith the originaltwo volumes, although without the later publishedthird volume,which was published a year later. Condition: In contemporary mottled calf bindings with gilt borders. Externally, both volumes are rubbed, with slight wear to extremities. Very slight loss to the spine label of volume two. Both front boards are held by the cords only, with the rear joints slightly starting. Internally, both volumes are firmly bound with bright pages throughout. Some instances of spotting, and light off-setting to the title page of volume one. Evidence of past worming from the title page, through to xxx of volume one. Ink inscription to the endpapers of both volumes dated 1920. Overall: GOOD, with a VERY GOOD interior. [Attributes: First Edition; Hard Cover]

      [Bookseller: Rooke Books PBFA]
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        Narcissus Bulbocodium. Narcisse Bulbocode

      Les Liliacees., 1802-1816.. Plate 24. Stipple engraving. Original colour. In fine condition. Mounted size 53.5 x 72cm. Size: 34 x 52 cm. (13½ x 20½ inches). Pierre Joseph Redoute was born in Belgium, he became a favored artist at the court of France, patronized by kings from Louis XVI to Louis-Philippe. His delicate illustrations were not only framed as pictures but also applied to china. Engraved by Tassaert.

      [Bookseller: Peter Harrington]
 46.   Check availability:     Biblio     Link/Print  


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