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Displayed below are some selected recent viaLibri matches for books published in 1796

        The monk: a romance. By M. G. Lewis, Esq. M.P. In three volumes.

      London: printed for J. Bell, Oxford-Street 1796 - Second edition; 12mo; three volumes. Finely bound in early twentieth century full calf (lightly worn), spines richly gilt between five raised spine bands with gilt lettered red and green leather spine labels to second and third compartments and gilt lettered publication date to foot of spine, boards with double gilt fillet to borders, single gilt fillet to board edges and ornately gilt inner dentelles, bindings signed by Stikeman & Co on front endpapers. All page edges gilt, marbled endpapers contemporaneous with bindings. An exceptionally attractive, near fine example. As a Gothic classic The Monk needs little introduction. Coleridge admired much within the work, but was critical of its "low and vulgar taste": "the Monk is a romance, which if a parent saw in the hands of a son or daughter, he might reasonably turn pale." ESTC T146748, citing 7xUK and 6xUS institutional location only. [Attributes: Hard Cover]

      [Bookseller: Lyppard Books]
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        The Holy Bible, containing the Old and New Testaments: translated out of the Original Tongues: and With the Former Translations Diligently Compared and Revised. And the Apocrypha: with Marginal References.

      Philadelphia: Berriman and Co., 1796. First Edition. Leather . Very Good . Engravings. Lecturn-sized Folio (16 1/2" by 10 1/4"), calf over boards (rebacked with labels laid down), 10 full page engravings, 748-pages. 7 lbs. 13 oz. Considerably better than average copy of this large folio bible printed by Jacob R. Berriman for Berriman & Co.Lacks 8 plates including the frontispiece for the New Testament.Noteworthy & handsomely produced Bible: the First Edition of the scarce Berriman Bible printed in two columns with sidenotes including scriptural cross-references and a chronology. Noted for superior illustrations by contemporary American engravers, including Alexander Anderson, Cornelius Tiebout, and William Rollinson.Contemporary leather, skillfully rebacked and several pages professionally repaired by our experts, covers scuffed; spine with original gilt-stamped title label laid down. Scattered foxing; a few pages have their margins cut closely--presumably as originally bound.

      [Bookseller: Borg Antiquarian]
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        RELATION DES COMBATS ET DES ÉVÉNEMENTS DE LA GUERRE MARITIME DE 1778 ENTRE LA FRANCE ET L'ANGLETERRE, MÊLÉE DE RÉFLEXIONS SUR LES MANOEUVRES DES GÉNÉRAUX.

      [Paris]: Imprimerie de Patris, 1796. - [2],403pp. Half title. 19th-century calf-backed boards, spine gilt. Corners lightly worn, boards and spine sunned. Bookplate on front pastedown. Internally clean. Very good. First edition of this military history of maritime engagements during the American Revolutionary War. Kerguelen-Trémarec was a French explorer and naval officer. His expeditions included a voyage to the South Seas, where he discovered the Kerguelen and Desolation islands in the Antarctic in 1772. This work has summaries of all of the major naval encounters of the French and English in the Revolution, most notably the Battle of the Capes on September 5, 1781, in which De Grasse prevented the English fleet from relieving Cornwallis at Yorktown, and de Grasse's defeat by the English in the Caribbean in the spring of 1782. HOWES K103, "aa." GEPHART 7191. SABIN 37615.

      [Bookseller: William Reese Company - Americana]
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        RELATION DES COMBATS ET DES ÉVÉNEMENTS DE LA GUERRE MARITIME DE 1778 ENTRE LA FRANCE ET L'ANGLETERRE, MÊLÉE DE RÉFLEXIONS SUR LES MANOEUVRES DES GÉNÉRAUX...

      [Paris]: Imprimerie de Patris, 1796. [2],403pp. Half title. 19th-century calf-backed boards, spine gilt. Corners lightly worn, boards and spine sunned. Bookplate on front pastedown. Internally clean. Very good. First edition of this military history of maritime engagements during the American Revolutionary War. Kerguelen-Trémarec was a French explorer and naval officer. His expeditions included a voyage to the South Seas, where he discovered the Kerguelen and Desolation islands in the Antarctic in 1772. This work has summaries of all of the major naval encounters of the French and English in the Revolution, most notably the Battle of the Capes on September 5, 1781, in which De Grasse prevented the English fleet from relieving Cornwallis at Yorktown, and de Grasse's defeat by the English in the Caribbean in the spring of 1782. HOWES K103, "aa." GEPHART 7191. SABIN 37615.

      [Bookseller: William Reese Company - Americana]
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        Praktisches Handbuch für Künstler und Oekonomen.

      Berlin Pauli 1796 - (20 x 12 cm). (4) 460 S. Pergamentband der Zeit unter Verwendung eines alten Manuskriptpergaments. (Enzyclopädie für Künstler). Erste Ausgabe des in sich abgeschlossenen vierten Bandes der "Enzyclopädie für Künstler". - Enthalten sind Vorschriften und Anweisungen zum Seifensieden, zur Parfümherstellung, Feuerwerkerei, Konditorei, zum Bierbrauen, Gerben und Färben von Leder, Vertilgen schädlicher Insekten sowie verschiedene Ratschläge aus der Haus- und Landwirthschaft. - Vier Blätter mit minimaler Fehlstelle im oberen weißen Rand. Einband etwas angeschmutzt. Insgesamt sauberes Exemplar in guter Erhaltung [Attributes: First Edition; Hard Cover]

      [Bookseller: Antiquariat Gerhard Gruber]
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        Versuch über ein neues Prinzip zur Auffindung der Heilkräfte der Arzneisubstanzen, nebst einigen Blicken auf die bisherigen. 2 Teile. SS. 391-439 und 465-561. In: Journal der practischen Arzneykunde und Wundarzneykunst. Hrsg. C. W. Hufeland. Band 2 in 4 Teilen.

      Jena Academische Buchhandlung 1796 - (17,5 x 10,5 cm). (2) 637 S. Mit 1 kolorierten gefalteten Kupfertafel. Moderner Pappband im Stil der Zeit. Erste Ausgabe dieses sehr seltenen Meilensteins in der Geschichte der homöopathischen Theorie. - Hahnemann stellt hier erstmals die Entwicklung und die erste Formulierung seines Heilgrundsatzes "Similia similibus" öffentlich vor. "Schwer und heiß hat Hahnemann mit sich selbst und mit den überkommenen Anschauungen zu ringen gehabt, bis er zu der Erkenntnis gelangte, wie sie uns in dieser Abhandlung entgegentritt. festgehalten muß werden: Das Jahr 1796 ist das Geburtsjahr der Homöopathie" (Haehl). - Titel verso mit durchschlagender Bibliothekssignatur. Stellenweise leicht fleckig, sonst gut erhalten. - Schmidt 133; Haehl I, 72. [Attributes: First Edition; Hard Cover]

      [Bookseller: Antiquariat Gerhard Gruber]
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        Traité de dynamique dans lequel les lois de lâ??équilibre et du mouvement des Corps sont réduites au plus petit nombre possible, et démontrées dâ??une manière nouvelle, et où lâ??on donne un Principe général pour trouver le Mouvement de plusieurs Corps qui agissent les uns sur les autres dâ??une manière quelconque

      chez Fuchs Libraire 1796 4to (cm. 23,1), 4 cc.nn., XXXVI - 272 - XIX pp. con 5 tavv. rip. f.t. Legatura â??800 in mz. pergamena con titolo oro su tassello in pelle al ds. Piccola mancanza al piede del ds. e al tassello. Angoli usurati. Qualche carta lievemente ingiallita ma buoni interni in barbe. Rara seconda edizione accresciuta.

      [Bookseller: Libreria Antiquaria Ex Libris s.r.l.]
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        THE FLOATING IDEAS OF NATURE, SUITED TO THE PHILOSOPHER, FARMER, and MECHANIC. [complete in two volumes]

      Printed for the Author, London 1796 - pp. vol. I: [4], [ix]-xvi, 17-318, [2- index,] [2- blank]; voll. II: 108, *109 - *134, 109-290, [325]-332, 291-296. Folding table frontispiece to volume I. The pagination is somewhat erratic, but all seems to be present, there is stub to the preliminaries of vol. I but this is from the folding table. Collation as follows vol. I Title, Advertisment leaf, Preface, Introduction, main text, Index; vol. II; Title page, Preface, Appendix, List of subscribers. Full, conteporary bindings of tree sheep, gilt decoration to the spines. Bindings worn to the spine with much of the covering leather chipped off, the boards remain firmly attached, but ideally need to be rebacked. All edges dyed yellow. Contents clean and tight, paper clean and crisp. A good/;very good set. All of Varlo's self- published works are scarce, but this title is particularly scarce - the list of subscribers listing only around 225 names. It is a later issue with some new material but, essentially as preceding editions: - "The Essence of Agriculture" in 1786 and "Nature Displayed" in 1793. Varlo went to America in 1784, expecting, apparently, to be acknowledged as governor of the province of New Jersey, through a grant from Charles I to Sir Edmund Plowden. This claim was dismissed in the courts. Varlo's twelve months' tour through the states of New England, Maryland, and Virginia is described in chapters three and four with fascinating accounts of George Washington and General Eathen Allen. Varlo's text while predominantly about British agriculture includes various references to American Agriculture including sections on Indian corn and tobacco. Varlo was free thinking and his text is enriched with his own observations and social commentary including his views on social injustices; some of his beliefs and thoughts were ahead of his time: - Chapter XXVI - ".my thoughts upon the most barbarous law which prevails in England, of hanging fellons." and concludes ".neither do I think that the law, as it now stands, for hanging felons, has the desired effect in lessening the growth of evils." The following chapter is entitled "A scheme to dispose of Felons, without Death or transportation, and make them useful Members of Society." Of tobacco users he says ".we are confident many in those countries that go without shoes and stockings, destroy more money in tobacco than would keep them in these articles; in short, it is a foolish, dirty, unmeaning custom, which ought to be abolished by every person of sense, having no good quality attending it." . [bibliographic references: HOWES V53. SABIN 98633.] [Attributes: First Edition; Hard Cover]

      [Bookseller: LOE BOOKS]
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        Voyage de F Le Vaillant dans lIntandeacuterieur de lAfrique

      

      [Bookseller: Maggs Bros. Ltd. ]
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        The Age of Paper or An Essay on Banks and Banking

      

      [Bookseller: Maggs Bros. Ltd. ]
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        Narrative of a Five Years Expedition against the Revolted Negroes of Surinam

      

      [Bookseller: Maggs Bros. Ltd. ]
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        Miscellaneous Works of Edward Gibbon Esquire

      

      [Bookseller: Maggs Bros. Ltd. ]
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        Hermsprong or man as he is not A Novel

      

      [Bookseller: Maggs Bros. Ltd. ]
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        The Hasty Pudding

      

      [Bookseller: Maggs Bros. Ltd. ]
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        Repertoire des Elèves de Harpe ou Méthode Contenant des Morceaux d'un doigté facile, propres à former la main et vaincre par dégré de grandes difficultés... Prix 9 fr. Propriété de l'Editeur par Décret de la Convention Nattionale le 19 Juillet 1793

      Paris: Chez Louis, 1796. 1f. (title), [1] (blank), 2-25 + [i] (blank) pp. Engraved. Title within fine illustrated border by J. Le Roy featuring musical instruments (including the harp), music, and architectural and floral elements. Overpaste of the Parisian music dealer "Duhan & Cie." With publisher's signature to title. Minor foxing and browning; light to moderate staining to lower outer portion of each leaf. Very rare. Not in Lesure or Lescat. RISM PP1635a (one copy only, at the Martin-Luther-Universitãt, Halle). WorldCat (with incorrect imprint and without location). Not in COPAC or Karlsruhr. "In 1765 [Petrini] became harpist and chamber musician at the court of Mecklenburg-Schwerin, where he also studied composition. In 1769 he went to Paris, and in 1770 gave his début at the Concert Spirituel and published his op.1." Alice Lawson Aber-Count in Grove Music Online. Bound with: Cousineau, Jacques-Georges 1760-1836 Méthode de Harpe Suivie d'un Receuil de Petits Airs de differens Auteurs, et d'une instruction touchant le Méchanique des Harpes Anciennes et Nouvelles... Oeuvre IV. Prix [9 livre]. Paris: Chez Cousineau Pere et Fils [PN 107], [1784]. 1f. (title), [1] (simple free-hand engraving of the harp), 2-48 pp. Engraved. Title within decorative border featuring musical instruments including the harp. With publisher's signature to foot of title and early manuscript annotation to upper margin. Page 10 with a diagram of pedal positions. Title washed; minor staining to lower outer corners of many leaves; occasional paper repairs at plate edges. First Edition. Rare. RISM BVI p. 241 (4 copies only). Lescat: Méthodes Traités Musicaux en France 1660-1800, 477a. Bound with: Dalvimare, Pierre 1772-1839 Un Jeune Troubadour Romance Avec accompagnement De Piano ou Harpe... Prix 1 [livre] 50 c. Paris: Au Bureau de l'Agence Dramatique... Et chez les Marchands de Musique [PN 47], [ca. 1800-1820]. [1] (title), 2-3 pp. Engraved. With the signature of the composer (most likely autograph) to title. Dalvimare was harp tutor to Napoleon's wife, the Empress Josephine. Bound with: Various short contemporary pieces featuring the harp by composers and arrangers including Baneux, Berton, Blattman, Cardon, Deleplanque, Desargus, Gros, Krumpholtz, and Naderman, including several pieces from the series "Feuilles de Terpsichore ou Nouvelle Etudes de Harp" published in Paris by Chez Cousineau Pere et Fils, [1779-ca. 1790]. Folio. Contemporary quarter green vellum with marbled baords, rectangular paper label with manuscript titling to upper. Binding worn and rubbed, particularly at edges; spine chipped; manuscript titling faded.

      [Bookseller: J & J Lubrano Music Antiquarians LLC]
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        Briefe des Ewigen Juden über die merkwürdigsten Begebenheiten seiner Zeit. Zweiter Band

       2. original Ausgabe, Germanien (wohl Offenbach), 1796. 379 S., original Hldr. (berieben u. bst./unteres Kapital ausgebrochen/etwas stockfleckig/NaV.)Versand D: 5,90 EUR Judeika, Geschichte

      [Bookseller: Celler Versandantiquariat]
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        Del contratto sociale o principj del diritto politico. Tradotto dal francese da G. Mennini

      Honnert, Parigi 1796 - Lieve uniforme brunitura Si tratta della rara prima traduzione di Mennini. Successivamente, nel 1797, fu pubblicata l'edizione tradotta da C.M. e poi quella con traduzione di Niccolà Rota. X + 237 p. in-16

      [Bookseller: Libreria Antiquaria Giulio Cesare]
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        Portraits des personnages célèbres de la Révolution [with 200 18th century engraved portraits related to the French Revolution, including Washington, Franklin, Paine, Robespierre, Marat, Corday, Lafayette]

      Paris: L'Imprimerie du Cercle Social and Bonneville, 1796-1802. Small 4to. 4 vols. Avec tableau historique et notices par l'un des representants de la Commune de Paris en 1789 et 1790, half-titles, stipple-engraved frontispieces and 200 engraved or stipple-engraved portraits by and/or after Bonneville, light offsetting, some foxing, mostly to vol.1, small tear and hole to index of vol.1 with slight loss to one or two letters, upper hinges of vol.1 & 2 broken, one endpaper loose, nineteenth century morocco-backed boards, spines gilt with revolutionary motifs of fasces, a little worn, [Colas 383], Paris, 1796-1802. Portraits of the leaders of the French Revolution and other notable figures of the time including Washington, Franklin, Lafayette, Pitt, Fox, Paine etc.; Includes various documents and a description of the attire of the ruling revolutionaries .

      [Bookseller: Alan Wofsy Fine Arts]
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        Portraits des personnages célèbres de la Révolution [with 200 18th century engraved portraits related to the French Revolution, including Washington, Franklin, Paine, Robespierre, Marat, Corday, Lafayette]

      Paris: L'Imprimerie du Cercle Social and Bonneville-1802. 1796 - Small 4to. 4 vols. Avec tableau historique et notices par l'un des representants de la Commune de Paris en 1789 et 1790, half-titles, stipple-engraved frontispieces and 200 engraved or stipple-engraved portraits by and/or after Bonneville, light offsetting, some foxing, mostly to vol.1, small tear and hole to index of vol.1 with slight loss to one or two letters, upper hinges of vol.1 & 2 broken, one endpaper loose, nineteenth century morocco-backed boards, spines gilt with revolutionary motifs of fasces, a little worn, [Colas 383], Paris, 1796-1802. Portraits of the leaders of the French Revolution and other notable figures of the time including Washington, Franklin, Lafayette, Pitt, Fox, Paine etc.; Includes various documents and a description of the attire of the ruling revolutionaries . [Attributes: Hard Cover]

      [Bookseller: Wittenborn Art Books]
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        AN INQUIRY INTO THE NATURE AND CAUSES OF THE WEALTH OF NATIONS...IN THREE VOLUMES. A NEW EDITION.

      Philadelphia:: Thomas Dobson,. 1796. 412; 430; 387, [1 blank], [53], [1 blank] pp. Contemporary tree calf [some chipping], rebacked with remnants of original spines laid down. Scattered toning, generally light foxing, lightly worn. Good+. The second American edition, the first having issued in 1789, also published by Dobson. 'Printing and the Mind of Man' describes this work as "the first and greatest classic of modern economic thought." Evans 31196. PMM 221 [London, 1776]. Kress 3288.

      [Bookseller: David M. Lesser, Fine Antiquarian Books ]
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        Delineations of Exotick Plants cultivated in the Royal Garden at Kew. Drawn and coloured, and the botanical characters displayed according to the Linnean system, by Francis Bauer... Published by W.T. Aiton.

      London, William Bulmer, 1796-(1797). Parts I-II (of 3). Large Folio (620 x 470mm). pp (4), iii, (1 blank), with 20 hand-coloured etched plates. Original blue boards, with printed paper labels on upper covers, worn and with some repairs, in a half-morocco box. First edition of Bauer's stunning depictions of ericas grown at Kew from specimens collected by Francis Masson in the Cape Colony, without the excessively rare third part which was published in 50 copies only and lacking in most copies. The unsigned preface by Sir Joseph Banks, the only text in the work, speaks of Bauer's extraordinary skill: 'It will appear singular, at first sight, that engravings of plants should be published without the addition of botanical descriptions of their generic and specific characters; but it is hoped, that every Botanist will agree, when he has examined the plates with attention, that it would have been an useless task to have compiled, and a superfluous expence to have printed, any kind of explanation concerning them; each figure is intended to answer itself every question a Botanist can wish to ask, respecting the structure of the plant it represents; the situation of the leaves and flowers are carefully imitated, and the shape of each is given in a magnified, as well as in a natural size. The internal structure of the flower, respecting the shape and comparative size of its component parts, is also, in all cases, carefully displayed... ' The reader is referred to the Hortus Kewensis for details of synonymy and specific differentiae./According to a note by Sir Everard Home in the Natural History Museum copy, from information supplied him by Bauer, 90 copies of the first part were printed, but ten of them were spoiled in colouring, of the second part 80 copies were printed and of the third only 50./Blunt considers Bauer to have been 'the greatest botanical artist of all time' and notes that only in the present work can 'we appreciate the force of his draughtsmanship'.//Dunthorne 28; Great Flower Books p 49; Henrey 437; Hunt 747; Nissen BBI 97; Stafleu and Cowan 363.

      [Bookseller: Antiquariaat JUNK B.V. (Natural History]
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        Démonstrations élémentaires de botanique: Partie des Figures.

      Lyon, Bruyset Ainé, 1796. 2 volumes. 4to (275 x 210mm). pp. (4), xvi, 15, 104; pp. (4), 24, 31, 48, 15, with 342 engraved plates. Contemporary half calf (end of spines rubbed). The collection of plates and text comprises the "Figures des Plantes de P. Richer de Belleval". Richer de Belleval (1564-1632) was one of the early French botanists. He planned to publish a work with about 500 plates describing unknown plants of the Alps. The copper plates were made but the work was not published. The botanist Gilibert found about 300 of them in a bookshop in Montpellier, and used them in the above work for the first time, almost 200 year after they were made. If the work had been published during the lifetime of Richer de Belleval he would have been remembered as one of the very important early botanists. According to a note written in the book plate 277 was never published./The work contains 5 series. Série I: Figures fondamentales de toutes les parties des Plantes et leur explication. Série II. Notice Historique sur la vie, les écrits de Pierre Richier de Belleval... Observations... contenant les descriptions de Belleval, et une discussion critique sur chaque espece et le sentiment de Linné, Haller, Seguier, Gouan et Villars. Série III: L'explication et la suite des desseins des Graminées, d'après Leers. Série IV: Les descriptions et les Figures de la plupart des Mousses et des Plantes analogues, d'après Vaillant. Série V: Les Descriptions et les Figures des Plantes les plus rares observées par Linné sur les Alpes de Lapponie, tirées de son Ouvrage intitulé 'Flora Lapponica' & La Traduction libre du Poëme de Trante sur les amours des Fleurs, (De connubiis Florum) par L.P. Bérenger. //Provenance: Librarie stamp of A. de Gasparin on title-pages.//Nissen BBI, 703; B.M. (Nat. Hist.) I, p. 209.

      [Bookseller: Antiquariaat JUNK B.V. (Natural History]
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        Eclogae Americanae seu descriptiones plantarum praesertim Americae Meridionalis nondum cognitarum. I-III.

      Hauniae, Nicolaus Möller, 1796-1807. Folio. (8) + 52 + (4) + 56 + (2) + (4) + 56 (mgl. siste bl. i register) s. 30 kobberstukne delvis foldede plansjer. Nyere brunt skinnbd. 2 bl. med liten rift i nedre marg. 6 plansjer litt beskåret i øvre marg, med tap av plansjenummer. 2 plansjer litt fuktskjoldet i øvre marg. Plansjene noe mørknet og små bretter i ytre marg.. Martin Vahl, norsk botaniker og zoolog (1749-1804). Født i Bergen. Første norske professor i botanikk. Elev av Carl von Linné. Redaktør av Flora Danica, fasc. XVI-XXI. Recent half calf. 30 engraved, partly folding plates. Lacks last leaf in index (Part III). 2 leaves with minor tear in lower margin. 6 plates close cut in upper margin, with loss of platenumber. 2 plates with some dampstaining in upper margin. Plates a little darkend and worn in outer margins, otherwise a good copy

      [Bookseller: Ruuds Antikvariat]
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        La Religieuse.

      Paris, Buisson, (1796/97) - An Cinquième De La République. 8vo. Very nice contemporary half calf with gilt spine. Minor, barely noticeable repair to upper capital and slight bumping to corners. A very nice and clean copy, with only very minor brownspotting. Printed on good paper. With the half-title (bearing the "Décret concernant les Contrefacteurs" on verso). Book plate of Guy de Portuales to inside of front board. (4), 411, (1) pp.. The very rare first edition of Diderot's famous novel, "The Nun", which was actually begun as an elaborate practical joke, but which ended up as one of the most famous novels of the period. A great succes-de-scandale, "The Nun" has both fascinated and unsettled the vast reading public since its first appearance. It started out as a series of letters from a fictitious character, the nun Suzanne, to one of Diderot's friends, the Marquis de Crosmare (who Diderot was trying to lure back to Paris), describing her intolerable life in the convent and imploring him to help regain her freedom and her renounce her vows. The fictitious letters were later revised and written in to the novel that we know today. The work was completed in ab. 1780 and was published posthumously in 1796/97, attracting enormous attention and bringing to light a number of issues that had not previously been publically addressed. It focuses on the then-current practice of forcing young women into convents in order to get them out of the way, on the unnatural life of the convents, and on the corruption in religious institutions and among the clergy. As such, it caused an outrage when it appeared and and became an instant succes-de-scandale. "A novel mingling mysticism, madness, sadistic cruelty and nascent sexuality, it gives a scathing insight into the effects of forced vocations and the unnatural life of the convent. A succes de scandale at the end of the eighteenth century, it has attracted and unsettled readers ever since. For Diderot's novel is not simply a story of a young girl with a bad habit; it is also a powerfully emblematic fable about oppression and intolerance. This new translation includes Diderot's all-important prefatory material, which he placed, disconcertingly, at the end of the novel, and which turns what otherwise seems like an exercise in realism into what is now regarded as a masterpiece of proto-modernist fiction." (From the Oxford University Press edition, 2005). Tchemerzine IV:471

      [Bookseller: Lynge & Søn A/S]
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        "Original Designs of the Most Celebrated Masters of the Bolognese, Roman, Florentine, and Venetian Schools; Comprising Some of the Works of Leonardo da Vinci, the Caracci, Claude Lorraine, Raphael, Michael Angelo, the Poussins, and others, in His Majesty Collection; engraved by Bartolozzi, P.W. Tomkins, Schiavonetti, Lewis, and Other Eminent Engravers; with Biographical and Historical Sketches of L. da Vinci and the Caracci"

      London: Printed by W. Bulmer and Co. Shakspeare-Press and sold by G. and, 1796-1812 London: Printed by W. Bulmer and Co. Shakspeare-Press and sold by G. and W. Nicol [et al.], 1796-1812. . Leather. VG+. "Imperial Folio (502 x 377 mm); [1] engraved leaf, [2] leaves, 12 p. [7] engraved leaves, [2] leaves, 6 p., [116] leaves (58 engraved with 66 plates, preceded by 58 free leaves -and the most by flying silk protective tissues).- // Binding elaborated from two superb boards of the 18th century in red levant (crushed morocco), beautifully decorated with a gilt artistic dentelle, and cover and extended edges also gilt dentelled, and an English style spine, from the first third of 19th century with raised bands and spine label, decorated in black and gold tones; gilt edges. The binding presents very minor peeling from different periods. Judging by the strong hinges (necessary to handle a volume of this size) professionally placed in the 20th century, this was perhaps when the binding was  built . The sizes of the boards, the spine and the body of the work lead us to think that the spine belongs to the original binding. Most of the engravings have a protective silk tissue. From the engraving of 'Sybil' by Raphael, almost all the engravings have sequential numbering. Foxing spots and slight darkening in margins of some plate leaves, especially in the first series; old waterstain that only affects the lateral margin of the last five engravings; minimal tear in side margin of the content page; a plate leaf of the second series, with tear not affecting the image.- // Prov.: Ex-Libris on pastedown, Edward [Davies] Davenport (motto Time Deum et Honora Regem); Hand written ex-libris on last free endpaper, 'Brian Elias, Dec. 1965'.- // Description of the content: Frontispiece, 1 etching  F. Bartolozzi, orig. draw. Guido [Reni]; published as the Act Directs, Dec. 25 1802 by I. Chamberlaine, Brompton MIDDx. ; 1 white card leaf; Engraved title page on card; [First additional title page:] Imitations of original designs by Leonardo da Vinci Consisting of various drawings of single figures, heads, compositions, horses, and other animals: optics, perspective, gunnery, hydraulics, mechanics; and in particular of very accurate delineations, with a most spirited pen, of a variety of anatomical subjects, In His Majestys collection. Published by John Chamberlaine, keeper of the king's drawings and medals. and F.S.A.- London: Printed by W. Bulmer and Co. and sold by George Nicol, Bookseller to His Majesty; Edwards, Pall-Mall; Robson Bond-Street; and Messrs. White, Fleet-Street, 1796. [lacks in this copy]; [1] p., Dedication to the King; [1 p.] white; p. 3-12, study about Leonardo; p. 13-14, on card, transcription and translation of the notes by Leonardo on the anatomy plates reproduced in the following two first plates; [7], enraved leaves by F. Bartolozzi from originals by Leonardo.  Published as the Act Directs , (1º)  August, 15th 1795 , (2º)  apl, 27 1796 , (3º)  August, 18th 1795 , (4º) -no data-, (5º)  Sept, 17th 1795 , (6º) -no data- y (7º) -s.d.-.,  by I. Chamberlaine . Each engraving is preceded by their corresponding free leave and protective tissue; [Second additional title-page:] Engravings from the Original Designs of Annibale, Agostino, and Ludovico Caracci, in His Majesty Collection. Consists of Elegant Compositions and Studies for the Various Celebrated Pictures in the Different Palaces and Cabinets at Rome, Bologna, Parma, Milan, &c. Published by John Chamberlaine, F.S.A. and Keeper of the King's Medals and Drawings.- London: printed by W. Bul and co. And Sold by George Nicol [et al.], 1797; [1 leaf.], Dedication to the three eldest daughters of George III. [lacking in this copy]. [p. 1-2] Content table enumerating plates 1 to 66; p. 1-5, [1] p., study about The Caracci; [118 leaves], 58 white leaves and 58 engraved leaves, interspersed [+2, one of central reinforcement, and one closing leave], with a total of 66 engravings, in various techniques (etchings, burin, stippled, aquatint and soft ground), made by Bartolozzi, Eddy (¿?), George S. Facius, George Hawkins, Frederick C. Lewis, George R. Lewis, Benedetto Pastorini, Luigi Schiavonetti, Robert Shipster, James Stephanoff, J. W. Tomkins y Peltro W. Tomkins, made between 1806 and 1811, from the works of Bandinello, Canaletti, The Caracci, Leonardo, Lorrain, Michelangelo, The Poussin, Raphael and Swanvelt..- // Extraordinary volume, absolutely complete of its engravings, of the collection published by John Chamberlaine in 1812. Appointed 'Keeper of Drawings and Medals to the King' in 1791, from the time he took charge of the position he was determined to make the royal collections known, making reproductions of some of the best works by the great masters featured in the collection, in a work that spanned 30 years. After a successful anthology of works by Holbein started in 1792 (and which he didn't finish until 1800), between 1795 and 1796 he started another two series that were to be interrupted for long fore reasons unknown. One, dedicated to Leonardo, was planned for two instalments, with a total of eighteen engravings and Leonardo's self-portrait. The first of these, which appeared in 1796 with a front cover, a brief study of Leonardo, nine engravings dated in 1795 and 1796, two of them of anatomy, and the transcription and translation of the handwritten notes that appeared on those two engravings, was entitled Imitations of original designs by Leonardo da Vinci(1). The second series, on the Carracci, planned to include thirteen engravings and the self-portrait Anibal Carracci in two instalments. The first one was published at the end of 1797, with six engravings  with the self-portrait included- all of them engraved between 1796 and 1797 by Bartolozzi, accompanied by the cover of the series and a brief study on the Carracci. The title was Engravings from the original designs of Annibale, Agostino, and Ludovico Caracci, in His Majesty's collection(2). The publication came printed with a dedication to the three eldest daughters of King George III: Charlotte, Augusta and Elizabeth. When nine years later and no other instalment of any of the other two series had appeared, Chamberlaine became active again, for equally unknown reasons. In October 1806 he published another ten engravings, after drawings by Leonardo. And between that month and May of 1807, he did likewise with seven more engravings reproducing works of the Carracci, ten with works by Claude Lorrain, one by Raphael and another by Nicolas Poussin. After another pause, in 1809 he turned out sixteen engravings from the works of Bandinelli, Leonardo, Lorrain, Poussin y Raphael. And one and a half years later, on the 17th of April 1811, he dated another eight engravings reproducing the works of Canaletti, Leonardo, Lorrain, Michelangelo, Poussin y Herman Swanevelt. With all this work already produced, in 1812 he decided to compose this volume, which he only then entitled Original Designs of the Most Celebrated Masters of the Bolognese, Roman, Florentine, and Venetian Schools; Comprising Some of the Works of Leonardo da Vinci, the Caracci, Claude Lorraine, Raphael, Michael Angelo, the Poussins, and others, in His Majesty Collection. Both Brunet (confusing the titles), and Graesse (who didn't get confused), talk as if both the series of Leonardo and of the Carracci, and the later impressions, were pre-planned as a group, a unity, from the beginning, which was published between 1796 and 1811 in 8 fascicles, costing 2 pounds 2 shillings each. But although it is true that (almost all of) the set of prints were being published in instalments, with the previously mentioned interruptions, the truth is that they weren t originally designed to compose a single body of work and it seems that only from 1806 did it begin to be conceived in this way. In fact, the titles of the instalments were evolving, until it started to include the content of everything that had already been published. The title of the sixth fascicle, for instance, which appeared at the end of 1808, was ""Engravings from original designs by Da Vinci, the Carracci s, Claude, the Poussins, Raphael, &c""(3). What Chamberlaine eventually did in 1812 was to combine (almost) all the plates published into a single body, giving them unity with a table of contents of 66 engravings, and incorporating (so the title ensures us) the studies on Leonardo and on the Carracci. In fact, this publication is usually spoken about in reference to the 66 plates of the table of contents and the two studies. To this content, however, should be added the covers of the two first instalments, each of their dedications, and the plates of Leonardo's anatomy studies, the two that had been printed for the first instalment together with the transcription and translation of the notes they included, and another five that had not been issued previously, including the engraving of the physiology reproduction. And the coloured stippled engraving of Bartolozzi from the Ecce homo design by Guido Reni, printed on Christmas day of 1802, also appears in very few copies as the frontispiece(4). This total theoretical content, with 74 engravings distributed on 68 leaves, is what we have detailed at the start of this description, based on the comparison of this copy we offer with those existing in the Smithsonian Institution, the Biblioteca Hertziana in Roma, the British Museum and the John Hopkins University. The most complete of all of them, the copy from the Bibliotheca Hertziana, lacks the dedication to the king of the first instalment of Leonardo. Next would rank the copy we offer here, which lacks only the cover of the instalment of Leonardo and the dedication of the study on the Carracci to the king's daughters. After these, would come the copy from the British Museum, which, even if disorderly, is only missing one engraving: the frontispiece with the Ecce Homo by Reni. Then would rank the copy of the John Hopkins, which is missing some engravings, and the Smithsonian's, which is missing the seven engravings of Leonardo's anatomy (as was the case with the copy auctioned at Christies in 2009). In any case, the engravings that appear in these copies show variants. Thus, the smallest of Lorrain's landscape paintings, are individually printed in some copies, and are printed in pairs in others. Different states of some plates also appear, with or without aquatint, with or without the printed legend ""IN HER MAJESTY'S COLLECTION"" and with or without the design and size credits printed, and engraved by hand or not. (We have the detailed information and photographs of each engraving)..- // (1) On its publication, cfr. The Monthy Review, 25 (1798) 2: 233-235. The complete title was Imitations of original designs by Leonardo da Vinci Consisting of various drawings of single figures, heads, compositions, horses, and other animals: optics, perspective, gunnery, hydraulics, mechanics; and in particular of very accurate delineations, with a most spirited pen, of a variety of anatomical subjects, In His Majestys collection. Published by John Chamberlaine, keeper of the king's drawings and medals. and F.S.A.- London: Printed by W. Bulmer and Co. and sold by George Nicol, Bookseller to His Majesty; Edwards, Pall-Mall; Robson Bond-Street; and Messrs. White, Fleet-Street, 1796..- (2) On its publication, The Monthy Review, 25 (1798) 2: 235. The complete title was Engravings from the original designs of Annibale, Agostino, and Ludovico Caracci, in His Majesty's collection Consisting of elegant compositions and studies for the various celebrated pictures in the different places and cabinets at Rome, Bologna, Parma, Milan, &c. Published by John Chamberlaine, F.S.A. and keeper of the King's medals and drawings.- London: Printed by W. Bulmer and Co. and sold by George Nicol, Bookseller to His Majesty; Edwards, Pall-Mall; Robson, Bond-Street; and Messrs. White, Fleet-Street, 1797.- (3) The fascicles of January 1809 of magazines such as The Librarian, The Monthly Magazine, The Edinburgh Review, etc., informed of its appearance on the market.- (4) This is the difference between the descriptions provided by Rudolph Weigel in his work from 1865, Die Werke der Maler in ihren Handzeichnungen, pp. 52-53, nº 40, where he mentions 73 engravings, and that provided by his father, Johann August Gottlob Weigel, in 1841, in Aehrenlese auf dem Felde der Kunst; Beschreibung von Originalhandzeichnungen und Nadelarbeiten der Maler Kupferstichen und in Holz geschnittenen Werken, Leipzig 1836-1845, vol. de 1841, p. 105, ref. 2100, where he mentioned 74.- // Refs.: Brunet, I, 1761; Choulant, pp. 101-102, Graesse, II, 112; Lowndes (1858), II, p. 405; J.A.G. Weigel (1841), 2100; R. Weigel, pp. 52-53, 40."

      [Bookseller: Biblio Andarto B. S.L.]
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        The History of little Goody Two-Shoes. : Otherwise called Mrs. Margery Two-Shoes. : With the means by which she acquired her learning and wisdom, and in consequence thereof her estate. : Set forth at large for the benefit of all those pretty little boys and girls who wish to be good and happy.

      Wilmington, Delaware: Peter Brynberg, 1796. Hardcover. Good. 12mo. Approximately 2½ by 4 inches. 127pp. Original leather spine, paper over boards. Authorship is unknown, but usually attributed to Oliver Goldsmith. This copy lacks the first leaf, containing the frontispiece, and so commences with the title page. There are tears in the bottom corners of 2 leaves with some loss of text; one leaf has a closed tear; another has a small burn hole. A stain along the top runs from about p. 92 to the end. The paper has perished on the board edges, and there is evidence of old glue on the spine. Still a presentable copy in spite of faults, and a rare edition. Less than 6 other copies have been located. Old typewritten notes by Wilbur Smith are laid in. Evans, 32257; Welsh 463.7; Rosenbach 212.

      [Bookseller: Thorn Books ]
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        DU CONTRAT SOCIAL, OU PRINCIPES DU DROIT POLITIQUE. PAR JEAN-JACQUES ROUSSEAU, CITOYEN DE GENEVE.

      DE L'IMPRIMERIE DE P. DIDOT L'AINE. L'AN IV DE LA REPUBLIQUE. 1796. - GRAND IN-12 (12,5 X 21 X 2 CENTIMETRES ENVIRON) DE (4) + 163 ET (1) PAGES, RELIURE D'EPOQUE 1/2 VEAU HAVANE, DOS LISSE ORNE DE FLEURONS DORES (5 TOURS CRENELEES ET 3 TUBES DE CANONS LANCANT CHACUN UN BOULET), TITRE DORE SUR ETIQUETTE MAROQUIN ROUGE. MENTION IMPRIMEE SUR LA DERNIERE PAGE : "CETTE EDITION IN-12, IMPRIMEE SUR GRAND RAISIN VELIN SUPERFIN DE LA FABRIQUE DE DELAGARDE AINE ET COMPAGNIE, DU MARAIS, N'A ETE TIREE QU'A 200 EXEMPLAIRES". OUVRAGE TRES RARE. EX-LIBRIS AUTOGRAPHE SIGNE SUR LE CONTREPLAT SUPERIEUR "HENRI MONTANIER". [Attributes: Signed Copy]

      [Bookseller: Librairie du Château de Capens]
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        Aminta Favola Boschereccia.ora alla sua vera lezione ridotta

      impresso co'tipi Bodoiani, Crisopoli 1796 - 4to, pp. xxxvii, [1], 142, [2]; preserving the final blank leaf; engraved vignette portrait of Tasso on the title page; slightly later full mottled calf; joints rubbed, edges a little worn, one corner showing; all else very good and sound. Brooks, 650 noting this is edition was limited to 100 copies only, and that it is a reprinting of the same of 1789.

      [Bookseller: Rulon-Miller Books (ABAA / ILAB)]
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        Indonesia, Straits of Banca - Laurie and Whittle, 1796.

      "Plan of the Straits of Banca' Copper engraving from "The East-India Pilot, or Oriental Navigator' published in London by Robert Laurie and James Whittle in 1796. Coloured by a later hand. Size: approx. 47,5 x 33,0 cm.Nautical chart of the Isle of Banca and part of Sumatra "surveyed by Captain Lloyd of the General Elliot Country Ship, and Mr. Bampton in his passage from China to Batavia, and from Batavia to Malacca.'The map offers rich detail including countless depth soundings, notes on the sea floor, commentary on reefs and shoals (e.g. "a dangerous shoal omitted in almost all the charts'), rhumb lines, place names and a wealth of other practical information for the mariner. Cartographically it was derived from surveys by Captain Joseph Huddart, John Price, and a Mr McDonald.Price: € 975,- (excl. VAT/BTW)  .

      [Bookseller: Inter-Antiquariaat MEFFERDT & DE JONGE]
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        Selectus instrumentorum chirurgicorum in usum discentium et practicorum tabulis exaratus.

      Wien Alberti 1796 - (33 x 20,5 cm). (12) XVI (2) 48 S. Mit 25 (7 gefalteten) Kupfertafeln. Moderner Halblederband im Stil der Zeit. Erste Ausgabe der übersichtlichen und umfangreichen chirurgischen Instrumentenkunde mit deutsch-lateinischem Paralleltext. - Die Tafeln mit plastischen und exakten Abbildungen zeigen von I. Adam gestochene medizinische Instrumente. - Knaur, Professor für Chirurgie und Geburtshilfe an der Universität in Lemberg, machte sich besonders durch vorliegendes Werk bekannt. - An den Rändern durchgehend stockfleckig. Titel etwas gebräunt, sonst gut erhalten. - Blake 244; Waller 5325; Wellcome III, 403; VD18: 11137134 [Attributes: First Edition; Hard Cover]

      [Bookseller: Antiquariat Gerhard Gruber]
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        De l’économie politique et morale de l‘espèce humaine. Volume I – volume II

      Londres, Cooper et Graham 1796 - . Two volumes in 8vo ; pp. (24), 408 ; pp. (4), 454 ; contemporary half calf over brown boards, spines with some gilding and gilt lettering-piece, upper spine ends with small repair, sprinkled edges, inside absolutely clean and crisp, a very good set. First edition in octavo. J. Herrenschwand (1728-1811) was a late physiocrat but he was not orthodox. Schumpeter described him as an able economist. Blanqui notes “il forme la transition entre l’école de Quesnay et celle d’Adam Smith”. This work is divided in 3 parts. In the first part Herrenschwand attempts to define man’s true purpose or vraie destination, as he puts it, in the universe. In the second he describes the system of government and political economy which will help him fulfill his purpose, and the third part deals with the morality and system of education needed to help man find his destination. Menger c. 592, Kress B 3197, Goldsmiths 16541 [Attributes: First Edition; Hard Cover]

      [Bookseller: Antiquariat Dieter Stecher]
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        [K384]. Die Entführung aus dem Serail ein komisches Singspiel in drey Aufzügen... Im Klavierauszuge von August Eberhard Müller. [Piano-vocal score]

      Leipzig: Breitkopf und Härtel [without PN], 1796. Second edition. Very scarce. Köchel p. 384. Hoboken, Vol. 11, 142. Hirsch, Vol. IV, 48. RISM M4248. A Singspiel in three acts, first performed in Vienna at the Burgtheater on July 16, 1782 to a libretto by Christoph Friedrich Bretzner (Belmont und Constanze, oder Die Entführung aus dem Serail), adapted and enlarged by Gottlieb Stephanie the Younger. "[Mozart's] prodigality of invention... is... a cause of the opera';s enduring fascination. Even as it endangers the dramatic whole, the music, paradoxically through its creation for a specific group of remarkable singers, turns the actors in this serious comedy into humans a little larger than life but of universal appeal." Julian Rushton in Grove Music Online. The arranger of this edition, August Eberhard Müller (1767-1817), served as Thomaskantor in Leipzig from 1801 until 1810, and as court Kapellmeister in Weimar thereafter. A very attractive early edition of Mozart's well-known Singspiel.. Large oblong quarto. Contemporary patterned paper boards with decorative cut-paper label to upper with contemporary calligraphic titling and decoration. [i] (title), [i] (cast list), 154 pp. Typeset. Text in German. Binding somewhat worn and rubbed. Uniformly browned throughout; occasional light creasing; several leaves with minor marks in pencil or blue crayon.

      [Bookseller: J & J Lubrano Music Antiquarians LLC]
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        Miscellaneous Works of Edward Gibbon Two Volumes; With Memoirs Of His Life And Writings

      London: A. Strahan and T. Cadell, 1796. First Edition. Hardcover. Very good. Unrestored full contemporary calf, blind-stamped covers and edges, raised bands and lettering panels (top panel volume I loose). Marbled endpapers with literary labels of Charles Whibley (1859-1930) and Hugh Walpole's Brackenburn (where he lived 1923-1941) on free endpapers. Errata sheet and advertisement for Decline and Fall bound in back of volume II. Frontispiece silhouette portrait facing title-page volume I.

      [Bookseller: Liberty Book Store IOBA FABA]
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        Varietate lectionis et perpetva adnotatione illvstratvs a Chr. Gottl. Heyne. Accedvnt indices. Editio novis cvris emendata et avcta, Vol. Primvm - Sextvm.

      Leipzig. bei Caspar Fritsch, 1796-1800. 3. Auflage, 6, illustriert von Geyser, Christian Gottlieb nach Fiorillo, die Kupfer in vorzüglichen Drucken, gr.8°. 24,2 x 15,8 cm. ca. 4300 Seiten, mit Rückenschildern und Lederecken, Hardcover in Halbleder, mit 2 ganzseitigen Kupfern und 199 Kupferstichvignetten, In gutem Zustand. Hier die erste der von Heyne besorgten Ausgaben mit Illustrationen von Geyser nach Fiorillo (siehe dazu Lanckoronska / Oehler II,39 zu Geyser: \"Seine Meisterleistungen sind die Vignetten zu der Ausgabe des Vergil\"), die Kupfer in sehr schönen, samtigen Abdrücken, ein Kupfer, im Band 5. Seite 16 fehlt samt Text, wurde herausgeschnitten, die Kupfer fast alle mit eingelegten Schürzen, die Einbände leicht berieben und bestoßen, bei Band 2 fehlt ein Rückenschild, die Bände 1 und 6 einseitig am Rückenfalz teils durchgerieben, Buchblock nur am Kopf beschnitten, die unbeschnittenen Ränder etwas gebräunt und angestaubt, einzelne Seiten, insbesondere der ersten Lage mit feinen Stockflecken, wenige braune Flecken, die Rückenschilder mit kleinen Randläsuren, Einbände berieben, Rückenfalze bei 2 Bänden einseitig teils durchgerieben, in Band 6 fehlen die Seiten 507-514, dafür 701-708 doppelt, insgesamt ein sauberes, gutes Exemplar eines der gesuchtesten Beispiele deutscher Illustrationskunst des 18. Jahrhunderts, die Illustrationen in vorzüglichen Abdrucken auf gutem Papier. Versand D: 2,95 EUR Sammlerexemplare, Illustrierte Bücher, Literatur der Antike, Literatur in Werkausgaben, Fremdsprachige Bücher

      [Bookseller: Leipziger Antiquariat e. K.]
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        Repertoire des Elèves de Harpe ou Méthode Contenant des Morceaux d'un doigté facile, propres à former la main et vaincre par dégré de grandes difficultés... Prix 9 fr. Propriété de l'Editeur par Décret de la Convention Nattionale le 19 Juillet 1793

      Paris: Chez Louis, 1796. 1f. (title), [1] (blank), 2-25 + [i] (blank) pp. Engraved. Title within fine illustrated border by J. Le Roy featuring musical instruments (including the harp), music, and architectural and floral elements. Overpaste of the Parisian music dealer "Duhan & Cie." With publisher's signature to title. Minor foxing and browning; light to moderate staining to lower outer portion of each leaf. Very rare. Not in Lesure or Lescat. RISM PP1635a (one copy only, at the Martin-Luther-Universitãt, Halle). WorldCat (with incorrect imprint and without location). Not in COPAC or Karlsruhr. "In 1765 [Petrini] became harpist and chamber musician at the court of Mecklenburg-Schwerin, where he also studied composition. In 1769 he went to Paris, and in 1770 gave his début at the Concert Spirituel and published his op.1." Alice Lawson Aber-Count in Grove Music Online. Bound with: Cousineau, Jacques-Georges 1760-1836 Méthode de Harpe Suivie d'un Receuil de Petits Airs de differens Auteurs, et d'une instruction touchant le Méchanique des Harpes Anciennes et Nouvelles... Oeuvre IV. Prix [9 livre]. Paris: Chez Cousineau Pere et Fils [PN 107], [1784]. 1f. (title), [1] (simple free-hand engraving of the harp), 2-48 pp. Engraved. Title within decorative border featuring musical instruments including the harp. With publisher's signature to foot of title and early manuscript annotation to upper margin. Page 10 with a diagram of pedal positions. Title washed; minor staining to lower outer corners of many leaves; occasional paper repairs at plate edges. First Edition. Rare. RISM BVI p. 241 (4 copies only). Lescat: Méthodes Traités Musicaux en France 1660-1800, 477a. Bound with: Dalvimare, Pierre 1772-1839 Un Jeune Troubadour Romance Avec accompagnement De Piano ou Harpe... Prix 1 [livre] 50 c. Paris: Au Bureau de l'Agence Dramatique... Et chez les Marchands de Musique [PN 47], [ca. 1800-1820]. [1] (title), 2-3 pp. Engraved. With the signature of the composer (most likely autograph) to title. Dalvimare was harp tutor to Napoleon's wife, the Empress Josephine. Bound with: Various short contemporary pieces featuring the harp by composers and arrangers including Baneux, Berton, Blattman, Cardon, Deleplanque, Desargus, Gros, Krumpholtz, and Naderman, including several pieces from the series "Feuilles de Terpsichore ou Nouvelle Etudes de Harp" published in Paris by Chez Cousineau Pere et Fils, [1779-ca. 1790]. Folio. Contemporary quarter green vellum with marbled baords, rectangular paper label with manuscript titling to upper. Binding worn and rubbed, particularly at edges; spine chipped; manuscript titling faded.

      [Bookseller: J & J Lubrano Music Antiquarians LLC]
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        Sketches of the History of Man considerably enlarged by the last additions and corrections

      Basil: Printed and sold by J.J. Tourneisen, 1796. 4 vols. 8vo. Bound in later half calf and marbled boards. Some minor foxing, else fine. 4 vols. 8vo.

      [Bookseller: James Cummins Bookseller]
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        Abhandlung von den Krankheiten der Knochen, Knorpel und Sehnen. 3 in 1 Bd.

      - Königsberg und Leibzig, Verlag der Hartungschen Bhdlg., 1796, 1789 und 1793, 8°, XX, 402, (2 pp. Druckfehler); XVI, (1) Taf., 200; (10), 289 pp., (2 pp. Druckfehler) pp., 1 Portait, 25 Kupfertaf., Pappband d.Zt. Selten - Erster Teil in der endgültigen, wesentlich erweiterten dritten Auflage, die anderen Teile in erster Ausgabe! - - Johann Friedrich Böttcher, "Physikus der Kreise Rastenburg und Neidenburg in Ostpreussen, von dessen Lebensumständen nur zu ermitteln war", "promovierte 1779 zu Halle mit der Dissertation "De nonnulis ad suffusionem in genere et crystallinam veram in specie pertinentibus" (neu gedruckt bei WEIZ, Neue Ausz. Frankfurt und Leipzig 15 (1782) pp. 24-27), dass er anfänglich in Berlin prakticirte und 1791 die genannte Physikatsstelle erhielt, verfasste mehrere sehr geschätzte Schriften wie: "Abhandlung von den Krankheiten der Knochen, Knorpel und, Sehnen" (1. ThI., Dessau 1782, Königsberg 1787 ; neue Aufl. 1789 ; 2. Theil 1789; 3. Theil, 1. Hälfte 1792) - "Vermischte medicinisch-chirurgische Schriften" (Heft 1, 2, Königsberg 1791-92) - "Auswahl des chirurgischen Verbandes für angehende Wundärzte" (Berlin 1795; 8. mit 15 Kpft. 4.) - "Vorschlag zur Verbesserung des doppelten Leistenbruchbandes und Angabe zu einem bequemen Verbände bei der Zerreissung des Ligaments der Kniescheibe" (Berlin 1796) - "Bemerkungen über Medicinal- Verfassung, Hospitäler und Kurorte" (Heft 1, Königsberg 1800). - Das zuerstgenannte Werk war das vollständigste, das seit J. L. PETIT'S berühmter Schrift über den gleichen Gegenstand erschienen war. Böttcher hat sich auch noch durch Erfindung eines Compressorium der verletzten Art. intercostal., durch ein Compressorium und ein Receptaculum urinae bei Incontinenz desselben u.s.w. bekannt gemacht." Gurlt, Hirsch-H. I, p.604; Ergänzungsband p.113 - - siehe - Meusel, I, p. 363; IX, p. 114; Bernstein, Geschichte der Chirurgie, II, p. 431. - - Blake 56; Lesky 87 [Attributes: Hard Cover]

      [Bookseller: Antiq. F.-D. Söhn - Medicusbooks.Com]
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        The Monk. A Romance. in Three Volumes

      Printed for J. Saunders., 1796, Hardcover, Book Condition: Poor; Boards detached, one missing. Spines heavily chipped with loss., First Edition; First Printing. Diamond calf with gilt borders to boards. Raised bands and gilt titles to spines. Marbled edges and endpapers. Vol. 1 250pp. Vol. 2 280pp. Vol. 3 308pp. This spurious 'Waterford' edition was actually printed in 1818 to take advantage of Lewis's death. Summers p. 421.; 308 pages

      [Bookseller: GOTHICA BOOKS LTD.]
 38.   Check availability:     Bookzangle     Link/Print  


        OstFrieß- und Harrlingerland nach geographischen, topographischen, physischen, ökonomischen, statistischen, politischen und geschichtlichen Verhältnissen. Erster Band (alles erschienene).

      Aurich: Bei Johann Adolph Schulte, und in Kommission der Curtschen (Curt) Buchhandlung in Halle, 1796 - LV (I), 463 (1) Seiten mit einer radierten Titelvignette "Upstalsboom" von C. B. Meyer. 18, 5 x 11, 5 cm, zeitgenössischer Halblederband mit geprägtem Rückentitel, Deckel mit Kleisterpapier bezogen, dreisseitiger Rotschnitt. Keine weiteren Bände erschienen Krieg, MNE Bd 1 S. 237. Die Titelvignette des Upstalsboom von C. B. Meyer gilt als älteste bekannte Ansicht. "Der Upstalsboom (niederländisch Opstalboom, altfriesisch Opstallisbaem), ist das mittelalterliche Landtagsgelände der friesischen Stämme bei Rahe südwestlich von Aurich." (Wikipedia) * * * Ex Libris und Name auf Vorsatz, Stempel auf Titelblatt (vorder- und rückseitig), Einband berieben und nicht mehr ganz frisch, innen noch gut erhaltenes und sauberes Exemplar. Sprache: Deutsch Gewicht in Gramm: 1200 18, 5 x 11, 5 cm, zeitgenössischer Halblederband mit geprägtem Rückentitel, Deckel mit Kleisterpapier bezogen, dreisseitiger Rotschnitt. [Attributes: Hard Cover]

      [Bookseller: Matthias Severin Antiquariat]
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        ASSEMBLÉE COLONIALE DE L'ISLE DE FRANCE. SÉANCE DU 16 BRUMAIRE, AU MATIN, AN 5e [caption title]

      Port Nord-Ouest: Chez F.N. Bolle, 1796. Small quarto. Loose sheets. Contemporary manuscript notations. Lightly soiled, some light wear at edges. Very good. Early imprint from the colonial press at the French colony of Mauritius, also known as the Ile de France. The text deals with the registration of deeds on the island. Interestingly, the printer Bolle seems to have moved his press out of the capital of Port Louis at this point. The Dutch were the first Europeans to become interested in the island, taking possession in 1598. After exploiting the island's dense forests for a century and introducing the cultivation of sugar cane and cotton, in 1710 the Dutch abandoned the colony. The French soon claimed it as "Ile de France," and the island remained under the control of the French East India Company until 1767. During the long war between France and England at the beginning of the 19th century, Mauritius proved to be an important strategic naval base, and as a result the British took charge of the island in 1810, and the Treaty of Paris confirmed official British possession in 1814. It remained an important sugar producing colony, and in the 20th century agricultural production was expanded to include tea, rice, and other produce. Printing began on Mauritius in 1768. During the French period, until 1810, only about 400 imprints were produced, mostly in the form of official documents and newspapers, though there are also almanacs and a few other items. All are quite rare. No copies located in OCLC; Toussaint locates a copy at the Mauritius Archives. TOUSSAINT A261.

      [Bookseller: William Reese Company - Americana]
 40.   Check availability:     Biblio     Link/Print  


        Mühle beym Lombard. Kolorierte Umrißradierung vom Friedrich Rosenberg mit geätztem schwarzen Rand.

      1796. 1796 - 18,8 x 25,2 cm. Unten links in der Platte signiert. Aus der 8 Blätter umfassenden Folge "Aussichten vom Hamburger Wall". Im Hintergrund sieht man die Kalköfen an der Binnenalster. [SW - Ansicht, Ansichten, Hamburgensien, Hamburgensie] [Attributes: Signed Copy]

      [Bookseller: Antiquariat Heinz Tessin]
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        History and Antiquities of the County of Dorset. Compiled from the best and most antient Historians, Inquisitions post mortem, and other valuable records and MSS. in the public offices, and libraries, and in private hands. With a copy of Domesday Book, and the Inquisitio Gheldi for the County: Interspersed with some remarkable Particulars of Natural History. And adorned with a correct Map of the County, and Views of Antiquities, Seats of the nobility and gentry &c. Corrected, augmented and improved. (by R. GOUGH.) In Four Volumes.

      John Nichols & Bentley 1796, 1803, 1813, 1815 (2nd edition) The very scarce Second Edition. 4 vols; Folio(approx 10 x 15.5 inches.) Attractive half-calf and marbled paper covered boards. Marbled page edges. In very good condition. Near fine contemporary covers. New endpapers. Inside the odd small handling mark otherwise pages very clean. Some rubbed edges to plates. Small tear plate v.1 p174. Repaired tear p.122. Plus a few other small tears and neat reinforcements. Misnumbered pagination v.2 p189. ”Period Bookbinders, Bath”. (Label rear endpaper.) Else a very smart copy of a very scarce edition. Includes Map of the county. Not published in this edition, Saxton Door Pimperne (p175, v.1).; Portrait Thomas Hollis p425, v.1.; and Portrait Brown Willis v.4 p335 Second editions rarely come to the market; this is an opportunity to acquire a unique piece of Dorset history. The 1st edition was published in 1774 after Hutchins death, in two volumes. The 2nd edition was revised by Richard Gough and John Bowyer Nicholls and published between 1796 and 1815 in four volumes (although it was always the intention to publish three volumes only). The first volume of the second edition was issued in 1796 and its successor in 1803,all printing of the third volume (with the exception of a single copy preserved in Richard Gough's library ) and all the unsold copies of vols. I. and II, were destroyed by fire at John Nichols printing house in 1808. Nichols printed an appeal for support, and in 1813 the third volume appeared with Gough's name as its editor. The fourth volume came out in 1815.

      [Bookseller: The Antique Map & Bookshop]
 42.   Check availability:     Biblio     Link/Print  

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