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Displayed below are some selected recent viaLibri matches for books published in 1776

        Kupferstich- Karte, v. Pasquali b. A. Zatta, "Nuove Scoperte Fatte nel 1765. 67. e 69 nel Mare del Sud".

      - mit altem Grenzkolorit, dat. 1776, 30 x 40 Clancy, Robert, The Mapping of Terra Australis, Nr. 6.41 und Abb. S. 101. - Mit altkolor. Kartusche. - Zeigt das Gebiet von Neuguinea bis über die Gesellschaftsinseln mit Neuseeland unten mittig, sowie die eingezeichneten Fahrten von Cook, Carteret, Wallis und Byron.

      [Bookseller: Antiquariat Nikolaus Struck]
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        Géographie de Busching

      1776 - 12 volumes Lausanne, Société typographique, 1776-1782, in-8, 12 volumes, veau fauve marbré, dos à nerfs orné, pièces de titre et de tomaison en maroquin rouge et havane, roulette sur les coupes, tranches rouges (reliure de l'époque), 3 tableaux dépliants. Nouvelle édition de cet ouvrage du géographe allemand Anton Friedrich Büsching (1724-1793), traduite et révisée par Bérenger. Manque le feuille de faux-titre dans le tome IX. Reliure légèrement frottée par endroits ; néanmoins bel exemplaire dans sa reliure uniforme d'époque. Cioranescu n° 13637 pour l'édition de Strasbourg, 1768-1779. [Attributes: Hard Cover]

      [Bookseller: Librairie Alain Brieux]
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        Artificial Fireworks, .... With All the Ingredients, Compositions, Preparations, Machines, Moulds, and Manner to Make them, Refining Salt-Petre, and to Extract it from Damaged Gun-Powder &c.. Also, Mr. Muller's Fireworks, for Sea and Land Service

      London: J Millan. G : in Good condition without dust jacket. Fold-out plate 4 missing (in a sequence of 7.) Internal repairs made to tear on page 125/126, and to fold out plate number 3. Corner of plate 7 missing (impinging slightly.) Other illustrations listed on the contents page not bound-in. Rebound with new eps. Previous owner inscription. 1776. The Second Edition Corrected. Yellow hardback cloth cover. 210mm x 130mm (8" x 5"). 193p + Plates +3pp catalogue. Six fold out copper plates. .

      [Bookseller: Barter Books Ltd]
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        IN PROVINCIAL CONGRESS, NEW-YORK, MAY 31, 1776...WHEREAS THE PRESENT GOVERNMENT OF THIS COLONY BY CONGRESS AND COMMITTEES, WAS INSTITUTED WHILE THE FORMER GOVERNMENT UNDER THE CROWN OF GREAT-BRITAIN EXISTED IN FULL FORCE, AND WAS ESTABLISHED FOR THE SOLE PURPOSE OF OPPOSING THE USURPATION OF THE BRITISH PARLIAMENT, AND WAS INTENDED TO EXPIRE ON A RECONCILIATION WITH GREAT BRITAIN, WHICH IT WAS THEN APPREHENDED WOULD SOON TAKE PLACE, BUT IS NOW CONSIDERED REMOTE AND UNCERTAIN...

      [New York: John Holt, 1776. Letterpress broadside, 300 x 245 mm. Signed in print by Robert Benson, Secretary of the New York Provincial Congress. Very good. Matted. In a red morocco backed box. This broadside represents the end of colonial rule in New York and the beginning of independent government as a state. On May 10, 1776 the Continental Congress advised the colonies that Great Britain had failed to respond to their petitions and that each colony should form their own government. Virginia was the first to respond, formally rejecting Great Britain and forming its own government on May 15. As the annotations on this broadside show, it took New York several more weeks to work through the process, but by on July 10 the delegates met in White Plains to establish a new government, a week after the signing of the Declaration of Independence The present broadside by the New York Provincial Congress includes a printing of the May 10 resolution by the Continental Congress. The broadside then continues:"And whereas Doubts have arisen whether this Congress are invested with sufficient Power and Authority to deliberate and determine so important a Subject as the Necessity of erecting and constituting a new Form of Government and internal Police, to the Exclusion of all Foreign Jurisdiction, Dominion and Controul whatever. And whereas it appertains of Right solely to the People of this Colony to determine the said Doubts...." Three resolutions follow concerning new elections to either confirm the present representatives or appoint new ones to form a new, independent government. On the verso of the broadside, an unidentified hand has added a few notes concerning the process outlined on the broadside, and taken to establish a new government: "Candidates to be Chosen ye 18th Day of this Instant Return to be made ye 21st at 11 Clock Election the - - 25th Return Thursday - - 27 at 11 Clock in ye forenoon at which Time the County Committee Meet." In the end the new legislature met on July 10, but the chaos caused by the British invasion of New York delayed a formal state constitution until early 1777. Only two copies of this broadside are recorded, at the New York Historical Society and the Historical Society of Pennsylvania. Printing is ascribed to John Holt by Evans (Holt was later the first printer for the New York legislature, and fled with that body to Poughkeepsie when the British seized New York City). An extremely rare broadside that established the drafting and approval of New York's independence from Great Britain. EVANS 14934. ESTC W16538.

      [Bookseller: William Reese Company - Americana ]
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        De Muzicale Zangwyzen van Het Boek der Psalmen.

      Amsterdam: J.J. Hummel, 1776. 4to (23 x 18 cm.). (190) pp. Engraved title page. 150 engraved pages with musical notations. Full, marbled calf, boards with gilt-tooled ornamental frames. Board edges also gilt decorated. Spine with gilt decorations, five gilt decorated bands, gilt title. Marbled endpapers. All edges gilt. This songbook contains in total 190, mostly engraved, pages. De first two leaves filled with the engraved title page and a 'Verklaaring der Tytelplaat'. The engraving is made by S. Fokke after Willem Writs (Waller, p. 370). In the following pages we find the 'Voorreden van den Uitgever' (4 pages), 'Voorbericht van den Compositeur' (10 pages, (1-8 in facsimile)), and finally 6 pages with musical examples ('Voorbeelden tot het speelen der Agrementen', 'Voorbeelden tot het speelen der Interludiums', 'Scala of Toon-Trap van de groote en de kleine Derdens', 'Teekens van de 24 Toongeslagten' and 'Voorbeelden van Preludieën en van Sluytingen'. After this comes the main part: 150 engraved pages with the 150 psalms en finally 16 pages with 12 songs (De Tien Geboden des Heeren, De Lofzang van Maria, Het gebed des Heeren en De Tweede berijming van de XII Artikelen des geloofs (these 4 by Voet) and De Lofzang van Zacharias' and 'De loszang van Simeo' (these 2 by Laus Deo), and De Eerste Berijming van de XII Artikelen des Geloofs, De Bedezang voor de Predikatie, Morgenzang, Bedezang voor het Eeten, Dankzang na het Eeten and Avondzang (these 6 by Ghijsen). In good condition. Some shelf wear and small scratches on the covers. Upper joint starts splitting, but still a very firm binding. Front board slightly bending outward. Eight pages with text in facsimile. Four leaves of 'Voorberigt' in facsimile. Overall a good copy and a historical milestone in Dutch Protestant history. For a full description and more images please visit www.zaalbooks.nl .

      [Bookseller: Zaal Books]
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        Traité sur La Cavalerie

      Paris: Guillaume Desprez, 1776 - 2vol (Atlas: 640 x 498mm; Text: 438 x 285mm). Atlas: 32 full-page engravings, some folding. Text: Half-title, 11 full-page engravings by Dupuis, some double-page, some folding, vignettes by Van Blaremberghe throughout. Late brown half pigskin bindings with broad leather corners and gilt lettering. FIRST EDITION of this important work on cavalry warfare. Drummond spent most of his life involved with cavalry and for his last eight years was Lieutenant-General of Louis XVI’s army. This book became an important textbook in Europe on cavalry tactics as Drummond de Melfort had some radical opinions on the use of cavalry in battles. His work lays out, with illustrations, the simplified procedures for cavalrymen that he advocated as early as 1748, which had often met with incomprehension and disbelief. The dedication expresses Drummond’s hope that this work will assist in making the French cavalry the best in the world and his wish to help the country that his family fled to on their forced emigration from Scotland nearly a century before. A copy recently sold at an auction in Paris (Christie’s Dec. 2016) for EUR 27,500. [Attributes: First Edition; Hard Cover]

      [Bookseller: EQTNA (Rare Books & Manuscripts)]
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        A Plan of the River and Sound of D'Awfoskee, in South Carolina, Survey'd by Captain John Gascoigne

      London 1776 - A very rare and highly important sea chart of South Carolina's Hilton Head area, made towards the beginning of the Revolutionary War, in the first state This finely engraved map was the finest sea chart of the area available in the early days of the Revolutionary War, and most certainly would have played an important role in the development of strategies by various commanders. It embraces the coastal region of South Carolina, from Port Royal Sound in the north, down past the mouth of the Savannah River and Tybee Island, Georgia, in the south. Prominently featured is Hilton Head Island (called "Trench's Island") and "D'Awfoskee Sound," which is today known as Calibogue Sound. The old name survives on "D'Awfoskee Island," but now spelled Daufauskie, located at the centre of the map. The region has one of the most varied and fascinating histories of any in the American South. Originally inhabited by the Yamassee native tribe, the area first came to the attention of Europeans during the expedition of Francisco Cordillo in 1521. Parris Island, located in Port Royal Sound, in the upper part of the map, was home to two early settlements. In 1562, Jean Ribaut founded a Huguenot settlement, Charlesfort, but the Spaniards did not tolerate its presence and destroyed it in short order. The Spaniards then founded their own fort and Jesuit mission, Santa Elena, nearby in 1566. In 1661, the English formally staked claim to the region, naming it Carolina after Charles II. In 1663, Captain William Hilton sailed from Barbados aboard the Adventure, on a reconnaissance mission to explore his country's new claims. It was then that he encountered a beautiful island, featuring a prominent sandy cape, which he named "Hilton Head." Once ashore, he remarked that the island was blessed with "sweet water" and "clear sweet air." English settlers arrived in the region in the 1670s, but it was not until 1717 that the first Englishman, Col. John Barnwell settled on Hilton Head, having been given a grant of 100 acres in the northwest corner of the island. In the eighteenth-century, the region enjoyed a very successful economy based on plantations and maritime trade, although it was under threat from attacks by both the Spanish and pirates, most notoriously "Blackbeard." This sea chart was one of the most detailed and accurate of any of the American coastline. The immense detail of the hydrography was the result of surveys conducted by Captain John Gascoigne, assisted by his brother James. In 1728, aboard the HMS Alborough he employed the most sophisticated and modern techniques with exacting attention to detail to produce a manuscript chart. The next year, this chart was altered by Francis Swaine, and it would appear that Swaine's manuscript, or a close copy of it, found its way to the London workshop of William Faden. Faden, the successor to the great Thomas Jefferys, adapted this map from a section of Swaine's manuscript, and the present first state was printed in 1776. During the American Revolution, this area was an active military theatre. At the outbreak of the war, Hilton Head and most other areas sided with the Americans, however Daufauskie Island fell under British control. Britain's superior naval power allowed its ships to conduct frequent raids along the coast for the duration of the war, however the real threat to the American cause came in December, 1778, when British General Augustin Prevost seized Savannah, determined to use it as a base for further operations. The following February, he dispatched a team of marines to take control of Port Royal Sound. They initially engaged the Americans at Hilton Head before proceeding further up Port Royal Sound. However, the invasion was ultimately repelled by Gen. William Moultrie at Beaufort. On September 24th of the same year, in what was to become known the Battle of Hilton Head, three British ships were set upon by a trio of French ships allied to the American cause. After a dramatic chase and an inte

      [Bookseller: Donald A. Heald Rare Books (ABAA)]
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        Te Deum Laudamus Aoito vozes Concertadas. Com Rebecas, Violetas, Flautas, Clarinetes, Oboes, Trompas, Clarins, Rabecoens pequenos, Fagotes, Tronboens, Rabecoens grandes, Timbales, e Organo ... Original. Anno de 1822. [Full score]. [?]Autograph musical manuscript

      1776. Unlocated in the RISM manuscript database. Almeida, a Portuguese composer, was Maestro de Capella at the Cathedral in Braga; he composed both a Requiem and a Stabat Mater.Sir George Smart (1776-1867) was a noted British conductor, organist, and composer. Frederick William Horncastle (ca. 1790-1850) was an Irish composer and organist. He compiled "the Music of Ireland as performed at Mr. Horncastle's Irish Entertainments," London, 1844.. Large folio. Late 19th century navy blue cloth-backed marbled boards. [1] (title), [2]-[87] pp. Notated on 20-stave hand-ruled paper. With a manuscript note to head of title: "This Curious and unpublished 'Te Deum' was presented To Sir George Smart by his obliged Friend Fredk. W. Horncastle Decr. 25th 1830."Binding worn. Some minor soiling and staining, mostly to margins; title soiled.

      [Bookseller: J & J Lubrano Music Antiquarians LLC ]
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        Étude de vaches

      1776. S.n., s.l. (Circa 1776), Cadre : 32x40,5cm ; dessin : 26x28,5cm, une feuille encadrée. - S.n., s.l. (Circa 1776), Cadre : 32x40,5cm ; dessin : 26x28,5cm, une feuille encadrée. - Disegno originale a penna e acquerello che rappresenta una vista sul mare animata con un villaggio arroccato su una scogliera. Moderna bacchette bionde inquadratura. Disegno fatto durante il Frait viaggio con il marchese de Sade nel 1775 [FRENCH VERSION FOLLOWS] Dessin original à l'encre et à l'aquarelle. Encadrement moderne. Dessin réalisé pendant le voyage fait avec le marquis de Sade au cours de l'année 1775.  

      [Bookseller: Librairie Feu Follet]
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        Nouvelle Mappe Monde dediee au progres de nos connoissances

      Venezia 1776 - Mappamondo scientifico a due emisferi, estremamente raro e splendidamente inciso. La mappa è realizzata considerando come primo meridiano quello che attraversa Parigi. I due emisferi sono ruotati di 45 gradi sul loro asse in modo da delimitare in uno le acque, nell’altro le terre. Questo effetto crea un "Emisfero Terrestre" con gli stati dell’emisfero settentrionale, l’Africa e buona parte del Sud America, mentre l’ "Emisfero Marino" mostra le Indie Orientali, l’Australasia e il Pacifico, nonché l’estremità meridionale del Sud America. Non sorprende il fatto che, come conseguenza della sperimentazione attuata dalla scuola francese di cartografi teoretici, Parigi si trovi "precisement au centre de tous les continents du monde." Questa proiezione insolita, ispirata al lavoro della Reale Accademia delle Scienze Francese , enfatizza anche la continuità dei continenti. Questo tema è in linea con le primissime opere realizzate dai cartografi francesi scientifici, tra cui Philippe Buache, e riprende i tipici concetti teoretici, tra cui il 'Mer de l'Ouest' ed altri fantastici sistemi visibili nell’America nord-occidentale. Il mappamondo fu pubblicato per la prima volta a Parigi da Julien nel 1753. Questo esemplare, nello specifico, è una successiva edizione italiana pubblicata a Venezia da Santini e Remondini. La mappa, inserita in un’elaborata cornice decorativa, è completata da paragrafi di testo in francese che ne spiegano i dettagli, perciò Santini poté nominare i due emisferi Marino e Terrestre. Australia e Nuova Zelanda sono raffigurate solo in parte (nonostante le scoperte di Cook un decennio prima); il fittizio 'Mer de l'Ouest' si trova nell'america nord-occidentale, con un grande 'I. Nouvelle' esattamente a sud dello stretto di Bering; inoltre, Jesso è rappresentata come parte della terra ferma in Asia. Incisione in rame, coloritura coeva dei contorni, in ottime condizioni. Dimensioni 680 x 490. A scarce and finely engraved scientific double hemisphere world map, constructed with the prime meridian through Paris . The hemispheres are rotated on their axis through 45 degrees in order to define one watery, the other land. This effect creates the 'Hemisphere Terrestre' with the countries of the northern hemisphere, Africa and most of South America, while the 'Hemisphere Maritime' shows the East Indies, Australasia and the Pacific, and the southern tip of South America. Not surprisingly, as a consequence of this experiment from France's school of theoretical cartographers, Paris appears "precisement au centre de tous les continents du monde." This unusual projection, based on the work of the French Academie Royale des Sciences, also emphasises the continuity of the continents. This is a theme in keeping with the earlier work by French scientific map-makers, including Philippe Buache, and repeats typical theoretical concepts such as the 'Mer De L'Ouest' and the other fanciful water systems apparent in north-west America. The map was first published in Paris by Julien in 1753. This particular example is a later Italian edition published in Venice by Santini and Remondini. The map, set within an elaborate framework design, sits above paragraphs of French text explaining the projection. Thus Santini could name the two halves 'Hemisphere Maritime' and 'Hemisphere Terrestre'. Australia and New Zealand are only shown partially (despite Cook a decade before); the erroneous 'Mer de L'Ouest' appears in northwest America , with a large 'I. Nouvelle' just south of the Bering Straits; and Jesso is part of mainland Asia. Dimensioni 680 x 490 Dimensioni

      [Bookseller: Libreria Antiquarius]
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        MACHINE DE THEATRE. 49 tavole tratte da "Planches pour l'"Encyclopédie ou pour Le Dictionnaire raisonné des Sciences, des Arts libéraux et des Arts Méchaniques, avec leur explication".

      De l'Imprimerie des Éditeurs, 1776. Serie completa originale, composta da 49 tavole, che raffigurano l'arte della costruzione degli artifici teatrali, con relativa spiegazione su cinque carte. Testo francese. Legatura in mz.pergamena con piatti marmorizzati. Il frontespizio è in riproduzione fotostatica. Tagli spruzzati. Fisiologiche bruniture. Le "planches" si suddividono in due serie: la prima sezione riguarda "Détail général des Machines du Théatre de l'Opera de Paris" e contiene 27 tavole (9 in formato semplice, 14 in formato doppio e 4 triple), la seconda sezione comprende 22 tavole doppie. Le tavole sono tratte dal Tomo IX della terza edizione della celebre "Encyclopédie" di Diderot e D'Alembert, pubblicata a Livorno. Codice libreria 128584.

      [Bookseller: Studio Bibliografico Pera]
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        Book of Ceilings, composed in the style of the antique grotesque: designed and etched by George Richardson

      Title, engraved frontis, ii + [4] + 11 + [1]pp and 48 engraved plates (1 double page). Large folio.. Title page, engraved dedication and text in English and French. Richardson states in the preface dated 1774 that he had been employed under "Messrs. Adam of the Adelphi... in drawing and designing upwards of eighteen years' and his ceiling designs are in the Adam Manner; one, iinded is for Lord Scarsdale's house at Kedleston which the Adam Brothers were largely responsible for." Dedication leaf to Lord Scarsdale at Kedleston. List of subscribers included amongst others, Joseph Banks, William Chambers, John Carr of York, George Dance, Joseph Pickford at Derby, Thomas Sandby and many house owners including the Marquis of Rockingham and Scottish house owners with whom he may have been associated when working with Adam. Lovely copy. Quarter calf, marbled boards rebacked with new gilt lettering and raised bands on spine and new corners. Small repair patch on title page. It seems like Richardson hoped that this book would launch his architectural career. Eileen Harris [p388] suggests despite the long list of subscribers to the book did not "obviate the need for anyone to employ him personally."

      [Bookseller: Janette Ray]
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        Le costume ou Essai sur les habillements et les usages de plusieurs peuples de l’antiquité, prouvé par le monuments, Liège, J. F. Bassompierre, 1776.

      1776 - In-4. xxxi(i)-411(1) pp.- 51 planches ornées de 160 figures, gravées sur cuivre par Pitre Martenasie. Demi veau aux coins du 19ème siècle; filets, dos orné. COLAS, 1828. [Attributes: Hard Cover]

      [Bookseller: Victor Aizenman (SLAM / ILAB)]
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        Itinerarium Curiosum:

      London: York-Street, Covent-Garden.: Messrs. Baker and Leigh, 1776 VG+, 2 vols, 2nd ed, complete, 205 + folding map BUT probably a c1815 facsimile edition by Leigh and Sotheby. Two volumes, new spines, raised bands, gilt tooling & titles, over 19c calf boards, attractive blind & gilt edge tooling, gilt armorial stamp to both upper boards (Derby). Internally, Vol 1, frontis, [7], (viii-x), [1], 2-205 pp, [2] pl list, [8] index, 103 pls (includes 5 folding & an extra 51. Vol 2, [4], [1], 2-177 pp, [1], [10] index, [2] pl list, 103 pls, includes 3 folding, plus portrait frontis + 2 extra at pl no 77 & 84, & the folding map), pl 103 wrongly numbered 75. Gilt tooling to board edges & turn, ins, some light offsetting & edge browning, Map dated 1755, plates dated 1720, & 1722 - 1725. A superb copy! (Folio, 213*353 mm). (ESTC T145546. Allibone 2296. Graesse p515). The 1st edition was published in 1724 with just over a 100 plates, whilst this has 206. The BAL catalogue cites Lowndes V, p. 2541, which notes of the present type-facsmile that "The paper was made expressly for it, and is so perfect an imitation of the original that an unpractised eye could not discern the difference." No mention of a facsimile version at any auction record!

      [Bookseller: Madoc Books (ABA-ILAB)]
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        A PHILOSOPHICAL AND POLITICAL HISTORY OF THE SETTLEMENTS AND TRADE OF THE EUROPEANS IN THE EAST AND WEST INDIES.

      Dublin 1776 - A PHILOSOPHICAL AND POLITICAL HISTORY OF THE SETTLEMENTS AND TRADE OF THE EUROPEANS IN THE EAST AND WEST INDIES. Dublin 1776. 4 volumes. Full leather, leather spine labels. Protected by a clear and acid-free mylar dust jacket. [Attributes: Hard Cover]

      [Bookseller: Broadfoot Publishing Company]
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        Dictionnaire des Artistes, ou Notice historique et raisonnée des Architectes, Peintres, Graveurs, Sculpteurs, Musiciens, Acteurs & Danseurs; Imprimeurs, Horlogers & Méchaniciens

      first edition.Binders full mottled brown sheepskin contemporary. Back with nerves decorated. as exhibits in red leather and black sheepskin volume number of parts. Shortages heads of 2 volumes. Lack of the third nerve Volume I. A blunt corner. Back, volume number of pieces, bits and edges, corners rubbed. Good copy.Excellent dictionary listing the artists and craftsmen of all time and their works, one of the first in the genre. The instructions are provided and clear, several pages to the greatest artists; one will find further watchmakers and musicians, singers and actors. Chez Vincent à Paris 1776 pet. in 8 (11x17cm) xij, 771pp. et (2) 795pp. 2 volumes reliés

      [Bookseller: Librairie Le Feu Follet]
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        TRAITE DE CAVALERIE: PROPRE A CONDUIRE A L'HOMME DE GUERRE DEPUIS L'ÉTAT DE SIMPLE CAVALIER JUSQ'UÀ CELUI DE GÉNÉRAL D'ARMÉE

      - "1776 Firmin Didot, Paris "Propre a conduire l'homme de guerre depuis l'état de simple cavalier jusq'uà celui de Général d'Armée". Gravées et (2) estampes en b/n unes (9) desplegables.XXII+505 p. 46x30 cm. Enc.pell amb motius daurats.Época fatigat, poc oxidat. Algunes pàgines desordenades Para ver o recibir fotografías de los libros puede ir a nuestra web. (caballeria, cavalleria)"

      [Bookseller: Costa LLibreter]
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        MACHINE DE THEATRE. 49 tavole tratte da "Planches pour l'"Encyclopédie ou pour Le Dictionnaire raisonné des Sciences, des Arts libéraux et des Arts Méchaniques, avec leur explication".

      De l'Imprimerie des Éditeurs, A Livourne 1776 - Serie completa originale, composta da 49 tavole, che raffigurano l'arte della costruzione degli artifici teatrali, con relativa spiegazione su cinque carte. Testo francese. Legatura in mz.pergamena con piatti marmorizzati. Il frontespizio è in riproduzione fotostatica. Tagli spruzzati. Fisiologiche bruniture. Le "planches" si suddividono in due serie: la prima sezione riguarda "Détail général des Machines du Théatre de l'Opera de Paris" e contiene 27 tavole (9 in formato semplice, 14 in formato doppio e 4 triple), la seconda sezione comprende 22 tavole doppie. Le tavole sono tratte dal Tomo IX della terza edizione della celebre "Encyclopédie" di Diderot e D'Alembert, pubblicata a Livorno. 1400 gr. [Attributes: Hard Cover]

      [Bookseller: studio bibliografico pera s.a.s.]
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        Oeuvres badines et morales de M***

      1776 - 2 volumes de I. (2), Paris, Esprit, 1776, in-8, 2 volumes de I. (2), frontispice, XII, 205, (3), frontispice, 206 pages ; et de II. (4), 475 et (1) pages, pleine basane racinée de l'époque, dos à 5 nerfs portant une pièce de titre en maroquin havane, tranches rouges (restauration des mors), Première édition des deux premiers volumes des Oeuvres badines et morales, le troisième, divisé en deux parties, paraitra 12 ans plus tard, en 1788. Il s'agit de la première publication collective d'oeuvres de Cazotte, établit par lui-même. Cet ensemble réédite des ouvrages anciennement parues : -seconde édition d'Ollivier, publié en 1763, revue et corrigée comme l'auteur l'indique dans sa préface. -Le lord impromptu, publié en 1767 ; -Le Diable amoureux, paru en 1772, mais qui est ici fortement remanié comme l'explique lui-même l'auteur en "Epilogue" de son roman. Très rare édition originale, bel exemplaire à l'intérieur propre, excepté des taches d'encre brune anciennes et marginales sur les pages 249 à 272 du second tome [Attributes: Hard Cover]

      [Bookseller: Librairie Alain Brieux]
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        OBSERVATIONS ON THE NATURE OF CIVIL LIBERTY, THE PRINCIPLES OF GOVERNMENT, AND THE JUSTICE AND POLICY OF THE WAR WITH AMERICA...

      London printed, Boston, re-printed: T. & J. Fleet, 1776. 71pp. Half calf and marbled boards. Contemporary ownership inscription on titlepage. Titlepage moderately toned, some light scattered foxing to text. Very good. Price was a well-known British Presbyterian minister and the author of several notable books about moral philosophy and economics. He was particularly friendly with a number of Americans, and vigorously argued their part in the British debate over colonial taxation and government. This is one of the most influential political pamphlets written by an Englishman who sympathized with the American colonies. "It is said that the encouragement derived from this book had no inconsiderable share in determining the Americans to declare their independence" - DNB.Price was later offered honorary American citizenship by the Continental Congress, which he declined. This work first appeared in February 1776 in London and went through numerous editions. The American editions are quite rare. HOWES P586. AMERICAN INDEPENDENCE 224w. AMERICAN CONTROVERSY 76-118 (British ed). EVANS 15032. SABIN 65452.

      [Bookseller: William Reese Company - Americana ]
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        TWELVE SERMONS ON THE PROPHESIES CONCERNING THE CHRISTIAN CHURCH; And, In Particular, Concerning the Church of Papal Rome: Preached in Lincoln's-Inn-Chapel, at the Lecture of the Right Reverend William Warburton Lord Bishop of Gloucester.

      London: Printed by W. Bowyer and J. Nichols: for T. Cadell, in the Strand, 1776. xii, 385 pages of text, followed by [ii] pages of publisher's advertisement, and [i] blank. Original full leather binding, moderately rubbed and worn, with minor chipping to spine extremities, and weakened hinges. Binding remains attractive and functional. Engraved bookplate on front paste down endpaper. Small ink stain on title page, and a few pages with minor soiling, but the text is otherwise exceptionally clean.. First Edition. Hardcover. Very good condition. Octavo (8vo).

      [Bookseller: Kurt Gippert Bookseller (ABAA)]
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        Carte Particuliere de l'Isle de Corse .

      Venezia 1776 - Tratta dal "Atlas Universel." edito a Venezia tra il 1776-84. Pubblicata dalla tipografia Remondini. Incisione in rame,in ottimo stato di conservazione. Taken from the "Atlas Universal" by Santini, printed by Remondini. Copperplate, tear in the central fold, otherwise in good condition F. Cervoni, "Image de la Corse", 112.2 Dimensioni 670 490mm

      [Bookseller: Libreria Antiquarius]
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        Piazza di Montecitorio - Veduta del Piedistallo dell'Apoteosi di Antonino Pio e di Faustina sua moglie

      1776 - "Acquaforte e bulino, 1776-79 circa, firmata in lastra in basso a destra. Magnifica prova, ricca di toni, impressa su carta vergata coeva priva di filigrana, con margini, in perfetto stato di conservazione. Rarissima veduta della piazza di Montecitorio. L'opera fa parte del non comune lavoro "Trofeo o sia Magnifica Colonna Coclide di marmo " edita da Piranesi tra il 1774 ed il 1779. In primo piano il basamento della colonna. Magnifica tiratura coeva." "Etching with engraving, 1776-79 circa, signed at lower right. A magnific impression, printed with tone on contemporary laid paper, with margins, perfect condition. A very rare work, taken form "Trofeo o sia Magnifica Colonna Coclide di marmo " published by Piranesi 1774-79. A great, early, impression." Focillon 573; Wilton Ely 713. Dimensioni 700 490mm [Attributes: Signed Copy]

      [Bookseller: Libreria Antiquarius]
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        Histoire ecclésiastique de la cour de France, où l'on trouve tout ce qui concerne l'histoire de la chapelle, & des principaux officiers ecclésiastiques de nos rois

      - De l'Imprimerie Royale, à Paris 1776, In-4 (20x26cm), lxviij, 667pp. et (2) 639pp. Liij, 2 volumes reliés. - originale, insolito Edition. Copiare le braccia di Luigi XV colpito sui piatti, e la figura ripetuto sul retro, un simbolo che certifica la provenienza della Biblioteca Reale di Versailles. Luigi XV aveva una grande biblioteca che è stata particolarmente amplificato quando i principi sono stati portati a Versailles. Diciassette mila volumi aderito alla Biblioteca Nazionale alla Rivoluzione. Raccoglitori pieni di tempo di vitello congelato screziato marrone. Indietro con i nervi decorato Luigi XV di figura ripetuto quattro volte con gigli angolari. parti del titolo e numero del volume in marocchino rosso. I piatti alle armi. Triple Net mentoring sulle stoviglie. una mancanza di volume in testa I. La mancanza di mandibola coda del volume I. A lungo il foro mascella superiore del volume I. - [FRENCH VERSION FOLLOWS] Edition originale, rare. 2 tableaux dépliantes qui récapitulent pur chacun des rois de France les chefs de chapelle, les confesseurs... Exemplaire aux armes de Louis XV frappées sur les plats, et au chiffre répété sur le dos, symbole qui atteste de la provenance de la bibliothèque royale à Versailles. Louis XV possédait une très vaste bibliothèque qui fut notamment agrandie lorsque les Princes furent élevés à Versailles. Dix-sept mille volumes rejoignirent la Bibliothèque nationale à la Révolution. Reliures en plein veau brun marbré d'époque glacé. Dos à nerfs orné du chiffre de Louis XV répété quatre fois avec des fleurs de lys angulaires. Pièces de titre et de tomaison en maroquin rouge. Plats aux armes. Triple filet d'encadrement sur les plats.  Manques en tête du tome I et II. Manque au mors inférieur en queue du tome I. Un trou le long du mors supérieur du tome I. Mors fendus en tête sur 1 cm au tome II. 3 coins émoussés. Feuillets de titres restaurés en marge avec papier ancien similaire. Feuillet 97 du tome II avec manque en marge basse (brûlure).  Manques en marge basse sur les 2 derniers feuillets d'index. Quelques taches jaunes. Malgré les défauts mentionnés, bel exemplaire. Histoire chronologique de la chapelle du roi et du clergé de la cour. L'auteur étudie également la présence plus ou moins marquée de la religion chez les rois et l'histoire des faits religieux. On y trouve également l'histoire de la chapelle de musique dont les maître de chapelle étaient religieux.  

      [Bookseller: Librairie Feu Follet]
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        DESCRIZIONE DEGL'ISTROMENTI ARMONICI d'ogni genere del Padre... Seconda edizione riveduta, corretta ed accresciuta dall'Abate Giacinto Ceruti ornata con CXL rami incisi d'Arnoldo Wanwesterout.

      Monaldini, 1776. gr. vol. in-4, pp. VI-XVI, XXIII, 214 (mal numerate), (2), leg. m. pelle coeva con tass. e tit. oro al d. con fregi, piatti in carta dec. Iniziali xilogr. Belliss. antip. inc. in rame su doppia pagina, con il titolo in italiano e inglese, inc. da Francesco Rastaini su dis. di Vincenzo Brenna. Dedicat. a Filippo Caetani Duca di Sermoneta. Testo in italiano e francese, su due colonne. Celebre testo del gesuita F. Bonanni o Buonanni (1638-1725), fondamentale per la storia della musica, ricercato per il ricco apparato iconografico dove vengono mostrati musicisti e strumenti di ogni genere e paese, dall'antichità all'età moderna. La tav. XXXIII, più volte ripiegata, rappresenta l'organo inventato dal musicista Michele Todini Savoiardo nel Palazzo dei Signori Verospi in Roma, al suono del quale "corrisponde il suono di un cembalo e di tre spinette separate da lui". Come sempre qualche errore nella numerazione delle pagine e nel posizionamento di alcune tavv. La numerazione iniziale comincia con VI poichè nel computo sono considerato il doppio antip. Non compare la tav. XIV, mentre la XXIX è suddivisa in 2 tavv., numerate 1 e 2. Rispetto alle 140 tavv. citate nel titolo sono qui presenti 150 tavv., ben 10 in più. La tav. LII non è presente (ma c'è una tav. non numerata riferita a pag.115 "Varietà di Cetere"). Due tavv. LXXVIII con titolo e soggetto diverso (una riferita a pag.118 "Tamburo africano diverso" e una riferita a pag.137 "Tamburo Militare"). Due tav. CXVI con titolo e soggetto diverso (una riferita a pag.151 "Bacioccolo" e una riferita a pag.174 "Legno delli Copti"). Due tavv. CXVII con titolo e soggetto diverso (una riferita a pag.151 "Fanciullo con Trich Trach" e una riferita a pag.175 "Crepitacolo per la Chiese"). Due tavv. CXVIII con titolo e soggetto diverso (una riferita a pag.152 "Fanciullo con Trich Trach" e una riferita a pag.176 "Altro diverso"). Tre tavv. CXIX con titolo e soggetto diverso (una riferita a pag.152 "Altro diverso usato dale nutrici", una riferita a pag.177 "Matracca", e una riferita a pag.186 "Crotalo del Mendico"). Due tavv. CXXX con titolo e soggetto diverso (una riferita a pag.159 "Tavola percossa dal Cappuccino" e una riferita a pag.186 "Frusta del Cocchiero"). Una tav. non numerata riferita a pag.165 "Campanelli antichi". Due tavv. extra (la tav. CXLI riferita a pag.173 "Altro Istromento Cinese" e la tav. CXLIV riferita a pag.174 "Marimba de Cafri"). Brunet I, 1086: «Edition préférée à celle de Rome 1722, en italien seulement, sous le titre de Gabinetto Armonico, avec 136 planches». Cicognara 1579. Minime abrasioni alla carta dei piatti, dif. alla cuffia sup, occasione brun. su alcune tavv. e qualche rinforzo di carta, ma bell'esempl. a larghi margini su carta forte. [013]

      [Bookseller: Studio Bibliografico Scriptorium]
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        Vue d'Italie : Marine animée à la tour carrée

      S.n., s.l. (Circa 1776), Cadre : 40x50cm ; dessin : 18x24cm, une feuille encadrée. S.n., s.l. (Circa 1776), Cadre : 40x50cm ; dessin : 18x24cm, une feuille encadrée. - Original drawing in ink and watercolor depicting a lively seaside view with a village perched on a cliff. Modern framing of blond chopsticks. Drawing made during the journey with the Marquis de Sade during the year 1775 - [FRENCH VERSION FOLLOWS] Dessin original au crayon représentant une vue animée de bord de mer. Encadrement moderne de baguette noires. Dessin réalisé pendant le voyage fait avec le marquis de Sade au cours de l'année 1775.   une feuille

      [Bookseller: Librairie Feu Follet]
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        Parte Meridionale de la Louisiane, avec la Floride, la Coroline et la Virginie

      Venezia 1776 - Carta geografica tratta da "Atlas Universelle" del Santini, edito dal Remondini a Venezia. Affascinate mappa che mostra gran parte del sud-est degli Stati Uniti, il Golfo del Messico e la costa orientale, mentre non comprende la punta meridionale della Florida. La mappa è basata su quella del francese D'Anville, in 4 fogli. Incisione in rame, coloritura coeva dei contorni, in perfetto stato di conservazione. Map taken from the Santini "Atlas Universelle" published by Remondini in Venice. Showing the Colonial America, the region from the Chesapeake to Florida, west to Natchitoches and the Arkansas River, north along the Mississippi River to the Fort de Chartes area and then east along the Ohio River toward Maryland, which is named, and including all of the Del-Mar-Va peninsula. While the map is based upon D'Anville's highly important 4 sheet map of North America. Copperplate, original colour, in good condition. Dimensioni 580 490mm

      [Bookseller: Libreria Antiquarius]
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        IN PROVINCIAL CONGRESS, NEW-YORK, MAY 31, 1776...WHEREAS THE PRESENT GOVERNMENT OF THIS COLONY BY CONGRESS AND COMMITTEES, WAS INSTITUTED WHILE THE FORMER GOVERNMENT UNDER THE CROWN OF GREAT-BRITAIN EXISTED IN FULL FORCE, AND WAS ESTABLISHED FOR THE SOLE PURPOSE OF OPPOSING THE USURPATION OF THE BRITISH PARLIAMENT, AND WAS INTENDED TO EXPIRE ON A RECONCILIATION WITH GREAT BRITAIN, WHICH IT WAS THEN APPREHENDED WOULD SOON TAKE PLACE, BUT IS NOW CONSIDERED REMOTE AND UNCERTAIN...

      [New York: John Holt, 1776. Letterpress broadside, 300 x 245 mm. Signed in print by Robert Benson, Secretary of the New York Provincial Congress. Very good. Matted. In a red morocco backed box. This broadside represents the end of colonial rule in New York and the beginning of independent government as a state. On May 10, 1776 the Continental Congress advised the colonies that Great Britain had failed to respond to their petitions and that each colony should form their own government. Virginia was the first to respond, formally rejecting Great Britain and forming its own government on May 15. As the annotations on this broadside show, it took New York several more weeks to work through the process, but by on July 10 the delegates met in White Plains to establish a new government, a week after the signing of the Declaration of Independence The present broadside by the New York Provincial Congress includes a printing of the May 10 resolution by the Continental Congress. The broadside then continues:"And whereas Doubts have arisen whether this Congress are invested with sufficient Power and Authority to deliberate and determine so important a Subject as the Necessity of erecting and constituting a new Form of Government and internal Police, to the Exclusion of all Foreign Jurisdiction, Dominion and Controul whatever. And whereas it appertains of Right solely to the People of this Colony to determine the said Doubts...." Three resolutions follow concerning new elections to either confirm the present representatives or appoint new ones to form a new, independent government. On the verso of the broadside, an unidentified hand has added a few notes concerning the process outlined on the broadside, and taken to establish a new government: "Candidates to be Chosen ye 18th Day of this Instant Return to be made ye 21st at 11 Clock Election the - - 25th Return Thursday - - 27 at 11 Clock in ye forenoon at which Time the County Committee Meet." In the end the new legislature met on July 10, but the chaos caused by the British invasion of New York delayed a formal state constitution until early 1777. Only two copies of this broadside are recorded, at the New York Historical Society and the Historical Society of Pennsylvania. Printing is ascribed to John Holt by Evans (Holt was later the first printer for the New York legislature, and fled with that body to Poughkeepsie when the British seized New York City). An extremely rare broadside that established the drafting and approval of New York's independence from Great Britain. EVANS 14934. ESTC W16538.

      [Bookseller: William Reese Company - Americana]
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        Veduta delle antiche Sostruzioni fatte da Tarquinio Superbo dette il Bel Lido.

      Roma 1776 - - PRIMO STATO DI TRE - Acquaforte e bulino, 1776, firmata in lastra . Esemplare della contemporanea tiratura romana. Magnifica prova, impressa su carta vergata coeva con filigrana "doppio cerchio e giglio con letter CB", con pieni margini, in perfetto stato di conservazione. Della serie Vedute di Roma. L’opera consiste in 135 lastre prodotte individualmente dal Piranesi per almeno 30 anni, da circa il 1745, fino alla data della sua morte. All’opera sono aggiunte poi 2 vedute realizzate dal figlio Francesco. Per la prima volta furono edite dall’editore Giovanni Bouchard nel 1751 (34 lastre), successivamente dallo stesso Piranesi editore a Palazzo Tomati in Roma (scritta che appare su molte tavole), fino alla stesura definitiva composta da 137 lastre. Successivamente alla morte dell’autore le lastre furono ereditate dal figlio Francesco, che ne curò la pubblicazione prima nella capitale, e successivamente a Parigi. Le lastre furono poi acquisite dalla Calcografia Camerale, oggi Calcografia Nazionale, dove sono tuttora conservate. Le opere che proponiamo fanno parte di un album nella stesura definitiva, stampato a Roma tra il 1770 ed il 1780. - THE FIRST STATE OF THREE - Etching with engraving, 1776, signed on plate. From the contemporary Roman Edition. A very good impression, printed on contemporary laid paper with watermark "double encircled fleur de lys with letters CB", with margins, very good condition. Taken from Vedute di Roma; the whole work consists of 135 plates which have been individually produced by Piranesi along 30 years, from 1745 circa until his death. Two more works have been subsequently added, two plates by his son Francesco. They have been printed for the first time in 1751 (34 plates) by the editor Giovanni Bouchard, afterwards by Piranesi himself, publisher in Palazzo Tomati in Rome (as it is written on m,any plates), until the final edition of 137 plates. After Piranesi's death, his son Francesco inherited the plates, editing them first in Rome and then in Paris. The Calcografia Camerale, nowadays Calcografia Nazionale, has then bought the plates which are now kept inside the building. Hind 125, I/III; Focillon 841; Wilton Ely 258. Dimensioni 670 445mm [Attributes: Signed Copy]

      [Bookseller: Libreria Antiquarius]
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        Winterlandschap - naar Pillement, 1776.

      WINTERLANDSCHAPTekening met pen, grijs gewassen inkt en waterverf vervaardigd door John Atkinson naar Jean Baptiste Nicolas Pillement, gesigneerd en gedateerd 1776 rechtsonder. Afm. 32 x 43 cm.Tijdens zijn verblijf in Londen tussen 1754 en 1763 speelde Pillement in op de waardering die het publiek had voor schilderijen van landschappen. Hij werd daarbij o.a. ge?nspireerd door het werk van de Hollandse 17e-eeuwse landschapschilder Nicolaes Berchem.De hier getoonde tekening, onstaan naar het ontwerp van Pillement, kent dan ook de bekende Hollandse elementen van het wintergezicht: de kinderen, de keuvelende groepjes mensen op het ijs, de duwslede, de koek-en-zopie tent met vlag in top.Prijs: ?950,- (incl. lijst, BTW margeregeling).

      [Bookseller: Inter-Antiquariaat MEFFERDT & DE JONGE]
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        Travels in Asia Minor: or an Account of a Tour made at the Expense of the Society of Dilettanti. By Richard Chandler, D.D Fellow of Magdalen College and of the Society of Antiquaries. 2nd Edition.

      Dodsley, London 1776 - xiv xiii 283p quarto format, full calf, boards worn, hinges breaking, spine dull, name stamp to endpaper, pages clean, fine quality of printing, fold-out map of 'the Aegaean Sea or Archipelago, with the Coasts of Europe and Asia, and part of Asia Minor', binding firm, well preserved copy in an unadulterated binding [Attributes: Hard Cover]

      [Bookseller: Plurabelle Books Ltd]
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        Nuove Scoperte de' Russi al Nord del Mare del Sud si nell'Asia che nell'America

      Venezia 1776 - Carta geografica tratta dal "Atlante Novissimo" dello Zatta, edito tra il 1776 ed il 1785. La mappa raffigura la costa nord-occidentale del Nord America, e quella nord-orientale dell'Asia utilizzando le scoperte dei Russi riportate da J. N. De L'isle. La cartografia non è prettamente scientifica, di qui una serie di errori come ad esempio, solo per citarne alcuni, la miitica colonia cinese Fou Sang, quale traccia di una colonizzazione cinese nella regione, e lo Stretto di Anian rappresentato al posto dell'attuale Vancouver. Questi errori saranno corretti negli anni successivi soprattutto grazie ai rapporti dei grandi navigatori, tra i quali l'inglese James Cook. Il cartiglio pittorico comprende una mitica isola deserta sulla quale vivono numerosi animali i più adatti a climi tropicali - un coccodrillo, un elefante, un rinoceronte e uno struzzo. La nave raffigurato nella vignetta è quasi certamente è la nave del capitano Cook, l'Endeavour. Incisione in rame, coloritura coeva dei contorni, in buone condizioni. Map from "Atlante Novissimo" printed in Venice between 1776 and 1785. Nice example of Zatta's map of the northern Pacific Coastal regionsone of the best illustrations of a late rendition of the Northwest Passage, here illustrating two wide passages from the Pacific to Hudson's Bay, based upon the mythical voyages of Admirals Cluny and de Font. The map depicts the NW coast of North America and NE coast of Asia and utilizes the Russian discoveries reported by J.N. De L'Isle. The map is noteworthy for the odd archipelago of islands off NE Asia, the rivers extending from the Pacific Coast to the interior of North America and the odd projection of the western coast of North America. The map was issued in Zatta's Atlante Novissimo a monumental 4 volume work and one of the last great decorative atlases. Copperplate, original outline colour, in very good condition. Dimensioni 410 320mm

      [Bookseller: Libreria Antiquarius]
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        Veduta degli Avanzi delle Fabbriche del Secondo Piano delle Terme di Tito

      Roma 1776 - - PRIMO STATO DI QUATTRO - Acquaforte e bulino, 1776, firmata in lastra . Esemplare della contemporanea tiratura romana. Magnifica prova, impressa su carta vergata coeva con filigrana "doppio cerchio e giglio con letter CB", con pieni margini, in perfetto stato di conservazione. Della serie Vedute di Roma. L’opera consiste in 135 lastre prodotte individualmente dal Piranesi per almeno 30 anni, da circa il 1745, fino alla data della sua morte. All’opera sono aggiunte poi 2 vedute realizzate dal figlio Francesco. Per la prima volta furono edite dall’editore Giovanni Bouchard nel 1751 (34 lastre), successivamente dallo stesso Piranesi editore a Palazzo Tomati in Roma (scritta che appare su molte tavole), fino alla stesura definitiva composta da 137 lastre. Successivamente alla morte dell’autore le lastre furono ereditate dal figlio Francesco, che ne curò la pubblicazione prima nella capitale, e successivamente a Parigi. Le lastre furono poi acquisite dalla Calcografia Camerale, oggi Calcografia Nazionale, dove sono tuttora conservate. Le opere che proponiamo fanno parte di un album nella stesura definitiva, stampato a Roma tra il 1770 ed il 1780. - THE FIRST STATE OF FOUR - Etching with engraving, 1776, signed on plate. From the contemporary Roman Edition. A very good impression, printed on contemporary laid paper with watermark "double encircled fleur de lys with letters CB", with margins, very good condition. Taken from Vedute di Roma; the whole work consists of 135 plates which have been individually produced by Piranesi along 30 years, from 1745 circa until his death. Two more works have been subsequently added, two plates by his son Francesco. They have been printed for the first time in 1751 (34 plates) by the editor Giovanni Bouchard, afterwards by Piranesi himself, publisher in Palazzo Tomati in Rome (as it is written on m,any plates), until the final edition of 137 plates. After Piranesi's death, his son Francesco inherited the plates, editing them first in Rome and then in Paris. The Calcografia Camerale, nowadays Calcografia Nazionale, has then bought the plates which are now kept inside the building. Hind 127, I/IV; Focillon 838; Wilton Ely 260. Dimensioni 710 490mm [Attributes: Signed Copy]

      [Bookseller: Libreria Antiquarius]
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        Veduta della Chiesa di S. Pietro di Roma dalla parte di Ponte Molle

      Roma 1776 - Panoramo di Roma da Ponte Milvio, con la cupola di San Pietro. Acquaforte e bulino, 1776 circa, da un dipinto di Jacob Philip Hackert, datato 1776. L'opera è edita dal fratello di Hackert, Georg Abraham, che aveva una bottega calcografica in Roma a Piazza di Spagna. Le figure in primo piano sono incise da Giovanni Volpato, come dimostra la scritta in basso a destra "J. Volpato caelum applic. Romae". Magnifica prova, impressa su carta vergata cova, rifilata al rame, in ottimo stato di conservazione. Opera non comune. Dimensioni 535 395mm

      [Bookseller: Libreria Antiquarius]
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        Briefe über die Bestellung eines Küchengartens (3 Bände)

      Hannover, Helwing, 1776/83. - in welchen denen, die ihre Gärten selbst, und ohne die Hülfe eines gelernten Gärtners bestellen wollen eine Anleitung zum Gartenbau gegeben wird. Mit 2 gefalteten Kupfertafeln, 4 gefalteten Tabellen, XLVIII, 542 Seiten; LXIV, 673 Seiten, 1 Blatt; 560 Seiten, Halblederbände der Zeit, 17,5 x 11 cm, Einbände gering berieben, innen leicht gebräunt, kleiner Stempel auf den Titelblättern, sonst gut. [Attributes: Hard Cover]

      [Bookseller: Antiquariat H. Carlsen]
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        Coryat's Crudities: Coryat's Crudities: Reprinted from the Edition of 1611. To which are now added, His Letters from India, &c. and extracts relating to him, From Various Authors: being A more particular Account of his Travels (mostly on Foot) in different Parts of the Globe, than any hitherto published. Together with his Orations, Character, Death, &c. With Copper-Plates.

      London: W. Cater; Samuel Hayes; J. Wilkie; and E. Easton at Salisbury, 1776 - 3 volumes, octavo (200 × 120 mm). Nineteenth-century polished calf, contrast labels, spine gilt in compartments, double-ruled panel with floral corner-pieces to boards, plain single line edge-roll, marbled edges and endpapers, milled roll to the turn-ins. Contemporary armorial bookplate and early ownership inscription of H. C. Morewood to First volume; later plates of Hardress Llewellyn Lloyd in all three. Joints, headcaps and one tear to side very skilfully repaired, an excellent set. 8 engraved plates copied from 17th-century blocks, engraved illustrations within text. First collected edition of the writings of Thomas Coryate (1577?–1617). The Crudities, describing his tour from London to Venice and back, is his best known work, with many points of historical interest, including his admirable rendering of the story of William Tell (cited as the earliest in English); it is also remembered for the prefatory mock-panegyric verses by the most illustrious authors of the day, including Jonson, Chapman, Donne, Campion, Harington, and Drayton. The whole apparatus of the book, including these verses, the plates and the original spelling, is reproduced here. Coryate then set out on a second tour to Constantinople, visited Aleppo whence he walked to the Holy Land and back (sending notes home which were First published in Purchas his Pilgrimes, 1625), and then achieved the remarkable feat of walking from Jerusalem to India. After further wanderings within India, including a period living at the court of the Great Moghul, he died at or near Surat in Gujarat. Howgego, I, C198. [Attributes: First Edition]

      [Bookseller: Peter Harrington. ABA member]
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        Minutemen document signed

      1776. Signed. (AMERICAN REVOLUTION). Minutemen document signed. Newbury [Massachusetts]: April 11, 1775. One sheet of paper, 6-1/4 by 5-3/4 inches, manuscript in ink on recto and verso. $9200.Very scarce and desirable receipt signed by 11 minutemen in Newbury, Massachusetts, on April 11, 1775, an intriguing artifact of the Revolutionary War era.The document reads ""Received of Capt. Gerrish by the hand of Mr. Eliphalet Kilbon the sum affixed to our respective names in the within, Newbury, April 11, 1775"" and is signed by John Cheney, Oliver Goodridge, Abraham Sawyer, Abner Woodman, John Carneige, Jedediah Currier, Nath. Pearson, Nathan Adams, Jacob Hale, John Noyes, and Enoch Boynton. Several of these names are penned on the verso, in a uniform hand, with payment amounts noted next to each man's name.Massachusetts was officially declared to be in a state of rebellion in February, 1775. In late March of 1775, John Hancock, president of the Provincial Congress of Massachusetts, ""declaring that the people of Massachusetts were threatened by a powerful army, formally called upon them to prepare to defend themselves to the uttermost. Certain units of the Massachusetts militia were designated as minutemen, and instructed to go into swift action in the event that Gage's troops came out of Boston on the offensive"" (Alden, A History of the American Revolution, 173). The British garrison attempted to act on its orders to disarm the rebels and arrest their leaders, especially Hancock and Samuel Adams, which led to the Battles of Lexington and Concord on April 19, 1775, scarcely more than a week after this particular pay receipt was signed. Faint fold lines, mild edge-wear, archival tape reinforcement in three places on verso. An extremely good and scarce Revolutionary War document.

      [Bookseller: Bauman Rare Books]
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        The Annual Register, or a View of the History, Politics, and Literature for the year 1776

      First editioniv, 112, *113-*192, 113-270, [1],259,[9]. pages.Single small worm hole lower blank outer corner blank margin pages 146 - 249, from 249 to end with second worm trail extending to max .5cm.Contents clean and tight with no inscriptions or marking, browning to end papers. Re cased in the original full brown calf binding original contrasting labels.Pages 261-264, the Declaration of Independence of 4 July 1776, and on pages.264-267, the Articles of Confederation, resolved by the Congress on 4 October 1776.

      [Bookseller: Hereward Books]
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